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Inspired by the diversity of Dallas,

From immigration through the arts to

Explore a rediscovered masterpiece

this installation in the Center

contemporary interpretations of home,

by Alfredo Ramos MartÍnez and the

for Creative Connections traces

learn more about the fresh crop of spring

changing representations of women

the migration of people, objects,

2020 exhibitions at the DMA.

in modern Mexican art in this new

and ideas in art across times and

free exhibition.




Find out about the imaginative and

DMA Members share their favorite

Check out these highlighted artful

immersive new contemporary art

memories and why they are proud to

events and programs happening this

exhibition that explores how the

support the Museum.

spring at the DMA.

spaces we inhabit reflect ourselves.

IMAGES: Cover: Alex Da Corte, Rubber Pencil Devil, 2018, glass, aluminum, vinyl, velvet, neon, Plexiglas, folding chairs, monitors, high-res digital video, color, and sound, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2019.59, courtesy of the artist and Karma, New York, Photo by Bryan Conley © Carnegie Museum of Art, Pittsburgh Page 2: Kara Walker, no world (detail), 2010, etching with aquatint, sugar-lift, spit-bite, and drypoint, Dallas Museum of Art, Mary Margaret Munson Wilcox Fund, 2010.39.1, © Kara Walker; Alex Da Corte, Rubber Pencil Devil, 2018, Photo by Tom Little Page 5: Vernon Fisher, Painting in the Pacific, 1994, oil, blackboard, slating, wood, and chalk, Dallas Museum of Art, The Barrett Collection, Dallas, Texas, 2007.53.11.a–c, © Vernon Fisher; Pair of infant shoes, Peru, north coast, Chimú, Late Intermediate Period, 1100–1400 CE, leather, Dallas Museum of Art, gift of Jonathan and Philip Holstein, 1976.47.a–b; Fannie Nampeyo, small jar with “migration” design, late 20th century, ceramic, slip, and paints, Dallas Museum of Art, gift of Dr. and Mrs. Robert I. Kramer, 2014.43.14, © Fannie Nampeyo; Short coat: dragons and auspicious symbols, China, late 19th century, silk and metal-wrapped yarn, Dallas Museum of Art, gift of Betty Ann Walter and Ruth Walter Benedict in memory of Ethyl Walter and Gladys Walter, 1993.70 Page 6–7: Kara Walker, no world, 2010; Alfredo Ramos Martínez, Portrait of Nahui Olin (detail), about 1915, pastel on paper on canvas, Colección Pérez Simón, © 2020 The Alfredo Ramos Martínez Research Project, reproduced by permission, Photo by Arturo Piera; Frans Hals, Portrait of Pieter Jacobsz. Olycan (detail), 1629–30, oil on panel, Private Collection, by courtesy of David Koetser Gallery, Zurich; Francisco Moreno, Chapel (detail), 2016–18, pencil, vine charcoal pencil, and acrylic on an all-encompassing structure, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, the Charron and Peter Denker Contemporary Texas Art Fund, Elisabeth Karpidas, Charles Dee Mitchell, Tammy Cotton Hartnett, Travis Vandergriff, Joyce Goss, Harper and Jim Kennington, and Karen and John Reoch, 2019.58, courtesy of the artist and Erin Cluley Gallery, Photography by Wade Griffith; Salvador Dalí, Canto 1 – Departure for the Great Journey (detail), about 1960, woodcut, Dallas Museum of Art, gift of Lois and Howard B. Wolf, 1996.219.1, © 2020 Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society; Misha Kahn, *(T3)* (8)* (J~) * ([..”) * (7^) * (4=) * (F]) * (llii.) * (A) * (!s) * (11) * (‘.v:’)* (detail), 2019, Photo by John Smith Page 8–9: Alfredo Ramos Martínez, Flores Mexicanas (Mexican Flowers), 1914–29, oil on canvas, Missouri Historical Society Collections. © 2020 The Alfredo Ramos Martínez Research Project, reproduced by permission Page 10–11: Alex Da Corte, Rubber Pencil Devil, 2018; Maureen Gallace, Cross Hill Road, Winter, 2002, oil on panel, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2003.32, © Maureen Gallace, courtesy the artist Page 12–13: Misty Keasler, Green Room (Quarenteen) Leagnul di Copii, Tigru Mures, Romania (detail), 2004, C-print on Kodak Supra Endura, Dallas Museum of Art, gift of Burt and Missy Finger, 2006.33, courtesy Misty Keasler and The Public Trust Gallery; Annette Lawrence, 3708 Utopia Pkwy #1, 1999, photocopy and acrylic on paper, Dallas Museum of Art, The Barrett Collection, Dallas, Texas, 2007.53.28, © Annette Lawrence; Francisco Moreno, Chapel (detail), 2016–18; Margaret Lee, Who Do You Think You Are (sink), 2016, dye sublimation photograph, plaster, ceramic, wood, and acrylic paint, Dallas Museum of Art, Lay Family Acquisition Fund and Mary Margaret Munson Wilcox Fund, 2016.31.3.a–j Page 18: Olivia Erlanger, Pergusa, 2019, silicone, polystyrene foam, MDF, plywood, and Maytag washing machine, Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2019.63.a–b, courtesy AND NOW Gallery, and artist; Misty Keasler, Green Room (Quarenteen) Leagnul di Copii, Tigru Mures, Romania (detail), 2004


