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BLUSH Dream declines responsibility for any unpublished texts, illustrations or photos it receives.

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Cover: Roger Federer Photo ©24Kilos

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P 23 EDITORIAL P 26 DUA LIPA Credit where it’s dua.

P 32 ROGER FEDERER A Farewell to the balletic and graceful.

P 38 HUBLOT A new watch-shape takes form at Watches & Wonders.

P 42 BIANCHET Beauty and harmony are displaying in contemporaneity.

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W

inter is taking its first steps at the end of 2022 but it will undoubtedly be welcomed up to the level of what it offers us… a warm season, a desire for cocooning and an invitation to gourmet laziness! In this new winter edition, Blush Dream presents sport, elegance and healthy delicacy.

Discover both the projects of the unforgettable champion Roger Federer and the new artistic direction of Lacoste. Dua Lipa will make you dance in the rain, while Dior will tell you about its new era, its new look. You will touch exceptional art with the Bourse de commerce - Pinault collection before enjoying the French Touch by the beautiful Amandine Petit. A jump to New York, a quick visit to the catwalks, and you will know everything about the autumn/ winter 2022-2023 trends! To end this initiatory journey in beauty and good health, Tom Kerridge, a starred English chef, and Michel Roux, a British chef with a so French name, offer you a gourmet cuisine that will perfectly serve your well-being. Both trendy and generous, the winter freshness narrated by Blush Dream cannot disappoint you.

To all, an exhilarating winter!

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CREDIT I

WHERE IT’S DUA

t’s fair to say Dua Lipa’s appeal as a modern influencer goes well beyond songwriting, and that perhaps, as a role model for positive and optimistic change, she is exactly what’s needed in this brave new world, as BLUSH discovers.

By Frank Grice

Dua Lipa’s ability to be so many things all in one go is what, ultimately, makes her so engaging. Consider the fact the 27-year-old is a London-born descendant of Kosovan Albanian parents who, with Bosnian ancestry thrown into the mix, fled the war-torn former Yugoslavia in search of better, fairer, more fulfilling and, essentially, safer lives.

She is a woman in a relationship with a multimillionaire partner, Anwar Hadid, yet is in every way a self-starting, selfmade exemplar of blistering talent and unrelenting energy.

She is someone entrenched in a world of manufactured bubble gum pop, yet a versatile activist and campaigner who will happily turn away a wealth of commercial avenues if the opportunity arises to liaise with political media on subjects as diverse as social justice, equality and human rights.

And of course, as you may well expect, the chart-topping artist is a powerhouse behind sexual equality, and the freedom to play out our dreams and ambitions on a level playing field.

It seems perverse then, at this juncture, to suggest the singer/songwriter should perhaps 26

approach the next stage of her career with caution. After all, thus far, she has barely put a foot wrong, and exists in a world in which we hold our role models in such high regard for their views and influence. The risk, for Dua – whose name translates to ‘love’ in Albanian – comes in the possible dilution of the very thing that set her apart from others in the first instance: her voice. Not a political voice, nor a philanthropic voice, or a voice for activism, but a voice whose pitch, tone, crystal clarity and sultry soulfulness is more capable of transporting those who hear it to other places than any statement on refugees, LGBT or poverty. “I do know I have to hold myself back from moving too far away from what people really like in me and regard me as, and that is a singer,” she concedes. “It is something I think about.

“However, given where I have come from and what I have lived through I do believe it would be strange if I didn’t offer some opinion on what’s going on around us. And these are really key issues too – real things that genuinely I have a passion for and care about.”

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In a worst-case scenario, the singer becomes embroiled in a swirling mass of debate and campaigning. In recent years, other pop influencers have found that when getting involved in societal topics, they’ve then struggled to be able to edge back into straight entertainment mode. It’s, at times, a dangerous liaison.

Thankfully, Dua Lipa’s partnership with Versace, and subsequent appearance on the runway for their spring/summer 2022 collection at Milan Fashion Week, suggests the artist is edging back towards terra firma, and understands the thing she is ultimately renowned for - her key product, the music. With influence comes temperance, something the London-based singer accepts.

“It’s like having a favourite record – you need to listen to it just enough in order for it to hit the right parts and to give you that special feeling. If you push it too far then that whole impact can be taken away.

“I think that’s the balancing act with all musicians, whether

they’re being interviewed about politics, music or just what they’re wearing – you can have too much of anything, or anyone!”

And yet, right now, it seems our appreciation of the New Rules singer continues only on a solid upward trajectory.

Musically, her clinching of two BRIT Awards in 2021 (for best album and best female solo artist), comes at a time when so many of her peers are struggling to regain relevance after a global pandemic that shut down live entertainment almost completely.

Not Dua Lipa though – yes, 2020’s Future Nostalgia album was followed by a remixed version with a couple of accompanying single releases, but really it is personality and social media buoyancy that has kept her in the spotlight.

The fact a new album is on its way next year is ultimately something tangible to savour – Dua’s is style of musicianship that evolves and flows in the way you would expect of an artist twice her age, with originality

and changeability at every turn.

In summary, this is someone in a good place.

By that logic then, there is little need to garner headlines in the championing of causes and concerns; even those that are close to her heart. “I have been told to steer clear of being too outspoken,” she says. “My label is obviously supportive of what I do and say, but I know there is always that danger of someone disagreeing. Yet as a member of society, and as a woman, I believe the most important thing is to be honest – it is that simple.”

Certainly, the singer’s use of social media with such flair and flourish means that while onlookers may not agree with her all the time, she is tackling issues from an intelligent, informed perspective, and in most cases, with an abundance of lived experience.

“If you’re going to say something that people might oppose, at least do it in a way that shows you are credible, and you can think for yourself.”

What’s interesting about Dua Lipa’s position is that it has never been easier, nor more difficult, to reside in the music industry. In respect of marketing, promotion and having a cost base that has stripped away almost all physical product in favour of digital output, once you are relevant as an artist, you have a great opportunity to stay there. Yet the competitive clamour that sees so many bedroom artists vying for exposure and recognition means even being noticed is a challenge 99 per cent of talented artists will fall short of.

For Dua, her route to the top came via the famous Sylvia Young Theatre School in London. She excelled there in the same way as had past alumni include Amy Winehouse, Rita Ora, Lashana Lynch and Emma Bunton, moving back to near her homelands in Kosovo, temporarily, before returning to the British capital. She worked as a model, waitress and shop assistant on the way to earning enough money to get her name out there.

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“My route was certainly not a case of being plucked off the street and presented with this incredible prize,” she says. “I know there is a perception that this is how these things happen, but that I think is a belief rather than a reality. It certainly wasn’t a reality for me, and I had to work incredibly hard to get to where I am.”

The prize, as Dua puts it, is now hers. Her self-titled 2017 album went top 10 in seven different countries, and her hotly-anticipated follow-up only confirmed the artist’s place as one of the most interesting, engaging and talented singers in the industry. Arrowing to the top of the charts in France, UK, Australia, Ireland and New Zealand, Future Nostalgia also made it to number four in America, and spawned global hits Don’t Start Now, Physical and Break My Heart.

The speed with which the artist has achieved her aims is perhaps quite bewildering; even more so when you consider she has the word ‘patience’ tattooed on her 30

hand. “It’s interesting you note that,” she responds. “Really, it’s just a personal message to me for my life in general. With my music, I am always working hard to release material as quickly as I can, but things don’t always work that way - the promotion, interviews, release schedules. I got that tattoo there in a place that I can always look at, to remind myself that the phrase is true: ‘patience is a virtue…’

Sometimes, you have to wait for good things to happen.’

With her father providing significant music influence – he was in a Kosovan band called Oda – perhaps Dua’s success isn’t so much of a surprise after all. “I saw what my father did and always wanted to try to achieve as much as I could.

Music was something I loved being involved in, both making it and listening to it. There couldn’t be anything else, really because music has been my life since I was very young.

“I don’t think I ever had a day where I didn’t listen to music it’s always been there at some

point,” she says. “Certainly the music I envisaged making then and the music I am making now is very different. The trend is to make edgy, strong, powerful tracks and that is close to where I am in my mind, so the synergy works for me.

“I am sure I will go through phases where my sound evolves in the same way as my mind, but for now this feels right.”

Sure enough, Dua Lipa has evolved into an attractive, confident, talented and opinionated star. She was always going to be a marketing team’s dream.

After all, every label wants a dominant, determined female artist who can dance, is fashionable, explores feminism and can delve into society’s wider issues with all the confidence of a political correspondent, and Warner Bros got just that.

Our musicians of today are part of perhaps the entertainment world’s biggest, most expansive and fastest-moving PR machine. It is one that barely lets up, yet in those rare moments where an artist is free to

speak their mind, and does so with such clarity and compassion, it’s worth listening to.

It’s for that reason that we need to, and surely will, cherish Dua Lipa for some time to come.

demarquet.com

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A Farewell to the balletic and graceful

Roger Federer

A

lthough it was inevitable, when the stage came for one of the greats of the sports world to call time on his own career, Swiss tennis legend Roger Federer’s announcement still brought about a state of collective shock. It’s been the case for well over a decade now that the 41-year-old embodies not just prowess as a tennis player, but as a cultural icon – someone who has ripped up the record books in a mode of graceful perfection.

By Richard Aldhous

Federer did things on a tennis court that no-one has done previously – his power, poise, purpose and punishing ability to keep going way beyond the point where many would have quit. And unlike so many others who went before him, the Baselborn athlete conducted himself with grace, with a sense of immaculate class, and always as someone who appeared to love every moment on grass, clay or hard court.

“I always said I would carry on until the very last point I could,” said Federer, in the immediate aftermath of his retirement announcement, “and I feel I have done that.

“I don’t think there’s anything much left to give – I am done, but only in a good way!”

Of course, mourning the cessation of a sporting hero might be said to be something of a selfish act. It is the realisation that there are no new chapters to come – none to experience nor to revel in. In the case of Federer though, a professional for 20 years who recorded

his first Grand Slam victory as a ponytailed 21-year-old at Wimbledon 2003 (as he saw off Mark Philippoussis in straight sets), the legacy of competition will fill any future void.

Whether you knew him as ‘King Roger,’ or ‘Fed-Ex (Federer Express),’ the name always came second to the nature of his play. Federer made tennis something of an artform - a magnificent and monumental talent who, on many occasions, was simply unplayable. That was certainly the case between 2003 and 2008 at Wimbledon and the US Open, where he lost just twice. He didn’t so much as participate in a way that was competitive or ruthless, more he demonstrated theatre which wouldn’t have been out of place on Broadway.

It’s not something which is lost on him, either. “I was always fascinated by movement, and it’s something I thought about a lot during my career,” he says.

“When you are moving during a rally, the shot looks so much nicer. It really is art.

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“People like to see a tennis player using the court, the ball, the opponent – so, that’s what I’ve always done. I certainly have found so much satisfaction in the artistic beauty of the sport… more than any other I can think of, certainly.

“Put another way, I don’t think anybody goes to watch a game of tennis to see two players standing upright and stiff,” he laughs. “So, I saw the majesty and the beauty in gliding and movement - I understood it and I decided to play that way.”

Federer was, of course, a pivotal third of the Big Three.

Joining him in tennis’s triumvirate was the effusive King of Clay, Spaniard Rafael Nadal; and The Joker, Novak Djokovic, who has also been described as a wall – in the sense that it’s almost impossible to get the ball past him.

That arguably the three greatest tennis players ever to have lived were forced to share the spoils during the same period, might be seen as somewhat unfair; yet for Federer, the power of competition was the thing that ultimately drove him forward. “I never wanted to win easy,” he admits. “I never took satisfaction in turning up and smashing some guy around the court.

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“To win in a way that feels worthwhile must be the very first thing a sportsman aims at.

If you don’t reach the personal satisfaction of having had to battle and fight for your reward in life, then I don’t see how you can ever feel fulfilled.”

Ultimately though, Federer’s trophy haul was severely impacted by those around him.

The result is that the Swiss maestro departs the sport on 20 Grand Slam wins – one behind Djokovic and two short of Nadal’s total. To be the first to have made it into the twenties is something he can claim as his own, however. He is also second on the all-time singles tournament wins list, totally 103. That’s six short of American Jimmy Connors, but 11 clear of Nadal, and 13 above the total achieved

by Djokovic.

“I think after a while titles become secondary to what it is you are trying to achieve inside you,” he says. “Of course I kept counting every win and the thrill I got from it was always the same as the first one – every one meant a huge amount.

“Yet as the years progressed, my goals changed; and certainly towards the end my aims were to keep pushing, to come back from injuries, to prove I could still hit the shots I was 10 years ago.

“I think that evolution is natural whether you are a sportsman or not – you are battling age and wanting to prove a point to yourself with every sprint or serve or forearm smash.

“A while ago I realised I had nothing more to prove to myself or anyone else, and at that point you know you have probably done enough.”

Federer departs knowing he is the only player in history to have won at least three majors in one season, and he did it on three occasions – in 2004, 2006 and 2007. They were the same titles too; the Australian Open, Wimbledon and the US Open.

The French Open was always going to be difficult to capture when coming up against serial Roland Garos champion Nadal.

Yet in 2009, he finally broke the Spaniard’s run to capture that elusive fourth different Grand Slam and place himself in the record books forever.

Federer reveals, “That was the one victory I was most relieved with. That was the toughest tournament to win, and I knew then that no matter what I would go on to do in the rest of my career, nobody could take the ‘Slam’ away from me.”

“It was amazing for Robin Soderling to say at the end of the match that I was the greatest player in history. I have

never believed that myself nor thought of myself in that way, and I still don’t know if it is true. Sometimes all you look for is respect and recognition in your life, and that was one of the nicest moments in which I found it.”

It’s natural that the French Open win would come near to the end of a period in his life when his proliferation of wins was at its highest – the period 2003 to 2010 – during which time Federer clinched 16 of his 20 major titles. Indeed, up to that 16th triumph at the Australian Open in Melbourne, Federer only failed to make at least the semi-final on one occasion. Of course, it was in the French Open.

