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ice for ensemble (2009/2010 corrected 17

Dai Fujikura

th

Sept 2011)


Co-commissioned by the Barlow Endowment for Music Composition at Brigham Young University and the International Contemporary Ensemble (ICE)

Instrumentation (handheld percussions: see “percussion section” for details): 1 Flute (doubling Alto Flute and Bass Flute) 1 Alto Flute (doubling Piccolo and 1 Snail-Shell Pod Rattle) 1 Oboe (doubling 1 small Pod Rattle) 1 Clarinet in B-flat (doubling 1 small Rainstick) 1 Bassoon (doubling 1 large Pod Rattle) 1 Percussion player 1 Acoustic Guitar (amplified in 2 places of the guitar, 1 microphone pointing at neck, 1 pointing at sound hole, and turning, see below)

1 Violin 1 Viola 1 Cello 1 Double Bass -----------------------------------------------------------------------------------------------------Percussions for percussionist 1 Sea-Shells Wind Chimes 1 Water Drum Almglocken:

1 Large Sizzle Rivet Cymbal 1 Large Spring Drum 1 Dulcimer (needs these pitches):

Marble in the Bowls (needs these pitches):

1 Kalimba (amplified) – turning:

Create this scale using the mixture of "metal pipes", "wooden bars" and "flower-pots".

------------------------------------------------------------------------------------------------------


Hand-held Percussions for woodwinds: 1 Snail-Shell Pod Rattle

2 Pod Rattles (small and large)

1 small rainstick (can be held in one hand)


Woodwinds Multiphonics (ALL in written pitches): Flute/Alto Flute

Bass Flute:

OBOE:


Clarinet:

Bassoon:


Guitar tuning:

General Point: The score is in C Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. Do NOT vibrato on gliss. or port. All arpeggios and grace notes must be played rapidly. STRINGS: S.P.= sul pont. P.O.= position ordinary S.T.= sul tasto Make a difference between Gliss. and Port. Gliss. = shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note.

Use plastic (not metal) practice-mutes. The sound of the muted strings must “match� when played together. All need hard plectrums.

Seati ng pla n:

percussion flute1

oboe

clarinet

viola violin

bassoon flute2 cello bass

guitar conductor


Dedicated to ICE members: Claire Chase, Eric Lamb, Joshua Rubin, James Austin Smith, Rebekah Heller, Jennifer Curtis, David Bowlin, Maiya Papach, Wendy Richman, Katinka Kleijn, Kivie Cahn-Lipman, Randall Zigler, Daniel Lippel and David Schotzko and to ICE's beloved Board President Andreas Waldburg-Wolfegg on the occasion of his 44th birthday

First performance: April 27th 2010, (le) Poisson Rouge New York, USA Performed by I.C.E. Conducted by Matthias Pintscher


Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All arpeggios and grace notes must be played rapidly.

ice

senza misura

! Alto Flute 1 #

(

1

'$% &

2

&% #$)

'$% &

'tut' sfz

(

(

#

&% #$)

'tut' sfz

small Pod rattle (doubling with Ob)

$ &%

'#$)

*$% &

'tut' sfz

sfz

(

4

$% & 'tut'

'tut' sfz

(

&% ( ' $ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ *#$)

5

&%

'tut' sfz

'tut' sfz

sfz

8"-9" (stay in "p") 4" - 5"

2

&%

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'tut'

'tut' sfz

&%

'tut'

overall dynamics:"p" 1

3

sfz

&% ( $ 'tut' sfz

3

$% & 'tut'

( &%4

sfz

#$)

*$ &%

(

'tut' sfz

'tut' sfz

Dai Fujikura

! "

26" - 30"

both Alto Flutes: Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. percussive key-clicks+percussive breathy sound, do NOT make it sound "ordinary". 4" - 5"

'tut' sfz

Alto Flute 2

for ensemble (corrected 17th Sept 2011)

"fff" (effect: "mp") 5

&% #$)

*$% &

'tut'

sfz

(

'tut' sfz

etc.

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

overall 8"-9" (stay in "p") "fff" dynamics:"p" (effect: "mp") Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. 2 "rattle" 1 "rattle" 3 "rattle" 4" - 6" 1" - 2" 3" - 4"

etc.

, !!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!!!!!!!!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ . . .

+

"p"

"p" "f" (effect: "mp")

"mp"

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. 2 "rattle"

3 "rattle"

+

small rainstick (doubling with Cl)

"p"

"p"

large Pod rattle (doubling with Bn)

Sea Shells Wind Chime

"+

1 "rattle" 1" - 2"

, !!!!!!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!! / !!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ . . .

4" - 6"

3" - 4"

"f" (effect: "mp") Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. "mp"

2 "rattle" 1" - 2"

1 "rattle"

3 "rattle"

4" - 6"

, !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !!!! . . . 5" - 7"

"p"

"f" "f" (effect: "mp") (effect: "mp") Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. "mp"

2 "rattle" 1" - 2"

"rattle" 5" - 6"

1

! "+

3 "rattle"

5" - 7"

, !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!! ,!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !!!!!!!! "p"

"p" "f" (effect: "mp")

"mp"

"ff"

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played.

RASGUEADO (fast, wild)

sounding pitch

amplified Acoustic Guitar

!

# %

1

,, ,, ,,

3

2

6" - 8"

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"mp " (effect: pp) - balanced by amplification

4" - 6"

5" - 7"

2" - 3"

&" **&&& && "p"

& = the note to be held by L.H. and played

4

"mf " exaggerated

&" **&&& &&

"pp" "mf " exaggerated

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

&" **&&& &&

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exaggerated

(by R.H.) between the L.H. and scroll

for strings: Play the cycles in order first, then you may repeat the phrases in any order. However, you may not repeat each individual cycle until all the cycles have been played. Each note should last between 2" - 5" and you should make many variations within these durations. Also the dynamics for each note should be: pp < mp >, mp > pp, pp < mp again you should make variations, and avoid repeating the same dynamic patterns. pizz. trem. with plectrum

, ! ' Violin # 1

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pizz. trem. with plectrum 1

Viola

, # '

#, '

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pizz. trem. with plectrum 1

Violoncello

2

2

pizz. trem. with plectrum

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3

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3

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3

4

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Double Bass: all pitches sound an octave lower than written (including the harmonics) Copyright G. Ricordi Buehnen und Musikverlag GmbH M端nchen 2010

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Alle Rechte vorbehalten All rights reserved ! Tutti i diritti riservati


! in Tempo " q = 72

2

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on 3rd beat ! norm.

