Page 1

- Double Bass CONCERTO (2010/11 corrected on 26th December 2011)

Dai Fujikura


Commissioned by the London Sinfonietta with generous support from the London Sinfonietta Commissioning Circle and The RVW Trust Instrumentation SOLO Double Bass (must be amplified). - See below for tuning and amplification. + 1 Flute (doubling Piccolo) 1 Oboe 1 Clarinet (doubling Bass Clarinet) 2 Horns (both need mutes) 2 Trumpet (Trumpet 1 needs: Velvet/Bucket, Harmon, Straight mutes, Trumpet 2 needs Harmon and Straight mutes) 2 Percussion players (Percussion 1 needs a bow) 1 harp 1 piano 3 Violins (all need a plectrum) 2 Violas (both need a plectrum) ------------------------------------------------------------------------------------------------------

The score is in C Percussion 1: Gongs 1:

Temple Bowls:

Timpani (21”, 21”, 23”, 25”, 28”, 30”) 6 timpani are required 1 Tamtam 3 Suspended Cymbals 1 Vibraphone (shared with Percussion 2) Percussion 2: 2 Crotales (sound 2 octaves higher):


Gongs 2:

(These 2 high pitches can be replaced with Bells with those pitches D5+ B5)

1 Marimba:

1 Vibraphone (shared with Percussion 1) 4 Bongos

-------------------------------------ONLY 1 Vibraphone in total is needed in this work, shared by both percussion players. Double Bass tuning:

All pitches in D.B. (including harmonics) sound an octave lower than written until bar 366.

Amplification of the Double Bass: Microphone at bottom of the bridge AND near the scroll are recommended.

+ Depending on the venue, EQ and Compressor might be also needed in order to focus on the “pitches” and diminish the low frequency “hitting” sound (especially at the beginning of the piece, page 1 – 8 in the score).


General Point: Every accidental is notated (and there are a lot of quartertones which require accidentals in woodwinds in this piece) but the basic rule is: "Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written." Do NOT vibrato on gliss. or port. All arpeggios and grace notes must be played rapidly.

STRINGS: S.P.= sul pont. P.O.= position ordinary S.T.= sul tasto Make a clear distinction between Gliss. and Port. Gliss. = shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to the next note. All (except D.B.) need hard plectrums and Plastic/Rubber Practice Mute.

Do not use metal practice-mutes. The sound of the muted strings must “match� when playing together.


to Enno Senft

Double Bass Concerto (rev. 26th December 2011)

Every accidental is notated (and there are a lot of quartertones which require accidentals in woodwinds in this piece) but the basic rule is: "Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written." All pitches in D.B. (including harmonics) are sounding an octave lower than written.

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Alle Rechte vorbehalten All rights reserved ! Tutti i diritti riservati


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3 suspended cymbals

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3 suspended cymbals

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6

change to clarinet

0

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.,

., ., . . /. ,

. , /. . /.

II

I

ppp

II

I

1

., 8

mp

@

pp

., 5. 4. .

@ mp

@

+

C2

., 7

.

0

3 0

ppp

.C3 0 ppp

; . Sy. 4003/00

3

.

II

4. 5. 5. 5. mf

I

.

mf

2 ppp

4. , C 8

2

@

pp

mp

.

@ mp

, 3 .7

.

3 C 4. .

.

pp

2

@ mp

pp

0

).(

pp

4. , pp

.

3

mp

0

;0 .

0

2 4.; . . I

3

5. . /. /.

0

ppp

mp

6,

3 2

+

1

(non vib.) Vln.3

. 8

9. . 3 C 8E

2

6

@

Cb.

'

ppp

+

! !

0

mp

6,

!' "

!' "

. 8E C 3 2

@ mp

@

mp

0

II

2 .; /. 4.

pp


0

ppp

,

Ob.

Cl.

*9+ .

.

C3 0

3 2

ppp

!' 0 Timp. "

3C

0

2

3.

1

mf

* ! ; 4. . 3 .1 , " mf

0

9. .

.

2

ppp

*8+. ", 8

3

9. . C 8E

.

