CVSW_August_2013

AUGUST Issue

FREE

THE Custom Lifestyle Magazine for Car, Motorcycle, and Music Enthusiasts

Muscle Car of the Month!

Gary Allen opens up about being a tribute band, working with the families of AiC, and the memory that powers his soul.

P. 20

COVER STORY: Dirty Pair-A-Dice Spend a little quality time with the metal gods of Vegas, try and keep up, and just let the interview be the interview. CV SW speaks to the gang from DP. P. 4

News You Can Use

CV SW gives you six “sneaky” tricks use by car salespeople to maximize their profit at your expense.

CV SW offers advice on how to best prepare for your summer motorcycle road trip to make it safe and enjoyable.

P. 12

P. 28

Mystic Photography Concert Series

Table of Contents Rock Calendar

3

Drumiture

10

Drums the Pros Use

14

Guitars the Pros Use

15

Orange Crush Muscle Car

16

Raiding the Rock Vault

18

Mystic Photography in Concert

26

Butcher Babies Interview

32

Las Vegas Nightlife

34

CV Southwest Magazine

News You Can Use

Locally Owned / Nationally Known

Spend time viewing the Vegas concert scene through the lens of Sherry Keith of Mystic Photography.

Her eye for detail and knack for getting ―the shot‖ gives you an up close and personal view into the show.

This month…

Raiding the Rock Vault Great White White Wizard

Contact Us - Info@cvworldwidemagazine.com

CV SOUTHWEST MAGAZINE © 2012-13 is published monthly and NO reproduction of content is permitted without Publisher’s prior approval. Publisher assumes no financial responsibility for the errors in ads beyond the cost of space occupied by error; a correction will be printed. Publisher is not liable for: any slandering of an individual, or group as we mean no malice or individual criticism at any time; nor are we responsible for the opinions or comments of our columnists; and promises, coupons, or lack of fulfillment from advertisers who are solely responsible for the content of their ads. Publisher is also to be held harmless from: failure to produce any issue as scheduled due to reasons beyond control; all suits, claims or loss of expenses; this includes but is not limited to, suits for libel, plagiarism, copyright infringement and unauthorized use of a persons name or photograph.

August 1 the Solid Sons August 2 Acoustic Arena August 2 Heavy Honey August 3 Dirty Pair-A-Dice August 3 Grind August 9 Outta the Black August 9 Project 11 August 9 Project Eleven August 9 the Solid Sons August 15 Roxx August 16 Outta the Black August 18 Vile Child August 21 Brazen August 22 Vile Child August 23 Brazen August 23 Dirty Pair-A-Dice August 23 Prophets of Addiction August 23 Vile Child August 23 Vinyl Tattoo August 24 Outta the Black August 24 Vile Child August 25 Vile Child August 30 Grind August 31 Acoustic Arena August 31 Grind Every Mon Doc's Angels Every Thu Arena Tribute Every Fri Arena Tribute Every Sat Arena Tribute

Beauty Bar Fiesta Henderson House of Blues Hard Rock Café Club LA Vamp'd Vamp'd Vamp'd Bar702 Vamp'd Vamp'd Cheyenne Saloon House of Blues American Legion Hall Vamp'd Viper Room LVCS Jasper's Bar & Grill Vamp'd Vamp'd the Empire Lounge Cheyenne Saloon Ripper's Rock House Shakespeare's Grille St Andrew's Hall Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage Fremont St Main St Stage

Las Vegas, NV Henderson, NV Las Vegas, NV Las Vegas, NV Destin, FL Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV Baldwin Park, CA Las Vegas, NV Los Angeles, CA Las Vegas, NV Santa Ana, CA Las Vegas, NV Las Vegas, NV Ontario, CA Las Vegas, NV Akron, OH Las Vegas, NV Detroit, MI Las Vegas, NV Las Vegas, NV Las Vegas, NV Las Vegas, NV

The bad boys of Vegas are here, and like it or not, they are here to stay. The gang from Dirty Pairadice has been bringing down the house all over Sin City, even now branching out to the City of Angels. From Dallas’ vocals to Dylan’s insane guitar shredding, to Ruzz’ pounding bass, and Donny’s thumping beats, DP has been kicking ass and taking names since 2010 with their infectious blend of blues rock, grunge pop, and glam metal.

But at the core of the their infectious sound and their trademark live shows that can be described as nothing short of a sonic and aesthetic spectacle, are four talented musicians just “rolling those bones.”

CVSW got to spend some quality time with a band on the rise...

<CV SW> Who formed the band of all the time we spend practicing just powerful, do you guys rein 2010? What were he/they together, all the sweat we put into hearse the show antics or go looking for in music when they being a complete band. We have where the wind blows, so to become brothers, both on and off speak? got it together?

DP was formed in 2010 as a the stage.

We don‘t rehearse the antics three piece act; current member <CV SW> Where did the name we perform on stage. We like each Dallas played bass and handled voshow to be different and go with come from, any cool story about cals, Ruzz was on guitar along with the feel so that it never gets stale; how “Dirty Pairadice” came their original drummer. Shortly afeach show is different, whatever about? ter forming, the original drummer vibe moves us is just where we end We have to give credit to up. left, and Dylan & Donnie came in Ruzz & Dallas for that. The band while Ruzz moved over to Bass. name was thought up by Ruzz as <CV SW> Did you guys dabble <CV SW> The current lineup gels Dirty Pairadice and Dallas changed in anything else growing up, or on stage, where do you guys get it to Pair-A-Dice. He thinks it gives was it all music all the time? sort of a Vegas feel to it…we all such genuine chemistry?

We all feel like this is what agree.