! A. Fl. 1 # $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 2 2

stop

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stop

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fff

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on 2nd beat ! always molto tremolo! (plectrum)

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always molto tremolo! (plectrum)

0 $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ **,, ''

sub. fff

always molto tremolo! (plectrum)

Vc.

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5


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molto accel.

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A. Fl. 1

Ob.

small rainstick (doubling with Cl)

Bsn.

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Vc.

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/

#

A. Fl. 2

4/

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0 ,, (( 82 2 ' ') '9 1 ,(' 82 2 ,(

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Meno mosso q = 72 molto accel.

4

! Fl. 1 # 12

Picc.

Ob.

small Pod rattle (doubling with Ob)

Cl.

small rainstick (doubling with Cl)

Bsn.

.

-

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ffff non-dim. large Pod rattle (doubling with Bn)

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/

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p

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exaggerated

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fff

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both Alto Flutes: Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. percussive key-clicks+percussive breathy sound, do NOT make it sound "ordinary". 4" - 5"

49

1

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8

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21

8" - 10"

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. NO gap!

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3

22

" inq =Tempo " 82

6" - 8"

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66

2 Picc.

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marble in Bowls

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23 Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. q = 60 1

! Fl. 1 # / 72

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f

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# /

A. Fl. 2

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/

f

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# /

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Bsn.

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1

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0

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24

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30" - 33" (for Clarinet to stop)

(rest: 4 - 6 seconds each) 3 @ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ length of fermata on rests increases

overall dynamics length of fermata on rests increases

p (rest: 4 - 6 seconds each)

# $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

A. Fl. 2

overall dynamics

p

length of fermata on rests increases

(rest: 4 - 6 seconds each)

# $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

Ob.

overall dynamics

#

Cl.

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length of fermata on rests increases

@ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 3 overall stop (rest: 4 - 6 seconds each)

p

dynamics

Bsn.

"

0

, , , ,

length of fermata on rests increases

(rest: 4 - 6 seconds each)

@ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ overall dynamics

! Dulc. # " :

p

-

.

*: p

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. Each phrase should be played in different bow positions, "P.O.", "S.P.", and also "S.T.", you may not play in same bow position 2 phrases in a row. tempo between: q = 46 to q = 86 molto espress. pizz. (without plectrum)

! Vln. #

44 ''

5

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arco

5

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pizz. (without plectrum)

2 (arco)

Vla.

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5 $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

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Vc.

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1

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'' 1 4( Db. "

arco 1

9 5 *, 1

,

p Sy. 4002/01

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in Tempo e = 76 rubato (follow the Kalimba)

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! # $$$$$$$$$$$$$$$$$$$$$$$$$$ 77

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4

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4 # 4

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28

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4

4

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A. Fl. 2

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keep fingering "low D" and trill G# key.

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31

! Fl. 1 # 4 132

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32

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Cl.

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34

,( ! ,( Fl. 1 # 160

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4 4

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Ob.

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Cl.

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p

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4 44 4 4 4

p

Pi첫 mosso q = 96

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amp. Kal.

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#

= = *&, , &, (

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fff fff fff dynamics: all "subito" except diminuendi.

5 2

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4

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35

> poco a poco espressivo >

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36

! Fl. 1 # 176

6 <

" "

Pi첫 mosso q = 58

,( 8 )

non vib.

Pi첫 mosso q = 82

rit.

bend pitch (bend more pitch just before you move to the next note)

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Fl. 1

6 "

.

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q = 58

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f

Cl.

.

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#

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p

f

A. Fl. 2

6 "

q = 82

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.

Sy. 4002/01

2

5

p


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185 Fl. 1

" "

6 "

molto accel.

q = 58

.

.

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39

.

espress.

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@8 2

/

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.

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.

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p

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f

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, = 1D , ((

,

,(

po

rt.

*, ,

,

,

5(

(P.O.) (espress.)

5 ( @ ;B ( , , *, ,

2

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, *, ( ,

,, *, *, ,(

p

don't change the bow when changing notes.

molto espress.

E ,

, port

.

p

1

" "

p

espress. P.O.

; ,(

*, ,

*, ,(

,(

por

t.

, ,

ff

Sy. 4002/01

,D ( ,

=

sim.

, ,

rt.

! #

6 "

q = 58

po

Vln.

" "

molto accel.

,( ,(

E , )

, por

t.

,( ,

,

5

2

ff

don't change the bow when changing notes.

,((

port.

,4

9 ,

p


40

" "

! Fl. 1 # 188

poco a poco marcato

(espress.)

2

*, &

, , , , *, &

,

p

,(

, ,, &

& , , ,( , &

super-marcato

,, ,*, ,*, *&, , *&, & &&

,, &

&, ( & , ,*, , , ( && &

&,

ff

molto espress.

,

p

molto espress.

.

#

Picc.

/

2

@,, , p

change to Piccolo

#

A. Fl. 2

.

.

poco a poco marcato

(espress.)

/

#

Ob.

5

, *, &

*, ,

p

, &

, *, , , *, &

poco a poco marcato

#

Cl.

*, ( &

*, (

,

(espress.) Bsn.

"

1

" "

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, *, ,

8

*, (

*,

0

Vc.

(P.O.) (espress.)

