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s America gathers itself from the tragic shooting of 18-yearold Michael Brown in Ferguson, Missouri, public outrage at the police’s use of force during and after the incident has reached a boiling point, and understandably so. Although many demonstrators have peacefully protested Brown’s heartbreaking death, other renegades have hijacked the cause and looted stores, clashed with police and even fired rounds at other civilians; thus, there is a legitimate role for the police to restore the peace in this situation. However, as Sen. Rand Paul (R-Ky.) said earlier this week in the L.A. Times, “there should be a difference between a police response and a military response.” After viewing countless images of police sitting atop armored vehicles while spraying tear gas and shooting rubber bullets at peaceful demonstrators, one cannot help but notice the uncanny resemblance between the photos of police actions in Ferguson and America’s military operations in Iraq and Afghanistan. Indeed, many photos of Ferguson show officers wearing helmets, camouflage and Kevlar vests while
wielding military-grade assault rifles, shotguns and even automatic weapons. What’s even more shocking is another photo that shows police in riot-gear riding on an armored, mine-resistant vehicle. One can only guess why on Earth the use of a mine-resistant vehicle by police in America would ever be warranted. The alarming level of police militarization in Ferguson is not a local phenomenon. It is a part of a broader problem which pervades and blemishes the entire nation’s criminal justice system; as such, the conclusions we draw about how to move forward past this tragedy must be equally as broad and sweeping. Ever since the catastrophic events of 9/11, the federal government has increasingly allocated military equipment to local law enforcement in an effort to bolster police readiness in case of another attack. Through the use of grant programs and transfers from the military, local governments
!"#$%&'()* '.*/"&'")(0*% !"#$%&'#(')*#+, eicd49er@gmail.com (562) 985-7998 G.#%-,$*-(!G()(>$& <(%:&7"0#$"2 A&-)%!9-&$?%2& 6:.0"&3"=")) C$4'!E*-%2& 5$,%#.)&3*">). F12&%'!E*-%2& ;0*#.&?.0/ 9-=$&'-2)'!E*-%2&! <"%4%&9(0@.)"@ I1-)-2)'!E*-%2& A40#"$&'.4) A02%2!E*-%2& 6.$.:&7($".0 9$'->)!9-&$?%2& 8.0*"))"&5.$%(0
much wider problem, in which local law enforcement agencies possess military equipment more suitable for a warzone than suburban America. The L.A. Times reports that the Pentagon has provided $5.1 billion in surplus military equipment to law enforcement agencies since 1995. Such weapons don’t seem to fit law enforcement’s mission of “protect and serve;” rather, the alarming amount of military equipment in the hands of law enforcement only serve to alienate the public and make them feel like they are being targeted by police. Moreover, given the undeniably racist undercurrents of America’s criminal justice system, African-Americans in particular will continue to feel under attack by their own police departments. Thankfully, President Obama is ordering a review of the federal programs that allow law enforcement agencies to buy weapons and
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KŶĞ ĐĂŶŶŽƚ ŚĞůƉ ďƵƚ ŶŽƟĐĞ ƚŚĞ ƵŶĐĂŶŶLJ !"#"$%&'()"*%"+,""(*+-"*.-/+/#*/0*./&1)"* ĂĐƟŽŶƐ ŝŶ &ĞƌŐƵƐŽŶ ĂŶĚ ŵĞƌŝĐĂ͛Ɛ ŵŝůŝƚĂƌLJ ŽƉĞƌĂƟŽŶƐ ŝŶ /ƌĂƋ ĂŶĚ ĨŐŚĂŶŝƐƚĂŶ͘
across the nation have been able to construct what equates to small armies- all in the name of fighting the war on drugs and terrorism. Although the rising militarization of our country’s police force has, hitherto, remained largely unnoticed, the events in Ferguson have brought this issue to the forefront of the national political discourse. In light of these developments, it is no wonder why so many Americans are outraged at the shocking scenes which are emerging from Ferguson. The images of police resembling U.S. combat forces are indicative of a
equipment from the military. This review will determine whether the programs are appropriate for local law enforcement; additionally, it will determine whether police are receiving adequate training in order to operate the military-grade equipment. “There is a big difference between our military and our local law enforcement, and we don’t want those lines blurred,” said Obama last week in a news conference with reporters. “That would be contrary to our traditions.” The militarization of our law enforcement is fundamentally eroding the trust that Americans place in their local police. Although the scenes emanating from Ferguson, Missouri are deeply alarming in and of themselves, they are indicative of a national problem which needs to be urgently addressed. Obama’s plan to review the federal government’s distribution of military equipment to police departments is a much-needed step; however, there must be reforms which follow that substantively chip away at the militarization of our nation’s law enforcement agencies. Let us all continue to pray for Michael Brown’s family, police and the citizens of Ferguson.
