The Daily Front Row

TUESDAY, SEPTEMBE R 13, 2011

d e r white n e e r g & s ’ a n i l o r a c

n a i ! l t a t n e m o i m

T:10.25”

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oscar de la renta and valentino garavani

DvF and yvan Mispelaere

DVF

your daily dose nicky hilton

HEARD

“I was just happy to dance along. I have a terrible singing voice.”—Glenda Bailey, recalling a karaoke moment with Debbie Harry, circa a decade ago, at DVF. ☛ “I have a problem with TV shows with bad scripts.”—Hal Rubenstein at DVF. ☛ “Very boring. I’m single and ready the divine to mingle.”—Lorenzo Martone, on his love life, designer at DVF. ☛ “How did you get your ticket?”— French gentleman to fashion boy outside of Altuzarra. “We were invited, so, uh, we got it by the mail.”—Fashion Boy. ☛ “I had an allergic reaction to the herbs they gave ann me. I got a really bad rash, and my eyes Dexter-Jones closed. I thought, I totally believed in Chinese medicine but maybe that is not the t right herb for me.”—Susan Sarandon, who tIn’”I “get !

Y L DAI recently returned from China, at Lela Rose.

HAM

VICTORIA BECK

rachel zoe and rodger berman

What’S your karaoke Song?

EXPLORING THE MYSTIQUE!

With Fran Lebowitz What do you during the day?

I wait for it to be night. I prefer it to day.

What do you like about coming to these shows?

I’m interested in clothes, I know you’re not supposed to be, but I am. I know that’s not a reason people come to these things anymore, but I The Daily’s fave really am interested in clothes. front-row DvF Do you go to department stores in Manhattan cameo! to check things out?

No, no, no. I hate to shop. I don’t buy clothes.I like to look at them. I’m the Jimmy Swaggart of clothing. You’re too young to know who that is.

I know who that is! What’s the last thing you bought?

I have my clothes made. I’m not a big shopper. If the economy was dependent on people like me, it would be the shape it’s in now.

Do you have a signature karaoke song?

I’ve never been to a karaoke bar. I just found out in the last few weeks that people actually sing at them. I thought that people lip synched. That’s how distant I am with that kind of activity.

What about a piano bar?

I have a horrible voice. I would never sing anywhere besides my own home.

Do you sing in your own home?

Everyone sings, that doesn’t mean everyone should sing in public.

What kind of music do you sing there?

I don’t know if you could call it music. I can’t stress to you enough what a bad voice I have.

FA S H I O N W E E K D A I L Y. C O M

THE DAILY WonDerS…

lancôme’s lovely spokesmodel

MaJor SWag bag alert!

Don’t forget to drop

by Goodness, the pop-up restaurant of Elettra Wiedemann and Ed Brown located at 44 West 63rd Street. Deliciously healthy goodies! A few coupes of Moët! And! A gift for the ages: Lancôme products galore, in a Radley canvas tote. Breakfast and lunch only, lovelies!

Stop by and say hi to chef ed brown Prabal—he adores.

Malin akerman: “Summer Lovin.’” peter Som: Anything they sang on Glee. ally hilfiger: “Hey Jude.” valentino garavani: We are at a fashion show. This is not the time to talk about karaoke. ariel Foxman: “Fast Car” by Tracy Chapman. Everyone in the room gets instantly silent and wonders, What is going on here? yigal azrouël: “Rio” by Duran Duran.

Simon Spurr: “Smells Like Teen Spirit.” robbie Myers: If I were ever to do it, it would be Eminem’s version of “Crazy in Love.”

Unexpected! grace coddington: David Sims always does karaoke when he’s working; I’ve done it in the studio with him. But not in front of a larger audience! I’m actually tone-deaf. I can sing, but I don’t want anyone to hear it. carlos campos: “My Way.” adam rapoport: I used to do “I Wanna Rock”

by Twisted Sister.

on the cover: carolIna herrera SprIng/SuMMer 2012, photographS by aDaM roDrIguez; g e t t y ( 8 ) ; a b e S h aW ( 3 ) ; pat r I c k M c M u l l a n . c o M (2); rex uSa (2); ShutterStock

S:10.25”

Makeup artistry by Charlotte Willer.

Eyes: Eye Studio® Master Drama™ Cream Pencil Eyeliner in Sapphire Strength.

Lips: Color Sensational® High Shine Lipcolor in Pink Freeze. Nails: Express Finish® Nail Color in Pink Shock.

S:13”

YOUTUBE.COM/LIVERUNWAY

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Adam Lippes

your daily dose HEARD “Is that the tennis player from the U.S.

ADAM

Open?”—Lacoste showgoer 1. “That’s Kellan Lutz from Twilight.”—Lacoste showgoer 2. ☛ “Jellyfish, furniture, dolls, and I feel like I’m leaving something out.”—Honor designer Giovanna Randall’s inspiration. ☛ “Yes, I am a good tipper.

I was a waiter for two and a half years in college in Toronto, at Five Doors North, which served small Italian dishes. I know what it’s like to get that one bad tip that changes everything!”—Brad Goreski at Jill Stuart. ☛ “No, [Nicki Minaj] hasn’t worn my clothes before, but not everyone who comes to the show needs to wear it. When people from different spaces come together, it’s all good.”—Prabal Gurung.

RUFFIAN

nicole Miller

Hamish Bowles

in’ “GEtitt !”

Daily Claude Morais, Rose McGowan, Brian Wolk

JUST ASKING! Who should replace Regis Philbin when he retires?

Mickey Boardman: I love Andy Cohen. He wears the tighest pants in show biz. I would follow him anywhere.

