Page 1

To car y Luchar for orchestra

(2010, corrected 12 th Sept. 2012)

D a i

F u j i k u r a


Co-commissioned by the Friends of El Sistema, Japan and the Suntory Foundation for Arts World premiere given by Simon Bolivar Youth Orchestra of Venezuela Conducted by Gustavo Dudamel in February 2011 at the Social Action Center for Music in Caracas. Japanese premiere performed by New Japan Philharmonic, conducted by Takeshi Ooi at Suntory Hall on 28 August 2011

Inst rum ent atio n: 1 Picc olo (I) 1 Flu te dou bling Piccolo (II) 1 Alt o Flu te in G dou bling Pi ccolo (III) 2 O boe s (I & II) 1 Cor A nglai s in F do u bling O boe (III) 1 Clarin et in E-flat 1 Clarin et (I) in B-fla t 1 Ba ss Clarin et in B-flat do u bling Clarin et (II) in B-fl at 3 Ba ssoon s (I, II & III) 4 1 2 3

Hor ns in F (I, II, III & IV) tr u mpet I in C – Ne eds Har mo n Mut e Tru m pe t s (II & III) in B-fla t – bo th N ee d H ar mon Mute s Tro m bon es (I, II & III) – AL L N ee d H ar mon Mu te s

1 Tu ba 1 Ti m pani pla yer 3 Pe rcu ssion pla yer s

• The score is in C

ST RIN G S

---- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- ---- --- ---- --- --- --- --- --- --- --- --- --- --- --- --- --Percussion 2: (needs a bow) Percussion 1: (needs a bow) Percussion 3: (needs a bow) 1 Vibraphone (I)

1 Marimba

1 Vibraphone (II)

1 Large Bass Drum

1 Tamtam

4 Bongos

1 medium Bass Drum 1 Sizzle Cymbal 6 Crotales (Sounds 2 octaves higher)

1 Smaller Bass Drum

5 Large Tomtoms


G en e ral P oint:

Accident als (i ncludi ng g race notes) onl y af fe ct the pit ch t o whi ch t he y di re ctly ref e r, not ot her o ct av es , f or t he d urati on of t he b ar i n w hi ch the accid ental is w ritten. Do NOT use vibrato on gliss. or port.

STRINGS: S.P.= sul pont. P.O.= position ordinary Make a difference between Gliss. and Port. Gliss. = start to shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note.


Dedicated to Gustavo Dudamel and JosĂŠ Antonio Abreu


to Gustavo Dudamel!and José Antonio Abreu

"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All grace notes must be played before the beat."

" q = 52 "

# "

Piccolo I

! $

Flute

Alto Flute

Oboe I

Oboe II

Cor Anglais

Clarinet in Eb

Clarinet I in Bb

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Double Bass: all pitches sound an octave lower than written (including the harmonics) Copyright 2010 by G. Ricordi & Co Bühnen- und Musikverlag GmbH München

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(2010, corrected 12/09/2012)

Conductor: molto espressivo, a full, juicier sound, think of this passage as one arc of melody.

& %

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$

Bass Clarinet in Bb

Bassoon II

& %

Tocar y Luchar for orchestra # q = 52 " " "

(q = 104) Meno mosso

molto accel. (extreme accel.)

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2 p

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4

! $ 24

Picc. I

$

Picc. II

$

A. Fl.

$

Ob. I

Ob. II

C. A.

sub. ff

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$

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Bsn. II

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0

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& 0

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with normal vib.

0

& % / /

/

/

/

& 6

/

/

& 6

/

& 6

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2

2

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12

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& 6

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0

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6

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6 /

6

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%

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soft sticks

mp

0

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% ;

0

;

0

0'

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

0

0

0

2

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

fff no dim.

(fff)

& 0'

& 2

fff no dim.

(fff)

& 2

12

12

12

12

2 2

$

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

0

2 ((

& 2 ((

2 (( > ' 4 7B $ ffff

2

2

2 2 >' 4

0

10

sub. p

& 2 ((

10

2 (( > ' 4 7B $ ffff

sub. p molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

Sy. 4097/08

12

2

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

sub. (fff) molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

sub. p

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

$ ffff

sub. p molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

2

0

10

(fff)

0

/

82

2

(fff)

& 2

& 2

fff no dim.

/

(fff)

& 2

& 0'

with normal vib. & 10 '

%

(fff)

& 2

(fff)

with normal vib. & 10 '

4

p

molto accel. (extreme accel.)

& 2

fff no dim.

fff no dim.

gliss

& /

& 2

fff no dim.

gliss

pp

& /

& 0'

& 0'

0'

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& /

%

p

ppp

& 0'

(p)

with normal vib.

2 ( >' (7B ppp 2 >' ((7 B ppp

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sub. p P.O. non-vib.

(p)

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ff

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& 0' ( (

0 ( (

fff no dim.

sub. p P.O. non-vib.

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ff

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6

p

/

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fff no dim.

0

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0

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10

0

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0

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with normal vib.

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10

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0

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fff no dim.

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6 6

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0

0

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0

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0

(fff)

fff no dim.

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0

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with normal vib.

0

& 6

80

molto S.P.

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/

2 3

pp

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Grace notes are always played rapidly with (subito) accents. molto espress.*5 2/

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Bb Cl. II

2' 7

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Grace notes are always played rapidly with (subito) accents. molto espress. * 2/5

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Ob. III

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12

Grace notes are always played rapidly with (subito) accents. molto espress. *5 ** 2/ / 22

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>

2'

2'

.

2 2 2

2'

.

12 2

2' 12

2 12 12

mf

ff

12 2 >) 7

4

2'

2

%

12 2 >) 7

4

f

%

2 2

%

4

ord.

>

12 2 7

%

%

4

ord.

mf

Sy. 4097/08

/ ff

2'

2

2 12 12 :2 2

1*'2

2'

2

0

*'2

ff

ff

2 2 7

>

ff

ff

mf

%

1*2' ' 3

2 1 2 1 2 12 2 )1**'2

mf

%

2 2

mf

%

%

2 ' 12

mf

ff

*2' ' 2' 3 12 *

f

%

2

f

p

%

f

%

p

.

f

12

f

12 '

f

p

%

p

*'2 12 2 12 2

f

'2 3

f

molto espress. ord.

p

molto espress. heavy bowing

$

*2' 2 12 2 2

2

2 0 3

2 2 3

12 2

molto espress. ord.

f

molto espress. heavy bowing

p

Db.

f

molto espress. heavy bowing

1 2' 3 p

)

2 *'

12 2 3

2 12

4

: 2 * 2 ' 12' 12

p

molto espress. ord.

1*'2

1*2

' 2 ' 12

2'

12

0

1*'2 ff

>


" "

molto accel. ! $ 95

Picc. I

%

q = 60 molto accel. (extreme accel.) molto espress. non-vib.

10

10

%

p

2

mp

$

Fl.

%

6

/

%

$

%

10 '

p

mp

p

mp

2 2 3

p

mp

2 2 2' 3 3

12 2 ' 4 3

molto espress. non-vib.

%

$

Ob. I

%

p

12

12 3

%

/

2 3

p

2

$

Ob. II

%

%

2

p

mf

2

/

mp

/

0

2 2' 3

2 2 3

p

p

2

mp

mf

2'

2

2 3

p

5 2 2 4

/ 2'

/

2

p

with normal vib.

5 2

2 2 3 3 4 /

mp

2 82

p

2 8 2 82 2 3

6

p

2

2

:0

5 2 4 /

2 0 4 3

%

0

p

mp

2 2 3

mf

molto espress. non-vib.

%

8 2 82 3

2

2

mp

0'

10 '

4

0

12

molto espress. non-vib.

Picc. III

2

p molto espress. non-vib.

%

0

15 with normal vib.

/

2

/

p

2 8 2 2 2'

6

4

2 2 82

2 2

mf

5 2

4

p

2222

p

2

(with normal vib.)

%

$

C. A.

%

%

% 82 3

8 2 2' 4 3

molto espress.

Crot.

Vib. I

Vib. II

%

/

p

2 2 3

mp

molto espress.

