Page 1

A t o m for orchestra

(2009 corrected 7 th July 2012)

D a i

F u j i k u r a


Com mission e d an d pr emi ère d by Yo miu ri Ni ppo n Sympho ny Orc he str a, co nduct e d by Tat su ya Shi mo no, Sun tory Hall Tokyo, 7 th A pril 2 0 0 9.

Inst rum ent atio n: 1 1 1 1 1 1 1 1 1 2 1 4 1

Picc olo Flu te ( dou bling wit h piccolo) Alt o Flu te (in G) O boe O boe d’A mor e Cor A nglai s Clarin et in E-flat Clarin et in B-fla t Ba ss Clarin et (in B-fl at) Ba ssoon s Con tra Bassoo n Hor ns (F) Pic colo tr u mpet ( the part -score i s wri tte n in C) – N eeds Har mo n Mu te, Velv et/Bucke t Mu te an d Str aigh t Mut e 2 Tru m pe t s (B-fla t) – Ne ed Ha r mon Mu te, Vel vet/ Bucket Mute an d St raigh t Mu te 3 Tro m bon es – Ne e d H ar mon Mu te, Vel vet/ Bucke t Mu te an d Str aigh t Mut e 1 Tu ba 1 Ti m pani pla yer 3 Pe rcu ssion pla yer s ST RIN G S ---- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- ---- --- ---- --- --- --- --- --- --- --- --- --- --- --- --- --Percussion 2: (needs a bow) Percussion 1: (needs a bow) Percussion 3: (needs a bow)

• The score is in C

1 Marimba 1 Snare Drum 1 Lion’s Roar 1 small Cymbal

1 Vibraphone 1 medium Cymbal 1 Sizzle Cymbal

2 Tamtams (small and large) Almglocken (1 pitch only)

Gongs

Gongs Gongs

G en e ral P oint:


Accident als (i ncludi n g g rac e n otes) onl y af fe ct the pit ch t o whi ch t he y di re ctly ref e r, not ot her o ct av es , f or t he d urati on of t he b ar i n w hi ch the accid ental is w ritten. Do NOT vibrato on gliss. or port.

STRINGS: S.P.= sul pont. P.O.= position ordinary Make a difference between Gliss. and Port. Gliss. = shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note.


To Yomiuri Nippon Symphony Orchestra & Tatsuya Shimono


Atom

Rhythmically ABSOLUTELY unison ALWAYS super short staccato

! !

for orchestra (2009 corrected 1st Jan 2013)

" !

q = 100

! Piccolo $

10" - 12" & %

& %

$

Flute

%

%

) ) ) *( ( + (

'

mp

& %

%

%

() () () () () () () () ) ) () () () () () *( ( + ) ) ) ) ) () () () ) ) ) ) ) ) ) *( ( ( ( ( ( ( *( ( ( ( ( +

mp

'

Dai Fujikura

exaggerated dim.

) ) ) ( ( + (

'

%

! !

exaggerated dim.

,() () + ()

) ) ) *() () () () () () () () + ,() () ,() () ( ( (

() () + ()

%

) ) ) ,( ( + (

) ) ) ) ) () () () ) ) ) ) ) ) ) *( ( ( ( ( ,( ( ,( ( ( ( ( +

mp

$

Oboe

%

%

& %

$

Alto Flute

%

# !

molto accel. (extreme accel.)

'

exaggerated dim.

mp

%

& %

$

Clarinet in Eb

Clarinet in Bb

& %

$

Oboe d'Amore

%

& %

"$

%

'

%

%

mp

, () ()

'

%

mp

'

%

%

$

& %

%

%

$

& %

%

%

%

$

& %

%

%

%

Piccolo Trumpet I

$

& %

%

%

Trumpet II in Bb

$

& %

%

%

Trumpet III in Bb

"$

& %

%

%

Horn III in F

Horn IV in F

+

.

.

blowing sound

.

1t) + 0 2

/

1k) 1)t 1k) sim. 1) 1) 1) 0 0 0 0 0 0 /

p

blowing sound

.

1)t 1k) 1)t 1k) sim. 1) 1) 1) 1) 0 0 0 0 0 0 0 0 '

blowing sound

/

p

f

1) 1) 1) 1) 1) 1) 1) 1) 0 0 0 0 0 0 0 0 / t

k

t

p

k sim.

p

1)t 1k) 1)t 1k) sim. 1) 0 0 0 0 + 0

blowing sound

.