6,

pp

. 8E C 3 2

mp

2

0

3C

. 3 2 8

0

2

.

0

0

ppp

6,

pp

0

.

.

ppp

mp

3 8.8

pp

.

6,

ppp

mp

0

0

0

.

mf

4. 7

mf

.,

'.

*; .1

/.

C3

3

9. . C 8E

9. .

.

6

0

, 3

. /.

0

mf

. 7

mf

*/+. ,

*; /.1

II

.

'4.

mp

ppp

., 8 C2

6,

pp

mp

Vla.1

Vla.2

"

30

ppp

, 3 .7 pp

= *4+.8 ,

C2

0

2

= *4+.;

2

0

2

ppp

ppp

.

6, mp

C 4.8 , pp

4. , pp

.

. ( 7 2

mf

3 8.8 pp

.

mf

2

3.

.

.

. ( 7 2

.

***** ( gliss. 4*. 3 2 8

4. .*

5

$ !

.,

NOT rapid arpeggio

* . .

TF ( 4... 3

0

0

ppp

., 7

3

ppp

@

6,

3.

/.

.

II

)( .

0

.,

4. , C 8

0

2

NOT rapid arpeggio II

/*. .

TF ( // ... 3

0

, 3 .7

Sy. 4003/00

2

ppp

0

.

. 7 ( 2

mf

.

pp

. 7 ( 2

mf

.

.

pp

. ( 7 2

mf

.

ppp

; .

.

pp

6,

mp

mp

III

I

f

pp

6

., , 7

0

6,

*4+ 6

Vln.3

46

).(

0

,

.

f

! Vln.1 , 1

Vln.2

mf

pp

Cb. * ; /.1

. 7 ( 2

pp

mf

" !

.

! !

'''''

*9+ . ! 8E C 3 2 Fl. , 234

$ !

'''''

" !

44

. ( 7 2

mf

2

4. , pp

.

; ( . 2

mf

! !


! Fl. , 238

45

8*6 ,

@

pp

mp

9*. 6, 8

@

(non vib.)

0

(non vib.)

,

2

",

3

Ob.

Cl.

! !

3

pp

; 9. , *

!' Timp. "

!' "

0

! !

.

*gliss. * *. 3 8 2 3 0

6

0

2 .1;4.

0

mf

.,

0

4. . .

C3 0

ppp

mp

2

0

.

@

4*. 7

0

ppp

mp

6,

pp

. 8E C 3 2

3

8. . C 8E

9. .

.

2

3 C

pp

ppp

6

ppp

.

+

mf

. 4. , . . . .

mp

,4. ,

4.

f

5. .

0

3

; .1

.

3 . . 2

'

mf

Cb.

'

/., I

0

0

. . .

. ., . . / . /. II

mp

Vln.1

! ,

,

Vln.2

(non vib.)

0

(non vib.)

0

*., C 8

,

Vln.3

=

Vla.1

Vla.2

"

=

*. , 3 7

2

pp

(non vib.)

3

2

6,

C

*. .

4*. 7

pp

pp

mp

6

II

.,

.

f

ppp

@

5. 4.

1

. 8

6,

3 2

0

6

; .1

3 /. /. 2

5. mf

.

2

pp

. 8

3

.

pp

6 ppp

., 8

@ mp

6,

3

0

ppp

mp

@

0

mp

pp

(non vib.)

@

3 8

2

pp

(non vib.)

*. 6

,

I

C2

0

2

2

0

2

ppp

@

. 7

mp

Sy. 4003/00

ppp

., C8 pp

4. ,

pp

.

'


" #

46

! *8+@ Fl. ,

@

241

,

Ob.

Cl.

ppp

*9+6 ,

.

F< C 3 2 .

0

mf

3 C

9. .

6

. 3 ., 8 7

; 2 .

mp

.

.

.

.

.,

2

2

3

C F< 9. 6

.,

3 .;,

' /. ,

.

/.

0

. . 5. . . 5 . ,

. .

pp

4*. 6, 8

(non vib.)

3

pp

3 ; 9. , *

mf

6,

pp

+

.

mf

9*6 ,

(non vib.)

