CVSW January 2014

JANUARY Issue

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THE Custom Lifestyle Magazine for Car, Motorcycle, and Music Enthusiasts

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Contents...

CV SouthWest at the Show...T.O.D. & Orgy at LVCS (with Mystic Photography) Order from Chaos: Brien DeChristopher’s Equipment Blog The Jimi Hendrix Music Academy Gear the Pros Use...featuring T.O.D. guitarist David Nacca Mystic Photography Band Spotlight: Wayne Static News You Can Use, Motorcycle Edition...What “Cagers” Need to Know About Motorcycles News You Can Use, Car Edition...What is Some of the Worst Driving Advice from Parents?

Tattoo Gallery...readers send in pics of favorite tattoos

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Sherry Keith, as always, highlights the incredible local concert scene with pictures from Orgy, Finntroll, Heavy Honey, and Jake E Lee’s Red Dragon Cartel.

Jeffrey Easton spends time with a legend in the 80’s rock scene, Michael Sweet of Stryper; on the eve of the release of their latest album, Michael opens up to Metal Exiles...

Kevin Lastovica keeps you abreast of the latest happenings in Sin City, including news on the Raven Storm Project, Mr. Scary’s Vamp’d debut, and Otherwise.

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Every Mon Doc's Angels Every Thur Arena Tribute Every Fri Arena Tribute Every Sat Arena Tribute Jan 01 Johnny Roxx w/ReMix Jan 03 Threedom Rock Jan 04 Pillars of Creation Jan 04 Sicocis Jan 04 Sweet Ginger Pie Jan 04 Threedom Rock Jan 08 Johnny Roxx w/ReMix Jan 09 Brad Bailey Jan 09 Michael Schenker Jan 09 T.O.D. Jan 10 Sweet Ginger Pie Jan 11 Threedom Rock Jan 11 Vile Child Jan 12 Johnny Roxx w/ReMix Jan 14 Sweet Ginger Pie Jan 18 Threedom Rock Jan 19 Johnny Roxx w/ReMix Jan 23 Jordan Allena Jan 24 Jordan Allena Jan 24 the Solid Suns Jan 25 Jordan Allena Jan 25 ROXX Jan 25 the Solid Suns Jan 26 Johnny Roxx w/ReMix Jan 26 Whiskey Southern

Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage Fiesta Rancho the Dive Bar the Dive Bar Boulder Brew Pub Fiesta Rancho Fremont St Main St Stage Las Vegas Country Saloon Las Vegas Country Saloon Las Vegas Country Saloon Tatuado Fiesta Henderson Cheyenne Saloon Fremont St 1st Stage Tatuado Shakespeare's Grill & Pub Fremont St 1st Stage Horseshoe Casino Horseshoe Casino Noho2 Studio Horseshoe Casino Eat, Drink, Party JT Schmidts Fremont St 1st Stage Hard Rock

Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV N Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV N Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Henderson NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Tunica, MS Tunica, MS North Hollywood, CA Tunica, MS Las Vegas, NV Anaheim, CA Las Vegas, NV Las Vegas, NV

ve and Pete to fill out the band. <CV SW> What did you see in Steve & Pete that made you feel as though they were the type of musicians you were looking for to round out the band?

We had seen Steve, our bass player, play in other bands and saw that he was very talented, had a great look, great stage presence and a great personality. When we started rehearsals he and Pete, the drummer, were instantly on the same page musically. They laid down a great groove for the TOD sound. We were introduced to Pete by a fellow musician and were blown away by his talent. He is a rad drummer and really helped create our sound. <CV SW> What do you think works so well with this group of guys?

We all have our separate & individual musical influences, but when we write, we all have the same direction and we work well as a team. We all feed off each other’s ideas and always stay true to the T.O.D. sound.

The world as we know it will never be the same! Unleashed upon this spinning orb we call <CV SW> Who are your musical & vocal influour home planet roams a musical monster the ences? likes of which has yet to be seen. The time has VOCALS: Freddy Mercury, Ronnie James Dio come for a band to begin its journey to redefine GUITAR: Brian May, Neal Schon, Martin Barr the very essence of true Rock-n-Roll. <CV SW> What led to naming the band Time of Simply stated, now is the Time of Destiny!

Destiny?

It was our time to come back together and pick up <CV SW> Alrighty, we always begin these the where David and Tom left off and that was the basame way, tell us who is currently in the band, sis for the name. It was our destiny to do this proand what is their role? ject, so it fit to make the name Time Of Destiny, TOM HARDY (VOCALS) however, we go by T.O.D. DAVID NACCA (GUITAR) STEVE DILGER (BASS) <CV SW> Jump to the left here - David & Tom, PETE KIZZIRE (DRUMS) tell us about the years with FANZ - how did your time in that band shape your mature sound with <CV SW> This is the original lineup, yes?

TOD? Yes T.O.D. was always a musical band with melody <CV SW> What brought you 4 together, tell us from both a vocal and guitar standpoint. Vocals were always written with melody and the guitar about the forming of the band. How did you guys leads have their own melody that works with the choose the current members? vocals and the song in general. David is a melodic David and Tom had a renewed desire to work toguitar player with a great gift of melody in his playgether after many years of separation. ing as well as having great timing. The “mature We played with a lot of people and based on talent sound”, as you say, comes from our musical influand personality and music influences we chose Steences of great players both past and present.

party...

<CV SW> What do you think about the Vegas music scene <CV SW> How has working these days? Do you guys have with Dio shaped your success any insight how to make it bettoday? ter?

It gave us a very good work ethic, It is hard for an original band in music is fun but it is also a busi- Vegas just as it is in Los Angeles, ness. Work, work, work; you there’s a lot of BS to deal with. have to work hard to stay on top But there are some good places to of your game. play here, such as LVCS, Vamp’d, and the House of Blues. <CV SW> You guys toured with Poison, Rough Cutt, and a <CV SW> Do you have any idehost of other bands through Cal- as how to improve the music ifornia - what do you take away scene there? from touring with acts such as It would help bands in Vegas if those? we didn't have to "pay to play" A lot of good times, memories which causes bands to struggle and several hangovers… and many can't make it.

<CV SW> How did the "discovery" by Wendy Dio hap- <CV SW> How did you guys <CV SW> You talk about pen? end up in Vegas from Califor- "cookie cutter bands" in the loFanz was playing at the Roxy in nia? cal scene...little edgy comment, Hollywood and they asked us to David moved to Las Vegas and tell us about that opinion. showcase right away. After our became established in the music It is rather sad that the majority showcase we signed with Niji scene and always kept in contact of bands now seem to follow the Management. with Tom and it was the proper trend of the day and then they are

time for them to start T.O.D. and gone. Bands should stay true to <CV SW> Of course, being for that Tom had to move to Las their sound; that is what sepamentored by Ronnie James Vegas. rates them from everyone else. If Dio...how do you NOT be inyou listen to everyone that has an timidated working with such a <CV SW> Why the Vegas sce- opinion, you may as well just legend? ne? What was it about the VEWe had mutual respect for each GAS scene that called to you? other and it was a very exciting I moved to Vegas and opened and positive working situation for Nactrax Studios - yes that's a play everyone. Ronnie always made on my name! I was planning to us feel very at ease around him retire from performing and really and created a very relaxed envi- wanted to pursue the recording ronment in the studio. industry. I was working with local bands and they all wanted me <CV SW> What did you learn to play on their tracks. That led from him that really made you to me playing with a few bands go "whoa, we didn't know the first of which was "Soul'd that"?

Out" and I realized how much I He was very intelligent and hum- missed performing. I played with ble, he actually had a very big a few other bands and then when heart and was just really nice. He Tom came to Vegas we hooked never made you feel anything but up and formed Time of Destiny comfortable. But man could he TOD.

stop. You have to create music memorable shows? that is true to your personal We actually remember all of our sound and style, otherwise what shows for different reasons, but is the point? I do not care what our best memories are the people type of music people play as long that come to see us and sing our as they play it from their hearts songs. If we make them happy it and don’t put out the flavor of is all worth it. Our fans are memthe day. orable. <CV SW> "unlike those cookie <CV SW> Having spent so cutter bands" - what is it about many years in the business, TOD that sets you apart from what would you tell young people breaking into the music scethem?

We have always tried to write ne? What would you tell yoursongs with melody and meaning. selves, if you could go back and Our goal is to write meaningful give advice to a younger TOD? lyrics with a killer sound and we Our advice would be real simple; be honest to your own music, be hope people like it. professional and remember that settes, then cd's - today, it's iTunes single song sales, <CV SW> Any of your songs music is a business.

YouTube videos (from crappy speak to you on a personal lev<CV SW> How has the music cell phones) - do you see this a el? industry changed from those progress?

We deal with many subjects in our music; love, separation, days of yore?