This line-up has really come we‘ve wanted to do our entire together and meshed well because <CV SW> Your stage presence is lives, other general stuff interested

rock band in every sense of the rock band trying to make it, espeword. There isn‘t anything fake cially at a legendary club like the about DP, what you see is what Viper Room. One of our main you get from this band, for better goals is to do more LA shows beor for worse. We‘re real. We‘re cause it creates an opportunity for on stage kicking ass. We know the band to gain recognition; you people appreciate this musical hon- never know who is going to come esty, and it shows with the connec- out to see the band and notice us, tion between DP and our fans. so there‘s potential when you play there. Our number one goal in <CV SW> What goes through 2013 is to get signed by a major your minds during a show, record label, and expanding our when the crowd is going insane, reach and popularity to LA will the venue is vibrating, and it’s hopefully help make that a reality. As you all know, it only takes just electric? one right person to attend a show, According to Dylan...we us along the way, but music is hear the band, and then things play for the fans, whether one or a where we all wanted to be. come from there. thousand. Each and every show exDylan, in particular, even We opened for Blacklist cites the band because they are doattended MI, Musicians Institute, Union earlier this year in Vegas, ing what they love to do; it‘s hard up in San Francisco. While he was and part of our management team to put into words how that feels, studying there he even got to aphas been working with the BU we‘re just up there rocking out, gopear in a Foo Fighters video with management team to ―exchange‖ ing with the flow. other MI students; it‘s all we‘ve shows; bringing BU to Vegas and ever wanted to do.

DP to Los Angeles; it‘s a benefi<CV SW> Any particularly cial, cooperative relationship. <CV SW> You guys headlined memorable shows come to <CV SW> What is the craziest the main stage of Freemont St mind?

Well, of course the Viper thing you’ve seen at a DP show? for months, how do you feel that Room show was a huge highlight Probably Dylan playing validated DP as a band? for us, but we love to play at with blood streaming down his The Freemont Street con- Count‘s Vamp‘d because it almost certs last summer were big because feels like home now for the band. face during a show. it helped get the word out on DP, Everyone at the Vamp‘d shows not only locally, but through the feels like family each time we play millions of tourists that came there; the staff, venue, people, evethrough Freemont during that rything there is just top notch, it‘s a stretch of time. We recently played great place to play. the Viper Room in L.A. and had fans come to the show because <CV SW> You played that Viper they saw the band on Freemont while in Vegas. It‘s cool to hear Room in LA with Future Villians, that people actually traveled a dis- tell us what you take away from a non-local show with a band tance just to see us play. like that.

Yeah, that Viper Room <CV SW> What do you guys show was an incredible experithink is behind the appeal of ence. It was huge for us to gain DP? Our appeal stems from the attention outside the Vegas market; fact that we are a tried and true playing in LA is a great step for a

<CV SW> What do you think is songs and is part of what keeps the your greatest accomplishment to band so close. date? <CV SW> What is your inspiraProbably the awards we won early on. That made us hungry tion when you sit to write a to be recognized even more, but song?

Inspiration can come from also finishing the EP. It took a lot of hard work and dedication from anywhere. ―Concrete Jungle‖, for everyone involved to make it hap- example, is a song written about being locked in jail – enough said pen. on that subject! <CV SW> Let’s talk about those awards.

2011...VRMA’s…DP is <CV SW> Who are your musical chosen as “Best Hard Rock (or other) influences?

Our influences have to be Band”…after only really a year modern rock acts with everything out and about! Followed up with from Foo Fighters, Guns n Roses, “Best Metal Band” by REF Enter- and Avenged Sevenfold. tainment in 2012… tell us about those accomplishments, what <CV SW> Any songs really speak keeps you guys motivated after to you on a personal level?

Dallas weighed in on this awards like that?

The awards by REF and Ve- and he stated that for him, the balgas Rocks are some of our greatest lad ―The River‖ really has a peraccomplishments to date. We have sonal connection to him because of <CV SW> Yeah, we were wonder a great relationship with both of his roots. Dallas grew up in Memthose promotions, as well as Rock phis, Tennessee near the Mississipabout that pic of Dylan playing Over America based in Vegas. pi River where things just had a with blood streaming down his Those awards early in our career much different feel and vibe than face, what the heck happened kind of validated what we were try- anywhere else in the country. He there? ing to accomplish as a band. It was tried to capture that mood and feelThe now (in)famous picture nice to be recognized by those ing when he wrote that song. of Dylan bleeding on stage comes wonderful outlets so early in our from the Viper Room show. Dylan career and it made people stand up went to hop on the speakers and a and take note. nearby table at the side of the stage. He hit his head on a speaker <CV SW> Who does the most hanging down from the ceiling. Al- song writing, and how do songs most no one saw Dylan hit his evolve in your writing process? head, but he gashed it pretty bad. Do you start with riffs, or lyrics, When he returned to the stage to or either? everyone‘s surprise, blood is We are a full team when it streaming down his face. Dylan comes to song writing. Other than gave the famous quote to the Viper ―The River‖ which Dallas wrote, Room crowd “it isn’t a rock the whole band likes to be involved show until someone is bleed- in the complete songwriting proing.” This also has to be the cess. This is different from a lot of strangest thing the band has seen bands out there, but we feel it helps on stage. The crowd loved it, they each of us take ownership of the went wild.

<CV SW> Some pretty big names like Dave Navarro & Gilby Clarke are fans and have sat in on a show…what do you guys learn from them about music and showmanship?

With people like Dave Navarro coming to our shows, we feel it only can help get the word out on the band and they appreciate any advice from people who have ―been there done that‖. Recently Michael Lardie and Mark Kendall from Great White had some nice things to say after the show, and Dylan recently got to spend some time with Jeff LeBar of Cinderella when they opened for his new band media – how do you think it’s It has really changed the Cheap Thrill. music scene in Vegas because prechanged the music scene in Vegas? How has it benefitted DP? viously bands had to go out and <CV SW> Speaking of Vegas, People have to make a hand out fliers and things like that what are your impressions of choice in Vegas where they are go- one at a time to reach people. Now the local music scene? ing to spend their leisure time. That you can reach your fan base quickThe local Vegas music sce- is why we are so active on social er and easier through social media. ne can be tough; there are a lot of media (Ruzz handles the social megreat local acts competing for time dia outreach for the band). It helps <CV SW> In SMASH magazine, at different venues. But it‘s a great you reach out to as many fans as you guys said “let’s let a show music scene, and the fans are really possible to keep them updated on be a show”…tell our readers the ones who benefit. things like show dates. You build what that means to you.