2

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,

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, *,

, ( , , ,(

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,

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&,

, , &, &, ( , , * , & && &

& ,, , , ( ,& & & ff

@2

,( &

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& , ,

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*,*, ,*&, &

& , &, &, *&, *, ,

& , ,(

,(

& ,,

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,(

,

9

,

sub p

,( ,( , , , , & && &

& & ,, *,*, , , &

,

*, ( &

sub p

&, , &, ( ,E ( & & & *, , ,

= , )

sub p

,, , & *&, &

&, (

& &, ( & &, & & ,, ,, , *,

.

Sy. 4002/01

*, & & &, , *, ,

molto espress. P.O.

ff

.

molto espress. P.O.

ff

super-marcato S.P.

,,

sub ff p

super-marcato S.P.

ff

# *, (

&, *,

.

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,(

& ,,

super-marcato

poco a poco marcato gradually S.P.

p

Db.

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(P.O.) (espress.)

1

& ,, , ,

,

p

p

Vla.

*, ( , , , ( &

* , ' , &, ,

,

molto espress.

super-marcato

molto espress. P.O.

,E

sub p


q = 82

41

molto rit.

! 4 Fl. 1 # 190

,

,

9

,

,

8* 4

,

8,

,

ff

bend pitch (just before you move to the next note)

# ,

Picc.

,(

3, 4

#

,

8 *, ((

,

.

,(

, )

,

.

bend pitch (just before you move to the next note)

Ob.

,

ff

#

A. Fl. 2

8 *,

,((

9 ,(

, )

9 *, (

, )

9* 4

ff bend pitch (just before you move to the next note)

#

Cl.

4(

, 93,

4(

,

8 ', (

ff

Bsn.

"

1

.

.

q = 82

molto rit.

! Vln. #

= , )

,(

,port.

*, (

,E (

,

port.

*,

,= (

,

port.

*,

,

ff

0

Vla.

,

t. por

,

,E

,

port.

#

Vc.

4

, port.

,

,

E ,

*4

port.

p

ff

= ,

= ,

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ff

, )

port.

,(

,

ff

Db.

"

1

, p

.

.

Sy. 4002/01

*, (

poco a poco marcato gradually S.P.

,


q = 58

molto accel.

42

! 4 Fl. 1 #

,

192

*, (

p

# ,)

Picc.

5

p

2

, , , , *, (

, , ,(

super-marcato

, , , ,( && &

&,

ff

/

.

.

super-marcato

5(

2

ff

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(espress.)

#

Ob.

, ,

, ,

,

p

#

Cl.

,

,

,(

, , *, (

"

,( *&, , &

, , , , & & &, *, ( &

poco a poco marcato

, ,( *, , ,

p

Bsn.

1

,(

, , , , &, & & *&, (

; *&,

*,

super-marcato

(espress.)

,

/

*&, * , &

change to Alto Flute

#

A. Fl. 2

poco a poco marcato

(espress.)

, , , ,( & & & &, , &

, , *, (

, &

, &

, ff

&,

, &, &

, &

,

super-marcato

&,

ff

, &

.

, , , ,( & & & *&,

, , , & & & &, ,

, , & & *&, , *&,

, & &, *&, , &, (

&,

&,

.

q = 58

molto accel.

! Vln. #

0

Vla.

"

1

, port. ,

= ,

,

,

port.

,

p

,E

# ,

Vc.

Db.

E ,

port.

,

, , ,gradually S.P. *, *, , , , , , (

poco a poco marcato gradually S.P.

,

poco a poco marcato

,

,

,

, ,

,

*, ,

, *, ,

p

,

,

*, (

*,

,

, ,

, , *,

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,

& *, ,

,

, , & ,(

,

, &

,

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,

, ,

,

( , *, , &, &

,

.

, &

,

*, *, , &

, , , , & &

super-marcato S.P.

, ,

.

Sy. 4002/01

&,

, , , , , , & & & &, * , , & & &

ff


43

q = 82

! #

molto rit.

194 Fl. 1

.

.

poco a poco espressivo

#

A. Fl. 2

*,

*,

espress.

*, (

*,

,

,

,

,(

,(

, ,

8

9 ,(

2

/

mp

& &, & # , , , , ,(

Ob.

2

/

.

p

molto espress.

# , , , , , *, ( & & &

Cl.

, p

, *, (

*,

Bsn.

"

0

*&, *&,

,

,

84

poco a poco espressivo

&, &, &, , &, ( ,

,

,

9 *,

,

ff

super-marcato

1 2

,

,

espress.

*, 1 *,

ff

,

,

mp

,(

,

, ,

; 8 5 ,

2

ff

9,

q = 82

molto rit. super-marcato S.P.

Vln.

! , # , &

, & *&, (

ff

Vla.

0

,

*&, ,

poco a poco espressivo & gradually P.O.

&,

espress. P.O.

poco a poco espressivo & gradually P.O.

&, & *, *, ,(

*, ( &

, &

*,

,(

espress. P.O.

*, ,

,

,(

,

,

, ,

,( p

*,

,

molto espress.

, , *,

, ,

= , p

,(

port.

, ,

ff

ff

E ,

= ,

,

,(

port.

, , ff

mp

molto espress.

Vc.

# ,

1 Db. " /

&,

, , , , & & & *&,

*, ( &

, /

2

= 8 1 ,( )

2

p

p

,

,

p

Sy. 4002/01

port.

4

port.

4

,(

port.

,

ff


44

q = 58

! Fl. 1 #

molto accel. super-marcato

196

.

/

*&, *&, &,

2

& *, (

& ,

ff

.

#

A. Fl. 2

2

*,

,

, *,

mp

.

#

Ob.

, , ,

@ *, *, ', (

; ,

(espress.)

2

8

*, (

change to piccolo *&, @ 8 5 *, 7C &

,(

ff

super-marcato

8

mp

poco a poco marcato

(espress.)

5

# 9 ,

Cl.

