ice for ensemble by Dai Fujikura

ice for ensemble (2009/2010 corrected 17

Dai Fujikura

th

Sept 2011)

Co-commissioned by the Barlow Endowment for Music Composition at Brigham Young University and the International Contemporary Ensemble (ICE)

Instrumentation (handheld percussions: see “percussion section” for details): 1 Flute (doubling Alto Flute and Bass Flute) 1 Alto Flute (doubling Piccolo and 1 Snail-Shell Pod Rattle) 1 Oboe (doubling 1 small Pod Rattle) 1 Clarinet in B-flat (doubling 1 small Rainstick) 1 Bassoon (doubling 1 large Pod Rattle) 1 Percussion player 1 Acoustic Guitar (amplified in 2 places of the guitar, 1 microphone pointing at neck, 1 pointing at sound hole, and turning, see below)

1 Violin 1 Viola 1 Cello 1 Double Bass -----------------------------------------------------------------------------------------------------Percussions for percussionist 1 Sea-Shells Wind Chimes 1 Water Drum Almglocken:

1 Large Sizzle Rivet Cymbal 1 Large Spring Drum 1 Dulcimer (needs these pitches):

Marble in the Bowls (needs these pitches):

1 Kalimba (amplified) – turning:

Create this scale using the mixture of "metal pipes", "wooden bars" and "flower-pots".

------------------------------------------------------------------------------------------------------

Hand-held Percussions for woodwinds: 1 Snail-Shell Pod Rattle

2 Pod Rattles (small and large)

1 small rainstick (can be held in one hand)

Woodwinds Multiphonics (ALL in written pitches): Flute/Alto Flute

Bass Flute:

OBOE:

Clarinet:

Bassoon:

Guitar tuning:

General Point: The score is in C Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. Do NOT vibrato on gliss. or port. All arpeggios and grace notes must be played rapidly. STRINGS: S.P.= sul pont. P.O.= position ordinary S.T.= sul tasto Make a difference between Gliss. and Port. Gliss. = shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note.

Use plastic (not metal) practice-mutes. The sound of the muted strings must “match� when played together. All need hard plectrums.

Seati ng pla n:

percussion flute1

oboe

clarinet

viola violin

bassoon flute2 cello bass

guitar conductor

Dedicated to ICE members: Claire Chase, Eric Lamb, Joshua Rubin, James Austin Smith, Rebekah Heller, Jennifer Curtis, David Bowlin, Maiya Papach, Wendy Richman, Katinka Kleijn, Kivie Cahn-Lipman, Randall Zigler, Daniel Lippel and David Schotzko and to ICE's beloved Board President Andreas Waldburg-Wolfegg on the occasion of his 44th birthday

First performance: April 27th 2010, (le) Poisson Rouge New York, USA Performed by I.C.E. Conducted by Matthias Pintscher

Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All arpeggios and grace notes must be played rapidly.

ice

senza misura

! Alto Flute 1 #

(

1

'$% &

2

&% #$)

'$% &

'tut' sfz

(

(

#

&% #$)

'tut' sfz

small Pod rattle (doubling with Ob)

$ &%

'#$)

*$% &

'tut' sfz

sfz

(

4

$% & 'tut'

'tut' sfz

(

&% ( ' $ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ *#$)

5

&%

'tut' sfz

'tut' sfz

sfz

8"-9" (stay in "p") 4" - 5"

2

&%

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'tut'

'tut' sfz

&%

'tut'

overall dynamics:"p" 1

3

sfz

&% ( $ 'tut' sfz

3

$% & 'tut'

( &%4

sfz

#$)

*$ &%

(

'tut' sfz

'tut' sfz

Dai Fujikura

! "

26" - 30"

both Alto Flutes: Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. percussive key-clicks+percussive breathy sound, do NOT make it sound "ordinary". 4" - 5"

'tut' sfz

Alto Flute 2

for ensemble (corrected 17th Sept 2011)

"fff" (effect: "mp") 5

&% #$)

*$% &

'tut'

sfz

(

'tut' sfz

etc.