Joanna Coles: Anderson Cooper. I think it’s tragic that he already got his afternoon show.

Paul Wilmot: Calvin Klein. He’s a great conversationalist, he’s up to date on current events, one of his favorite magazines is The Economist.

Kate Lanphear: Michael Carl!

Zanna Roberts Rassi: Say Hal! I want Hal! Emily Current: Jack White. He’s serious and she’s all crazy.

Meritt Elliott: I have Bieber fever, so…

Solange Knowles: Marc Jacobs.

Mary Alice Stephenson: André Leon Talley, without a doubt. He’s big, bold, FA S H I O N W E E K D A I L Y. C O M

beautiful on the inside and out. He’s gonna give Kelly some serious fashion envy.

Anne Christensen: Mickey Boardman. I’d like to see it shaken up a bit.

Ken Downing: Ken Downing says Ken Downing. The battle of the blondes on morning televsion!

Heidi Klum: Neil Patrick Harris. He was there when I was recently on the show, and he’s natural and chatty. He’d be perfect.

Desiree Gruber: I would love to see Christian Siriano’s face at 9 a.m. every morning. That face, those glasses… that would make me happy.

Adam Lippes: The only person I can see replacing him, who has proved to be so damn good on TV, is Michael Kors!

Simon Doonan: Hello, moi!

Johnson Hartig: Anna Wintour. She and Regis have a lot of the same qualities.

A D A M : f R A Z E R H A R R i S o n /G E t t y; G E t t y ( 8 ) ; R A n D i A L E G R E ( 2 ) ; S t E fA n i A C u R to ( 2 ) ; PAt R i C K M C M u L L A n . C o M ; S H u t t E R S to C K

S:10.25”

S:13”

Empowered.

Inspired.

I am in charge.

PHOTO BY DAVID GUBERT

I choreograph my personal story.

en@condenast.com r, at 212-286-7694 or Laura_McEw lishe Pub & t iden Pres Vice , wen tact Laura McE Empower your brand with SELF, con print // digital // mobile // live events // iPad

iCurate-MyLife_TheDaily_Sep10_Sep13-2011_P4CB.indd 1

9/2/11 11:56 AM

TOMMY

Michael Pitt and Dirk Schoenberger

carmelo Anthony and Tommy Hilfiger

Y-3

HILFIGER

GOING OFFLINE!

SMALL TALKING! With Ariel Foxman What have you been having for lunch lately?

Altoids.

How was your vacation?

I went to Marfa, Texas and Costa Rica for the first time in August.

I also went to the Dia Lightning Field in New Mexico. It’s a 24-hour art exhibit in the desert—there are metal poles in the ground, and lightning comes…

Did you ever watch Saved By The Bell?

Mia Moretti Of course! As a kid? I watched it in college in reruns. I was obsessed with paperbag-waist pants, the Z. Cavariccis. I had to have them. I had them in brown and gray, and I thought I was cool in high school because of it.

your daily dose Melissa George

corinne bailey Ray

HEARD “I’m looking forward to the Hearst

cafeteria, but I’m also anxious about it. I’ve worked at Hearst before, and the soft-serve ice cream machine is a guilty pleasure. I’m worried that I’m not going to fit in my skinny jeans anymore!”—Kate Lanphear at ADAM. ☛ “I love it! There’s a lot of press here, and it’s not for me!”—Glee’s Kevin McHale at Band of Outsiders. ☛ “I’ve been asked, but I feel very protective of him, even when various family members bring him up to the stage. I’m like: No! He still has to go to kindergarten!”—Solange Knowles when asked if she would get her son into modeling. ☛ “Anyone who says they aren’t reading Page Six is not telling you the truth. Put the Times and the Post down on a table, walk away, and see what happens.”—Paul Wilmot at ADAM.

Petra Nemcova

With Samuel L Jackson What brings you to Y-3?

I like the clothes— and I just happen to be off work today. I’m working on a Broadway show called The Mountaintop.

Any new interests?

Tumblr. I’m about to get one! I know how to email and text, but I’m not very tech-savvy.

Are you on Google Plus?

What’s that?

It’s like Facebook.

Oh, no. I don’t do any social media. I don’t want to give people I knew 30 years ago a way to hit me up.

SEAT cRASHING!

Abbie cornish and Malin Akerman

With Peaches Geldof at Y-3

FLYOVER STATES! With Franca Sozzani How much of America have you visited?

Nevada, Texas, California, and Pennsylvania…When you travel outside of New York, it’s completely different. When you leave Milano or Rome or Venice and you go in the country, it’s another life. They don’t care about fashion, they don’t know about everything. That’s not even true— they know about everything, they just have another life.

What’s your karaoke song?

I just sang once, with Edward Enninful of W Magazine. We did a song—“I don’t care if you’re black or white….” once in Paris.

SIMON SPuRR

brad Goreski, bryan Greenberg, Ed Westwick, and Sebastian Stan

The designer, mid-thought

You have the best seat in the house!

Thanks! I’m sitting on my boyfriend. He’s a good cushion. I have a ticket here, but I didn’t RSVP for him so we’re sharing.

How did you meet?

I was a fan of his band for years. He always had a girlfriend. When I found out he was single, I stalked him until he gave me the time of day. We’ve been together for nine months now.

Define stalking.

I met him on the street and started texting him all the time.

How was your first date?

We walked past Buckingham Palace in the snow at 3 a.m.

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For the

RECORD

What happens when you mix a bucket of ambition, an endless reserve of creative energy, a penchant for social media, and the fashion phenomenon known as Lady Gaga? You get Nicola Formichetti: globetrotting stylist, creative director of Thierry Mugler, relentless collaborateur, and international fixture of fixation. Is this the fashion of the future?