2

,

*,

*, , ,(

,

super-marcato

, *, (

*, (

p

(espress.)

Bsn.

"

1 ,

*, ,

,(

,

poco a poco marcato

*,

, , ,

*, &, & &, , , ( &

super-marcato

*, (

, ,

& *&, & &, *, *,

& ,(

5

, ,

, *,

&,

5

&,

,

, *, , & & &, ff

&,

&,

, &

, &

2

ff

p

q = 58

molto accel.

Vln.

(P.O.) (espress.)

! # 2

2

2

*,

,

ff

Vla.

= , ( port. *, ,

E 0 ,

mp

2

*,

*, ,

*, ,

,

*,

,

, *, *,

,(

*,

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, ,

, ,

*,

*, &, (

&,

, ,

, &,

Vc.

E ,

,

1 ,port Db. " )

.

,(

,

,

p

ff

poco a poco marcato gradually S.P.

(P.O.)

1

,

p

p

(P.O.) (espress.)

E 4

5

poco a poco marcato gradually S.P.

= ,

,

mp

por

t.

ff

4

. port

,(

E ,

,

; ,

8

5

2

5

p

ff

4

Sy. 4002/01

p

port.

,

, )

,( &

#

p

5

*,


q = 82

molto rit. poco a poco espressivo

! *&, ( Fl. 1 # ,

&,

& *,

198

& &, , , *,

, & ,

,

,

, ,

,(

,

, , , *,

, ,(

*, (

molto espress.

espress.

',

*,

45

, )

p

molto espress.

4

(espress.)

# /

Picc.

*,

2

',

*,

,

*,

*,

*, ,

p

mf

& # *,

Ob.

,

*&, (

*, &

, &

ff

,( &

, , &

&, (

poco a poco espressivo

&, & , ,

,

espress.

*, (

',

*,

*, ,

', (

p

poco a poco espressivo

# ,

Cl.

Bsn.

"

*&, (

*, &

*, &

& *&, ,

, & *,

& ,

1

& , ,(

, 9 )

*, (

molto espress.

,

,

,

,

*, (

*,

espress.

*,

*, ', (

, *,

molto espress.

, ,

*, *, p

.

. q = 82

molto rit.

& ! Vln. # , ,(

0

Vla.

,

, & *&, , , , ( *,

super-marcato S.P.

& *,

& ,

& , ,

&, ,

poco a poco espressivo & gradually P.O.

&, & & & , , ,

&, ,

*&,

*,

& ',

, *,

espress. P.O.

*,

#

super-marcato S.P.

&, *&, *&, #

&, ,

& *,

& &, , , (

& *, (

poco a poco espressivo & gradually P.O.

&, & & & &, ( , , , ,

*,

& ,

espress. P.O.

*&, *, &,

*, (

& ,( , ,

super-marcato S.P.

& *,

&,

, & ,

& & '&, &, , ,

, & ,

& , ,

& ,

"

1

.

molto espress.

( , *,

*,

*,

E ' , ,port. * , )

= , )

p

poco a poco espressivo & gradually P.O.

& ( *, , ,

&,

, ,

*&, (

', (

.

Sy. 4002/01

,(

p

ff

Db.

, ,

ff

ff

Vc.

*, (

espress. P.O.

( *, , *,


46

! Fl. 1 # 200

#

Picc.

#

Ob.

#

Cl.

Bsn.

"

8 *,

,

,

8 ,(

, )

ff

*4

Db.

"

1

4

,

8* ,

,

,

, )

9 *,

,

,

9,

,

8*4

,

8 *,

,

, )

8 ,(

ff

,

,

8* , (

,

, )

9 *4 ff

.

,

.

,E

, )

port .

*,

,

,=

,

port.

*4 (

ff

,

*,

port.

,

E ,

,

port.

,

,

*,

E ',

*,

,

(P.O.) (espress.)

,

*,

,

p

ff

molto espress.

#

,

9,

, )

' ,= ! ) Vln. #

Vc.

8*,

,

1

#

8,

, ff

molto espress. port.

Vla.

,

port.

*,

,

= ,

,

p

port.

,

E ,

4

ff

.

.

Sy. 4002/01

,

,


47

q = 58

molto accel.

! , Fl. 1 #

, 8,

,

,

202

#

Picc.

#

Ob.

,

poco a poco marcato

(espress.)

,

,* , , ,

, ,*,

,,

,,

,

,(

p

8,

,

&, , & *,

9 ,7

8

5

change to alto flute

2

#

Cl.

poco a poco marcato

, *,

,

,,

,,

*,

, ,

,,

( , *,

, , ,(

super-marcato

"

& & &, & & *, , , , , (

& &, , ,

&, , & & & ,*, *, ,

&, (

poco a poco marcato

(espress.)

8 *4

, *,

1

&, &,*&, & *,

& ,

ff

&, &, (

super-marcato

,,

, , *,

, , *, , ,

&,

p

Bsn.

&, ,

.

p

,

&( ,

ff

(espress.)

,

*&, (

*, , &, (

super-marcato

,

&,

&,*&, & *, (

& ,

&,

, &,

,

ff

.

.

q = 58

molto accel.

*, ( ,( , , , , , ,( ! ,*, , , , , , Vln. # (P.O.) (espress.)

poco a poco marcato gradually S.P.

&, * ,

, &,

& , , *,

#

&, & & , ,*, (

, &, *&, , ,

p

Vla.

super-marcato S.P.

& & *, *,

,

&, &, &, , &, (

&,

ff

,

*,

, ,

poco a poco marcato gradually S.P.

,

,(

, *, , ,(

,

,

super-marcato S.P.

, & *,

,,

&, *&, & ,,

&, , *&,

, & &, &, & *, ,

& ,

& ,,

&, ,

&,

&,

& ,

ff

#

Vc.

Db.

"

1

,

(P.O.) (espress.)

port.

,

,

*, (

, *, , ,

poco a poco marcato gradually S.P.