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

overall 8"-9" (stay in "p") "fff" dynamics:"p" (effect: "mp") Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. 2 "rattle" 1 "rattle" 3 "rattle" 4" - 6" 1" - 2" 3" - 4"

etc.

, !!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!!!!!!!!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ . . .

+

"p"

"p" "f" (effect: "mp")

"mp"

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. 2 "rattle"

3 "rattle"

+

small rainstick (doubling with Cl)

"p"

"p"

large Pod rattle (doubling with Bn)

Sea Shells Wind Chime

"+

1 "rattle" 1" - 2"

, !!!!!!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!!!!!! / !!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ . . .

4" - 6"

3" - 4"

"f" (effect: "mp") Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. "mp"

2 "rattle" 1" - 2"

1 "rattle"

3 "rattle"

4" - 6"

, !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!! , !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !!!! . . . 5" - 7"

"p"

"f" "f" (effect: "mp") (effect: "mp") Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. "mp"

2 "rattle" 1" - 2"

"rattle" 5" - 6"

1

! "+

3 "rattle"

5" - 7"

, !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! , !!!!!!!!!!!! ,!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ !!!!!!!! "p"

"p" "f" (effect: "mp")

"mp"

"ff"

Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played.

RASGUEADO (fast, wild)

sounding pitch

amplified Acoustic Guitar

!

# %

1

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3

2

6" - 8"

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"mp " (effect: pp) - balanced by amplification

4" - 6"

5" - 7"

2" - 3"

&" **&&& && "p"

& = the note to be held by L.H. and played

4

"mf " exaggerated

&" **&&& &&

"pp" "mf " exaggerated

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

&" **&&& &&

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exaggerated

(by R.H.) between the L.H. and scroll

for strings: Play the cycles in order first, then you may repeat the phrases in any order. However, you may not repeat each individual cycle until all the cycles have been played. Each note should last between 2" - 5" and you should make many variations within these durations. Also the dynamics for each note should be: pp < mp >, mp > pp, pp < mp again you should make variations, and avoid repeating the same dynamic patterns. pizz. trem. with plectrum

, ! ' Violin # 1

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pizz. trem. with plectrum 1

Viola

, # '

#, '

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pizz. trem. with plectrum 1

Violoncello

2

2

pizz. trem. with plectrum

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3

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3

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Double Bass: all pitches sound an octave lower than written (including the harmonics) Copyright G. Ricordi Buehnen und Musikverlag GmbH M端nchen 2010

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Alle Rechte vorbehalten All rights reserved ! Tutti i diritti riservati

! in Tempo " q = 72

2

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on 3rd beat ! norm.

! A. Fl. 1 # $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 2 2

stop

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fff

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on 2nd beat ! always molto tremolo! (plectrum)

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always molto tremolo! (plectrum)

0 $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ **,, ''

sub. fff

always molto tremolo! (plectrum)

Vc.

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small rainstick (doubling with Cl)

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Vc.

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#

A. Fl. 2

4/

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0 ,, (( 82 2 ' ') '9 1 ,(' 82 2 ,(

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p

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4

! Fl. 1 # 12

Picc.

Ob.

small Pod rattle (doubling with Ob)

Cl.

small rainstick (doubling with Cl)

Bsn.

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ffff non-dim. large Pod rattle (doubling with Bn)

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/

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exaggerated

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fff

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2

,,,

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all accented arpeggios must be played as "subito sfffz "

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both Alto Flutes: Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. percussive key-clicks+percussive breathy sound, do NOT make it sound "ordinary". 4" - 5"

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1

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66

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overall dynamics length of fermata on rests increases

p (rest: 4 - 6 seconds each)

# $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

A. Fl. 2

overall dynamics

p

length of fermata on rests increases

(rest: 4 - 6 seconds each)

# $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

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@ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ 3 overall stop (rest: 4 - 6 seconds each)

p

dynamics

Bsn.

