CVNW_October_2013

OCTOBER Issue

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THE Custom Lifestyle Magazine for Car, Motorcycle, and Music Enthusiasts

In This Issue: Spokane Night Out SM Photography News U Can Use! Jordan Allena Metal Exiles Toksix the CV DVa‘s!

Jordan Allena CV NW spends time with this talented Nashville beauty on her musical journey and being a solo artist in the Music City.

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The Adarna…

CV NorthWest Magazines talks to the gang from the Adarna, makes of “Jet City Rock-n-Roll”; with a name from ancient Phillipino legend, it is bound to be a mystical & informative conversation.

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Contents One Hot ‘36: October’s NW Car of the Month News You Can Use, Motorcycle Edition...How to Drive in City Traffic Gear the Pros Use...featuring drummer Saul Ashley Gear the Pros Use...featuring Mischa Kianne of WITCHBURN CV NorthWest BREW CREW NEW! CV DVa Column...Polishing Your Headlights News You Can Use, Car Edition...Why Tire Blowouts Happen Tattoo Gallery...readers send in pics of favorite tattoos

Jeffrey Easton, doing some of his best work yet, spends time with the authors of his “hand down choice” for album of the year...the Winery Dogs.

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Jamie Paullus & Kathleen Clarkson take in the sights and sounds of the Carnival of Madness; Jamie provides the sights, Kathleen talks about the sounds.

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Locally Owned / Nationally Known

11 14 16 17 33 37 46 48

Lani Linton takes her partner in crime, Molly Larpenteur, to the 2013 Oyster Run to talk seafood, beer, music, motorcycles, and of course, cold & wet NW weather!

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Contact Us - Info@cvworldwidemagazine.com

CV NORTHWEST MAGAZINE © 2012-13 is published monthly and NO reproduction of content is permitted without Publisher’s prior approval. Publisher assumes no financial responsibility for the errors in ads beyond the cost of space occupied by error; a correction will be printed. Publisher is not liable for: any slandering of an individual, or group as we mean no malice or individual criticism at any time; nor are we responsible for the opinions or comments of our columnists; and promises, coupons, or lack of fulfillment from advertisers who are solely responsible for the content of their ads. Publisher is also to be held harmless from: failure to produce any issue as scheduled due to reasons beyond control; all suits, claims or loss of expenses; this includes but is not limited to, suits for libel, plagiarism, copyright infringement and unauthorized use of a persons name or photograph.

Oct 04 Oct 04 Oct 05 Oct 05 Oct 05 Oct 08 Oct 09 Oct 12 Oct 12 Oct 16 Oct 17 Oct 17 Oct 18 Oct 18 Oct 19 Oct 19 Oct 19 Oct 19 Oct 19 Oct 22 Oct 25 Oct 25 Oct 25 Oct 26 Oct 26 Oct 26 Oct 27 Oct 31 Oct 31

Jordan Allena Strawberry Roan Jordan Allena One Gun Shy Strawberry Roan Jordan Allena Jordan Allena Strawberry Roan the Adarna Witchburn the Sindicate Witchburn Strawberry Roan Witchburn December in Red the Adarna Whiskey River Witchburn Witchburn Jordan Allena Jordan Allena Strawberry Roan Whiskey River December in Red One Gun Shy Strawberry Roan the Sindicate She's Not Dead the Sindicate

Delta Country Jam Mad Greek Deli Delta Country Jam Issaquah Salmon Days Dr Feelgood's Back Alley Diner Bunganut Pig Wild Hare Saloon Der Hinterhof Jazzbones WSU the Center Primrose & Tumbleweeds Capitol Theatre the 4th Ave Tavern the Horseshoe Saloon Little Creek Casino Flight's Pub Flight's Pub Tin Roof Revival GA State Fair Ballad Town Billiards Shrine Auditorium Louie G's the Central Saloon Silverstar Saloon Jazzbones Merlin's Bar & Grill Brickhouse Bar & Grill

Tunica, MS Portland, OR Tunica, MS Issaquah, WA Aloha, OR Nashville, TN Franklin, TN Canby, OR Leavenworth, WA Tacoma, WA Vancouver, WA Spokane, WA Hillsboro, OR Olympia, WA Olympia, WA Woodinville, WA Shelton, WA Everett, WA Everett, WA Nashville, TN Atlanta, GA Forest Grove, OR Billings, MT Fife, WA Seattle, WA Vancouver, WA Tacoma, WA Lebanon, OR Vancouver, WA

Taking their name from a mythical phoenix-like songbird in Filipino folklore, this fiery, dynamic, and high-energy sound comes from a concoction of influences from old school rock-n-roll such as The Cult and Guns N Roses to modern rock such as Foo Fighters and 30 Seconds to Mars.

The Adarna is set out to make fist-pumping rock and roll music that honors their fans and the musicians that inspired them. The Adarna are here, they’re hungry, and they’re just getting started.

CV NorthWest sits down with the band, at the start of something great….we can say “we knew them when…”

come together with this level of <CV NW> We do this all the time, Adarna‟s sound begin to form. respect & appreciation to work on let’s talk about the construction of <CV NW> What is it about this a common goal that really makes the band…who is in the band, and quartet that you think works so things rad. what is their role? well?

ANDREA: We all come from such WILLIAM MOORE:

WILL: This quartet is unique be- different backgrounds. Not just in cause it was founded off ideas, music, but in life. It works really goals and personalities versus well because there is so much that JUST the music. I don‟t know is consistently being learned from about anyone else, but if you‟re in one another. a band with the greatest guitarist in MURDOCK: It‟s simple, no one is the world but you still want to ring afraid to tell anyone anything. If their neck...in my opinion, that‟s you smell, you‟ll hear about it but <CV NW> Is this the original not a band worth being in. I‟d it‟s not in a hateful way. lineup?

How has the lineup much rather be in a band with peo<CV NW> CV NorthWest has feachanged over time to THIS group? ple I respect and love.

Tell us about the journey of finding JEREMIAH: I think the respect tured some hard rock acts with fethe right mix, I hear finding a level is a key thing. I really appre- male guitar leads (Witchburn, drummer was a bit … stressful & ciate everyone here quite a bit. I Halestorm), do you think that think it‟s where we are so uniquely women are breaking the mold thearduous.

JEREMIAH: We went through a different people but where we can se days with hard rock, or are we few lineup changes in the early stages, lots of auditions & interviews trying to find the right members. It was very important to us to find people who could not only play, but that we enjoyed as people & individuals also.

WILL: As with any band first starting out, the first few months of The Adarna were a struggle to find our sound, idea and members. There were auditions, shows, and recordings but it wasn‟t until our current lineup which came to be on March 2012 that we actually saw The Lead Vox, Rhythm Guitar ANDREA JASEK: Lead Guitarist JEREMIAH HAZEL: Bassist MURDOCK: Drummer

WILL: The name “The Adarna” to The Adarna. was chosen by myself and Andrea.

The story of The Adarna is about a <CV NW> You actually funded that mythical bird that was sought out EP using Kickstarter…how was that to heal ailments and pains. Those process? Was there a time when who listened to the songbird's 7 you thought you might not get the songs would be cured of these donations? pains. We use the Adarna as a JEREMIAH: Yes! I definitely metaphor for what we aim to ac- thought there was a time we might complish with our music. In some not get the donations! cathartic way...maybe we can help WILL: The Kickstarter donations our listeners deal with pain in their were amazing! We had supporters and followers from our previous lives. bands that were anxious to see <CV NW> Tell us about the EP in what we could accomplish with a 2012 – how did that process go? little help. The final donations When it’s all done, you’re holding came in the nick of time and the the EP in your hands, how satisfy- timing nearly gave us a heart ating is that? tack. We‟re grateful to each and JEREMIAH: It was a pretty lofty every one of them for giving us the just beginning to notice, at least as goal to go and record 5 songs at leg up! guitarists? that early stage really, but I think ANDREA: I think that women guisituations like that make things in- <CV NW> We’ve heard good and tarists have always been noticed. teresting, it‟s good to be thrown bad about using crowd funding However, I feel that now we are into situations where you have to like Kickstarter…obviously it looked at as musicians and not just worked for you, would you use it push yourself. “the chick in the band.”

WILL: The process of recording again? Have those types of opporMURDOCK: This is nothing new, the 2012 EP was grueling but tunities changed the recording women have been in bands forever we‟re very proud of what we ac- game for bands? and what I don‟t like is everyone complished. It was recorded in a MURDOCK: There is a sense of treats it as a gimmick. All of the way that pushed us to record in the pride when you help fund somegood female musicians should have same way artists did before the thing, especially grassroots, and a spartan battle with the shitty ones miracle of pro tools and digital en- you see it become successful. You who only do it as a gimmick as gineering. It‟s not technically per- hear former generations say time reparation for soiling their sex. fect but it was a perfect beginning and time again “I remember when WILL: Janis Joplin, Nancy Wilson, Joan Jett, Lita Ford, or even newer artists like Orianthi have been defining rock n roll for us for ages. Our lead guitarist, Andrea, was chosen for the band not because she was a female guitarist... but because she IS rock n roll.

Plus she plays guitar way better than me! <CV NW> “The Adarna” comes from Filipino folklore – how did the band settle on that motif for the name?

to keep up with the cost of recording and push us to find the core of a song faster. <CV NW> Let’s be honest, it’s a hard life, being in a band – what keeps you going, how do you keep the fire & motivation?

ANDREA: Band nights!

MURDOCK: I‟ve got no other place to go….

WILL: I see a lot of bands putter out all the time but what really keeps a band together (in my opinion) is communication. We call it “band night.” Once a week we all go out and just shoot the shit. It really offers a chance for us to SRV was playing little LA clubs, I How did you decide on that road? blow off steam and keep the lines bought a bunch of CD‟s from him MURDOCK: Again simple. As open and just enjoy hanging out to help him out.” time goes on or attention span de- with your band.

JEREMIAH: It‟s awesome. I‟d creases. I can‟t remember the last totally love how it works. I would- time someone told me about sitting <CV NW> Ok, you claim you are “jet n't want to push it though & burn down and listening to an “album”. city rock n roll” – what IS “jet city people out on the thing.

As a side note, this is probably the rock n roll” in your minds?

WILL: Music with high energy WILL: Crowd funding websites downfall of prog. hooks, rhythmic patterns, powerwork based on how much work house vocals coming out you put into it. If your band is will- <CV NW> Prog? ing to ask every single person on MURDOCK: Prog (Progressive of Seattle. the street they meet for one dollar Rock) takes a lot of attention and one person at a time for 30 days… usually concepts an entire album, Jet City Rock-n-Roll is you‟re going to get funded. Think contrary to current society‟s ADD “music you listen to about a homeless person, they epidemic. wouldn't keep begging on the same JEREMIAH: We‟ve all kind of while playing the arcade street corner if asking every person decided to go the route of single version of After-Burner wasn't working. (Pardon the meta- songs because it seems like that‟s or flying an F-14 phor of a beggar.) If you send a what‟s going on in the market right couple of Facebook messages and now.

Tomcat!” assume your fans will cover your WILL: Yeah, we‟re seeing more recording costs...you‟re not going and more that this is becoming a <CV NW> What are your musical to succeed in your goal. I‟m grate- singles market. ful micro transaction websites like JEREMIAH: I personally love it. influences? Growing up, what else this exist but the opportunity lies It reminds me of stories of the old were you interested in other than with the band. days & record shopping... where music? you would go to the store and pick MURDOCK: I only did two things <CV NW> On FB, you say you have up a single with a b-side and play besides school: music and dirt “a new focus on releasing individ- the shit out of it. bikes. I lived with my grandparual singles” – meaning single WILL: Bands are less known for ents and they had an 8 track player. songs? Is that how you want to their albums and more known for a I found an old 8 track collection slowly bring your music to people? song. This does afford the chance and started playing along with

For some reason the entire crowd was cheering at the same pitch. Very ear piercing but it kept us smiling the whole show and set the pace for a terrific tour.

