Tom Greenwood: Curated by Chris Johanson

Tom Greenwood

$6& "SU 'PVOEBUJPO

Tom Greenwood Curated by Chris Johanson March 23rd - May 12th, 2010

BOARD OF DIRECTORS

CUE FELLOWS

(SFHPSZ "NFOPǴ ŁFPEPSF 4 #FSHFS 1BUSJDJB $BFTBS ŁPNBT ( %FWJOF ŁPNBT , : )TV 7JWJBO ,VBO $PSJOB -BSLJO +BO 3PUITDIJME #SJBO % 4UBSFS

(SFHPSZ "NFOPǴ 1PMMZ "QGFMCBVN ŁFPEPSF 4 #FSHFS Chair *BO $PPQFS 8JMMJBN $PSCFUU &MFBOPS )FBSUOFZ %FCPSBI ,BTT $PSJOB -BSLJO +POBUIBO -FUIFN 3PTTBOB .BSUJOF[ +VBO 4»ODIF[ *SWJOH 4BOEMFS Senior Fellow $BSPMZO 4PNFST -JMMZ 8FJ

CURATORIAL ADVISORY COUNCIL

(SFHPSZ "NFOPǴ #JMM #FSLTPO 8JMMJBN $PSCFUU .JDIFMMF (SBCOFS +POBUIBO -FUIFN -BSJ 1JUUNBO ŁPNBT 3PNB .BSKPSJF 8FMJTI

STAFF

Executive Director +FSFNZ "EBNT Development Director .BSOJ $PSCFUU Programs Director #FBUSJDF 8PMFSU 8FFTF Programs Coordinator 3ZBO ŁPNBT Development Coordinator 5BMJB 4QFUUFS

2

CUE Art Foundation is a 501 (c)(3) non-profit forum for contemporary art and cultural exchange that provides opportunities and resources for under-recognized artists.

We value the astonishing diversity of creativity that artists provide and the importance of their activity in the social context of the city.

CUE provides artists, students, scholars and art professionals resources at many stages of their careers and creative lives.

Our programs include exhibitions, publications, professional development seminars, educational outreach, symposia, readings and performances. Since 2002, we have operated from our 4,500 square foot storefront venue in the heart of New York’s Chelsea Arts District.

CUE exhibiting artists are chosen by their peers who are themselves selected by a rotating advisory council from across the country. This pluralistic process ensures that CUE consistently offers diverse viewpoints from multiple disciplines of artistic practice.

Simply put, we give artists their CUE to take center stage in the challenging world of art.

3

Artist: Tom Greenwood

Salem Singers: The Salem Singers JT NBEF GSPN BO BSDIJWF PG JNBHFT GPVOE JO BOE BSPVOE 4BMFN 0SFHPO CFUXFFO BOE ŁF JNBHFT IBWF CFFO FEJUFE BT OBSSBUJWF FMFNFOUT BOE FWJEFODF PG B MJGF UIBU FOEFE JO UIF 1BDJǸD /PSUIXFTU PG "NFSJDB JO UIF T

*O NZ DSFBUJWF QSBDUJDF PWFS UIF MBTU UXFOUZ ǸWF ZFBST DPOTJTUJOH QSJNBSJMZ PG TPVOE SFDPSEJOH TPOH XSJUJOH BOE QFSGPSNBODF NZ XPSL BT B NVTJDJBO IBT CFFO JOGPSNFE CZ BCTUSBDUJPO SFQFUJUJPO BOE EJTJOUFHSBUJPO JEFBT NPSF DPNNPO JO WJTVBM NFEJVNT "T TVDI B HPPE EFBM PG UIF WJTVBM XPSL * IBWF NBEF IBT CFFO EPOF UP TVQQPSU NVTJDBM JEFBT EFTJHOJOH DPWFS BSU QPTUFST BOE PUIFS FQIFNFSB *U IBT CFFO B HSFBU FYQFSJFODF UP IBWF UIJT PQQPSUVOJUZ UP FYQMPSF TPVOE BOE JNBHF JO B OFX XBZ Folk Song: " GPML TPOH JT B TPOH PSJHJOBUJOH BNPOH UIF QFPQMF PG B DPVOUSZ PS BSFB QBTTFE EPXO CZ PSBM USBEJUJPO GSPN POF TJOHFS PS HFOFSBUJPO UP UIF OFYU PGUFO FYJTUJOH JO TFWFSBM WFSTJPOT BOE NBSLFE HFOFSBMMZ CZ TJNQMF NPEBM NFMPEZ BOE TUBO[BJD OBSSBUJWF WFSTF