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Your Donation Today Means Jobs Tomorrow. When you donate gently used clothes and household items to Goodwill, you help create jobs and job training services for those with barriers to employment. Plus, your donations are tax deductible. For more information visit Donate.
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The beloved Newbery Award-winning book “The Giver,” written by Louis Lowry in 1993, has been adapted to the big screen. If you have read and enjoyed reading Lowry’s book, you will most likely enjoy the movie because it is an entertaining representation of the characters and story. Jonas (Brenton Thwaites) is a 12-year-old boy who lives in a colorless, black-and-white, utopian community that controls the emotions and actions of its citizens. In this world there are strict rules, and there is a sense of sameness and equality in the community. The thoughts inspired by the utopian community are absorbing, and the film
makes a lot of points to ponder about. Food for thought eventually leads to satisfying events that grab the full attention of the audience. At the annual Ceremony of Twelve, Jonas has a gift and curse; he must be the Receiver of the Memories of the past to preserve the government’s status quo. He learns about secrets of true pain and joy in the community and why it was created. If the Community’s elders need advice, they approach the Receiver. Jonas receives memories of an old man called The Giver (Jeff Bridges). Pain, war, suffering, differences, free thought, lies and music are forbidden from the world. This creates a supposedly perfect community. The Giver
teaches Jonas about the unfortunate truths of the “real” world, and Jonas realizes that his community is fake. This leads to a decision about his life and the future. Jonas is exposed to the joy and pain that exists. The film reinforces the importance and value of both. The counterbalance ultimately leads to a fulfilling and worthwhile life despite agony involved. The powerful emotions of pleasure and pain both exist in life, but we need both in order to recognize the true value of the human experience. Overall, the movie had very intriguing ideas , was engaging to the mind and it was visually entertaining as well.
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A surreal world of fantasy from the mind of Julie Unchu Song, a graduate student of illustration at Cal State Long Beach, will illuminate the corporate offices of Windes for the next six months. Song’s drawing titled “One Full Moon Night,” received the Windes Corporate Gallery Award. Windes, a Southern California accounting and consulting firm with 88 years in business, presents the award biannually to a graduate student in the Student Art Program at CSULB. “I [am] very glad that I could have a chance to share my most favorite piece with people off campus,” said Song via email. Song said she worked on the graphite black and white piece for approximately two months. She said that much of her inspiration comes from her childhood fantasies from when she lived in South Korea, she often blends fantasy with everyday environments. “When I look at the full moon in the dark sky, I think of fishes and sea horses swimming by clouds. I imagine different sizes of trees greeting me like people when I walk in a deep forest,” Song said. “Although I live in a normal routine, fantasies make me feel like I am living in a make-believe world, and they give me joy, inspiration and vitality every day.” She said that places such as her room, a forest, her back-
yard and even a simple closet could act like a canvas for images. “She pretty much [has] stuck to this subject matter of fantasy,” said art professor Robin Richesson, who is the head of Illustration at CSULB. “She also did a book about a little girl having a dream. A lot of this imagery also relates to that book she did.” Robin mentioned that Song is a sweet and quite person, and while her process is slow, her work is always “meticulous.” She also said that while she did not push Song to submit for this particular award, the arts program is always glad to hear of their students’ achievements and encourage students to submit their works for competitions. John Di Carlo, managing partner of Windes, said in a press release that he was pleased to recognize Julie’s work with this award. He said he hopes employees and visitors alike will enjoy her work at their corporate headquarters. “‘One Full Moon Night’ is a technically detailed and impressive piece,” DiCarlo said. “The surreal landscape is thought-provoking and invites the viewer to explore the visual juxtaposition of an abandoned building façade with childhood images of sea creatures and circus animals.” The title of Song’s drawing comes from a Korean superstition she said she remembers from her childhood in which a full moon turns dreams into reality. Song expects to complete her graduate degree in the fall. She is currently interning at Leftbank Art, where she is working on watercolor paintings, and said she dreams of being a great illustrator when she completes her studies. “I want to give people a little pleasure by using my imagination to illustrate my fantasies based on ordinary places,” Song said. “I think that any part of daily life can be used as a resource.” To see more of Song’s work visit joooliesong.tumblr.com.