JEREMIAH: Each one is memorable. I just really love to play. (What Will said) <CV NW> “The backdrop of The Adarna is a puzzle of cities, bands, craigslist ads, and finally, their debut EP” – tell us what you mean.

WILL: This description is to describe what it‟s like being a band made up from various cities and past bands. Some of us Three Dog Night, Black Sabbath, so hard but trying to keep a straight met through Craigslist but what Led Zeppelin, Rush, etc… I quick- face and beat. really began to make The Adarna‟s ly moved on to more up to date art- WILL: There are number of mem- sound come to be was when we ists like Megadeth, Metallica, orable shows but what really stands finished our EP. We recorded this King‟s X, Entombed, Guns n Ros- out for me is when we (the band) in a more affordable way that es, Living Colour, RHCP, Pearl finish a show... sweat is pouring stretched out the recording process Jam. If I heard a song I liked the off of us, lights are shining on us over months and gave the songs rhythm and groove I learned it. and we just kicked the crap out of and band time to grow.

JEREMIAH: A lot of metal & that stage. I get a bigger high off JEREMIAH: We‟re all from pretcountry. I got really excited about of us being connected with our mu- ty different backgrounds. I met punk rock in my late teens & really sic than a size of a crowd. Specifi- Andrea & Will the first month I kind of settled into that mindset for cally though, our Hard Rock Cafe lived here, fresh from the Chicago a long time. And yes, Prince is the tour send-off was quite a memora- area. We‟ve all traveled a lot & best. ble show that happened recently. moved around a lot.

WILL: Growing up I was really drawn to artists like Prince, Muse, Queen, Aerosmith, Placebo, Lostprophets, and Linkin Park. They really opened my mind up to how rock n roll could be perceived. Now-a-days I prefer listening to Opera & Jazz music. I very rarely listen to rock n roll anymore. <CV NW> Any memorable shows?

Why were they memorable?

MURDOCK: Eugene, OR: Cosmic Pizza. Will was so into the show he completely took out Andrea‟s half-stack. I was laughing

Trevor Gibson

timeout.

JEREMIAH: It was a lot of fun & we got to play some really rad venues. We go on a lot of 3-4 day trips (mostly through a weekend) as it is…so this was just an extended version of that…and we got to see some new places which is always fun.

WILL: The Adarna are on the road often however that was our first West Coast Tour to last that long.

I couldn't be more proud of how our band handled ourselves for our first long tour and we can‟t get wait to get back out there.

<CV NW> Tell us what you think How do you think it’s changed the <CV NW> “Honestly” got a bunch of airplay on video screens from Harabout the Seattle music scene. music industry?

WILL: I love the Seattle music MURDOCK: It makes everyone ley Davidson dealerships to major scene! I know many people get approachable. Think about when fitness clubs – is it weird seeing jaded and say the scene is gone but Alice In Chains hit it, they only yourself on the big screen? Has anas a touring musician, you get to thing you could do was write to yone ever looked at the screen, see a lot of other cities. Seattle their fan club and hope for a re- looked at you, then made the constands out. The musicianship here sponse. We relied on MTV news nection?

is excellent and there couldn't be a (if you had cable), posters, and mu- JEREMIAH: I‟m always stoked to get our stuff out in the public in better place to look for competition sic stores to keep you apprised. in the US (in my humble opinion). WILL: Social media is just anoth- any format. Whether people love JEREMIAH: Seattle has a great er way to help us connect with you or not, at least it gives them scene. There are a lot of really tal- fans. We‟re very easy to talk to the chance to find out about you & ented people here; tons of amazing and get in touch with. players & a lot of infrastructure, We‟re willing to go those recording &rehearsal studios etc. I extra steps to help someone don‟t know why it took me so long who can‟t be at show feel to get here. connected to us. But I still MURDOCK: It can, however, be see that people value the fickle like the weather. You have handshake more than a soto turn over a lot of stones to find cial network blast. the good people. I spent my first month living here sifting through a <CV NW> You recently finpile of flakes. I chose my first ished a West Coast tour – band because they returned phone was that your first official calls and had rehearsals. Once you tour? Tell us what you weed out the BS, there is a real thought about the expericool scene ence, what you learned, what you took away from <CV NW> I see that you are very the trip. active on FB & social media, do you MURDOCK: It was a sucsee significant benefits from that? cess: no one needed a

make a decision from there. It‟s sical interests helps bridge those music. always been our goal to connect gaps a little bit.

WILL: I would agree in some with people, & hopefully they can senses that the two are similar but take something positive away from <CV NW> Do you see “radio rock” not completely. I personally love it the connection. the same as “commercial mu- “Jump On Top Of Me,” just as I WILL: Not to date but that would sic”?

Case in point…many think “Kiss Me, Kill Me, Thrill be awesome!

Me” is U2‟s best song. I like when years ago the Rolling Stones put artists try to branch out and do out a single “Jump On Top Of something different to what is ex<CV NW> CVNW did a radio ad for Me” which got a lot of airplay pected. I think it helps the artist our Cinco de Mayo party in 2012, and it was just crazy to hear our but was panned by critics as really know their fan base and see ad play – what kind of satisfac- “not even remotely a song that what the “Radio World” wants to tion do you feel hearing your should have been put out by hear...versus the “Commercial Mick Jagger”. What are your World” wants to push. songs being played on radio?

WILL: It‟s not really crazy, I thoughts about that? <CV NW> Will, you said “our don‟t think I‟d use that word, but JEREMIAH: The radio is a comwe do get a little giddy when we mercial medium. I can understand music is not over processed, it’s hear our songs on the radio. why people get confused when you not something that’s perfect… switch things up on them though. even though it’s polished, there’s <CV NW> Rachel Hansen said It brings to mind the band MGMT, this rawness” – tell us what “the Adarna is known for radio who, for their second LP chose to you mean by that statement. rock” – how do you define make the „most non-commercial WILL: What I meant by this is to “radio rock”, and do you take record‟ they could. I don‟t think say we still believe that musicians I've heard any of that one on the need to be musicians. There are that as a compliment? radio, so I guess they did a good programs, computers, and even WILL: I personally take it as a job. hardware out now-a-days that can compliment but I can see how othMURDOCK: Apples and oranges. help musicians stay in key, pitch er bands wouldn't be happy with A band reaching outside of their correct, put you in time, and even this description. To be fair, that typical sound does not correlate. play your instrument for was the goal :) To make music Radio rock means it would fare you...some of them can be done people would listen to on their fawell on the radio, commercial mu- live on the fly! Sonically this era vorite stations. sic could mean all sorts of things; that we‟re entering into with HD MURDOCK: It means it can relate to me it means jingles and backing systems is making it harder for to a broader audience. Some in the scene have spun a bad connotation to it, but there‟s nothing wrong with many people liking your music, it is what most bands go for.

JEREMIAH: I think we all knew going into this that hopefully all of our different influences would „reach across the table‟ so to speak & create something that was a little more universally understood. If you get together with a bunch of folks who are really into to Thrash Metal & form a band, it‟s probably not going to sound like Hank Williams…just sayin‟. I think the fact that all of us have such diverse mu-

Shane Eubank son‟s. It‟s a good feeling to know someone with an 8 track to really wow people. I feel this is what is they don‟t hate us too much neicreating this crave for indie genre ther. artists. People still want to see real WILL: Absolutely! This was a musicians live. Nothing beats seehuge honor to be supported by ing a dazzling musician live who them. Especially since we loved can play the shit out of their instruthem even before their support. ment and get a crowd going. That MURDOCK: Maybe they will get can‟t be faked with computers and Slingerland running soon?? that is the goal. How do we cap- sion & emotion. ture that and recreate it over and MURDOCK: I think it‟s a couple <CV NW> Let’s give props to over... of factors, all of those artists have Shana, tell us about her contrisex appeal, were in the right place butions. Would you feel lost <CV NW> Do you think that at the right time, and were willing without her? many of the “mainstream” mu- to turn their life off for the sake of MURDOCK: I need a certain sicians (for example, Bieber & fame. Cyrus obviously already had amount of profanity in my day to Cyrus, or Spears having been a connection. Artists cannot make day, she helps fill that. it on talent alone anymore. There panned for this) are “made” is also a small percentage who get more because of all this tech- lucky. For every band that makes <CV NW> Yeah, we’re pretty sure nical ability rather than actual it there are numerous that were do- it’s well-deserved in your case… ability to sing? ing the same thing just as well, Anyway, it’s late 2013…tell us about this year’s accomplishWILL: All of the examples you sometimes better. gave are talented. Anyone who ments, and what’s in store for says otherwise is kidding them- <CV NW> Gibson & Epiphone en- the rest of the year and 2014 for selves. I‟d agree that not all main- dorse you – what does some- The Adarna?” stream artists are known for their thing like that do to validate WILL: Our goal in 2013 was to vocal prowess but it‟s just like any become a well-oiled touring mayour efforts in your minds? other job. Most jobs will hire off chine. We've accomplished that of likability, marketability, skill ANDREA: The day I started play- goal. In 2014 The Adarna has their sets, and most importantly...how ing a Gibson changed my life. This sights set on festivals, conventions, well you get along with a person. is amazing! and college tours as well as recordA company invests in a person be- JEREMIAH: My favorite basses ing another record. cause they see long term growth have always been Epi‟s and Gib-

potential. They don‟t just pick up bums off the street like in Trading Places.

JEREMIAH: There are a lot of extremely talented people who work in the channels of bigger commercial music and they have it down to a science pretty much. I think all those artists you mentioned are talented. I‟ve always been somewhat weary of these types in general, though, and favored a more impassioned and organic sound. My opinion, I never think that formula or technology should supersede real human pas-

Merle Huddleston’s ‚One Hot ‘36‛ The automobile was built way back in 1936, and was one of the first cars built as a "hot rod". When restoring the automobile, Merle decided to keep the original body style to remain true to the initial focus on being a "hot rod". When he first purchased the car for Charlene, it was drivable but nothing special to see...and it sat in the garage until Merle tore it apart, taking it down in the late 80's to the bare metal. Set aside again in the garage, all lonely while Merle restored a few other automobiles, the car was finally completed in 2006. It is worth the wait...

1936 Ford Convertible             

All steel body, 2-door coupe with rumble seat Original style Auburn dash Original style Carson top, black Original style upholstery, black with rolls and pleats ‘American Racing’ chrome wheels Running gear – 350 automatic, V-8 motor with a Ford Fairlane rear end Custom frenched electric antenna and frenched tail lights Color/paint – GM Bright Teal (base coat/clear coat) Custom power windows Custom remote door handle/locks Disc brake conversion Professionally lowered 5 inches Dual exhaust

2013 Oyster Run (with Molly & Lani) The fourth Sunday of September 2013 was also the first day of Autumn. In the early morning hours, the residents of Western Washington could tell it was going to be a typical dark and dreary day. Weather forecasters were calling for rain (surprise!). The air had a chill and the wind was gusting up to 30 mph at 8 o'clock in the morning.

Being a first time visitor to the Oyster Run, I had no idea what to expect. A few motorcycles? Some people getting a little rowdy and rambunctious outside of a local bar? A bunch of bikers digging for oysters?