In that timeframe he lost only 10 matches in Grand Slam tournaments, reached six finals and was one of only six names on the 27 trophies handed out in that era. Being five years Federer’s junior, Nadal would announce himself on the scene a couple of years later by winning at Roland Garos in 2005.

Indeed, the pair’s rivalry was to last somewhere close to 15 years and 24 finals, with Federer winning 10. Yet 11 of Nadal’s wins were on his favourite surface of clay, which he grew up on during his development in his home city of Mallorca.

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It was certainly apt that the two titans of tennis who were in opposition on court for almost the entirety of the previous two decades, were united together in a doubles partnership for the Laver Cup in September 2022, which saw Djokovic, Andy Murray, Casper Ruud and Matteo Berrettini as part of Team Europe, take on Team World at the O2 in London.

Once the event was over on the Sunday evening, both Federer and Nadal were in floods of tears, albeit not because of the result. Instead, it was the realisation that one of them was hanging up their racket on an elite professional level, for good.

“Sometimes careers fade away gently – on other occasions you leave on a big win or a big gesture,” says Federer.

“When your rivals become your teammates, I think that really sums up what has gone on for the past two decades; namely that we have all been in the club together.

“I put so much of my own success down to being pushed and spurred on by my rivals. I couldn’t have achieved what I have without them, so it becomes fitting that, in the very final moments of a career, you can say you are teammates and totally together.”

In retirement, Federer has promised fans he’ll never be too far away from the sport, yet exploring new avenues is clearly something he feels he will relish. “After suffering with injuries, particularly my knee, I look forward to being able to live a life that doesn’t factor in the physical disappointments that come with being a sportsman,” he says. “I am excited about a free schedule, about enjoying a meal without counting calories, and of course the thrill of spending more time with my family is very special,” he says, referencing children identical twins Myla and Charlene (both 13), and Lenny and Leo (bot height), plus wife Miroslava.

‘Mirka’ is herself an ex professional tennis player – the pair met at the Sydney Olympic Games in 2000 when both were competing for Switzerland.

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“I have projects that have been on hold for many years, and now I can play them out and see what the next chapter in my life brings forward.

“Naturally I am nervous about what that reality is. I haven’t experienced that feeling of stepping out into the unknown since I first turned professional, and there is something inherently scary about it.

“There’s absolutely nothing more I have loved than winning tennis matches, and there is no greater comfort I have taken than to have this life; but it’s time to experience new things and, I hope, find success and contentment in something else.”

Certainly, it is Federer’s honesty and transparency that has endeared him to so many, and should open a plethora of doors going forward.

His passions are many and varied – Federer is a passionate about promoting sport to children, and does incredible work through his Roger Federer Foundation; he has multiple business interests, and has been known to like golf, skiing, music – his favourite artist is Lenny Kravitz – and playing cards. His motivations are still as strong as they were the first time he picked up a tennis racket, and with the freedom and security – Fed is worth an estimated $550million – he can make a mark in whatever feel he desires.

“Realising I can achieve happiness from so many things other than tennis has been a bit of a revelation for me,” he says.

“Once I got to that place, and once I was ultimately content with what I had achieved in the sport, I knew it would be okay to move on and that I wouldn’t miss playing the sport.

“It may not be possible to replicate the joy, entertainment, spark, verve and vigour, but I am still young, and I know I will try. I don’t really know any other way to be!”

time-keepers

hublot

SQUARE BANG UNICO A NEW WATCH-SHAPE TAKES FORM AT WATCHES & WONDERS

H

ublot unveils its own interpretation of the square watch, a totally new geometry for the watchmaker. Inspired by the Maison’s iconic Big Bang, this Square Bang Unico adds a new pillar, ‘The Shaped Collection’ to sit alongside the Spirit of Big Bang.

Is there anything that has not been explored in watchmaking? This is the question that Hublot’s R&D department asks itself every day. When you have created the most resistant materials, set up the craziest of partnerships and developed extraordinary complications, the answer is often very simply…

In the shape. Hublot currently masters three: a round watch, a barrel-shaped watch, and the MPs, those ‘Master Pieces’ have that have broken free from all conventions.

Today, a fourth shape has been created: the square. Its geometry bewitched Hublot because of the challenges it sets. First, the movement. Since every calibre has the wheel as its basic 38

component, it therefore needs a round movement. If you are to place a round movement harmoniously in a square case, this requires a very specific style.

This is why most watchmakers hide their movement, to give the illusion of using a shaped movement or because they have failed to find a consistent aesthetic style.

Hublot decided to take a radically different direction: the watchmaker hides nothing of its own, in-house Unico movement, the pride of the Nyon watchmakers and the beating heart of most of its designs for over 10 years. The chronograph has a column wheel visible at 6 o’ clock, while its bicompax display dispenses with a dial, to

reveal its secret inner workings.

The second challenge was the modular construction of the case, designed in line with Hublot’s DNA, with a central housing dressed with an upper and lower plate to enable a myriad of combinations and transformations. But this time, it is square in shape, and therefore much more difficult to make water resistant - Hublot pulls off the challenge with a guaranteed water resistance to 100 metres.

The size of the case is also an important factor to ensure this model is perfectly ergonomic, providing comfort on the wrist very similar to that of the 42 mm Big Bang. Its pedigree from the brand’s icon can be seen in countless details.

First of all, there is the sandwich construction of its dial, which gives it different levels of depth and a highly architectural feel. As with the Big Bang, the Square Bang Unico’s dial makes extensive use of sapphire to give a clear view of the Unico movement, and also reuses the same hands.

Next, we find the six (functional) screws on the bezel, placed at exactly the same places as on the Big Bang. On either side of the Square Bang, you find the ‘ears’ from the Big Bang’s case, giving balance to the design while protecting the case.

For the strap, in addition to the much appreciated One Click system of the Big Bang and its textured rubber, the two screws

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are fixed in the middle as an attachment. Finally, the Square Bang uses the same materials as its predecessor, including titanium, ceramic and King Gold, not to mention the famous ‘All Black’ finish.

Lastly, a new strap decorated with ‘chocolate squares’ further emphasises the Square Bang’s identity. Thanks to its interchangeable (One Click) system you can change the look of your watch in one click with an impressive range of Rubber, Alligator and soon soft-touch leather straps. Five 42 mm models are already available. The first three are in solid titanium, black ceramic or King Gold.

The last two blend titanium or King Gold with a black ceramic

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bezel. Each model comes with a black rubber strap and a folding clasp in the same material as the case. These original designs beat to the rhythm of the HUB1280 Unico Manufacture movement, a 354-component automatic chronograph, set at 4 Hz (28,800 vib/h).

As is customary at Hublot, the finishing is uncompromising and has a very modern feel: polished and sandblasted screws, over-moulded rubber crown, push-pieces decorated with rubber ‘chocolate squares’, polished satin bottom and rhodium-plated or 5N gold-plated hands, depending on the model. The crown comes in over-moulded rubber. The textured pattern of the strap

was created especially for the Square Bang. It includes four rows (like the four sides of the case) of raised squares (like the bezel on the case).

All black: the collector edition limited to 250 copies If you had to choose just one, it would be this one: the ‘Square Bang Unico All Black’. Like all the All Blacks, only 250 pieces will be made – in fact, it will be the only limited edition of the Square Bang Unico collection.

More than 15 years after its invention, the All Black livery once again proves its versatility and power. This is clearly showcased in its new incarnation as Square Bang Unico. Whether

it is the case, bezel, push-pieces, strap, plate or hour markers: black is present on all the surfaces while polished or satin-finishes alternate to reveal subtle shades which are for the owner’s eyes only. Ceramic and titanium meet, harmonise and merge. A rare design, for collectors who prefer to take the path less travelled.

TO STAY UP-TO-DATE, FOLLOW: @HUBLOT #HUBLOT #WATCHESANDWONDERS2022 #SQUAREBANGUNICO HUBLOT.COM

Maximum Wellbeing What is luxury, if you don‘t have the time to enjoy it?

Maura Wasescha

Luxury means not having to be concerned with its practical matters, but to be able to enjoy the perfect moment in the company of family or friends. Totally free of worry, knowing that in the background there is a team who will fulfill all your wishes. This is why Maura Wasescha doesn’t just have exclusive properties for sale or rent. Maura Wasescha does more. She offers the perfect luxury service, so that the magic of the moment becomes timeless enjoyment.

Maura Wasescha AG | Via dal Bagn 12 | CH-7500 St. Moritz | Switzerland T +41 81 833 77 00 | consulting@maurawasescha.com | www.maurawasescha.com

time-keepers

BIANCHET

Beauty and harmony are displaying in contemporaneity

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discreet watchmaking creation on its way to becoming one of the emblems of the watchmaking world. Far from traditional classicism and marked of an elegance built on a heritage and its transmission, this brand born in 2017 imposes its very delicately signature.

By Helena Perdoux-Frances

The founders of BIANCHET have chosen the elegant mystery of the famous Golden Number 1.618, a mathematical concept derived from the Fibonacci sequence… the ultimate guardian of coherent and delicate beauty.

The divine proportion This geometric proportion, guarantor of an orthodoxy in search of modernism, has been immortalised in the BIANCHET watch compositions, which thus contribute their stone to the edifice erected in the name of eternity… a heritage resolutely turned towards the future.

The founders have applied the Golden Ratio to a contemporary design, based on materials and manufacturing techniques in line with current performance.

This work of reinterpretation, based on a minimalist approach to watchmaking construction, has given rise to a collection of contemporary and sophisticated watches.

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The B1.618 Openwork Tourbillon watch, a watchmaking singularity Created in a unique exclusive material, “Titanium-DustInfused Carbon”, a composite of carbon fibre and titanium powder, this elegant and sensual watch hides nothing of its inner beauty… A uniqueness born of the founders’ passion for perfect design and purity of line.

The barrel-shaped curves of the case are ideally proportioned and, in this respect, absolutely faithful to the Golden Ratio. The architecture of the movement designed according to the rules of the divine ratio, the materials with their changing and fascinating reflections and unexpected sensations, a sensitive touch and extreme lightness, are all links between cultural and mathematical references.

This elegant watch with its contemporary pre-eminence and three-dimensional movement designed on the same principle

of perfect coherence, offers the sensation of an affinity rooted in the Italian aesthetic and the balance of a chronograph of today.

Two founders, one common vision Rodolfo Festa Bianchet is a successful entrepreneur and CEO of Riflexo, a Turin-based software company that created the first online trading application for smartphones whose analysis algorithms are based on the Golden Number and the Fibonacci sequence. Inspired by his financial background and his Italian origins, Rodolfo has transposed the mathematical proportions of the famous Golden Ratio, the image of eurythmic purity, into the contemporary world of watchmaking.

The foundation of his thinking has woven a link between the world of enlightened culture and the universe of mathematical mechanics.

Emmanuelle Festa Bianchet, his wife and professional

partner, comes from a family of artists. As a pianist who graduated from the conservatory and as an artist exhibited in art galleries, she has been deeply influenced by the concept of harmony which gives rhythm to her musical and graphic creations.

Her works is the reflection of her fascination with the universal beauty that emanates from the Golden Number and the Fibonacci sequence. This commonality between the two founders will not fail to unite them in an activity that combines elegance and temporality.

The BIANCHET brand was born of this common passion for the beauty of a reality linked to the divine number… The alliance of these two visions, carried by their love of harmony, offers the watchmaking world a unique creation, with a lasting and innovative fantasy.

BIANCHET SA RUE DE LA PROMENADE-NOIRE 1 2000 NEUCHÂTEL BIANCHET.COM

TOURBILLON

B 1.618 OPENWORK designed with the Golden Ratio

time-keepers

GENUS WATCHES A single watchword… Freedom!

In this age of technology, wildly elegant but hardly subversive, GENUS WATCHES is the revolutionary alliance of a watchmaker with an abundant imagination and an entrepreneur whose tireless motivation is paving the way for a must-have in watchmaking.

Elegant, colourful, resolutely modern, their creation is a jewel of technology that makes itself comfortable in a world formatted by the greatest. This watch is unlike any other, an astonishing representation of Haute Horlogerie in a break from tradition.

At GENUS WATCHES it’s already tomorrow!

GNS1.2 or GNS DRAGON, innovation through excellence

In 2019, their connection gave rise to the idea of a new brand called GENUS, who’s ground-breaking interest lies in a new display complication and movement, made of solid gold and highlighted by fine watchmaking finishes. A registered invention that revolutionises the way we see time go by.

The mobile elements of GENUS WATCHES, called genera (genus in the singular), the first of which indicates the passing tens-of-minutes, are twelve in number for the GNS1.2 in particular. These mobile elements borrow their trajectory from the world of astronomy, tracing the symbol of

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enus watches is a rather crazy wager that borrows its name from Latin (genus, genre). The desire to shake up, even revolutionise, the Swiss watchmaking world… the desire to combine tradition and modernity.

By Helena Perdoux-Frances

infinity, the never ceasing cycle of time passing.

Rewarded in 2019 with the Prix de l’Exception Mécanique awarded by the Grand Prix d’Horlogerie de Genève, the GNS1.2 is first and foremost a magnificent timekeeper made of 18K gold… a watch that reinvents, and above all, reinterprets the Swiss watchmaking macrocosm.

The founders, portraits…

Sébastien Billières represents the exclamation mark that punctuates the word freedom! Watchmaker and teacher, he dedicates his visionary talent to watchmaking at its most creative and demanding. To shake up and surprise, his leitmotiv in

a contemporary universe rooted in watchmaking legend.

Catherine Henry is synonymous with the word freedom.

A graduate in Sciences of Economics and Management and a Mentor at the University of Geneva, she disrupts the codes of entrepreneurship and moves forward, spurred on by the same desire for contemporaneity.

GENUS WATCHES embodies the punchy combination of a watchmaker with unbridled imagination and remarkable know-how, and an entrepreneur with instinctive talent.

GENUS WATCHES ROUTE DE LA GALAISE 24 1228 PLAN-LES-OUATES WWW.GENUSWATCHES.SWISS

1952 2022 fusalp.com

time-keepers

HIGHLIFE LADIES AUTOMATIC A new range with proud pop colour

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mbracing the contours of its time, the Highlife Ladies Automatic collection, distinctive with its interchangeable strap integrated into the case, is the essence of chic and glamour in all circumstances. Following in its footsteps, the Swiss watch manufacturer Frédérique Constant is now introducing new models with coloured dials. Featuring a turquoise, pink, or gold background, these watches are produced exclusively for the French market.