0

p

12

0

mp

2

0

%

%

"$

%

%

%

%

6

! "$

%

%

%

%

arco

#$

%

%

%

%

#$

%

%

molto accel. ! $ /

%

2 3

$

Bb Cl. I

Bb Cl. II

%

$

Eb Cl.

0

%

/

2

2

2

2

" "

2

22

2

2

f

$

2 12 '

2

2 3

4

p

f

82

2

f

/

0

2

2 2 2' 4 3 3 p

2 2 3

2'

molto espress.

4

2

/

f

p

mp

6

%

80

arco

4

p

4

2 12 2 2

/

6

/

6

%

%

22 E4

mp

f

212 12

f

1 2, 2 3 3 mp

2' 3

mp

4

solo

%

%

/

%

3

, C0

6

%

p

ff

solo

6

/

f

mp

2 7 4' ff

/

6

/

6

6

solo

/

, 3 / 8 C5 82 p

2C

/

ff

/

, 0C

$ )1*2

2 12 '

4

p

f

5 82

2 2'

12

2 12 2

f

, C2

3

/

C2 /

3

6

/ 6

ff

6

/

ff

6

/

, 3 / 8 C5 82 p

2C

/

ff

6

)

2

$12 '

6

%

ff

2 7 >4

6

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

%

/

%

%

%

%

%

%

/

%

%

%

%

%

%

12 ' 2 2 12 2

12

2 2' 2 :2 2

12

2 >'

mf

ff

2

2>

mf

p

%

> $2

$

, 3 / 80C

%

. 6

' ) )1*2 1 2

f

solo

%

ff

12 2 '

mp

Vc.

ff

%

%

Vla.

mf

mp

%

%

mp

$ 12

/

6

> $12

2'

/

2 7 >4

. 6

) )1* 2

mp

>

1 2,

2

2

ff

4

p

2

p

ff

4 ff

Db.

"

) )1*2

$

2'

mf

'

ff

Sy. 4097/08

f

6

Vln. II

2 12

12

6

f

3 p

p

ff

2, ' >>3

/

0

4

6

!

ff

2 12 12 2 2

2 2'

%

2

f

p

2 3

mf

/

22

4

2

p

2

mf

82 2 3 82'

4

2'

mf

6

f

2 3

mf

p

2'

4 6

f

p

2 2

82 2 2 82 2 2 3 4

p

2'

6

mp

2 4 23

/

mp

q = 60 molto accel. (extreme accel.)

1 2, 2

mp

12 12

/

2 3 4 /

/

!

f

/

arco

6

Vln. I

$ /

p

%

/

3

, 88C2 p


Exaggerated accent, super-rapid grace note. 16

! $

102

Picc. I

2

/

p

with normal vib.

$

Fl.

$

Picc. III

2

2

2

2

mp

2 82

$

2 4

2' 3

2

2 2

2'

2 3

$

Ob. II

$

C. A.

2

2 2

2 82 4

exaggerated accent, super-rapid grace note. * 5 2/

> 2 7

exaggerated accent, super-rapid grace note.

with normal vib.

/

*5 2/

4

6

2 2 2

exaggerated accent, super-rapid grace note. * 5 82/

> 27 2 2 '

$

$

Bb Cl. I

82 2 2 4

2

/

2

2

)8* 2

2

2

2'

$

Bb Cl. II

4

*5 2/

2 3

2'

2 3

Bsn. I

Bsn. II

Vib. I

Vib. II

"

%

)

%

# $ )1*2

/

ff

#$ ! $

' *2

4 p

2

4

2' 3

>

2 3

2 82

>

4

82

mp

/

2 82 2 2'

exaggerated accent, super-rapid grace note. * 8 2/5

f

* )8**2 2 '

*2

>

*2 '

*2

f

exaggerated accent, super-rapid grace note. * )8* 2/5

)8* 2

/

*2

f

2

*2 * 2 2 8*2 '

82 2 * 8*2 '

2 * *2 '

>

*2

2

82 82 82 * * *

2' *

2 * *2 '

82 *

8*2 8*2 2

2 *2 82 *

8*2 '

82 *2 *

f

super-marcato

82 / p

82

f

super-marcato

p

*2 * 2 2 2 *2

*2

6

>

9 2 * *2 8*2

4'

/

4'

/

2 3

2 * *2 8*2

2' 2 *

*2

2 *

*2

4

/

4

/

' *2 2 2 > *

/

4'

/

super-marcato

4

4

p

f

2 *

A9 > ' *2

2 *

2 2 *

>

*2 * 8 2 2 8 *2

f

8 *2 8 *2

super-marcato

6

/

p

4

>

>

*2

2

8 *2 *2

/

f

6

%

%

%

%

%

%

2 )8**2

* 82

super-marcato

2 7 4'

2 2 4

f

*5 2/

4

82 ' *

p

> */5 829 2 82

8*2

f

4

2 2 * * 8*2 8*2

f

f

4

6

super-marcato

2 ' 7 4 p

2 2 3

*2

4 p

' 2 2

2 > 27

f

)

2

f

* 5 2/

4

/ p

%

2 2

f

p

2

> 2

f

82 4

mf

/

f

82 '

super-marcato

*5 2/

p

2

2

> /

exaggerated accent, super-rapid grace note.

2 12

2

p

* 5 82/

* > 82/52

4

f

2 2 2

p

2 2

/

p exaggerated accent, super-rapid grace note. *5 2/

*5 2/

super-marcato

2 3

f

Eb Cl.

2

p

p

>

f

2 4' 7

2

82

2 4' 7

2

f

4

2'

*

p

2 2

2

> )8*2/5 2

82

exaggerated accent, super-rapid grace note. * 5/ 2

2

%

p

f

f

mf

2 2

/

mf

82'

2 3

molto rit. (extreme rit.) q = 100

> 6

2 2

exaggerated accent, super-rapid grace note. * 5 82/

4

with normal vib.

2

2

f

f

2

2

2

/

> /

mf

mf

Ob. I

2

exaggerated accent, super-rapid grace note. * 5/ 2

molto rit. (extreme rit.) q = 100 tutti

%

/

4

>

S.P., marcato

*2 7

f

1*2

9 4' 2

12 *

Vln. I

)8*C $ )8* 2

/

/

6

%

6

S.P., marcato

tutti

3

*2 2

1*2 '

*2 2 *2 '

* 2

f

ff

%

$

1*2 '

%

/

tutti

>

S.P., marcato

1*2 f

1*2

Vln. II

$

/ 3

, 0C

p

S.P., marcato

tutti

6

%

6

1*2 12 ' * f

/

ff

S.P., marcato

%

$

%

.

6

4

>

8*2 2 8*2 7

Vla.

%

$

%

.

S.P., marcato

8*2

6

f

%

$

%

S.P., marcato

)* 2

6

82 *

5 2 2 *

8 *2

8 *2 ' > > 3

%

$

%

6

/

4

S.P., marcato

* 2 2

)* f

10,D

solo

"$

4

f

Vc.

Db.

* 2

f

p

6

ff

%

%

Sy. 4097/08


# "

mosso ? Pi첫 q = 60 "

(q = 76) molto rall.

! $

%

A. Fl.

$

Ob. I

%

& %

%

%

$

%

Ob. II

$

C. A.

105

17

%

%

& %

%

%

%

& %

%

%

%

%

& %

%

%

$

%

%

& %

%

%

Eb Cl.

$

%

%

& %

%

%

Bb Cl. II

$

%

%

& %

%

%

Bsn. I

)

%

%

& %

%

%

Bsn. II

)

%

%

& %

%

%

)

%

%

& %

%

%

Fl.

Bsn. III

"

# "(q = 76)

molto rall.

! $ 1 2 1*2 ' *

poco a poco P.O. poco a poco expressivo

5 2 *

4

5 *2

5 2 *

2

2

* 2

2

& 12' *

0

? "

" "

" "

Pi첫 mosso q = 60

port., NOT gliss.!

P.O. molto espress.

10

port.

ff

12' ' *

12 3

2

2' *'

12 3

2

5 12

2

2

5 12

2

2

12' ' *

2 3

2

2

12' ' *

2 3

2

* 1'2 '

12 3

2

5 12

2

2

2 3

2

2

2 3

2

2 p

* 12 ' 2

2

* 12 ' 2

2

port.