When I arrived in Anacortes, WA, and walked to the edge of a street restricted from 4-wheeled automobiles, I was met with a jaw-dropping sight. Rows of parked motorcycles 4 deep lined numerous blocks through town. People lined the sidewalks, strolling, talking, or huddling under the awnings of buildings, hoping to avoid the impending storm.

As the rain began to pour, and more and more Oyster Runners were pulling in, I made my way into a local bar called The Wheel House, and at 11 a.m. it was close to empty. As I was sitting and enjoying a fabulously made vodka tonic, the rain outside began to pummel down even harder while the wind picked and blew in faces. Before I knew it, the bar was full, and patrons were sharing tables with others they didn't know, just for a chance at a seat.

Making my way outside, it was immediately apparent that weather played no factor with the hard-core motorcycle enthusiasts. And when I say hard-core, I am not necessarily referring to 300 pound, leather clad behemoths that ride ONLY American bikes. I am talking about men, women, children, pets, old, young, thin, fat, friendly, and fierce people that live to ride and ride to live. These are the folks that support the lifestyle, rain or shine.

Motorcycles of every make and customization were present. Trikes, scooters and the hilariously confident motorized bicycles rode past honking and waving, nodding at people who pointed and waved in return. The atmosphere was one of passion and one of community.

Multiple vendors were present. From beef jerky, to leathers, to clubs promoting everything and anything motorcycle was there, and then some. Bent Bike Motorcycle Salvage from Lynnwood and Auburn, WA, and the

family friendly Conway Pub and Eatery out of Vancouver, BC. Enemy Tattoo from Everett, WA was on scene with a company owned ambulance, providing clean, sterile, and professional tattoos. Soldiers for Jesus MC had a booth with a vibrant yellow sign boldly stating "Jesus Loves Bikers Too". Psycho Wear from Silverdale, WA states "We are crazy about leather so let us put your rear in our gear." And CyclePath out of Kirkland, WA did an awesome job advertising with condoms toting company stickers stating "Thank You & Come Again" and matchbooks that read "Instant Crime Scene Clean Up Kit! -Strike, -Drop, -Run!" After beating the pavement for some time, I found myself outside of the beer garden, strategically placed in a grassy area between two buildings which blocked the wind. Customers were somewhat sheltered from the elements because of this and tents over the area. Tables were set up with plenty of chairs and space. A small stage was set to the side, but still close under the tents, and a truck selling Bud Light and Pabst Blue Ribbon was available for a shockingly low price of $4 a cup.

My time in this area was spent dancing, smiling and partaking in peach flavored jello shots. The Triple Shot Band played a great set with hits that everyone knew. And it was at this point in the afternoon that sun began to shine.

Back in the street, I found that many Oyster Run Attendees had decided to head back home, or embarked on whatever endeavor the open road took them on. As the blocks cleared and the sound of engines roared away in the distance, steam rose from the pavement in wisps, as if the rally itself had caused an uproar in Mother Nature.

I later learned that Oyster Run began many years ago with a group of guys that decided to ride their motorcycles to go eat some oysters at a restaurant. They had such a great time, that they decided to make it a tradition. Each following year, more and more people joined, until the Oyster Run became what it is today. Thousands of motorcycle fanatics, supporting one another in their love for two-wheeled joy-rides on any given day, without the confines of metal stifling the excitement of the open road.

Lani Linton & Molly Larpenteur Our On the Spot Team

Taking on the rush-hour traffic in some of the busiest cities in the world is quite a challenge, with a lot to watch out for and even after doing it for years people are still learning but here are some things to be aware of when you are navigating the concrete jungle.

It would be impossible to calculate the number of cars you‟ve passed and minutes you've saved by commuting to work. Sure it's more risky than taking public transport but despite what people may say, commuting on two wheels is a safe way to travel, but there are risks and - like with all riding you have to minimize them.

If you've bought a motorcycle or scooter to cut down your commuting time, just passed your test or are riding in cities and town centers for the first time, this article is aimed at you. We hope it helps you out.

STAY OUT OF THE GUTTER Whatever the situation, don't be tempted to head for the gutter.

It might look like a good place to nip up the inside of a car when the traffic's at a standstill but it's a bad habit to get into. In London, for example, most of the roads are marked up with cycle lanes, so heading to the gutter means you'll encounter cyclists who are a prickly bunch at best but even if there aren't cycle lanes, it's still a bad habit. You'll also be where drivers aren't expecting you, so if another motorcycle comes along to the right of a car you're on the left of, the car might mover over and squeeze you out. And finally, if you're right by the curb, you'll more likely to tangle up with a pedestrian who steps out into the road without looking.

RED LIGHT JUMPERS DON'T VALUE THEIR LIVES If your name's Valentino Rossi, it's crucial to be first away when the red light goes out but in the real world if you fire off from the lights with Rossi-beating pace, you could get tangled up with a red light jumper, be they an arrogant cyclist or a moron in a car. A red light jumper clearly doesn't value their own life, so what regard have they got for yours? Always check for traffic coming across your path when you pull away from the lights and don't be too hasty, there are no trophies to be won.

CAR DOORS PROBABLY HURT There's no knowing when a car door is going to open or when a car's going to do a U-turn in front of you, so make sure you create a good gap between you and the cars you're passing. If you ever see a police motorcyclist riding past a line of solid traffic with nothing coming the other way, you'll see they're halfway into the oncoming traffic's lane. Give a decent look to the front right tire of the cars you're passing. If it's pointing left, there's a higher chance it's about to shoot out into your path. The more space you give yourself, the more chance you have to avoid an accident.

DON'T PUSH IT PAST STATIONARY TRAFFIC If the traffic's at a standstill, it might seem like a good idea to wind open the throttle and push on or get to the front of a queue but think carefully: people crossing the road tend to use queuing cars as a cove and don't expect bikes or bicycles to appear in the gaps. If they spring out what are you going to do? Anchor on the brakes? Swerve?

Be careful to not carry too much speed through town. As a rule try not to go more than 20 mph faster than the traffic, that way you‟re not going past traffic much faster than you can ride a push bike and therefore you give myself the best chance of seeing a hazard or avoiding it if you really don't see it.

WHEN INDICATORS PUT YOU IN DANGER You always see so many motorcycles and scooters rolling around with their indicator flashing away. You might have a nervous tick in your thumb that makes it reach for the indicator switch to cancel it, even if it's not on or even if you haven't indicated for ages.

If you're cruising along with your indicator flashing and you're happen to not be paying 100% attention then you're inviting an eager car driver to pull out in front of you.

NEVER GET BETWEEN A VEHICLE AND A TURNING This is obvious and one of the first things you're taught when learning to ride, but in town it's easy to get blasé as there are so many turnings. There are also so many cars that sporadically use indicators.

When you're filtering past traffic as it's moving, keep an eye out for any junctions ahead and when the traffic's at a standstill, it's not unusual for a car to jut out if the oncoming lane is clear, so they can shoot down the road and get to their turning. Larger vehicles tend to make turns without much regard to other traffic and often with less visibility.

Never try and nip up the inside of a longer vehicle, especially when there's a left-hand turning ahead.

RELAX These days you should be much more relaxed in town, try and let gaps open up in front rather than try and force them open. Don't put yourself into tight spots and if you get blocked in, well, just wait for things to get moving again. Almost every day you'll come across a commuter on a scooter, buzzing like an angry wasp, trying to wedge themselves in everywhere and for the majority of the time, they end up boxing themselves in because they're not relaxing and taking in everything that's going on around them.

Remember, there is art to commuting; knowing when to press on and when to take a step back.

Gear the Pros Use! I generally perform with my DWCustom drum kit, maple/mahogany. The Collector's Series is the original American made custom drum set. I've had this one since 2000 and I love the sound of it.

I'll go with the basic setup for most straight ahead rock music. For different styles like funk or latin, I'll usually just have my 8" & 10" rack toms up front Playing different styles of music... and put my 12" on the lft of my hi-hats, One-dimensional or multiwhich is also accompanied by percussion instruments (cowbells, concert Toms, dimensional playing - it's your choice.

I think the multichimes, etc). dimensional players tend to stand Rack Toms - 8" x 8", 10" x 8", 12" x 10" out and go further in their careers.

Floor Toms - 14", 16" Try to play with as many Bass Drum - 22" x 16" musicians as you can. Your learning curve will go up exponentially as you broaden your horizons and by My approach to drumming having many guitarists, bassists, definitely vaires depending on the singers, or whatever in your life. style of music that I"m playing. I DON'T listen too much to high couldn't express enough how impraise, or the harshest of criticism. portant it is to record yourself Listening to too much of either can every time you play, especially be quite detrimental to your psyche. when you're playing with other If you know you're good, be the last musicians. A lot of times what to proclaim it with words, express it you end up hearing while you're with ability...if you let your talents do the talking, they will speak volplaying ends up sounding differ-

ent on the playback.

If you're a drummer just starting out, you can find music recorded wihtout the drums so you can play with it...this is very helpful because it gets you listening to all the instruments involved and gives you a better understanding of what to accent and when. Plus, they usually have the option of listening to the original drums recorded with the music and/or a metronome.

Gear the Pros Use! I started playing around with guitars when I was about 10 years old, but didn't have one of my own. So, after asking my older brother to show me a thing or two on his guitar, only to have him tell me that there was no way I'd be able to learn it, I would regularly sneak into his room and play his guitar. I was absolutely in love with the heavy guitar tones I heard on records from Black Sabbath and Deep Purple, then in awe of the tones I later heard from Randy Rhoads and Jake E. Lee on Ozzy records, as well as from and Slash and Billy Duffy of GN'R and The Cult, then... Pantera happened. I was absolutely floored by the heaviness of Dime's guitar sound. At that point, I became obsessed with heavy guitar tones. So began my quest to incorporate the elements of the guitar tones that I had loved since the first time I heard electric guitars with the heaviest guitar sounds I'd ever heard.

Mischa

tortion pedal is always on unless I Amps: Guitars: A 2006 Gibson Les Paul switch to a clean tone, which is an I run a 150 Watt Mesa/Boogie Mark III Standard with a 50's neck and extreme rarity. The noise gate is with the "red stripe" revision mark. It has BurstBucker 3 pickups. All black only used when the feedback is an the graphic EQ, reverb, and the very rare with white binding. It was a gift issue at whatever venue I'm play- "Coliseum" option, (six power tubes for from a dear friend who used to ing, I like to turn it off for solos for higher output) to two Marshall 4X12" cabiwork at Gibson and is not around maximum sustain. I use the delay nets and a Marshall JCM 2000 to two anymore, it's a very special guitar, pedal mainly for melodic lead parts 1X18" Peavey sub-woofer cabinets. I had the one I play most. It has such a and solos as well, just to add a little been experimenting with different heads smooth, heavy, creamy tone... I ambience, sweetness and sustain. and cabs while Witchburn was on a month love it. It's very much the perfect The wah pedal is something I often long tour with Prong and Crowbar. My guitar for the deep, dark, heavy use almost more for a flange type Marshall head died at a show in Louisville tones I'm going for with the riffs I of sound, nice and slow with the with about a week left to go on the tour. write in Witchburn. foot, and also generally on melodic After that, I tried different combinations of A Gibson Les Paul BFG P- lead stuff. cabinets and heads from the rigs Tommy 90 pickup in the neck, and a Victor (Prong), Kirk Windstein and Matt "Zebra" Burstbucker 3 at the bridge Brunson (Crowbar) had on the road with with a raw wood snakeskin looking them...when we got home, my goal was to finish. This is usually my back up put together a rig that sounded bigger and guitar that I reach for if I break a heavier than both of Crowbar's guitar rigs string in the middle of a song. I also put together. I think I at least got close with like to use it more when I'm playing this. stuff that's not quite as heavy as Strings: Witchburn, like the dirtier, more I use Ernie Ball Skinny Top Heavy Bottom, punk-rock roots type stuff and fastthey seem the best for the downtuning er, gritty rock n' roll... like what I'll Witchburn does. be doing with my new all-female project.