,(

( ,,,

,

p

,

, ,*, (

super-marcato S.P.

& & *, *,

,

& &, &, , , &, (

ff

.

.

Sy. 4002/01

*&,

,

&,

0


q = 82

48

molto rit. ! , ,( Fl. 1 #

poco a poco espressivo

,

204

, ,

*, (

*, (

,( , , espress.

.

.

p

espress.

*, )

# 5

A. Fl. 2

,

*, ,

ff

*, ,

,

,

,( * , ,

,

,

#

& *, (

, , , *, ,

,,

,

*,

, ,

/

.

p

poco a poco espressivo

Ob.

82

espress.

*, (

, ,

; ,

,4

85 mf

p

poco a poco espressivo

#

Cl.

,

*, (

,

, , *,

, , ,

,* , (

espress.

,(

,

,

molto espress.

,

,(

8 3,

,

p

Bsn.

"

1

molto espress.

,

.

,

p

.

9 , 83 :

8 * ,D &

,

,(

9 *4 , 9

4

/

ff

q = 82

molto rit.

Vln.

! #

poco a poco espressivo & gradually P.O.

, & &, * , , *,

espress. P.O.

&, & , *, ,

, ,

molto espress.

,

,

= ,

,

por

t.

p

poco a poco espressivo & gradually P.O.

Vla.

*&, ,

*&, , 0

, & ,

#

0

, , ,

. port

p

ff

espress. P.O.

& , ,( * , , *,

,

E

*,

,

,

molto espress.

,(

= , , ,

por

t.

p

poco a poco espressivo & gradually P.O.

Vc.

# , &

1 Db. " /

*,

,

,

& , ,( * , , & *, ,

E ,

,(

ff

espress. P.O.

,

,

,

,( port.

, ,( * , ,

, ,

,

1

= 3,

,(

molto espress.

*,

p

,

port.

3,

, ff

Sy. 4002/01

*,

,

, (port.

*, ,

E

, ( port

ff

,

port.

,(

mp

p

2

= , , ,,

port.

*, 4

ff

,

mp

.

',


q = 58

49

molto accel.

! #

.

.

#

.

.

207 Fl. 1

A. Fl. 2

(espress.)

.

#

Ob.

/

*,

2

,

*, ,

mp

(espress.)

# 9 , 9 ,(

Cl.

,

,

poco a poco marcato

, ,(

,

p

ff

', ,

,

(espress.)

, 8 34 )

1 9 , Bsn. " , 9

,

,

, ,

,

,

,(

,

,

,

*,

*, ,

, ,

,

, ,

, ,(

,

,

,

,

p

q = 58

molto accel.

Vln.

! = # ,

,

,

port.

E ,

,

mp

0

Vla.

(P.O.) (espress.) port.

4(

,

= ,(

, port. 3, (

,

, ,

. port

,

E ,

,

port.

Vc.

,

Db.

"

,port. *,

, ff

E ,(

3, (

port.

3,

,(

ff

mp

1

port.

. port

3,

,= mp

port.

*,

, ,

,

,

,

p

D,

,E

port.

34

/

p

ff

Sy. 4002/01

port.

,

,

#

ff

(P.O.) (espress.)

= ,

,=

,(

mp

ff

1 ,

, *, ,

p

ff

E

*,

,

',

,

poco a poco marcato gradually S.P.

# *, (

,


q = 82

50

molto rit. poco a poco espressivo

! Fl. 1 # 2

*,

209

,

super-marcato

mp

& & *, *,

&, , & & & & & *&, * , *, , , , , ,

, &,

.

poco a poco marcato

# *, (

Ob.

&, &, &, &, , &, (

,& ,(

ff

#

A. Fl. 2

&,

&, & ,

, *,

*, , *,

,,

,

,

*, (

,(

,

.

poco a poco espressivo

super-marcato

&,

&, &, , & ( ,

& ,

&, & , , &, (

& & *, *,

&, , & & *, *, , & &, , , * , ,

, &,

espress.

,(

,

ff

super-marcato

*&,

& *&, & & * , # , , , *, (

Cl.

& ,

,

&,

&,

&, & ,

poco a poco espressivo

&, &, & & &, ( ,,,

,& ,(

, *,

,,

*,

,

espress.

,(

*,

,

, ,

,

ff

Bsn.

"

1 , 7

8

5

2

/

.

ff

q = 82

molto rit. ! , ( , Vln. #

poco a poco marcato gradually S.P.

super-marcato S.P.

& ( , *, , &, * ,

&( ,

&, , & ( ,

&, & &, & &, &, , *, , *,

poco a poco espressivo & gradually P.O.

,

,

,,

*,

, ,( *, , , ,

espress. P.O.

*,

molto espress.

,

mp

ff

(P.O.) (espress.)

*, , , #

Vla.

,

*, (

poco a poco marcato gradually S.P.

,

, , , ,(

,

,( *, *, ,

Vc.

super-marcato S.P.

& ,

& ,

&,

& ,,

, *&, & &, &, ,

poco a poco espressivo & gradually P.O.

& , ,

&, , &,

*, *,

*, , &

,

&( ,

super-marcato S.P.

& &, & & , , , ,(

,,& ,,

&, ,

&,

& ,

&,

, &, *&, ,

poco a poco espressivo & gradually P.O.

*&, , &,

, *&,

,

ff

Db.

"

1

*,

*&, (

,

ff

p

# ,

,(

.

.

Sy. 4002/01

,,, ,(

,


espress.

! , #

*,

211 Fl. 1

, *,

, ,

,

9 *,

# 5

,

,(

#

Bsn.

"

#

,

, 9 ,( )

,

, )

4(

, 9,

5

4

2

, 8, )

34

, )

p

8* 4

,

, 8,

, ff

,(

port.

, ,

4

,

6 "

, port. * , (

,

,

p

port.