0

2

mf

ppp

; .

. .

.,

ppp

ppp

!' , 2 "

4.

C3 0 ppp

", *9+ 6 ,

!' "

.

mp

mp

Timp.

.,

3

" #

+

. . .

! !

NOT rapid arpeggio TF

. 4 ..

'''''

mp

! !

0

1

0

1

2

)(* . 6 3 8

f

Cb. II

4.

4 I.

. /II. 4 .I , 4 . . II

'

/.

., 4. .

I 5. . 5. 4.

III II

.

3

,

4. . 4.

NOT rapid arpeggio TF

/5/...

'''''

'

5.

f

Vln.1

! ,

,

Vln.2

,

Vln.3

=

Vla.1

Vla.2

"

6, mp

6,

0

. 8

mp

6,

. 7

mp

= *4+@

mp

3 2

2

ppp

., 8

0

C2

ppp

0

0

0

2

3

2

. 7

2

.,

pp

B !

ppp

mp

6,

0

ppp

6

. 8

6

mf

.,

pp

mf

6

.,

., C8

6

.,

@

.,

ppp

4*. , 3 7

4*. , 6, C8

2

3 C

2

pp

pp

pp

4*. .

6,

pp

(non vib.) mf

Sy. 4003/00

0

(non vib.)

(non vib.)

mf

pp

0

(non vib.)

mf

pp

(non vib.)

*. 7

pp

6,

6


" !

47

245 *9+ 6 ,

! Fl. ,

,

Ob.

Cl.

. 8E C 3 2

mp

0

ppp

*4+6 ,

.

.

C3 0

", *9+ 6 ,

< 3 2 .

0

4. .

!' 0 0 Timp. "

. 2 7 2

2

3

mp

! ", 0 2 .4. . ,

3

3

. . .

mf

6

mf

3

mf

II

*/+. . /.

, 0 2 /. . /. , mf

*)+ 6, ! Vln.1 , mp

,

Vln.2

,

Vln.3

=

Vla.1

Vla.2

"

=

mf

0

0

ppp

*4+ @ mp

*4+@ mp

*4+ 6 , mp

6, mp

6

mp

ppp

mp

* 7

.

3 .,;

.

. .,

* 2 4. 0 3

.

'

.

9 . 6, 3 C 8E

2

pp

.

mp

6,

C3

ppp

. mp

2

3

< 9.

pp

ppp

., . , 4.

.

4. 7

2

mf

. . . . . .,

6,

.

mp

ppp

2 .7 0

. .0

.

3

.

4. . . . . 3

" !

.

mp

II

I

. /. ,

.

)(6

0

pp

4. '

. ,4 . ., I II

. mp

@

.

ppp

mp

@

.

ppp

mp

2

4. , C 8

6

. 7

0

2

. 7

6

ppp

6

0

0

2

ppp

< 32 .

., 8 C2 ppp

0

.

Cb. I

. 8E C 3 2

< 9. 6

pp

*. * * gliss. 7 2

2

mp

pp

ppp

mp

.

pp

3 C

ppp

mp

9. 6 3 C 8E

2

pp

pp

I II

. . /./. .

0

0

ppp

.

.

C3 0

ppp

., 8 C2 ppp

0

6

6

mp

ppp

. mp

Sy. 4003/00

. 7

2

ppp

0

III

.,

.

0

3 C

1

4. .

6,

pp

2

/. 5 . / . 3/. III II

I

.

.

. 7

2

mp

)>( . pp

mp

. mp

4. , C8

6,

pp

. mp

6,

. mp

senza sord.

2

ppp

. 7

pp

6,

. mp

ppp

.,

C

ppp


,

9.

.

pp

" !

4. 8

. .

2

! !

fff

* . 2 .1; 7 1

0

" !

mf

+

*. , *

2

( 1

; .1

'

+

2

; //4...

/ ...

fff

f

3

&& &

!

3

0

*4+ . 7

0

2 0

senza sord.

2

0

)( . 7

4.

.