It’s interesting how the start of a new decade often becomes as much a moment to reflect on the last 10 years as it is a moment to ponder what the next 10 will bring. Looking back on where we’ve come from and the foundation we’ve laid to drive more meaningful experiences through art, I believe now more than ever that our best is still to come. The Museum’s work in the 2010s has brought us to an amazing starting point for the 20s, and I hope you are inspired by the fresh approaches we’ve taken to tell new art stories this spring. The complete transformation of the Center for Creative Connections (C3) space with the new installation My|gration, developed with local community voices, is just one such example. We’re also delighted to provide only the second opportunity in nearly a century to see a rediscovered masterpiece in Flores Mexicanas: Women in Modern Mexican Art, the inaugural presentation by our first-ever curator of Latin American art. And we can’t wait to capture imaginations in For a Dreamer of Houses (cover story), which explores the significance of the spaces we inhabit through stunning and immersive installations from our collection. There’s much more to share so I invite you to read about all that is happening at the DMA and make plans to visit (and revisit) us throughout this season. I am incredibly grateful to be on this journey into a new decade with the Museum, our community, and dearest supporters like you. Thank you for your continued commitment to the work we do!

Agustín Arteaga The Eugene McDermott Director

Inspired by visitor input and community listening

sessions with colleagues at local organizations such as Cry Havoc Theater Company; Break Bread, Break Borders; GAIA Empowered Women; and Heart House Dallas, the Center for Creative Connections (C3) is thrilled to present My|gration, an exhibition exploring how the movement of people is expressed through art. Composed primarily of works from the permanent collection, the exhibition highlights the contributions of artists who immigrated to the United States and illuminates ways crosscultural connections inform artistic production. Three sections—Departure, Arrival, and In Transit— as well as various interactives for all ages, provide the opportunity for visitors to learn more about motivations for relocation, whether voluntary or forced, and consider how works of art can serve as catalysts for civil discourse during times of unrest. The artworks in the exhibition range in medium, place of origin, and time period. Yasuo Kuniyoshi’s Bather with Cigarette holds a special connection to the DMA. Accompanying the work is a series of exchanges in 1941 between the artist and former DMA director Richard Foster Howard, in which

Kuniyoshi requests a letter proving his status as an “American painter of long residence” in order to avoid police questioning during a working tour of the Southwest. This particular juxtaposition of DMA archival material, coupled with additional interpretive choices, positions permanent collection works in new contexts and helps expand our capacity for understanding. Support for the exhibition and related programming is made possible by the Bonnie Pitman Education Endowment to Do Something New. This generous gift from Beverly and Donald S. Freeman allows the DMA to uphold our commitment to providing compelling, engaging, and accessible content for diverse audiences, and to continue examining the role the arts can play in fostering empathy and encouraging perspective-taking. My|gration will be amplified by participatory works created by local artists and will serve as inspiration for programs like DMA Late Nights, Gallery Talks, Make & Take, and the Spring Family Festival. For more information regarding upcoming events, please visit DMA.org.


The Bonnie Pitman Education Endowment to Do Something New supports ambitious new pilot programs and projects that place art and the community at the center of our work. Look for these programs this spring, in addition to the new My|gration exhibition: DMA to Go This pop-up program, featuring hands-on art making and parent information, will be scheduled in conjunction with PTA meetings, school carnivals, and fairs.

Baby Day On February 15 the DMA will partner with First3Years to host Baby Day, a statewide celebration that highlights this key developmental phase in the lives of our tiniest Texans.