'PML TPOHT CFHJO BT OBSSBUJWFT DPNNVOJDBUFE PWFS UJNF CZ NBOZ TJOHFST ŁF PSJHJOT PG UIF TUPSZ CMVS XJUI FBDI TJOHFSnT PXO EFMJWFSZ ŁFZ CFDPNF EFHFOFSBUFE PWFS UJNF s NJTIFBSE GPSHPUUFO BOE NJTVOEFSTUPPE 0VU PG UIJT EJTJOUFHSBUJPO BOPUIFS QMBDF FNFSHFT XIFSF SFBMJUZ BOE GBCMF BSF DPNCJOFE *O UIJT QSPDFTT PG PSBM USBEJUJPO XIFSF IJTUPSZ JT BCTVSEMZ TIBQFE CZ B DVMUVSBM XIJTQFSJOH HBNF XIFO UIF MPHJDBM QSPHSFTTJPO PG UJNF BOE TQBDF JT IJKBDLFE CZ NFNPSZ DVMUVSBM GPMLMPSF CFDPNFT B QBUIPMPHZ PG NFNPSZ

4

Biography

#PSO JO B DIJME PG UIF IJHI %BLPUB QMBJOT 5PN (SFFOXPPE TIPXFE JOUFS NFEJB UFOEFODJFT FBSMZ PO 8IJMF JO IJHI TDIPPM IF EJWJEFE IJT UJNF CFUXFFO WJTVBM BSUT XJOOJOH B TDIPMBSTIJQ GSPN ,PEBL GPS IJT QIPUPHSBQIJD XPSL BOE TPOJD BSUT QMBZJOH Purple Haze BU CJLFS SBMMJFT )F CPVODFE BSPVOE BSU TDIPPMT PG UIF GSP[FO OPSUI CFGPSF FOEJOH VQ PO UIF TUSFFUT PG .JOOFBQPMJT XIFSF IF UPPL IJT EFHSFF JO .FEJB "SUT

"GUFS TQFOEJOH UIF FOE PG UIF nT JNNFSTFE JO UIF BFTUIFUJD NJMJFV PG SVSBM TDVN SPDL DSFBUJOH UIF TQMFOEJE 1SPKFDU " #PNC SFDPSE MBCFM JO UIF QSPDFTT (SFFOXPPE ESJGUFE JOUP UIF PQFO CPXFMT PG .BOIBUUBOnT -PXFS &BTU 4JEF 5PN GPVOE XPSL BT BO BSU EJFDUPS BOE QBSUJDJQBUFE JO UIF .BZOBSE .POSPF DVSBUFE HSPVQ TIPX URBAN ANALYSIS XJUI /BO (PMEJO 3FOF 3JDBSE -BEZ 1JOL FUD

(SFFOXPPE FOEFE VQ JO 1PSUMBOE 0SFHPO JO UIF NJE nT XIFSF IF IFBE CJSUIFE UIF TFSJPVTMZ EJTUVSCFE NVTJDBM QSPKFDU UIBU DPOUJOVFT UP UIJT EBZ r +BDLJF 0 .PUIFSGVDLFS "O FYUSBPSEJOBSJMZ NVUBCMF GFBTU +BDLJF 0nT NVTJD FODPNQBTTFT FWFSZUIJOH GSPN JOEVTUSJBM IP IVN UP BDJE WPML SFBEZ NBEFT BOE IBT JODMVEFE IVOESFET PG QBSUJDJQBOUT PWFS JUT MJGFTQBO 6OEFS UIF JOǺVFODF PG NZTUFSJPVT /PSUIXFTU CPIFNJBOT PGUFO BTTPDJBUFE UP TPNF EFHSFF XJUI UIF )PMZ .PEBM 3PVOEFST (SFFOXPPE TUVEJFE IPX UP TQJO HBSCBHF JOUP HBSMBOET ŁJT UFDIOJRVF QSPWFE JOWBMVBCMF XIFO IF ESJGUFE CBDL UP /FX :PSL $JUZ XIFSF IF DPOOFDUFE XJUI ŁVSTUPO .PPSF XIP FODPVSBHFE IJT DPODFQUVBM NPWFT