4. , 3 7 pp

senza sord.

fff

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( 6 3 3

. 33

( 6 33

exaggerated cresc.

4.

.

pp

. 33

( 6 33

. 33

( 6 33

exaggerated cresc.

=

Vla.1

0

0

senza sord.

C

4. ,

.

.

pp

exaggerated cresc.

Vla.2

"

=

6,

. ppp

'

f

exaggerated cresc.

.

senza sord.

( 1

''''

* 2 , *1;4. ,

pp

ppp

0

2

. 33

( 6 33

exaggerated cresc. Sy. 4003/00

fff

fff

fff

fff

fff

3

&& &

.. .

&& &

3

; .. .

2

3

&& &

.. .

3

. F .. .

& 3N && &

sim.

& 3N && &

3

. ..F .

3

+

+

+

+

+

. ..F .

& 3N && &

3

3

. .. .

F

'''''

,

Vln.3

4. /.

.. .

3

'''''

,

Vln.2

.

2

'''''

! ,

. . .

II I

& 3N && &

3

; .. .

2

between L.H. stop and scroll

'''''

Vln.1

*/+ . /. ,

I

'''''

'

II

.. .

3

3N:

. ..F 4.

; .. .

2

''''

3

+

''''''

. . 2

,4.

fff

''''''

. . .

.

( 33 6

exaggerated cresc.

+

. .,

33 .

+

''''

"

exaggerated cresc.

3

2,

( 6

.

pp

0

.

.

''''''

Cb.

'

.

fff

''''

!

4. . 3 C 8E

exaggerated cresc.

''''''

!' "

0

pp

+

''''

",

C

''''

Timp.

ppp

3

( 6 33

. 33

.

" !

''''''

Cl.

0

*4+. 8E C 3 2 2

,

Ob.

0

9. .

! !

'''''

! Fl. , 249

" !

''''''

48


2

2

2

2

*. 3 8

pizz.

gliss.

ff

pizz.

''''''' '''''''

'''''''

'''''''

3

3

.

* 3 .8

pp

gliss.

ff

* 3 .8

pizz.

* 3 4.8

gliss.

pp

gliss.

Sy. 4003/00

D 5arco I. pp

D

pizz.

ff

D 4I.

arco

ff

3 .< *

D arco 4 I 4. pp

ff

pizz.

D 4 I 4.

44I.

arco

gliss.

pp

'''''

'''''''

&

3

'''''' .

&

3

3

gliss. gliss.

exaggerated cresc.

gliss. gliss.

exaggerated cresc.

gliss. gliss.

exaggerated cresc.

gliss. gliss.

exaggerated cresc.

gliss. gliss.

exaggerated cresc.

2

3

'''''

gliss.

''''

'''''''

''''''

'''''

3

&

arco

2

''''''

'''''

''''' '''''''

'''''''

'''''''

''''

3

'''''

'''''''

''''''' '''''''

'''''''

'''''''

'''''''

'''''''

''''''

'''''''

'''''''

'''''

'''''

'''''

'''''

'''''

'''''

'''''''

'''''''

''''''

'''''

'''''

'''''

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''''''

'''' '''''

'''''''

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'''''''

. & .

3

3

3

.

'''''

'''''''

3

;

2

!"

'''''

3

. &

gliss.

;

'''''

& & 55&&

3

7

3

2

'''''

gliss.

7

;

gliss.

2

'''''

'''''''

" !

'''''

& .

3

3

3

2

'''''

+

/4 &&&

2

'''''

+

3

*

3

+

'''''

+

3

&

+

'''''

+

* . & . / // ...

3

. .. 7

'''''

3

NB Here the desired effect is that the pitch-bent pizz. are heard above the arco texture. However I do not necessarily expect the end of any of the pizz. glissandi to be heard clearly, if at all.

+

&

gliss.

''''''''

.

3

.

3

molto accel.

'''''

3

3

7

2

!!

''''''''

3

&

3

2

gliss.

''''''''

gliss.

.

*. ..

'''''''

&

2

;

3

&

+

''''''''

3

.

3

'''''

3

&

3

''''''''

=

.