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0

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length of fermata on rests increases

(rest: 4 - 6 seconds each)

@ $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ overall dynamics

! Dulc. # " :

p

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Play the cycles in order first, but then you may repeat the phrases in any order, however you may not repeat each individual cycle until all the cycles have been played. Each phrase should be played in different bow positions, "P.O.", "S.P.", and also "S.T.", you may not play in same bow position 2 phrases in a row. tempo between: q = 46 to q = 86 molto espress. pizz. (without plectrum)

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pizz. (without plectrum)

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Vc.

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Pi첫 mosso q = 58

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rit.

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6 "

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q = 58

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.

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p

f

A. Fl. 2

6 "

q = 82

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.

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2

5

p

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185 Fl. 1

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q = 58

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.

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39

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espress.

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.

*, ( ,

1 *,

,,

*, *, , 0

, = 1D , ((

,

,(

po

rt.

*, ,

,

,

5(

(P.O.) (espress.)

5 ( @ ;B ( , , *, ,

2

poco a poco marcato gradually S.P.

, *, ( ,

,, *, *, ,(

p

don't change the bow when changing notes.

molto espress.

E ,

, port

.

p

1

" "

p

espress. P.O.

; ,(

*, ,

*, ,(

,(

por

t.

, ,

ff

Sy. 4002/01

,D ( ,

=

sim.

, ,

rt.

! #

6 "

q = 58

po

Vln.

" "

molto accel.

,( ,(

E , )

, por

t.

,( ,

,

5

2

ff

don't change the bow when changing notes.

,((

port.

,4

9 ,

p

40

" "

! Fl. 1 # 188

poco a poco marcato

(espress.)

2

*, &

, , , , *, &

,

p

,(

, ,, &

& , , ,( , &

super-marcato

,, ,*, ,*, *&, , *&, & &&

,, &

&, ( & , ,*, , , ( && &

&,

ff

molto espress.

,

p

molto espress.

.

#

Picc.

/

2

@,, , p

change to Piccolo

#

A. Fl. 2

.

.

poco a poco marcato

(espress.)

/

#

Ob.

5

, *, &

*, ,

p

, &

, *, , , *, &

poco a poco marcato

#

Cl.

*, ( &

*, (

,

(espress.) Bsn.

"

1

" "

! Vln. #

, *, ,

8

*, (

*,

0

Vc.

(P.O.) (espress.)

2

, *,

,

*, , (

*,

,,

, *,

, ( , , ,(

*, , *,

*, , &

*&, ( *, , &, (

, ', , &

"

1

& ,,

, , &

,,

, , *,*&, & &

,*, ( &

,

, *, , * ,

&,

, , &, &, ( , , * , & && &

& ,, , , ( ,& & & ff

@2

,( &

,*, , ,( ,,

& , ,

super-marcato S.P.

*,*, ,*&, &

& , &, &, *&, *, ,

& , ,(

,(

& ,,

molto espress.

,(

,

9

,

sub p

,( ,( , , , , & && &

& & ,, *,*, , , &

,

*, ( &

sub p

&, , &, ( ,E ( & & & *, , ,

= , )

sub p

,, , & *&, &

&, (

& &, ( & &, & & ,, ,, , *,

.

Sy. 4002/01

*, & & &, , *, ,

molto espress. P.O.

ff

.

molto espress. P.O.

ff

super-marcato S.P.

,,

sub ff p

super-marcato S.P.

ff

# *, (

&, *,

.

poco a poco marcato gradually S.P.

,(

& ,,

super-marcato

poco a poco marcato gradually S.P.

p

Db.

&, *, , , f

(P.O.) (espress.)

1

& ,, , ,

,

p

p

Vla.

*, ( , , , ( &

* , ' , &, ,

,

molto espress.

super-marcato

molto espress. P.O.

,E

sub p

q = 82

41

molto rit.

! 4 Fl. 1 # 190

,

,

9

,

,

8* 4

,

8,

,

ff

bend pitch (just before you move to the next note)

# ,

Picc.

,(

3, 4

#

,

8 *, ((

,

.

,(

, )

,

.

bend pitch (just before you move to the next note)

Ob.

,

ff

#

A. Fl. 2

8 *,

,((

9 ,(

, )

9 *, (

, )

9* 4

ff bend pitch (just before you move to the next note)

#

Cl.