1) 1) 0 0 /

.

'

1) 1) 1) 1) 0 0 0 0 .

'

p

f

1)t 1k) 1k) 0 0 + 0

p

p

f

%

p

p

.

p

f

1)t 1k) 1)t 1k) sim. 1) 1) 1) 1) 0 0 0 0 0 0 0 0 .

.

blowing sound

f

/

'

p

f

p

p

.

exaggerated dim.

1)t 1k) 1)t 1k) sim. 1) 1) 1) 0 0 0 0 0 0 + 0

blowing sound

+

) ) ) ) ) () () () ) ) ) ) ) ( ( ( ( ( () () ( ( ( ( ( +

blowing sound

%

() () ()

exaggerated dim.

mp

& %

Horn II in F

) ) ) ) ) - () () () () () ( ( ( ( ( , () ()

()

() () + ()

! $

Horn I in F

exaggerated dim.

sim.

p

f

Strings: Play like "jete" (bouncing bow). 1 slur = 1 bow. The dynamics of the " jeté" section in the strings are marked to express the player's action, rather than the result. For instance, "ff" means the loudest jeté, and "pppp" must be the quietest jeté. Any other dynamics must be calculated within this range.

q = 100

! $ Violin I

! !

(3

repeat ad lib. 10" - 12"

like "jeté"

143) & 4( 4() 4() 4() ################# ( )

pppp

(3

$

" molto accel. (extreme# accel.) ! !

in sync

in sync

$

The "jeté" is made by the action of "bouncing bow". It is very important that the "jeté" is played together. Concentrate on the accents, rather than trying to make every 16th notes be together.

repeat ad lib. 10" - 12"

143) ( +

143) ( .

3 ()

'

& 143) 143) 143) 4( 4() 4() 4() ################# ( ( + ( . )

4( 4( 4( *4( + (4 (4 (4 1) ) ) ) ) ) 1) 1 p

like "jeté"

pppp

*4( 4( 4( 4( + 4( 4( 4( 1) ) ) 1) ) ) 1) p

& %

%

& %

.

/

3 * ()

like "jeté"

6

& %

/

3 *()

like "jeté"

*4 + 4 4 4 4 + 4 4 4 ( ( ( ( ( ( ( ( 1) ) ) ) 1) ) ) )2

ppp

& %

. like "jeté"

7

3 ()

& % ppp

Violoncello

"

7

& %

like "jeté" 3 ()

. ppp

+ 1) ) ) 4( 4( (4 (4 . (4 (4 (4 1) ) ) )

3 ()

4( 2 ) p1

+

5 *4 + / ()

.

5 + / *(4) 1

.

5 + / (4) 1

exaggerated cresc.

like "jeté"

(4 (4 (4 1) ) )

.

exaggerated cresc.

3 ()

3 , ()

) ) ,,4( 4( 4( + / $,%$,%4( 4( 1) ) ) pp

p

3 - ()

3 *()

4( + 4( 4( *4 4 4 4 + -4( + 4( *( ( ( ( ) 1) 1) 1) ) 1) ) ) 1)

3 * ()

3 ()

*4 4 4 4 4 4 4 4 4 * ( + ( ( () () () () ( ( + 4( 1 1 ) ) 1) 1) ) exaggerated 1) 3 *()

*4( 1)

cresc.

+

3 *()

4( 4( (4 (4 (4 (4 **4( 4( + 4( 1) ) ) 1) ) ) 1) 1) ) exaggerated

p

Copyright © G.Ricordi & Co.Ltd, London. 2009

3 ()

cresc.

.

/

+ 4( 2 1) 3 , ()

4( + 4( 4( (4 (4 (4 (4 4( 4( + ,,4( 1) ) ) 1) ) ) 1) 1) ) 1) 3 ()

! !

3 ()

gliss 4( (4) (4) (4) (4) (4) ) ) ) ) ) gliss) ) + 1 1 1 )1 ) ) sub. ff mp

3 ()

ff

1) 4( + (4 4( (4 (4 (4 (4 4 4 + 4 ( 1) ) ) 1) ( ( ) ) 1) 1) ) 3 , ()

ff

1) 1 1 1 1 4( + 4() 4() 4() 4() 4() 4() ,,4( 4() + 4() ff

3 ()

1) 1) ) 1) ) ) 1) 1) ) ,,4( + 4( 4( 4( 4( 4( 4( $,%4( 4( + 4( ff

exaggerated dim.

pp

3 - ()

1) 1) 1) gliss 4( 4( 4( 4( 4( 4( 4( 4( 4( gliss + ) ) ) 1 ) ) ) ) sub. ) ) ) ) ) ff mp

/ **(4) (4) (4) (4) (4) (4) 1 1

'

pp

exaggerated dim.