2

;

''''''''

"

3

3

''''''''

Vla.2

&

3

''''''''

=

Vla.1

2

;

gliss.

''''''''

,

. /.. .

3

''''''''

,

Vln.3

5. 4..

'''''''

! ,

Vln.2

2

gliss.

''''''''

'

'

Vln.1

;

3

3

'''''

"

2

7

'''''

Cb.

2

;

gliss.

.

''''''''

,

gliss.

$! molto rit.

&

3

.

7

3

'''''''

!

molto accel.

!"

3

''''''''

+

&

3

.

3

''''''

+

&

''''''''

",

'''''''

Cl.

.

2

7

3

''''''''

+

gliss.

'''''

+

3

2

7

Exaggerated accel.

+

,

7

! ! molto accel.

Exaggerated rit.

Ob.

3

*

3

$ ! molto rit.

+

&

. .. .

''''''''

3

Exaggerated accel.

!"

&

3

.

3

2

gliss.

3

''''''''

&

.

7

3

'''''

3

444 ...

2

'''''

3

'''''

Fl.

&

'''''

! , 255

3

" ! molto accel.

.

gliss.

'''''

'''''

-

3

2

3

3

3

& . &

.

;

2

'''''

3

3

gliss.

3

&

.

;

3

2

!!

3

''''''

&

;

2

'''''

3

;

2

'''''

3

.

2

gliss.

'''''

3

;

3

'''''

'''''

'''''''

3

'''''

& & ' 4&&

;

2

'''''

"

;

2

'''''

Cb.

& ' / &&

;

3

2

'''''

; , //4...

'''''

!

252

!$

49


Fl.

Exaggerated rit.

+

+

Ob.

,

+

+

Cl.

",

+

+

fff

=

Vla.2

"

=

0

fff

=1;

fff

''''

'''''''

''''''

2

0

0

3

2

.

3

I1; .

gliss. gliss.

0

fff

. 7

D I.

arco

gliss.

ff

gliss. gliss.

7

pp

pizz.

.

D 44I.

arco

gliss.

ff

3

gliss. gliss.

pp

4.

ff

Sy. 4003/00

D / I.

arco

gliss.

pp

< .

pizz.

ff

pp

pizz.

& 3

0

D 4 I 4.

ff

.

'''''

'''''''

'''''

'''''

'''''''

&

fff

pizz.

0

.

4 I1; 4.

gliss. gliss.

arco

=1; Vla.1

'''''

'''''''

''''''

''''

'''''

'''''''

0

arco

3

3

pp

gliss.

&

'''''

,

.

3

D 5 I.

gliss.

3

'''''

< .

gliss.

&

.

'''''

pizz.

&

3

ff

3

3

2

3

'''''

fff

.

=1; Vln.3

.

;

2

3

'''''

pizz.

0

fff

&

;

2

'''''

=1;

2

.

3

3

'''''

,

3

3

'''''

& 3

=1; Vln.2

gliss.

'''''

.

;

2

3

3

'''''

&

;

2

gliss.

'''''

.

;

'''''

3

3

! Vln.1 ,

2

3

'''''

& 4 44 &&&

2

3

'''''

3

'''''

'

2

;

'''''

'

2

;3

'''''

"

& 4 &&

;

3

'''''

Cb.

; 4. ..

'''''''

,

molto rit.

'''''

!

" !

''''''

! , 258

" ! molto rit.

'''''

50

gliss. gliss.

; / I1 . fff

2


51

+

+

Ob.

,

+

+

Cl.

",

+

+

''''''''

0

'''''''

'''''''

'''''''

& .

'''''''

'''''''

'''''''

''''''''

''''''''

''''''' '''''''

''''''''

''''''' ,

3

.

3

I1; .

gliss. gliss.

&

3

3

pp

Vln.2

&

.

3

. 7

pizz.

2

gliss.

ff

fff

2

pizz.

4. 7

D

;

arco

.I

gliss.

ff

gliss. gliss.

2

; 4 I1 4.

pp

fff

D I.

arco

,

Vln.3

0

0

pizz.

gliss.