We do see the new technology as death, life challenges etc. For ex- Technology has changed the in- progress since it enables people to ample, "Heaven's Angels" was dustry completely! It has changed hear and buy your music instantoriginally written about the trage- the way bands promote them- ly. Also they can share your mudy of 9/11 as well as the loss of selves and how they sell their mu- sic through social media worldDavid’s father. "Falling" was sic. wide. Best thing that ever hapwritten about the up's and downs pened. <CV SW> Back when *I* was a of living in Las Vegas. kid (yeah, that long ago), it was <CV SW> Is the ability to sell <CV SW> Any particularly vinyl, then 8 tracks, then cas- single songs on something like iTunes as an improvement to those prior mediums?

Being able to sell singles as opposed to a whole record is a great tradeoff - singles haven't been in the market since 45's were sold in the 60's. <CV SW> You guys make use of social media, but only a little.

Do you see social media as a necessary evil or savvy marketing tool?

We try to be selective about what to put on social media, we could always do more and we are starting to do more. We always try to

record it. We had all creative control over it as well as the CD jacket art and all decisions were made as a team. <CV SW> What is the status of the album?

We are just in the process of releasing it. We will debut the record at our next show with Michael Schenker on January 9th at the Las Vegas Country Saloon. <CV SW> Okay, 2013 is winding down, what’s in store for TOD in the near future, and promote the band in a positive You See Me”…was it an easier what plans does the band have way. We also see it both ways process after all these years? in 2014? (necessary but selective).

How has making an album We are excited to be playing as changed from the earlier days? direct support for Michael Schen<CV SW> Do you guys have a Having our own studio and pro- ker on January 9th, 2014 at the favorite place to play? ducing our own music has defi- Las Vegas Country Saloon. We We love playing at the Las Vegas nitely made it an easier process. want to continue to write music Country Saloon and Vamp'd; of Having full creative control al- and play venues in Las Vegas course, we are always up to play lows us to create our unique and possibly go out on tour. We T.O.D. sound. What makes our are looking to shop our music to the House of Blues! album special is that we were major labels and hope to find that <CV SW> Tell us about “Can able to write it, produce it and opportunity in the coming year.

"PREPARING YOU FOR GREATNESS"

Orgy & T.O.D. @ LVCS It’s November 22nd the night winds are chilly was just boarding his flight. Even though he more and the stage at Las Vegas Country Saloon is than prepared himself to land in time for the show; warming up ready for the show to begin. It is time it didn’t keep away the force of events that profor music lovers to come together throw their fists longed his journey. Reports of a car crash delayed in the air and wrap their senses around synth-rock the flight crew and bad weather impacted his flight, blasts and the rocking silver screams of classic en- sucking up the time he needed to be at the venue. tertainment.

What to do? Jim Louvau, the singer from a band called The Attitude jumps onstage. Grin on his Cameras are at the ready as Time of Destiny face and mic in his hand he confidently takes the takes the stage. I was immediately impressed by stand as Jay finally boards the plane and was on the energy of the band and the power behind the his way. Jim took over the microphone and sang vocals. I can easily say the singer sounded like their songs with dashing flair and complete compeRonnie Dio. Very close! He hits the high notes tence. I watched happily and absolutely loved his fearlessly and the crowd listens in awe. As I sit style. The band played flawlessly. I knew then that watching and writing the band just keeps sounding the show was indeed going to be a gem and a rare better and better. On stage right, David Nacca is one indeed. It was impressive that Jim knew all wielding a guitar that just dazzles my soul. David the songs and sang them very well. Halfway had written a beautiful song dedicated to his father through the set, Orgy’s drummer Aaron Monacco called “Heavens Angels” and as I take in the lyrics, announces that Jay had landed safely in Vegas and I see his family standing behind me watching in was on his way. The band takes a break and began full admiration. On stage left, bassist Steve Dilger conversing with the fans. How awesome is that! is totally in the moment. I could tell he was one It’s a cherished moment when bands put down with the music and totally in the zone. Behind cen- their instruments and become one with the auditer stage of course was the heartbeat of TOD, Peter ence. They talked with us and told jokes keeping Kizzere. Not only was he an impressive drummer the air sweet and alive. Minutes go by and Jay but a backup vocalist as well. Drumming isn’t easy rushes into the venue still dressed in his regular and singing at the same time takes true talent and clothes and the crowd goes crazy screaming his that’s what this band possesses. A plethora of tal- name, cheering him on. He changes his clothes ent from four brilliant musicians who have been and runs on to the stage grabbing the microphone soaring the seas of rock and roll for over three dec- and sang his heart out more than ready to rock. ades. Now that’s what makes a band that will be a Towards the end of the show, Jay asks the crowd, part of legendary history. “which song do you want to hear?” They screamed The night is still young and the audience is “Blue Monday”, which is no surprise to me bemore than ready for the synth-rock, sound domi- cause that’s one of the band’s most popular ones. nating, bedazzling band from Los Angeles, Orgy. Everyone sang along loud as they could as the This band has been a massive part of the music sce- show came to an end. A rare show indeed. Excitne for two decades and this particular set is most ing, interactive and fun! In the world of music, definitely a unique one, unlike any other set they there are specific moments and events that carry on have done. All band members at their stations in- through time genuinely and becomes a part of hisstruments tuned and ready to burn… but no singer. tory unforgettably captured in our hearts…. Orgy gave us just one of those.

Lead vocalist and founder of Orgy Jay Gordon

Order from an Agent of Chaos Agents of Chaos’ own Brien DeChristopher gives us his take on the proper set-up and usage of a Floyd Rose tremolo on a guitar…as well as a little clarification between them and stop tailpieces.

One thing I hear a lot is, "How can you stand a Floyd Rose? I can never keep them in tune!", or, "Man, guitars with floating bridges are just too hard to play/maintain!"

Nonsense.

Physics have a LOT to do with the playability of a guitar. And whether your bridge Floats or you use a Stop Tailpiece set-up (Les Paul, Explorer, etc.) or not really has nothing to do with whether one style of tailpiece is better or not. They really are TWO different animals entirely.

A Stop Tailpiece is usually comprised of a bridge (with movable saddles for intonation) and a solid piece that the strings travel through to connect with the wood of the body for tone and sustain. These types of tailpieces are great for some folks, and makes playing a little less complicated, but BETTER than a Floyd Rose tailpiece? I beg to differ. And, since this particular blog post is focused on Floating Bridges, that is about all I will say about them, except that when you bend a note on a guitar with a stop tailpiece, you only affect the note(s) you are bending/ playing (leaving stress-relief of the neck out of the equation).

A Floating Bridge is based on a plate set to balance on-axis at two points (usually at the front edge of the tremolo), and counter stresses the strings with two or more springs in the back of the guitar. When you bend a string on a floating bridge, it will affect all the strings because the tailpiece is balanced on a 90 degree fulcrum point. So, when stress is added to one or more strings (bending up in pitch), the tremolo naturally leans forward a tad. That loosens the tension on the other strings, and can make them sound out of tune or out of intonation. Additionally, because the tremolo system is based on a fulcrum balance, proper set up of the tremolo is CRUCIAL to good performance and playability.

Pretty much EVERY guitar I own (except for my Gibson Les Paul I use in the studio) has Floyd Rose tailpiece on it. And, I use them. Not overly, but I DO use them to color my style of playing. Floating Bridges are not JUST for dive-bombs. Sure, it sounds cool, but I like to use them for reverse bends, slightly manipulating a chord when it is being held, and other fun little technique tricks that others use a foot pedal to achieve... like FLANGING (an old recording trick where the recording/mix engineer would lightly rest their fingers on the edge of the tape reel, and add/release pressure to speed up/slow down the tape). I do that with my bar. It's a might hard to explain in text, but to hear it sounds really cool.

Anyway, there are a few things to keep in mind when using a Floyd Rose or similar floating bridge...

Proper Setup: When your guitar is strung up with your favorite strings, and tuned... the plate of the tremolo should be lying exactly parallel with the body of the guitar. This is done by tightening or loosening the springs on the back of the guitar until the stress caused by those springs equals the stress of the strings pulling against them. This will balance the tremolo and open up a whole new world of technique to you as a

player.

Proper Intonation Set-up: This is true for EVERY guitar, but with a floating bridge, it is IMPERATIVE it is done right. It will increase sustain, tone, tune-ability, and harmonics. Each saddle, like a stop tailpiece has, can move forward or backward to properly intonate the strings. And, even if you have multiple guitars with Floyd's (like I do), no two of them will be set up EXACTLY the same due to wood, body shape, pickups, string gauge, etc. (I'll cover proper intonation of a Floyd Rose equipped guitar in another blog.)

Proper Hand Positioning: One mistake I see a lot of players make, is resting their hand on the bridge when they play. That is not only lazy playing, but makes for a difficult time keeping the guitar from "Flanging" or chords/notes going out of tune or pitch. Your picking hand should not rest on the trem unless you are muting notes, rather, it should float gracefully ABOVE the trem without touching it.

Proper Understanding of the Basic Physics: If your bar is set up correctly, it will balance and lay parallel with the body of the guitar when at rest... not tilted back or forward... but completely flat. When you push down on the bar, the notes will go flat, when you pull up, the notes will go sharp. When you bend a note, you will have to bend it a little sharper than on a stop tailpiece, because the added strain will cause the bar to tilt forward a tad...so just bend a bit sharper and use your ears to listen to the notes until you get comfortable enough to recognize the pitch by the feeling of the string as you play... but that comes with time and comfort with the trem. <TIP> You will know when your floating trem is set up properly when you can smack the bar with a fingertip, and the notes you play sound like you are under water (an old Brad Gillis trick).