Along those lines, our phiyour fan base one fan at a time, a <CV SW> You guys have been social media helps you reach out to losophy is that you do not have to pretty active on FB and social these fans on a group level. be choreographed or have every single thing planned out going into a rock show. Once things start you make that connection with the crowd and then just let things happen as they may. That is all part of being real out there; start the music and see where you end up. <CV SW> Your common slogan is “this is how we do the night life”…tell us where that came from and what it means? ―That‘s how we live in the Nightlife‖ has become a slogan from the band and it comes from a lyric in the hit song ―Night Life‖ available on I-Tunes. It speaks of a

way of life that DP tries to emulate; as Dallas explained, ―the party does not get started in Vegas until the sun goes down, and does not always end until the sun comes up.‖ We are currently discussing a video for Night Life, and Dylan is scheming about doing a theme that has never been done before. Stay Tuned!

greater our upward mobility becomes, the greater our opportunity to make it on the national stage. It is all about showing people what you got and what you are made of.

<CV SW> It’s July 2013, what’s in store for the rest of the year for DP? For the rest of 2013 playing with a band like the Future Villians <CV SW> Tell us about the CD inside the Viper Room was a great release this year… start. DP will be back at the Viper The EP is titled ―Loaded‖, Room on Aug 23rd. We sincerely and has six songs on it. It was prohope that this is just the first step to duced at Desert Moon productions signing with a national label. down at Danny Koker‘s studio. It Hopefully someone out there with is being released this month, but a label sees one of these big shows we decided to not do a mass reand then the dream becomes realilease or a huge CD release party, fans at each show little by little, ty, and the sky‘s the limit then. because we want to release it to maybe to tease people a bit, but to once again make that personal connection with the fans, introducing them to the songs over time. <CV SW> What new markets are you guys looking to break into, after playing the Viper Room… what does that mean to you in terms of upward mobility of the band?

We are always looking to break into more markets to reach a more mass appeal. We are hoping to do a few more LA shows this year in order to broaden our fan base, to make DP a household name in more than just Vegas. The more markets we can reach the

Turning old instruments

into art!

Terry has now expanded Instrument Art is some- have. He is currently working thing Terry at Guinner on a Mandolin Jewelry Box, a his repertoire to include differGraphix has been doing for custom base for a member of ent instruments, everything years for many people that the all-female band Zepparel- from mandolins to guitars of have a love for instru- la, a commemorative CV all kinds, making custom pic ments. Terry has found, since WorldWide guitar, and some- guards and head stock art. He being back in California, body even asked him to do is constantly on the go, workthat local music stores have a something with their pi- ing with different vendors and endless source of instruments ano! He can make a piece of personalities to generate great to bring back to life. He will furniture out of an unusable or art pieces, many for charities. personalize your drums, gui- unwanted instruments, he does Terry is also the nicest guy in the room, always willing to tars, and any instrument you it all. help people out

To contact Terry, visit:

www.Drumiture.com

Terry‘s hope has always been to work with many wonderful people in many creative and unique ways, and in accomplishing that he is living his dream. He loves to save vintage or valuable drums in any way, using them to make individual, personal, one-of-akind pieces, his skill and perfection borne of his love of drums and art. Saving drums, meeting great people, helping those in need, and creating some very unique drum furniture is, to Terry, his life‘s calling, and one can see the passion and skill in his work.

In Terry‘s words; ―to be able to save these drums and unwanted instruments or cherished mementos and see the appreciative faces of the people for whom I have made them is what truly makes me happy. I‘m excited to say that Drumiture has many new clients contacting me daily, and the donations of numerous unwanted instruments, which I see as ‗unfinished art‘, is helping me make my dream come true.‖

So You Want to Buy a Car, eh?

CV WorldWide offers some MORE information on automobile purchasing...

Watch for 6 Car Sales Strategies

The Four Square

Most car dealers are wired to make sales.

A salesman puts four numbers in front of Even if it‘s a buyer's market, there's no reason to you: the new vehicle price, your trade-in value, let your guard down in the showroom. Experi- your down payment, and the monthly payment. enced salespeople have one goal in mind: to put He's looking for your "hot button." When you foyou in a new car today. And it's their job to get as cus on one of the numbers (say you demand more much profit out of every sale as possible. for your trade-in) he knows he can hook you by While most car salespeople are honest and meeting your terms on that part of the deal. Probforthright, others may be looking to take you for a lem is, the other three numbers are already inflatride. So before you set foot on the lot, be aware of ed to favor the dealer. sales tactics that could bait you into paying hundreds or thousands more than you should.

The Waiting Game "Let me go talk to my manager and see what I can do," says the salesman. It's a classic technique. After what seems like ages, the salesDealers start with numbers already geared man returns, ostensibly exhausted from negotiatfor maximum profit. They want to identify which ing on your behalf. "My boss is willing to come factor matters most to you, so they can appear to down — this is the best deal we've given anyone "come down" to your terms. on this car." Don't bite. The dealer's betting that the longer you sit, the more anxious you'll be to reach an agreement.

Foiling the “Four Square” Tactic

The Turnover House Sometimes the sales manager comes to talk to you himself. Now that you're talking to the boss, the thinking goes, you'll know you're getting the best possible deal. The truth is, the "boss" is a professional closer, brought in to win you over when the first string can't. It's not uncommon to go through three layers of sales people before you reach the dealer's true best offer.

The Sympathy Play "Hey, I need to make a little money on this deal, too," he says, citing the struggling economy or, worse, four kids to feed. It's only fair for the dealer to make a reasonable profit, but don't be

vehicle and every available bell and whistle, you can find out the dealer's invoice (also known as dealer's cost) and uncover special incentives and rebates.

It's also smart to know the fair value of your trade-in by visiting sites such as Kelly Blue Book, get a quote for insurance on the new vehicle and get pre-approved for auto financing. Lining up these numbers in advance simplifies your negotiation in the sales office. Still, be sure to set aside plenty of time for your visit to the dealership, and avoid distractions while you focus on getting the best deal.

An even simpler approach to consider is having the price negotiated for you before you guilted into paying too much. Rest assured th step foot on the car lot. Taking advantage of cardealer won't knowingly lose money just to earn buying programs that offer these special member your business. prices and services can save you time, money and the hassles of negotiation.

With solid knowledge about what you want The Now-or-Never "This deal is only good for today." Or, and how much it should cost, you'll know how to "There's another buyer interested in this car." spot a good deal. And all the slick salesmen in the Whatever the salesman's story, some dealers rely world won't be able to change your mind. on fear tactics to rush you into a sale. You know better.