*O UIF TU $FOUVSZ (SFFOXPPE IBT DSFBUFE EVBM WJTUBT PG TUSBOHFOFTT BMM PG UIFN XIJTUMJOH MJLF UIF SJOHT BSPVOE UIF P NJOE ŁF NVTJDBM QSPKFDUT r +BDLJF 0 UIF U SOUND TFSJFT WBSJPVT TIPXT BOE HBMMFSJFT r IBWF CMFOEFE JOUP UIF WJTVBM POFT BOE TQMBUUFSFE JO B NJMMJPO VOFYQFDUFE EJSFDUJPOT #ZSPO $PMFZ %FFSǸFME ." .BSDI

5

Curator: Chris Johanson

* ǸSTU NFU 5PN (SFFOXPPE BCPVU TJY ZFBST BHP BU 7BMFOUJOFnT JO 1PSUMBOE 0SFHPO )F XBT IFMQJOH -J[ )BMFZ BOE +BTPO #PLSPT XIP XFSF JO UIF QSPDFTT PG USBOTGPSNJOH UIJT EBOL TUPSFGSPOU EPXOUPXO JOUP B CPIFNJBO BSU TQBDF CBS TBOEXJDI TIPQ 5PN PQFOFE VQ B UFNQPSBSZ NVTJD TUPSF VQTUBJST JO UIF MPGU XIFSF IF TPME IBSE UP ǸOE SFDPSEJOHT GSPN CBOET IF IBE NFU GSPN BSPVOE UIF XPSME *U XBT ǸMMFE XJUI UIFTF POF PǴT BOE CFBVUJGVM BSU FEJUJPOT )F XBT BMTP DSFBUJOH UIFTF NVTJDBM IBQQFOJOHT BSPVOE UPXO XJUI MPDBM BOE USBWFMJOH CBOET )F IBT BO JODSFEJCMF FZF BOE FBS GPS NBOJGFTUJOH NFNPSBCMF TJUVBUJPOT * RVJDLMZ MFBSOFE CZ IJT FOFSHZ UIBU IF XBT BMM BCPVU NBLJOH DSFBUJWF UIJOHT IBQQFO PO IJT PXO BOE DPMMFDUJWFMZ

ŁF NVTJD XPSME JT NPSF BXBSF PG 5PN UIBO UIF BSU XPSME )F IBT CFFO QVCMJDMZ JOWPMWFE JO NVTJD TJODF UIF T )JT DVSSFOU QSPKFDU +BDLJF 0 .PUIFSGVDLFS IBT UPVSFE JOUFSOBUJPOBMMZ GPS NBOZ ZFBST XJUI B DPOUJOVBMMZ NVUBUJOH DBTU PG DPMMBCPSBUPST +BDLJF 0 .PUIFSGVDLFS DPOTJTUT PG NVTJD QFSGPSNBODF HSBQIJD BOE QBDLBHJOH FMFNFOUT ǺZFST QPTUFST BMCVNT UBQFT BOE WBSJPVT PUIFS FQIFNFSB