Proper Tuning of the Instrument: If it is properly set up, your guitar will be a snap to tune, as you just wind the strings tighter until the bridge plate is even with the body, and then tune the strings. Simple. The fulcrum balance of the bar does this. So, proper setup is imperative.

Proper Social Engagement Regarding Floyd's: So, the next time you tell somebody that you can't stand Floyd's, remember that what you are REALLY telling them is that you don't know how to set one up. Cool, they aren't for everyone... But ignorance is no excuse to try to prove your point on why you feel your stop tailpiece is better... it isn't. It's all about style and technique.

<CV WW> Welcome to the some big halls and fests. It’s not accidentally end up in this pages of CV WorldWide… about having a good time and do- band, I believe, this is something ing something with your days. that gathers us together under Metsatöll? !

Hey! We are Markus and Lauri And when there’s something in that name. from Metsatöll. Warm greetings you and that something can be and thank you for this interview. easily transformed into music, <CV WW> Also what is the why not? The soul of music lays significance of the sym<CV WW> Who is currently in not in the amount of notes one bol...what does it represent? the band, and what is their role? can play but in the quantity of Markus: Our symbol is a compoMarkus: Guitar and lead vocals time spent! Don’t you think? sition of four letters of M. No Lauri: Vocals, guitars and tradilegend about that sadly. <CV WW> Fair enough.

Now, tional instruments Lauri: The ornament is made by the name Metsatöll, Estonian our old drummer Factor and he Kuriraivo: Bass and vocals saying for “wolf” – why that did put 4 M-letters together. But Atso: Drums and vocals name? of course when you are interested <CV WW> According to your Lauri: Markus said that it was in symbols, you know that in difbio, you formed the band in something that he found in some ferent cultures, and also in Esto1999, but at first none of you kind of dictionary of Estonian nian, that the same kind of ornacould really play any instru- dialects and liked it. Actually no ment has been used for good luck ments that well, did I read that one nowadays uses a word like and defense-magic, the symbol of right? Why form a band if you this - the word was used west of the sun - this is probably the first could barely play? That is very Estonia as an euphemism for symbol you stumble upon if you wolf, to not have to say the word open whatever book or research ambitious.

Markus: Yes we were ambitious. “wolf”, as it might call the ani- of symbols. I think the symbols And music is something that mal to come and do harm to your comes from the depths of your animals - so, they said different soul so we had to unleash the words, like “forest animal”, “grey beast! What we really meant in -one” etc. Nowadays the Estoniour biography is that our will to an for “hunt”-wolf is also a eumake music was stronger than phemism that has become the main word for wolf; the older the skills we had that time.

Lauri: It’s a bit of a humorous word “susi” is commonly used statement, you know, when you only in south of Estonia. are young and rebellious, want to Why wolf, specifically? Markus do something “cool”. It’s not stays silent on this for the most about forming a band and getting part, but for me it’s something I famous with that and conquering know, it is a part of me. We did

there were too many barbie- thoughts and emotions that our b e a c h - k e n - c a r s - s y n t h - songs carried. And if I may say nomeaning kind of pop he still does our translations. bands. Like everywhere, I Lauri: Metsatölls songs are all in think.

Estonian. They can even be said Goals - personally, I had no in Estonian languages - in my lyrgoals, I’d like to play music ics I do often use archaisms and and that’s what I did. Of dialects that can be more accurate course, when I heard first describe what I want to say.

Markus’ Metsatöll demo that Making lyrics is like painting a they did record, honest, it picture - you cannot see every dewas really terrible and disas- tail in it but all together it has to trous, and some of my make an emotion to the listener friends were really disap- or reader. Estonian is a very compointed when I joined plicated language and I like to Metsatöll; they didn’t under- write meanings beyond symbols stand why the hell I’d want and symbols beyond meanings to play in a punk band. But it and make it so that it all together was Estonian, no yelling and paints a picture to a decoder - lisdo work even if you are not roaring, still metal, good bass tener or reader. Or to myself. aware of the meanings behind riffs, played by my friends from Translating one language to anthem - the good or not so good. the same neighborhood. And so other is a very complicated thing.

And if you use them wrongly - it went…

Actually you cannot translate a the fall is fast in coming. culture - symbols, jokes, feelings <CV WW> Early on, I assume (for an example - try to think <CV WW> At that time, tell us your songs were sung in your about meanings of “home”, about the Estonian music scene native language? Tell us about “forest” or “winter” in different – what was it like? What were translating them to English. continents and places of the your first goals?

Markus: Our first drummer was world), but you have to do your Markus: Black metal was truly (is) really good in English so it best. Factor, our translator and popular at that time when I de- was his challenge. He didn’t do old drummer has really tried and cided to make my own band. I the direct translation of our lyrics we hope that an “English” reader was not really into that style. So I but he tried to bring up the gets the stories we want to tell. wanted to play heavy metal with the clean vocals. I was a huge Bathory fan so I added an epic touch to my music and I’m glad that most of the time it came spontaneously.

Lauri: We had played with Markus in a black-metal project, yes; the black metal was a big thing back then. I also played in a grotesque-folk band then and didn’t really care about Estonian metal-scene at all. Of course, for me there were some big Estonian things, I liked - Hortus Musicus – the kings of Estonian Medieval scene, for example, but overall

<CV WW> You released a be good to use every day in am- Lauri: Actually there was even demo album later in 1999, then plified concerts and still make some “arguing” about already having a song that had the brought in Lauri as a second some “Estonian” sound. torupill in it. The second guitar guitar player, but also as a musi<CV WW> Those instruments was more “metal”. It took cian who played the torupill, are custom made by Lauri, yes? around 5-6 years before leaving kannels, and flutes…those are Lauri: Some of them are built by my guitar “gently to weep” in the traditional Estonian instrume, some are customized and corner of a stage. ments? some are built by other Estonian Lauri: Yes, all of them, though masters. <CV WW> What do you think some of them are quite common in every corner of the world. <CV WW> It is interesting that it adds to an otherwise heavy Some are played only in Estonia - you add those sounds to your metal sound? like torupill, the Estonian bagpipe metal songs, why did you start Lauri: It adds more of that - now there are several dozens of doing it? Did you have the idea “Estonia” of course! bagpipe-like instruments in the before he joined, or come up <CV WW> Atso became your world, but the Estonian torupill is with is after? very different in sound and con- Markus: When Lauri joined the drummer in 2004, the lineup is struction. Of course the main "wolfpack" it made our music complete; what do you think idea is the same. The flutes I do more colorful; it meant all the se- works so well with this group of use now are but made by cond guitar parts we decided to guys?

“Mollenhauer”. They are really play with traditional instruments. Markus: We are four men who good stage instruments - loud and It did made the song writing know exactly that we are living clear. But I have in my mind an harder but much more interesting our dream. Life has given us a idea to rebuild some Estonian and then we understood that this chance to make records and to flutes that way so that they would is the way to go. tour with our band. In the music

world you do not have second pictures from memories of my chances. So this final line up does personal life; or impersonal memwhat it loves to do; play music. ories of Estonian history.

Lauri: I personally don’t have dreams and I do not dream. I <CV WW> Growing up, did think everything that works with you have any other interests? us so well, is that we are not teen- How did you fall into music? I agers any more and we managed don’t know much about growto stay together for those 10 years ing up in Estonia, but heavy or more. We know each other metal isn’t something I’d think very well and are OK with it. would be a popular career choice. <CV WW> Who are your musi- Lauri: Who thinks about a career cal & vocal influences? during your youth? You just do Lauri: It is a hard question, we what feels good and let the decide could say all something about our -department see where it leads to. Lauri: Maybe it’s something stefavorite bands or musicians now I have worked as a baker, been a reotypical, but in our thoughts, but it doesn’t really mean that we medicine-man in army, in IT- we sometimes “just know” what have influences of them in our business for 15 years, but I al- people should listen to in some music. But if I stand on the out- ways had interest in traditional country. For instance, a stereotypical German “galloping” or side and have a look to Estonian culture.

Spanish “joyful speed” song.

Metsatöll’s music, leaving personal interests behind, then there <CV WW> In an interview a is some touches of Slayer, maybe while ago, you said that "we <CV WW> You said that your Finntroll, Iron Maiden, Man- choose the songs we play based music sound is universal, that owar, Korpiklaani. At least it is on what country we are in" - people as young as 18 and old true, that every band you tour that is interesting, what things grandmothers listen to your muwith leaves something in your do you think about that help you sic, what do you think is the reason that your sound appeals music. choose different songs based on But personal - when I do write the country, can you give us an to so many ages?

Markus: I think that if people see some lyrics or music, usually the example? us live then they see that our muinspiration comes from nature or sic is honest and in a way people get the true emotion and the feel of our energy. When we record or play a gig we always do it with the true emotion. I think people love the honesty in our music and the energy we bring. <CV WW> You've said "we want to do more and more gigs", do you prefer touring and playing live over recording?