Veterans Programming Partnering with Creati-Vets, a national program, the DMA will co-develop a multi-session curriculum that uses the Museum’s collection as a point of departure for discussions, art making, and movement-based activities that invite reflection and creative expression.

Arts of the Americas Community Advisory Council The Arts of the Americas Galleries will be reimagined over the next 24 months under the leadership of Dr. Michelle Rich, The Ellen and Harry S. Parker III Assistant Curator of the Arts of the Americas. This community advisory council will help ensure that the stories told through new interpretive materials and object groupings celebrate and affirm the values and culture norms of the communities whose art and material culture are exhibited.

speechless: different by design Evaluation Using a two-phased, mixed methods approach to gathering data, followed by a quantitative analysis of visitors’ rankings of opinions about the unique exhibition, the Museum seeks to empirically evaluate visitors' reactions to this interactive exhibition in order to inform future design and programming decisions.

My|gration Exhibition-Related Event Arts & Letters Live presents Richard Blanco My |gration Through January 3, 2021

Monday, April 6, 7:30 p.m. Selected by President Obama in 2013 as the fifth inaugural poet in US history, Richard Blanco is the youngest and first Latino, immigrant,

The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Arts and Culture, and the Texas Commission on the Arts. THIS EXHIBITION IS MADE POSSIBLE BY

The Bonnie Pitman Education Endowment to Do Something New LOCAL SUPPORT

gay person to serve in the role. Blanco characterizes the negotiation of cultural identity, community, and belonging in his award-winning poetry. His most recent collection, How to Love a Country, interrogates the American narrative and celebrates the still-unkept promise of its ideals. In celebration of National Poetry Month and the DMA’s new exhibition My|gration in the Center for Creative Connections, Blanco will debut an original commissioned poem inspired by a work of art in the collection.


SPRING 2020 brings a fresh crop of exhibitions highlighting works in the Museum’s permanent collection that explore immigration through the arts and contemporary interpretations of home, as well as loans that offer visitors a chance to see works by leaders of modernism in Mexico, portraits by a Dutch master, and more.

MY|GRATION THROUGH JANUARY 3, 2021 FREE Visit the Center for Creative Connections (C3) to trace the migration of people, objects, and ideas in art across times and cultures in My|gration. Through works from the DMA’s collection, the exhibition spotlights the contributions of artists who immigrated to the United States and illuminates ways cross-cultural connections inform artistic production. The installation was organized with input from local community groups, whose contributions influenced its presentation in the galleries.

FLORES MEXICANAS: WOMEN IN MODERN MEXICAN ART THROUGH SEPTEMBER 20, 2020 FREE Bringing together works by Alfredo Ramos Martínez, Frida Kahlo, María Izquierdo, Diego Rivera, and Francisco Dosamantes, among others, this exhibition surveys representations of women in Mexican modernism and looks at the meaning communicated through depictions of women during a transformative period in Mexican history. The highlight of the presentation is the monumental painting Flores Mexicanas by Ramos Martínez. Recently rediscovered and loaned to the DMA from the Missouri History Museum in St. Louis, the painting is being exhibited for only the second time in nearly a century.


FRANS HALS: DETECTING A DECADE FEBRUARY 23 TO OCTOBER 11, 2020 FREE Two imposing portraits of the same sitter painted a decade apart showcase the revolutionary technique of Frans Hals (1582/83–1666), the first major artist of free Holland. Hals was the foremost portraitist of his time, recognized for “painting character” through virtuosic, loose, and animated brushwork. The portraits of Pieter Jacobsz. Olycan, loaned to the DMA, demonstrate the evolution of the artist’s technique at the highest point of his career.

DALI’S DIVINE COMEDY MARCH 21 TO NOVEMBER 15, 2020 FREE The European Art Galleries on Level 2 will feature a new focus exhibition of works on paper with selected works from Salvador Dalí’s Divine Comedy, a colored woodcut series inspired by Italian poet Dante Alighieri’s literary treasure The Divine Comedy.


FOR A DREAMER OF HOUSES MARCH 15, 2020 TO JANUARY 31, 2021 TICKET REQUIRED Inspired by philosopher Gaston Bachelard’s concept of the psychological and emotional significance of rooms and houses, For a Dreamer of Houses presents contemporary artworks that evoke personal spaces and consider the politics of places we identify with. The exhibition also debuts major recent acquisitions— immersive installations by Alex Da Corte, Francisco Moreno, and Do Ho Suh, as well as large-scale works by Pipilotti Rist and Janine Antoni—along with a broad selection of works from the permanent collection.