3 ()

ff

1 1 1 ) 4() 4() 4() 4() 4() 4() 4() 4() 4()

) glis)s

gliss

+

4( 4( )1 ) )

sub. exaggerated dim. ff mp

mp

3 ()

exaggerated cresc.

like "jeté"

3 ()

.

4( + + 4 + 14) 4) 4) ( ( ( ( ) 1)

4( 4( + 4( 4( 4( 4( + 4( 4( 4( 4( + 4( 4( 4( 1) ) ) ) 1) ) ) 1) ) 1) ) ) ) %

+

p

ppp

+ 4 4 4 4 + 4 4 4 4 + 4 4 4 *4( 4( ( () () () ( ( ( ( ( ( ( 1) ) ) ) 1) ) ) )1 ) 1)

Viola

6

3 ()

3 *()

'

Violin II

$

3 *()

5 + / ,,(4) (4) (4) (4) (4) 1 . (4) (4) (4) (4) 1

'

'

,,(4) (4) /

.

'

) ) ,4( 4( /

.

'

pp


2

q = 150 molto rit. (extreme rit.) ! $ 6

Picc.

$

Fl.

$

A. Fl.

$

Ob. d'A.

()

* ()

*() * () ()

$

Eb Cl.

Cl.

"$

()

+ +

+ +

+

+

() * ()

() ()

() ()

()

()

()

()

()

() 2

+

pppp

*()

+

pppp

()

()

() * () 2

pppp

4()

+

4()

+

# !

q = 100

()

9" - 10" & %

pppp

take Piccolo

accel. %

%

& %

%

%

& %

%

%

'

& %

%

%

'

& %

%

%

'

& %

%

%

+

/

q = 150 molto rit. (extreme rit.) ! $

()

'

()

+

()

/

pppp

* ()

()

'

.

() , ()

+

()

/

pppp

* () ()

()

# !

q = 100

.

& %

'

accel.

3 ()

%

.

4( 1) ) )

/

gliss

+

ppp

Vln. I

$

.

.

.

3 ()

4( 1)

ppp

4( )

4( 4( 4( + / ) 1) )2

4(

. .

1)

3 * ()

gliss

+

1)

ppp

& %

%

$

& '

9" - 10"

3 ()

)

) 1)

3 , ()

+ ,,4( 1)

'

) )

)

+

+

$ 6

4()

+

4()

+

.

& %

'

) )

)

%

1)

)

.

3 ()

%

.

4( 4( ) 1) ) )

/

,,4( 1) ) )

7

& %

%

%

3 ()

%

"

7

%

ppp

repeat ad lib.

& 4 4 4 4 4 $ ( ( ( ( ################## ( 1) )1 ) ) ) 9" - 10"

pppp

Vc.

.

& %

9" - 10"

(4)

(4 1)

)

)

+

1)

)

gliss

) 1)

) )

)

+

)

3 * ()

%

6

/

**4( 1)

ppp

RICL 121

1)

gliss

)

,, 4( 1) 3 ()

ppp

4( )

4( 1) ) )

4( 1)

4( / )

**4( 1)

4( / )

3 * ()

+

+

1)

.

$*%$*%(4 )

1)

4( )

+

1)

4( )

gliss

+

+

3 , ()

,,4( )

gliss

+

3 ()

1)

gliss

3 ()

64 (

1)

gliss

3 , ()

,,4( 1) ) )

3 * ()

gliss

3 , ()

/

Vla.

6

4( 4( ) 1) ) )

4( 1)

3 , ()

**4( 1) )

3 ()

ppp

& %

%

)

gliss

ppp

Vln. II

1)

**(4 1)

3 * ()

1)

3 ()

3 ()

4(

)

gliss

1)

)

f


3

q = 100

rit. ! **4() $ 10

14) (

4()

14) (

4()

14) (

4()

) )

+

1)

gliss

3 ()

) )

Vln. I

$ **(4)

(4 1)

(4)

(4 1)

(4)

(4)

(4 1)

) )

+

gliss

3 ()

1)

f

$ 4( ) f

Vln. II

,4) $,(

4( )1

4( 4( ) 1)

4( )

14) (

4()

14) (

4()

4()

1)

) )

14) (

4() 4() 2

f

) 6 4(

14) (

4()

14) (

)

1)

)

gliss

f

Vla.