,(

', (

,

4

3,( , 9 )

,

4

5

p

p

,

, , *,

, *, *, ,

, )

q = 58

! "

4(

,

, ( port. * , ,

mp

2

*,

mp

6 "

" "

molto trem.

4 ''

mp

f

molto trem.

4(

molto espress.

5

.

.

ff

f

molto espress.

4 ''

,

f

p

.

" "

51

4 ''

p

4(

.

6 "

p

f

mf

espress. P.O.

Vla.

,

p

1

! Vln. #

,

, 8* , )

molto espress.

Cl.

4(

f

,

,

#

4

p

molto espress.

Ob.

,

! "

molto espress.

p

molto espress.

Picc.

,

6 "

q = 58

,

2

mp

f

2

4 ''

, ' '

4 4' '

mp

#

Vc.

* , ,(

espress. P.O.

*, ,

344 ' ' p

, ,' '

4 ''

, ''

S.P.

8 /

.

ff

, 5 '')

(S.P.)

p

2

p

ff

mp

Db.

"

1

.

.

Sy. 4002/01

S.P.

#

p

ff

p

.

.


52

" "

Subito Pi첫 mosso q = 82

molto rit.

non flz.

! Fl. 1 # 216

#

Picc.

#

Ob.

#

Cl.

&, )

*, (

,

, *8,

subito super-marcato S.P.

,

*&, &, ,&, &, , ,(

sub. ffmf

p sub. ff

, 8 ) ,

&,non flz. sub. ffmf

&,

, ) 2

, ,(

,, ,

*, ,( *, *, ( , , 7 @ 5

/

p

.

.

p

, 8* ,

,

sub. ffmf

&,

change to alto flute

*,

subito super-marcato S.P.

&, & &,&, ,&, , &, , &, ( &, &&, , ,( *, , , , ,( *, ,

,,

p sub.

, ,, , , 85 *, , 7

, )

sub. ffmf

/

p

ff

, 8' 4

2

5

p

5

subito super-marcato S.P.

*&, & & & &, ( & &, & *, , , ,, ,, , ,, , , *, *, , , ,

, ,( , ,

sub. ff

, *,

*,

,

,( ,

(espress.)

Bsn.

"

1

.

.

! Vln. #

*, , ,*, ,(

, ( , , , *, ( 1

Subito Pi첫 mosso q = 82

molto rit.

&4

, )

non trem.

sub. ffmf

5 5

poco a poco espressivo & gradually P.O.

subito super-marcato S.P.

#

, ,

sub. ff

*&, &, &, , sub. ff

,, # )

espress. P.O.

&, ( & && &, ( *&, , & & &, & , &, ,( , , , , , ,, ,, , ,, *, , *, ( & *&, ,

subito super-marcato S.P.

poco a poco espressivo & gradually P.O.

5

espress. P.O.

& &, & & &, ( &, , , ( &, *&, & &&, , ,& & & &, ,*&,& &, ( , , & , & ,( &, , ,( , , ,( , , , ,, 0, *, *, , & *,*&, (

2

/

2

*, (

*, && , , , *, ,, , & & & &*&, ,

&,

& , ,( ,

, *,

, ,(

,,

,(

,,

"#

.

.

& ,0 , (

4

*, ( ,(*, ,( , ,,

espress. P.O.

,, ,

,( , 1,=

1 *, (

P.O. molto espress.

p

Sy. 4002/01

molto espress.

mp

5

,

molto espress.

sub. ff

Db.

, ,(

p

poco a poco espressivo & gradually P.O.

subito super-marcato S.P.

non trem.

Vc.

, ,, sub. f

" "

Vla.

0

, ,(

, port. ) ,( ff


q = 58

53

molto accel.

! # 219

Fl. 1

.

.

.

(espress.)

.

#

A. Fl. 2

/

2

poco a poco marcato

*,

,

,

, ',

*,

*,

, ,

p

(espress.)

.

#

Ob.

5

9 *, ,

/

,

2

, # , *,

, ,

p

Bsn.

"

1

5 2

8 ,( ,

,

84

5

f

8 *, ( 4

,

9 ,

,

p

,

poco a poco marcato

,(

p

9 , ff

9 *,

*, (

,

8 *, ( ,(

, ',

, ,

p

(espress.)

Cl.

poco a poco marcato

*, * ,

f

p

,,

,(

,

8*, (

,

,(

,

8/

9 ,(

p

q = 58

molto accel.

! , Vln. # *, (

= , ( port. ,

molto espress.

,

;85 2 ,

,

p

/

,

Vla.

1 ,

Vc.

Db.

"

1

4(

,

port .

,

,

*,

E ,

por

t.

*, ,

= ,

ff

= t. , , por

ff

po

rt.

,

4

,

,E

*,

,

, *, (

*,

,

* , , ', (

,(

,, * , ,,& &

*, , , ',

,(

,

, *,

p

port.

,

= ,

port.

,

4(

2

f

mp

port.

*, ,

poco a poco marcato gradually S.P.

(P.O.) (espress.)

E

,

p

f

= 0 , po rt.

poco a poco marcato gradually S.P.

(P.O.) (espress.)

,port

*,

.

mp

, ff

Sy. 4002/01

,

mp

port .

*,

4

/ mp


54

! 5 # 222

Fl. 1

& & && & @ ,7 ( , , *, , , ( , , , , , *, ', , , & &*&, & & & & &, & super-marcato

6 "

q = 82

" "

molto rit.

poco a poco espressivo

& & & & ( , , , , , *, , ( ,',

espress.

, , , ,*, ,( *, ,

molto espress.

, ,( , * ,

p

ff

#

A. Fl. 2

,, (

super-marcato

*, * , , &

& ,

ff

poco a poco espressivo

&, , &, & , , , , , , ,,', *, , &&, & & && & & &

#

, , , , ( *, , , , ,, ,, , , *&, ,& & & & &, &, & &

espress.