BY EDDIE ROCHE

LA FORMULE

Formichetti Photography by Giorgio Niro Special thanks to La Esquina

FA S H I O N W E E K D A I L Y. c O m

Belvedere is a quality choice. Drinking responsibly is too. Belvedere Vodka 40% ALC./VOL. (80 PROOF) 100% neutral spirits distilled from rye grain. ©2011 Imported by Moët Hennessy USA, Inc., New York, NY.

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F A C E B O O K . C O M / B E LV E D E R E VO D K A

For the

RECORD

First, let’s clear the air about a few things: How do you feel about short people? [laughs] I was really shocked when I saw those articles.

According to W, you made a negative comment about “fat” people; to British Elle, you allegedly said, “I think old people should just be old and go away.”

I was like, ‘What?’ I don't really read gossip, but I was really sad, because I don’t feel that way, and people were saying horrible things. If I really meant it, I wouldn’t say it—I’m not that stupid. It was a joke that was blown out of proportion. I’m a nice person. I always try to be honest and real—I’m not bitchy. But then I realized, ‘OK, I have a voice now.’

In a way, it’s good that this thing happened because it was a lesson for me. Now I’ll use it for my positive message that I want to spread to the world.

You seem very lovely. Maybe it’s jealousy?

That could be true.

How do you do it all?

Texting, meditation and fun parties. I make quick decisions, and I work with a great team. On a typical day; I wake up, check my e-mail, have some coffee, go to the gym and then eat breakfast—fruits or whatever. Sometimes, I’m in three different countries in one week. I go to Paris and Japan once a month, and I have a house in London.

Are you a little bit ADD? No! I do lots of different things, but I’ve done all of them for a long time. I started with Vogue Hommes in Japan five years ago, and I’ve worked with Gaga basically from the beginning. And then all the editorials…I keep adding things!

And next year, you’re launching your own collection.

I can't really describe it, but it’s different from what’s around. It’s a whole experience.

Can’t wait to see it. Do you ever get nervous?

No, never. I’m a very positive person.

Not even your first Mugler show? [laughs] OK, maybe

GAGA!

the first one, a little bit! But Gaga was more nervous than I was. She plays in front of billions of people every day, but she wanted to throw up.

Why? She had never modeled before, but she worked it like a drag queen.

Do you really find assistants and models through Facebook?

How else do you find people? I don’t look at CVs—I ask for Facebook profiles instead. If you don’t have one, you shouldn’t be working for me. Facebook is the easiest way to find out what’s happening in the world—and what’s cool and what’s not. I have a team in London, Paris, Japan and New York, but it’s small, and they’re all young. I like working with young people, because they’re free and fearless.

Have you always hired this way?

It began when I was creative directer for the launch of the McQ brand. Lee [McQueen] commissioned me to do that whole thing. We needed cool people modeling the clothes, so I went to MySpace. It sounds very normal now, but then, no one was doing it. I miss Lee so much, my God. It’s crazy. I could not go the [Costume Institute] exhibition. It was too emotional. I don't think he’s dead.

You’ve encountered more than your fair share of fashion legends. Did you ever connect with Manfred [né Thierry Mugler] before the show?

I want to meet him properly after a few seasons, so I have something to show and get his opinion.

I’d love to meet him, for sure. Gaga and I called him five minutes before the show in January. We were like, we love you! I toned the collection down at the beginning, because I thought, ‘How can I make this better than what was done before?’ It’s an honor. I wanted to take the Mugler job because I wanted to show people that even a hairdresser could take over a brand if the hairdresser has vision.

What else would you like to do next?

I want to work on a movie, for sure. It’s not a dream anymore, because it could happen. Obviously, I need to find the right director, but if my managers let me take six months to two years off...

You filmed Gaga’s “You and I” video in Springfield, Nebraska. What was that like?

Our base camp was a local school, and it was filled with TV cameras and all the kids from the area. It felt very weird that people wanted to take a picture with me, but these kids were so passionate. It was a beautiful experience. In the past, I was creating things for myself. Now, I have followers on Facebook and Tumblr, and in the last few months, I’ve started getting recognized on the street in Manhattan.

Thanks, in part, to Gaga. How often are you in touch?

We’re always texting random, abstract, funny things.

We don’t have proper meetings. I know her schedule and where she is, and if I’m around, we’ll see each other. If not, we’ll be in touch virtually. I tend to go to a lot of the big stuff that she does.

What do people ask you about her?

Before, it used to be, what is she really like? What is she like without all the costumes? Now, people know—it’s always her. She’s really open.

Where do you see Gaga’s look going as she gets older?

I have no idea. I don’t know what she’s going to wear tomorrow!

Could you ever walk in those shoes?

I’m really not good with high heels. I’ve tried a few times. I was the ugliest!

What do you do for fun?

I work, but I don't think of it that way. Every day is fun.

You bike!

Yes! From Tribeca to the George Washington Bridge.

Do you watch TV? No, I watch YouTube. I like secret stuff about NASA and aliens.

You made a video for your men’s Mugler collection that was posted on Xtube. Will you collaborate with them again?

Yes. I hated that people went there to see porn, because we didn’t make porn. You can see a bit of ass and beautiful bodies, but it wasn’t f***ing. Xtube was so supportive. They designed a page, and it got crazy hits. They’ve come back to me, and we’re going to do something else.

Is fashion boring these days?

It’s safe and commercial, but it’s not boring. It feels like we’re on the end of this circle before something new happens again, and that’s so exciting. We are worried about what’s going to happen to us with the economy. We have to think about selling, although I’m not interested in the business side.