SPEECHLESS: DIFFERENT BY DESIGN, the DMA’s pioneering exhibition of interactive installations that explore the spectrum of sensory experience, will be on view through March 22, 2020. Ticket required. Other exhibitions that are on view through March 22, 2020—and free—include Focus On: Alex Katz, featuring works by famed American painter Alex Katz, and Focus On: Ragnar Kjartansson, a presentation of the acclaimed nine-channel video installation The Visitors, alongside a series of commissioned postcards by Icelandic artist Ragnar Kjartansson.


BY DR. MARK A. CASTRO After the holidays, we started getting ready for the opening of Flores Mexicanas: Women in Modern Mexican Art. On view in two fourth floor galleries, this will be my inaugural exhibition at the DMA as the first Jorge Baldor Curator of Latin American Art. The show looks at shifting representations of women in art created during and after the Mexican Revolution. It was inspired by the loan of a monumental painting by Alfredo Ramos Martínez, Flores Mexicanas, pictured at left. A celebrated artist, he began painting this 9-by-12-foot canvas in 1915 in the midst of the violent Mexican Revolution, completing it in 1929. The four graceful women stand in a landscape filled with verdant greenery and luscious flowers. Its beauty is tinged with a feeling of nostalgia, as if Ramos Martínez knows that a period in Mexico’s history is ending. The exhibition will examine Ramos Martínez’s career through his depictions of women before Flores and following his move to Los Angeles after the painting was finished. The show will also feature representations of women by some of Mexico’s most celebrated artists, including María Izquierdo, Frida Kahlo, Diego Rivera, and José Clemente Orozco, to address common themes in Mexican post-revolutionary art, such as politics and indigeneity, as well as the place of the modern woman in Mexico. Flores Mexicanas was purchased by Mexican president Portes Gil as a wedding present for the aviators Anne and Charles Lindbergh, who donated it to the Missouri Historical Society. It remained off view for nearly a century, but was recently conserved. Although scholars knew about the painting through newspaper clippings, many assumed it was lost. To have it on view at the DMA will mark a rare opportunity for all of us to see one of Ramos Martínez's masterpieces for the first time.

Flores Mexicanas: Women in Modern Mexican Art Through September 20, 2020 Flores Mexicanas: Women in Modern Mexican Art is organized by the Dallas Museum of Art, and inspired by Flores Mexicanas: A Lindbergh Love Story, organized by the Missouri History Museum. Support for this exhibition comes from The Jorge Baldor Curatorial Fund for Latin American Art with media support provided by Univision. The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Arts and Culture, and the Texas Commission on the Arts. MEDIA SUPPORT


Inspired by 20th-century philosopher Gaston Bachelard’s concept of the psychological significance of rooms and houses, For a Dreamer of Houses will present contemporary artworks that evoke personal spaces and consider the politics of places we identify with. The exhibition will debut major recent acquisitions along with a broad selection of works from the permanent collection. To celebrate the March opening, we reached out to several participating artists and asked, “What locale is being depicted here?”


Rubber Pencil Devil, 2018 The Rubber Pencil Devil house was inspired by Denise Scott Brown and Robert Venturi’s Ghost Houses (1976) in Philadelphia’s Franklin Court. It is reminiscent of the skeletal structure of a home Ben Franklin once lived in set upon a multicolored terrazzo floor replica of Mister Rogers’ Neighborhood of MakeBelieve. Rubber Pencil Devil is a house of my dreams, an homage to the real and imagined histories the American Dream has been built upon.


Cross Hill Road, Winter, 2002 This was an old, rambling farmhouse in the Connecticut town I grew up in. It was at an intersection on a road leading through the center of town. The house seemed severed from its original setting (likely a farm) in that I'm fairly sure the house was there long before the road was. It didn't seem like anyone lived there anymore or had for some time. Today, it's no longer there. It was taken down and the land built over maybe 10 years ago.

MISTY KEASLER Green Room (Quarenteen) Leagnul di Copii, Tigru Mures, Romania, 2004 These isolated, glassed-in rooms serve as a quarantine for all babies entering an orphanage in Târgu Mureș, Romania. The space was painted by volunteers, a tender gesture meant to soften the cold, institutional architecture of practicality with a palette of pastels. Cloudy sunlight filtered in through the windows, the indirect light coloring the space like a jewel. Healthy new arrivals only live in the small glass rooms for a couple of weeks before transitioning to a communal living space. But others never leave, confined to beds by abnormalities that would have been swiftly treated upon birth in the US. The place, due to its function as an institution, feels cold and clinical. But even with the heaviest of subject matter, there are moments of lightness, places where the eyes can linger more easily, away from the heft that comes from thinking about children no one wants.

