nothingness

Page 1

Dylan Dukat

nothingness (2020)

© 2020 Dylan Dukat | www.dylandukat.com All Rights Reserved.

for flute,clarinet,englishhorn,andhorn

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directions fornothingness

tobegin,rolla10-sideddie recordeachnumberrolled,withoutrepeatingvalues,untilalltenvalueshavebeen recorded.

ifthenumberrepresents a note...

then,rolla12-sideddieforeachattackandapplythecorrespondingtechniquefoundbelowtothatattack.

then,findeachnumber'scorrespondingvalueinthechartbelow.thiswillbethecycleofsoundsyouperform throughoutthiswork (allnotesareintransposedpitchandallowforad.lib octaveselection).

ad.lib.notedurations,rhythms,anddynamicsareallowedsolongas theyarenotdurations,rhythms,or dynamicsrepresentedintheabovechart.

rolla4-sided die whatevernumber youland onrepresentsthenumber oftimesyou will playthatnote before continuingtothenext sound inyourcycle.

then,rolla6-sideddietwiceforeach attack.thefirst rollwilldeterminetherelativedurationoftheairsound, andthesecondrollwilldeterminetherelativestrengthof the attack,as depictedbelow. stronglong general guidelines

rolla4-sideddieforeachinstanceofpitchlessair whatevernumberyoulandonrepresentsthenumberof timesyouwill blow pitchlessair throughyourinstrumentbeforecontinuingtothe nextsoundinyourcycle.

theprovidedgraphshouldinfluencemusicaldecisions,butaspectsthereofareintentionallylefttointerpretation. ifrolledtechniquesarebeyondtheabilitiesofamusician,theymayselectamoreaccessibletechniquefromthe tabletoperforminstead.

determinehowmanycyclerepetitionstheensemblewillapproximatelyperform(suggestion:2-3).onceeach musicianindependentlyfinishesallcyclerepetitions,theyshouldlowertheirinstrument,signalingtheir completion.thefinalmusicianloweringtheirinstrumentandthewetsignalfadingtonothingmarkstheendof thework.

ifthenumberrepresents pitchless air...

thetempoisad.lib.by musicianthroughout;muchofthenotationisdetermined onarelativescaleratherthan anobjectiveone.

gentleshort 2 3 4 5 6 >

Reverb: 11s reverb, 65% wet/35% dry signal

Delay: 1s delay, 10% feedback

Directions for Electronics

route reverb and delay to all performers with speakers on stage. if pre-recorded, set stage monitors low as a reference tool for stage performers and record the effects directly from daw. if live, route wet signal to stage monitors, positioned facing away from the mics for the musicians.

nothingness

graphical score englishclarinetflutehornhorn

repeat ad. lib.

©2020dylan dukat,allrightsreserved d dukat

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