Ivan Forde

Samantha Nye

DADDY, 2017 4K Video 3:01 min SILENCER, 2015 HD Video 3:10 min

CALENDAR GIRL, 2014 HD Video 4:10 min

Phoebe Osborne

Phoebe Osborne (b. 1984) is a choreographer and visual artist based in New York, NY. Their work employs performance, video, installation, and sound as means to examine the relationship of bodies and environments in their imminent negotiations. Osborne’s works have been presented across the US and Europe, including commissioned performances at Transmediale Berlin, La Caldera Barcelona, SFMoMA and Oakland Museum of California. The have exhibited at City Limits Gallery (Oakland), False Flag (Long Island City), Southern Exposure (San Francisco) and SOMArts (San Francisco). Osborne was a 2017 recipient of the DanceWEB scholarship as a resident artist at Impulstanz in Vienna. Splitting their time between New York and Amsterdam, they will pursue a second masters in the DAS Choreography Program at the University of Arts beginning this fall. The eyes of the pigeon, sitting atop the spine on either side of the brain, undulating with the head upon each step, resolving two different images/ locations (one view from each eye) into one. Perhaps history is as the pigeons, their wings clapping, flashing winds of information into vortexes suspending time and space. An energetic force even amongst wreckage and death and smashed wholeness and storms of our earthly paradise. Language – communication and connection rather than culture and nation. The language of flaking on culture and nation while letting its wreckage be a place for communication, provocation, and care.

Tentacular winged extensions, connecting us from all points in this wild and vast city. I want to live amongst the wreckage with you I want to sit in nutrient

dense shit and concrete ruins with others

like the pigeons do

Phoebe Osborne

Flake, 2017 Performance, sound, video 180 min Flake, 2017 Performance, sound, video 180 min

by the fence at night, 2017 HD video and sound 8:33 min

Siwoong Park

Born 1983, Gwangju, South Korea. Currently lives and works in New York City and Seoul My recent work is concerned with how today’s media technologies re-mediate our experience of daily life and change our ways of perceiving reality. We live in a shrinking and horizontal world where we are connected to each other through social networks and images of our life are datafied and accumulated in the big cloud. Even the blank spaces in our understanding of recent history are quickly filled by information visualized or images recovered by today’s digital technologies. I believe that substantial change in our ways of perceiving time and space is natural because we grasp the world through the images and information on the screens of computers and smartphones. As an artist, I am concerned with the possibility of a new set of aesthetics to cope with the reality of our time.