Picks: I use Dunlop Max-Grip™ Nylon Standard, Effects: black, 1mm thick picks.

I use a BOSS MegaDistortion pedal, a Morley switchCables: less wah, a BOSS noise gate and a I use Monster and Mogami cables BOSS DD-3 delay pedal. The dis-

The Carnival of Madness graced Spokane, WA with their presence on September 12, 2013. This was a much anticipated show for Spokane. They played at Spokane County Fair and Expo Center as part of Spokane‟s annual fair. They brought along their Carnival of Madness entertainers, Eric Scott Baker, Jade Ashekerra, Jennabelle Hogue, Scott VanSice, and Aimee Funk.

They each had their own majestic characteristics as they kept all of us entertained, before, during, and after the show. The Carnival of Madness lineup consisted of, We As Humans, In This Moment, Papa Roach, Skillet, and Shinedown.

First on was We As Human. They are considered here in Spokane, WA as a local band, originally being from Sandpoint, Idaho and now based in Tennessee.

They lit up the crowd and for us it was a great way to start off the show. We As Human is a Christian alternative metal band, with a hard rock kick. Members are Justin Cordle-Vocals, Adam Osborne-Drums, Jake Jones-Guitar, Justin Forshaw – Guitar, Dave DraggooBass. They came out full force, never once letting us down. They played like true metal heroes standing on stage with the hot afternoon sun beating down on them.

Their set only lasted 20 minutes but it was a great 20 minutes as we enjoyed rocking out to their songs. They left us with “Strike Back”. Full metal heart pounding sound that echoed through the fairgrounds, making us all want more.

Next in line was In This Moment, a band with the true metal goddess as their lead singer, Maria Brink. Two dancers came out first wearing the famous white mask, white outfits, and stocking with blood smeared all over entire costumes. Tom HaneDrums; came out and got the crowd going. Joining him was Chris Howorth – Guitar, Travis Johnson – Bass, Randy Weitzel – Guitar. Maria was in a white outfit with a red top hat on, carrying a smoke shooting gun. As she blasted smoke into the air the crowd went crazy. They started the set off hard and heavy with their heart pumping hit “Adrenalize”; this song certainly got the adrenaline running in everyone’s veins.

At no moment did anyone want to take their eyes off the stage as we had no idea what to expect next. Maria and the dancers were well synchronized in every move.

Maria had a new look for each song. She sang every song with brilliance and amazement. Their set consisted of 30 minutes and 5 songs ending the set with “Blood”. The crowd sang each and every word right along with her. In This Moment left us feeling adrenalized.

Papa Roach was next on the bill. One thing for certain about Papa Roach is they are all about their fans. They never let down and certainly kept up their standard as they have for the last 20 years. Papa Roach consist of Jacoby ShaddixVocals, Jerry Horton-Guitar, Tobin EsperanceBass, and Tony Palermo-Drums. Jacoby has had some difficulties with his voice lately, but for this show it was strong and didn’t give out, absolutely solid. They came out strong with “Burn”. One thing that everyone loves about Jacoby is that he gets out in the crowd with his fans and he certainly did not let us down. He jumped off stage singing to the us, making his way around the side of the crowd and noticed some empty chairs as this was a seated show. He picked up one of the chairs yells into the mic “I hate chairs” and smashed it repeatedly to the ground.

This got the crowd all riled up. He had people follow him back to the front of the stage and instructed them to stay there.

He stated to the crowd “This is a rock show not television”. Papa Roach continued on playing “Where Did The Angels Go”, “Forever” and their latest hit “Leader of Broken Hearts” which is currently on the top of the rock charts. By this time security is trying to usher people back to their seats, of course Jacoby wasn’t going to have this he yelled out “Mr. security guy you’re fucking up the rock show” the crowd did not move they remained up front rocking out with Papa Roach. The sun finally set by the 9th song “Still Swinging” and the stage lights were shining on the stage. The lighting was amazing only using white lights, 2 colors in sequence or occasional strobe light effect. It made it so there had great clarity of all the members on stage. The most amount of energy from the crowd was during “Getting Away with Murder” they sang every word of it right along with Jacoby. They ended the set with “Last Resort” which for many is an all time favorite. As they left the stage the crowd started chanting “Papa Roach Papa Roach” as I believe the crowd was not ready for them to be done. Papa Roach came on fast, heavy, with some serious electricity and that’s exactly how they left us.

As the sun was fully set the stage was dark, two men come out one a violinist the other a cellist, they were dark images under blue lights. Skillet proceeded onto stage; members are John Cooper-Vocals-Bass, Korey CooperRhythm guitar, Keyboards, Backing Vocals, Seth Morrison-Guitar, and Jen Ledger-Drums, Backing Vocals. Skillet started their set with “Whispers In The Dark” The violin and cello added a degree of intensity to it. As they broke into their second song “Hero” smoked streamed up from the front of the stage. Jen pounded on the drums while doing backup vocals. They kept their set going with great enthusiasm with “Sick Of It” as the crowd got into the song. Korey sang backup vocals, played guitar and the keyboards for “Comatose”. The stage was set with risers Korey and Seth would go up and down on the risers playing intensely.

For the beginning of “Awake and Alive” John and Jen did a duet as the violinist and cellist went up and down on the risers. The next four songs were “Last Night”, “Not Going to Die”, and “Circus for a Psycho” and “Monster” all was hard, heavy and well played.

“Rebirthing” was the last song of the set. Skillet played non-stop with great intensity.

We As Human, In This Moment, Papa Roach and Skillet, got us all pumped up for what was about to come next Shinedown, Brent Smith-Vocals, Barry Kerch-Drums, Zach Myers-Guitar, Keyboards and Eric Bass-Bass ; however I don‟t think many of us knew what we were in for. The stage had the Shinedown screen covering it as the stage hands set it up. At 9:30 they dropped the screen and the Carnival of Madness entertainers were on stage with fire sticks. They gave the impression that this would be a show we would never forget. There was a large LED screen in back of stage, flames from back of stage and exploding flames off the sides of the stage. “Enemies” was first with the LED screen depicting the band as animated characters acting out the lyrics of the song. Brent Smith‟s voice was mesmerizing. They next busted into “Devour” then straight into “Crow and the Butterfly”. There was a 10 year old boy sitting next to me belting out every word to that song. They continued on playing “Adrenaline” and “I‟ll Follow You” with Zach Meyers on keyboard and then guitar. “Diamond Eyes” and “Amaryllis” were both played with such passion from Brent. After “Amaryllis” the stage went black and as minutes passed the crowd became restless stopping their feet on the bleachers, they were not ready for Shinedown to be done. After a short break a video of Charlie Chan played on the LED screen and the Carnival of Madness entertainers came back out. Shinedown appeared and went right into “Sound of Madness”. Again, the 10 year old boy next to me was rocking out singing right along. They slowed it down a bit with “Second Chance” with Zach playing the acoustic guitar.

Zack continued playing the acoustic guitar for “45” as Brent handed out roses to the crowd. They went right into “Simple Man”. By the reaction of the crowd this was a favorite. Brent took this cover song to an entirely new level. The last song they played “Bully” was in honor of all people being bullied and especially Amanda Todd, 11/27/1996-10/10/12. Her personal video played on the LCD screen behind them; it was very moving and emotional. It really was nice of Shinedown to honor such a beautiful girl who had a very tragic story so she will never be forgotten. Even though they ended the show with a surreal song they never let the audience down. The performance was solid right from the start, making everyone craving more.

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THIS SPACE DONATED BY CV NORTHWEST MAGAZINE

Jordan Allena was born in Memphis, TN and realized her identity as a singer and dancer at the young age of three. Moving from Memphis to the entertainment mecca of Las Vegas, cutting her teeth in the extremely fast-paced performance world of Vegas, she began reinforcing her desire to be on stage through technical training. Moving from Vegas to LA put her in the thick of show biz and offered her top notch opportunities to hone her craft. She finally decided to head to Nashville to realize her dream of stardom, and she’s a runaway freight train of success there.

CV WorldWide slowed her down just long enough to talk about her journey, both past & future...

<CV WW> Growing up, did you al- the cars as they would drive by during afternoon rush hour. I was ways want to play music?

G

rowing up, I'm not sure I giving my own concerts at knew immediately that I 3 :) When we moved to Las Vegas wanted to be a (I had just turned 5), I would go "musician" per se, but I door to door, dressed as Josie (of know I always HAD to be "front the Pussycats) dragging my best and center." Mom says I was friend Alicen around (she was the "dancing in the womb" and Dad pussycat, of course) and give front had me on a set of drums at age door concerts....OMG, I was cratwo learning musicality. My broth- zy. In elementary school, I would er, however, had me on his dirt do whatever it took to be able to bike...lol. I was always dressing in sing the National Anthem at events tutu's, ballet shoes, heels and cos- or get the "featured role" in plays, tumes and at 3, we were still living etc. in MS at the time, I would sit up in the lifted fishing seat of our fami- <CV WW> Did anything else ly's bass/ski boat, hold my Fisher catch your fancy beforehand?

Price Mr. Microphone and sing to I think at age seven, I was hooked...my Mom worked at a ma- tume, I asked my brother to put my jor strip casino and was involved in song on cd, and I rehearsed it mysuch a way that she could "allow" self. I performed it and got a me access to some events taking standing ovation. Like I said...I place for the casinos. I found my- was hooked! This is also when I self onstage with Earl Turner this was drawn to dance, as well. I enway and eventually did an off-site rolled with a local hip-hop team, event with Clint Holmes as well. I known as the Starletts, and also heard Mom talking about this par- made captain of a young local ticular event, asked if I could be in cheer team. I loved both, but it, and she said she would ask. Her dance had me hooked. You know official reply was: "They said my family are ALL musicians and "yes", but I don't have time to help love ALL genres, so I naturally fell you put something together." So, I in love with all types of dance and did it myself. I found the song that the music associated with it. I just matched the event, I found my cos- immersed myself in training. I was

at the studio every day of the week learning harmonies and really start- time in, but it just means a little and in 11 competition numbers in ed moving back into my love of less "sleep" time and very careful one year. I couldn't get enough and singing. It was during my first planning...thanks go to good manI loved being able to express my- year there (I was fourteen), I asked agement again. self through the art of dance and my parents to move me to LA and through music.