Markus: I think recording and touring have to be balanced. Performing live does add a visual experience of the band. I personally like both and I think if you make a record it is cool to show it live

100,000 people! How to raise the popularity of rock overwhelming is the music in Estonia. feeling, standing on stage, thinking about <CV WW> In 2006, you replaying in front of release your demo album, and that many people, af- win the award AGAIN…why ter starting off play- did you decide to re-release the demo, even though it seemed to ing for so few.

Markus: Yes it was an work out well for you. overwhelming view of Markus: You are absolutely the crowd. But we will right. Every time bands re-release say that when you their stuff it turns out to be a dishave an audience that appointment but in our case it big it is pretty hard to was different. Our first demo did share your energy not include traditional instruwith them because the ments so we had a chance to repeople were hundreds arrange that first material we of feet beyond the wrote. So it turned out better stage. But yes the feel- than the original material. At ing was absolutely ter- least I think so. rifying at first and awesome at last. I <CV WW> Talk to us about wish we could play “Raua needmine” with the Estoo because live is always differ- more shows like that... tonian National Choir – how ent and sometimes an even better Lauri: I think it doesn’t matter did that project come about? way to get people into your mu- how many people are there in Why did you decide to play the sic. front of you, it’s like an act, you show in the ruins of the Pirita just do it as well as you are able. Cloister? <CV WW> There is a funny It would be strange to overplay Markus: It had been our dream comment on your site that talks your part and it would be stupid for a long time to play with the about Köva Kont…the funny to underplay it. Playing in front choir. As a Bathory fan I was alcomment is that it details your of this many people is again history from the first gig like a live shoot on TV - there “attended by both your fans” – c o u l d be 1,000 or both your fans? What did you 100,000,000 watching you think, back then, seeing that who cares, nothing changes, small an audience? enjoy it.

Markus: We thought it funny to say. But what we meant with <CV WW> The awards very earthat comment is that we don’t s t a r t e d care how big the audience is we ly…”Hiiekoda” was rewill always play with full force. leased, the band’s populariThe smallest audience we have ty took off, and Metsatöll actually had is 7 people. It was wins the Best Metal act in our first gig and it’s understanda- 2005…did you expect THAT success so soon? ble.

Markus: I didn’t expect any<CV WW> It’s an incredible thing so soon but I’m glad it road from that point to Mär- happened. Finally our hard kamisaeg, attended by over work paid off. We managed

ways wondering how our music would sound if we include a true choir. And so it happened that one day at a festival we took this project. And what made it really come true for us as an experience was that we performed it in an old cloister that seemed to be the perfect place. It was a success.

write music in completely different conditions and a lot of nature around us.

Lauri: Of course there was a lot of old material, dictaphonedemos and lyrics before it. But some of the music did arise from there. The not-expected part was that we decided to record an album instead of arranging some demos.

<CV WW> How has the sound of Metsatöll changed over the <CV WW> You said that years as you've matured as a “Äio” contains “a breath that band...or has it? cannot be achieved in a big city” Markus: We never write the – what does that mean? same kind of album. That’s why every record sounds different.

Lauri: We did record in that Next year we will release a new small summer-house of our album and it sounds the heaviest drummer and the feeling overall of anything we have ever done. Estonia, so its not really big deal. was different than in a closed stuAlso, out new single "Lööme New record…go there and take dio in a town. Bird are singing, Mesti" is available in Spotify and the damn grail again. cows mooing, etc.. iTunes.

Lauri: I like your point! The <CV WW> “Äio” is released, <CV WW> Talk to us about sound and music are not improv- but the process putting it togeth- your shows in Afghanistan in ing, they are changing. Yes, we er is different – you wrote the front of the soldiers – how did want to do something different in music while secluded in a small that come about? an every album and we work farm – why change the process? Lauri: We had an invitation to with our sound-engineer Keijo a Markus: I think it’s completely Afghanistan twice, first time we lot on the end result. I think the understandable to change a pro- refused, we did not want to retrust between band and a studio/ cess sometimes. We were trying ceive an invitation a third time. sound guy plays really big part of to find different corners in our It’s all about Estonians. every band’s record. Everyone music and this time we experi- Markus: Yes we had 2 great changes and with it the traces one mented with what happens if we shows in Afghanistan. The soldiers’ reactions leaves behind. were good. I know <CV WW> that they didn’t “Iivakivi” wins even understand you yet again the our language but Best Metal Act still had a great award – do you time at our show. feel any pressure <CV WW> What to repeat your of the reaction past success, even from the troops, now after so many what is what you awards? expected?

Markus: No. Lauri: I think the Lauri: There are situation there was not so many popua little bit different lar metal bands in

<CV WW> necessary evil or savvy marketHaving spent ing tool? so many Lauri: I personally do not use soyears in the cial media, racebook, basebook, b u s i n e s s , facebook or whatsoever, but I what would agree, we live in the century we you t e l l live in and we must use our cenyoung people tury’s possibilities. When everybreaking into one is on Twitter and Facebook the music 49 h. in a day, we must go and grab their attention in the right scene?

Markus: Be moment. When we go around y o u r s e l f ; gluing old school posters on the work hard walls, no-one notices; their eyes like never be- are all focused on their I- and fore, never Smartphones. give up. <CV WW> The band has Lauri: Know what you played over 500 shows throughwant. All the out the world, where have been than in earlier times, playing in music is not about business and some of your favorite countries the front. We did mostly play to business can also be an art but try to play? the local Estonian troops, they to make music at a different time Markus: We like to play everywere glad. Most of the reactions than business, keep them sepa- where. We have toured Europe and now twice in the USA. And I happened offstage and it was co- rate, focus in the moment. do not remember any some counzy and fun, even when I knew what’s happening around us in <CV WW> Let's talk about the try that was not a good tour for that area. music business - back when *I* us. was a kid (yeah, that long <CV WW> Did you ever feel ago), it was vinyl, then 8 unsafe while in that country? tracks, then cassettes, then Markus: We were more secured CD's - today, it's iTunes sinthan in civil life; we were enter- gle song sales, YouTube vidtainers so we had to be protected eos (from crappy cell phones) at its best.

- do you see this a progress? <CV WW> Do any of your Markus: Actually I’m glad songs speak to you on a personal that people who listen to metal are also very loyal fans. I level? don’t care if someone puts our Lauri: The meanings beyond the music to YouTube, I know songs lay for me in lyrics. Every that if the person truly likes lyric/poem I write, is a personal you then he buys also your expression of me. So, yes. stuff. <CV WW> Do you have any Lauri: The idea of progress is particularly memorable shows? a fiction; it’s just different.

Why was it memorable? <CV WW> You guys use of Markus: We have played over social media quite a bit…do 500 shows and I can say that eve- you see social media as a ry gig has been memorable!

Lauri: Playing is always fun! But concert - making that “teapot- 10226, What could I say? Stay I have to admit, Finland and Es- stand”. Spaniards do moshpit confused! tonia are still homier than rest of and stagediving before the first <CV WW> Okay, 2013 is windband starts… the world. ing down, what’s in store for <CV WW> Where do you think <CV WW> “On their homep- Metsatöll in the near future, and age, and to date their releases, what plans does the band have the craziest fans live?

Markus: Hard to say we haven’t Metsatöll uses the chronology of in 2014? the local natural religion. It be- Markus: We have big plans for toured the whole world yet. gins with the Billingen catastro- the year 2014. In February we Lauri: At home. phe of 8213 before Common celebrate our 15th anniversary <CV WW> How do people re- Era, when the Baltic ice lake and in March we will release act to your music in the different broke its way into the ocean and our new album. So stay tuned!!! countries, or do they react the most of the current territory of Also we really hope to tour same way? What differences do Estonia appeared from under again! But yes one thing is certain you see in fans in different plac- the water.” Is that a tribute to new album definitely will be rees? the history of Estonia? Aren’t leased in March and as I said beMarkus: In my opinion they re- you worried that people might fore new single is already availaact the same way everywhere de- get confused? ble in Spotify and iTunes. It’s spite the country. If they like you Lauri: There are many chrono- called "LÖÖME MESTI" they are with you if not then our logical systems in the world. If music is not for them. there is something different in a Lauri: Thank you one more time Lauri: The people in different calendar of some nation and if for this interview and we do hope lands are different. And different that nation interests you, you to see you soon at one of our persons are different in those must find out what it is all about shows; tell all the readers and lislands. But stereotypically,we can and then you don’t get confused. teners - do not be shy to shake say that, of course, German reac- And when you do get confused our hand afterwards and have a tion is always different from about some calendar having chat with Metsatöll – meeting loSpain. Germans are warm, but month like “marraskuu” or cal people is the most interesting they prefer to stay still during the “azar”, years like 1392, 2572 or part of touring!