ANNETTE LAWRENCE 3708 Utopia Pkwy #1, 1999 3708 Utopia Pkwy is Joseph Cornell’s home in Queens, NY. This work is part of a series that depicts the homes of artists that were based in Queens, where I grew up. I came across the address in an exhibition of letters between Cornell and Marcel Duchamp at the Menil Collection in the late 1990s. This piece is pre-Google Maps. I actually went to the address to take the photos.


FRANCISCO MORENO Chapel, 2016–2018 At the Prado Museum, there is an almost exact re-creation of a 12th-century chapel that existed in Segovia, the Hermitage of the Vera Cruz de Maderuelo. The Romanesque mural paintings from the original structure were transferred to the Prado in 1947. I first saw that reconstructed chapel in 2016. It felt uncanny to stand in what was simultaneously an authentic, hand-painted space and a fabricated reality. My Chapel is a personal re-creation of the structure, but, more importantly, of the feeling.

MARGARET LEE Who Do You Think You Are (sink), 2016 A bathroom for someone who has it all.

For a Dreamer of Houses March 15, 2020 to January 31, 2021 For a Dreamer of Houses is organized by the Dallas Museum of Art. Support for this exhibition is provided by Elisabeth Karpidas. The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Arts and Culture, and the Texas Commission on the Arts. EXHIBITION SUPPORT

Contemporary Art Initiative


M E M B E R SP OT L I G H T DMA Members share their favorite memories and why they are proud to support the Museum.

Dr. Sarah Samaan moved to Dallas in 1995, immediately connecting with the Museum as a general DMA Member, then joining the DMA Junior Associates, and later becoming a DMA Circle member 16 years ago. Identifying a favorite exhibition is a challenge as Sarah finds inspiration in every exhibition she sees; however, two favorites stand out: the immersive quality of the Jackson Pollock exhibition in 2016 and meeting Iris van Herpen at her 2017 exhibition. This year, Sarah is eager to see Sandra Cinto’s completed Concourse mural, after hearing from the artist at the beginning of the installation, and she was awestruck by the redesign of the European Art Galleries. Sarah supports the DMA because she loves the opportunity to experience art and exhibitions on a more intimate level through DMA Circle events. Sarah says, “I believe that the arts help make a community strong, informed, and inquisitive, and I am fortunate that I am able to support the DMA and contribute to the outreach efforts that the Museum offers to students and other interested citizens.”

Marissa and Jon Jarratt have been DMA Members since 2004, and are currently members of the DMA’s Family Forum group with their son, Henry. Henry’s favorite memory at the DMA is the most recent Family Forum Day, noting how much he enjoyed the big snack table and creating his very own sculptures! Marissa has many fond memories of coming to the Museum from childhood through adulthood, including date nights with Jon at monthly Late Nights, drawing still lifes in the courtyard (while enjoying margaritas), behindthe-scenes tours of the Museum, Family Forum scavenger hunts, and more. The Jarratts support the Museum because they love supporting artists and learning about and enjoying art, while ensuring others can too. They hope that the DMA continues to serve its mission and inspire future generations of art appreciation, patronage, and practice.

Gregory Pynes joined the DMA in 1996. A Dallas native, he shares: “The DMA has been a part of my life since the Fair Park space. My first exhibit was Pompeii A.D. 79 at the Dallas Museum of Fine Arts and I was hooked.” Supporting the DMA is an essential part of his continued journey to learn through curator-led tours, lectures, and innovative exhibitions. Some of his favorite past exhibitions and events include the Ramses the Great and Jean Paul Gaultier exhibitions, plus a visitor favorite, the Museum Murder Mystery event. This season, Gregory loves the innovation of the speechless: different by design exhibition and is looking forward to seeing the May Collection this spring. Gregory believes the Museum offers our city a look at humanity and why the shared human experience is an important part of creating a community.


DMA Members get exclusive invitations to exhibition openings, dinners, and receptions. Want to gift a membership to a friend? Visit DMA.org/members.