Timeless character Sporting a steel case with a delicate diameter of 34 mm, the graceful but assertive Highlife Ladies Automatic combines the discretion of a 100% feminine watch with the presence of an automatic timepiece with a singular identity. The taut but supple lines of its design bear witness to the modernity of a creation that compromises nothing when it comes to craftsmanship, balance, and style.

Giving pride of place to colour with the turquoise, pink, or gold background, the dial engraved with a globe—the collection’s signature—plays with the reflections of light thanks to the sunburst finish. Clearly graduated on the flange, this watch features hours, minutes, and seconds, with the hands and applique hour markers coated in luminescent white material.

Complete with a date window at 3 o’clock, the watch is driven by an automatic movement.

Endowed with a thirty-eighthour power reserve and sumptuously decorated with multiple layers, the model’s movement is 46

visible via the see-through case back, much to the delight of watch lovers.

Integrated, interchangeable strap True to the spirit of the collection, each of these watches comes with its own integrated and interchangeable strap. A distinctive feature of the Highlife timepieces, these watches alternate two satin-brushed links with a polished central link, testifying to Frédérique Constant’s predilection for Genevan craftsmanship, of which they are the worthy representative. The chic stainless steel strap comes with a rubber counterpart (supplied), finished with a pin buckle, allowing wearers to change, in the blink of an eye and without the use of special tools, their outfit or mood.

FRÉDÉRIQUE CONSTANT WATCHES ARE SOLD EXCLUSIVELY IN JEWELLERS-WATCHMAKERS. TO LOCATE YOUR NEAREST RETAIL OUTLET, CALL +33 (0)1 48 87 23 23.

WATCHES ARE ALSO SOLD ON : WWW.FREDERIQUECONSTANT.COM

AALTO

LIMITED EDITION

faceaface-paris.com / Aalto1 col.100

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jewellery

Piaget’s L O N G E S T

P

N I G H T

iaget epitomizes daring creativity – a quality that has continued to permeate through the Maison since its beginnings in 1874.

Photos © Piaget

Extravagant Touch Watch White Gold Watch Set with marquise-cut-sapphires Marquise-cut-emeralds Marquise-cut diamonds and brilliant-cut diamonds Black opal dial 356P Manufacture quartz movement Feathers compositions by Nelly Sauniers

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From his first workshop in La Côte- aux-Fées, GeorgesEdouard Piaget devoted himself to crafting high-precision movements in a feat that formed the very foundations of our pioneering name. In the late 1950s, Piaget unveiled the ultra-thin movements that would later become the Maison’s trademark and the cornerstone of the Altiplano collection. As a true innovator of the watch and jewellery world, Piaget strongly 50

believed in creativity and artistic values. It is within the walls of our “Ateliers de l’Extraordinaire” where master artisans continue to harness rare skills that have been preserved and perfected from generation to generation, transforming gold, stones and precious gems into dazzling works of art.

Harmoniously fit for a solstice celebration, the Piaget Solstice collection represents the perfect

blend of two of the Maison’s founding principles: excellence and creativity. In the “Ateliers de l’Extraordinaire”, mastery meets pure beauty, audacity and craft become companions. Like the crowd of the Piaget Society, Solstice is sophisticated, chic and spectacular. Mastery applied to bursting creativity.

Inspired by Haute-Couture outfits, the fluid design of the Voluptuous Ribbon and Generous Laces sets replicate

the delicate asymmetry of glamorous fabric ribbons. The articulated Precious Adornment necklace matches the movement and adaptability of a precious gown… Excellence is nothing without playfulness.

The Extravagant Touch watch’s dazzling feathers become earrings, the Flamboyant Nightfall necklace’s center motif can be removed and clipped on a ring mounting !

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Precious adornment Necklace Set with 1 no-oil emerald-cut emerald (Zambia-approx.

9.21 cts), square-cut emeralds, square-cut diamonds, triangle cut-cut diamonds and brilliant-cut diamonds.

Voluptuous Ribbon Ring White Gold Ring, Set with 1 pear-shaped pink sapphire, (Madagascar - approx.3.56 cts), and brilliant-cut diamonds.

The Piaget Solstice collection, as everything that is Piaget, puts quality at the forefront.

Combined with the Maison’s unique craftsmanship, Piaget’s jewellery expertise offers exceptional stones a delicate setting, displaying their beauty on precious and playful pieces.

From the blue and pink sapphires from Sri Lanka and Madagascar, to the Australian black opals and unique Zambian emeralds, all radiate boldness and brimming energy. In the “Ateliers de l’Extraordinaire”, our artisans shape and sculpt gold to give it the suppleness of a silky fabric. With their asymmetrical designs and delicate curves, the Voluptuous Ribbons and Generous Laces sets offer a splendid display of Piaget’s mastery. Cut into 55 facets, the 52

marquise-cut epitomizes the radiance that shimmers throughout the collection.

Both jeweler and watchmaker, Piaget once again combines its two main savoir-faires in the Solstice collection’s exceptional watches. A pinnacle of watchmaking craft, the flying tourbillon movement of the Dazzling Swirl watch is adorned with a design that is another nod to the twirling of a sumptuous dress.

True to its tradition and eager to explore new territories, the Maison Piaget once again pushes the boundaries of craft and creativity. Get ready for a dizzying evening of freedom and extravagance !

Flamboyant Nightfall Ring White Gold Ring, Set with 1 cushion-cut sapphire (Madagascar - approx.7.89 cts), Pear-shaped diamonds, marquise-cut diamonds and brilliant-cut diamonds.

Malletier Maroquinier Contemporain www.pineletpinel.com

Paris - Hong Kong - Macao - Hainan - Doha

jewellery

LOUIZA JEWELLERY

Everyday trends

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ouiza Jewellery is a harmony of cultures and warm, vibrant colours. Louiza Leclercq, born in Russia, has been able to put her life experiences, anchored in six different yet complementary countries, at the service of her imagination. We find in her creations fragments of mythical cities such as New York, Paris, London, Tokyo, a crazy mix of traditions and innovations. Louiza, a recognized gemmologist, creates for women who are great travellers, attracted by novelty and at ease in their style, and are not fearful to add bold and powerful touches.

By Helena Perdoux-Frances

Louiza creates trends without knowing it, but above all she imagines extraordinary jewels that go perfectly with a more ordinary life of a simple woman but passionately engaged in all her activities. A woman who wants to stand out wherever it is: in the metro, at the office, on a pavement or on a beach.

This woman dreams of a jewel that she can wear in all her everyday activities without her having to worry about it, and that she is proud to show off.

Part of the audacity of Louiza Jewellery’s creations comes from the materials used.

The classicism of diamond or gold is out, leaving room for unconventional materials such as titanium or carbon fiber. Louiza wants to create playful and qualitative jewellery. She wants to be the link between luxury and everyday life. Her creativity is fully realized thanks to teams selected for their unlimited talent that relies on a made in Italy manufacturing.

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Louiza Jewellery relies on exclusivity and artistry blending tradition and originality in order to stand out from the legendary luxury brands that produce jewellery in big industrial volumes.

Louiza’s creative ideas are materialised and worked on with a designer, then the sketches are transformed into computer graphics that can be reviewed and tweaked to perfection.

This upstream work allows Louiza Jewellery to maintain a tradition still present among the “big ones” by offering to the customer(s) a representation painted in the gouache of the jewel in the making. A tradition that Louiza Jewellery is proud to respect for every piece produced This young brand has only one ambition: that the sale of its jewellery brings irrefutable evidence of a craze of its customers. Then Louiza Leclercq will feel free to call herself a designer…

FOR INFORMATION: LOUIZAJEWELLERY.COM WHATSAPP: +33 6 72 78 72 92 CONTACT@LOUIZAJEWELLERY.COM

La Cure Reset Clinique Nescens 7 days to revitalise your mind and body.

Our most complete program to detoxify your body, lose weight, regenerate your cells and strengthen your immune system.

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jewellery

TUMULT JOAILLERIE Artistic relevance brought up to date

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name that tastes like unbridled creativity and that tells a lot about the aesthetics of its art, in a spirit of authenticity. Iris Turquin and Agop Castany are designers, couple in town and at work, in love with their shop-workshop. Potential customers are inevitably attracted by the transparency of a craft that wants to convince through its approach with one goal only… perpetuity.

By Helena Perdoux-Frances

Agop Castany, a jeweller from father to son, has accumulated the experience of large jewellery houses, then he became interested in the best way to showcase his profession by thinking of craftsmanship and creation…

Finally, his taste for independence was the strongest and propelled him into the world of jewellery, through various fairs of designers, French and international.

Iris Turquin joined Agop’s creative universe after many journeys which confronted her, as a sign of fate, with the diversity of gems. Following a Master’s degree in Art History, Iris worked on various audiovisual 56

productions as well as with artists performing in this universe.

After a few years, Iris turned away from the art market to focus on crafts. To do something with her hands… a childhood dream finally touched with her finger.

These two artists in the noble sense of the word wanted to rediscover the atmosphere of a time when we were proud to show our know-how, without ostentation but with passion.

So they have revolutionised the craft world by putting their workbenches in plain sight.

Thanks to a warm and cosy atmosphere, the curious, the potential customers, feel well and

above all feel heard. Iris and Agop bring accessible luxury into their lives.

When discretion takes centre stage So discretion is part of the creation process… but then how do customers find them? Quite simply, through a process that is both simple and subtle: word-ofmouth.

The relevance of their approach lies in a few lines: The intelligence of making repairs that other jewellers refuse to consider, show or even demonstrate to the customer the pleasure that he receives in satisfying his

expectations… to go beyond the standards of jewellery luxury and welcome the customer for what he is… an artist who ignores himself.

Tumult Joaillerie shakes up modern codes to make you relive luxury, the real one, not the useless glitter and dress codes that keep you at a distance.

These two designers put back in fashion, human relations, love of well-done work, creative happiness, lasting and non-standardised.

35 RUE SAINT-THIBAULT 51200 EPERNAY +33 (0)3 26 54 81 25 WWW.TUMULTJOAILLERIE.COM INSTAGRAM @TUMULT_JOAILLERIE

OSEZ OSEZ OSEZ www.mongarsson.fr - contact@mongarsson.fr - France

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Maison Dior celebrates a New Era

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talian Creative Director Maria Grazia Chiuri has definitively made Maison Dior her own home. Since July 2016, in the footsteps of French founder Christian Dior, she is celebrating Women and their magnificence femininity in a modern and inclusive way. Grateful to be a part of this epic journey. She is no more only the successor of Gianfranco Ferré, John Galliano or Raf Simons. She has earned the respect of her peers, as a talented, committed, and brave woman in tune with her time. A proud feminist. A mum. An Art lover.

She is the first Lady in charge in a legendary Maison created and managed by men since its foundation on 8th October 1946 and owned by the French leading Luxury Group LVMH led by billionaire Bernard Arnault since 2017. Mrs. Chiuri has literally turned Dior into an international lifestyle modern brand. Indeed, she designed for modern women. Especially for the youngest ones that she hopes, could live their life free and bold. Proud to be strong and committed women as she and her daughter Rachele, are.

By Hélène Battaglia

© Photo: Dior

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orn on the 21 January 1905 in Granville in the Villa Les Rhumbs- property of the municipality since 1932 after his father Maurice was forced to sold it and which became the Musée Christian Dior in 1997-, Christian Dior spent a happy and pampered childhood surrounded by the perfume of the sea and of thousands of flowers grown in the luxuriant garden of his beloved mother Madeleine. This isolated, preserved, happy, peaceful, and green little paradise on Earth, would be his own ‘Madeleine’ of Proust: he would never forget it and would cherish with nostalgia this memory forever.

In addition to his strong love for flowers, which explains his vocation of a couturier-perfumer - his lucky charm and favorite one was the lily of the valleypassed on to him by his mother who had green fingers, from his maternal grandmother he inherited a strange taste, which would influence his whole personal and professional life’s decisions. As her, he indeed used to believe in Art of Divination, fortune tellers, signs of destiny and premonitions. As the age of 14, as he was attending a charity event for soldiers, he met his first clairvoyant who told him that ‘He will be penniless but women will be good to him and it is thanks to them that he will succeed and make large profits and be obliged to make numerous crossings’.

Thanks to his faith in magic and in this prediction, he always strongly believed in his lucky star. He didn’t still know what his own path would be, but he already knew that he was born to do something great with his life. Superstitious, he always kept a dried twig of his lucky flower in his blazer’s pocket and slipped a sprig of it into the hem of each model of his first collection. Madame Delahaye, a famous Parisian fortune teller who predicted him the return home safe of his deported sister, became soon his trustful

confident, counselor and most faithful supporter.

For a living, Christian Dior would certainly have chosen Art on his own, but as a male member of a wealthy bourgeois and conservative French family, he went in Paris to the University and studied Political Science.

He made many friends and enjoyed the Parisian night life and started to hang out with young talented artists like Henri Sauguet, Christian Bérard and Jean Cocteau at Le Boeuf sur le Toit.

Almost out of the blue, he finally moved his first professional steps into the Art’s field in 1929 thanks to his old friend, Jacques Bonjean who gave him the gold opportunity to become his business partner as director of an Art gallery located at 34 rue de la Boétie. Unfortunately, cause of the worldwide financial crisis of 1929, after a few years, by lack of clients, the gallery had to close its doors in 1932.

As the fortune teller predicted him when he was a teenager, he went through bad times, forced to take casual jobs and live in makeshift housing without money and very sick cause of a tuberculosis which forced him to leave Paris for Spain for a while in 1934. Nevertheless, he never gave up because he knew the success was around the corner. He just had to be patient.

When he came back to the capital in 1935, once again, he could rely on one of his close friends: Jean Ozenne, who was a requested talented fashion illustrator, hosted him at his place. And at that time, something magic happened. Dior was so fascinated by the artwork of his roommate that unexpectedly, he also started to draw hats, accessories and garments and discovered he also had a real talent for that.