The Free Extras To sweeten the pot, your salesperson might throw in pinstriping, rust-proofing or fabric protection at no extra cost. But unbiased experts agree that these add-ons aren't worth much, despite what the dealer usually charges for them.

Your best bet is to ignore them.

Being street-smart about sly sales techniques is one thing; sticking to your guns and actually getting a good deal is another. So how can you tilt the odds back in your favor? The answer is simple: research, research, research.

The Internet has helped level the playing field for consumers. And thanks to sites such as Edmunds.com and member-based resources such as USAA's Car Buying Service , you can enter the dealership armed with more information than the salesman himself.

Not only can you research your preferred © Cars.com, reprinted with permission

Gear the Pros Use! Kate Roxwell is the original drummer for the punk band, KLONDIKE KATE! out of Tacoma, Washington. She‘s played over 100 shows and festivals in the band, with punk bands such as Angry Samoans, Left for Dead, Graceland Five, Neutral Boy and many more.

Roxwell incorporates many styles of rock, punk, and tribal beats into her drumming.

Roxwell was schooled by punk legends including Bob Bulgrien of Seaweed, AMQA and Alphabet Swill, John Purkey of Subvert, Act of Sabotage and Sleeper Cell, and Matt Shuttle also of Subvert, Portrait of Poverty and 13 Scars. ―Living in the Seattle/Tacoma area, I‘m lucky to jam with great musicians who play many styles of music. I‘m into it to learn, jam, and have fun.‖ ―I play on two sets of Pearl drums. My practice (and recording) drums are an amazing set of Pearl Pro DLX Series drums. They feature 7 ply shells of birch, mahogany, and lamin. The set includes a 24-inch bass drum, which is hard to haul around to gigs, so I purchased a smaller set to travel with. On the road, I play on a Pearl Vision, goldflecked set with birch shells. I use Remo pinstriped heads on all my drums.‖

Practice Set: Pearl Pro SLX Series - Burgundy lacquered finish, Birch, Mahogany and Lamin Shells 24 inch Bass 16 inch floor tom 14 inch rack tom 12 inch rack toms Gigging Set: Gold fleck Pearl Vision SST Birch Ply Shells 20 inch Bass 16 inch floor tom 12 inch rack tom 10 inch rack toms Snare: Pearl Sensitone 5x14 inch Steel Snare Cymbals: Zildjan ZBT 20 inch Rock Ride Sabian B8 18 inch Medium Crash Hardware: PDP Stands Tama 7000 Pedal PDP Stool Hickory 5A or 7A sticks

Gear the Pros Use! Since I first heard the metal riffs of Motley Crue at the age of 8 I was turned on to this lifestyle of fast cars, fast women and loud guitars!

I began playing at the age of 15 when I bought my first guitar and from there the path of finding my style and sound has been a fun ride, similar to being in an X-Rated Disneyland®...

Guitars: 2011 Tiger stripe LTD GL-200 Lynch model with screamin‘ demon pickups for that ripping sound that splits ear drums and send shivers up the spine.

It has a black and yellow tiger paintjob and a bolt on neck. The body is basswood with a maple neck and fingerboard with 22 extra jumbo frets. The neck is not super thin like say an Ibanez wizard neck, but it is quite thin and thinner than most ESP/LTD models.

The hardware includes a Floyd Rose special tremolo system and ESP tuners in black nickel.

It comes standard with one ESP bridge pick up.

Back up guitar Jackson Fusion 1992 model in a black cherry finish, Floyd Rose and dual humbucker pickups.

Both guitars have the Floyd Rose tremolo.

Marshall Amplification: DSL 100 This 2 channel monster delivers everything I need for a good clean bright tones to heavy ripping metal tones.

The head has EL-34 and 12ax-7 Groove Tubes replacing the factory ones.

The cabinet is Vintage 30-loaded 4x12 cab, the DSL100's clean channel is brash and punchy, in keeping with Marshall clean channels of yesteryear, with a powerful treble and a peaky, aggressive midrange that's mostly tamed by the tone-shift button.

At the other end of the gain spectrum, the super-saturated Lead 2 sound provides practically endless sustain and a heavy overdrive that's more effective for single notes than power chords.

The two voicings in between - the Crunch and Lead 1 options - are far more versatile and pleasing to use, the crunch voice is great for blues and classic rock with a Strat or Les Paul, while the Lead 1 voice sings and responds very musically, with all the right Marshall ingredients.

Boss GT-100 effects pedal 200 user defined effect slots for you to play with, allows me to have any tones or effect I need or want. I can go from Panama to Stairway to heaven in the push of a pedal which is great for what we do in the band spanning all bands from the 80‘s I‘m able to play the songs in the right tone of the originators.

It‘s also super easy to hook up for recording on my Mac as well.

Strings: Ernie Ball super slinkys Cables: MONSTER! Picks: Dunlop heavy!

Orange Crush

Owner - John & Sharma Schlecht Year/Make/Model - 1970 Dodge Challenger Dyno says...650 HP!

Vitamin C Orange Paint 500 cubic inch stroker motor Edlebrock performer rpm aluminum heads 727 torqueflight transmission 4200 dynamic stall torque convertor, back halved and tubed Four link rear suspension with coil overs Narrowed 8¾ inch rear end with spool 488 gears with 41 spline Dutchman axles Front tires 15x5 centerline rear 15x16 with 33x16 inch slicks 12 point cage 10 gal fuel cell.

From the ashes of loss, rising like a phoenix, GRIND has spent the years mesmerizing audiences with their show, their talent, and the energetic performance of front man Gary Allen GRIND, the haunting tribute to Alice in Chains, continues to earn international support and recognition through their chilling resemblance musically and visually to the classic and tragic original lineup of AiC. Formed in Lexington, South Carolina in 2010, its mission is solely to pay tribute to the late Layne Staley, Mike Starr and the memory of his own departed son, Aaron. “Grind is a great surrogacy for fans that miss Layne or never had the pleasure of experiencing him live. For fans of AiC, and anyone else, they are a must see.”