The Hendrix Music Academy is a Not-for Profit Educational Charity, created

by Jimi’s niece, that has been serving the At-risk youth of our communities, since October, 2009. The Mission of the Hendrix Music Academy is to provide Music education, intervention and mentoring programs to the At-risk youth of our community, so that they may achieve their highest potential as musicians, leaders and global citizens. Our innovative music and mentoring programs encourage and develop good musicianship, citizenship and reduce juvenile delinquency, which in turn, reduces violence and crime in our communities.

CV NW partners Lani Linton & Molly Larpenteur stopped by the Hendrix Birthday Tribute Show for pictures and thoughts...

We

all know Jimi Hendrix as an icon, a god of guitarists and musicians stretching to all corners of the globe. Many people were inspired by his talent. To this day, people celebrate his life, and his songs that still grace the airwaves.

Tina Hendrix, Jimi's niece, radiates with the spirit that her uncle had shown. It's no surprise that when an opportunity arose in 2009 to help some kids in trouble, she took on the challenge with seemingly no hesitation.

In speaking with a local sheriff, Tina found that they were looking for an outlet to help rehabilitate some of the kids in the area that had been getting into trouble. Tina, owning a music studio, immediately volunteered.

When a teen was presented with the option to be a part of The Hendrix Music Academy, they were forced to accept some conditions. No bad mouthing, show others and themselves respect, and think about consequences. Tina gracefully states "Don't procreate off queue".

The program started out being six months long. At the end of the six months, the kids would get to play a show on an actual stage...showing off in front of a crowd of people their hard work and dedication. But when that six months was up, many decided to stick around.

Tina has an open door policy. You can come, you can go. Your reward is as worthwhile as the work you put into it. People are people. If you mess up, you are welcome back with no judgment. But when you get back, the same old rules apply. Respect those around you.

November 27th, Jimi's 71st birthday. Fans, friends, and family piled into The Vera Project, an all ages, volunteer driven concert venue housed in the Seattle Center. From the second one walks through the front doors, the aura of art washes over you. White walls are drenched with paintings from detailed and enchanting images displayed down the side of a stairwell, to colorful and vibrant graffiti plastered bathrooms with sayings like "Things to do; 1: Make out with a foreign stranger" and "you might wake up and notice you're someone you're not".

Through black double doors is a dark room surrounding an up and personal stage. Chairs were arranged both at the back and sides of the room for guests who wanted to be seated. All were full and still more people appeared, standing, wandering through the room, or sitting on the floor front and center to enjoy the show.

The crowd grew silent as Tina walked onto the stage. She was dressed head to toe in emerald green. Her hair was meticulously put up. Her eye makeup was a prism of glitter and feathers. Her dress was a gown of green velvet, and her knee high boots were matching in color and sparkled like stars under the lights. She thanked the crowd for being there and introduced her first students to occupy the stage.

Kurt (vocals), James (bass), Pratik (guitar) and Christine (drums) took the stage and jumped right into a rockin' version of "All Along the Watchtower" by Jimi Hendrix. The night was officially kicked off, and the benefits of the academy were instantly apparent. Kurt stayed on stage, lights dimmed, and proceeded to showcase his talent as not only a vocalist, but a stunning guitarist as well. The room filled with the spooky (in a good way) and hypnotic chords that he strummed. Guitarist Pratik played live his own song "Cigarettes", currently for sale on Amazon.com. James rocked the bass, and Christine held down the beats and supported her band mates with her rhythm.

The night progressed with numerous artists. Kayla Stewart awed the crowd with her languid tunes, Godfish tore it up, blasting show-goers with a heavy dose of energy. Blumeadows and Stacey Stanford added flavor. Eddy Rigotti shocked the audience into admiration when he started playing the guitar with his teeth! Leon Hendrix took the stage, his experience displayed. Last but not least, Tina graced the stage, singing and playing violin.

It was obvious, that although celebrating Jimi's birthday, this night was for the students. Their hard work was clear as glass. They walked onto that stage and played with a confidence that only a true professional can fathom. One could see friends, family and fellow musicians supporting one another, when you'd expect competition.

A few days later I found myself sitting in the studio of the Hendrix Music Academy. The room is mostly decorated in purple. A small seating area and a sound board were in the main area, with rooms filled with instruments of all sorts branched off. When I arrived I realized that today, a Sunday afternoon, would have been a normal practice day. But instead, the day was to be spent celebrating a job well

done. The Jimi Hendrix 71st Birthday show was a success, and they deserved to revel in the experience.

When Christine, James, Pratik and Kurt were all present, Tina asked if they were busy on Friday evening. All responded that they were not, and that they would make time to be present for a meeting at the academy. To clarify: supposedly troubled teens, voluntarily made their time available on a FRIDAY night. I was shocked. But my astonishment was quickly put into check when Tina said, "What makes these kids at risk? It's the environment of our culture."

She had proven exactly that. By showing her students the respect that she expects to receive from them, and being openly loving, supporting and patient, she in fact, receives the same in return. That's not to say that there aren't hardships; of which evidence was displayed so that the other students could acknowledge it. Those who would cause harm to others are forced to take accountability for their actions. But once they have, they are met with open minds and open hearts.

In the time I spent with Tina Hendrix, her family and her students, I was filled with warmth. I left the academy with a feeling of positivity that sunk to the core. For someone to use their time, money, emotions, strength and experience to help others, and to be completely selfless while doing so, enables me to admire them to the highest of standards. The instruments and lessons are donated, or paid for from what little money is available. But the passion, so apparent and out in the open, is what makes the Hendrix Music Academy a driving force.

Gear the Pros Use! Guitars: Purchased in 2008 is a 1961 reissued Gibson Les Paul Standard Tobacco Sunburst with Humbuckers Purchased in 2007 PRS Custom 22 (2 PRS Dragon II Humbuckers Purchased in 1981 Acoustic Ovation Balladeer “I have been playing Les Paul guitars for 35 years and have always felt comfortable with Gibson Les Paul. Recently, I purchased an AX PRS. I have really found my new sound with this guitar and feel that it has changed my playing to a much smoother style, I attribute that to a fast neck and a smoother feel to the guitar. I tried a lot of different heads and settled on a Bogner Valve, I like that it has a tube sound with all digital effects with 1 data cable with hundreds of sounds and is all programmable - you can’t beat it. Ernie Ball cobalt strings gives me a more metal sound. They really resonate with an electric guitar sound. ” Guitar head: Spider Valve HD100 Bogner 150 Watt with a Line 6 Preamp and Effects.

Line 6 FBV Shortboard Volume WaWa Pedal Speaker Cabinets: 1980 Flag Systems 4-12 Cabinet, 4 Celestions 35 Watt Speakers Randall 1984 2-12 Cabinet, 2 Celstions 65 Watt Speakers Behringer 4-12 Cabinet, Stereo Slanted Wireless: Shure Wireless Guitar System PGX4 Strings: Ernie Ball Slinky Cobalt 10's

For good luck, I wear a Ruby Ring left to me from my father, Carl Nacca, who passed away in March of this year. Dad was at nearly every show since I started playing as a kid in Southern California.

Picks: V-Pick Thick Bass Size “I used a nylon guitar pick for 35 years and then I picked up a VPick a few years back and quickly realized it was very very fast. They are made of acrylic and almost adhere to the heat of your fingers so they don't drop as easily as other picks. I am currently using the larger bass sized pick which gives me much more control.”

With the Bogner Power Head, Cobalt Strings, V-Pick and the PRS Dragon II Humbuckers - this is my defining sound for 2014.

With Christmas approaching the Las Vegas valley, there was no shortage of shows featuring local bands. From Battle of the Bands events and midweek Birthday Bashes to Holiday Parties featuring national touring acts, Vegas venues turned up the heat this December.

The Sin City Sinners took over the Viny'l stage for a special Holiday celebration benefiting "Toys For Tots".

Heavy Honey brought the guns back out, opening for none other than Jake E. Lee and his new entourage of rock magicians in the 'Red Dragon Cartel'. This could quite have been one of the largest crowds that Vamp'd has seen. Whether or not it was at actual capacity, the Fire Marshall was too busy enjoying the show to take count. See pages 14/15 for pictures of the show!

Tomirae Brown's new Tribute to Janis Joplin, 'Pearl', brought their show to the Vamp'd stage, opening for Count's 77 and guitarist John Zito's Birthday Bash. Local Vegas rockers came from all around to party it up with Zito and the boys. It was a Who's Who of the top talent throughout the valley.

The Wicked Vicky Tavern, inside the Riviera Hotel & Casino, continues their Classic Rock Battle of the Bands on Thursday nights throughout December.

KOMP Radio had their annual Holiday Party with a huge blowout of bands inside The Joint at the Hard Rock. The official After-Party was held inside Viny'l and local rockers 'Smashing Alice' took things to a whole new level. Members of Stone Temple Pilots and T.O.D. were seen checking out the guys throughout the show.

To end out the year in style, The RailVince Neil's new club at the head at Boulder Station Hotel & CasiCircus Circus finally got no hosts recently signed nationally their stage ready for bands to touring band and Las Vegas own come in and test out the new 'Otherwise'. Opening the show for diggs. AC/DC Tribute High Adrian and the boys is local rockers Voltage, Vinyl Tattoo and '333'. At time of magazine publication, the newest Vegas band to the show had not taken place but debut it's talent, Raven knowing Al Miller and the 333 boys, Storm's 'The Storm Project', they will be giving Otherwise a run for all played the new club durtheir money. ing the month.