4) 6 (

14) (

4()

14) (

4()

14) (

4()

f

6

) f

Vc.

6

)

**(4)

4() 4() 2

4( )1

+

/

+

(4)

4( )

4( )

4( 4( ) )

1) 4(

) ) 4( 4(

1) 4(

) 4(

1) 4(

" !

) & 5 4( #############(4 + / ) 8" - 9"

.

& .

/

.

& .

1 1 ) ) *1() ) ) ) ) ) gliss sub. f

p

1() ) ) 1) ) 1) gliss ) )

& %

sub. f

p

+

& %

$

p

+

/

*4( 1)

4( 4( ) 1)

4( )

4( )

/

.

1() ) ) 1) ) 1) gliss ) ) sub. f

1() ) ) 1) ) 1) gliss ) )

& %

sub. f

) ) , 1() ) ) 1) ) 1) gliss

& %

sub. f

p

%

& %

7

) ) ,1() ) ) 1) ) 1) gliss sub. f like "jetĂŠ"

Db.

"

7

%

" !

%

1) ) ) , 1() ) ) 1) ) gliss

& %

sub. f

RICL 121

3 ()

/

, 4( 4( (4 4( 4 + (2 )1 ) 1) ) )

ppp

%

p

4( )1

.

# !

p

p

3 * ()

gliss

+

gliss

)

3 ()

) --4( )

4( 1)

q = 150 rit.

*1() () 1() () () 1() () 1()

.

+

.

pppp

p

1) ) * ()

* () 2 + /

.

.

%

p

+

+

1) ) () 1() () 1() () () 1() () 1()

() 1() () () pppp

1) ) * () 1() () 1() () () 1()

/

%

pppp

+

1) ) * () 1() () 1() ()

.

%

pppp

+

1) ) () , 1() ()

/

.

%

.

%

.

%

pppp

+

1) ) ,()

. pppp

-1() + 2 / pppp

.

.

# !


4

! $ 15

Picc.

# q = 100 ! 11" - 12" & %

! q = 150 !

molto rit. (extreme rit.)

molto accel. (extreme accel.)

() () () () () () () () () () () () () + /

) ) ) ) ) ) +,( ( ( + ( ( (

%

%

() () () () () () () () () () () () () () () () () () () () () + + +

%

%

%

%

%

%

%

%

.

%

%

%

.

%

%

%

.

%

%

%

.

%

%

%

%

%

pppp

mp

$ $

& %

%

$

& %

%

$

& %

$

& %

%

7

& %

%

%

7

& %

%

%

() () () () () () ) ) ) ) ) ) ) ) ) ) ) ) ) ) (((+(( ((((((((+( / 2

7

& %

%

%

.

/

7

& %

%

%

.

/

! $

& %

%

%

%

Piccolo Tpt. I

$

& %

%

%

%

Tpt. II

$

& %

%

%

%

$

& %

%

%

%

7

& %

%

%

%

& %

%

%

%

& %

%

%

%

7

& %

%

%

%

!7 "

& %

A. Fl.

C. A.

Eb Cl.

Cl.

B. Cl.

Bsn.

Bsn.

Cbsn.

Hn. IV

"

Tpt. III

Tbn. I

7

Tbn. II

7

Tbn. III

Tba.

Timp.

"

! $ Vln. I

$

$

pppp

mp

.

+

.

() () () () () () () () () ()

pppp

$

+

() () ()

pppp

%

+

() () () ()

/

,() () () () () ()

) ) ) ) ) ) ( ( ((( ( /

.

mf

mf

pppp

() () () () () ()

/

mf

pp

f

pp

() () () + () () () () () () () () () () + () () ()

%

() () () pp

pppp

3 ()

%

) () () () () () () +

7(

& , 4( 4( 4( gliss ######################### )1 ) 1) ) + 1) ) )

3 ()

4( 4( )1 ) 1) ) sub. mf ppp

repeat ad lib.

4( + / )2

.

& %

/

.

& % & %

.

gliss

) 1) )

+

%

,( ( ( ( + ( ( ( ) ) ) ) ) ) )

,( ( ( ,( ( + ( ( ( + ( + . 1) ) ) ) ) ) ) ) )

.

pp

.