CV WorldWide had the honor of speaking to Gary about the band, the tragedy of AiC, and the memory of a son that moves his soul. <CV WW> Give us the lowdown <CV WW> Did you gather your on who’s in the band. bandmates with AIC in mind Myself, David Corbett on drums, from the start, or did it evolve?

Billy Price on Bass and Manguss With this particular project, on Guitar. yes. I was completely focused on a serious Alice in Chains Tribute. So Tell me about the process of put- the process was always about pickting together the band. ing the right people who believed It continues, it‘s always a in and fit into that niche. process of perfecting the pieces!

It's no secret, it's tough to assemble <CV WW> Why a tribute band? four guys who believe in your misI had learned a lot from a sion and can physically do what it former tribute project and made a takes to succeed in a really tough decision to go forward with somemarket. I think we have our strong- thing more in honor of those who est foundation since early 2011 we've all lost. right now and the stability is much <CV WW> Ok, why Alice in needed.

Chains though – was it just be-

very high standard and the band bution to the signature style of Alshare it. A fly on our wall would ice in Chains are not to be oversee that we work very hard on looked. He was a brutally powerful small details for a better overall bassist and his energy onstage was experience. So yes, I hope people infectious. There is no mistaking are freaked out (in a good way) and his tone when you hear it to this relive their own Alice in Chains day. Finally, I hope that people, experiences with us and through especially kids learn from the tragus. ic losses of these amazing people and live a positive life in their hon<CV WW> Why did you choose or. the name “Grind”?

I chose the name Grind be- <CV WW> How do you feel this cause I knew that's what I was in lineup meshes so well on stage, for. what works so well about Grind? <CV WW> A tribute band is I try and listen to my friends much different than a cover and just stay aware onstage. I can band…how much harder do you tell you these guys are focused and cause of the people they had lost feel you have to work to get no- realize the value in what is happenalong the way? Did you particu- ticed & accepted? ing for Grind, making my job a litlarly admire them? Had you That's a loaded question. tle easier in the process. Most imbeen a diehard fan for There are a lot of cover bands portantly we're all Alice in Chains years? Cuz you know there are wearing the tribute band label and fans; camaraderie of purpose and a bunch of bands you could I'm no person to judge, that's just focus help us greatly. not what Grind is about. Authentichave chosen. <CV WW> Tell us about how The story of Alice in Chains ity is critical in light of the loss of merely still existing today in my two founding members of the band you’ve succeeded in a tough humble opinion is remarkable. Of we portray. We have built a stage, place being a tribute band, what course the saddest of stories also production, characters and scenes do you think is your key to suclies within their history. I think I that amount to our total musical connect with these losses as a fa- experience, all with a hopeful mesther who has suffered the same sage. As far as acceptance I feel grief and to Layne and Mike's fam- really fortunate for any level of it ilies, especially their Mom's and but this is for me, and I accept it. siblings. I also admire Jerry Cantrell so much as an artist, and <CV WW> You say “we have for his contribution to the history built a stage, production, charof heavy music. Above all, his acters, and scenes that make up willingness and that of Sean, Mike to our experience, all with a and William to continue to express message”…what message is themselves publicly for all of us to that? enjoy, is an inspiration.

A hopeful one. I prefer to disregard the negative element and <CV WW> You guys really do focus on remembering what an sound like AiC, does that freak amazing talent Layne Staley was fans out sometimes? and that he left so many positive, Thank you. I hope we have beautiful things for us all. And an impact on our fans. I have a Mike Starr, his memory and contri-

cess? You guys are NATIONAL, “ceiling” as a band?

Without a shadow of a tell us about the road to that doubt I believe it could take us to a sort of fame.

Well, first of all, thank you next level. I have expressed openly for that compliment. Being respect- my hope for an experienced and ed in a national touring sense is honest industry professional to join very fulfilling. The road started our team. I have a lot of hopes for with a little 90 minute show in a t- our show that even include a musishirt and shades for a beautiful cal of sorts with some scenes and group of about 150 in Hartsville, more elaborate production. Where SC at a little honky-tonk called we are right now, I really am doing Gardner's. At the end of that night, as much as I can on my own but I had some personal moments that my resources are very limited in lead me to our conversation today comparison to a major manageand I'm just as determined as that ment group. I'm sure there is some night. I'm proud to have established taboo to it all and I totally underGrind without the ongoing or hon- stand that but, I also feel there is est support of any major agency or room for Grind in the worldwide management and of the relation- touring arena and the right people really cool memories but they are ships with venues, buyers and pro- could do us a great service, in tribbrief. moters worldwide I have been ute to Alice in Chains. blessed with. <CV WW> When you’re on stage, <CV WW> You are recognized <CV WW> You talk about being what are you thinking…do you publicly by the families of able to do this without any ma- feel you’re channeling someone Layne Staley & Mike Starr – tell us about meeting them, and jor agency or management like Layne Staley?

Not really. Our show and how that came about. team…do you think that adding Thank you. I have not met that to your world would signif- performing in general is a very Layne's mother. Obviously I would icantly change your path or emotional thing for me so I have to be humbled to. We have communitry and focus on my role and not your options?

You’ve carved get too caught up. There are times cated though, and while I'll keep your niche already, do you when I let myself go and they are that private I will say she has a think that might increase your heart of gold and I wish we did not share the sad bond that we have.

With the help of Mike Starr community leader Shanna Torp, I accepted an invitation to meet some of the Starr family and perform for them. They are a wonderful group of loving people who share their lives with the people who loved Layne and Mike. <CV WW> You performed at a Seattle show in honor of Mike Starr; what was that show like?

It was a real challenge just to get there at first. Just the honor of meeting family and friends of this amazing man was enough. We

also got to play, how great is that? you are coming. I actually think we was that a tribute band as well?

My goal was to personally could do tons more in that arena Yes and it featured current ask for a moment to offer my grati- but I am only one guy and it takes Grind members David Corbett and tude which I was afforded. The a lot of time. I hope to have some- Billy Price. They have been with night was incredible, with Mike's one take that to another level for me for a lot of this. <CV WW> With those projects essentially leading up to Grind, have you decided to focus solely on the AiC tribute?