10

mf

sub. sffz

Vln. I

* $ )1*2

poco a poco P.O. poco a poco expressivo

*2

>

2 12 * 1*2

>

poco a poco P.O. poco a poco expressivo

$ 6

6

>

1*2

5 12 ' *

12

12 *

1*2

12 *

2

12 *

12

& 1 2' *

0

12

&

1 2' *

0

P.O. molto espress.

10

port.

ff

P.O. molto espress.

10

port.

ff

1 2' ' *

2

port.

sub. sffz

p

p

1*2

sub. sffz

10 mf

2'

2

port.

2'

2

port.

2'

2

port.

10

mf

Vln. II

$ 1*2

*2 '

' *2

82 *

. 2 *

12 *

5 2

poco a poco P.O. poco a poco expressivo

4

4

5 2 *

poco a poco P.O. poco a poco expressivo

/

4

*2

2 *

4

5 2

12

2 3

2

2'

2 3

2

2' *

2 3

2

' *2

82 3

2

*2 '

82 3

2 3

*2'

&

0

2 *

5 2

1 2' *

2' *'

P.O. molto espress.

10

port.

ff

& 2

P.O. molto espress.

& 2

P.O. molto espress.

:0

port.

ff

1 2' ' *

1*2

p sub. sffz

* 2

10

mf

p sub. sffz

10 mf

Vla.

. > 8*2

8 *2 ) 3

poco a poco P.O. poco a poco expressivo

*2

*2'

2 *

4

*2 '

*2

8 *2

8 *2

9 ' 2 4

poco a poco P.O. poco a poco expressivo

>

*2 3

4

5 2' *

*2

8*2

8 *2

2 3

2 3

2' *'

*'2 '

:0

port.

ff

& 2

P.O. molto espress.

10

port.

ff

2

* 2

2'

2

port.

2

1*2

10 mf

sub. p sffz

2'

2

port.

p sub. sffz

0

)

mf

Vc.

) 2

>

*2

*2

S.P., marcato

$ /

tutti

>

)

*2

*2

2

poco a poco P.O.

a poco expressivo *poco 2 2 4 3

*2'

>

f

*2 ' 3

*2

4

82' ' *

& 2

4

8*'2 '

& 2

4

8*'2 '

2 3

P.O. molto espress.

10

port.

ff

P.O. molto espress.

:0

port.

2' *'

1*2' '

ff

*2

2'

2

port.

p sub. sffz

1*2

10 mf

2'

2

port.

p sub. sffz

:0 mf

Db.

"$ 6

(tutti)

S.P., marcato

)

*2

f

*2

2 7

4'

*2'

82 3

2 3

4

& 2

P.O. molto espress.

:0 ff

Sy. 4097/08

port.

1*'2 '

2

1*2 p sub. sffz

2'

2

port.

:0 mf

)


18

! Fl. $ 110

A. Fl.

Ob. I

" "

%

$

%

$

%

%

%

%

6

4

/

12 2 3

12 2

* 5 12/

%

%

/

4

%

%

%

%

%

>

%

* 5 2/ f

1*2

12 '

2' 3

2

12 '

* 5 2/

2 3

f

4

> 27

2

2 12

/

p

* 5 2/

4

(with normal vib.)

9 2 4'

2

p

molto espress. (with normal vib.)

/

> 827

4

p

*

> 12/5 12

p

p

12

22

12

22

p

2 12 '

2

f

2 12 > /

6

f

p

molto espress. (with normal vib.)

5 12 2

12 2 1*2 2 1*2 2 2 ' 2 * *2 *2 2 * *

2 *

ff

5 2

* 5 12/ f

$

C. A.

%

f

$

Ob. II

molto rit. (extreme rit.) q = 100 molto espress.

molto accel. (extreme accel.)

p

4

/

4

2 12 12 2

/

/

* 5 1 2/

f

f

p

12 '

2 12 12 >

2

mf

p

molto espress. (with normal vib.)

12 2 2 4

12 4 12

/

p

p molto espress.

%

$

Eb Cl.

%

%

4

* 5 1 2/ f

5 12

24

2 12

p

*5 1 2/ f

5 2

2

22

/

2'

> 82 82

p

p

%

$

Bb Cl. I

%

6

4

82 82 ' * *

9 8 2 2 82 ' 2 2 *2 *2 * * * *

>

8*2 8 2 *

ff

* 5 :2/

/

82

f

5 22

2

2 12 '

* 82/5

4

p

f

12

:2 ' mf

molto espress. super-marcato

82 2

> 12

2 22

p p

2 2 12 ' mf

f molto espress.

%

$

Bb Cl. II

%

6

>

super-marcato

*2 *2 2

ff

8*2 '

8 *2 '

8*2 8*2 *2 2 * 1*2 2 1*2 '

*1*2 ' * * *2 *2 ' 22 2 > 127 super-marcato

)

Bsn. I

%

%

/

4

ff

Bsn. II

%

%

6

1*2 7

4

** * > 12 2 2 2'

*2 '

Bsn. III

"

! $

%

" "

%

6

* * > 2 12 2 2'

/

ff

* 1 2/5

4'

2 12

22 3

f

* * 1*2 2 1 2 1 2 1*2 2 1*2

p

/

1*2

1*2

* * * 2 1 2 1 2 2 *2 2

4

f

/

1 2' * f

Vln. I

$

%

/

$

%

6

9 4' 1*2 1 2 2 * f

marcato S.P.

4

S.P.

>

5 2 1 2 2' ' *

/

marcato

4

mp

4

5 *2

4

S.P.

/

5 1 2' *

*2

f

1*2 ' 5 1*2 '

5 1*2 f

*2

12 2 *

1*2

%

>6

9 4' *2

> /

> /

/

4

4

4

22 > 7 *5 2/

4

molto accel. (extreme accel.) %

f

12 p

*5 2/

/

4

82

2'

12 12 2 2' p

12 '

2 3

f

*5 2/ f

2 p

2

f

f

super-marcato

12 '

2 3

4

mf

f

ff

)

/

f

super-marcato

)

4

5 8 *2

* 5 2/

2 2 2 :2

2 7 4'

/

12 ' > 3

2 12

p

> p

/

* 1 2/5 f

6

* 1 2/5

212

22 3

f

4

p

4

6

p

molto rit. (extreme rit.) q = 100 %

%

%

%

%

%

%

Vln. II

%

$

9 4' *2

6

4

>

4

12 *

2

' *2

%

%

>

2 2 ' * *2

4

12 *

2

' *2

%

%

22 2 2 *2 * 3 *

4

/

%

%

> /

%

%

%

%

$

%

%

$

S.P.

1*2 1*2 '

%

f

.

* 12 2 3

1'2 ' f

12

mp f

2 * 5 4 12 2

mp f

mp

S.P. marcato

> 5 ' *2

*2'

f

2 *

2

2 *

2 :2 *

*2

4

2 *

*2 *2 '

*2

2 *2 *

Vla.

.

12' ' f

)

* 82'

5 12 0 *

12

mp f

'2

f

f

2 3

mp

1*2

12 3 :*0

f

mp f

* 2

*' 2 12 3

S.P. marcato

:2

*2 *2 *2

2

>

mp f

S.P. marcato

' *2

mp f

2' *2 *

5 2 *

Vc.

)

*' 2 f

)

*'2'

'2

2 3

mp

*2 1 2

2 2 3

f

f

mp

f

mp f

2 3

2 * 2 :2

2

marcato S.P.

2 2 *2 *

mp f

S.P. marcato

*2'

mp mp f

mp f

** *2 2 2 4

4

2' *2 *

5 ' *2

*2 2 *2' >7

6

Db.

"

)

2' *'

f

*2 1 2

2 2 3 mp

f

2' mp f

:2 3

S.P. marcato

*2'

*2 2

*2

2 *2

>

*2 '

:*2 *2

*2

2 4' 7

mp f

Sy. 4097/08


! Picc. I $

115

$

Fl.

$

A. Fl.

%

12

2 4' 7

2

mf

6

p

)8*2 '

2 2

mf

molto espress. (with normal vib.)