The excellent let me take acting, more vocal <CV WW> You are a solo artist, did training I received and tough training, and see about getting me you ever thing of playing in a schedule prepared me in a lot of an agent. It was that year that band? Do you think it’s easier for ways for what I am doing now in EVERYTHING changed! My Dad a solo artist in country as opposed my music career. and brother moved my Mom and to rock music? me to LA into an apartment and I You know I tried the joined an Entertainment Training "group" thing, but I like the feeling Complex. This particular studio's of being the "front man"...it's student roster was filled with where I thrive and am comforta"working industry talent"...every ble. But I don't think it is easier for kid there was working in Holly- a "solo" artist in any genre. I think wood and staying "booked." It was it is hard - no matter the genre and there that I learned to perform or even harder for a female. I read an entertain to the audience and cam- article a few days ago where the era versus within myself. I was author feels that Nashville are booked in a Miley commercial greater supporters of male artists within two weeks of moving and might still be considered a there. While there, I was part of a "good old boys club". I'm not sure pop girl group and a booking agent I agree with that completely, but I from Memphis/Nashville area saw do know that statistics prove that me. After meeting with her, I was male artists usually have an easier convinced that I needed to be in go of it because the females tend to <CV WW> It’s been quite a physical Nashville pursuing my singing ca- be better at supporting their favorroad for you…talk about that mo- reer. I just had to convince my ite artists. A solo artist also has to ment when you said “yeah, I wan- Mom and Dad. Within 5 months, promote solely versus having the na rock, I wanna be up on stage”… my Dad drove Mom and me to camaraderie of a group of folks and talk about your journey…born Memphis and we eventually moved in Memphis, spent your elemen- on to Nashville, where I am now. tary school years in Vegas, jumped My parents deserve the Parents into the LA scene, then made a de- Sacrificial Award for the amount cision to relocate to Nash- of support they've shown me. Beville. That’s quite a road to travel… cause I have the building blocks of and now, you’re actually based on Vegas & LA entertainment scene Nashville, but still fly to Vegas & in my soul, it bleeds into my perLA to perform. How do you get any formance style and the music I currently gravitate towards; I like “me time” in all that?

Well during the seven years things edgy and full-out :) I now of intense dance training, I added travel between the West Coast and voice training to my schedule. My Memphis/North MS/Nashville area brother was playing in a gigging because that's the hub of my fan band and I think that lit my singing base and I enjoy being with and fire again. Then I auditioned for around them, and I have to be honLas Vegas Performing Arts Acade- est - this is when I'm happy...when my and joined the dance program I'm busy performing and growand took choir. I was introduced to ing. It's a challenge to fit "me"

Motley Crue because they were straight up bad-asses! Reba McEntire because she is the perfect example of how to manage your career to last. Trey Bruce, my producer, because of his amazing songwriting skill and his keen ear; he's a wordsmith! Dallas of Dirty Pairadice because of his amazing voice and showmanship. Robert Contreras, my dance instructor, because of the life lessons he taught through the art of dance. And certainly my grandparents because of their faith in me and support of my dreams. <CV WW> What is the state of music in Nashville – how hard is it for a young artist to make it big?

promoting themselves; it often want to be with me on my music Nashville is a powerful quomakes a difference. Statistics or journey and bring 100% to the ta- tient in the music industry right opinion, I'm know I'm doing what I ble all the time. But, excellency now; it's like the flood gates have am destined for; entertaining. can be a double-edged sword in been opened for artists, producers, Nashville; it's understood that a musicians, songwriters, etc. and as <CV WW> You have musicians be- great player may be hired at any the entire music industry is changhind you, what did you look for in time to work with touring artists ing in many ways, Nashville is picking them? On the other hand, making greater pay. It's a point of feeling the changes. But I will say, for an aspiring artist, how did you unwritten respect to wish them the that moving to Nashville and imconvince them to play with/for best and look for a replacement mersing yourself in it can teach a asap. It makes me a better artist "small fish" how to "swim" very you?

Nashville is a bit of a differ- because I have to adjust "on the quickly. ent animal when it comes to musi- fly". I also have a strong manager cians, session musicians, or players who can see immediately if the fit <CV WW> I don’t mean to sound for hire. Many play for lots of dif- isn't good and is focused enough to bad, but there are a lot of young ferent artists continuously. Over move on if it isn't working. Kudos beautiful women in music, what do you think separates you from the last two years, I have had quite to her. other singers? How do you sepaa few different players, some by choice and some not. First, our <CV WW> Who are your musical rate yourself from the crowd?

You have to be extremely personalities have to be compatible influences (or influences in general)? confident in your artistry and in the so there is shared respect, trust, and Wow - loaded ques- definition of oneself and I separate goals. It's important that my players enjoy my style and appreciate tion...This is a HUGE list because myself by bringing a full package my music so they will give to the of all of the different styles of mu- to the table; I sing, I dance, I play show what I give. Good music is sic and artists I have been exposed guitar, I write songs, I act, I model, VERY important in Nashville be- to. I have to first say Elvis Presley I choreograph, and I have been in cause the area is saturated with because of the way he commanded several music videos, television & amazing talent and songwrit- a stage and the way he was able to film series. So I bring all my talers. I'm blessed that the artists that deliver his music and hold his audi- ents/skills to the table and package are currently a part of my show all ence. Guns n Roses, Van Halen & myself that way.

<CV WW> For an aspiring singer, it's critical; my early in your career, how hard is it management team to make ends meet until you start keeps 8-10 sites updated daily/weekly. to earn a solid living?

Being an independent artist It's a huge challenge is one of the most costly careers but yes - a necesthere is because it definitely costs sary evil...I think it you everything and requires you to will grow even have to give up a tremendous more important. amount: energy, talents, relationships, dollars, habits/hobbies - the <CV WW> When you list goes on. You have to be com- write a song, where mitted to your craft and your dream do you get ideas for regardless of the time it takes to the lyrics? What inaccomplish it or even come spires you?

I get inspiraclose...time will pass anyway...I choose the entertainment field be- tion from life experiences - you fell onto the stage, knocking over cause I love it; it's part of my be- know - good or bad - you gotta equipment, including my guitarist's walk it out through your music and ing... microphone stand, sending the mic put it in your lyrics and melostraight into his mouth, busting his <CV WW> What do you think are dies. I do a lot of co-writes every lip and bruising him. I also had a your biggest challenges right now? week and draw inspiration from fan leave roses with a nice "you are My biggest challenge is sup- working with other talented writ- awesome" note once...that was reporting my career as an independ- ers. I love writing. ally nice, a little touch like that ent; it requires a tremendous makes a big difference. amount of money to continue to <CV WW> What are you thinking when you are on stage, and the move forward.

fans are screaming and cheering, <CV WW> What about your music <CV WW> Talk about social media do you ever get caught up in the do you think appeals to people?

I think my music is a driv– how critical do you think it is moment, get distracted? ing blend of aggressive country today as a marketing tool? Or do When I'm on stage, I'm solyou think it is a “necessary evil”? id. That's kind of the way I've al- and rock and it brings out the

"rowdiness" in folks. People like to be able to let loose and my <CV WW> Tell us about one of your shows are definitely far from "stuffy" :) most memorable shows.

I would have to say the first show I did at the PBR Rock <CV WW> Where do you think you Bar in Vegas...because it was fall in the evolution of Jordan Allethe first full band show my na, the stage of growth as an artfriends & family saw and the ist?

In my own mind, I stay first time my brother had seen me perform at all since I moved "behind" because I know that for every goal I meet, I have 5 others to Nashville. that I haven't. I like the feeling of <CV WW> What’s the craziest "the push" to get to the next thing one of your fans has done evolvement of Jordan Allena.

Social media is a vital part ways been described; solid... of any business; as an independent

during a show?

I had a fan approach our <CV WW> Have you ever stood on low platform stage to give up a stage and said to yourself “yeah, high five when he tripped and I’ve made it”, do you have that

I want my music and talent Dance is and will always be to afford me a life-long career and a part of my music career. I take Every time I perform, I come away from the experience to afford others a "YES" moment class still, teach class and choreogwith the need to re-live it under my when they listen, watch or share in raphy, attend as many dance auditions I can possible make and own criticisms and those of the it some way. sometimes have choreographed people I trust. So, truthfully...I don't get the "I've made it" feel- <CV WW> I see you’ve done cheer- dance/dancers in my shows. I was ing. I do get a satisfied feeling leading, but “dirt bike stunts”?! in a duo once for a short bit and they asked me to give up dance and when I know I gave 110 percent.

You’ve got to explain that…

I wanted to also be a moto-x focus solely on the duo; I quickly racer when I was younger because let them know...I have for YEARS my brother was such a powerful multi-tasked my time well and to force in the moto-x world; so I was date, I've been able to fit it all in. on a "PW50" as soon as I could be, racing at the speedway, bound and <CV WW> Having done competitive determined to copy my broth- dance, tell us about the Platinum/ er. One day, I was racing a boy in Diamond/First Place/Technical the neighborhood on a bet and was Skill/Dancer of the Year Finalist winning when we came around a Awards (2003-2010). corner at a high rate of speed, I slid Those are all awards that I out in the gravel, nailed a curb and am super proud of; some of them was seriously "road rash wounded" were solo numbers, some were and injured in a few other team wins but all were won with ways...while I was on all of those hours upon hours of hard work, decompetitive dance teams; I was termination and excellent instrucforced to pick one or the other...so tion. Dance taught me more than I quit riding as much. how to move; it taught me discipline, camaraderie, excellence, de<CV WW> The song “Tomboy”, is < C V W W > S e r i o u s l y … H u l a termination, and gracious winning/ losing. that a personal anthem? You are Hoop? Really?

Oh yeah, I can hula young, blond, beautiful, and can <CV WW> You’ve done work with sing lights out, but also tough, do hoop...I've got the rhythm in me. feeling yet?

Tim McGraw, Taylor Swift, Blake you look in the mirror when you <CV WW> I’m a computer gamer think of that song?

Tomboy is a representation too, so I’m particularly interested of me in some ways; I am a girlie in your experience hosting the Xgirl and love my heels but I also box Halo Tournament, tell us about love to ride dirt bikes, hunt, and that.

My best friend's husband is fish - you know, I'm very comforthuge gamer and enters the major able hangin‟ with the boys; I spent a lot of time hangin‟ with my Dad tournaments often, so because of and brother as a kid and doing cra- the connection, I was asked to host zy guy things and I do see myself a tournament in Knoxville. I followed the script and met a lot of as a strong, tough girl. really nice people.

<CV WW> What do you hope to accomplish with your music, how do <CV WW> You’re also a dancer… you want people to react to your how much do you focus on dancing as a career option? music?

Shelton and other country stars on their videos, did you have any chance to interact with them about music? What did they tell you if you did?

Tim McGraw and Taylor Swift were not at all willing to hang out with the cast but Blake Shelton, he's dope. He was so much fun and was just easy to be around during all the shooting. As far as music advice, I've gotten that from other sources :) <CV WW> You have been on TV & in the movies too…what were those experiences like? What do you take away from being in something like “Scary Movie 5” that might help you in your singing career?

The most important thing I learned is the MANY hours that actors and the cast work to get I'm signed with an agency took them with me to Nashville things perfect. Plus I learned a lot that actually sends me on auditions, and the south. It's my way of inabout the back of the scenes probut if I hear of something among corporating my dancer & rocker cess; so much happens on a set bemy peers that I might be interested side into my edgy country hind the filming. And learning a in, you can bet I'm going after it. style. I'm also a HUGE supporter script is not easy and learning it of our military and I wear them out last minute, is even harder. The <CV WW> You’ve even done theaof respect. roles I land are just good for my tre! How different is theatre from career as a whole, not specifically singing, to you? Are there different <CV WW> What are the big plans oriented towards furthering my things you need to focus on? for the rest of 2013 and beyond for singing career.

I tried theatre, and I had Jordan Allena?

I have opened for some fair"fun" with it, but truthfully...I just <CV WW> Tell us about the “So You never could get into the plays and ly big names within the last year, Wanna be a Star” pilot…you were the music that went along with and I have a couple of really big lead there? them. But I have huge respect for shows coming up. I'm opening for That pilot was oriented to- the artists that are happy with that Josh Thompson at the GA State wards young people who were all style of performing.

Fair and I've also been added to the working towards the goal of beline-up of artists that get to play at coming a star; several of the kids <CV WW> I noticed something else the Delta Country Jam, which inhave actually pushed pretty far in as I was looking through your pro- clude Tim McGraw, Brantley Giltheir careers - once completed, the mo pics & youtube vids…are those bert & Kellie Pickler. My second pilot was presented to several net- biker/combat boots?