*, ', , , , ,,,, , , * , *, && &, & &

,

', , ( ,

, , & &, ( &, , &, ( , , ,( , , & &, & & &

,*,

,,

*, ,

molto espress.

', , , ,

*, p

poco a poco espressivo

super-marcato

,( , , # ,*, *, ,

, ,*, ( , , ',

poco a poco espressivo

ff

Cl.

*, ( , ( , ,*, , ,

& , , , , , *, ,', , ,

super-marcato

Ob.

espress.

, *, (

&,*&, & & , , ', , ( ',*, , ',

,(

, ,( , ,

espress.

,(

,

"

1

.

.

. q = 82

6 "

super-marcato S.P.

& ! ,( , , Vln. # * & *, ( ,

&, ,&, & & &, , & &, , ,, , ,, *, & & &, &, &

poco a poco espressivo & gradually P.O.

,

*, (

, , , ,

" "

molto rit.

, *, (

*,

&, , &, & , , &, ( &, , &, , , , & & & *, *, , ,, 0 ,

espress. P.O. . port

= ,

,

,

mp

ff

super-marcato S.P.

Vla.

*, p

ff

Bsn.

molto espress.

poco a poco espressivo & gradually P.O.

& &, ( , , &,&, & & &, , , , , *, *, *,

,

&,

*, (

espress. P.O.

& *, , , &, ,( , #

3,

ff

(P.O.)

1 2

Vc.

Db.

"

1

#

* , *, &

super-marcato S.P.

*, , '&, ( & &, ( , , , ,( ', , & & &, , &

& &,*&, & *&, , ,( ,

poco a poco espressivo & gradually P.O.

,& , ,

& & , , *, ,( *, ,

espress. P.O.

, &, ( ,', ( , , , 8 7

ff

mp

.

.

Sy. 4002/01

.

5


55

q = 58

molto accel.

,9

, , 9,

! Fl. 1 # 225

# ,

,

, 8,(

, 8*, )

,

2

,(

.

, 8 *4 )

.

mp

, 8*, )

p

/

,

, , 9 , ,(

, )

9, (

,(

, 9,

, )

9' , (

mp

ff

,(

, 8 ) *4

, 8 ) *,

* , ,( 9

,

, 8 *4 )

, ) 84

,(

mp

ff

#

Cl.

*,

4 , , 9

#

Ob.

, ff

molto espress. A. Fl. 2

,

, ,9

,

ff

, 8 *, ,( )

,

, 8, ,

,

Bsn.

"

.

9 ,

mp

ff

1

8, ,(

.

, , 5 87

/

, 8, ,

,

8

, 8 ,,

mp

ff

q = 58

molto accel.

,=

,

molto espress. t. por

, ,E

! Vln. #

por

t.

*,

t. * , ( ,Epor

ff

, ( port. *, ,(

molto espress.

#

Vla.

= *,

,= port. , )

,(

,=

port.

#

.

,=

port.

,E

*4

port.

/

2

= , )

0,( mp

#

E *,

,

port.

"

1

.

.

4

,E

ff

.

,

E ,

port.

= ,

*, , (

mp

E 1*, , port

,= port

.

.

ff

.

Sy. 4002/01

= , port. ,(

,port., ,

,= port

, ,

mp

Db.

,E port.

, mp

ff

mp

Vc.

*, (

ff

mp

., ,Eport )

,E port.

,(

E ,

mp

2

4 f

,

, ff

,


56

q = 82

! B. Fl. # 229

.

.

# ,

Ob.

.

.

#

Bsn.

Sizzle Rivet Cym.

"

9,(

mp

p

,

ff

9, ,(

,

,

9, ,

, ,

,

8 ,( ,

,

*, , 4 4

, 7

,(* , ( :

*:

: *:

4

ff

ff

mp

E 9 ,,

0 ,(

Vla.

,

rt.

po

,( ,

= ,

,

4

2

, ' '

molto trem.

*,

'' ,

'' 4(

-

* 4 *4

2

* : *: fff

'' 4

1 ,=

Vc.

. port

,

,

mp sub. f

ff

Db.

"

1

4

'' ,( ,( ''

molto trem.

2

mp

, ''

f

'' ,

'' ,(

'' '' *, ,

'' '' ' , * , ( ,'

'' *,

no port.

, '')

, ' '

/

.

/

.

ppp

*, '')

, ''

Sy. 4002/01

ff

*4

4

* , *,

.

f

.

Meno mosso q = 62 long pause, smooth, even, diminuendo molto S.P. scratchy (molto S.P.) normal bow pressure

: ' '

: ' '

fff

,( ' ')

82

ppp

/

long pause, smooth, even, diminuendo molto S.P. scratchy (molto S.P.) normal bow pressure

'' :

'' ,

''; 8 5 / ,

.

.

ppp

long pause, smooth, even, diminuendo molto S.P. (molto S.P.) scratchy normal bow pressure

'' : :

'' : :

fff

'' ,

5 2 ppp

fff

no port. molto trem.

.

'' :

soft sticks

'' :

molto trem.

mp

ff

,

port.

mp

po rt.

*,

ppp

q = 82

,(

/

long pause, smooth, even, diminuendo

.

t.

, 2

fff

*, 4

.

por

:

-

flz.+tremolo

ff

= t. ,( , , por

.

ppp

fff

no bend pitch here

, 8 ,,

mp

! "+

*,

,

,

-

*:

mp

mp

, 8 ( *,

/

long pause, smooth, even, diminuendo

ff

,

2

, ''

fff

: ' '

long pause, smooth, even, diminuendo

8,(

,

: ''

: ''

.

, 9 *, ( ,

,

*4

1 ,

! Vln. #

*: ' '

long pause, smooth, even, diminuendo

don't bend pitch

Cl.

SOLO tempo rubato

p Bass Flute sounds an octave lower than written.

#

A. Fl. 2

.

10" - 12"

Meno mosso q = 62

''

"gliss."! not port.

gliss.