() () () () () () () +

f

.

() () () () + () () ()

.

((((+( (( ) ) ) ) ) ) )

pp velvet (bucket) mute

pp

%

& % & %

%

%

& %

%

1() () () ) ) ) ) ) ) (( ((( ( + + +.

%

1) ) ) () () () () () () ((( + + +.

%

) ) ) ) ) ((( ((+(((+( +. )1 ) ) ) f pp

%

(senza sord.)

, () () 1

pp

/

.

soft stick (1 hit only)

%

%

p

pp

f

%

* 8) 1

gliss

.

.

! !

mp

S.P.

. **4( 4( )1 ) 1) )

() + ) ) 1

+

3

+ ,( ( 1) ) ) 1) 1) )

gliss

p

sub. exaggerated mf ppp cresc.

p

mp

.

.

%

.

.

%

molto rit. (extreme rit.) q = 150

%

.

.

%

.

.

S.P.

+ () () 1() () () 1() ()

exaggerated cresc.

%

sub. mf ppp

.

%

%

.

.

%

.

.

5 / 6 ,,4( 4( 4( + 4( 4( ,,(4 (4 (4 (4 (4 (4 (4 (4 + (4 / ) ) 1) 1) ) 1) ) ) 1) ) 1) ) ) 1) S.P.

/

exaggerated cresc.

.

3 , ()

exaggerated cresc.

.

ff

7

1) 1) ) 1) ) ) 1) ) 1) ) ) 1) / ,,4( 4( 4( + 4( 4( ,,4( 4( 4( 4( 4( 4( 4( 4( + 4( / 2 ) )

7

mp

RICL 121

exaggerated cresc.

exaggerated cresc.

, () () () 1

+.

, () () () 1 f

+.

%

exaggerated dim.

.

.

p

,( () () 1() () ,() () 1() () () +/ ,() + () 1) exaggerated

S.P.

.

p

dim.

1) ) ) 1) ) ) ) , 1() () () 1() () , () () 1() () () ( ( ( ( ( (+( +

S.P.

) ) ,1() () () 1() () ,() () 1() () () 1() () () 1() () + (+(

S.P.

exaggerated dim.

1) ) ) 1) ) () + () ( ( ( ( (

S.P.

.

1()

$

() () 1() () () *1() () () 1() () 1) + $ ,(

exaggerated dim.

.

+

pp

exaggerated dim.

mf

f

ff

ff

.

+

pp

) ) ,1() () () 1() () ,() () ,( + ( /

mf

1) 1) ) 1) ) ) 1) ) 1) ) ) 1) / ,,4( 4( 4( + 4( 4( ,,4( 4( 4( 4( 4( 4( 4( 4( + 4( / 2 ) ) 3 , ()

S.P.

mf

ff

,() () 1() 1() () ,1() () () 1() () 1() () () 1() + +2 /

mp

.

exaggerated dim.

+ () () () () () * () () () () () 1 1 1

mp

mp

3 , ()

(P.O.)

.

# !

,() () + +.

S.P.

mp

p

non-harmonics S.P.

%

pp

f

pp velvet (bucket) mute

) 1) ) gliss1) ) ) 1) *1() () (+ + +

3 * ()

3 * ()

pppp

pp

,1() () () ) ) ) ) ) ) ,( ( + ( ( ( + ( + .

() + + + + 5/ **4( 4( 4( 4( **4( 4( + gliss + 4 4 (( (((((((( ( gliss 1) ) ) 1) 1p) ) 1) ) ) 1) ) 1) ) ) 1) ff 1) ) 1) ) ) 1) ) 1) ) 1) ) ) )( )( () 1) ) mp 11 p

.

f

,() () () () () () () +

pp velvet (bucket) mute

mp

p

+ 4( + 4( 4( 4( 4( 4( 2 ) ) ) 1) ) 1) ) 1) 1 pppp

pp

.

S.P.

%

3 ()

f

p

11" - 12"

& 4( 4( 4( 4( ##########################(4 (4 (4 + . 1) ) 1) 1) ) ) )

pp

%

pp velvet (bucket) mute

1 ) 1) ) ) 1) *1() () *() + ) +gliss + p

%

f

, 1() () () ,() () () () () () + + +.

S.P.

.

1() () () () () () () () () + + +.