The black EP should be out this fall along works but it never attached to ones? Definitely not “Nashville”, with a video to support my song, one. I liked having the camera fol- are they?

Tomboy, off the first one. I may low me around though...lol So - I get asked about my even have a big show in Vegas this combat boots a lot. While I was in fall. <wink> <CV WW> Do you seek out video LA, I picked up a few industry eleopportunities? ments to the way I dressed, and I <CV WW> Let’s show our support,

tell us who has got your back onstage, let’s give props to the band too!

My guitarist & background vocalist is Mark Thomas from Texas but moved here after a 13 year stint in LA; he was an instructor at Musicians Institute. His wife is Charissa and she's also a backup vocalist; she also attended MI for vocal production. She's most recently been on tour with Englebert Humperdinck, which is super impressive considering his stature in the industry. My other guitarist, Alex, also just moved here from LA, also an MI student and can wear it out. My drummer, Dylan, is from Johnson City, TN but attended MI too. I think I got the cream of MI to be with me on stage. My bass player and back ground vocalist is from Florida and he and his wife have a newborn that is precious. He's trained in many music related fields also and my fiddle player is a former Martina McBride tour player. All of my players are producers, engineers, etc; they are all AMAZING and I am super grateful to share the stage with them. <CV WW> Any final thoughts to our readers?

I'm in this for the long haul so I hope my family, friends, and fans hang in there with me and I am really very grateful for everyone who supports me! And - thank you - for the interview and letting me share with y'all.

We are happy to announce the newest addition account for only about five percent of the beer we to our CV Northwest team, the CVNW Brew Crew. drink, but that percent is growing every year. The maStarting this month our new team of young and enthu- jor brewers are taking notice. siastic beer lovers are gearing up to explore the vast It is said the best place to sample the Northand always expanding microbrew industry, pubs, and west's handcrafted ale is in a well-run brewpub, bars with local micro brews and even some imports. where friends can get together and enjoy the pleasant With more than 100 microbreweries opening warmth, intelligent conversation, the scent of malt, each year and many of them in the Northwest, it is barley and hearty aromas. While combatting our reapparent that just while having a beer or two on a Fri- gion's chilly, damp climate, brewpubs become places day night after work is ok, but it does get old. These of refuge where you can shake the rain off from your days the beer lover umbrella, order a has so many oppint, and savor a Zack Tracy Vincent tions. Who are the complex substance Merryfield Cadwell Carnera microbrew fans? that caresses the They are generally senses. Ok, so long people who are story short, people middle class, more want a good tasting men than women, beer. but recently the Beginning in younger generation our November iswants good beer, sue we will have a even the ladies are list of places the getting in on the CVNW Brew Crew act. Many are diswill be and hope all covering that there of our beer enthusiis more to beer asts will come out than Coors Light for an exciting and and Budweiser; not fun experience. that there is anyOur DVa‟s will althing wrong with those beers, but they are mass pro- so be on hand at many of these events. duced and can be purchased at the local grocery store The CVNW Brew Crew is looking for places or convenience market. The 40-something set has de- to go and taste what the great northwest has to offer veloped a taste for craft beers. Craft beers are most in the way of microbrews. We are asking you, our popular in the Pacific Northwest, Colorado, the Great readers to send in your favorite places to enjoy a good Lakes, and New England. Some observers have lik- pint, or two! ened the growing popularity of craft beer to the Starbucks craze. Microbreweries and brew pubs are like Please send us your suggestions to little coffee shops, they‟ve got the same type of atInfo@cvworldwidemagazine.com mosphere, only it's with beer. People like that.

They're looking for something different. Craft beers

With the Winery Dogs, the music fans had no idea what they were getting but when it dropped it was discovered to be a dark bluesy masterstroke. This is what hard rock is supposed to be like and these three guys do it so well. Richie Kotzen, the purveyor of all things guitar, took the time out of the crazy schedule to give his fans insights into what made this record work.

An interview with Richie Kotzen

By Jeffrey Easton

Metal Exiles: The three guys that make up The Winery Dogs is an gree on but then there are those that we can connect on like amazing musician in his own right. How did you make room in Cream, Led Zep, The Who and the list goes on. So with me being the songs for each one of you to stretch out? the guitarist, singer and primary song writer, in the end I am goRichie Kotzen: That is the interesting thing with this record is ing to push us in that direction. that nobody lost their identity. It could have been really easy to get into the studio and everybody starts fighting for space and Metal Exiles: So you’re steering the ship in the direction that you there is a few reasons why it worked out the way it did. One, it is want but with their help? a three piece and I am comfortable in a three piece, its all I ever Richie: More or less but we do have common ground. I am not do when I play with my band. I think Mike wanted to try some- trying to take credit, it’s not that but when you’re the singer in thing new so let the cards fall where they may so to speak. He is this kind of music, this music is built around the vocal. When being Mike Portnoy but he realizes that it’s a three piece so he is you compound it with the fact that you are playing the main inlistening and understands we are playing off of each other and strument, the guitar, your painting with a wide brush so that is playing on a smaller kit as well. Billy and I have played with each why the record leans in the direction it does. other for years so we knew how to play together. Also I think it had a lot to do with the way the material was written. We have Metal Exiles: I have a lot of your solo records so to me the Winery songs on there that were written out of jams, just sitting in a Dogs record sounds like one of your records but on the steroids room together and all of the parts just locked together. There that are Sheehan and Portnoy. Was some of this material deswere a few songs that I had written previously that I thought tined for one of your solo records? would be good for the Winery Dogs but even on those songs it Richie: The stuff that would have ended up on a solo record was pretty well mapped out what was going to happen. The would have been Elevate, Regret, Damaged; I’m No Angel and third thing that tied it together is that we have been musicians We Are One. Those were songs that I brought in and Desire as well. for so long that you learn how to work with other people.

Metal Exiles: As musicians you have had very diverse careers Metal Exiles: Desire is one of the best tracks on the record. from each other. How did you make all of this diversity come Richie: Desire is a song I had never demoed but I had demoed the rest and the other songs were written together as a band. I together in the writing process?

Richie: For the blues based thing you have to find a common ended a solo cycle of releasing a record and touring and I was ground and for anybody that knows me knows I am not a blues approached by Eddie Trunk about doing this record so I put the guy by any stretch but my influences, even though they were Winery Dogs record in front of what would have been my next rooted in rock, were heavily blues influenced. For me this record solo album so I decided to not do that record and I am glad I saw was not a stretch stylistically, but when you compare the other this through. So far we have gotten a great response and the guys and their influences, they all have the same influences, they other guys contributed so much to the outcome of the record. are just getting it from another place. We can sit down and talk about 20 bands and their might be 10 that we completely disa- Metal Exiles: I know you have worked with Billy many times in the past but this was your first time with Mike Portnoy. Were there

any growing pains in the studio while doing this record? way it was written about. Its comical to me because if I was a Richie: It went surprisingly smooth and I honestly thought there screen writer and I wrote a movie about a serial killer it does not would have been some hiccups here and there but there weren’t. necessarily mean I am a serial killer. That is a serious kind of There were a few times where one of the guys was excited and silly. The reality is is that you do write from personal experiences trying to convey an idea and one of the other guys was trying to but you also write from other people’s experiences. get his idea through but that shit is normal in that environment.

There were no problems, everybody gave the right amount of Metal Exiles: What did you go into the studio with to record the space. Those guys trust that I am the singer and guitar player album? and although the door is open for ideas eventually you have to Richie: I took mostly Fender amps in, three different ones as well let someone do their job. If I write a song I am going to suggest a as a few Marshall amps. Sometimes I would tie them together. I certain drumbeat because a song is written around a drumbeat also have this Marshall head that’s 20 Watts with two knobs and but it’s your job and I am not going to tell you how to do your job. when you turn it all the way up you get a great tone. I was plugI dont want to do that, I don’t want to tell you how to play be- ging my signature Artist Series Fender Model into them. It is now available to the world market after only previously being availacause I do not want someone to dictate how I play. ble in Japan. It’s a brown telecaster with a tobacco sunburst Metal Exiles: It seems as if your lyrics, especially on this record, finish. It has custom Dimarzio pickups and the wood choices are are so dark and personal. Where do you go mentally to come up very specific. It’s a great instrument and if someone goes to the with this material? store they are buying my guitar, not some substitute instrument.

Richie: There are multiple formulas, and I hate the word formula We did not make entry level guitars for this line. because its ridiculous and I Metal Exiles: You put together a always talk against formulas, massive tone together for Debut for lack of a better word, sire. the best writing is the writing Richie: For Desire it is interestthat happens naturally so there ing because we start out with is no real formula. You can sit one guitar and one amp for the down at a piano, hear the muintro but as the song builds the sic or the lyric and within 15 guitar layers build. By the time minutes you have a song. That the chorus hits there are multihas happened to me a few ple amps and it just makes it times and some of my favorite sound bigger. songs are the ones that wrote themselves because I sit down Metal Exiles: The album is out at the piano and suddenly I and it did really well the first have a song. Damaged was week. Do you think it did well written that way but then you because of the names on the have songs that require more work, like I’m No Angel. I wrote album or the music itself or a combo? that before this project existed but that song did not have a cho- Richie: I think it was combinations of that but remember they rus. The chorus that lived there now resides in Elevate. I realized had plenty of time to hear the music because the record was out that the song went from half time to double time and it sounded a month and a half in advance in Japan. People have followed ridiculous to me so I abandoned it but a few months later I came the band on YouTube because we have three videos out and then up with the chorus so then I had the Elevate chorus looming so you have the elements of the names because they know who we Portnoy suggested I take that chorus and merge it with another are and they are curious. They want to know what we are going verse I had and suddenly you had another song. So you see to do, are we going to make a record where I can listen to the there are a few different ways to write a song. To address the songs or is it going to be chaos. Let’s be honest, people were lyrics they sometimes come at the same time like the song Dam- wondering what it was going to be like. In the end, when you aged or you have a riff that has such an energy to it that it will hear the record you say “cool, these guys made a musical record dictate the kind of lyrics you write. If you listen to the song One where you can hear some crazy playing but then you have songs More Time, its happy and bouncy so I did not want to write some you can listen to and remember. creepy End Of Days kind of lyrics so I took the “trying getting back together” approach to it.

Metal Exiles: Billy Sheehan is all over the place but he is not doing anything to destroy the track, its all within the context of the Metal Exiles: Do you ever put yourself through any of this or is it song. All of you guys were phenomenal on the record but again something you pull out of thin air? in the context of the structured song.

Richie: It’s both but it’s funny because if someone writes about Richie: Somehow it worked and it was cool with what we were something sometimes somebody will think it happened just the doing. I personally have nothing to prove anymore like I did

when I was 18. It’s not that I am great or special, it’s more of an attitude of this is how I play, I hope you like it. With that relaxed mentality, we are able to play in a more musical way. Like you said, Billy is playing like a madman and I have my insane solos but we are not stepping on each other. People have responded well to the record and where as I thought the record was cool I did not expect it to get the attention that it has so I am pleasantly surprised.

Monoprice specializes in a wide variety

Metal Exiles: You guys are going out on tour in some fairly small of electronic cables, home theater equipment, places. Did you not expect the record to do well?

Richie: When we planned the tour we were being conservative. networking and IT gear, mobile accessories, In certain markets we knew we would do well like New York and and other computer components and tech then in places like Lancaster, PA we thought we would do ok but equipment. Customers can easily navigate the place was packed. We have done well all over the world and their website and choose from among more we thought it had to end sometime but it hasn’t. I will tell you this about small places, I have done every scenario with touring than 4,300 Monoprice branded and nonfrom arenas to farmhouses and the smaller places are usually branded products offered at very affordable the better gigs. prices on its website.