The debut performance of Las Vegas' only Dokken Tribute, Mr. Scary, blew the roof off of Vamp'd with a performance that would have rivaled Dokken back in their best days. David Lee Williams brought back the true sound of the 80's rockers, nailing some of the best Dokken had to offer. Opening up for the top Def Leppard Tribute around, Pyromania, this night of 80's rock, had the full house rocking till the early hours of the morning.

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Ladies and Gentlemen, tonight's event has been brought to you by Vinyl @ The Hard Rock Hotel and Casino, and "Wayne Static". Just thought to myself, "why not have some fun with this one right?"

First off I have to open by saying "Wayne Static" and "Tera Wray Static" are so very much fun to watch together, even on stage they have a great time.

Prior to the events of "Wayne's" performance, I was able to see them interact with one another, sharing their personalities with such passion and love toward one another; married now for almost 6 years and still going strong. Since last year it seems Wayne has been undergoing a healthy recovery from a much needed hernia surgery from back in the fall of 2012. During the tail end of the tour he finally had to cancel 2 performances because the pain was so unbearable. Wayne looks to be in a much healthier state of affairs, it’s welcoming to see him back on the stage. I myself as well as many other fans look forward to seeing what the future has next in store for "Mr. Static!"

I realized that night watching the concert just how much of an impact "Wayne Static's" music has influenced and impacted people lives. Whether it be "Wayne Static" or "Static X", you can see the fans adore him in every way. Just to give a few examples there were a few fans with hair standing straight up in honor of Mr. Static, during the performance the audience (at the top of their lungs) sung every song word for word not skipping a single beat. "Wayne" and the band opened the evening with "Sweat Of The Bud", "Static X" recorded the track on the album "Wisconsin Death Trip". Seeing how "Wayne Static" comes to us with so many creative and popular hits between projects, we were all thrilled hearing the variety between the then and now. Usually I don't mind filling you in on a few surprises but this time I am going to take a different path. GO SEE THE SHOW!!!

It's fun to see "Wayne" share the stage with a variety of musicians who are equally competent in their craft.

During the early introduction I was able to meet a few of them. I have to say that for such kick ass rockers they are all quite humble and polite. On guitar I have Ashes, who has been a staple for the band since 2011, on bass is Andy, who made his debut with Wayne at end of the Static-X tour in 2012, and on drums Wayne has brought back former Static-X drummer (2007-2009) Bevan Davies.

If you hear of the tour coming to a city near you, get out and enjoy the show. Its not every day you get the opportunity to enjoy some of the very best of and most creative influences of metal. Thank you Wayne Static, Tera Wray Static, Ashes, Andy and Bevan, for the music and memories!!!

What Automobile Drivers Should Know About Motorcycles In recent months, there have been several (and we mean more than 5) motorcycles fatalities in the Vegas area...granted, we take our lives in our hands every day we walk out our front door, but we at CV WorldWide believe it relevant that we still have dialogue regarding Bikers & Cagers, and feel it necessary to post informative articles for our readers.

We offer you this article in hopes that we all become a little more educated and especially... AWARE of each other...

This article will discuss the characteristics of avoid debris, and to minimize affects of weather and motorcycles in everyday traffic situations. Automo- other vehicles. This behavior should not be interpretbile drivers, also known as Cagers, need to be aware ed as reckless driving. If anything, it will help you, the that a motorcyclist will often slow down their motor- Cager, be aware of the motorcyclist. cycle by downshifting or by simply rolling off the Since a motorcycle is obviously smaller in size throttle. What this means is that the brake light is than an automobile, although the rider may be quite not activated. Given this knowledge, we advise that large, please be aware that because of its small size a motorists allow more following distance to give mo- motorcycle may seem to moving faster than it actutorcyclists and yourself more room to maneuver. ally is. Also because of this small size, a motorcycle Common sense also dictates that you predict a mo- may look farther away than it is. When checking torcyclist may slow down at intersections without traffic to turn at an intersection, always predict that visual warning. a motorcycle is closer than it looks. A car pulling left Motorcyclists use both their turn signals and in front of an oncoming motorcyclist causes the hand motions to announce a lane change or turn. number one motorcycle and automobile accident.

Some motorcyclist forgets to cancel their turn sig- Please do not do this; it tends to ruin everyone’s day. nals. Although newer models have built in selfA motorcycle’s stopping distance is almost the canceling turn signals, some beginners and experts same as for a car, but road conditions and rider skill may still forget to cancel their signal. So, make sure a level may affect stopping distance. As always, allow motorcycle’s signal is valid. for more following distance when behind a motorcyA motorcyclist will often adjust their position cle. within their lane. This is mainly for better visibility, to When a motorcyclist is carrying a passenger, this will complicate all of the motorcyclists riding responsibilities. Stopping distance, motorcycle handling, maneuverability and balance are all affected by the passenger. When you see two on a motorcycle, give the motorcyclist plenty of room.

Keeping a safe following distance when following motorcyclists cannot be stressed enough.

From the motorcyclist ability to slow with using the brake, to having a passenger, to having smaller mirrors making it harder to judge the distance of the car following them. We strongly recommend keeping a three or four second following distance and space Beau Wiley - www.WhyBike.com - reprinted with permission

choose to ignore it. Whether unintentionally or through stupidity because the Cager is busy applying their makeup or talking on their cell phone while drinking their Starbucks coffee all while trying to drive. Please stop and be a responsible citizen and drive your car when you are moving. There will be plenty of time later in the day to use your cell and drink your coffee. Hopefully these tips will keep me alive by making you more aware of the characteristics of a motorcycle in traffic.

Finally, do not think of a motorcycle as a machine; we motorcyclists are people so treat us with the respect with which we are due. cushion when following a motorcyclist.

As the weather turns warmer, start to look for motorcyclists, especially when checking traffic at intersections. There are a lot more trucks and cars than motorcycles on the highways. Many motorcyclists do not recognize a motorcycle. They often

Date Doors Open Bands Cover Ages 1/3 9:00 pm The Pax Trend / The Known Pleasures $5 21+ 1/4 7:00 pm Maleficent Vigor / Dischordia / Nebula X / Sinful Serpent / Phalloplasty $5 21+ 1/8 8:00 pm JAM Musicians Night feat Walk Off Hits $5 21+ 1/9 8:00 pm Haster / Journey 2 Rapture / Since Exile $5 21+ 1/10 7:00 pm EYEHATEGOD with CATTLE DECAPITATION $20 21+ 1/11 9:00 pm Gramilla / Vile Child / Vultures Picnic $5 21+ 1/15 9:00 pm JAM Musicians Night feat Walk Off Hits $5 21+ 1/18 9:00 pm Geezus Cryst & Free Beer / Loose Change $5 21+ 1/22 9:00 pm JAM Musicians Night feat Walk Off Hits $5 21+ 1/24 9:00 pm F-U Cancer Benefit Show feat Asylum of Ashes / Invaild prefix / Bell Avenue $5 21+ 1/29 8:00 pm Richie Ramone $10 21+ 1/30 8:00 pm Full Fledged / Insomnia Effect / Altered / Obsidian Order / Pieces of Policies $5 21+

W

ith the release of their 8th studio album, No More Hell To Pay, Stryper are set to reclaim their throne in the hard rock/heavy metal world. The album is released via Frontiers Records and is available everywhere now (album review). Arguably the band’s heaviest record to date, No More Hell To Pay manages to capture a new found intensity while maintaining the bold and personal faith-based message band leader Michael Sweet is known for. Sweet served as principle writer, vocalist, guitarist, and producer on this latest record and Metal Exiles is now able to share an exclusive interview with the man behind the Yellow & Black Attack! Please enjoy as he shares about the creation of the new record, as well as what to expect from his upcoming autobiography.

An Interview with Michael Sweet of Stryper

by John Knowles

Metal Exiles: Thank you for tak- a full on U.S. tour to support the wanted to kind of hit people with a “bam, bam, bam”...no filler, every ing the time to speak with us. So, new album?

Michael: Absolutely, we’re plan- song hold its own, stand on its how are you doing?

Michael Sweet: Good, I’m just re- ning on touring next year exten- own, and also the album keep a cuperating; I got in this morning sively in support of this album. Not flow, keep driving and not slow about 8AM into Logan from LAX, just U.S., but Europe, South Amer- down too much. And that’s pretty and just catching my breath after ica, Canada, Asia, you know - eve- much what we did, there’s only that long weekend at the Whiskey rywhere we can get to. That’s the one ballad and it’s not a typical and filming. plan, and it’s looking really good Stryper ballad, it’s a guitar ballad. right now, we have an agent over- Other than that it’s really just getMetal Exiles: How do you feel seas working on it and we have an ting in that ring with the prized about your show and live taping agent here working on it. fighter and going twelve rounds, from the other night at the Whisyou just kinda get beat up. It’s a key? Do you feel you got a good Metal Exiles: This is the heaviest real fast-paced, heavy record.