Curator Nicky Meyers leads a tour at the annual Lunch with the Director

European Art Galleries - Catherine Rose, Julien Domercq, and Bill Lamont

Lunch with the Director - Charlie Caulkins and April Manson

European Art Galleries - Sogand Shoja and Gowri and Alex Sharma

Circle Exhibition Opening - Chris and Cecilia Elliott

Circle Exhibition Opening - Lisa and John Runyon and Juliette and Mark Moussa

Circle Exhibition Opening - Walter and Laura Elcock and AgustĂ­n Arteaga

Circle Exhibition Opening - Debbie Ryan and Capera Ryan

Family Forum Kickoff - Hallie Lamont and Nicolette Lamont

Family Forum Kickoff - Janelle Pinnell and daughter

Circle Exhibition Opening - Steve and Linda Ivy

Member Opening - Philana Li and Andrew Lusk

DMA CIRCLE AND COUNCIL Your gifts to the Dallas Museum of Art enable the Museum to be a space of wonder and discovery where art comes alive. We are deeply grateful for your support and want to thank all our members and donors, especially the following members of the DMA Circle and DMA Council.



The following donors have supported the Museum with an annual gift greater than $50,000.

The following donors have supported the Museum with an annual gift greater than $5,000.



Jennifer and John Eagle/John Eagle

Jean and Jim Barrow Diane and Hal Brierley Melanie and Tim Byrne Mr. and Mrs. Thomas Cranfill Campbell Mary Anne Cree John Dayton Claire Dewar Mr. and Mrs.* William C. Estes Thomas Fagadau Mr. and Mrs. Jeremy L. Halbreich Dr. and Mrs. Kenneth M. Hamlett Ann and Lee Hobson Norma K. Hunt Gene and Jerry Jones Barbara Thomas Lemmon Susan and Bill Montgomery Nancy A. Nasher and David J. Haemisegger Karen and Richard Pollock Carolyn and Karl Rathjen Mr. and Mrs. Richard R. Rogers II Nancy Shutt Mr. and Mrs. William Tarver Solomon, Sr. Vaughn O. Vennerberg II

Dealerships Marguerite Steed Hoffman and Thomas Woodward Lentz Margot Perot Allen and Kelli Questrom Cindy and Howard Rachofsky Deedie Rose DIRECTOR'S COUNCIL Mr. and Mrs. William M. Addy Nancy and Clint Carlson Mr. and Mrs. Steven H. Durham Laura and Walter Elcock Fanchon and Howard Hallam Tim Hanley Nasiba and Thomas A. Hartland-Mackie Timothy C. Headington The Roger Horchow Family Mary Noel and Bill Lamont Nancy C. Rogers and Richard R. Rogers Catherine and Will Rose Peggy and Carl Sewell

LEADER Sylvia Almeida Kim J. Askew Christopher Bancroft

Mrs. Franklin S. Bartholow Kay and Elliot Cattarulla Anne and Harris Clark Shelly and Michael Dee Rusty and Bill Duvall Mr. and Mrs. Donald S. Freeman, Jr. Lynne and Shawn Guenther Inge-Lise and John Lane Carol and John Levy Patty Lowdon Mr. and Mrs. Terry A. MacRae Linda Marcus Bonnie Pitman Mr. and Mrs. Robert G. Pollock Alana and Adrian Sada Joanna and T. Peter Townsend Max and Martha Wells Donna M. Wilhelm

FELLOW Ann and Gabriel Barbier-Mueller Mary McDermott Cook Nancy Dedman Mr. and Mrs. Jeffrey S. Ellerman Amy Faulconer James A. Griffin Lyda H. Hill Mr. and Mrs. J. Luther King, Jr. Cece and Ford Lacy Mr. and Mrs. Jack Lafield Mr. and Mrs. Robert Lavie Michael Lee and Gatsby Geerts Cristina and Harry Lynch Suzanne and Patrick McGee

THANK YOU Joyce and Harvey Mitchell Cyrena Nolan Sarah and Ross Perot, Jr. Janelle and Alden Pinnell Chris and Joseph Popolo Capera Ryan Mr. and Mrs. Alex N. K. Sharma Sogand Shoja Patricia Villareal and Tom S. Leatherbury Garry Weber Sharon and Michael Young