Rock Album of the year?

The Winery Dogs, hands down.

You will not find a more passionate rock release out right now.

Official Winery Dogs Site BUY THE WINERY DOGS!

CV Northwest enthusiasts, it is with great excitement that I announce to you the first DVa column ever! And without further adieu...

Now that fall has arrived and the nights are getting colder and longer you're going to want to be sure that you're safe on the road. That is why this month yours truly learned a thing or two about polishing headlights...hey now, get your mind out of the gutter and focus your attention on your vehicle. If you have an older ride chances are you may not be getting the clarity you deserve at night, there are few options to help you get that visibility back. First option, if your ride has replaceable headlamp covers it will usually cost less than $50 to replace them. If you have a newer car most headlights come in a one piece unit that can run you upwards of $200 or more, or of course you can take it to a detail shop and have that baby shined up along with the headlight polishing, it will only cost about $195. If those sound a little spendy to you then the last option is for the handy girl or guy of the modern ageto handle the chore, not to mention it doubles as an arm and shoulder workout; I've chosen a do it yourself headlight polishing kit that attaches to a handheld drill. There are lots of brands on the market, I chose a kit from 3M called Headlight Restoration Kit, that cost $23 and depending on how dull your headlight covers are, at the most a couple hours of your time. You can also purchase a second kit depending on how many cars you have. You can get refills from www.shop3M.com from as low as $14. This is a 5 step process that restores the clarity of yellowed, hazy, or dull headlight lenses. Kit contains sanding discs, polishing pad with compound and protectant. You will also need green or blue painters tape; a soft cloth, a spray bottle of water, and a handheld drill.

To get started using some blue or green painters tape, tape off the edges around the headlight covers to protect your paint from being taken off while buffing out the covers. Next, with some water and a cloth spray each cover and remove any dirt and left over critters to prep the headlamp cover for buffing. Remember to avoid needing to take a trip to the detail shop for a paint touch up; this kit consists of different grades of sanding pads to help you put some clarity back into the light cover. You should have a high and low setting on your drill; I started out low until I felt comfortable with it and then switched to the higher speed to be more efficient.

Important tip when working around the edges; make sure the drill spins out away from the lip or edge closest to the taped areas so you aren’t over sanding them. The key to each step is a consistency and evenness.

After reading the directions, I started in the center and in a smooth and controlled fashion working steadily across the headlamp slightly overlapping each pass until it had a nice foggy appearance, you will do this about 3 1/3 times. As my dad says, “the more time you spend on each step the better the results.” You will also want to wipe or tap off the pad every 30-45 seconds to rid it of the fine plastic you will be removing , this is important because this powder can heat up quickly from the friction of the drill and cause it to melt and steak across the plate, resulting in more work for you. You can do one headlight completely at a time as I did, or you can do each step on each headlight until both are complete.

In the first step I began with a course sandpaper, in the second step I used a higher grained/grade sandpaper for refinement. Again, start out slow and controlled not taking too much time on any one area. Work across the lens until it is smooth and consistent; you want to avoid streaks and shiny spots on the lens. Be careful around the edges not to sand them down more than the rest of the covers this will also help in preventing paint-loss! I started in the middle and did half at a time so I could be sure the drill was rotating in an outward fashion over the edges. Once you’ve reached the foggy consistency you desire, reverse the direction of the drill (switch commonly found behind the trigger) and work to the other side. All in all it was not too difficult a process and worth the time, also was great money saving project for the do- it- yourselfer. The directions in the kit I bought were easy to follow and I would recommend the 3M kit as it is a great value and did do what the package said it would do.

Look at our DVa column in our next issue to find out what other things we have been doing!

Making a good pair of sticks begins by selecting the best wood possible. We manufacture many different models of sticks using Canadian maple and American hickory.

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We use only the finest grades of wood. Every dowel is hand inspected to ensure that the grain is straight and free from any defects. Only then does it go to our lathes to be turned into a LOS CABOS DRUMSTICK. When you purchase a pair of our sticks, you are investing in quality craftsmanship. With nearly two dozen models to choose from, Los Cabos Drumsticks offers something for every drummer.

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ForeverGirl Designs Not only is she the ass-kickin’ frontwoman for WITCHBURN, she’s also a talented picture ARTIST! Jamie Nova allowed us to talk to her about her personal art pieces and showcase some of her incredible work! We also got to delve a bit into her artistic mind...

CVNW: Why do you paint, what is your inspiration?

I have always loved painting. getting lost in the colors and the feel of my brush against a canvas. It is an extension of my soul, like my music. My inspiration is life, the vitality of existence.

CVNW: Do you sell them personally, or as an official company?

I sell them personally, through my Etsy site (http://www.etsy.com/shop/ ForevergirlDesigns) and also on my website (www.jamienovarocks.com) CVNW: How do you decide what to paint?

Most of the time it is whatever inspires me that day or whatever my mood is.

There are a lot of times that I have pieces commissioned and then I work with the buyer as to what inspires them and then I incorporate their ideas into my style.

CVNW: Are they usuable drums or display pieces?

The drumheads are for display only but I have been commissioned to paint some Kick Drum front pieces that will display my art without taking a beating from the drumsticks CVNW: Do you do special commissions?

Absolutely! Canvas, drumheads, wall murals, t-shirt designs, tattoo designs.... you name it I will do it!

We are MUSIC We are CHANGE We ARE...

that, it's always bittersweet. I think it is very important to really know how much you want to do Cleber (vocal) something. It's the first time I've been away from my Thiago (guitar) family and friends for so long. But at the same time, Marko (bass) they are very present in my life. Everyday I Skype or Leandro (drums) message them, so I don't really feel that I have left <CV WW> You are a guitar player from Brazil, what them behind.

TOKSIX is...

brought you to the USA, and how has your experience <CV WW> Why did you choose Vegas? living abroad been?

<Thiago Straioto> Hi Chris, first off, thank you so <Thiago> I've always preferred the West coast. I like much for the opportunity to be in this great magazine. the vibe here, and the presence of rock and roll is strong. It's perfect for me right now. And thankfully <CV WW> The pleasure and honor is all ours my Vegas doesn't have the kind of traffic L.A. does friend. (laughs). <Thiago> The U.S. has the greatest musicians, bands and music genres that have directly influenced me <CV WW> Tell us about the Rock/Metal scene in Curisince I was a little kid. Living here in the U.S. is a tiba, Brazil. new challenge in my career. It's been exactly one year <Thiago> Curitiba used to be the Brazilian “City of since I moved here from Brazil. I spent last winter in Rock” back in the day. Nowadays, unfortunately, fans Chicago, and had the opportunity to perform at some would rather pay a hundred bucks to watch an intergreat blues bars, such as Buddy Guy's Legends and national concert instead of paying 15 and supporting Kingston Mines, so for me it was very special, and local bands. And that pretty much includes the entire also because it was the first time I had ever seen snow Brazilian metal scene as well. Local bands have been in my life! (laughs) Most of my lead guitar is influ- getting minimal exposure. That also explains why so enced by the blues, so it was an incredible experience. many musicians from these bands are playing cover For someone like me, who always saw these venues music now. I have nothing against cover bands, but if as very far away, it's amazing to now be called and you stop supporting the original music, there's no way hear, "Hey Thi, we have couple of gigs booked in to develop events with quality and structure.

Hollywood this month at The House of Blues and The <CV WW> How's the music writing process been with Roxy'', you know?

Toksix since you moved to the US? Are you planning <CV WW> How did you feel, moving to the US, leaving to record a new album? <Thiago> I don't know if it's a coincidence, but we others behind?

<Thiago> When you make an important decision like always record during even numbered years. We rec-

played?

<Thiago> The biggest crowd I ever played for was with Toksix and AOK, it was around 5,000 indoor, 10,000 open-air. The little shows have a great vibe too. In general, those were always our favorite ones.

We had a great concert in Vienna. We played for, like, seven or eight people in this bar. Let me tell you something, Chris, it was one of the coolest shows ever. <CV WW> So many people dream about being a musician and do this for a living, what would you say about the difficulties that people find in this tough orded our very first EP, New Tomorrow, in 2010, and industry?

the second, Hell is Blue, in 2012. In 2014, we are <Thiago> Playing guitar should not be something planning to release the third EP, which is currently that's tiring, it's an eternal quest for what we do not untitled. We will bring all the equipment into the jun- know is yet to be. Many musicians seek out somegle and try to get the harmony from nature into our thing that is upfront and end up wasting precious time music, but it won't be meditation music or some kind that music can bring you in the present moment. of mantra stuff, trust me. It will be heavier than ever.

From the moment we started Toksix, we decided to <CV WW> Although you are primarily a hard rock do everything without pressure. We are very close and metal guitarist, you also mentioned a strong infriends that like to play instruments, during breaks we fluences in the blues. How do you define yourself musically and how has the blues influenced you? barbecue and have some beers. <Thiago> Well, with the exception of classical musicians, everyone has been influenced by the blues, <CV WW> Barbecue & Beer sounds GREAT to us! <Thiago> It's very relaxed, that's why we are still to- even if you don't listen to the genre. My very first ingether, the rules are that you can do whatever you fluence was back in the day watching this blues guitar want. They are the best musicians I've ever played player Nuno Mindelis. I still remember it as if it hapwith in my life. When I told them that I was moving pened today. He just started his solo, and then left the to U.S., they supported me and respected my deci- stage, walked through the audience, and left the bar with the band performing on stage. I was like, what? sion. These guys are great dudes.

So I asked my friend, did you see that? Then he <CV WW> Do you have a favorite concert that you crossed the street, and continued playing his solo nonplayed? When and where was this show? Why was stop. He sat at a bus stop across the street with the entire band still on stage and was there for like 7 this show so special? <Thiago> I've been on the road many times over the minutes. For me, that was a big moment in my life. years, and there is always something new and each Then I thought, is that what it means to be a musiconcert is special. I really loved the tour in Europe cian? You can do what you want but also have a lot with AOK. In 2006, we spent twenty-four out of thirty days performing after we recorded the album Samurai. It was crazy man. The very first one was in a bar in Amsterdam called The Cave. That was a great show. With Toksix, we had an awesome concert for 10,000 people in the middle of the forest last year. It was raining and people were jumping in the mud. It was a 24-hour party with free beer, you know what I'm saying? (laughs) <CV WW> What are some of the big shows you’ve

licks but do not forget to try to find strong melodies that please. <CV WW> Besides being on stage, you have done some work in recording studios. Tell me more about these new projects.

<Thiago> Yes, my big passion is writing guitar lines and composing new stuff. There's a lot of recording going on now, I'm recording at Steak House Studio North Hollywood for an L.A. band. I'm also composing for Zombie Shaker Box's second album in Vegas. of discipline to play like that? Awesome! I define my- I'm also starting to do some writing and recordings self as a non-stop guitar player, my wife calls me a with Systemec guitar player True Lamaun. This guy mad scientist sometimes. is great, it's been a long time since I played with a great guitarist like that. I am releasing an instrumental <CV WW> It HAS been said that there is a fine line single, so make sure you go check out my webbetween genius and madness. site! www.thiagostraioto.com <Thiago> Yes, that is true. <CV WW> What do you think is the best part about <CV WW> What tip would you give to guitarists who this line up, why does this work so well? want to become virtuosos and shred their guitars?