4(

, 93,

4(

,

8 ', (

ff

Bsn.

"

1

.

.

q = 82

molto rit.

! Vln. #

= , )

,(

,port.

*, (

,E (

,

port.

*,

,= (

,

port.

*,

,

ff

0

Vla.

,

t. por

,

,E

,

port.

#

Vc.

4

, port.

,

,

E ,

*4

port.

p

ff

= ,

= ,

*,

ff

, )

port.

,(

,

ff

Db.

"

1

, p

.

.

Sy. 4002/01

*, (

poco a poco marcato gradually S.P.

,

q = 58

molto accel.

42

! 4 Fl. 1 #

,

192

*, (

p

# ,)

Picc.

5

p

2

, , , , *, (

, , ,(

super-marcato

, , , ,( && &

&,

ff

/

.

.

super-marcato

5(

2

ff

poco a poco marcato

(espress.)

#

Ob.

, ,

, ,

,

p

#

Cl.

,

,

,(

, , *, (

"

,( *&, , &

, , , , & & &, *, ( &

poco a poco marcato

, ,( *, , ,

p

Bsn.

1

,(

, , , , &, & & *&, (

; *&,

*,

super-marcato

(espress.)

,

/

*&, * , &

change to Alto Flute

#

A. Fl. 2

poco a poco marcato

(espress.)

, , , ,( & & & &, , &

, , *, (

, &

, &

, ff

&,

, &, &

, &

,

super-marcato

&,

ff

, &

.

, , , ,( & & & *&,

, , , & & & &, ,

, , & & *&, , *&,

, & &, *&, , &, (

&,

&,

.

q = 58

molto accel.

! Vln. #

0

Vla.

"

1

, port. ,

= ,

,

,

port.

,

p

,E

# ,

Vc.

Db.

E ,

port.

,

, , ,gradually S.P. *, *, , , , , , (

poco a poco marcato gradually S.P.

,

poco a poco marcato

,

,

,

, ,

,

*, ,

, *, ,

p

,

,

*, (

*,

,

, ,

, , *,

&, , &, ,& , *, (

,

& *, ,

,

, , & ,(

,

, &

,

super-marcato S.P.

&, & & & &, , , , , ff

,

, ,

,

( , *, , &, &

,

.

, &

,

*, *, , &

, , , , & &

super-marcato S.P.

, ,

.

Sy. 4002/01

&,

, , , , , , & & & &, * , , & & &

ff

43

q = 82

! #

molto rit.

194 Fl. 1

.

.

poco a poco espressivo

#

A. Fl. 2

*,

*,

espress.

*, (

*,

,

,

,

,(

,(

, ,

8

9 ,(

2

/

mp

& &, & # , , , , ,(

Ob.

2

/

.

p

molto espress.

# , , , , , *, ( & & &

Cl.

, p

, *, (

*,

Bsn.

"

0

*&, *&,

,

,

84

poco a poco espressivo

&, &, &, , &, ( ,

,

,

9 *,

,

ff

super-marcato

1 2

,

,

espress.

*, 1 *,

ff

,

,

mp

,(

,

, ,

; 8 5 ,

2

ff

9,

q = 82

molto rit. super-marcato S.P.

Vln.

! , # , &

, & *&, (

ff

Vla.

0

,

*&, ,

poco a poco espressivo & gradually P.O.

&,

espress. P.O.

poco a poco espressivo & gradually P.O.

&, & *, *, ,(

*, ( &

, &

*,

,(

espress. P.O.

*, ,

,

,(

,

,

, ,

,( p

*,

,

molto espress.

, , *,

, ,

= , p

,(

port.

, ,

ff

ff

E ,

= ,

,

,(

port.

, , ff

mp

molto espress.

Vc.

# ,

1 Db. " /

&,

, , , , & & & *&,

*, ( &

, /

2

= 8 1 ,( )

2

p

p

,

,

p

Sy. 4002/01

port.

4

port.

4

,(

port.

,

ff

44

q = 58

! Fl. 1 #

molto accel. super-marcato

196