Stryper album, period. Is this what result out of it?

Michael: I think so; I mean I’m came out of you guys naturally or Metal Exiles: Tell me about the writing process, is it generally you hoping for the best. I don’t think it was this preconceived? was our best show. We’re the kind Michael: It was definitely precon- writing most of the material and of band that likes to have rehearsal ceived, and I think it came natural- riffs? before we tour or perform, and we ly to a degree too once we set our Michael: The way it’s always didn’t get any rehearsal in. We sights on that. We have heavy in worked from the very beginning is wound up having a couple of our blood, we grew up on heavy. I’ve written most of the material, I weeks of down time, and then go- Some of our favorite bands of all mean 99% of the material. There ing out on the fly and doing it. time are Maiden, Judas Priest and are only a few songs over the years There were some bloopers here and Van Halen. I think what happens that I haven’t written. But the way there, and it wasn’t the best we’ve with a lot of bands is you stray it works is I’ll have the idea on a sounded but when it’s all put to- from your roots and your past, and recorder, lately it’s my iPhone, and gether I think it’s gonna be we’ve done that. This is a full cir- for this album I had over 40 ideas cle album for us, coming back of me humming melodies or guitar great...it’ll be really cool.

100% to where we came from. And riffs into my phone. Then I would Metal Exiles: Any plans on doing that’s what we wanted to do, we go home, get my guitar out and

bit more with personal experiences on this album. And also applying that to my faith, and my relationship with God. Really in the end it all points back to God, because it all comes back to love and God is love. And it’s because of His love we’re saved and because of His grace and His mercy. So that’s what we believe and that’s what we’re still singing about.

Metal Exiles: I like that, and I like how you put it in that fresh perspective. I definitely have been feeling that these last few records, and I appreciate that coming from then I would arrange chords to that God is very loud on this album. you guys. idea and create the basic structure Did you feel he was directing this Michael: Yeah man. You know, of the song. And then once I had new record in a certain direction? music is music, it’s cool, it’s fun to those ideas I recorded those onto Michael: Well man we’ve always play guitar, it’s fun to sing and get my iPhone with me humming been so up front, and crystal clear on stage and perform, but at the (hums random melody) the guitar about our faith and our message, end of the day that’s not the meat riff or whatever, and then when it and we never try to sweep that un- and potatoes, you know, that’s fun was time to actually start prepro- der the carpet. The one thing we do stuff. But the reality and the real duction for the album I spent about try to do is do it in a fresh way with stuff that is eternal and is lasting 11 or 12 days in my studio arrang- each record. Because you can only and what matters in the end when ing all the songs. I got all 12 songs say, “Jesus saves” and “Jesus is the we all take our last breath is what arranged, and then I had the band way” so many times. And we did do we believe? And who do we come out, I taught them the materi- that in the past, I mean we laugh live for, and who do we love? al, and then we went on the Mon- about it to this day. We had so That’s it right there, and that’s sters of Rock Cruise and we all many songs with “Come on, rock, what we try to get across in a very took a live CD of us rehearsing the rock, He is the Rock, the Rock that strong way, in a bold way. songs. Then we went into the stu- makes me roll” and “Rock the Hell dio after Monsters of Rock and we Out of You.” So lately as a writer Metal Exiles: The title is very recorded it. So the way the process I’ve really been trying to get a little poignant. Where did it come from works for me is I’ll get away from deeper with the lyrical content and and is it personal to you? writing, like I haven’t written a even more so with this record. And Michael: For the title we were song since then. I’ve just been kind I’ve written a little more about ex- playing off the To Hell With the of clearing my head, and then I’ve periences, like the song “Sticks and Devil album in all ways with this got to dive-in in the next week ac- Stones” is about the experience of album, with the sound of it, with tually to writing a new record that me losing friends and them saying the production, with the song flow, George Lynch and I are going to be things that really hurt me and af- with the style, the artwork, the visworking on. Once I get into that fected me in a negative way and ual. I mean we wanted to kind of mode I’ll be working on a song how I just rose above it and moved come back to our strongest album every day, until I have 12 or 13 on no matter what. And my rela- and make an album that would risongs. tionship with them is no longer in- val that and even hopefully surpass tact, but I’m doing alright, and I it. So that’s what we thought when Metal Exiles: After all you have wish them well, you know, I’ve we were making the album. Same been through your message about moved on. I’m just going on a little thing with the artwork and the title,

No More Hell To Pay. And what it Metal Exiles: Your vocal perfor- Metal Exiles: So no official trainmeans is: if you put your faith in mance is very solid on this album. ing to this day, or a vocal coach or God, there is no more hell to pay, How do you keep your vocal abili- anything? because he paid the price. If we ties polished and sharp today?

Michael: Not really. I mean, we call on him, and believe that he can Michael: I try to exercise, and eat had lessons as a band. We went to help us through and get us through right and take care of myself. It’s group lessons with a woman anything here on Earth, our own more of a strain these days to keep named Elizabeth Sabine, and she’s hell here on Earth, there is no more my voice up. When we go out and a world-renowned vocal coach, just hell to pay. If we believe in Him do two or three in a row I’m feel- awesome. But that was way back that He died on the cross, as the ing it, whereas back in 1986 or when, that was in 1985. We went Bible says, for our sins and that 1987 we could do four or five in a to her as a group maybe 2-4 times, any man that believes in Him shall row and I could keep going. It was and that was it. I grew up in a mulive eternally and have eternal life, a lot easier to sing longer back sical family so I’ve been around and won’t face hell, the hell that then. But I just try to take care of singers my whole life, and I think the Bible speaks of, there’s no myself, I sing on a regular basis most of it comes naturally, and more hell to pay. So it’s a real sim- and continue to make music and then some of it comes from learnple statement, but a real powerful write, and perform and what not, I ing technique from other people. statement as well. think that helps. I don’t smoke, I For the most part it’s just a natural, may have an occasional cigar or in the family, in the blood kind of Metal Exiles: The artwork is abso- something like that but I’m not a thing. lutely stunning. Where did the chain smoker, I don’t drink heaviidea come from to do something ly, and I just try to take care of my Metal Exiles: I’m sure you’re voice. And that’s pretty much it. aware of how popular album reso unique?

Michael: The guy’s name is Stan leases on vinyl have been in the Decker, and he works for the label, Frontiers. I sent him an email explaining the basics of what I wanted to achieve with this cover, and getting back, I even referenced To Hell With the Devil, I said, “Look at that, get that album.” He has it on vinyl, so he worked off of that. I said, “Just one angel, the album’s called No More Hell To Pay” and he sent me the graphic for that and I opened it up and thought, Wow, this is absolutely brilliant and amazing. I think the album cover speaks for itself every bit as loud as the music does. A lot of people said they bought the album based on the cover, just because they liked it and they hadn’t even heard the songs yet, and then they heard the album and they loved the songs. It’s a really powerful cover, it’s a really great “metal”, “classic” cover and it’s got that retro classic old-school vibe and it’s very “today” too.

past few years. Given your decision to release No More Hell To Pay on vinyl and with the t-shirt package, what are your thoughts on this recent resurgence?

Michael: I think it’s great, man.

There are many reasons why it’s great. The most important one is that it sounds great. I mean, vinyl sounds great. There’s something about having a great turn table, great speakers and a great amp, and you put that record on and you play it and its just sounds amazing. It looks amazing. There’s something to be said about holding a vinyl cover in your hands, looking at the cover in that size, enlarged. Then pulling out the vinyl itself, looking at it, especially the colored vinyl, was not on the list of songs for The member. You know, things that I and there’s just something really Covering, I think someone asked did in my life, poor choices from cool about it. Also as a fan it is a me that recently and I can say that the time I was a little kid, the great thing to be able to collect and it was not. It was just a song we Against the Law period...I get into have as a one of a kind piece. had thought about covering for a a lot of stuff in the book. At the number of years, and I thought af- same time it’s almost therapeutic to Metal Exiles: Totally agree. ter doing an arrangement of that be able to write about it. I really That’s primarily why I got into it, song, man this would really be per- wanted to not sling people under between the sound and the look of fect on this new album. And I think the bus, and hurt people. I just told it is, I think it fits right in. It’s got a my stories, and obviously other it, it’s awesome!