.

=

0

0

; 4 I1 4. fff

0

3

4.

pizz. Vla.2

"

=

7

gliss. gliss.

4 I1; 4. fff

2

0

gliss. gliss.

pp

ff

4.

pizz. Vla.1

.

''''''''

'''''''

3

''''''''

D /5I.

&

2

3

''''''''

.

3

'''''''

gliss.

&

;

2

''''''''

3

.

3

arco

2

3

'''''''

&

;

3

'''''''

.

''''''''

&

3

gliss.

3

;

2

3

'''''''

''''''''

3

! Vln.1 ,

3

.

;

2

3

'''''''

&

3

.

'''''''

& 5& ' 54&&

gliss.

3

between L.H. stop and scroll TN norm. ! sim.

gliss.

'''''''

!

3

;

3

2

''''''''

3N:

;

2

'''''''

3

;

'''''''

4& ' / &&

2

''''''''

"

2

'''''''

Cb.

;

3

'''''''

,

; //4...

'''''''

!

poco accel.

'''''''

poco accel.

'''''''

! Fl. , 260

gliss.

ff

D 5arco I. pp

ff

Sy. 4003/00

gliss.

D

arco

5.I

gliss. gliss.

pp

gliss. gliss.

4 I1; 4.

0

fff


! !

52

! ,

+

+

Ob.

,

+

+

Cl.

",

+

+

;

3

2

;3

2

2

gliss.

;

;

3

2

,

''''''' '''''''

'''''''

'''''''

'''''''

.

gliss.

ff

I1; .

gliss. gliss.

.. .

'

. 7

ffff

44I.

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78

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Cl.

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! , 365

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,

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I


! Fl. , 369

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85

4. 33

+

mp

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0

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same note trill

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4. 33

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mp

Hn. II

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33 .

+

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33 4. /. 33

same note trill

2

pp

K:LLLLLLLLLLLLLLL : . . 3 2 7 8 6 mf pp same note trill

2

straight mute (until end of the piece) same note trill

Tpt. II

3 suspended cymbals

4 bongos

+

,

Tpt. I

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+

2

+

+

B

0

straight mute (until end of the piece)

brushes (until end of the piece)

4.33

4.33

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Cb.

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same note trill K.LLLLLLLLLLLLLLL 4 3 8 .7 2 6 mf pp

mp brushes (until end of the piece)

"B

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4. 33

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I

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33 33 33 33 /. . ..

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4. 4. 33 3 3

0

0

,

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Tpt. II , 0 "

3 suspended cymbals

4 bongos

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33 .

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. 337

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33 - - .. . .. 33 33 33

same note trill

mf

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III

33 6

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more and more pitch (less noise) no trem.

II I II III

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I

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III

I

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33 ..

... 33 33 33

0

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5. 5. 4. 4. . 3 33 3 33 33 3 3

molto S.P.

same note trill K: LLLLLLLLLLLLLLL . 6 mf pp

2

33 .

+

4. 4. 4. . 3. 33 33 33 33 3

fff

fff

fff

ff

.. 33 33

" !

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same note trill

same note trill

( +

change to piccolo

same note trill

0

$ !

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K:LLLLLLLLLLL .. 2 8 7 pp 6 mf

2,

. 33

. 3 3

33 4. . 5. . . 3 3 33 3 3 33

K: LLLLLLLLLLL 4. , 30 7 6 mf pp

+

, 2

4. 33

same note trill

same note trill Tpt. I

33 33, ..

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ff Sy. 4003/00

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II I III

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4. 2 337 4. 33 p

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Vla.2

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molto S.P. Vln.3

I

I

II III

+

+

+

+

+

+

p

molto S.P. Vln.2

I II

33 33 . . . 33 3 2 0 8

4 . 4. 33 3 3 4. 5. 3 3 33

molto S.P.

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f

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88

Meno mosso q = 60

! , 383

Picc.

Cl.

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4.

,

Ob.

",

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subito Pi첫 mosso q = 80

f

4.

6

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86

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86

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+ + +

f

Meno mosso q = 60

subito Pi첫 mosso q = 80

! molto rit. ! 4>6

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Cb.