Right now Grind and writing are all what I am focused on but I do want to make myself available to artists who want a serious professional amongst them. I certainly would like to have a real shot on tour with a band before hanging it up. I've been putting my name in some hats hoping the right situation will present itself. <CV WW> We don’t want to pry, but you say Grind is also a tribfamily in attendance, Steve Unger me one day. ute to your son, Aaron. Anyof Metal Church joining us onthing you’d like to share on that stage, Randy Piper playing, I met <CV WW> How do you think so- front? members of SATO, Xana La cial media has changed music?

I'm glad you asked. I want Accessibility. If you had to the world to know about him and I Fuente and many awesome Burien Villagers. All of that was just as turn on a radio or go to the record so appreciate this forum to express special, but the personal things shop for the next Metallica album, it. When he died, I survived were my bounty. I'll admit it left we wouldn't even be addressing through music and performing, and this. I hope bands will go back to me hungry to return as well. asking kids to wait for a song and <CV WW> How did you ever de- buy it in a store to enjoy for the termine that the voice of AiC was first time. It's all merchandise and in you like it is? When did you tours otherwise, because people discover this, tell us about that just won't buy what they can download. process.

Honestly, my connection to the songs makes me comfortable, <CV WW> Do you have any parand I hope that comes across well ticularly memorable shows?

They all mean a lot but the when I sing them. ones with kids connecting to what <CV WW> I’ve seen you pretty is going on and with my family on active on social media…how rare occasions, those are really spehave you leveraged it in the cial. band’s life?

Well if you want to see the <CV WW> In 2005 you formed world, you'll need them to know ReAlign, a salute to Godsmack…

gig. I think the staging and myth might draw them in a bit too, but I hope that the songs and our performance keep them coming back. Also, we try to make a show out of the night. We have some little production elements that put some key points across in a respectful way and I think our friends are enjoying it. As far as what I see that is moving, I mean that starts with just anyone at all attending a show. That means everything. I don't take it lightly and I want them to get away with me for 2 hours. It's always amazing to have kids up front and to see the stars in their eyes. I hope continue to do so today. I think we I'm being embraced for doing so. the ones in my own still shine like all cope with tragic things in our Nutshell… that. When the crowds of our own way. This is mine. In reality friends sing, or we embrace the everything I do starts and ends with Tell us about the support of your night, the show, the music, that is family; life on the road can be very special. I'm quick to rememAaron. difficult, how do they strengthen ber that this is someone else's legaYou said you want the world to your resolve and emotional well cy though and I hope the way I know about him, do you think it honor it is acceptable.

-being? might be important to expand Well I wish I had a fairy tale Aaron’s story a bit for our readbut I don't. My choices have taken It’s halfway through 2013, ers? My readers are only a mi- their toll on many of my relation- what’s in store for Grind fans nute part of our world, but you ships mostly in part to a lack of un- and the band for this year and can feel free to tell the whole derstanding. I regret this, but I also beyond?

Well first off I couldn‘t be story if you’d like. know who I am and I'm comfortaWell I'd only say that I ble in my skin. I'm thankful for the wouldn't wish the loss of a child on love and support of my love Sarah anyone and I'm certain I will never and many of my family and friends face a more tragic event. It's most as well as so many fans of Alice in important to express, especially to Chains, and I intend to continue those I love the most, that I'm do- respectfully in their honor. ing the only thing I know...to deal.

I see Aaron's face every day, and I How do you feel the kids connect feel an obligation to find some- to AiC, what do you see that thing good from such a really hor- moves you in that process? rible thing. Again, we all deal with I think parents are making things in our own way and are af- the initial connection by bringing fected in different ways. Gary Al- them out to the shows. I work hard len is dealing with holding his son with venues to make our events are as he took his last assisted breath all ages and for the most part the through singing songs that helped friends attending are really just him cope with the darkest day a having a togetherness, a kind of young man could ever possibly im- cool evening at the shows and it agine. I'm so totally thankful that isn't all crazy like, say, a Pantera

happier about what we've accomplished already this year. Grind is already booked well into 2014, so we'll be around a while and I hope to further develop our production to enhance the experience for our friends.

We have not been in the Northeast so we will focus some attention there and try to get up to New York, New Jersey and other states in that region. I think that's a realistic outlook.

There's so much more I want to do and so many more places I'd love to take our show. Hopefully someone will come along who believes in this like we do and offer some support that puts us in more places. If I couldn't sing tomorrow it would be okay and I would be very proud of this and all it is about but, I still think I have a lot to say, I'm still very hungry and I would love to be heard.

Gary Allen

Systemec turning on the Modern Rock Metal Industrialized Blender Since 2009! september 1 st LVCS 9:00 pM With

Alien ant farm

Planning a Great Road Trip aka “Motorcycle Touring 101” It‘s AUGUST, and time for ROAD TRIPS (not that you haven‘t been doing any riding already)! But motorcycle trips demand far more planning than the equivalent journey in a car.

Though riding provides an inherent sense of freedom, practical limitations require motorcyclists to think ahead when choosing to hit the open road.

For starters, most motorcycles are limited in their storage capacity. Though all-out touring bikes such as the Honda Gold Wing and the BMW K1200LT offer numerous hard cases for the storage of extra clothes and gear, long distance riders are often forced to make tough decisions about the details of their trips, and how much of what items they need to pack.

The first questions you'll want to ask yourself when planning a trip pertain to how long you plan on being gone, where you intend to go, and what you have in mind for lodging.

First on your list of "must pack" items is a safety and repair kit, in case something goes wrong; contents as follows: Most bikes come with toolkits, but you'll want to make sure you're equipped with pliers, wire cutters, and various wrenches (including allen wrenches.) A small, all-inone Leatherman®-style tool can be a handy complement to a traditional toolkit, and is easily accessible for quick repairs or adjustments.

Bringing along extra fuses, bulbs, spark plugs, and chain oil can make the difference between traveling securely and limping to the next service station.

Ever been caught in the dark? A flashlight will save you the hassle of trying to use your cell phone for illumination.

Blowouts are an all-too-common occurrence, and a flat kit which includes C02 cartridges for tire inflation will get you on the road again.

If it's good enough for astronauts, it should be good enough for you. Unexpected mechanical failures or breaks can sometimes be held together with duct tape, providing a low-tech solution for potentially crippling problems.