His illustrations started to be noticed and he soon was hired by Maison Piguet and then, by the fashion Maison Lucien Lelong.

From Art, he slowly but surely entered into the fashion world.

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At 41 years old, he was already Someone. Renowned in Paris for his talent. But he was not yet the Christian Dior, he aimed to be. He was still waiting for the predicted international Success and for those Women to change his life forever. Waiting for a sign coming to him.

On the 18th April 1946, as he was going up on the Faubourg Saint-Honoré, the day before his meeting with ‘French King of Cotton’ and rich entrepreneur Marcel Boussac, who wants him to accept to become the new Artistic Director of the Maison of Haute Couture Philippe et Gaston, he almost fall down just in front of the British Ambassy.

In this moment, with a pinch of nostalgy, he remembered his family’s roots and his peaceful childhood spent in Granville in front of the English Islands.

Under his foots, he discovered that the object trampled was a star. Finally. That was it. As written in the stars. He suddenly exactly knew after all these years, which was his destiny. As his dear childhood friend Georges Vigouroux, he met three consecutive times in Paris and the one who knew Boussac, told him to do, he was ready to embrace his future.

He accepted Boussac’s business partnership offer with a condition: he would start his own eponymous Maison. Times had indeed come for him to build his own success story and show Paris and the world his talent.

Officially born on the 8th October 1946, Maison Christian Dior, located in a Parisian Hôtel particulier at 30 avenue Montaigne, was opened on the 16th December 1946. Together with his team of 90 people, including the young Pierre Cardin, he worked hard on his first collection ever, the Spring/ Summer 1947. Presented to the International press on the 12th February 1947, the latter was like a bomb with disruptive effects.

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A star was born. Aware of the fact she was attending a true revolution, Carmen Snow, editor in chief of Harper’s Bazaar exclaimed “It is such a ‘New Look’ “. Fashion won’t be never the same. A new era has just started for women. The silhouette in 8 – Dior’s lucky numberwas so sensual, innovative and avantgarde. ‘Clean and curved, it emphasized bosom, hollowed waist, accentuated hips’ explained Mr Dior.

As predicted, Women fell in love with this new Dior’s Femme Fatale: The Bar suit became a legend and the strong symbol of a post-war restored femininity.

Unfortunately, Monsieur Dior was able to enjoy his deserved success for only ten years. He passed away too soon tragically in Tuscany in 1957, depriving the world of his creative genius.

But the decade he paid tribute to women, made fashion history. He would stay one of the most iconic fashion designers of all time.

In July 2016, at the age of 48, almost the same age, Christian Dior founded his own Maison, Italian Maria Grazia Chiuri became the new Creative Director in house. Succeeding to young Yves Saint-Laurent in 1957, who was Dior’s first assistant since 1953, Marc Bohan in 1960, Gianfranco Ferré in 1989, John Galliano in 1996 and Raf Simons in 2012. She was the best fit for this job. Who better than a woman can design for women? As the founder, Mrs. Chiuri stands resolutely out of the crowd. Born in the Eternal City and daughter of a dressmaker, she early knew that Fashion was her destiny.

Graduated from the Roman Istituto Europeo di Design, she has former professional experiences at Italian Maison Fendi and Valentino. She is not only a talented Creative Director, but she is also, first of all, a committed woman and proud feminist who wants to use her privileged social position to show the way.

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Especially through her collections as the ones called « We Should All Be Feminists » and “Sisterhood Is Powerful », which were clear messages sent to the young generations. She truly believes in female empowerment. She is a woman on a mission. Convinced that “Haute Couture does not stop at ball dresses”, the new Landlady of Maison Dior is revolutionizing the wardrobe for contemporary women. As Monsieur Dior used to surrounded himself by talented artists, she is constantly 64

surrounded by her own muses: ballerinas, artists, activists, female writers, and proud young women like her beloved daughter Rachele. With a desire of inclusivity, she is creating for them and with them, mixing the unique heritage passed by all the talented men who led the Maison before her, with her strong visionary and innovative female mind.

To enhance her collection Ready-to-Wear Autumn-Winter 2022-2023’s show, she recently joined force with Italian Artist Mariella Bettineschi who staged,

‘the Next Era’, the conceptual frame and art installation which is composed of a gallery of paintings composed of largescale portraits of women from the history of painting from the 16th to the 19th century.

Thanks to innovative techniques developed in the D-Air lab laboratories, an innovative Italian start-up founded in 2015

by Lino Dainese and Architect Silvia Dainese, she also revisited the legendary Bar Jacket and the iconic Roger Vivier’s pumps.

The artistic partnership with French photographer goes on:

The latter is the author of the Winter 2022 Digital Campaign.

Under the positive influence of Mrs Chiuri, Maison Dior has never been so women-oriented and powerful than today. And Lady Dior has never been so real and in tune with her times. Less Femme Fatale. More Wonder Woman. She is you. She is us.

She is all the women. She is each woman. Each one unique.

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The new society dreamt

by Lacoste: Sustainable, inclusive, tolerant and connected W

orldwide well-known as ‘the crocodile’ brand since its launch in 1933, the French sportwear House Lacoste, owned since 2012 by the Swiss MF Brands group, is heading proudly towards its first century. Its founders, legendary French tennis champion René Lacoste and his almost unknow co-founder and business partner, French textile manufacturer André Gillier, couldn’t have hoped for more than such a successful destiny. Lacoste has become a hype Lifestyle and ready-to-wear brand (Clothes, shoes, bags and accessories) for women, men, and children. 2022 has been a year full of important milestones: A new fresh and full of spirit campaign, the opening of the Lacoste Arena, a wide new Parisian and sustainable flagship store located at 50, avenue des Champs-Élysées and Lacoste X A.P.C., a stylistic collaboration with Jean and Judith Touitou, founders of the French clothing brand A.P.C.. Under the innovative and creative direction of talented and experienced British Designer Louise Trotter since October 2018, the French little crocodile, which is nowadays established in 98 countries through a network of 1.100 shops, is doing well and heading far away. Unstoppable.

By Hélène Battaglia

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freely and ensures comfort, ease of movement and elegance. The first ‘chemise Lacoste’ (Polo model 1212) was produced in the Troyes factory of the newborn brand in 1933. René Lacoste himself and his friends and family quickly became the perfect testimonials and ambassadors of the Crocodile.

René Lacoste had a strong passion for tennis. But the truth is that he was not predestinated to become a professional tennis player. Anyway, he worked so hard for it until the age of 18, that he made it and became the international champion we all know. He was a very determined and perfectionist young man who didn’t just want to play well.

He indeed wanted to win and ‘be as perfect as possible’. To reach his ambitious aim, following his mantra ‘Never give up’, he trained hard every single day and learned from his opponents but also from himself.

He used to note down his every move and analyzed each of his loss to understand how he could improve his game. And he did it. He developed his own winning technique which was presented in the book intitled ‘Tennis. A veritable handbook for victory’ published in 1928

by Grasset. One of his precious tips to better exhaust and beat his opponents was: “Hit the ball, push back whatever happens, perfect the smash with a tensed, bent arm”. It worked. He became four-time international champion, won 7 major single

tournaments and the Davis cup in 1927 and 1928 with the French Team composed by the other three Musketeers Jacques Brugnon, Henri Cochet and Jean Borotra. He was the world’s best player in 1926-1927.

At the age of 19, in the occasion of a tournament which took place in Boston in 1923, his team captain promised him as a gift the crocodile leather suitcase he admired in a store window if he won his next single match. Because of his young age and his obvious lack of experience on the court as a pro, he unfortunately didn’t win.

Despite, an American journalist who attended the match, was so impressed by his strong determination to win that he gave him the well-deserved nicknamed of ‘The Crocodile’. This day, a tennis legend was born. This nickname, which perfectly fit him, would change his life forever.

It quickly would become a personal logo designed by Robert George and embroidered on his blazers.

From the beginning of his career, René Lacoste resolutely stand out the crowd: he has a

strong and unique personality and was a brilliant and curious mind. Few people know that he also was a restless inventor.

As he was constantly looking to improve his game and make practice more comfortable, he was the first one to sculpt the handle of his wood racket and covered it with surgical trip to get a better grip. Then he came up with the idea of a lighter and easier racket to handle: the metal one. He filled more than thirty patents over his lifetime and among all these, he invented the revolutionary machine that fires tennis balls with calibrated force to help a player practice alone.

To the equipment to the dress code: To be able to win, Lacoste also highlighted the importance for a tennis player to feel free in his movement and comfortable in his clothes. Together with his friend and future business partner, French textile manufacturer André Gillier, he had the brilliant idea of an unconventional sleeveless shirt crafted from the emblematic Petit Piqué cotton, a finely breathable and lightweight, honeycombed fabric that enables air to circulate

89 years after, this simple polo has turned into an iconic piece of sportwear, worn by thousands of millions of people, passed down from generation to generation, from country to country, from friend to friend. Since October 2018, as new Creative Director, talented British designer Louise Trotter has the daily task to carry on the unique legacy of the Maison by mixing, in a perfect way, her visionary approach and the one-of-a-kind Lacoste’s heritage. She is very proud to have been chosen to contribute to the writing of this exciting new chapter, full of important milestones, like the ones of this late 2022.

First of all, with the aim to install a fresh and full of spirit new brand tone, a brilliant and funny campaign, elaborated by Parisian advertising agency BETC and captured

by Irish photographer Ronan Gallagher who has mixed his renowned documentary style with a fashion vibe. Authentic and spontaneous shots whose protagonists are unexpectedly not professional models. Women and Men. Young, middle-age or senior. Normal people, recruited thanks to a street casting, who had never modeled before and have taken on this role for one day with spontaneity and freshness.

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To embody its avant-garde vision of sports fashion, on last May, the brand has opened the first next-generation Lacoste flagship store worldwide.

Dedicated to all the cultures of the Crocodile at 360 degrees, the 1600 m2 Lacoste Arena is located in Paris, at 50 Avenue des Champs-Elysées. Clients will discover more fashion- Lacoste x A.P.C., the collab collection with Jean and Judith Touitou -, more sports, more immersive experiences as the customization services to personalize the Crocodile’s essentials with special colors, initials, and cuts.

From now on, as a brand well anchored in the third millennium, at Lacoste, more importance will be given to sustainability. Lacoste Arena will indeed be 70

a special space to share with the community the brand’s progression in sustainable development and its growing commitment to more responsible fashion: recycled hangers developed from small quilted cotton scraps and shopping bags created from old polo shirts given to customers returning old textile products of the brand…

Sustainability but not only.

In addition to its contribution to building a greener world, through its foundation launched in 2006 and supported by the Fondation de France, the French Maison is also proudly contributing to build a more inclusive and tolerant society, by helping with the social and professional integration of underprivileged young people

and those with disabilities. The Foundation works all over the world, in partnership with local charities to provide financial support in developing sports and education programs, moral support by fostering the sharing of good practices between the Lacoste Foundation’s partner charities and Skills mentoring to encourage young people to find fulfilment, with the participation of Lacoste employees who work as Lacoste volunteers and mentors.

René Lacoste, the spirit of the legendary Maison, owned since 2012 by the Swiss MF Brands group, would be proud of the long road travelled by the little French Crocodile. From Troyes to the world.

WWW.LACOSTE.COM

C L A S S I C S H E A R T B E AT M A N U FAC T U R E frederiqueconstant.com

*VIVEZ VOTRE PASSION

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NILAU

Luxury leather goods reinvented

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he fashion world is a very contentious environment. Overshadowed by the giants of low-cost textiles and mass production, there are nevertheless a number of passionate young designers, eager to offer the sector a more responsible and measured reputation. Marie Veyron, founder of Nilau, is one of them. With her French, local, and sustainable luxury leather goods brand, this designer proves that it is possible to create fashion built on a respect for people and the environment.

By Marine Pasquier

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Emphasis on artisanal, short-circuit production Marie Veyron grew up in the Auvergne-Rhône Alpes region, in a farming family. The Veyrons raise ostriches. This unusual animal, whose skin fascinated Marie as a child, yields a rare and precious leather, at once exotic and local, but above all entirely traceable. A lover of fashion, Marie launched her own brand of leather goods, inspired by her family history. Her credo: revalorize unique leather coming from the food industry and perpetuate traditional expertise, while maintaining firm roots in her native region.

Combining aspirations and materials, Nilau offers 100% French high-end leather goods, with a rich history. Marrying natural, light linen with pure, nuanced leather, each piece expresses the simplicity and complexity of beauty. Handcrafted in short-production circuits, Nilau bags are the result of a

dozen hours of work between the breeder, tanner, and leather craftsman, with less than 300 kilometres travelled over the entire creation process. The goal?

To show that know-how and precious materials can be found locally, from farm to processing.

Timeless feminine designs On the design side, the lines and designs are timeless, with curves evocative of a certain poetic elegance. Nilau bags are customizable and suit all types of women. Amongst the brand’s iconic models: the Alca, inspired by a traditional-style schoolbag; the feminine half-moon shape of the Néra, or the Bépine bag, a modern take on the vanity kit.

Each model is available in six colours and comes at a fair price for everyone involved: artisans, the brand, and customers—free to choose what they consume.

NILAU-PARIS.COM @NILAU_PARIS

AMPHORA

www.giberg.com

beauty

Total WELLBEING at

Clinique La Prairie Health & Medi-Spa

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ooking to embark on a new healthier lifestyle long-term? Who better than Clinique La Prairie with its impressive range of treatments, a holistic and scientific approach to the management of inner growth and wellbeing, can design a bestpoke programme to reset and recharge.

By Quitterie Pasquesoone

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Healthy Weight Programme: a step towards the best you A pioneer in the world of well-being since 1931 with its cures acclaimed all over the world, Clinique La Prairie has established itself as a highly sought-after venue. Its Healthy Weight programme (7 days - 6 nights or 14 days - 13 nights) accompanies all those seeking to rethink their lifestyle over the long-term and to lose weight in a healthy, progressive, and balanced way. This cure also helps to target inflammation and oxidative stress, to improve sleep quality, reduce stress levels, and rebalance the intestinal flora and microbiome. The result is an overall sense of well-being, both physically and mentally.