, () () () () () () () +

molto accel. (extreme accel.)

repeat ad lib. 11" - 12"

%

.

%

Vc.

"

mute

%

%

f

pp velvet (bucket) mute

mp

7

() () () () () () () () () () () +2 /

.

mp

6

+

ff

mf

q = 100 , 14() 4() 4() 4()

%

() () () () () + () () () () () + .

velvet (bucket) mute

Vla.

6

mf

) ) ) ) ) ) ) ) ) + ( ( ( ,( ( ( ( ( ( /

'

Vln. II

$

.

mf

# !

%

" !

Piccolo

& %

Fl.

# !

.

S.P.

/

1 -1() () () 1() () 6 , () mf

exaggerated dim.

" !


5

q = 100

" !

! $ 22

# !

12" - 13" & %

%

q = 68 molto accel. (extreme accel.)

" !

%

# !

super short staccato P.O.

.

1(3)

4( 1) 3

) ) ) 1) ) 3

pp

) ) 1) ) ) ) 1) ) ) ) 1) ) ) ) 3

3

3

3

1) ) ) ) gliss

3

! !

q = 138 molto rit. (extreme rit.) 3 , ()

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! $ 52

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p

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p

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Db.

p

7

Tbn. II

Tba.

7

/

f

( (

7

Bsn.

Cbsn.

p

7

Bsn.

%

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%

f

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more and more becoming short staccato

Cl.

) ) / (9 -(9 /

%

%

f

more and more becoming short staccato

C. A.

() -()

accel. (extreme accel.) # qmolto ! = 80 ! !

*1() + / 2

sfffz

1) *( + / 2

.

5 ( + / 1)

.

take straight mute

sfffz

sfffz

.

%

take straight mute

.

%

take straight mute

5+ / () 1 sfffz *1() + / 2

.

.

take velvet (bucket) mute

.

sfffz

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.

5+ / *() 1

sfffz

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%

take velvet (bucket) mute

.

sfffz

%

.

%

.

.

%

.

.

%

.

.

%

sfffz no re-hit ()=

%

%

%

%

: molto accel. (extreme " accel.) : ! ! ! ( *( ( / 9 p

f

p

( *( ( / 9 p

f

p

*( ( / *(9 p

f

p

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f

p

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f

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(

1( / 9

(

sfz

%

shorter and shorter staccato

shorter and shorter staccato

sfz

sfz

%

(

sfz

1( / 9

%

shorter and shorter staccato

sfz

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mp

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mp

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ff

%

%

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) ) 1) ) ) ) 1) ) ) ) 1) ) ) ) 1) ) ) ) *( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( (

mp

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mp

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%

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mf

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%

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3

3

3

3

3

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%

3

3

3

3

3

5

5

5

5

5

5

%

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%

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%

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3

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3

3

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5

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p tutti arco unis.

p

ff

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3

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3

ff

3

()

() () () () 1

3

( 1)

3

( 1)

ff

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3

mp

5

p

(P.O.)

mp

p

gliss

3

() () () () () () () () () 1 1

3

ff

p

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3

3

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(P.O.)

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3

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mp

3

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3

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%

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%

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RICL 121

3

(P.O.)

3

( 1)

()

( 1)

.

()

3

()

( 1) .

()

()

" !


9

! $ 67

molto rit. (extreme rit.) q = 138

" !

1() () () () 1() () () () 1() () () () 3

f

3

3

molto S.P.

1() () () () 1() () () () 1() () () ()

3

p

3

3

1)gli)ss ) () 1() () () () 1() () () () 3

3

3

1() () () () 1() () 1() ) ) ) 1)gliss) ) ) 1) 3

3

f

Vln. I

$

3

# !

molto accel. (extreme accel.) q = 100

3

molto S.P.

1() () () () 1() () () () 1() () () ()

3

3

f

3

3

p

3

3

3

3

3

3

p

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

f

p

f

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3

3

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3

3

3

3

3

3

3

3

3

3

3

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3

f

p

molto S.P.

$

) 1) )ss )

) *1() () () () 1() *() ()

gli

5

5

1 () () () 5

1 () () () ()

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1) ) ) ) 1) ( gliss p

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5

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5

5

5

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5

5

5

5

5

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molto S.P.

$

6

5

5

)

3

)

)

5

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) 1) glis) s )

gliss

1)

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() () () 1 f

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3

3

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)

1)

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"

7

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f

p

%

.