ŁJT FYIJCJUJPO GPDVTFT NPSF FYDMVTJWFMZ PO UIF WJTVBM TJEF PG 5PNnT XPSL XIJDI IF IBT CFFO EPJOH XJUI FRVBM EFEJDBUJPO BMM BMPOH 'PS NF UIF DFOUSBM BTQFDU PG 5PNnT BSU JT UIF JOUFSDPOOFDUFEOFTT PG BMM IJT DSFBUJWF QSPDFTTFT 5PN IBT CFFO B SBH QJDLFS BT B XBZ UP NBLF NPOFZ GPS ZFBST *UnT BO BSU PG QBUJFOUMZ MPPLJOH UISPVHI NBTTFT PG NBUFSJBMT GPS PCKFDUT XJUI TQFDJBM WBMVF )F IBT B TUSPOH CFMJFG JO DIBODF BOE GSFF ǺPXJOH QPTTJCJMJUZ ŁFSF JT B LFFO JOUFSFTU JO MFUUJOH BMM UIF EJTQBSBUF FMFNFOUT UIBU BSF BSPVOE IJN BOE TXJNNJOH JO IJT NJOE ǸOE OFX GSFTI PS VOQSFEJDUFE PSEFST )JT NVTJD BOE WJTVBM BSU WJCSBUF B RVBMJUZ UIBU DIBODF QBUJFOU TFMFDUJPO BOE JOUVJUJPO IBWF DPNF UPHFUIFS UP DSFBUF TPNFUIJOH OFX TPNFUIJOH PME TPNFUIJOH UIBU GFFMT SJHIU *U JT B GFFMJOH PG SFQFUJUJWF PQFOOFTT UP QPTTJCJMJUZ BOE NFEJUBUJWF ǺPX B QIJMPTPQIJDBM NPWJOH BXBZ GSPN BOZ LJOE PG FTUBCMJTIFE DPNGPSUBCMF GPSNBUT 4BZJOH OP UP GPSNBMJ[FE TPOH TUSVDUVSFT JO IJT NVTJD TUFFSJOH DMFBS PG UIF GBNJMJBS UFSSJUPSZ MFUUJOH B GSFF GPSN JNQSPWJTBUJPOBM FOFSHZ NPWF JU XIFSF JU XJMM

6

Biography

$ISJT +PIBOTPO JT B NVMUJ NFEJB BSUJTU MJWJOH JO 1PSUMBOE 0SFHPO )F ǸSTU TUBSUFE FYIJCJUJOH JO 4BO 'SBODJTDP XIFSF IF MJWFE GPS GPVSUFFO ZFBST )F IBT IBE UIF HPPE GPSUVOF PG TIPXJOH IJT BSU BMM BSPVOE UIF XPSME JO NBOZ EJǴFSFOU DPOUFYUT )F JT WFSZ IBQQZ UP IBWF UIF PQQPSUVOJUZ UP CF JOWPMWFE XJUI $6& "SU 'PVOEBUJPO JO UIF TIBSJOH PG UIF BSU PG 5PN (SFFOXPPE

7

Tom Greenwood

ŁF GPMMPXJOH JNBHFT BSF BMM TUJMMT GSPN The Salem Singers *OTUBMMBUJPO 'PVOE BMUFSFE TLFUDICPPLT OFXTQBQFS QIPUPHSBQIT BOE NBHB[JOFT XJUI HVJUBS WPJDF CBOKP UVSOUBCMF BOE ǸFME SFDPSEJOHT 7JEFP NJOVUFT &EJUFE CZ .BSJPO $VSJF 9

10

11

12

13

14

15

16

17

18

19

20

Call and Response: Tom Greenwood’s The Salem Singers

By John Motley

This essay was written as part of the Young Art Critics Mentoring Program, a partnership between AICA USA (US section of International Association of Art Critics) and CUE Art Foundation, which pairs emerging writers with AICA mentors to produce original essays on a specific exhibiting artist. Please visit www.aicausa.org for further information on AICA USA, or www.cueartfoundation.org to learn how to participate in this program. Any quotes are from interviews with the author unless otherwise specified. No part of this essay may be reproduced without prior consent from the author. Elizabeth Baker

5PN (SFFOXPPEnT QSBDUJDFT BT B NVTJDJBO BOE WJTVBM BSUJTU BSF TP BTTJEVPVTMZ FOUXJOFE UIBU ESBXJOH BOZ DMFBSMZ EFǸOFE CPVOEBSZ CFUXFFO UIF UXP JT JNQPTTJCMF 4DBOOJOH UIF XBMMT BOE TIFMWFT PG IJT TUVǴFE BQBSUNFOU JO 4PVUIXFTU 1PSUMBOE 0SFHPO POF DBO TFF IPX GPS (SFFOXPPE TPVOE BOE JNBHF TIBSF B TZNCJPUJD SFMBUJPOTIJQ ŠFSF BSF QBJOUJOHT NBEF GPS UIF BMCVNT IF JTTVFT XJUI IJT CBOE +BDLJF 0 .PUIFSGVDLFS BOE UIFO UIFSF BSF QBJOUJOHT NBEF EJSFDUMZ PO UIF TVSGBDFT PG VTFE -1T ŠFSF BSF QPTUFST QSPNPUJOH HJHT GPS UIF CBOE UBNCPVSJOFT TDSFFO QSJOUFE XJUI PWFSMBJE QJOXIFFMT BOE TUBSCVSTUT BOE ZFMMPXJOH QBHFT GSPN BODJFOU JTTVFT PG Rolling Stone XIJDI (SFFOXPPE IBT TJOHFE JOUP MBDZ MBUUJDFE QBUUFSOT XJUI CVSOJOH JODFOTF TUJDLT