Ob. I

5 $ > 2'

2 82 '

12 ' $ > 3

2'

p

Ob. II

6

2

12 2 '

$

C. A.

$

Eb Cl.

$

Bb Cl. II

)

Bsn. I

2 12 12

> 2

Bsn. III

p

)8* 2 82

Crot.

Vib. I

Vib. II

mf

80

p

4

p

/

2'

2 3

p

p

5 2 4

2 2

p

p

0

/

1 2 2 2 12

12 '

2 2 12 '

p

12 7 4'

/

%

%

6

82'

2 3

2 2 12 ' 3 3

2 82 3

non-vib. (non-vib.)

2 p

f

%

p

2 82'

2 2

2 82'

12

%

/

4

2 2 12 1 2 2

p

12

12 2 1 2 '

2'

p

p

8 2 2'

12

12 ' 3

p

82

6

10 '

p

p

f

%

%

%

%

%

%

arco

6

%

/

P.O. solo

/

82

/

6

non vib.

/

80

3

p

f

6

/

10

3

f

%

/

/

f

(with normal vib.) molto espress.

2 3 4

(P.O.) con sord.

tutti

%

0 3

f

ff

2 3

4

p

ff

/

P.O.

6

0'

port.

p

%

tutti

%

con sord. molto espress.

10

2port.

(P.O.) con sord.

12 2

p

p

/

f

q = 52 molto accel. (extreme accel.)

12

0

senza sord.

6

mp

/

/

110C

112C

0C

110C

112C

0C

C0

/

/

f

P.O.

/

11C0

C2

mf

11C2 f

11C0

C2 11C2

mf

f

2D

mf

2D f

2D

2D

f

0D 0D

f

mf

C0

/ mf

/

2 port. 1 2 0

p

%

6

6

/

6

p

mf

6

/

mf

C0 3

4 /

mf

C0 3

C2 3

2'

10

/

11C0 3

mf

110C 3

mf

%

senza sord.

%

%

senza sord.

molto espress. con sord.

/

/

mp

0

P.O.

%

P.O.

10 '

molto espress.

mp

%

mf

mf

(arco)

f

(with normal vib.)

80 3

/

2

/

0 3

/

non vib.

%

0D

f

82 2 4

%

%

Vla.

P.O.

*5 /

12 > 2' 3

6

/

f

mf

Db.

/

%

%

0D

%

p

%

.

P.O.

*5 /

2 2 > > 2 2 2'

82

%

%

P.O.

4

12 2 > 7 * 12/5

%

p

2 4' 7

2

p

f

/

p

f

%

$

) 6

p

12 2 2

%

Vln. II

Vc.

12 2

%

%

P.O.

2 12 2

%

P.O. solo

) 6

2

2

f

%

%

.

12

%

p

f

0' 2 3 4

/

p

0

p

6

f

12 2

> 82

6

> 6

6

$

2 3 4 /

*5 /

2 2 > :2 2

molto espress. (with normal vib.) *5 2/

%

/

f

p

%

2 3 4

12 > 2

f

%

f

$ 6

0

%

f

p

12 4 3

molto espress. (with normal vib.) *5 2/

12 '

> /

2

f

molto espress. (with normal vib.) * 12/5

%

82

Vln. I

82 2

2 2

p

%

%

! $

12

2

80

/

f

%

arco

/

molto espress. (with normal vib.) *5 2/

molto espress.

f

2 2 2

p

(with normal vib.) 2 2 :2 > /

12 2 2 12

f

%

p

2

2'

6

2 0 4 3

f

2 82'

/

p

p

f

#$

2 f

6

12)1*2 2 2'

/

6

f

2 2' > 7 3

82'

f

/

p

f

(non-vib.)

82

p

f

p

! "$

"$ /

12 '

(non-vib.)

4

p

/

2

82 3

%

$ /

non-vib.

/

f

4 82

6

82' > 2 2 2

/

2

/

10 '

2

6

molto espress. (with normal vib.) * 5 12/

non-vib.

80

82

p

2

2 12

82'

> 2 82 2'

)

#$

12 2

2 82 3

p

) 4 "

12

non-vib.

9 2 4'

12

2

p

Bsn. II

10 '

p

/

non-vib.

$ 27 4 '

Bb Cl. I

2 2

82

f

10 '

2

f

/

mf

)1*2

82

80 '

2

p

80

p

p

2 2'

2

0

82

82 2 82 2 82 2

mf

p

/

/

2'

non-vib.

19

molto accel. (extreme accel.) q = 52

port.

12 0 3

%

mp

C2 3 4

%

%

C2 3 4

%

%

ff

ff

%

6

ff

C2 3

solo

%

%

6

ff

%

%

%

%

6

%

%

%

%

mf

/

/

4

solo

*C' 2 3

f

6

mf

*'C 2

f

4 /

mf

%

senza sord.

Sy. 4097/08


< "

20

! $

121

Picc. I

%

$

A. Fl.

4

)1*2

12

* 1 2/5

12 3

*2 1*2

2

12 '

5 2'

4

>

*2 * * ' 2 2 2

p

* * )8**2 ' > > 2 2 2

2

p

f

p

12 '

2 4

f

>

p

2 2 2 * * 8*2 '

2 2 *

12 *2 * *2 2 *

2

f

> p

>

* *2 2'

*2 *2'

*2 *2 *2 *2 2

*2 8 *2

2 82 *2 *

2 *

>'

2 82 *2 4 *

2 *

*2 2

2 *2

*2 2

f

2 *2 ' *2 *

12 2' * *

Bsn. II

%

6

%

%

%

%

6

%

%

*2 * 6 82

%

%

%

%

%

%

%

%

%

%

%

%

%

%

/

1*2 *2 2

*2 2 7B

82 2 *

1*2 2 *2 *2 *2 2

*2'

8*2 *2 2 2 *2' * *2

*2'

2 *

2 2 *

8*2

*2

E 4 *2

%

* 2 82

*2

f

*2 *2 8 *2

*2'

*2

>

*2 2 *2 2 ' 7 4

6

% super-marcato

)

%

>

2 2 *

E /

6

" "

%

6

%

*2'

f super-marcato

) 6

4'

2 7

%

%

super-marcato

9 8*2 f

super-marcato

*5 /

12 $ 2 2'

*2

/

p

*

*2 2

/

2 *

2 ' 7 4

12

2 2

/5 82 $ 2 >2

82 *

>'

/

f

Bsn. I

>

super-marcato

2

* $ 2/52'

Bb Cl. II

p

*2

*2 1*2 '

*2

f

f

Bb Cl. I

*2

super-marcato

12

*5 /

Eb Cl.

2 *2

f

f

82 82 ' $ > 3

C. A.

*2 2 2 > '

82 2 *

super-marcato

/

p

$ 2

Ob. II

*2'

f

p

$ 4

Ob. I

*2 2 * 2'

1*2 *2

super-marcato

$ 23

Fl.

%

? =

super-marcato

Bsn. III

"

) 6

*2

/

f

>

%

S.P. marcato

! $

%

*2

/

*2

2 *

ff

2

8*2

*2'

5 2

4

/

*2

< "

8*2 '

8*2 2' *

2 *

? =

2

12 *

1*2 '

*2 *2

" "

*2

Vln. I

%

$

S.P. marcato

/

>

*2

82 *

ff

%

$

S.P. marcato

6

2 2 *

1*2 1*2

ff

*2

8*2 *2 2

*2

*2

12 2 2 * *

*2

12 12 * * 2 *

*2

1*2

1*2

1*2

1*2 1*2

2 12 * 2 * *

*2'

2 2 * 2* *

2' *

Vln. II

%

$

S.P. marcato

6

2 2 *

12 1*2 *

ff S.P. marcato

.

%

/

4

*2 7

>

2

*2 *2 2

* 2 * 1*2 2 2 12

1*2

ff

Vla.

.

%

6

*2

S.P. marcato

/

>

*2

2

ff

)

%

/

tutti

S.P. marcato

>

*2

12

2

1*2 7

2

ff

1*2 1*2 2

Vc.