COLLECTOR Anonymous Sheryl Adkins-Green and Geoff Green Mr. and Mrs. Niels Anderskouv Agustín Arteaga and Carlos Gonzalez-Jaime Steven and Carolyn Becker Genie and Jim Bentley Brenda H. Berry and Robert G. Berry Kathy Bishop Mr. and Mrs. Henri Bromberg III Mr. and Mrs. Stuart Maryman Bumpas Cynthia and Alfred Calabrese Bonnie E. Cobb Martin S. Cox and Sherry Tucker Cox Gerry Cristol Hannah and Stuart* Cutshall Peggy Dear Bradbury Dyer III Julie England Gail O. Ewing Cindy and Charlie Feld Amy and Lee Fikes Tamara Wootton Forsyth and James Forsyth Kay R. Franks Mary and Emery Geosits Kathleen and Robert Gibson Sheila and Jody Grant Ilene Greene Alison and Owen Hannay Joe Hardt and Marie Park Linda and Mitch Hart

Mr. and Mrs. Ralph Heins Carol Heller David S. Huntley and Tracey M. Nash-Huntley Kim Jordan Kate Juett Susan and Bob Kaminski Mr. and Mrs. Barron U. Kidd Lisa and Peter Kraus Jun Il and Jae Sun Kwun Paula Lambert Emily Maduro and Joseph J. Wielebinski Joy and Ronald Mankoff April and Jeff Manson Charlene and Tom Marsh Mr. and Mrs. John D. McStay Mr. and Mrs. Howard M. Meyers Mr. and Mrs. Richard T. Mullen Mr. and Mrs. Charles Nearburg Lucilo Peña and Lee Cobb Nancy Perot and Rod Cain Jones Mr. and Mrs. Patrick Rayes Katherine and Eric Reeves Jennifer and Peter Roberts Lisa and John Rocchio Mr. and Mrs. Daniel G. Routman Mary Jane and Frank Ryburn Sarah A. Samaan Marcy and Stephen Sands Jo and Andre Staffelbach Wendy and Jeremy Strick Emily and Stephen Summers Greg Swalwell and Terry Connor Mary and Mike Terry Deborah D. Tipton Mr. and Mrs. Greg A. Venker Merry and Chad Vose Marnie and Kern Wildenthal J. D. Young *Deceased

CONTEMPORARY ART INITIATIVE The following members of the Contemporary Art Initiative support the DMA’s contemporary art exhibitions and programming with an annual gift of $15,000 or more. Mr. and Mrs. Felix Thaddeus Arroyo Nancy and Clint Carlson Charlie Caulkins Lindsey and Patrick Collins Nancy Dedman Claire Dewar Jennifer and John Eagle/John Eagle Dealerships Mr. and Mrs. Jeffrey S. Ellerman Mr. and Mrs. Dwight Emanuelson Amy Faulconer Mr. and Mrs. Jeremy T. Fernandes Kevin Fink and Michael M. Corman Dr. and Mrs. Brian Gogel Faisal Halum and Brian Bolke Mr. and Mrs. Thomas A. Hartland-Mackie Julie B. Hawes Timothy C. Headington Marguerite Steed Hoffman and Thomas Woodward Lentz Mr. and Mrs. Panos Karpidas Mr. and Mrs. John S. Lemak Thomas Maddrey Mr. and Mrs. Mark C. McKinley Cynthia and Forrest Miller Mr. and Mrs. Mark Moussa II Janelle and Alden Pinnell Allen and Kelli Questrom Cindy and Howard Rachofsky Nancy C. and Richard R. Rogers Catherine and Will Rose Deedie Potter Rose Mr. and Mrs. John Runyon Mr. and Mrs. Michael Seay Peggy and Carl Sewell Mr. and Mrs. Charlie Shufeldt Gayle Stoffel Shelby Wagner and Niven Morgan Sharon and Michael Young

HAPPENINGS FEBRUARY Exclusive Member Event FEBRUARY 20–22 DMA Member Preview: Frans Hals Thursday, 11 a.m.–9 p.m. Friday, 11 a.m.–5 p.m. Saturday, 11 a.m.–5 p.m.

FEBRUARY 24 Arts & Letters Live: Texas Bound Monday, 7:30 p.m. FEBRUARY 27 Make & Take: Mosaic Plaques Thursday, 5:30–8:30 p.m.

Exclusive Member Event FEBRUARY 29 speechless: different by design Curator-Led Tour Saturday, 9:30–11 a.m. Open to Collector level and above

FEBRUARY 29 Hallam Family Concert: English Sentiment Saturday, 3 p.m.

FEBRUARY 21 Late Night: Chemistry Friday, 6–11 p.m.