Nicola’s pop-up shop presented by BOFFO Building Fashion is open now until Sept 21 at 50 Walker Street in Tribeca.

MUGLER!

FA S H I O N W E E K D A I L Y. c O m

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One to

Consult

THE

FABO UL US LIFE Photography by Giorgio Niro

He designed Madonna’s Sex book, helped Liz Tilberis revamp Bazaar, and directed those ultra-sexy CK ads. (How did you spend the '90s?) Even today, the unstoppable Interview editorial director, Fabien Baron, is still doing more in a year than most of us do in a lifetime. BY CHRISTOPHER TENNANT D a i l y f r o n t r o w. c o m fa S H i o n w E E K D a i l y. c o m

One to

Consult

It’s pronounced Bah-rone, correct?

Yes, Bah-rone.

Not Bare-un?

Yes, Bare-un.

Wait, which is it?

I don’t care. I really don’t. I’ve been here 30 years so I am totally used to Fabe-ee-ann Bare-un. [laughs] As long as their check clears, am I right? Between Interview and your creative shop, Baron & Baron, you’re an awfully busy guy. Are you an organizational mastermind?

No, no, no. I’m terrible at organizing, terrible at schedules. I have a person fully dedicated to making sure things get done. Probably the reason I can do so many different things is I don’t think about what I have to do, so I don’t worry about it. Otherwise, I’d be a freak. Instead, I just enjoy the thing that I’m doing when I’m doing it. They push me here to do this, they push me there to do that. I don’t rule my life. They do.

Some editors find it hard to put out a mag every month. Are they lazy?

No, no, no. Not at all. There are a lot of things I don’t do as an editor that others do. I don’t go to many parties. I don’t sit down and schmooze people for hours and hours at dinners and lunches. I take all that time out and put my focus on the product. I do the shows, I do a couple of things, but I’m not out there the same way, let’s say, Stefano [Tonchi] is. That’s a job on its own. If I would have to do that, forget it.

Do you drink?

Not really, no. And you have to drink a lot! I do it once in a while and have a good time. I love to be social and see people, but I think the entire job has been shifted. It’s become more about that than about the quality of your product. It’s about who you know.

If I had the same budget as American Vogue, I could put out twelve issues with what they spend on one.

You never had a party monster phase?

No, no, no. I started working when I was 17. I moved to New York in the eighties when it was crazy. Even then I was not going crazy.

You’ve worked with the late Liz Tilberis at Bazaar, Franca Sozanni at Italian Vogue, and Carine Roitfeld at French Vogue. Who was your favorite?

Oh, I don’t know. I really enjoyed each one of them for who they were, in Liz’s case, and who they are for Carine and Franca. Liz and I had a very good understanding. The rest of the Bazaar team—Tonne Goodman, Paul Cavaco—was really on their game as well. It felt like we were at a turning point, whereas now, we’re rewinding and rewinding and rewinding.

Do magazines bore you?

I’m very, very seriously looking into the internet and at the iPad, because I think that if magazines don’t become something more interesting, a lot of people are going to let go of them, which is already the case. And a lot of advertisers aren’t interested in them, either, because they’re a bit redundant and there isn’t a lot of effort put into the product.

Interview once had a monopoly on breaking new talent. Now, every kid with an ounce of it is talked about the second they hit YouTube.

That’s why magazines have to become a little bit more than just reporting or saying, this is the new person. You have to do something with these people. When you see an actress in Interview, it’s the way you’ve never seen her before. It’s not just a bunch of pictures of her in a nice dress skipping across some field with flowers in the background.

Are you spending a lot of money?

No. [laughs] That’s the difficult side. If I had the same budget as American Vogue, I could put out twelve issues with what they spend on one.

You’ve been the creative director of stores, perfumes, a furniture line—

fa S H i o n w E E K D a i l y. c o m

any advice for aspiring polymaths?

It’s all a matter of point of view—your own way of looking at things. The challenge is to have an opinion, stick to that opinion and to have the tools with you to describe that opinion—to put it on paper, or a fragrance bottle, or a commercial.

Describe the Fabien brand.

Bold. Classic. Beautiful. A little bit controversial. There’s a sleekness to it. I don’t think minimal is really the appropriate word, even though I got labeled that quite a bit because of my work for Calvin Klein over the past 20 years.

So is the drama over at Interview?

Oh, yeah, a long time ago.

It’s seems like only yesterday we were interviewing Glenn An image from Madonna's Sex tome O’Brien for this very magazine!

Yeah, that was a strange moment.

I mean, Glenn is an old friend of mine.

You worked at Barneys together?

Yeah, and I've used him as a writer for forever. I still don’t know what happened there. All I know is, one day he worked it out that I was no longer working there, so I left, and Karl [Templer] left too. That was it. Then, Ryan Brant came back to us a couple months later and said he wanted to talk to us about the magazine. I said, 'You must be kidding! There’s no way!' But we had three or four meetings and Ryan had all the right points to convince us.

And it’s been smooth sailing ever since?

Yep. Very easy.

How did [Interview's former creative directors] M&M take it?

They were really upset at me when I saw them at the shows afterwards, but I said, 'Listen, I’ve got nothing to do with it.' They came back to us.

Honestly, I didn’t want to do it, but Ryan had really good arguments. So we put down a set of rules that everyone respects and everything’s great.

You’re not a yeller, are you?

No, no, no. There are too many things to do for me to bother with politics and all that nonsense.

At the time, it was framed in some quarters as the art side usurping editorial. Did that bother you? You’d been an editor before.

Yeah, that’s also ridiculous. I’ve worked in magazines for 30 years; I know a little bit. Because I do good graphics, I cannot do something else? And look at Interview: Not so bad!

Are you having fun?