3

1()

1)

$( 9 mf

1) ( f

()

()

1()

()

3

p molto S.P.

1()

() () molto S.P.

) () () 1

)

)

f

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1)

()

)

()

() () 1() ()

)

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()

3

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1) ( 3

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3

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p

1)

3

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p

1)

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f

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1)

3

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3

)

) f

3

5

f

p

3

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5

f

f

()

5

() () () () () () () () () () () () () () () 1 1 1 1

3

p

1()

()

5

p

3

f

3

* ()

()

5

gliss ( 1) ) ) ) 1) ) )

3

molto S.P.

3

3

p

Vc.

()

5

*() () () () () 1

f

3

)

()

3

Vla.

Db.

1 *() () () () ()

5

f

Vln. II

()

.

/

3

/

3

7 f

RICL 121

3

, ()

, () 1

()

= ( 1)

()

()

3

3

()

()

( 1)

()

( 1)

()

3

3

()

()

()

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()

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3

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()

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3

()

3

() () 1

3

3

()

( 1)

()

()

() () 1

()

()

()

3

/

.

p

)

gliss p

! !


10

! $ 72

Picc.

A. Fl.

Ob. Ob. d'A.

Eb Cl.

Cl.

$

%

$

%

$

%

"

%

7

%

%

%

%

%

%

) () (

%

) *() ,(

mp

1) -1() () ( 9 / 1() 9 /

mp

%

, 1() % 9 / mp 1>) % ,( / 9

% %

mp

%

Piccolo Tpt. I

$

%

Tpt. II

$

%

$

%

7

> % (= / )1 mp > % (= / )1 mp 1>) % ,(9 /

(straight mute)mp

1() 9 / /

() 9

p (straight mute)

(straight mute)

,1() / / 9

p

) ( 9 mp ) ( 9

= ( / / 1) mp * () -1() 9 / / 9

p (velvet/bucket mute)

%

mp

p

mp

1) ) ( / / *(9 9

7

%

7

%

%

%

7

%

%

%

!7 " ! $

! !

(velvet/bucket mute) p

% P.O. 3

3

3

3

3

3

3

3

() () () () () () () () () () () () () () () () () () () () () () () () 1 1 1 1 1 1 p

f

Vln. I

$

P.O.

5++ (( ( ( ( ( (( ( ( ( ( (( ( ( ( ( (( ( ( 1) ) ) ) 1) ) ) ) 1) ) ) ) 1) ) ) ) 1) ) ) ) 1) ) 3

3

3

3

3

3

3

3

f

$

5

5

5

P.O.

+ +

5

( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( 1) ) ) ) 1) ) ) ) 1) ) ) ) 1) ) ) ) 1) )

mf

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%

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%

%

%

%

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7

f

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p mf

7

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%

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7

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%

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7

%

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%

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f

p

f

7

p mf

%

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%

molto rit. (extreme rit.) q = 132 5 ( +/ 1)

%

%

%

P.O.

7

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%

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%

%

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6

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%

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%

%

"

%

%

$

Tba.

mp

%

Hn. III

Tbn. III

%

$

%

Tbn. II

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$

$

Tbn. I

1 *() ()

%

Hn. II

Tpt. III

%

( ( 1) )

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Hn. IV

% ) () ( * () 9 / () mf(<) ) ,() ,(

mf

%

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%

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%

7

Bsn.

) ()*(

%

mp

7

B. Cl.

%

%

$

C. A.

: = 132 rit. (extreme rit.) !q molto

%

$

Fl.

Cbsn.

! !

7

(< rt.

* (<

po

& 8< + & <8 +

ff

%

%

% ff

( 1<

&+ '

pizz.

6


# ! q = 78

" !

# molto rit. (extreme rit.) !

! !

to Conductor: make a big difference between "very slow tremolo" and "very fast tremolo" in Strings, and smooth, gradual transitions between them.

! $ 88

Picc.

1 = ()

B. Cl.

()=

1()

1 = ()

+

1()

1()

1 = ()

+

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Tpt. II

Tpt. III

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/

sub. ff mp

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1) ()=

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%

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Tbn. II

7

%

%

%

%

%

%

7

! $

q = 78 Very fast (change bows to create the written dynamics) Tremolo

*18 +

*8 +

fff

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Vln. I

$

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18 +

$

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/

. Harmon mute

.

*(

molto espress.

sub. S.P.

molto espress.