) C2 3

4

/

6

/

tutti

S.P. marcato

4

>

1*2

*2

2 *2 ' .

2 *2 *2

1*2 *2

*2 1*2

1*2 * 12 2 *2' *2 *2 1*2 2

*2 2 *2'

ff

*'2D ' > 3 $

2D 7

solo

f

4'

*2 * 2

2 *2 *

12 * 2 12 2 1*2 * *

12 2 * *

12 2 *

*2

1*2 * 12

*2 * 12

1*2

2 * *2 *2

*2 '

*2 *2 2

*2 2

*2 *2 *2

* 12 2

*2

*2

)

6

%

%

%

)

6

%

%

%

)

Db.

"$ /

solo

D 8*2' f

Sy. 4097/08


! $ 125

Picc. I

"q = 110 "

%

%

%

# "

< "

%

# "

21

Subito Meno mosso q = 80 %

& %

%

Fl.

$

%

%

%

%

%

& %

%

A. Fl.

$

%

%

%

%

%

& %

%

Ob. I

$

%

%

%

%

%

& %

%

Ob. II

$

%

%

%

%

%

& %

%

C. A.

$

%

%

%

%

%

& %

%

Eb Cl.

$

%

%

%

%

%

& %

%

Bb Cl. I

$

%

%

%

%

%

& %

%

Bb Cl. II

$

%

%

%

%

%

& %

%

Bsn. I

)

%

%

%

%

%

& %

%

Bsn. II

)

%

%

%

%

%

& %

%

)

%

%

%

%

%

& %

%

Bsn. III

"

! $

" "

# "

q = 110 1*0' '

2

fff

p

P.O.

*' 2 1*2 * 1*2 > :2 12 2 > 2 > * *

fff exaggerated cresc.

2

2 3

4

(fff no dim.)

fff

*2 *2 1*2 *2 2 2 2 * 1 2 2 2 * *2 * * *2 * * sub. fff

fff

*2 *2 *2 *2 2 2* *2 *2 *2 * *2 *2 1*2 sub. fff

change chord here

12' 0 * *2 1*2 sub. sfffzp

< "

Subito Meno mosso q = 80 *2 8*2 *2 *2

/

f

p

fff

1& 0

molto espress.

# "

2

port.

& 2

2

. port

& 82

2

. port

& 2

2

port.

2

port.

fff

sub. p

Vln. I

$

:0' ' *

P.O.

fff

2 p

2 8*2 2 2 12 12 2 2 * *2 *2 *2 * * * *' fff (fff no dim.)

2

*' 2 1*2 * 1*2 > :2 12 2 > 2 > * *

2 3

> 82 12 0 * *2 1*2 *' sub. sfffzp

exaggerated cresc.

$

P.O. 1*'0 '

2

fff

p

fff

2

4

(fff no dim.)

2 0 *2 1*2 sub. sfffzp

fff

exaggerated cresc.

Vln. II

$

10' ' *

P.O.

fff

2 p

12 *2 > *'2 2 2 12 2 * * 2 1*2 *2 * * fff (fff no dim.)

2

> 2 * *2 1*2 2

sub. sfffzp

exaggerated cresc.

.

*'0'

2

fff

p

P.O.

Vla.

.

P.O.

0' *'

fff

2

* 2 1*2 *2 2 12 *2 *'2 1*2 *2 *2 *

2

8*2 *2 8*'2 2 *2 2 2 * * 1*2 *2 *

2

fff exaggerated cresc.

2

p

2

(fff no dim.)

fff

P.O. 1*0' '

2

fff

p

2

*2 * 2

2

fff exaggerated cresc.

*2 8 *2 *' 2

2

8 *2 * 2

1*2 *2 2

sub. sfffzp

(fff no dim.)

2 *2 1*2 *2 *

12 0 *2 *2 sub. sfffzp

exaggerated cresc.

)

* > 82

0

* 2 8 2 *2 1*2 *2 12

sub. sfffzp

(fff no dim.)

0

fff

fff

fff

* * * * > 2 12 *2 2 82 2 2 * *

molto espress.

f

fff

f

p

fff

12 2 *2 *2 1*2 *2 *2 *2 *2 *2 * *2 *2 * sub. fff

1*2 *2 *2 1*2 *2 *2 *2 *2

2 2 2 2 2 2 2 2 * * * 1*2 *2 *2 * * * * *2 *

1*2 *2 *2 *2 *2 *2 *2 * 12

2 2 2 * * 1*2 1 2 2 1*2 *2 *2 * *2 2 *2 * * *

1*2 *2 *2 *2 2 2 * * 1*2 1 2 *

p

fff

sub. p

fff

sub. p

/

0

molto espress.

p

2 2 2 2 * 1*2 *2 * *2 * *2 *2 * 1*2 *2 *2 sub. fff

12 1*2 1*2 *2 *2 * *2 *2 *2

mp

fff

& 0

* * * 82 * 2 2 2 *2 * 2

4

fff

sub. f

fff

sub. f

fff

sub. f

4

fff

1*2 *2 1*2 *2 1*2 * 12

sub. f

fff

2

port.

fff

sub. p

1& 0

2

port.

fff

sub. p

molto espress.

& 0

2

port.

fff

sub. p

molto espress.

& 0

2

port.

molto espress.

2

port.

& 0

2

& 12

2

fff

sub. p molto espress.

8& 2

2

port.

& 2

2

fff

sub. p

Vc.

)

)

10' ' *

fff

p

1*'0 '

2

fff

p

1*0' '

2

fff

p

P.O.

tutti

2

82 2 * 2 * 8*2 2 *2 2 * * fff

8 *2 *2 *'2

2

2 *2 *2 1*2 *2 12

sub. sfffzp

(fff no dim.)

exaggerated cresc.

2

* > 12 *2 2 4 *

6

/

1*2 > 12

0 fff

0 fff

sub. sfffzp

fff exaggerated cresc.

*2 * 12 1*2 * / 12

sub. p

6

*2 *2 2 2 * *

4

fff

4

1*2 * 12

4

1*2 * 12

1*2 *2 *2 *2 1*2 * 12

f

fff

1& 0

molto espress.

1& 0

molto espress.

/

molto espress.

/

1*2 *2 1*2 * 2

f

fff

2

port.

& 12

2

fff

sub. p

1*2 *2 1*2 * 2

2

port.

1& 2

2

fff

sub. p

Db.

"

)

tutti

2

* > 12 *2 2 4 *

fff exaggerated cresc.

6

/

1*2 > 12 sub. sfffzp

0

6 fff

Sy. 4097/08

f

fff

1& 0

sub. p

port.

fff

sub. p

& 0

& 12

2

port.

1& 2 fff

2

port.


22

# =

< "

? =

Pi첫 mosso molto q= 100 accel. (extreme accel.) ! $

132

Picc. I

%

%

%

%

2

%

< "

1

# =

%

" "

%

subito Meno mosso q = 60 2 & 2 & / 4 3 non-vib.

6

f

& & 1 23 2 / 4

$

non-vib.

%

$

Fl.

%

$

Picc. III

%

%

%

%

%

%

%

%

%

%

%

6

%

f

non-vib. & 5 & / 4 12 2

6

f

2

0

ff

p

2

0

$ ff

< "

2'

2 3

2'

2 3

%

$

Ob. I

%

%

%

%

%

%

6

f

$

%

%

%

%

%

%

%

6

12 & 2 & / 4 3

C. A.

$

%

%

%

%

%

%

%

6

& non-vib. & / 4 23 2

f

f

$

%

%

%

%

%

%

%

6

2 & 2 & 3 / 4

$

%

%

%

%

%

%

%

6

& & / 4 23 2

"$

%

%

%

%

%

%

%

6

& / /

! "$

%

%

%

%

%

%

%

& %

& /

#$

%

%

%

%

%

%

%

& %

& /

#$

%

%

%

%

%

%

%

& %

& /

Bb Cl. I

Bb Cl. II

Crot.

Vib. I

Vib. II

! $

molto accel. (extreme accel.) Pi첫 mosso 2 q = 100 (P.O.)

8 '0 '

8 *0 '

-

p

(P.O.)