Of course! I don’t do anything if it’s not fun. I can’t. If I really wanted to do a magazine, maybe I should go and do my own, or a bigger magazine.

You know, go back to Vogue. But I’ve done that! I did the French, the Italian...Anna is doing the American and she does it all.

Let’s talk fragrance. Who in fashion should launch one?

Everyone already has. I mean, at this point, I could have one.

What would it smell like?

Not floral, that’s for sure. Kind of church-like—musky, woody.

How does it typically work?

The label comes up with a concept and positioning, and from there, we start on the bottle design. The names are a problem because all of them are taken. It comes down to what’s legally possible at the last second.

Do you wear cologne?

I wear a couple. Comme des Garçons’ Avignon, Gucci…I don’t wear any of the fragrances I’ve done, though. It breaks the mystery.

dOwnLOAd Our frEE APP And shOP On thE GO mAn

WOMEN • ALICE + OLIVIA • j brAnd • hOusE Of hArLOw 1960 • wILdfOX • frEE PEOPLE • bLEuLAb • nAtALIE b. • sAm & LAVI • rOry bECA tEXtILE ELIzAbEth And jAmEs • ChAn Luu • jOIE • mInnIE rOsE • fOLEy + COrInnA • mIkOh • sIwy • PEnCEy • CurrEnt/ELLIOtt • jEffrEy CAmPbELL sAm EdELmAn • LAurEn mOshI • rEbEL yELL • ChAsEr • ALEXIs • AG AdrIAnO GOLdsChmIEd • bLu mOOn • wIntEr kAtE by nICOLE rIChIE bOuLEE • tkEEs • kOOLAburrA • IrO • mArA hOffmAn • OnE tEAsPOOn • L*sPACE • rEbECCA mInkOff • brIAn LIChtEnbErG • mInkPInk bELLE nOEL by kIm kArdAshIAn • LnA • jEn's PIrAtE bOOt y • nAVEn • st yLE stALkEr • rAChEL zOE shOEs • sEnECA rIsInG PArkEr • EVIL twIn • tOrn • hALstOn hErItAGE • twELfth strEEt by CynthIA VInCEnt • GEnEtIC dEnIm • bLuE LIfE • ChELsEA fLOwEr nIGhtC AP CLOthInG • rAG & bOnE/jEAn • LOw LuV X ErIn wAssOn • GEnErAtIOn LOVE • hAutE hIPPIE • CItIzEns Of humAnIt y MEN • sPurr • burkmAn brOs • rIVIErA CLub • j brAnd • rOGuE • AG AdrIAnO GOLdsChmIEd • nudIE jEAns • rEd wInG shOEs stEVEn ALAn • EVEr • OLAsuL • VInCE • sundEk • dEL tOrO • kIEL jAmEs PAtrICk • frEd PErry • LnA • rEbEL yELL • PLAIn jAnE hOmmE wOmEn’s | mEn’s | 1.877.IshOP22

wOmAn

It’s all in

THE EYES! In case you haven’t heard, the iconic Great Lash Mascara is celebrating its 40th anniversary this season—and it’s never looked younger. Let’s take a look back at Maybelline New York’s greatest phenomenon, shall we?

BY TANGIE SILVA

BY THE NUMBERS!

1.7: number of seconds a Great Lash tube is sold in the United States 15: years won Allure’s Readers’ Choice Award 83,000: votes for best drugstore brand mascara on Glamour.com’s 2011 beauty poll 20 million plus: number of tubes sold each year

AND WE QUOTE! “It’s my favorite. It goes on clean, not clumpy. And I can curl my lashes afterwards and it doesn’t come off.”

—Amanda Seyfried

PROFESSED SUPERFANS! Kate Beckinsale Mary J. Blige Kat DeLuna Jenna Elfman Selena Gomez Jill Hennessy Jennifer Love Hewitt Jennifer Hudson Famke Janssen January Jones Kim Kardashian Dylan Lauren Kelly Lynch Demi Moore Nicole Richie Chloë Sevigny Amanda Seyfried Jamie-Lynn Sigler Gabrielle Union Naomi Watts

“I have tried so many different mascaras and often switch, but…I stopped off at a drugstore and bought Maybelline’s Great Lash and love it! It’s all about layering: First I apply one coat then add two more. I like volume! This mascara is very affordable and works great!”

—Kim Kardashian “There will never be another Great Lash!

It binds my naturally curly lashes to my fakes.” —Kevin Aviance, drag queen “It’s the must-have beauty accessory for fashionistas this fall.”

—Vivienne Tam, designer

GREAT LASH THROUGH THE AGES! 1915: T.L. Williams goes into business with Maybelline, which he named for his sister Maybel. It was her idea to develop an easy-to-use product that darkens lashes.

(Grazie!)

1917: Maybelline Cake Mascara, the first modern everyday eye cosmetic, debuts. It's available only through mail-order, but women begin asking for it in drugstores. By 1932, it is in stock!

1971: Maybelline’s water-based Great Lash launches in the U.S. The iconic pink and green packaging is inspired by Lilly Pulitzer.

2008: The U.S. Olympic synchronized swimming team uses Great Lash's waterproof formula while performing.

2009: Meet Great Lash BIG, the original product and packaging…just with a larger wand.

2011: Vivienne Tam, Max Azria and Tracy Reese create a limitededition collection of the mascara inspired by their own collections— avec the lime green top!—which sells at Target for $6.99.

gETTy (10); ShUTTERSTOcK FA S H I O N W E E K D A I L Y. C O M

© Danskin 2011

S:10.25”

Dare to try new things and share the rewards!

That’s my recipe for an adventurous life of laughter, joy and love!