<Thiago> We are experienced musicians with similar <Thiago> In music less is more too. As in a fight to influences but we are friends more than everything punch the air does not earn points. In a guitar solo, it else and our music just reflects in our friendship. is the same thing; it is more valid to have the precision of movement associated with the moment, with a <CV WW> Who are your musical influences? blow from a combination of kicks and punches to the <Marko Leo> All kinds of good music. Specially wind. It is important to have great technique. It's also heavy music...I listen funk music, jazz, metal...and like painting. You need techniques, but are you using bands like Suicidal Tendencies, Metallica, Sevendust any ''colors'' in this painting? It's all in your ears and were my school...I try to put this together in my own in your heart more than in your fingers. Interpretation style! is what really matters in improvisation, at least that's how it works for me.

<CV WW> When did you finally feel that music was <CV WW> Do you have any system of study for prac- what you were going to do with your life? What led to that decision? ticing guitar? How does it work?

<Thiago> Besides writing my own guitar lines, I like <Marko> Since the day I started with my first band to write sentences to read myself, I have ideas and ever...I knew music would be forever! thoughts of my musical vision, it helps me understand <Thiago> Since I was 6 years old holding a broom what I can do to improve and get the sound I'm look- and pretending I was playing guitar while my uncle ing for. Understand the accent of each style, learn the was listening to the bad ass guitar riff Money for Nothing from Dire Straits and Satisfaction from the Rolling Stones What a great place to start, eh?

<CV WW> You say “Toksix is music, but above all, believes in change”; what does that mean? What type of “change” do you believe in?

<Thiago> The changes that only originates from ourselves. The best way to change the world is everybody tries to change their own world; more respect, more love.

are any differences between fans on the different continents (North America, South America, & Europe)?

<Thiago> Yes, that's what makes the tours really interesting to me. For example, when we played in Berlin, most of the guys came to the concerts with their dogs, and they weren't little puppies, they were big Dobermans! When we played in Amsterdam, our bus driver had a few too many beers, so couldn't <CV WW> In your press bio, you talk about your travel that night. We had to find a place to stay and “characteristic sound” – how would you describe our fans were so friendly and receptive. They invited us to stay at their house and the next day they made that? <Thiago> We always try to put the bass lines with us a great breakfast. That was really cool. Brazil is drums in a solid groove. That gives me a lot of op- really friendly too. For example, if I play in some cittions to work with my guitar riffs and melodies. ies like Sao Paulo, we don't stay in a hotel. The conThat's our formula, there's no secret, and it's very nat- cert managers would be disappointed if we didn't ural to us to figure out how we would put our ideas hang out and stay at their house. I remember being at this manager's house while touring with a German together. band in Brazil...there were 14 of us and we all were in <CV WW> Also, you say “each era of the band directly this guy's house sleeping there for days! (laughs) It's influenced in the compositions” – talk about the really hospitable down there. But my favorite place to play guitar is in the U.S., especially in the West, the “eras of the band”, tell us about that. <Marko> We had two drummers...the first one has vibe of the area is just amazing, and the shows are the his own style, and the second one was completely dif- best. People here know very well that Rock n Roll is ferent. So, this influenced us directly, especially more than a genre of music, it's a way of life. through their personalities.

<CV WW> What do you think your greatest accom<CV WW> What inspires you when you write a song? plishment is so far?

Where do the lyrics come from? <Thiago> Still being able to listen to this kid that I

<Thiago> The way to learn how to develop your was 20 years ago, and let this child follow his dreams. style, I believe is similar to preparing a food. Mixing different ingredients combined with your personal <CV WW> How does the band use Social Media like FB taste can bring you a unique way of playing music.

Everything around you is energy and changes how do you feel, what you write about, and how you play. <CV WW> Any interesting story about the name “Toksix”? How did you choose that name?

<Thiago> Making music with Toksix is the way we found to breath a fresh air in this toxic world, we recycle the pollution of the world with our music. <CV WW> Having played in Europe, do you find there

<Thiago> In a world full of nuclear threats coming from several directions, what should we expect?

Peace, divine intervention to world leaders...regardless of who hit the red button first, it will be incomparably the greatest mistake made by mankind throughout its existence. There is a small problem when the word nuclear is contained in the same sentence. No nation will prevail. In the third world war we will all lose. We may be the last generation that precedes it, have you ever stopped to think about it? or ReverbNation? Are you active? Do you think it’s <CV WW> Can you tell us the big plans for Toksix for changed the music industry? the rest of 2013 and into 2014?

<Thiago> We don't have this idea about being all the <Thiago> Recording session for one week in the Bratime entertainment with tweets and posts on Facezilian forest called Serra Da Graciosa to finish our book. We still prefer to be focused on the music, we third EP, to have some beers around the bonfire and always updated everything that is going on with the see what happens from there. We all know that things band. Internet helps you to reach people from all over we never expected can happen and some other things the world so why don't use these tools! But we‟re not that we expected so much never happen. We give our dominated by it. best to the music and try to be honest with our <CV WW> How do you expect to make your mark, to art. Everything else is consequence. Of course would be great to have an American tour in 2014! If you are set yourself apart from other bands? <Thiago> There is no way to go if you define your reading this magazine and want to bring Toksix to band as a hard rock or nu metal band, or grunge or USA, don't hesitate contact us. heavy metal. But if you are all these styles in the same time then maybe you can take a step to the next level.

<CV WW> Your last statement on your FB bio says “turn a blind eye and you are cattle” – is the band trying to put out a political message?

<Thiago> I think the world in general is in a control freak era, not only in politics, but in life, in the music industry, you know…there's always some kind of manipulation that affects the art of music or any other industry you are in. <CV WW> You chose to name your EP “Hell is Blue” Explain that to us.

Mötley Crüe Invites You to an Intimate Evening in Hell Mötley Crüe, comprised of vocalist Vince for “Shout at the Devil.” In addition to the exNeil, bassist Nikki Sixx, drummer Tommy Lee travagant theatrics, Mötley Crüe delivers a setand guitarist Mick Mars, stayed true to their list full of hits including high-octane numbers word by pushing their own envelope once again such as “Wild Side,” “Kickstart My Heart,” with an exclusive, all-new, never-seen-before “Saints Of Los Angeles,” “Dr. Feelgood,” “Girls, production that can only be seen now through Girls, Girls” and their signature ballad “Home Sunday, Oct. 6. The notorious band kicked off Sweet Home,” featuring Lee playing a flaming the first night of their 12 show residency in piano. front of a sold out house.

Celebrities and rockstars alike were in atIn true Las Vegas and Mötley Crüe fashion tendance on opening night to get a glimpse of and following last year‟s sold out three week run, the band‟s famous antics. Brian May of legendthe band creates the ultimate rock „n‟ roll expe- ary rock band Queen and Academy Awardrience with an elaborate stage design, flashy cos- winning actor Nicolas Cage were spotted in the tumes and adrenaline-pumping surprises. The crowd, amongst others. residency showcases one of the biggest lighting and sound presentations ever hosted in the CV NorthWest...bringing the goods! award-winning concert venue, massive LED screens placed above and around the stage as well as the band‟s signature over-the-top pyrotechnics.

From hell-themed costumes, which includes Neil‟s elaborate black and red, floorlength, leather coat and the venue‟s ushers, bartenders and box office staff clad as the gatekeepers of the underworld, to devil-inspired magicians and stilt walkers at the entrance to the venue, no detail has been forgotten. During one of the highest-energy moments of the night, Sixx shoots fireballs from his bass that rise more than 30 feet above the stage while Neil belts out vocals

Why Blowouts Happen—and How to Avoid Them (Reprinted from PopularMechanics.com)

In the heat of summer vacation season, tires are more prone to fail. We explain the main factors that lead to a blowout. (Coming soon: Part Two, what to do when a blowout happens to you.)

Did you enjoy tire-blowout sea- major bad guys for tires include lack of proper air son? That's a rhetorical question, kind of like the pressure and, of course, impacts with obstacles. infuriating, "Hot enough for ya?" But those who have suffered a tire failure since the mid-May start Underinflation of the season will likely answer, "No, I did not have Underinflation is the easiest way to kill a fun." Even if you've avoided tire problems, you tire. After all, air is what allows a tire to carry the probably have noticed road gators—the treads of weight of a vehicle and its cargo. Without proper failed tires—lining the shoulders of interstate air pressure, the internal components of the tire— highways. fabric, steel, rubber, and composites—flex beyond Tire-blowout season runs from roughly the their designed limits. What happens is much like middle of May through early October. (Tire com- bending a length of wire: manipulate the metal panies closely track such information but guard it long and far enough and it will overheat and snap. carefully.) The reason more tires fail from late Try it with an old-style wire clothes hanger. spring to early fall is simple: That's when the out- (Warning: The failure point will be skin-burning side temperature is the hottest, and when motor- hot.) Without proper air pressure, the tire's interists are driving farther, and faster, in more heavily nal pieces will overflex, weaken, and, eventually, loaded vehicles. The combination can push a ne- fail. glected or injured tire beyond its breaking point.

Proper pressure for tires on recently proHowever, tire failures can happen any time of duced cars can be found on the driver's side door year, especially in the warmest parts of the United jamb. It's true that the Tire Pressure Monitoring States. Besides heat and over weighted cars, other System (TPMS) has been mandatory on all cars, pickups, and sport-utility vehicles since 2007, but that system does not issue an alert until a tire is significantly underinflated. A responsible driver still has to check tire pressure by hand or have someone such as a tire dealer do it for him.

If you drive any distance with a radically underinflated tire, have a professional demount the tire from the wheel and inspect its inside for any damage the low pressure might have caused.

The definition of "radically underinflated" for your tire and vehicle combination can be found on your tiremaker's website: if the pressure drops much below 20 psi, the extra-cautious will want to have their tire inspected by a pro.

Overloading Overloading a vehicle can also fatally damage a tire. Just because your pickup's bed will accept a full load of free mulch from the recycling center doesn't mean your tires can carry the weight, especially if they're underinflated. When pulling a heavy-laden trailer with your SUV, your 350-pound brother-in-law might have to find another ride.

To be sure about all this, you'll have to find your vehicle's Gross Vehicular Weight Rating (it's age won't show up for months. Which brings us on the same placard as the recommended tire to: pressure) and do the math. Those who haul extraheavy loads can increase a tire's weight-carrying The Slow Death Commonly a tire suffers the damage that capacity by raising pressure to the "maximum will cause its death long before it fails. Sometime load," indicated by the "maximum pressure" number found on a tire sidewall. The number molded people forget to check their tire pressure—maybe into the tire tells the maximum weight the tire can the minivan was hovering just above the TPMS carry if the tire is inflated to that maximum pres- warning threshold when the high school football team's offensive linemen hopped in. Perhaps a sure. driver doesn't realize he or she has a slow leak (or procrastinates about it) and motors 20 miles bePotholes fore getting a repair. Every now and then, a teen Another way to fatally injure a tire, especial- driver forgets to mention that encounter with the ly with today's ultralow-profile rubber, is to slam pothole. into pothole, driveway lip, or other road hazard.

Any of these can accelerate a tire's death.

The impact pinches the tire's internals between Perhaps months later, when the vehicle is loaded wheel and obstacle. If the hit is hard enough, it can with the entire family and rolling toward a vacacut or fray the internals. Sometimes the pothole tion destination, the combination of the heavy will cut all the way through fabric and rubber, and load, ambient temperatures in the 90s F, and highthe tire will die right there. Other times the dam- way speed limits stresses the tire beyond its limits.

The previously damaged tire can take no more and fails.

To many, there are few more frightening thoughts than a tire failure at highway speeds. In a follow up piece, we'll explain how to handle this situation safely. Until then, be careful out there.