This signature programme is carried out under strict medical and nutritional supervision, under the aegis of medical specialists and a team of health experts.

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one of the thirty-eight rooms and suites, all tastefully decorated in an idyllic setting between the lake and mountains, and offering all the comforts necessary to feel rested and at ease.

A privileged, bespoke stay, perfect for fully recharging batteries and returning home with a new lease of life!

Detox Reset Programme: a brand-new start A kick-start to a healthier lifestyle foundation in five days: this is what the latest Clinique La Prairie programme promises.

A true inner journey, the Detox Reset puts guests on the path to detoxification and well-being.

How? By adopting a holistic approach, thanks to a carefully thought-out programme.

Relying on natural methods and an anti-inflammatory diet, the cure helps purify body and mind, while promoting a deeper inner connection.

The Detox Reset is fully committed to Clinique La Prairie’s four longevity pillars. These four key dimensions include a range of treatments and services that complement each other into the detox process:

1.Medical provides a general health evaluation with a medical

consultant, blood analysis, heavy metal screening, and a body composition test.

2.Nutrition focuses on a detox diet under an anti-inflammatory meal plan, clinical nutritional assessment, a consultation with a dietician to develop and sustain a personalised plan, while incorporating daily Swiss herbal infusions, and Holistic Health PURITY supplements.

3.Wellbeing includes three Clinique La Prairie signature detox massages, a cryotherapy session, cellular detoxifying facial, body scrub and wrap, and toxin cleansing sessions through far-infratherapy dome technology.

4.Movement consists of workout sessions session with a professional coach, metabolism detox and breath work, yoga, and lakeside rebalancing group sessions.

A detoxifying, anti-inflammatory, and anti-stress expert-led programme that results in greater self-awareness and a deeper connection to the self. A truly awakening journey!

FOR MORE INFORMATION: WWW.CLINIQUELAPRAIRIE.COM/EN

AMIRIAN.FR

VINCENTMICHEL.CH

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Spa ClEmEns where water and wellness go hand in hand

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ater is the source of all life, so what could be more natural than the thought of massages administered entirely under its soothing spell? Spa Clemens proposes just that, offering refreshing, 100% aquatic experiences in the privacy of its premises in the Saint Germain des Prés district at the heart of Paris.

By Quitterie Pasquesoone

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A unique address where water is of the essence As the first aquatic spa to open in the French capital, Spa Clemens is a place like no other. The gentle, candlelit atmosphere, vaulted ceilings and warm, cosy shades of exposed-beam stone walls immediately transport you to another world founded on well-being and water, both of which are found in abundance here.

The unique facilities consist of three massage rooms, five 35°C pools - including two Epsom salt float baths - plus two relaxation lounges.

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Floating massage treatments Taking its cue from the Latin word “clemens”, meaning quiet or peaceful, Spa Clemens offers high-quality treatments that leave nothing to chance when it comes to maximising relaxation. Harnessing the well-documented beneficial effects of water, the personalised treatments proposed at Spa Clemens allow you to effortlessly rediscover your inner harmony when the stresses of city life start to take their toll. The floating massage, which draws inspiration from Watsu, is a signature treatment like no other, allowing you to drift towards a state of total disconnection and deep

relaxation. Combining stretching, massage techniques and floatation, it allows the body to gently unwind, the calm lulling of the water allowing the mind to slowly let go and embrace a feeling of peaceful and profound well-being. Each treatment is completely personalised, allowing all requests to be accommodated. Other treatments providing a wide range of therapeutic effects are also available at this unique address, including Epsom salt baths, osteopathy and aquatic hypnosis. It all adds up to an oasis of well-being where stress melts away with each passing minute.

FOR MORE INFORMATION: SPA CLEMENS 14, RUE DES SAINTS-PÈRES 75007 PARIS WWW.SPACLEMENS.COM

Crafting Your Singularity www.kerbedanz.com

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NESCENS

Adding Life to Life

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hat if you could choose how you age - staying fit and healthy, holding onto your mental powers and looking superb? Nescens brings that dream within your grasp, fulfilling its pledge to help you stay young for as long as possible with the aid of innovative anti-aging techniques based on the body’s physiological mechanisms.

By Quitterie Pasquesoone

The pioneering Nescens brand offers unique expertise in both medical practice and academic research. Its name comes from the word senescence (biological aging) and two French words – naissance (birth) and renaissance (rebirth) – that perfectly sum up the brand’s DNA. It originated with the Aging Prevention Centre in Genolier, Switzerland, set up over 20 years ago by Professor Jacques Proust, a pioneering figure in the field of the biology of aging and antiaging medicine. Nescens was the very first Clinique to maximize health and boost wellness and longevity. Because, as Henri Matisse put it, ‘You can’t help growing older, but you can

stop yourself from getting old.’

A byword for preventive and anti-aging medicine throughout Switzerland and the world as a whole, Clinique Nescens is a must for anyone who wants to age well.

Nescens harnesses all its resources to completely reboot your mind and body, working concertedly to prevent, make up for or delay the effects of time by means of medical check-ups, spa detox and revitalization cures incorporating evidence-based medical treatments, health and wellness programmes, cosmeceuticals, and aesthetic and regenerative medicine.

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Medicine for wellbeing and well-aging At Clinique Nescens, they dedicate in-house expertise of the very highest standards to helping each patient live longer in better health and wellbeing. Whether you want to rethink your lifestyle, spot risk factors early on, work for your future wellbeing, improve your performance in different areas of life or achieve lasting weight loss, a stay at Clinique Nescens can make a startling and lasting difference to your quality of life.

The Centre offers a uniquely innovative experience combining state-of-the-art medical and scientific expertise in superb surroundings close to Geneva.

Tucked away in a secluded setting, the clinic is a haven of peace and quiet offering excellent levels of comfort and luxury hotel services. As anti-aging clinics go, this is an absolute must.

Once here, leave your life at the door and concentrate on doing yourself good. With 29 Junior Suites spread over three floors, overlooking Lake Geneva, the Alps, Mont Blanc and landscapes of the Jura Mountains, the clinic Clinique Nescens is 84

a perfect hideaway - the ideal place to rest and recover your wellbeing in complete privacy.

La Cure Reset is tailored to individual patients’ requirements, so each programme is unique, but the starting-point is always a full medical checkup. After that, clients will have schedule consultations with highly-regarded specialists, aesthetic and/or regenerative procedures and top-flight medicalized better-aging cures with a carefully-devised range of treatments to help them start afresh.

The length of the stay can be tailored to client’s needs and availability. If customer’s can’t set aside a week for La Cure Reset, why not opt for a Discovery Day, to have a concentrate of the expertise in one day…

However long you decide to stay for, we guarantee you’ll emerge rejuvenated in mind and body, brimming with newfound energy and wellbeing - and the sensation of youth regained will last for a long time.

FOR MORE INFORMATION: WWW.CLINIQUENESCENS.COM

rita-zia.com

Rue du Rhône 80, 1204 GENÈVE

T R E N D S O F T H E S E A S O N Photographers: Contarsy + Karecha for Highmark Studios Stylist: Alison Hernon Assistant: Joseph Parks Model: Oliva Hamilton / New York Models Hair: Liam Dunn using Oribe Make up: Viktorija Bowers Manicurist: Jazz for Chanel Video: Sean Riller-Miltner Special Thanks to Blonde & Co Studio 34 West 27h St NYC 10001

Trend-Sequence/Shine Blaze Leopard Sequin Long Sleeve Mini Dress by Prabal Gurung AGL Rei over the knee Boots

Trend-Structured Suit All by Alexander McQueen Large Green Bow Bag also Alexander McQueen

Trend-Bows Breann Long Fitted Blazer by Alice + Olivia by Stacey Bendet - Dylan High Waist Wide legged Pant by Alice & Olivia Charen Puffed Sleeve Bow Blouse also by Alice & Olivia - Silver Chain earring by Laruicci - Bow-Stylist own

Trend-Modern Flapper Maquarna Embroidered tulle gown by Bibhu Mohpatra

Trend –Modern Flapper Satin Cocktail Dress by Ralph Lauren - Knew Flat Boots by Jimmy Choo Crystal Chocker and Bracelet by Laruicci - Black Tights by Baserage

Trend-Beige Trench Coat Double breasted coat in Zibline Cashmere by Adam Lipps - Embroidered Cami Dress in Silk Organza by Adam Lipps Carmel JC Monogram-Print and Leather Top Handle Bag by Jimmy Choo - Pantheon Ring by Laruicci - Universum Pave Medallion by Almasika

Trend-Faux Fur Kaleidoscope Faux Fur Coat by Zimermann - Matching Ruffled Blouse by Zimmermann - Matching Shorts by Zimmermann Lou Pump by Schutz - Gold Ponte Vecchio Ring by Laruicci - Curved Earrings by Laruicci

Trend-Puff Sleeves Cropped Puffer Sports Jacket by Dolce & Gabbana - Midi Puffer Skirt by Dolce & Gabbana Lace Balconette Bra

Trend-Street Style Mulit Blue Oversize Straight Jeans by Unisex - Oversized Tweed Shirt Jacket by BLACK AND WHITE - Hooded Sweatshirt by Ralph Lauren Houndstooth Sweatshirt by Polo by Ralph Lauren - Chunky Leather Boots by Yoox

SWISS RIVIERA COUTURE

CLINIQUE LA PRAIRIE WELCOMES AMANDINE PETIT, MISS FRANCE 2021, FOR A JOURNEY THROUGH WELLBEING SPACES IN ABSOLUTE LUXURY MODEL: AMANDINE PETIT PHOTOGRAPHER: JOHANN SAUTY STYLIST: AURORE DONGUY / B-AGENCY STYLIST ASSISTANT : AMENIS NASR MAKE-UP AND HAIR: MONICA BIBALOU MANY THANKS TO AMANDINE PETIT AND CAROLE CLAUDIT / TALENT LAB

DRESS: PINKO EARRINGS, RING AND BRACELET: VINCENT MICHEL

BLAZER AND TROUSERS: LORD FOOLS - BAG: NILAU PARIS - EARRINGS AND RING: ARTEGEMMA - WATCH: MB&F

DRESS: SIMA COUTURE - SHOES: ROBERTO DURVILLE NECKLACE AND BRACELET: ARTEGEMMA - HANDBAG: DE MARQUET

SWIMMSUIT: BANANA MOON - EARRINGS AND RING: ARTEGEMMA

SWIMMSUIT: VERSACE - SUNGLASSES: NATHALIE BLANC - NECKLACE: VINCENT MICHEL

SWIMMSUIT: ERES - EARRINGS AND RING: RITA&ZIA - WATCH: KERBEDANZ

SCARF: BAYLANDI - SUNGLASSES: FACE A FACE PARIS - DRESS: MAX MARA NECKLACE: VINCENT MICHEL - RING: LOUIZA JEWELLERY - WATCH: BRISTON WATCHES

SHIRT: ETAM X THYLANE - SKIRT: PARFOIS - HANDBAG:KERBEDANZ - WATCH: BIANCHET

SHIRT: PRETTY LITTLE THING - JEAN: LE FIL - SHOES: PRAZZI - HANDBAG: DE MARQUET - NECKLACE AND RING: KAN JOAILLIER - CAVIAR: OONA CAVIAR

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PINAULT COLLECTION THE NEW WORLD BOURSE DE COMMERCE

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new temple dedicated to contemporary art, the Bourse de Commerce – Pinault Collection now houses part of the remarkable collection belonging to former businessman and patron of the arts François Pinault, in the heart of Paris. From the restoration of the old granary exchange to Tadao Ando’s perfect circle, we look back at the metamorphosis of this historic building into an extraordinary museum.oubt the most powerful Bentley ever built.

By Delphine Gallay

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Photo © Marc Domage

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François Pinault’s dream becomes reality “At first it was just a dream, a dream that seemed beyond reach. Then the dream became an ambition. And that ambition has now become reality.” If the luxury goods magnate had long cherished the hope of one day being able to present his vast collection of contemporary artwork to a Parisian audience, it took the French billionaire and collector twenty years to see his dream realized.

Long dormant in the heart of Paris, the Bourse de Commerce, located a stone’s throw from the Louvre and the Centre Pompidou, is now home to one of the world’s largest private contemporary art collections: an awesome ensemble of some ten thousand works acquired over the past fifty years by the former leader of the Kering Group, which can be discovered through a rich programme of temporary exhibitions.

A stunning addition to the museum landscape, and in this Parisian district (the 1st arrondissement) undergoing significant change, the Bourse de Commerce – Pinault Collection is an extraordinary showcase for the artists of our time, and nourishes an unprecedented dialogue between an incredible historic monument and pure geometric form.

When construction on the project began, there was a certain air of scepticism regarding the modernization of this monument of French heritage and the elevation, in situ, of a huge concrete cylinder measuring twenty-nine metres in diameter and nine metres in height.

This was without counting on the genius of architect Tadao Ando who would skilfully transform the Bourse de Commerce, giving it a new lease of life.

Four centuries of transformation

Photo © Patrick Tourneboeuf

Photo © Maxime Tétard

Witness to four centuries of history and architectural prowess, this was not the first metamorphosis of the Bourse de Commerce. Indeed, it bears within it the traces of successive eras and functions. Originally built in 1763 on the site of the former private mansion of Catherine de’ Medici to house a granary exchange in the centre of the capital, the Provost of Paris entrusted the design of this public-utility building to utopian architect Nicolas Le Camus de Mézière. Of the vestiges of the private mansion, only the Medici Column was preserved to adorn the new construction—a mysterious 31-metre-high fluted tower ordered by Catherine de’ Medici in order to allow her astrologer to contemplate the stars.

While its location on the banks of the Seine is strategic, its unusual surface area with five irregular sides soon posed a challenge for the architect in charge

of the project. As a result, the new granary exchange would have a circular shape, like the Pantheon and the Colosseum!