-Christie Brinkley

S:13”

MOVE FOR CHANGE

facebook.com/danskin twitter.com/danskin

danskin.com

Danskin’s Move for Change initiative proudly supports Christie Brinkley & The Ellen P. Hermanson Foundation, a non-profit organization helping women and the families who suffer from breast cancer. Get inspired & join the Danskin journey at www.danskinmove.com

5040_TheDailyFrontRow_Sep13-2011_P4CB.indd 1

8/31/11 9:33 AM

A Voce 10 Columbus Circle, 3rd Floor Time Warner Center 212.823.2523 www.avocerestaurant.com Three Course Prix Fixe Lunch: $29.00 AtlAntic Grill 49 West 64th Street between Broadway and Central Park West 212.787.4663 www.atlanticgrill.com Three Course Prix Fixe Lunch: $24.07 | Dinner: $35.00 (Monday – Friday only) BAr Boulud 1900 Broadway between 63rd and 64th Streets 212.595.0303 www.barboulud.com Three Course Prix Fixe Lunch: $29.00 (Monday – Friday only) Boulud Sud 20 West 64th Street between Broadway and Central Park West 212.595.1313 www.bouludsud.com Two Course Prix Fixe Lunch: $29.00 (Monday – Friday only)

dizzy’S cluB cocA-colA & GreAt PerformAnceS Time Warner Center, 5th Floor Broadway at 60th Street 212.258.9595 www.jalc.org/dccc Three Course Prix Fixe Dinner: $36.00 Three Course Prix Fixe Dinner Plus Featured Cocktail: $42.00 ed’S chowder houSe At the emPire hotel 44 West 63rd Street between Broadway and Columbus Avenue 212.956.1288 www.chinagrillmgt.com Three Course Prix Fixe Lunch: $24.00 | Dinner: $35.00 (excluding Saturday) éPicerie Boulud 1900 Broadway at 64th Street 212.595.9696 www.epicerieboulud.com Fashion “Pique Nique” Lunch: $18.00 GABriel’S BAr & reStAurAnt 11 West 60th Street just west of Broadway 212.956.4600 www.gabrielsbarandrest.com Three Course Prix Fixe Lunch: $24.07 (closed Sunday)

il Violino 180 Columbus Avenue at 68th Street 212.873.2500 www.ilviolinonyc.com Prix Fixe Lunch: $19.00 | Dinner: $35.00 JAlAPeÑo 185 Columbus Avenue between 68th and 69th Streets 212.877.7800 www.jalapenonyc.com Three Course Prix Fixe Dinner: $20.11 lA Boite en BoiS 75 West 65th Street at Columbus Avenue 212.874.2705 www.laboitenyc.com Three Course Prix Fixe Lunch: $24.00

lAnSky’S 235 Columbus Avenue between 70th and 71st Streets 212.787.0400 www.lanskysnyc.com Three Course Prix Fixe Dinner: $20.11 the leoPArd At deS ArtiSteS 1 West 67th Street between Central Park West and Columbus Avenue 212.787.8767 www.theleopardnyc.com Special Prix Fixe Lunch and Weekend Brunch: $30.00

luce reStAurAnt & enotecA 2014 Broadway between 68th and 69th Streets 212.724.1400 www.lucenyc.com Three Course Prix Fixe Lunch or Dinner: $35.99 nick & toni’S cAfé 100 West 67th Street between Broadway and Columbus Avenue 212.496.4000 www.nickandtoniscafe.com Three Course Prix Fixe Lunch: $25.00 Picholine 35 West 64th Street between Broadway and Central Park West 212.724.8585 www.picholinenyc.com Three Course Prix Fixe Menu (5:00-6:30pm): $78.00 Four Course Tasting Menu (6:30pm – Close): $92.00 Porter houSe new york 10 Columbus Circle, 4th Floor Time Warner Center 212.823.9500 www.porterhousenewyork.com Three Course Prix Fixe Lunch: $24.00 roSA mexicAno 61 Columbus Avenue at 62nd Street 212.977.7700 www.rosamexicano.com Three Course Prix Fixe Lunch: $24.07 | Dinner: $35.00 (not valid on Saturday)

SAPPhire indiAn cuiSine 1845 Broadway between 60th and 61st Streets 212.245.4444 www.sapphireny.com Lunch Buffet: $15.95 Shun lee weSt 43 West 65th Street just east of Columbus Avenue 212.595.8895 www.shunleewest.com Prix Fixe Lunch: $24.08 SuShi A-Go-Go 1900 Broadway between 63rd and 64th Streets 212.724.7340 www.sushiagogonyc.om Three Course Prix Fixe Dinner: $20.11 telePAn 72 West 69th Street just east of Columbus Avenue 212.580.4300 www.telepan-ny.com Three Course Prix Fixe Lunch: $25.00 (Wednesday – Friday only)

Prix Fixe menus are valid from Thursday, September 8 through Thursday, September 15 and may not be combined with other specials; additional restrictions may apply.

Look for a special window cling to help identify participating restaurants.

For more information, please visit www.lincolnsquarebid.org.

Design: Florio Design

cAfé fiorello 1900 Broadway between 63rd & 64th Streets 212.595.5330 www.cafefiorello.com “Fashionistas Piattro Quadro” Four Course Prix Fixe Lunch & Dessert: $25.00 (Monday – Friday 0nly) Three Course Prix Fixe Dinner: $35.00

RFORMANCE E P S AT E ED JALAPEÑ T GR ’S N A O & R LA A AU T E T O C N A E NI & ES CK T N A A MEXICA S N RO WEST S E PAN

www.lincolnsquarebid.org for more information. make your reservations today!