Exclusive Member Event APRIL 1 DMA Member Exhibition Opening: For a Dreamer of Houses Wednesday, 6–7:30 p.m. Open to members at the Advocate and Contributor levels

APRIL 4 Film Event: For a Dreamer of Houses Saturday, 1 p.m. APRIL 5 Family Festival: MAKE! Sunday, 11 a.m.–4 p.m. APRIL 6 Arts & Letters Live: Richard Blanco Monday, 7:30 p.m.

For a full schedule of events, visit DMA.org.

APRIL 9 Second Thursdays with a Twist: Spice Up Your Life! Thursday, 5–9 p.m.

APRIL 14 Arts & Letters Live: Esther Safran Foer Tuesday, 7:30 p.m.

MARCH Exclusive Member Event MARCH 1 Family Forum Member Event: High Tea Sunday, 3–5 p.m. MARCH 4 Gallery Talk: Textiles from Southeast Asia Wednesday, 12:15 p.m. MARCH 5 Boshell Lecture: Unearthing Maya Cities Thursday, 7 p.m. MARCH 8 Arts & Letters Live: Louise Erdrich Sunday, 7 p.m. MARCH 10 Arts & Letters Live: Anne Enright Tuesday, 7:30 p.m.

Exclusive Member Event MARCH 11 DMA Circle Reception and Preview: For a Dreamer of Houses Wednesday, 6–7:30 p.m.

MARCH 18 Gallery Talk: Inside a Senufo Helmet Mask Wednesday, 12:15 p.m. Exclusive Member Event MARCH 12–14 DMA Member Preview: For a Dreamer of Houses Thursday, 11 a.m.–9 p.m. Friday, 11 a.m.–5 p.m. Saturday, 11 a.m.–5 p.m.

MARCH 20 Late Night: Homegrown Friday, 6–11 p.m. MARCH 24 Arts & Letters Live: James McBride Tuesday, 7:30 p.m.

MARCH 12 Second Thursdays with a Twist: Avengers Assemble! Thursday, 5–9 p.m.

MARCH 26 Make & Take: Hand-Painted Ceramic Tiles Thursday, 5:30–8:30 p.m.

MARCH 17–20 Spring Break Family Fun Tuesday–Friday, 11 a.m.–4 p.m.

MARCH 28 Hallam Family Concert: Musica Saturday, 3 p.m.

Open Studio daily in Center for Creative Connections

MARCH 17 Arts & Letters Live: Katherine Schwarzenegger Pratt Tuesday, 7:30 p.m.

MARCH 30 Arts & Letters Live: Erik Larson Monday, 7:30 p.m.

Open to members at the Associate level and above

APRIL 15 Gallery Talk: Frans Hals Wednesday, 12:15 p.m. APRIL 17 Late Night: Cryptic Friday, 6–11 p.m. APRIL 21 Arts & Letters Live: Paulette Jiles Tuesday, 7:30 p.m. APRIL 23 Make & Take: Movement of My |gration Thursday, 5:30–8:30 p.m.

APRIL 23 Dining with the Impressionists Presented by the Richard R. Brettell Lecture Series Thursday, 7 p.m. APRIL 25 Hallam Family Concert: A Tragic Genius Saturday, 3 p.m.

APRIL 28 Arts & Letters Live: Colum McCann Tuesday, 7:30 p.m. APRIL 30 Artist Panel: For a Dreamer of Houses Thursday, 7 p.m.

APRIL 26 Family Festival Sunday, 11 a.m.–5 p.m.

For a full schedule of events, visit DMA.org.

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Membership Expiring? Don't miss out on member benefits, including FREE parking, tickets to special exhibitions, Late Nights at the DMA, and discounts at the DMA Store and Cafe! Three easy ways to renew:

Explore more than 25,000 works of art from all cultures and time periods. MUSEUM HOURS Tuesday and Wednesday

Friday, Saturday, and Sunday

11 a.m.–5 p.m.

11 a.m.–5 p.m.

Thursday 11 a.m.–9 p.m.

Closed Monday


Visit DMA.org/renew.

Call 214-922-1247.

Parking is located in the Museum’s underground garage. DMA Members receive free parking during Museum hours

Renew on-site at the DMA Membership Desk.

(based on availability).

DMA STORE Shop online at shopDMA.org.

QUESTIONS? Call 214-922-1247 or send an email to members@DMA.org. The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Arts and Culture, and the Texas Commission on the Arts.

DMA CAFE Tuesday–Sunday 11 a.m.–4:30 p.m. Thursday 11 a.m.–8 p.m.

Profile for Dallas Museum of Art

Artifacts | Spring 2020  

Artifacts | Spring 2020