To meet the demanding specifications, Nicolas Le Camus de Mézière imagined two halls in one thanks to a building making use of arcades, deployed around a vast circular central courtyard, with large openings to convey the grain, and vaulted attics for storage. Two spiral staircases were installed to prevent merchants and porters from crossing paths. The resulting structure was a radical architectural manifesto!

The central courtyard remained open for some time but was eventually covered with a wooden framed dome in 1782, sadly destroyed in a fire in 1802.

It wasn’t until 1811 that architect François-Joseph Bélanger replaced it with a spectacular metal canopy—the first ever cast iron frame made for such an extensive space.

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From granary to stock exchange With the advent of the railway in France in the early 19th century, the granary exchange saw its activity severely impacted.

Following its closure in 1873, it remained unoccupied for a time before becoming the Paris Bourse de Commerce (stock exchange) in 1886. Under the auspices of architect Henri Blondel, the building then underwent a complete overhaul with a view to the upcoming World Fair in Paris in 1889. On the eve of the centenary of the French Revolution, the Third Republic wished to rebuild its reputation in the eyes of the world. While a certain Gustave Eiffel was preparing to build what would later become known as the “iron lady”, Henri Blondel was actively working to remove all traces of the past so as to shape the Bourse de Commerce into a symbol of globalization and colonial supremacy.

Entirely reconstructed, the building was largely demolished with the exception of the Medici Column, one of the two staircases, the interior facade of the rotunda, and the metal frame of its glass roof. The centrepiece of the building, the latter was carefully enhanced and covered in slates and zinc, and a 360-degree painted mural fresco was installed beneath it, a romanticized apologia of global trade. Now equipped with a mezzanine, an additional floor, and balconies, the new building was enriched with all the canons of Haussmannian architecture.

The exterior facade, adorned with trumeaux, boasted a new entrance on the rue du Louvre flanked by Corinthian columns and a pediment sculpted by Aristide Croisy, while the vestibule was filled with mouldings, decorated ceilings, and wooden fixtures leading to two staircases with a central void.

Renaissance of the Bourse de Commerce Classified as a historic monument in the mid-1980s, the Bourse de Commerce then underwent a significant restoration campaign and was occupied until 2016 by the Chamber of Commerce and Industry.

When the mayor of Paris, Anne Hidalgo, invited François Pinault to install his collection at the Bourse de Commerce, he seized the opportunity. Seduced by the originality of the building and its enviable location, it was here, within this historic enclosure where wheat, sugar, and cocoa were once sold, that the former industrialist who became a major patron of the arts sought 110

to make his collection public.

In an eternal renewal, this “chameleon-like building” was treated to yet another transformation, giving rise to a meticulous renovation and a remodelling commensurate with its history and new functions.

The only specification given

by François Pinault in terms of this renovation was to create a link between the Bourse de Commerce and today without altering its historical features.

Who else but Zen master Tadao Ando could offer the original building such a radical yet subtle change?

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Ronan et Erwan Bouroullec Restaurant La Halle aux grains, vases Alcova, 2020 - © Studio Bouroullec - Courtesy Bourse de Commerce - Pinault Collectio

The magic of Tadao Ando It is said that the first time Tadao Ando stood under the dome, he had tears in his eyes. The halo of light passing through the glass vault might have reminded him of the Pantheon in Rome. Author of the two museums of the Pinault Collection in Venice, the Palazzo Grassi and Punta della Dogana, this virtuoso concrete master was eager to create a new world inside this sphere and to breathe a new dimension into it with a scenography that was at once original and modular, thereby capable of accommodating the various events and temporary exhibitions of the Pinault Collection. By placing a circle within a circle, Ando managed to tame the curved lines of the rotunda in order to better exalt them.

Through this gesture, the architect skilfully fostered a dialogue between the past, present, and future, offering an opening into urban culture and to future generations with all the minimal aesthetic sensitivity for which he is renowned. A symbol of plenitude and of the void amongst Buddhists, this 625m2 Zen circle generates a certain emotion within the space. Like a catalyst, its movement dramatizes the spirit of the neoclassical building, capturing the beams of overhead light that illuminate the recently restored 1,400m2 mural fresco under the dome, and offering a remarkable and magnetic perspective of its fine 112

metal frame, culminating at almost forty metres.

Like an arena connecting the Parisian sky and the earth, one by one, the concrete circle redistributes the different spaces and connects the ten galleries thanks to a unique set of bridges. Outside the cylinder, the “passage” lined with twenty-four Empire-style display cases dating from the era of the Paris World Fair invites the visitor to stroll, while the passageway located on the second level allows close-up views of the sumptuous painted panorama.

This record-breaking construction project, involving three years of work, three thousand craftsmen and workers, and a budget of 160,000 million euros entirely financed by François Pinault, transformed the curves of this historic 7,000m2-building into an exemplary museum.

In collaboration with the NeM and Setec Bâtiment agencies, in charge of project management, and Chief Architect of Historic Monuments PierreAntoine Gatier, Pinault also invited the Bouroullec brothers to design all of the interior and urban furniture, and to contribute to the design of the new restaurant run by chefs Michel and Sébastien Bras, named in reference to the origins of the building: the Halle aux grains (grain store).

Ronan et Erwan Bouroullec Luminaire, escalier 19e - © Studio Bouroullec - Courtesy Bourse de Commerce - Pinault Collection

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Bourse de Commerce - Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier - Photo © Maxime Verret

Nothing but contemporary art!

From the exceptional character of the venue to the impressive private collection of one of the wealthiest names in France, the Bourse de Commerce – Pinault collection has become one of the strongholds of contemporary art since its inauguration in 2021. Unsurprisingly so: the collection comprises over 10,000 works, almost 400 famous and emerging artists, temporary exhibitions, and a rich cultural programme exploring all territories of creation (painting, sculpture, video art, photography, sound, installation, and performance). Through the prism of the Pinault Collection, everything is a matter of dialogue and diversity.

From the 1960s to the present day, the programme aims to be as dense as possible, and features names like Martial Raysse, Urs Fischer, Martha Rosler, Peter Doig, Tatiana Trouvé, Kerry James Marshall, Cindy Sherman, Richard Prince, Xinyi

Photos © Laurent Dupont

Cheng, Anri Sala, Charles Ray, etc. If the list is long, the discoveries promised to the public are plentiful and highly memorable. One thing is certain: François Pinault has a taste for risk and his contribution as a patron of the arts is truly outstanding given his lasting commitment to young artists.

If nothing and no one escapes the flair of François Pinault, his exhibitions go beyond the perimeter of his iconic works to brazenly blur the boundaries between artistic scenes and generations in daring and often surprising exhibitions. Just as this fantastic rehabilitation of the Bourse de Commerce and its grey concrete cylinder have awoken the soul of what was once a granary exchange.

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LACINO

Luxury items for the modern man

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aison LACINO is a passion project turned into a French luxury label that brings together the modernity of the automotive industry and the timelessness of a luxury good. We sat down with Vincent and Tracy, both French of Lebanese origins, to learn more about their innovative brand.

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Please introduce us to the names behind LACINO Vincent Cuvelier is the founder and president of LACINO, he first established the house three years ago. He is an expert in the automotive industry, an entrepreneur, and a designer who has been passionate about cars since his childhood. He likes the conceptualization and realization of innovative products and came up with the idea and story of our own items like the bowtie.

Tracy Saab joined as a partner, deputy CEO and brand ambassador since a year now. She is a fashion designer specialized in ready-to-wear and accessories, and will bring her expertise and feminine vision to the developing brand.

Tell us more about the brand’s offerings and DNA LACINO combines the high technicality of the industry with the elegance of fashion and jewelry. We are all about the alliance of precious stones with rare metals. The house offers two well-distinguished ranges preserving the same line of conduct: The first is characterized by the bow tie.

Our diamond bow ties are GIA certified, designed as a work of art and paired with a unique collar in full-grain calfskin with natural pigmentation.

The second line is a collection of leather goods for men. It is made of natural and metal-free leather inspired by the look and colors of automotive design using quality buckles derived on a carbon fiber product.

You’ve mentioned that your pieces are produced at French manufactures. What are some of the techniques and products employed?

LACINO pinpoints the fact that its products come from French quality manufacturing, in terms of crafts and accessories. We wanted to have the Made in France Label because the French know-how gives a sound system of quality on an international spectrum, and that is exactly what we want our house to exude as a reputation.

The house also emphasizes the necessity to have products that meet environmental standards.

Whether for the outer skins or the necessary linings from Italy, all are treated without chemicals and toxic products. We take care of our skins by following a natural pigmentation treatment to let the leather breathe. The scraps

are collected and not burned and we recycle them in order to reuse them for bowtie necklaces or even for small leather goods.

For the bow ties, the carbon cutting is done in the workshop next to our premises, and Vincent finishes the work by hand before moving on to the gold and precious materials that we subcontract here as well.

So how would you describe the LACINO man?

LACINO is for the businessman characterized as an exceptional persona. A man of character who gives importance to the details of quality products.

And why do you think customization and personalization are becoming so important to clients?

Today the demand for niche, selective and limited-edition products is higher than that for commercially well-known brands. We cater to the client who desires and affords rare items that reflect his personal style. At the LACINO workshops we have a variety of raw materials that birth these personalized items.

Where do you see the brand in two years from now?

We are currently developing the brand in France, Europe and the Middle East. Our ultimate objective is to establish our house under an image that resembles us and that of our esteemed clients.

Finally, where can we purchase your products?

For our jewelry pieces, clients can request a private appointment and a privileged accompaniment via our website. Our leather goods will soon be exclusively sold at major luxury stores and car dealerships.

FOR MORE INFORMATIONS, PLEASE VISIT : LACINO.FR 115

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GREENTECH products for life

By Jean-Yves Berthon, CEO of the Greentech Group

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The story begins thirty years ago, in 1992.

For the first time, the issue of countries’ environmental responsibility was raised on a global scale: the Earth Summit in Rio de Janeiro laid the foundations for a better management of the planet, and established the concept of ‘sustainable development’.That same year in October, Greentech was created, one of the first French biotechnology companies.

Its ambitions were great: to explore the potential of living organisms, to go beyond research, to imagine applied biotechnologies in the fields of cosmetics, agronomy, pharmacy, agri-food, the environment, etc. The goal was to one day produce on a large scale, natural alternatives to the then predominant all-chemical model.

This is a story of pioneers, with all that that entails: exploring, trial and error, convincing…

But starting before everyone else ultimately gave us a head start.

In the mid-1990s, in the midst of

the mad cow crisis, the cosmetics industry took a radical turn towards plants. We were ready to accompany this change. We transformed from scientists into explorers, travelling the world in search of natural raw materials, discovering sources, unknown plants, and micro-organisms, in the ground, in water, in ice, and even in the clouds at an altitude of 5,000 m …

Sourcing is not just about finding the right source; it is about preserving the right source. By carefully applying the recommendations of the Earth Summit – the conservation of biodiversity, sustainable use of resources, and the fair and equitable sharing of their exploitation – we have laid the foundations of an ethical model, guaranteeing the future.

Over the years, cosmetics has naturally led us to a crossroads, towards applications in agronomy, nutrition, health, and the environment.

At Greentech, plant, marine, and microbial biotechnology

feed each other, merging with a whole range of scientific disciplines. The health of the soil is as important as the balance of the skin, vegetable proteins can compensate for animal proteins, algae are transformed into ingredients ensuring the nutrition of tomorrow, micro-organisms can replace chemical pesticides, and an understanding of microbiota opens up tremendous ground for shared progress…

However, in reality, nothing has really changed. In 2022, thirty years after the Earth Summit in Rio, the latest IPCC reports are a stark reminder that responses to climate change and pollution can no longer wait.

But how can we provide enough healthy food and care for ten billion people in 2050, without completely ravaging the planet?

Now more than ever, biotechnologies represent an important part of the solution. Through concrete, effective, natural, and sustainable alternatives, producing without destroying, they are transforming industrial

models, and reinventing consumer practices. Linked to the major challenges of the century, the companies of the Greentech Group and their teams strive to be committed players, serving future generations.

After more than thirty years of exploration, research, commitment, and the sharing of knowledge and resources, we are proud to have proven that a new, more resilient economy, based on renewable living resources, is possible on a large scale.

Greentech is now synonymous with products for life at the service of future generations, respectful of people and the environment, in the domains of agroecology, human and animal nutrition, health and the pharmaceutical industry, cosmetics and the environment.

FOR MORE INFORMATIONS, WWW.GREENTECH-GROUP.COM 117

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SUREH’VALOR

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Looking higher to see bigger

n innovative company operating throughout France, demonstrates remarkable expertise in relying on the energy renovation of residential or commercial buildings by exploiting residual building space. In doing so, new areas are created, which give free rein to the valuation of the real estate. By giving co-ownerships a new lease on life, this company changes the overall appearance of real estate complexes, whether urban or near-natural, thanks to an environmental approach adapted to each project.

By Helena Perdoux-Frances

In the spirit of the times, SUREH’VALOR takes the pulse of the buildings to be renovated and is part of an energy renovation process, by revaluing the property, by rehabilitating energy-consuming homes and by rethinking the use or recycling of each raw material extracted from the construction site.

This company knows what it is talking about. By aiming for environmental performance with an affordable financial dimension, it combines aesthetics and comfort. It supports its clients by providing them with the tools necessary for a successful construction project: support for the co-owners and building managers, a work schedule adapted to the needs of the 118

owners, a financial guarantee regarding the completion of the work, coupled with multiple insurance policies protecting the final client.

A requirement that matches its ambitions SUREH’VALOR never lowers its level of requirements. In urban areas, in the mountains or on the seashore, it rejuvenates the buildings entrusted to it, with the common objective of enabling these co-ownerships to survive the coming decades while facing up to the next climatic challenges. All the transformations are aimed at better use of energy by acting on the openings, the roofing and the

thermal insulation. Moreover, all of their achievements are certified by an energy performance state label.

SUREH’VALOR has made respect for the environment its main concern. It implements strategies to limit the carbon impact of the raw materials used on its construction sites, their transport and the way of construction. Moreover, it favours specific concretes and bio-sourced materials for mixed constructions where wood and concrete are mixed.