Y’S CLUB CO DIZZ C A O -C LL ABRIEL’S O G B L A RE R NO I O & OL UCE RES R T S L VI A E UR ST W E Y O TI RK EN US O SHUN LE

ViSit

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lincoln Square’s restaurants are stepping up to the plate to offer Prix fixe meAlS during mercedeS-Benz fAShion week.

TELE

Open tO the public!

Sept. 8 –15, 2011

D BOULUD SU D ULU C A BO FÉ ÉPICERIE BOU R L L F UD I BA TE IL HO OPARD AT DES E LE A E R PORT E TH R INE H OL C U H I S IAN IN ND -GO GO

fAShion PlAte Prix fixe

A VOCE ATLANT IC GR USE AT TH O H IL EE ER L D M W PI OIS LANS B O N R H E KY E C ’S IT C A S F ’ I O É N PIC B TO & PH SAP IRE I O HI AUS

DVF

runway

Spring 2012

To the sounds of “Feeling Good,” DvF and creative director Yvan Mispelaere proved le pouvoir of buoyancy.

Joyful florals, slouchy toppers, and strategically-placed menswear, all in the service of DvF’s trademarked femininity.

A fruitfoward taste, an intriguing complexity—Herrera’s Spring is worth savoring in quantities.

The gowns? Gorge.

But the directional daywear is the major message.

CAROLINA HERRERA

FA S H I O N W E E K D A I L Y. C O M

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runway

Spring 2012

DKNY Sometimes

you crave statement dressing, sometimes you want minimalism. Democratic Donna has goodies for all— New Yorkers, especially, but also its aspirants.

TOMMY HILFIGER Warhol colors,

SSixties silhouettes, bespoke check, menswear tailoring, lady-fied camo—all tons of fun for the girl on the go. Tommy’s repertoire is expanding each season, with winning results. Those loafer heels, all tricked out in brogue: a must!

trend BEAUTY Naturally flushed cheeks, courtesy of Charlotte Willer for Maybelline New York, are spring’s predominant beauty statement.

FA S H I O N W E E K D A I L Y. C O M

d k N Y: G i o r G i o N i r o ; h i l f i G e r : f i r s t v i e W

速 www.michaelantonio.com

we focus on fashion

focus on pictures... firstview.com

focus on videos... firstviewtv.com

L

Elaina London Collection

Sterling silver stackable rings, enamel and pave CZ, new from the Elaina London Collection

Some runways are for fashion, others for takeoff.

This Fashion Week, Elaina London is taking off!

Elaina London for Savvy Cie, Hollywood, Florida

Contact Phyllis Finger 954-453-1166 pfinger@savvycie.com

runway

Spring 2012

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Midcentury

modernism: the stuff of great sportswear. Lam’s precise proportions and fearless tailoring make him New York’s best resource for directional yet seasonless dressing.

BEST4YOU PERSONALIZED RECOMMENDATIONS

trend BEAUTY the idea here? an unapologetically strong brow, courtesy of tom Pecheux for estĂŠe Lauder.

Nothing else necessary— just sheer gloss. (and maybe a bit of mascara.)

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Why are Berkeley College interns and graduates in such high demand?

• Students learn up-to-the-minute practices and the latest technologies from accomplished faculty, many of whom are working professionals with market experience • Advisory Boards ensure relevant program and course content, based on marketplace needs • On-the-job internships or job-related assignments are required in all programs, providing students with valuable, real-world experience

Kelly Scarzafava - Berkeley College Student Fashion Marketing and Management “At Berkeley College in New York City, I found a unique perspective. The professors are very qualified and provide great insight into their experiences in the fashion industry. I made amazing connections with students from all over the world. In the changing, global fashion market, these connections will be extremely valuable to my career.”

Check us out at:

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For more information, call 800-446-5400, ext. BFN,

or text “READY” to 247365

YouTube

Scan Me!

Use a QR code reader application on your smartphone.

BerkeleyCollege.edu • info@BerkeleyCollege.edu NY: Midtown and Lower Manhattan | Brooklyn | White Plains NJ: Newark | Paramus | Woodbridge | Woodland Park (formerly West Paterson) BERKELEY COLLEGE ONLINE: BerkeleyCollege.edu/Online Berkeley College reserves the right to add, discontinue, or modify its programs and policies at any time. Modifications subsequent to the original publication of this information may not be reflected here. For the most up-to-date information, please visit BerkeleyCollege.edu. For more information about Berkeley College graduation rates, the median debt of students who completed programs, and other important disclosures, please visit BerkeleyCollege.edu/disclosures.

9831.9.2011

Promotion

GOT VEINS? Get the Scoop!

How do you determine what procedures are needed?

At your consultation, your symptoms will be discussed, affected areas will be examined, and, if necessary, a Doppler Duplex Ultrasound Scan will be ordered. The physician will tailor a treatment program based on the obtained information.

Will insurance cover my treatments?

Most insurance policies have different requirements to qualify. If your condition is considered “medically necessary,” our NYU Vein Center administrative experts in dealing with insurance matters, will submit all the pertinent data on your behalf. For those few insurance companies that we do not accept, the NYU Vein Center will work with you to help you maximize your reimbursement.

Why do i need to get an ultrasound scan?

An ultrasound scan (not x-ray) provides easily obtainable information as to the underlying venous problems that result in what you see.

The ultrasound, which looks at direction of blood flow, can pinpoint the source of your varicose veins. The ultrasound information, along with your symptoms and varicose vein patterns, will facilitate and aide the physician to tailor the appropriate therapy at its source. Treating the problem at the source allows the treatment to be more efficient, effective, and less painful than the previous traditional methods of vein stripping. i’ve had my veins treated, should i follow-up?