A first aid kit is something you never want to be without - whether its poison ivy or an ankle burn from an exhaust pipe, the cliché about an ounce of prevention being a pound of cure is absolutely true. Rather than assembling your own supplies, an easier and more thorough solution is to purchase a pre -assembled kit, which will ensure that key items are not missing.

Unless you're riding a fully fledged touring yourself with unnecessary weight and bulk. After motorcycle, you'll probably need to invest in you've planned your route, you'll want to check some type of storage bags; backpacks don't count. the weather forecast and get an idea of what to Options include saddlebags (which rest straddle expect in terms the elements. the seat and rest on either side of the rear wheel, and are also known as panniers,) and tank bags, A good touring suit is an excellent investwhich sit directly atop the fuel tank (and often ment, and when choosing your clothes, consider have handy clear plastic windows for displaying packing several thin layers of clothing, rather than maps.) While hard bags offer more weather pro- a few thick ones. Flexibility is the key to staying tection than soft bags, they are also costlier, add comfortable; it's far better to have the option to more weight, and require more involved installa- stop and shed or add layers as necessary, than to tion. Centrally positioned tail bags are another op- shiver or sweat your way through what would tion if you need even more storage. otherwise be an enjoyable, scenic route.

Be sure to bring energy bars or trail mix While more detailed inspection and mainte- and water; if hunger or thirst strikes while you're nance practices can be found in our motorcycle far from convenience stores or gas stations, the maintenance section, the Motorcycle Safety nourishment will come in handy and keep your Foundation's T-CLOCS method is an efficient riding skills sharp. way to inspect your bike before traveling: When loading up your bike, always put T: Tires.Make sure both tires are properly inflated, using an air pressure monitor that you heavier, more solid items on the bottom and sides bring with you on rides. Don't risk riding on closer to the bike (to centralize weight.) Lighter tires that might need replacement; if suspect a items should go on top. If you don't have saddletire will not last long enough for a ride, have it bags or tank bags, you should consider using bungee nets to secure loose items. If you must replaced. C: Controls.Are your cables (clutch and travel with items secured by a bungee net, ensure that they are snug and will not get loosened by brakes) and controls intact and working? L: Lights.Make sure your headlights (high & winds or g-forces. Again, placing heavier , wider, low beam), turn signals, and brake lights work. and more stable items at the bottom will provide O: Oils & fluids.Check everything from en- an anchor for looser, floppier pieces (like sleeping pads or pillows.) gine oil and coolant to brake fluid. C: Chassis.Ensure that the frame, suspension, chain, and fasteners are all secure and intact. S: Stands.Make sure the center stand and/or side stand isn't cracked or bent, and that springs properly hold the assembly away from the pavement when stowed.

For a more detailed, downloadable inspection checklist, go to the Motorcycle Safety Foundation's website.

Packing for a long distance motorcycle ride is a delicate balance between bringing enough items to ensure comfort, and not overloading

Finally, equip yourself well. Always wear a full-face helmet for maximum protection - not only against accidents, but also from the elements.

Full-face helmets can provide a shield from rain and cold winds, and if constructed with ventilation, can also provide a certain level of comfort in warm weather. It may feel constricting in heat, but the overall benefits of choosing safety over style are vast when considering your long-term health and well being.

Though it's tempting to hit the open road your reflexes or decision making ability; after all, and simply follow your nose, don't forget that most of the fun is in the journey, not simply in you're more vulnerable to the elements, fatigue, reaching a destination. While riding, be sure to and potentially serious injury on a motorcycle. stop whenever necessary - whether for a snack, a Prepare yourself with clothing appropriate for the stretch, or a nap. The simple act of taking a weather. Plan a route and, if you don't have a breather will make the ride all the more enjoyaportable GPS system, do whatever it takes not to ble. get lost - even if it means taping directions to the top of your fuel tank. Err in the direction of filling up with gas too frequently; because of their relaOnce you've prepared sufficiently, enjoy tively low cruising range, most bikes will barely the possibility of the unexpected. Riding requires make it across some of the North American a certain amount of discipline and logistical planstretches of highway that are sparsely populated. ning, but part of the joy of the journey is the proWhen in doubt, fill up. cess. Be open to re-writing your plans when necPace your travels realistically. Don't try to essary, and you'll have a blast no matter where ride so many hours in a day that it might affect you end up.

By Basem Wasef, About.com Guide

Real. Loud. Aggressive. Metal.

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Our maple is considered to be the best in the business and our hickory from the southern USA is known the world over as the top choice for stick manufacturing. We also use red hickory which comes from the heart of the tree, making it stronger and more durable for those who need a bit "more" from their sticks.

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"PREPARING YOU FOR GREATNESS"

Faster than you can say heavy f**king metal, the Butcher Babies have clawed their way to the top of the Hollywood music scene to become the undisputed darlings of the Sunset Strip.

The Butcher Babies are everywhere, they have had a mountain of press, but they have only now released their debut full length? Why have they made such huge waves? Their sinister presence, undeniably talented and heavy music and the fact that their two singers are insanely hot females with massive talent, that’s why. During a recent stop on the Metal Mayhem tour Heidi Shepherd and Chris Warner took a few minutes to talk about the massive dirge that is their debut record, Goliath.

An interview with Heidi Shepherd and Chris Warner of Butcher Babies.

By Jeffrey Easton

Metal Exiles: You guys are out all helped our progression and also the summer on the Metal Mayhem publicity that the band has drawn Metal Exiles: Shock Rock has had Tour. What is your plan of attack because of it has been through the many faces so what can you add to to make the fans remember you? roof. that to make your fans stand on Heidi Shepherd: Just being our- Metal Exiles: You‘re about to drop edge? selves on stage and we are known your Century Media full length re- Heidi: People say that we are but for being a bunch of party animals view but you guys have had a mas- sometimes I do not see us that so we have a sick time on sive amount of press already. Do way.

I think people are just stage. As long as we are having you think having two females up shocked at a couple of girls acting fun on stage everybody else will front is the reason? the way that we do, I think that‘s too.