The global vision of the projects does not just stop at the buildings but extends far beyond, at the urban level. On their last project, the Domaine de l’Ariondaz in the

heart of the Courchevel ski resort, SUREH’VALOR has redesigned the village entrance, in partnership with the town hall and the department, by moving the roadway and recreating shops. This energy renovation operation has just been awarded the first RENOVERT 2022 prize at the RENT exhibition that was recently held in Paris!

An environmental project, high quality standards, a reduced investment for the co-owners and an obligation to achieve results… this is what defines SUREH’VALOR. 314 ALLÉE DES NOISETIERS 69760 LIMONEST +33 (0)4 78 64 73 73 WWW.SUREHVALOR.FR CONTACT@SUREHVALOR.FR

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The Maybourne Riviera I a jewel on the Côte d’Azur

deally located between Monaco and Menton, the Maybourne Riviera stands out as one of the most impressive hotels in the region. And for good reason: emerging from the rocky coastline, it overlooks the Mediterranean, offering guests an endless blue horizon. Simply breath-taking.

By Quitterie Pasquesoone

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Avant-garde architecture

Inside meets outside

At the heart of the RoquebruneCap-Martin peninsula is a rather remarkable hotel, nestled on the rocks, a haven of luxury and style for exacting travellers.

Here, the view extends over the entire coastline, from Italy to the east, offering a grandiose spectacle, where time seems to stand still. An establishment boasting avant-garde architecture with large bay windows bathed in light, the rocky landscape and nature form an integral part of its beautiful decor.

Created by renowned designers and architects, the Maybourne Riviera pays a permanent tribute to the sea, its movements, azure hues, and the surrounding nature, with olive groves, lemon trees, and terracotta roofs.

Once comfortably settled in your light-filled bedroom with its chic contemporary decor, enjoy sitting on your private terrace watching the magnificent sunset over the sparkling waters of the Mediterranean. Or take a dip in the inviting blue infinity pool, which seems to blend into the immensity of sea and sky.

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High-society gastronomy At the Maybourne Riviera, nothing has been left to chance.

When it comes to catering, enjoy a memorable experience at the starred Ceto restaurant, whose gourmet cuisine by Chef Mauro Colagreco, honours local seafood and local produce.

You can also have lunch on the shores of the Mediterranean, or even by the swimming pool, with a menu created by Jean-Georges Vongerichten. Each gastronomic experience is presented in an ideal location and boasts exacting service. Without doubt, an address worth noting!

THE MAYBOURNE RIVIERA 1551 ROUTE DE LA TURBIE 06190 ROQUEBRUNE-CAP-MARTIN WWW.MAYBOURNERIVIERA.COM 123

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BRACH Paris

A next-generation hotel experience

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et overlooking the iconic Eiffel Tower in Paris’ exclusive 16th arrondissement, the inimitable Brach Paris comes with the promise of a stay in the utmost comfort close to the heart of the French capital. Designer Philippe Starck, whose vision and imagination over the years have earned him international renown, has elevated the hallmarks of casual sophistication to an art form here, unveiling a contemporary and cosmopolitan setting unique down to the very finest detail.

By Marine Pasquier

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The essence of style Allowing his imagination to roam free over its imposing 7000 m² of floor space, creator Philippe Starck has conjured up an immersive and authentic living space where 1930’s architecture rubs shoulders with Modernist flourishes including touches of Bauhaus, Dada and Surrealism. Brach Paris typifies the approach of its owners, high-end hotel group Evok Collection, whose dedication to redefining the fundamentals of luxury hospitality promises a travel experience heightened by the finer cultural aspects of life, inviting exploration and enjoyment in all its forms. Mirroring the uniqueness of each guest, none of the Brach Paris’ 52 rooms and 7 suites are the same.

A harmonious variety of warm hues combines with noble and natural materials, while metal, leather and even concrete juxtapose hard textures with soft.

The standard minibar has given way to a mini concept store offering a plethora of items and a wide range of books and, as a crowning touch, the suites enjoy the added bonus of a Norwegian bath on the terrace 126

and, in some cases, even a jacuzzi looking out over the Parisian skyline.

From garden to table The restaurant is a gourmet’s dream based on three fundamental values held dear by Brach Paris: conviviality, generosity and the joy of shared experiences. Chef Adam Bentalha warmly welcomes guests to enjoy his healthy, balanced and deliciously flavoured vision of Mediterranean cuisine, featuring aromatic dishes crafted around ingredients and exotic spices carefully selected from inspiring producers from across this sun-drenched region. Dishes from the menu, which has a brunch version for Sundays, can also be enjoyed on the roof terrace, where fruit trees, vegetable plots and beds of herbs recreate the feel of an urban garden. The bar has a similarly comfortable ambience, with decor characterised by a fusion of different influences and an equally varied cocktail menu.

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Luxury, tranquillity and indulgence The centrepiece of the establishment, the Clarins spa is a relaxing haven far from the stresses of the city, where guests can soak up the unique sensory experiences offered by a majestic 22-metre pool, sauna, hammam and Himalayan salt cave. A wide range of rebalancing, energising or detoxifying facials and massages can be enjoyed in the understated, wood-panelled setting of one of the three private treatment rooms, where Clarins protocols are applied to blend aromatherapy processes with the world’s best techniques, adding up to the ultimate in relaxation. The impressive 1000 m² gym provides another set of first-rate facilities in a vintage boxing-club atmosphere where guests can work on goals of all levels, either alone or in a group, with fitness classes and Pilates, yoga, gym and weight training sessions running throughout the day. In partnership with the Kalon Movement fitness concept, the establishment even provides guests with the option of following lessons online from the privacy of their

own rooms. Some one hundred pre-recorded videos give guests key insights on how to hone their body and develop a posture as graceful as a dancer, without needing to actually be one. Offering privacy yet open to all, Brach Paris is a place of many contrasting and opposite parts that combine to give a harmonious whole that feels alive both day and night.

BRACH PARIS 1-7 RUE JEAN RICHEPIN 75016 PARIS BRACHPARIS.COM 127

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FORESTIS the new frontier of Eco-friendly Luxury

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pened in July 2020 and located above Brixen in Italian South Tyrol, the 5-Star boutique hotel FORESTIS has become one of the hot spots in the European Alps for all the Nature Lovers. Its proud owners Stefan Hinteregger and his wife Teresa Unterthiner are, slowly but surely, building a strong and long-lasting entrepreneurial success story. Celebrating with authenticity and care their beloved homeland and offering an unforgettable life experience to their international guests.

By Hélène Battaglia

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FORESTIS (a mix of Italian Foresta and Latin) is not just another luxury hotel to stay at.

Located at 1.800 meters above sea level, in the middle of the wood, near the small village of Palmschoß (on the southern slope of Plose mountain), the latter is definitively a one-ofa-kind peaceful and secluded hideaway with an amazing view on the Dolomites, a UNESCO’s World heritage site. A niche destination to relax, regenerate, heal and feel the strong power of the mountains. A special place, hidden behind wild hedges and discovered by chance by South Tyrolian hotelier Alois Hinteregger in 2000, which offers a unique sensorial and human experience, you will never forget. From an old unoccupied and unfinished house made of wood and natural stones designed by renowned architect Otto Wagner and former retreat for priests and clergymen until 1950, to a 62-suite luxury and modern lodge opened in 2020.

FORESTIS is the perfect way the new owners, Stefan Hintereggerson of Alois- and his wife Teresa Unterthiner, have found, after travelling around the world for work or fun for many years, to celebrate their roots and the beauty of their homeland.

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First at all with authenticity. « The more you think about the guests in your concept planning, the less authentic it becomes. In the end, the guests notice that too, and that is why it’s useless. We see ourselves as hosts who invite guests into their home so that they can relax. And the guests only come because they are convinced by our idea and our way of life.

And that is the whole idea behind it. Every hotelier who develops a new concept, should keep it in mind: Think about yourself and stay authentic » explains Teresa. Sustainability also matters. The minimalist architecture of the hotel, designed by local architect Armin Sader, fits perfectly with the surrounding nature which is the one and only one protagonist of these places: all suites, the spa and the restaurant, designed like a theater, are indeed oriented to the South so every guest is able to enjoy this natural breathtaking spectacle. Interior design has also been focused on preserving and highlighting the local and ancient tradition of craftsmanship as the artistic ceiling panels, the windows or the imposing staircase inside and outside and, last but not least, the unchanged wood of the

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façade which tells about the history of the building. Another pride of the FORESTIS is with no doubt its 2.000 square meters Spa, personally developed

by Teresa for 4 years. It is the only place in the world which offers the teaching of Wyda, the Yoga of the Celtic Druids which comes from traditional European medicine, refers to the nature of the region and involves stones, water, wood, and trees, as well as the climatic conditions and the way of eating. All the Spa team was sent to a monastery in Germany to train and learn about energetic points: The hotel is indeed located in a unique location full of special energy, able to adjust the body.

The influence of the wood is also present in the kitchen. In the respect for old-established culinary traditions and with the creativity of a modern kitchen, Chef Roland Lamprecht is a committed ambassador of slow food and especially of his delicious Forest Cuisine which is synonymous of diversity, naturalness, and authenticity. All the ingredients daily used are organic and provided by surrounding Mother Nature and local farmers. The new frontier of eco-friendly Luxury is already here. Waiting for you.

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A stunning exploit!

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efore fully entering the era of electric cars, Bentley wanted to produce one of the brand’s most exclusive models.

The Batur, presented this year in Monterey, is without doubt the most powerful Bentley ever built.

By Stephane Lechine - Photos © Bentley Motors

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Only eighteen copies of this Batur will see the light of day.

Bentley has relied on its legendary expertise to make this combustion-engine car the ultimate jewel of the brand.

Manufacturing has been entrusted to the Mulliner department which ensures the construction of bespoke Bentley models. The assembly will be done entirely by hand and the configuration of the models in close collaboration with each of the customers to ensure customization down to the smallest detail. Mulliner’s design team has created a specific interface allowing future owners to visualize the finished models via an infinite palette of colours and even the choice of materials with several durable alternatives.

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Sustainable luxury Design occupies a significant place in the production of this Batur and while the two-seater cabin uses elements of the Coupé Bacalar, new materials have been added that are more respectful of the environment. The leather has been sourced from Scotland for a lower carbon footprint and Bentley also offers a sustainable alternative with Dinamica, an artificial suede made from recycled materials. The leather-matching floor mats are also made from recycled yarn, while the “natural fibre” composite veneer is an alternative to carbon fibre. In other words, even luxury at its most exclusive can be compatible with a responsible and sustainable environmental approach.

In the pearl white model showcased this summer at Monterey Car Week, the interior colours came in a combination of black, red, and orange. Mulliner’s inimitable craftsmanship may once again be seen in the embroidery of the seats with Batur’s distinctive chevron pattern contrasting with white thread.

However, the centrepiece of the interior is undoubtedly the 3D-printed Bentley Dynamic Drive selector in 18-carat gold!

Optimized technology with the W12 engine Under the hood lies yet another jewel! The famous 6.0L displacement W12 engine at the origin of the Bentley revival with

the Continental GT, has now been increased to 740hp for 1000Nm of torque. Still hand built in Crewe’s carbon-neutral factory, it guarantees the Batur an exceptional level of performance. A thrilling ride, the engine delivers its power via the 8-speed dual-clutch gearbox, and the titanium exhaust system has been made in collaboration with the well-known firm Akrapovič. Its deep sound is characteristic of the titanium used for the pipes. Great credit is due to the Bentley engineers who, over successive developments, have increased the power of the W12 bi-turbo by 40%, while reducing its consumption by almost 25%.

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Sporty behaviour The chassis is equally outstanding. The Batur promises to be the most dynamic of the brand’s coupés. The adaptive suspension offers a range of settings adapted to the four predefined driving modes. Capable of counterbalancing the effects of the car’s generous weight, the Drive Dynamics system dynamically adjusts anti-roll control and front-to-rear stiffness. Improved traction provides a greater level of confidence for the driver, making the car more stable on every corner and giving a sharper turn-in. Furthermore, the car is equipped with an electronic limited-slip differential that allows drivers to effortlessly take advantage of the impressive cornering speeds.

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Typical Bentley Externally, this coupé anticipates the sleek style of future electric Bentleys. However, it is instantly identifiable with the volumes typical of the Crewe brand. The long hood and prominent rear fenders endow this coupé with a “resting beast” stance. Contrasting with current models, the front end loses its round crystal-effect headlights for a more elongated almond shape. The gigantic grille sports the chevron pattern already present on the upholstery.

On either side of the hood is a line, the colour of which can be customized, from the front to the rear of the car, highlighting the Batur’s extremely tapered appearance. The curved muscular rear retains a very pure style. The diffuser, which can be produced in carbon or natural

fibre, is very discreet, and is integrated into the underbody of the car.

Resolutely turned towards the future, Bentley has made a bold move towards a new concept of sustainable luxury through the choice of materials that equip this hard-top coupé.

Undoubtedly, the Batur will be

one of those iconic cars symbolic of an era and will remain as one of the most successful examples of GTs with internal combustion engines. The eighteen lucky buyers who paid two million euros each for their Bentley will have the satisfaction of adding an extraordinary and timeless piece to their garage.

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TAG HEUER x PORSCHE CELEBRATE THE PORSCHE 911 CARRERA RS 2.7 WITH TWO NEW LIMITED EDITIONS

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wo design icons that share an unmistakable name are reimagined as one in the form of colorful TAG Heuer Carrera x Porsche chronographs.

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In 2021, TAG Heuer and Porsche entered into a global partnership that celebrates their brands’ shared history and values. They are once again joining creative forces with the fourth instalment of their collaborative product design, releasing two new limited-edition timepieces in tribute to one of Porsche’s most iconic models and the first 911 to bear the Carrera name: the Porsche 911 Carrera RS 2.7, which is celebrating its 50th anniversary in 2022.

To mark the occasion, two distinctive TAG Heuer Carrera x Porsche Limited Editions are being introduced, showcasing the signature features that have made both the 1972 sports car and the 1963 chronograph timeless objects of desire.