Because venous disease is progressive and there is no cure, we recommend regular follow-up visits. There are medical and minimally invasive methods to decrease symptoms and improve your quality of life by reducing the number of new varicose veins. At the NYU Vein Center, our staff revisits with ALL our treated patients several times during the first year and then annually. By careful follow-up of our patients, we can discover underlying treatable issues that will decrease the development of new varicose veins and their accompanied symptoms.

Why should i wear compression hose?

Vein specialists agree that the use of graduated compression hose can reduce varicose vein symptoms and can help delay the time for the development of new ones. These special stockings exert most of the pressure at the ankle, gradually decreasing in an ascending fashion. This graduated effect decreases New York University Vein Center, 530 1st pooling of blood in the leg, increases venous Avenue, Suiteand 6D,improves NY, NY,circulation.

10016 return to the heart, To book an appointment (212) 263Compression companies havecall: added many 8346 or visit styles, colors, andwww.nyuveincenter.org textures. In addition, there are different styles for men and women. Vein specialists agree that compression hose are effective when used for preventative care and during treatment.

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runway

Spring 2012

THAKOON

Le nouveau Western by way of Mumbai is a

runway brave direction for

S Spring pringwho has Thakoon, 2012

so many fans of his artsy-yet-unobtrusive statement dresses to please. Some spring styles will require bravura to execute, but focus instead on the printed separates and groovy sheaths.

trend BEAUTY Candy-colored coif, anyone? odile Gilbert for Kérastase injected mussed-up braided chignons with clay powder in shades of lilac, Klein blue, and emerald.

An homage to day dressing from this mistress of

gowns. Watercolor prints and embellished silks and organzas reflected Rose’s sunny optimism.

LELA ROSE f i r st v i e W; G e t t y; s H u t t e r sto C K

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“You like?”

Life

Lessons How do you get the paparazzi to stop yelling?

How would you deal with a grumpy publicist?

How long would you wait for a show to start?

What should one wear to a fashion show?

Gran on the Street

We could all use a few etiquette tips during Fashion Week, so we hit the streets of Manhattan to ask these lovely ladies to solve your most pressing dilemmas. BY EDDIE ROCHE What should one wear to a show?

I’m not exactly going to fashion shows these days, but something smartlooking.

What color should publicists wear?

Whatever compliments their aura.

What would you say to people who crash fashion shows?

Do it!

How long would you wait for a fashion show to start?

If I’m talking to some interesting people and the designers are good, then awhile.

I’d have my cell phone, my notes—I’d keep myself busy. I wouldn’t sit there like a dumbbell!

Ruth

90, retired administrative assistant

What color should a publicist wear?

Black.

How would you help the photographers in the pit get along?

Well, that’s very difficult.

What should you do if you see a model fall on the runway?

Help her get up, or stay silent.

Should people wear sunglasses indoors?

Some people’s eyes are bothered by light!

What do you say to people who try to crash shows?

You can always try, but I don’t approve of it.

FA S H I O N W E E K D A I L Y. C O M

Vera

93, retired fashion illustrator

How would you deal with a grumpy publicist?

I would try to appease them, let ’em talk, encourage ’em, and respect the work they do.

Should people wear sunglasses inside?

Oh, no. First of all, it looks bad, and secondly, it hurts your eyes!

How do you deal with crashers?

I would poke them on the shoulder and say, “Young man, you really don’t belong here! People paid a lot of money to get in. Would you mind leaving?”

Florence

83, retired teacher

How long would you wait for a fashion show to start?

2 2 0 minutes, tops!

Should celebrities get preferential treatment during fashion Week?

Yeah. Why not? They probably spent more money on the clothes than somebody like me would.

What would you like to say to backstage thieves?

They should be prosecuted!

How do you get the paparazzi to stop screaming?

How about “Shhhh!”?

Some people get grumpy during fashion Week...

I can sympathize. I had a similar incident on the bus yesterday. I asked a passenger very politely where she was getting off. We both had walkers, and I was concerned about getting by! She started yelling at me and using bad language. She called me a filthy bastard! I was very upset. I was gonna hit her in the face, but I gave her a good tap on the shoulder instead. She accused me of hitting her, and I said, “Why don’t you just shut up?”

Susan

"Let's just say I'm over 39!." writer

Margaret

65, retired secretary

Judy

91, retired executive assistant

Should designers send thank-you notes after the show?

Only to the media. I wouldn’t need a thankyou note to go to a fashion show. It would be my pleasure!

What’s the best way to recover from a runway fall?

The way Carrie Bradshaw did on Sex and the City.

Should people wear sunglasses indoors?

I do it whenever I want to appear important and mysterious.

What would you do if someone was in your seat?

Ask them please to leave and if they didn’t, I would step on their toes.

g a b r i e l l e c H e f i tz ; g e t t y; S H u t t e r S to c k

NATE CLASS OF 2013 STUDYING: VISUAL MERCHANDISING

WHERE BUSINESS MEETS FASHION

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For nearly 75 years, we’ve been educating tomorrow’s leaders for successful careers in the business of fashion. With hundreds of the fashion industry’s top companies as partners, our students get hands-on experience from day one. And with expert faculty, a challenging curriculum, and our prime location right in the fashion capital of the world, it’s quite a winning combination.

www.limcollege.edu/img Find out more: 800.677.1323 12 East 53rd St. New York, NY 10022

FOR TARGET®

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CLIENT: Target ©2011 Target Stores. Target and the Bullseye Design are registered trademarks of Target Brands, Inc. All rights reserved. Prices not applicable in Alaska and Hawaii. 091319

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Featuring Margherita Maccapani Missoni

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