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I

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f molto espress. P.O. port.

Vln.2

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33 ..

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quasi white noise like, quasi pitches, molto espressivo, molto trem.

( .>-

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Cb.

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II

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II

I

4.33

II

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II

I

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II

III IV

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II

III IV

Sy. 4003/00

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I

I II

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II I

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33 ..

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33

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4.

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II I

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II III

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mp

33 .

33 3 3 33 33 33 33 3 3 . .3 3 . ./. . .3 3 . .

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+

2,

+ +

,

0

K:LLLLLLLLLLL < ; . . 2 pp 6 mf

same note trill K: LLLLLLLLLLLLLL 0 . pp 6 mf

flz.

2

2 43. 3. 2 , 37 38 6 pp

Tpt. II

3 suspended cymbals

",

+

2

B

+

33 .

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Cb.

,

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I II

I

II IV II III III

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3 3 . 33 3 .3 . . . . . . . 33 33 33 / . 33 33 33 33

0

33 .

0

0

0

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0

0

+

+

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33 .

. 3 3

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f

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33 3 .3 3 33 3 /. ... 33

mp

33 .

33 3 . .3

mp

33 33 33 33 33 33 33 . . /. . . . .

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IV II IV II III III

IV II IV II III III

3 33 3 3 . . . .3 . . . /. . . 0 33 3 3 3 33 33 33 33 3

33 /.

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I I II

II

II II III

I I II

+

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33 . . . 3. . 33 33 33 3

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33 33 33 ...

molto S.P.

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1

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33 33 33 /. . . . . . 33 33 33 33 .

33 .

+

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6 mf

2

33 33 3 .3 .3 33 33 3 .3 .3 .. .

molto S.P.

+

same note trill

pp

33 33 3 . . 3 . . /. . 3 33 33 3

mp

Vla.1

II III

molto S.P.

molto S.P. Vln.3

2

33 33 .33 3 3 3 3 3 3 3 3 3 3 3 3 3 3 /. . /. . . .3 3 3 .3 33 3 .3 . . . . . .. ... .0 . . . / . 33 33 33 33 33 33 33 33 / . 33 33 33 33 .

mp

+

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molto S.P.

mp

Vln.2

IV II III

fff

same note trill

K.LLLLLLLLLLLLLL . 38 7 2

- - - - -3 - - -3 33 3 33 3 3 33 3 33 3 33 .. 3 .. 3 .. ..3 .. . . . . . .

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+

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same note trill

- - - - - -3 - - -3 33 33 33 33 33 3 33 33 33 3 33 4. . . 4. . . 4. 4 . . . . . . . . . . IV

! !

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0

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mp

33 .

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2

mf

" !

same note trill

K.LLLLLLLLLL . , 7 8 2 pp 6 mf

same note trill

mp 4 bongos

33 33 33 .33 . ..

/. . . 333 333

same note trill

same note trill

0

. 33

K: LLLLLLLLLLLLLLLL 0 . 6 mf pp

same note trill

,

Tpt. I

33 3 3 3 3 .3 3 . . . .... . . . 33 33 33 33 33 33 33

/. . . 33 33 33

mp

! Hn. I ,

Hn. II

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+

33 33 . . /. . . . 33 33 33 33

fff

fff

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90

! Fl. , 391

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4. 33

mp

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0

2

K:LLLLLLLLLLLL ., 3 0 7 6 mf pp

,

Tpt. II

2

,

cymbals

0 33 33 . .

B

33 .

33 .

33 .

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f

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,

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molto S.P. (scratchy)

,

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molto S.P. (scratchy)

3. 3

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,

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4. 4. 3 33 3

4.

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molto S.P. (scratchy)

mp

33 .,

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33 .

33 .

33 .

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I II

4. 4. 3 3 3 3

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I

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Double Bass Concerto composed by Dai Fujikura  

Double Bass Concerto (2010) composed by Dai Fujikura Published by G Ricordi & Co (Berlin) Ltd. performance details solo Double Bass + 1Fl,...

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