*(

sub. S.P. molto espress.

(

sub. S.P. molto espress.

*(

sub. S.P. molto espress.

(

sub. S.P. molto espress.

(

8

8

sub. S.P. molto espress.

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8

sub. S.P. molto espress.

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Db.

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div.

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sfffz

# !

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Harmon mute

.

Harmon mute

.

Harmon mute

.

/

.

%

*(

gliss

*(

gliss

(

gliss

gliss

gliss

(

gliss

(

1()

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note trill BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Asame / = ( (

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note trill BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Asame = / ( (

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note trill BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Asame ,( ( / 9

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1 = ()

pp

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pp

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pp

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f

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"open", "close" ALWAYS very fast sim.

= (

f

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# !

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%

) *( *(

%

) *( (

%

) ( *(

%

) ( *(

%

) ( (

) ((

1()

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"open", "close" ALWAYS very fast sim.

ppp

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) 11 + ()=( +

1 = ()

fff same note trill

ppp

(

.

.

ppp

*(

1()

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.

pp

%

.

.

.

.

.

.

ppp

.

1()

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1 = ()

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/

Harmon mute

.

gliss

fff

6

+

11 =) + ()( /

/

pp pp f "open", "close" ALWAYS very fast sim.

ppp

18 +

7

+

1()

1() 1) 1( 1) 2 + 1()=( + ()= +

"open", "close" ALWAYS very fast sim.

.

molto rit. (extreme rit.) sub. S.P.

+

Harmon mute

fff

Vc.

+

1()

1= ()

1 ()=

/

fff

fff

ppp

8+

18 +

8

*8

8+

18 +

Vla.

*8

# !

1()

1 ()=

fff

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ppp

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18 +

*8

8

8+

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%

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%

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$

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11

.

pizz. trem

( (( mp *( (( (

pizz. div. trem

$

port.

port. port.

mp

.

.

tutti pizz. unis. trem

(

6(

mp

(

port.


12

# !q = 52

molto accel. (extreme accel.)

! $ 92

Picc.

Fl.

A. Fl.

Ob.

Ob. d'A.

C. A.

$

$

+

*()

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# !q = 52 .

.

$

.

.

$

.

.

molto accel. (extreme accel.) Very Slow Tremolo P.O.

(

*(

pp

" !

(

# !

*(

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gliss

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(

! !

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.

pp

ff

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P.O.

(

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(

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%

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%

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%

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mp

RICL 121


! $ 95

Picc.

! !

= ()

= * ()

$

Eb Cl.

$

Cl.

()

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()

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$

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.

.

Tpt. II

$

.

.

.

$

.

.

.

7

.

.

.

.

.

.

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.

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" !

molto rit. (extreme rit.) q = 78

! !

Very Slow Tremolo con sord.

*(

*(

gliss

p

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*(

6

%

%

mp

( (( ff

.

.

.

.

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.

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ff

p

'

%

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pp

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Tbn. I

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.

Tpt. III

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Hn. IV

%

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Hn. III

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# !

mf

7

Hn. II

mf

+ + ()=( =( ) () )

) + ()=( /

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Hn. I

()

)=

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%

mf

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7

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20

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! $ . 122

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Piccolo Tpt. I

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C

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senza sord.

Tpt. II

C C 1= ()

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Tpt. III

medium Cym.

C

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Tpt. II

small Cym.

()

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Piccolo Tpt. I

1= ()

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.

.

& .

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p Lightly slap the strings with your hand (flesh part of fingers) near the bridge making sure the unwanted string(s) don't ring. Do not slap too hard; the noise of strings against the fingerboard must not occur. 指板と駒の間の部分の弦(つまり通常時、弓で弾く部分)を指の腹で軽く たたく(響かせるように)。強くたたき過ぎて弦が指板にあたって 「バチ!」っと音がしないように気をつける事。あと指定されていない弦 (例えば3音和音なら、不必要な4つ目の開放弦)がたたいた時鳴らないように気をつける。

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p 2 players (preferably in the last desk) should play these notes as normal pizz.(non-arpeggio), to add clearer pitches (until bar 198).

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Tpt. II

1) 1 ,(

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1 * ()=

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36

! $

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Atom for orchestra composed by Dai Fujikura  

Atom (2009) composed by Dai Fujikura Published by G Ricordi & Co (London) Ltd. performance details 3333, 4331, timp. + 3perc, strings 14 mi...

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