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One was the magic number for the Long Beach State women’s soccer team, which played its first match of the season against Cal State Northridge and won the game 1-0 last Saturday. Within the first 18 minutes against Northridge (0-1), a Matador defender deflected a cross, allowing freshman Ashley Gonzales to retrieve the ball inside the box then score with a shot into the lower right corner. The Beach (0-1) stayed strong on defense, allowing the Matadors to only take four shots while sophomore goalkeeper Ashton McKeown racked up two saves to contribute to the win. Gonzales and freshman Jessica Vincent finished with two shots each, which contributed to the 49ers’
9-to-4 advantage in shot attempts. They also took six more corner shots than the Matadors (7-to-1). Although it was just an exhibition game, the freshmen 49ers were able to get a little taste of what playing in the Big West Conference might be like this season. The Beach also played Southern California Friday for its season opener and lost 1-0. Although the 49ers outshot the Trojans 10-5 and stayed in control most of the game, they allowed a goal in the 79th minute that handed the Women of Troy their long-waited victory. LBSU will play two home games this weekend against Georgia this Friday at 7 p.m. and Denver at 1 p.m. Sunday.
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Los Angeles is one of the top media markets in the country. It has two NBA teams, two MLB teams, two hockey teams and two of the most well-recognized college athletic programs in the country. Does it really need the NFL? Of course it does. Or so very rich and influential people say. The NFL could be the most popular sports league in the country, with the minor league system (college football) hanging around in second place.
TV deals have exploded in recent years; just about every franchise is now worth close to $1 billion. Just last week, Forbes announced that the Dallas Cowboys were worth an estimated $3.2 billion, following closely behind soccer powerhouse Real Madrid ($3.4 billion) and three other sports teams (Barcelona, Manchester United and New York Yankees). Bringing the most popular sport in the country to the second largest media market in the country is an obvious
move. But if it’s so obvious, why hasn’t it happened yet? The short version is that the NFL hasn’t needed the LA market, as crazy as that sounds. In 1995, the year after the Raiders left, the NFL made $2.14 billion in revenue. Ten years later, NFL profit nearly tripled to more than $6 billion. In 2012, the NFL made an estimated $9.5 billion. That figure, according to InvestorPlace, is projected to double by 2016. Speaking of stadiums, let’s address the elephant in the room: LA doesn’t have one. No team is going to relocate without the promise of a new stadium. Several attempts have been made to get
the ball rolling, but nothing has yet to materialize. It would take an owner so desperate to leave his current situation for a team to leave without the promise of a new stadium. Here’s where things get interesting. Mark Davis, son of late Raiders owner Al Davis, really doesn’t want to be in Oakland anymore. He recently met with San Antonio city officials about the possibility of moving the team to Texas. A lot of speculation followed, and the San Antonio rumor went away, but not Mark Davis’ desire to leave Oakland. The Raiders’ lease with the Oakland Coliseum expires after this
year, meaning they’d have to sign a new lease or relocate. It’s a very enticing possibility. Yes, the Raiders are awful, but that’s sort of irrelevant. The NFL is the NFL, and it’s going to draw fans regardless of the quality of the team. There doesn’t appear to be much to gain for the NFL to move to LA since its business model has worked so well since it left the busy city. Sure, more money is never bad, but they’re going to make more money regardless, with or without LA. Neither need each other, but when you can have a Ferrari along with a BMW, you’re not going to say no.
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