8 '0 '

8 *0 ' 80 ' -

p

'' $ 10

*0' 80 '

(P.O.)

p

-

.

8*0 '

(P.O.)

p

p

sub. ff

-

sub. ff

80 '

(P.O.)

8*0 '

80' '

p

sub. ff

Vla.

p

0'

-

p

(P.O.)

. '0 '

p

) 0' p

Vc.

*' 0

-

0' p

sub. ff

*0 '

0' -

p

) )1*0 ' ' ) )1* 27 4 ' 6 mp

Db.

"

' ) )1* 27 4 ' 6 mp

p

-

sub. ff

p

sub. ff

p

p

< "

8 *0 0

p

sub. ff

p

sub. ff

*0 80

sub. ff

sub. ff

p

8*0 0

sub. ff

sub. ff

p

*2 ' 2'

*0 10

sub. ff

sub. ff

p

*0 10

sub. ff

sub. ff

p

sub. ff

p

sub. ff

p

p

. p

sub. ff

1*0 1 0

. p

sub. ff

p

sub. ff

< "

*0 0 p

sub. ff

1*2 ' 1 2 ' sub. ff

p

p

sub. ff

" "

2'

2

2 p

sub. ff

*0 0

$ ff

*2' ' 2 12 2

*0 10

sub. ff

sub. ff

p

p

sub. ff

p

p

sub. ff

*2' 2 12 ' 2 p

sub. ff

*2' 2 12 ' 2 p

sub. ff

p

.

sub. p ff

fff

sub. ff

p

sub. ff

*0 0

molto S.P.

sub. ff

p

.

p

12 2 3 3

2

0

$ ff

2'

p

2 $ ff

2'

0

2'

p

2

2'

4 2'

arco

4

arco

4

2'

82'

6

f

2 f

2 f

< "

& %

12 0 3

/

6

2 3

2 molto espress. 1 2 3 12 2 2 3 3

mf

mf

2 12 3

p

.

p

2

2

p

2 0 3

p

f

80

2 3 4 /

/

2 2 82' 4 3 3

:0

2

/

f

:2

0

p

f

molto espress.

4

2 82 3

2'

%

%

%

%

%

%

%

%

%

%

%

%

p

p

p

%

%

12 3

4 823 82

%

" "

6

2 3

%

4 6

f

p

molto accel. (extreme accel.) 6

P.O.

: 0 port. 2 p

3

2'

4 6

%

4 6

%

f

12

0' &

0' .

sub. p ff

&

0'

sub. p ff

8 2 :2 0'

. &

p

sub. ff

0'

p

.

fff

& / fff

& / fff

molto S.P. (scratchy)

& : 2 2 0' 0 ' p

.

sub. p ff molto S.P. (scratchy)

: 2 2 0' & 0 ' p

sub. ff

p

& /

fff

& / .

& %

& %

con sord.

fff

%

6

P.O.

80 port. 82 p

P.O. C' 4 2' mp

' 4 C2' P.O.

mp

8C ' 4 2' P.O.

mp

8C ' 48 2 ' P.O.

mp

& %

C2

C2 '' 3 >/

C0

f

C2

C0

f

con sord.

/

C0

rt.

0 po

p

3

12 2

2 3 4 /

6

C2'' 3 >/

6

%

6

C2 '' 3 >/

6

%

6

con sord.

/

0 por

p

t.

3

& %

& %

senza sord.

6

f

C2'' > / 3

(f)

f

C2

2'

(f)

f

C2

6

3

2 2

2 4 / 3

senza sord.

6

f

con sord.

/

(f)

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con sord.

/

(f)

%

%

%

)

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%

12 '

2

f

f

12 2 4 / 3 3

f

%

molto espress.

2

2 82 2 3 2

2 2' 3

p

2

f

/

2

2

p

0

6

12 0 4 3

(p)

2

2 3 4 /

f

2 3

2 3

p

arco

/

0

p

molto espress. (non-vib.)

mf

(p)

0

$ ff

2

(p)

0

$ ff

2 3

12

f

f

5 2 2

f

10 '

mf p

(p)

p

2

1 2 2' 2 3 4 4 3

p

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82 3

molto S.P.

p

sub. ff

%

mf

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(p)

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molto S.P. (scratchy)

*2' 2'

1*0 0

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p

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sub. ff

sub. ff

p

molto S.P. (scratchy)

1 2 1 2 0'

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sub. ff

sub. ff

2'

& %

2 1 2 0' & 0'

2

5 2 2

(p)

subito Meno mosso q = 60

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0

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molto S.P. (scratchy)

1*2 ' 2'

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# =

f

molto S.P. (scratchy)

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1

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(P.O.)

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sub. ff

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(P.O.)

sub. ff

8 *2 ' 2'

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sub. ff

Vln. II

$ 10' '

p

sub. ff

Vln. I

$

0'

# =

f

10 '

molto espress. (non-vib.)

5 2

2'

p

2

non-vib.

Eb Cl.

82

molto espress. (non-vib.)

non-vib.

Ob. II

80

molto espress. (non-vib.)

non-vib.

& 12 & 2 / 4 3

2

f

(p)

0

$ ff

molto accel. (extreme accel.) molto espress. (non-vib.)

(p)

p

2

" "

3

12 p

2 p

4

f

1C C ' 8C0 ppoorrt.t. 1 2 2'

P.O.

%

%

%

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p

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4

f

%

%

%

%

%

%

& %

& %

%

%

%

%

$

%

%

%

%

%

%

& %

& %

%

%

%

%

$

Sy. 4097/08


Exaggerated accent, super-rapid grace note.

! 2 $

with normal vib.

145

Picc. I

2

f

5 2 24 /

with normal vib.

$

Fl.

2

/

/

p

/

$ 6

Ob. I

2'

2 12 12 2

p

/

4

$ )1*2

2 3

4 2 2 28 2 '

C. A.

$

Eb Cl.

82

2

2 3

f

82 3

$

4

28 2 2 82 12 ' 4

82 2 3

$ 4

2 3

mf

2'

82 '

82

2 2

/

2

12

p

2

2/

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> 2/5 127

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*

exaggerated accent, super-rapid grace note.

4

2 4' 7

)1*2

*5 2/

/

2 2 2 8 2 82 2

12

p

2

p

2 3

f

2

4

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2

2'

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> 2/5 2 2 2 *

p

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2

2' 3

2'

Bsn. I

p

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9 2 2 82)8*2 4

)

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"

%

)

%

%

4

%

*2 ' *2 2 * 12 '

%

%

p

/

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f

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2

2

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/

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2 2

2 12

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%

%

%

%

%

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80

$ 6

80

$

%

%

%

%

%

$

%

%

%

%

%

%

%

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.

%

%

/

.

p

3

2

2

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4

2

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4

6

%

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>

%

senza sord.

*2 2 2 2 *2 **

2 2 2 2 * *2 2 *2* *2 ' *2 *

! 6 $

port.

*2

2 *2*2 2 1 2 12 2 1*2 2 2 2 * *2 *2 2 2' *2 * ** **

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>

22 *

%

p

f

' 22 2 *2 **

*2

*2 1*2 2 12 ' *

super-marcato

p

f

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super-marcato

f

12: 2 2 2 '

'

:*2 2 2 * *2' *2

*2 *2 ' 12 * 1*2 1*2 2 2 2 *2 ' *

2' *2 *

exaggerated accent, super-rapid grace note. * 12/5

12

*2

ff

f

.

4 2 *2

super-marcato

*2 1*2 *2 12 ' *2 *

2' 1*2 * 21 2 12 *2' ***

>):**2 2' 12 * *

82 /

* 2 2 12*22 2 * * 1*2

super-marcato

super-marcato

super-marcato

exaggerated accent, super-rapid grace note. with normal vib. *5 .12/

/

ff

super-marcato

p

*2

4

p

exaggerated accent, super-rapid grace note.

mp

Bsn. II

/

super-marcato

2 4' 7

2 2 7 2

* 5 2/

2 82

12 12

>

f

f

2 3

ff

p

2' * 2 28282 * ***

f

4'

4

> 4

%

/ p

*2

4

p

p

f

%

f

9 4' 12

12 '

2 2 4 3

p

2 23

2

with normal vib.