“The name and spirit of the Carrera are incredibly meaningful and emblematic for both TAG Heuer and Porsche. So, for the 50th anniversary of the very first Porsche 911 Carrera, the iconic RS 2.7, we wanted to create a tribute watch that would express the character and power of this ground-breaking sports car within our own signature TAG Heuer Carrera chronograph. The two timepieces we imagined together are sleek, assertive, memorable; they reflect their illustrious past while also projecting something even more exciting – what

Porsche and TAG Heuer can now achieve together,” says Frédéric Arnault, CEO of TAG Heuer.

“The Porsche 911 Carrera RS 2.7 was the first 911 to be christened ‘Carrera’ and was the crowning glory of the Porsche range at this time,” says Detlev von Platen, Member of the Executive Board for Sales and Marketing at Porsche AG. “The anniversary of this sports car icon is the perfect occasion for us to launch a joint watch with our close partner TAG Heuer, with whom we share the same philosophy and love for exclusive products that combine innovation and heritage.”

The first Porsche 911 Carrera Revealed on 5 October 1972 at the Paris Motor Show, the Porsche 911 Carrera RS 2.7 is still immensely popular among collectors; an iconic sports car that, much like the TAG Heuer Carrera, blended racing spirit, performance and elegance in a new way.

Designed for racing and rallying, the Carrera RS was the first Porsche 911 dedicated to motorsports and nicknamed “Carrera” – a name that struck Jack Heuer’s imagination when he first heard about the Carrera Panamericana.

The Porsche 911 Carrera RS 2.7 hit the market at the end of the first generation of the 911. At the time it was the fastest German production automobile of its day and the most powerful 911 available for use on the street. Lightweight and aerodynamic, it was also the first road sports car in the world to have a front and rear spoiler (soon to be known as the “duck tail”), which ensured improved driving stability and a higher top speed. The wheels at the front and rear were of different widths for higher cornering speeds and improved braking.

The RS 2.7 was a road-legal vehicle that was intended to enable customers to take part in racing events. The exact same philosophy led to the introduction of the Heuer Carrera, a chronograph that was engineered for optimal timekeeping and legibility in high-speed racing conditions, while at the same time being elegant enough for the amateur gentleman driver who values sleek design in everyday life.

The Porsche 911 Carrera RS 2.7 was produced in a range of 27 vivid colors evocative of the 1970s, two of which were selected for the TAG Heuer tribute watches: The red and the blue. The colors stood out on some of the car’s unique and

unmistakable features: the bold five-spoke rims, the Carrera and Porsche logos on the body panels, and the famous solid line down the side of the car. In contrast, the rest of the body was bright white.

Vibrant TAG HeuerCarrera chronographs The same two-tone aesthetic was applied to the limited-edition watches. They are based on the 42-mm TAG Heuer Carrera Chronograph with its elegant tricompax layout, minutes and hour chronograph counters at 3 and 9 o’clock, and a permanent second indicator and date window at 6 o’clock. Similar to the powerful Porsche 911 Carrera, TAG Heuer has equipped its chronograph with its most advanced movement, the in-house manufactured Calibre Heuer 02, with an outstanding power reserve of 80 hours. Visible though the sapphire crystal case back, the movement’s oscillating mass is customized to represent Porsche’s three-spoke steering wheel and bears the two partners’ logos side by side.

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The blue edition The blue edition is limited to 500 pieces, marked XXX/500.

The finely polished steel case, rhodium-plated indexes and hours and minute hands recall the car’s chrome door handles, mirrors and window frames. The dial is made of smooth white opaline, while the two sub-counters feature an eye-catching “azurage” finish. Porsche’s design codes are seamlessly integrated throughout the TAG Heuer piece, with its blue lacquered chronograph and central hands, blue lacquered push buttons and shield logo on the crown, and blue markings on the Calibre Heuer 02 oscillating mass. The right sub-counter design recalls the rims’ aesthetic, while the signature color stripe 144

and Carrera logo make a bold statement on the dial, flange, case side, and strap.

For this special edition, the timepiece is presented with both a sporty fabric strap with the Porsche logo and Carrera markings, as well as an elegant steel bracelet with ergonomic H-shaped links for more formal occasions.

The red edition The red edition is even more limited, with only 250 pieces marked XXX/250. The refined case is in 18K 5N rose gold, as are the crown, pushers, and screw-down sapphire case back.The shimmery white dial is framed with a Guards Red circular line and features rosegold-colored applied indexes,

permanent second indicator, and hour and minute hands.

The fiery signature Porsche color is also reflected in the subtle red touches on the chronograph and seconds hands, sub-counter markings, and seconds scale on the flange.

The Calibre Heuer 02, which is visible through the case back, is engraved with sleek black markings. Complementing this sophisticated case is a luxurious red alligator strap with a solid rose gold pin buckle.

These two collectors’ timepieces are each presented in specially designed, co-branded TAG Heuer × Porsche packaging with vibrantly colored inserts. Available from 5 October 2022, they will be sold exclusively in TAG Heuer boutiques, on

the brand’s e-commerce websites and at select retail partners.

With these two RS 2.7 50th anniversary pieces, TAG Heuer and Porsche once again demonstrate the strength and authenticity of their partnership. Bringing together two of the most celebrated designs in motorsports and watchmaking – the TAG Heuer Carrera and the Porsche 911 Carrera RS 2.7 – the two brands have created the ultimate expression of their shared Carrera racing spirit. These two bold timepieces expertly mix the most beloved and recognizable codes from both brands and will delight collectors and fans of the special blend of performance and style that TAG Heuer and Porsche both represent.

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News

By Stephane Lechine

AUDI TO MAKE ITS FORMULA 1 DEBUT

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Formula 1 continues to capture the interest of manufacturers: Audi has announced it will join the competition in 2026.

The announcement comes as a real surprise and will mark the brand’s debut in the discipline.

Despite an impressive track record in rally and on circuit, the German manufacturer has never been involved in F1 until now.

Thanks to the promise of new engine regulations from 2026, as well as the budget cap established by Liberty Media, F1 directors were able to convince Audi

to embark on the adventure.

The use of 100% synthetic fuel and a greater integration of electric power are definitely a draw for the German automaker in terms of image. The group’s participation will be in collaboration with the Sauber Team, with the engine entirely constructed

by Audi. While it is too early at this stage to talk about drivers, one thing is for sure: the brand’s reputation will undoubtedly be enough to lure a top driver behind the wheel of the German single-seaters.

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MASERATI IN FORMULA E

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Announced at the beginning of last year, Maserati’s debut at the upcoming Formula E Championship marks the official return of the Italian automaker to competition racing.

By joining forces with the experienced Venturi Racing Team, for which it will supply the power unit, the Italian manufacturer hopes to find success in the hotly contested Formula Electric Championship. As the ninth season approaches, the cars will be equipped with a new third generation engine. Still just as spectacular, the single-seaters

will boast increased power with 350kW and optimized energy recovery. Designers estimate that 40% of the energy needed to propel the car will be regenerated during the braking phases!

The new season, which opens on 14 January in Mexico City, is sure to be an exciting one.

In addition to the plethora of talented drivers, manufacturers’ enthusiasm for the competition promises plenty of tough battles and a real challenge to be played out at each of the eighteen rounds of the 2023 Championship.

AMIRIAN.FR

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FERRARI PUROSANGUE

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The Ferrari SUV, the first fourdoor car to be marketed by the legendary Italian automaker, has already been enormously successful amongst fans of the brand. The order books have been filled beyond expectations.

To guarantee a certain exclusivity, Ferrari has decided that the Purosangue will only account for 20% of the total production of Maranello’s cars. Apart from its fashionable appeal, Ferrari’s interpretation has made this

SUV a model that outshines the competition. The interior boasts real four real seater with individually adjustable, heated seats.

The designers have succeeded in absorbing the car’s substantial height by creating a harmonious volume with a sporty line, thanks to the unique architecture with the front central engine and gearbox on the rear axle.

At 752hp, the Purosangue guarantees an exceptional performance for a so-called family car.

RENAULT 5 TURBO 3 E

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Once again, Renault pays tribute to its past. The latest concept car presented at Chantilly and the Paris Motor Show this autumn has what it takes to arouse the envy of many a car lover. A direct reference to the iconic R5 Turbo, this show car perpetuates the characteristic curated lines and retains the “Turbo” distinction. However, there is no turbo: the car boasts an electric motor powered by 42kW batteries, with a maximum power of 350hp.

Conceived and designed like a

veritable toy, this Turbo 3 E has a “drift” mode and turning radius of 50° to allow for truly spectacular tricks behind the wheel.

Equipped with some particularly imposing aerodynamic features like a gigantic rear wing and twopart diffuser, this R5, like its illustrious predecessor, is sure to turn heads. Will Renault have the audacity to offer this prototype in a series line? Given the enthusiasm generated by this presentation, we would be very surprised if it didn’t!

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Chefs take a unique angle to healthy eating

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n the kitchens of Europe’s finest restaurants, healthy eating is a term rarely used and, when it is, is likely to be scoffed at, in the much the same way as might a batch of overcooked rice, or a souffle that collapses.

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TOM KERRIDGE

If anyone can dumb down the craft, ingenuity and occasional arrogance of the much-vaunted Michelin star, it’s Tom Kerridge.

Kerridge has never subscribed to the pomposity of fine dining, and his rebellion against food arrogance continues at a pace, despite his eating habits having changed considerably in the shedding of over 11st in weight since bursting onto the food scene 15 years ago.

“Healthy eating was never a big thing for me – I was passionate about eating food, not stopping myself from enjoying it!” he begins.

“However I understand exactly the value and the need to look at what we eat and to adjust habits. I did that primarily for my own benefit, but when you are in a kitchen you do feel you have something of a responsibility towards those you are feeding in the restaurant.”

Kerridge admits hitting 40 proved a turning point. He underwent a huge life reflection in which he assessed where he’d gone, what he’d done and where he was to go in the future.

The owner of the two-Michelinstarred gastropub The Hand and Flowers, 20 miles west of London, concluded that from a health point of view he wasn’t in a great place, and I needed to change and adapt. “I don’t feel poor health was having an effect on my life and personality, but it was something I needed to recognise in myself and change for the better.”

What Kerridge decided on was a low-carb diet regime that resulted in over 11st of weight lost to date. This ‘Dopamine Diet’, as he terms it, was crafted specially to offer the chance to get fit while still eating food tasted fantastic.

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“Healthy eating can often just be about sensible substituting of one thing for another. It can be about focusing on driving flavours of food forward – that is really important to me, so it has helped reinforce everything I already know. People think healthy eating means stripping out a lot of the hearty, good stuff from food, but if you are clever and selective there can still be a lot in there that’s exciting – food that is very protein-led, for instance… so the roasts are still there, the stews are still there, and curries – that spicing of dishes – is all still there.”

Indeed, when it comes to curries, Kerridge is effusive, and the hotter, the better. He explains this is because when we eat spicy chillies our brains are tricked by the heat into releasing endorphins, which results in a natural high. His curry dishes make use of homemade sauces stuffed full of his favourite spices – curry leaves, turmeric, paprika and his secret ingredient, vinegar. “The acidity of the vinegar complements the spice fantastically,” he reveals. “And spices are so good for us!

“To those wanting to still sample the buzz of healthy eating, but who are also keen to explore vegetables, good carbs and even low-fat, grilled meat, a curry may be the best way to kickstart your healthy food revolution.”

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MICHEL ROUX

Jamie Oliver’s big break as a culinary master came in 1997 BBC documentary River Cafe – the then 22-year-old sparring as a sous chef amidst the chaos of one of the River Thames’ most seductive locations.

Oliver quickly flew the nest on the back of his phenomenally successful Naked Chef series, going on to influence a multi-generation swoop of food lovers whilst quietly amassing a £250million fortune in the process.

The decorated chef takes it all in his stride, yet in growing a chain of restaurants and witnessing his children’s school-cooked lunches, the now 46-year-old found himself closely involved in diet and health.

“In 2005 I agreed to produce a four-part documentary called Jamie’s School Dinners. There was a backdrop of fearsome dinner ladies, outraged students and significant funding cuts, but ultimately it was all about highlighting the dangerous amount of processed food being

fed to Britain’s schoolkids… both in the schools and outside of them. And this wasn’t just a British movement, it was global.

“I guess I should have predicted it would go viral,” he says, “and perhaps it always should have anyway. It began talking about school dinners and how they were fundamental to our kids’ physical and mental wellbeing in daylight hours, but it enlarged into this bigger conversation about lunches in general and all the hidden nasties present in so much of what we give our kids.

“Like most things I take on, they begin as one little idea and soon morph into something I can’t really pull back in,” he laughs.

Jamie’s School Dinners eventually led to a government-instigated overhaul of cafeteria menus across Britain which sought to replace processed and fried foods with healthier homecooked alternatives.

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It has gone on to kickstart called Jamie’s Food Revolution, which states its mission as to ‘provoke debate and inspire real, meaningful, positive change in the way our children access, consume and understand food’.

“I wanted to do it because even though I employed food nutritionists and I knew a lot myself through experience, I wanted to actually have the proper knowledge,” he explains.

Oliver’s work subsequently earned him an Honorary Fellowship from the Royal College of General Practitioners and the esteemed TED Prize, which grants the winner US$100,000 to put towards their ‘wish to change the world’, which he has stated as to help to create a strong, sustainable movement to educate every child about food, inspire families to cook again and empower people everywhere to fight obesity’.

There have been leaps and bounds made in the fight against child obesity, and Oliver’s charities continue the good work in raising awareness of the more hidden, unreported aspects of this worldwide epidemic.

“Unfortunately, Covid has pulled some back towards convenience – people are going for burgers over steaks; for ready meals over cooking from scratch, because time is tight, as is money.

“Ultimately though, healthy eating only ever starts at home, and it’s a 24/7 battle of balance and perspective. It’s a battle we undertake ourselves, and for our children, but it can be one.

“We may find our perception of tasty over healthy goes back a little towards fatty foods with the way the world is today, certainly if it means food costs less but still ticks the box in terms of flavour. The challenge is there, however, for making salad or vegetables or a lower grade piece of meat as flavoursome as possible using ‘new’ ingredients, and that should be something that excites any chef, professional or amateur.

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