'' 4

mp fff exaggerated

'' , ,

2

/

ppp

long pause, smooth, even, diminuendo molto S.P. scratchy (molto S.P.) normal bow pressure

'' :

(fff)

.

''; 8 5 2 , ppp

/

.


! "

57

molto espress.

B. Fl.

'4 34

4 4

mf

p

! "

2

p

" "

! B. Fl. # 249

'' ,(

**,, ((

/

> > ,> , , ) 5 2 #

243 B. Fl.

no flz.

*4 # .*/ 4

235

poco accel.

2

D,

**,,

9 , ,

', , 3, ,

, ,( , mf

" "

, '')

4 ''

, ''

/

4

,

, , , , ,

, ,

sub. mp

p

4

suddenly a little animated &9 ,+

2

,

poco rit.

3 D4> (

no trem.,

,no flz.: ( 4 , :

2

6 " " " .

,

,

sub. mf p

mp

, , , ( 3, 3, , , , 4 4 4 4( ,,4 4 4 (

9 ,+

, ,( )

9 ,+

, , , ' ) '

3 D,> D,>

mf

p

/

? "

,D>

3,

, '') 5 2

6 "

2

> , pp

" "

poco rit.

poco accel.

,,

tremolo + flz.

,(

,+9

, ,

,

,

*,

,

,(

"poco accel. "

, ,

suddenly little animated

,D 3

mp

D, , 4 ''

,+9

&D ', , *, , ,, (*, , , , .*/,

sub. mf

! "

poco rit.

mf

do not "play" too much, gently, slowly "tickle" the rattle. snail-shell pod rattle (doubling with Fl2)

+

/

.

+ 2 2

small Pod rattle (doubling with Ob)

repeat ad. lib.

ppppp

do not "play" too much, gently, slowly "tickle" the rattle. repeat ad. lib.

2 2 4!!!! /

Pod Rattle

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

4 !!!! .

ppppp

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

/

do not "play" too much, just twist the stick a little, and slowly, as if you are trying to roll only a few "seeds" the inside the stick.

+

small rainstick (doubling with Cl)

large Pod rattle (doubling with Bn)

"+

.

.

/

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

4 !!!! .

repeat ad. lib.

ppppp

do not "play" too much, gently, slowly "tickle" the rattle.

.

.

2 2 4 !!!! /

2 2

repeat ad. lib. / $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

ppppp

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle 3 times in a row

sea shells chimes

!

chimes: do not "play" too much, gently, slowly "tickle" the rattle.

+

.

.

.

.

1

/ 4!!!! .

.

ppppp

Always steadily. Played by hand. water drum

"+

2

.

.

.

.

.

.

Sy. 4002/01

&& , ,

p

.

.

.

& ,/(

&&& & ,,,, . pp

& && & && ,,, , ,, /

pp

p

p

pp

$$

repeat ad. lib.


58

! B. Fl. # 259

snail-shell pod rattle (doubling with Fl2)

+

small Pod rattle (doubling with Ob)

+

small rainstick (doubling with Cl)

+

large Pod rattle (doubling with Bn)

"+

sea shells chimes

+

water drum

!

"+

! "

, , 4

6 " " "

*&D44 (( *4 (

*&D44 *4

mf

mf

poco accel. > *:

&D *: : *:

.

mf

B. Fl.

! #

sea shells chimes water drum

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

, *, ,

molto espress.

, , D

D,

D,

3

, *,

,

*, ,( * ,

,,

,( , ,, ', ( , )

,D

,( ,(

D *,

,

* ,, 44 (( *, 4 (

&9 ',+

,

sub. mf

, ) 5 2 /

" + $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !

+

"+

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

extreme rit..............

q = 56

> 4

/

p

,D

,(**,,

sub. mf

p

,(

', , 3, ,

4 4

/ mf

! "

D **,,

,

', , 3, ,

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

snail-shell pod rattle (doubling with Fl2)

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

small Pod rattle (doubling with Ob)

water drum

, *, )

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

D, D D, , D, ,> D * D D ! ) * , , 5 ) 5 ) 5 , 5 *,9 5 ) 5 *,) 5 ', , ,* , , B. Fl. # ) D mf 2 1 2 mf 1 p

sea shells chimes

D D, D, , * ,D (

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

273

large Pod rattle (doubling with Bn)

, 3, ,

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

extreme accel. (like the cadenza of a romantic conerto)

small rainstick (doubling with Cl)

.

molto espress.

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

small Pod rattle (doubling with Ob)

large Pod rattle (doubling with Bn)

,( , ,

poco rit.

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

snail-shell pod rattle (doubling with Fl2)

small rainstick (doubling with Cl)

pp

> > ,> ,> , , ) ) 5

" "

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

Pi첫 mosso q = 56 268

> *, (

6 "

Meno mosso q = 56

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

" + $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !

+

"+

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

Sy. 4002/01


59

! " < "

! ,( B. Fl. # 280

**,,

,

', 4 3,

3

poco poco accel.... rit....

' D, **,, 3, 3

, '3,, **,,

3

,

,

3

2

,

, *,3 3, * ,

2

2

4 3

'4 34

**,, 3

? "

44

4(

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

snail-shell pod rattle (doubling with Fl2) small Pod rattle (doubling with Ob)

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

small rainstick (doubling with Cl)

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

large Pod rattle (doubling with Bn) sea shells chimes water drum

" + $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !

+

"+

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

senza misura

3 ! #

286 B. Fl.

gentle accents (but audible), steady, no rit.

*, &

sub. mp

snail-shell pod rattle (doubling with Fl2)

20" - 22"

*,

,( &

,( $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

small Pod rattle (doubling with Ob)

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

small rainstick (doubling with Cl)

+ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

large Pod rattle (doubling with Bn)

sea shells chimes

" + $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 3

(do not play the water drum) ! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ "+ Play ONLY: 1

Sy. 4002/01


ice for ensemble by Dai Fujikura