)

2

super-marcato

*

p

82 3

2 12 '

> */52

12

f

*5 2/

4

2 82'

mf

* 5 82/

p

%

f

82 3

%

super-marcato

/

f

4

p f

p

4

82

2 4' 7

2

f

f

%

%

* > 2/5 29 82

4

2 *5 8 2

4

> 2 2 12 2

exaggerated accent, super-rapid grace note.

exaggerated accent, super-rapid grace note.

with normal vib.

22

22 12

p

with normal vib.

6

82

mf

Bb Cl. II

2 3

4

" "

p

exaggerated accent, super-rapid grace note. * * 5 5 2/ 2/ f

mf

2'

/

# "

> 6

22

2

f

f

p

Bb Cl. I

82

* 5 2/

exaggerated accent, super-rapid grace note.

2

2'

>

mf

2 2

/

2' 3

2

2 82 2

p

p

22

mf

with normal vib.

$ /

82 4

mf

p

:2 ' 28 2 2 2 1 2 2 )1*2

1212

2

mf

p

Ob. II

2

p

with normal vib.

$ )8*2

Picc. III

2

/

exaggerated accent, super-rapid grace note.

23

*2 * 2'

*2

*2 *2

>

* *2 *2 > 2 2

" "

f

Vln. I

p

port. 3

82

senza sord.

6

f

Vln. II

)1* 2 port. 1 2 2 . 3 3

senza sord.

6

6

*( C2ppoortrt.. C2 > $sfz

C2, '' 3

>

f

rapid "port."

mp

2

2 12 2

p

2 12 12 2

Vla. port. 8 2 2 . 23 3

senza sord.

6

/

f

)

%

/

4

rapid "port."

, > 1 C9 C ' 1 2 2'

, 2C mp

mp

* rt. 1C( C2 po port. 1 2 4 $sfz

rapid "port."

9 port.1 C 4 ' 2Cport. *2( $sfz /

4

, 2C

,9 port. 2Cport. 2C( 4 > 12C 2C * $sfz mp

rapid "port."

mp

2

p

rapid "port."

port. port.

9 2C( 4 ' *

$sfz

6

2

2 3

2 12 12 3

/

4

.

/

4

4

2

12 12 2 12 ) 2

p

Vc.

) $

, rapid "port." ort. C 4 12C 2Cpport. 2( * $sfz mp

% D 2'

6

p

2D 2D 3

f

/

%

D 2'

2D 2D 3

/

%

Db.

"$

p

f

, rapid "port." C4 1 1 2C 2C12( * $sfz mp 12D / mp

12D ' mp

2D 3 f

, 5 rapid "port."rt. C2 ppoort. > 2C ''

$sfz

mp

2D 12D 3

4

f

2D 3 4

Sy. 4097/08

*( C2 >

/

%

3

)

12 3

p

12 12

2

3

%

%

)

%

%

)


! $

" q = 80 " 9 ' 12' 4

/

6

%

%

Ob. II

$

1'2 4 ' 7

/

6

%

%

%

%

%

C. A.

$

'2 4 ' 7

/

6

%

%

%

%

%

Eb Cl.

$

'2 4 ' 7

/

6

%

%

%

%

%

Bb Cl. I

$

9 12' 4 '

/

6

%

%

%

%

%

Bb Cl. II

$

9 ' 2' 4

/

6

%

%

%

%

%

)

1 '2 7 4'

/

6

%

%

%

%

%

)

2' 4 ' 7

/

6

%

%

%

%

%

24

150 Ob. I

Bsn. I

Bsn. II

"

! $

change to Oboe III

change to Bass Clarinet

" "

# "

# "

q = 80

molto espress.

12

2

port.

f

0

2

port.

2

0'

& ;

< "

%

0

2

fff

< "

%

# "

# "

0

p

%

*' *2 1*2 *2 2 2

super-marcato

fff

*2 *2 *' 12 '

1*2

*2 * 2 12' ' *

*2

*2 1*2 *2' '

12 *

Vln. I molto espress.

$

12

port.

f

molto espress.

$

2

2

0

2

port.

2

0'

& ;

0

super-marcato

fff

2

port.

f

10

2

0

2

0

p

2

port.

2

& ;

0'

0

fff

12 2 2 * 1*2 *2 *'

fff

super-marcato

1*2 12 2 2' 2 * * * fff

p

Vln. II molto espress.

$

.

2

2

port.

f

molto espress.

12

10

2

port.

12

0'

& ;

0

2

fff

2

port.

f

10

0

super-marcato

1*2 2 4 * fff

p

2

port.

2

& ;

0'

0

fff

p

2 1*2 *2 1*2 *

10

1*2 1 2 *2 1*2 * fff

0

12 12 1*2 *2 * *

0

12 1*2 1*2 *2 *

10

super-marcato

1*2 2 4 *

fff

/

4

/

> 29 *

1*2 2 * 1 2' *

fff

Vla.

.

molto espress.

12

port.

f

molto espress.

)

2

12

10

2

port.

12

& ;

0'

fff

2

port.

f

0

super-marcato

0 p

2

port.

2

& ;

0'

0

fff

p

1*2 * 1*'2 12

fff

1*'2 3

super-marcato

4

fff

2 2 :*2 > 2 8*2 2 * * *'

2 *2 *2 > /

fff

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)

molto espress.

2

2

f

)

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port.

0

2

port.

2

& ;

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0

fff

2

6

fff

f

p

6

/

4

5 2 *'

& 2

5 2 *'

& 2

fff

2

5 2

2

5 2

*'2'

*' 2 12 '

2

4

fff

*' 2 3

super-marcato

fff

2

1*2 12 *

> /

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super-marcato

/

%

6

fff

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"

)

'2 f

2

6

fff

6

/

4

fff

*'2'

*' 2 12 '

2

1*2 1*2 *' 12

super-marcato

/

%

6 fff

Sy. 4097/08


! Picc. I $

156

" "

%

%

< "

%

" "

%

25 (non-vib.)

1*2

bend pitch

ffff

(non-vib.)

%

$

Picc. II

%

%

82

%

bend pitch

ffff

(non-vib.)

%

$

Picc. III

%

%

2

%

ffff

(non-vib.)

Ob. I

$

%

%

%

%

$

%

%

%

%

2

12

$

Ob. III

%

%

%

%

%

"$

%

%

%

%

! $ /

* * *2 * 1*2 12 :2 2 1*2' '

" "

*2 8*2 *2'

* 2 2

4

4

9 * *' > 82 82 :2 ' *

*' 8*2 82 '

*2' '

1*2 2 3

4

*' > :2

*2

*2 2

*2 * * 12 *2 2'

:*2

< "

* *2 *2 1*2 12

Vln. I

$ 12 1 2 ' * *'

$ 29 4 ' *

* * * 1*2 12 2 2 /

12 2 12 ' *2 * * * 1*2 *2'

4

8*'2 3

1*2 2 4 *

2 *2 * > / 2

* *' > 12 2

82 ' *2 *'

8*'2 '

/

2 2 / * 1*2 1 2 *

82' ' *

2' ' *2 *

2

%

$

Eb Cl.

Bb Cl. I

%

4 2 2 :*2 1*2 *

*2 > 7

* * *2 12 8*2 2

$ 1*2 12 ' *'

.

)1* 2

/

* 1*2 *2 12 /

1*2 12' ' *

4

5 2 *'

> 29 4 *

* 1*2 :*2 12 > 4

*' 2 3

*2 > 1*2 *2'

1*2 *2 1*2 > 4

* :'2 3

12 12 4 * *

82 ' *2 *'

2 2 8 2 *2 / * *

2 12 > 12 *2 1*2 * * *2

2 *

4

4 *2 *2

*2

2

12' *

2

5 2

4

4

1*'2

:*'2

* 2 2

1*'2 3

4

/

* * 1*2 > 2 12

bend pitch

ffff

2

bend pitch

ffff

12

bend pitch

ffff

+ *2 *2 , * 1*2 12

* ,+ *2 *2 2 1*2

" "

1*2( 7 4'

/

6

1*2( 7 4'

/

6

:*2( 7 4'

/

6

7 4'

/

6

*2( 7 4'

/

6

1*2( ' 7 4

/

6

sfffz

sfffz

*2 *2 *2

*2

4

8*2 *2

4

*2 1*2

* *2 1*2 2

*2

4

1*2 *2

*2 *2 1*2

*2

sfffz

Vln. II

*2 * 9 82 )8*2 4 ' *

bend pitch

ffff

(non-vib.)