Heidi: I do not think that is the rea- what‘s mostly shocking. Besides son, I think it‘s because it is some- Wendy O Williams, I haven‘t seen Metal Exiles: How were you able thing they haven‘t really seen be- a female do anything shocking in to put two volatile singers in the fore. I cannot recall a dual female music in a long time. This is really same line up and make it work? fronted metal band before us. We who we are but with the blood, the Heidi: That‘s simple because you are touching new ground here theatrics and the horror, those are could not as for a better combina- which people wanted to be a part things that we love, it‘s what we tion that Carla and myself. We are of and we are more than welcom- are about. It‘s part of our characlike the Spice Girls on crack and ing to that. ter, it is who we are when we jump having us fronting the band has

Heidi: Goliath is something that sitting on my knees screaming into we have held inside us for a long the microphone and I just started time. I have a green binder that I crying. It was such a release for have all of my writing in and I me and all of those emotions I was have had it since I was 12 so any- carrying from that experience just thing I have ever experienced in came pouring out when I was singmy life is in there and that‘s where ing it. we pulled a lot of the material from. A lot of things on this record Metal Exiles: I Smell A Massacre? are things that most people go Heidi: That is a song that we wrote through and we just turned a nega- after the Sandy Hook incident. There are so many things in tive into a positive. the press these days about these Metal Exiles: Explain Magnolia massacres being caused by gun on stage so it‘s not for shock, it‘s Blvd. control or mental illness. I believe just how we feel.

Heidi: It‘s about people moving to it starts in the home with how the Metal Exiles: How do you feel Los Angeles with a dream and the parents are raising their kids. Parwhen you are on stage beating the city swallowing them whole. Peo- ents are raising their kids to be bulshit out of your drums? ple lose their focus in life and it lies, raising them very shitty, neChris Warner: I am having the can happen to anybody that goes glecting them, that is where it time of my life and being with four there and gets wrapped up in the stems from. That is what is what best friends on stage is all I need. scene.

Goliath is about in general but I Heidi: The best thing about Chris Smell A Massacre is in the mindset is that he has been in bands his Metal Exiles: What stands out on of that incident. Goliath is about whole life and he has done great the album that‘s really personal to that villain in your life and you can things but to have him in our band you? make the decision to become that is huge for us because he is an Heidi: There is a lot of personal bully or you can change and not stuff from the whole band on the turn amazing drummer. into Goliath. record but Chris started The Mirror Metal Exiles: You talk about the Metal Exiles: There have been Never Lies. frustrations in your life but you some pics floating around of you Chris: That song is pissed off, beat the shit out of the guys performing topless with elec- when you are looking at yourself in drums. How can you be frustrattrical tape covering you. Are you the mirror and you are questioning ed? ever concerned that people will see things you did, it is just inner tur- Chris: That‘s what helps me, beatthose and judge you before they moil and you just get frustrated ing the shit out of the hear a single note? with yourself. drums. There were situations in Heidi: We haven‘t done that for a Heidi: In Denial is very personal to my life but Heidi and I ended up few years and it was an ode to me and you can really hear it on getting together, we(and the band) Wendy O Williams. She left us the record. I wrote it about a re- wrote them out and I just got it out early and we wanted to continue cent experience in my life and of my system. I had these feelings what she started because she was while we were in the studio I was in my system but with writing and the first female in metal to do what beating the drums I got it out of the f**k she wanted to do because me. she did not care. It‘s funny that Heidi: Playing live shows with all those are the pics to surface but it of us going nuts on stage, we are doesn‘t matter, people are going to all so much nicer because we get to think what they want to think. do that. I think this has saved me from chopping up many people and Metal Exiles: Goliath is an angry, going to jail. pissed off record. Who pissed you off enough to write this?

The Vegas hot spot for Live Music did it again. This time bringing together two of the hottest bands in Vegas, Smashing Alice & Outta The Black. This was the first time these two bands have played together and the turnout showed. They blew the roof off the place with both bands bringing performances that will be hardpressed to be outdone. OTB brought a duo of original songs to the Vegas fans and Smashing Alice turned it up a notch with a new Deftones cover, then brought up Guitarist Jason Constantine for some Pantera that blew the crowd away. Be on the lookout for bigger things from both of these bands.

Vamp'd also hosted one of the best Rob Zombie Tribute Bands, if not THE best, that Sin City has ever seen. Not being a big Zombie fan in the past, 'House of Zombie' definitely changed that. Fast, loud, aggressive and balls to the wall stage presence brought a full house packed into the main room to witness a fantastic spectacle. You don't normally see amazingly attractive women in a band like this, but a powerhouse of a bass player in Shannon Bizzy drove the crowd and yours truly crazy with a show of fire & energy not seen in a long time. Based in LA, House of Zombie, would be welcomed back, I have a feeling, without a doubt.

It seems the old and closed Golden Palm has The Stoney Curtis Band took a drive back recently been purchased and reopened offering Live down to Club Fortune Casino to rock out to a full Music. A monster in the Vegas local music scene and room, as usual. Some of the best rockin‘ blues that hugely talented drumming machine, Danny Robert you'll hear anywhere in the valley; heck, anywhere has yet another project in 'Mumbo Jumbo' and took period. the stage at the resurrected venue. Once they get the Every Wednesday Night at Vamp'd, the John place cleaned up and fully functional, we may have Zito Band takes the stage for a midweek jam for another decent local music venue. those that can‘t wait for the weekend. This show is a Dirty Pair-A-Dice continues rocking Sin City must see as different musicians from all over the valand Hollywood, recently tearing up the stage at ley come out and things tend to get really loud.

Vamp'd and the Whiskey out in LA. They have shows Another Local Legend, from the Sin City Sincoming up in August at the Hard Rock Cafe and the ners‘ Todd Kerns, came back to Sin City in his new House of Blues in Vegas and the Viper Room out in role of conspirator with Slash & Myles Kennedy. The Hollywood. Be sure to check them out, you wont be House of Blues was wall-to-wall people taking in the disappointed.

Show-of-the-Week when Slash and the boys brought the house down and showed Vegas why they are one Alice Cooper Guitarist Kerri Kelli owns a popof the hottest acts anywhere in the country. ular craft beer bar in Vegas that celebrated their 4 year anniversary, with a Beer Party, of course. With the 'Inner Circle Family' in tow, we had to partake in the festivities, just to make sure it was up to par with the Vegas scene. HaHa.