Michael: Exactly, like you said the powerful message, it says so much people are involved in those stosound and look of it, yeah it’s a lot lyrically, and I love the break- ries, but it’s my book about my more pricey. And some people say down...it’s like a roller coaster ride life, and if I’m throwing anyone it’s coming back, but I don’t know where it’s: (hums a bar) with that under bus I’m throwing myself unthat it really ever left. I mean it was up-tempo, and then it has that der the bus. But it is exciting, and obviously much more popular back “Sabbath” slow-down in the mid- the reason why it’s taken so long to in the 60s and 70s, but I think it’s dle, I love that. The dynamics are complete is because the label wants always kind of stuck around and I incredible. to release it with the album, and we think it’s actually getting more had to re-write the book, and repopular and I’m noticing that more Metal Exiles: You are putting the edit it twice. But it is done, and the and more bands are releasing their finishing touches on an autobiog- album and the book will be coming records on vinyl and I think it’s raphy, where I am sure you ad- out next year for sure. cool, man...it’s great. dress in detail your decision to leave the band after Against the Metal Exiles: How is the vibe Metal Exiles: You guys are no Law. How did it feel to go back within the band right now? Tim strangers to covers. How did the and not only recall but also pre- has been in an out since the reunDoobie Brothers track end up on pare to share some of those really ion. Do you feel that the four of your radar for this one? difficult things? you guys are a solid permanent Michael: You know, that’s actual- Michael: It’s a little odd; because band now? ly a track that we’ve talked about it brings back memories and things Michael: I think so, I mean we live covering for a long, long time. It that I don’t necessarily want to re- in different states, we don’t see

each other as much so we’re not as very rare. And I would rather not selves a “Christian” rock or metal close as we used to be, but that continue on if any one of us was band we’re going to offend our doesn’t mean that we’re distant. not here. We did it before with Tra- Christian fans. And I feel the exact We don’t dislike each other. But it cy Ferrie and I don’t want to do opposite. I think our Christian fans does mean that we don’t spend as that again. I don’t want to go down are supportive enough and smart much time together and I think that road again where we bring in enough to know that we’re not ofwith any relationship if you don’t someone different; I’d rather just fending them by not wanting to be have communication and you’re stop doing it. labeled a “Christian” band. We’ve not hanging out you can put disnever swept our faith under the cartance between yourselves, and Metal Exiles: For anyone in the pet. We’re as bold as we can be, at grow apart to a degree. I think “Christian music” scene I’ve al- all times, in interviews, in songs, that’s happened to us over the ways found that the label on stage, you name it. So we never years. I do believe also though, in “Christian” followed by the musi- run from that, ever. But at the same saying that, that there’s a lot of life cal genre to be a little absurd. time, being labeled a “Christian” left in the band. I think we’re prov- How do you feel about that? I band really hinders us, and hurts ing that with this album, and we mean, you guys are prominently us. When we’re put in the Christian plan to tour, we plan to make more labeled “Christian Metal” on your category at a record store, if albums, more music, and do a lot own website, the Frontiers web- someone’s coming in who’s not a more until we can’t do it any long- site, and in any and all media cov- Christian to look for our album, er. Or someone in the band doesn’t erage. Do you think this is neces- they’re not going to go to the want to do it any longer. I do think sary?

Christian category to buy it. I just it’s important that we stay together Michael: I don’t...I don’t like it. think that people fear religion and with the original line-up. I think We got in a little bit of a debate Christianity often. It’s certainly that speaks volumes, and it’s very recently, Oz and I did, because Oz one of the most hated subjects of important, it’s very unique, it’s feels that if we don’t term our- conversation at the dinner table

along with politics. We’re a rock asked him to listen to the album They’re going to be released simulband that’s comprised of Chris- because I respect him immensely, taneously, and they are coming. I tians, that’s what we are. and he was gracious enough to do know I’ve said that multiple times, that. He came back to me and said, but they are coming for sure.

Metal Exiles: There’s been a lot of after to listening to it, that the song mention recently about some of he really liked and woke up with in Metal Exiles: Michael. Bless you the nods you and the band have his head was “Sympathy.” So that guys for what you’re doing and received from Dave Mustaine of really got the ball rolling in my your ministry, and I really look all people. He shared with you his mind as to us thinking about that forward to seeing you on tour next favorite track on the new record is song as the video. And I hadn’t re- year.

“Sympathy,” and you guys went ally been thinking about that song Michael: Thank you for your time, with his lead and shot a video for as a potential video or a single. So and we look forward to seeing you it. He also penned the forward in Dave helped that process, absolute- on the road as well. your book. How does it feel to ly, which is really cool. And for the have the respect and support of forward in the book he wrote No More Hell To Pay is Stryper and such an iconic thrash metal leg- something for me, which was real- good all-around melodic metal at its ly nice of him to do. It’s really very best. Be sure to look for the end?

Michael: It’s really cool man. I short, it’s really sweet, and it’s re- band on tour in your area sometime just sent him the album and he lis- ally cool. I’ve got some other peo- next year, along with Michael tened to it, and it might have been ple too that have written quotes for Sweet’s much anticipated autobiography and solo album, Honestly. the first time he ever heard us, I the book, and I’m excited about really don’t know. I don’t really that. I can’t wait to be holding that Official Stryper Site think that Dave is a huge fan, but I in my hand and knowing this is fiBuy No More Hell To Pay think he is in the sense that we’re nally a reality. Look for that, as I brothers and we’re friends, and I said, with the album next year. Buy No More Hell To Pay On Vinyl

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Most parents get nervous when their kids start driving; I know I sure did. If other drivers heard some of the advice that hyper-nervous parents give their children, they'd be nervous, too. CV WorldWide takes a step off the beaten path this month and presents...

parents' bad driving advice to teens

Strapping yourself into the passenger seat the sent text messages while driving. first time your teenager takes the wheel is one of the It’s widly know that kids figure, “If Mom or Dad can scarier turning points of parenting. Teen drivers are do it, I can do it”. four times more likely to crash, on a per-mile basis, than older drivers, according to the Insurance Insti- It's OK to speed a little tute for Highway Safety. They are notorious for takBrad Ault, the president of the Florida Profesing stupid risks and being overconfident about their sional Driving School Association and Ault's Driver driving ability. But before you start lecturing your Education Center in Englewood, Fla., says he hears kid, take a look in the mirror. Many of the mistakes parents tell teens it's all right to drive five miles per teen drivers make stem from things they learn from hour over the speed limit because "everybody does parents. it."

"You hear all kinds of crazy stuff," says the But they should teach their kids to obey the president of the Driving School Association of the speed limit and to drive according to conditions. Too Americas in Kettering, Ohio. many drivers don't slow down when the weather is Here's some of the worst driving advice par- bad. ents give their teenagers.

"That's what kills a lot of people," Ault says.

A speeding ticket for even 5 mph over the limDo as I say, not as I do it can affect your car insurance premiums, says PenTelling your kid about the danger of texting ny Gusner, a CarInsurance.com consumer analyst. and driving won't do any good if you pick up your "One minor ticket could go either way," Gusner says. cellphone while motoring down the highway.

"But two tickets -- even if they are both minor -- are "Parents say one thing, and then do some- a pattern that will scare your insurance company." thing different," says the general manager of All-Star Driver, a driving school headquartered in Watertown, Conn. "Starting at about age 11 or 12, your child is paying attention to your driving habits and noting consciously or subconsciously all those things you do ."

Two-thirds of surveyed teens say their parents live by different driving rules than the ones they expect their kids to follow, according to research in 2012 by Liberty Mutual Insurance and Students Against Destructive Decisions. Among respondents, 91% reported seeing their parents talk on a cellphone while driving, 88 percent observed their parents speeding and 59 percent said their parents have

You might have been taught to hold the steering wheel in the 10 and 2 positions, envisioning the steering wheel as a clock. But that advice became outdated when airbags were developed. Today, driving instructors generally tell drivers to hold the wheel at the 10 and 3 positions, avoiding an explosively deployed airbag.

All new cars sold today have at least front airbags, but most have side airbags as well. Some manufacturers now offer center knee, seat belt and pedestrian airbags.

Pump the brakes to prevent skidding

Before modern brake systems were devel- Wait until you're 18, so you can skip all oped, drivers were told to pump the brakes to pre- the requirements vent them from locking up. But most cars today are Many states require classroom and behindequipped with antilock brakes, making pumping un- the-wheel instruction for teen drivers to get licensed, necessary, says the regional chief instructor for the but most don't require driver education for new drivSoutheast for the Skip Barber Racing School in Bra- ers or place restrictions on them once they reach 18. selton, Ga. One expert says some families put off letting their Antilock brakes are designed to prevent your kids drive until they're 18 so they can skip all those car from skidding when you use them in an emergen- pesky requirements in place for younger teens. cy. For a vehicle without antilock systems, experts But new drivers of any age can make mistakes advise letting up on the brakes slightly, rather than from inexperience and lack of instruction. If the lipumping them. censing age rises to 18 without the proper safe"Pumping the brake pedal upsets the balance guards in place the crash rate for 18-year-olds will of the car," they say. increase.

Airbags and antilock brakes, though nearly If more than 30,000 people died in the United universal on newer cars, still bring a car insurance States in a tragedy, experts add, "You'd be hearing all discount with most companies. about it. But every year, that's how many people die in car crashes."

Look over the hood ornament as you drive Looking over the hood ornament doesn't give the driver enough scope. You should look farther up the road -- one to two intersections ahead -- in the city and as far as you can scan in the country, Fife says.

Keeping your eyes focused farther ahead, rather than right in front of you, gives you greater peripheral vision.

While you're driving, you want to see everything, but look at nothing. You want to be fully aware of what's going on around you.

Plus, how many cars have hood ornaments these days?

Hold the steering wheel at 10 and 2 Reprinted courtesy of msncom autos