%

bend pitch

ffff

(non-vib.)

Ob. II

bend pitch

$

*2(

sfffz

sfffz

Vla.

.

2

2' *'

1*'2 '

* * * *' ' ) > 12 :2 2 12

*' *2 > 1*2 12

4

*'2 2 > 7

/ 1*2

4

1*2 1*2' 2

1*2 *2

2 2 > 2 1*2 2 * *2 * *

2 *

2' *'

2 / *

1*2 1 2 25' * *'

> /

4

1*2 *2 4

* 8*2 > *2 8*2 *2 2 7

* 1*2 12 *2 *2

1*'2 '

* *2 1*2 *2 )1**2 1 2

*2 *2 1*2 *2

* * 2 1 2 : 2 1*2 2' *'

82 8*2 8 2 *2 * > *

*2 1*2 *2 *2

4

* * 1*2 > $2 12

$1* 2

*2 1*2

>

sfffz

%

Vc.

* * *' ) > *2 82 2 2'

) )1*2

*2' '

4

*2 > 7 /

4

* > 127 /

*2 8*2

/

%

4

/

8*'2 '

*2 /

6

/

*2 7 4'

%

%

4

/

8*2' '

*2 /

6

/

8*2 4 ' 7

%

%

Db.

"

) )1*2

*'2 '

*2 8*2

Sy. 4097/08


26

! $ 161

Picc. I

2

82 2

2

222

7

2

2 7 22 2 2 2 7 22 2 2 12 21212 2 2 2 :2 2 12 12 12:2 212 :2 2 12 :2 6 22 2 2 7

*2 2 2 2 82 2 2 22 2 22 2 5 82 2 82 2 2 282 2 2 2 12 2 $ 12 :2 2 2 2 6 5 5 (ffff)

Picc. II

7

5

(ffff)

$

Picc. III

7

5

5

(ffff)

6

6

(ffff)

$

Ob. II

*2 (ffff)

$

Ob. III

$

$

2

2 12 2

5

2 5

2 2 :2 2 2 212 :2 2 5 2 2 2 2 2 12 1 2 2 2 2 2 2 2 2 2 2 12 22 24 5 5 5 5

5

6

6

6

6

6

6

1282 2 2 212 2 282 2 2 2 2 2 2 2 2 2 2 2 2 12 2:2 12 :2 2 2 21 2 8 2 2 2 2 2 2 2 2 12 :2 2 2 2 2 (ffff)

Bb Cl. I

12

12 12 12 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 12 2 2 2 2 2 2 :2 2 2 2 2 2 12 (ffff)

Eb Cl.

mf

2

7

7

7

%

%

%

%

%

%

%

%

%

%

mf

12 12 2 2 2 2 2 2 2 12 2 2 2 2 2 2 12 :2 2 2 2 2 2 2 2 2 2 2 12 2 $ 2 2

Ob. I

%

mf

6 6 6 12 2 2 2 2 2 2 2 2 2 12 2 212 12 2 2 2 212 :2 212 12 1212:2 2 2 2 12 :2 2 2 2 26 6

%

mf

7

7

7

>

mf

6

change to Cor Anglais

6 2 2 2 22 22 2 4

mf

7

7 >6 12 2 2 2 2 2 2 2 21 2 2 1 2 2 2 2 2 2 2 22 2 2 2 2 2 7

%

7

mf

6 6 6 :2 1 2 1 2 12 2 2 2 2:212 2 2:2 2 12 2 2 :2 2 2 2 12 :2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 6 6 6 212 2 2 2 2 2 2 2 2 12 2 2 2 1 2 2 2 2 2 2 22 2 2 1 2 2 6 6 6 6 6 2 212 2 2 22 22 6

mf

(ffff)

)

Bass Cl.

%

6

1*2 2 2 2 2 1 2 2 2 2

/

(fff)

)

Bsn. I

%

5

2 2 2 2 2 12 2 2 2 2 2 2 2

5

%

5

5

212 2 2 12

/

7

(fff)

2

222

5

5 2 2 2 5 2 12 2 1 2 2 2 2 12 2 2 2 2 4 2 12 2 2 8 2 82 5 5

mf

2 282 2 2 2 2 2 2 2 82 2 8 2 2828 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 7

7

7

7

7

7

mf

6 6 6 12 2 2 2 2 2 6 2 12 2 2 12 2 2 2 2 212 2 12 2 2 2 2 22 22 2 22 82 2 82 2 2 22 2 2 3 6 6

)

Bsn. II

%

%

%

/

4

mf

(fff)

Bsn. III

5 large Tomtoms

"

)

%

%

/

12 2 2 22 12 2

/

(fff)

! "@

%

%

5

5 5 5 2 2 22 12 2 2 2 2 2 2 12 2 12 2 2 2 2 12 2 2 2 2 5 5

%

2 ((

brushes

/

2 ((

"f" (result: mp)

1*2 ! 7 $ pizz.

sffz

4'

/

6

6

marcato 6 6 6 2 2 2 2 22 2 > 12 2 2 2 2 12 2 2 2 2 2 2 2 2 1 2 2 2 2 2 2 2* 2 2 2 2 2 * * * *2 1 2 : 2 1 2 6 ** 6

arco

2 ( (

2 ( (

2 ( (

2 ( (

pizz.

6

2 12 12 2 :2 12 2 2 :2 12 2 2 :2 12

fff (no dim.)

Vln. I

1*2 7

pizz.

$

sffz

pizz.

1*2 $ 7 sffz

4'

/

6

6

4'

/

6

6

marcato pizz. 5 5 *2 2 5 5 5 3 2 2 22 22 2 2 2 2 2 2 2 2 2 4 12 2 2 2 2 2 2 2 *2 *2 2 2 2 1 2 2 2 * 2 2 * 1 2 2 * * * * 1*2 :*2 * * * 1*2 :*2 5 5 5 fff (no dim.)

arco

2 2 12 2 2 22 2

arco

2

fff (no dim.)

2 12

2 2

3

2

marcato

2 12

2

pizz.

> > 2 1 2 2 2 2 2 2 *2 *2 2 2 2 *2 1 2 2 2 1 2 2 2 2 2 1 2 2 2 :2 * * * * * * * * * * * *

Vln. II

*2 $ 7

4'

/

6

6

1*2 7

4'

/

6

6

pizz.

sffz

pizz.

$

sffz

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molto espress. (non-vib.) solo

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%

%

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%

%

%

;6

%

%

%

%

%

6 ;

5 5

mp (no dim.)

0

%

6; ;6 ;6

mp (no dim.)

& %

%

mf

%

%

& %

%

6;

mp (no dim.)

mp (no dim.)

2 7 4' /

mf

0

%

0

p

p

0

0

& %

f

0

5

mp (no dim.)

& %

%

2 7 4' 6

p

p

%

% 0

10

10

f

%

;

p

f

0

p

10

;

mp (no dim.)

10

0

p

0

;

f

0

10

0

& 0

non vib.

0

mf

%

p

f

0

10

mf

10

0

p

)

%

f

p

Vc.

%

f

p

. 0

%

f

12 '

0

$ 0

.

4

p

Vln. II

Vla.

%

10

& %

%

%

%

%

6 ;

5

mp (no dim.)

& %

%

%

%

%

1; 6

5

;6 ;6 16; 16; 6;

mp (no dim.)

Db.

"

)

%

%

%

%

%

%

%

%

%

%

& %

%

%

%

%

1 ;6

mp (no dim.)

Sy. 4097/08

1;6

Tocar y Luchar for orchestra by Dai Fujikura  

Tocar y Luchar (2010) composed by Dai Fujikura Published by G Ricordi & Co (Berlin) Ltd. performance details 3333, 4331, timp. + 3perc, str...

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