oĹ F XPSL *nWF EPOF JT QSJNBSJMZ JO NVTJD CVU NZ CBDLHSPVOE JT JO WJTVBM BSUT p FYQMBJOT (SFFOXPPE XIP FYDFMMFE BU QIPUPHSBQIZ BT B IJHI TDIPPM TUVEFOU BOE FBSOFE IJT EFHSFF JO NFEJB BSUT GSPN UIF .JOOFBQPMJT $PMMFHF PG "SU BOE %FTJHO JO o&WFSZUIJOH *nWF EPOF XJUI NVTJD IBT IBE B DPOOFDUJPO UP TPNFUIJOH WJTVBM p *O GBDU UIF NVTJD

is AICA's Coordinator for this program for the second season.

21

tk

(SFFOXPPE NBLFT XJUI +BDLJF 0 JT NBSLFE CZ B IJHI NJOEFE DPODFQUVBMJTN BOE IVOHFS GPS FYQFSJNFOUBUJPO UIBU MPDBUFT JU DMPTFS UP DPOUFNQPSBSZ BSU UIBO QPQ NVTJD ŁF CBOE TDBWFOHFT TPVOET BOE TUZMFT IPXFWFS TFFNJOHMZ JODPOHSVPVT UIF PSHBOJD XBSNUI PG GPML CMVFT BOE DPVOUSZ GSFF KB[[ TLSPOL TQBDF SPDLnT OBSDPUJD BUNPTQIFSFT BOE MPPQT FMFDUSPOJD NBOJQVMBUJPOT BOE musique concrète ŁF BSUJTUnT PNOJWPSPVT BFTUIFUJD XIJDI JT JODMVTJWF FOPVHI UP JODPSQPSBUF TP NBOZ LJOET PG NVTJD JT DPNQMFNFOUFE CZ B ǺBJS GPS DPMMBCPSBUJPO BOE JNQSPWJTBUJPO 4JODF (SFFOXPPE GPVOEFE UIF CBOE JO EP[FOT PG NVTJDJBOT IBWF QBTTFE UISPVHI JUT SBOLT FOTVSJOH UIBU UIF +BDLJF 0 TPVOE WBSJFT TFJTNJDBMMZ CFUXFFO BMCVNT

FWFO XJUIJO OJHIUT PO B TJOHMF UPVS .PTU NVTJDJBOT TUSJWF UP EPDVNFOU BO BVUIPSJUBUJWF WFSTJP O PG B TPOH (SFFOXPPE BOE +BDLJF 0 EFTUBCJMJ[F UIF SJHJEJUZ PG DPOWFOUJPOBM DPNQPTJUJPO CZ QSJWJMFHJOH QFSGPSNBODF "T B MJWF BDU UIF CBOE JT TUSJEFOUMZ PQFO UP UIF BMJFO GPSNT UIBU NBUFSJBMJ[F XIFO TUSVDUVSF JT BMMPXFE UP EJTTPMWF

1FSIBQT VOTVSQSJTJOHMZ (SFFOXPPEnT JNQVMTFT BT B WJTVBM BSUJTU BSF DMPTFMZ MJOLFE UP +BDLJF 0nT bricolage PG NVTJDBM TUZMFT 0GUFO UBLJOH UIF GPSN PG DPMMBHF IJT XPSL JT QSFEJDBUFE PO UIF NBOJQVMBUJPO PG FYJTUJOH NBUFSJBM ŁF FBSMJFTU QJFDFT JODMVEFE JO The Salem Singers, UIF BSUJTUnT EFDBEF TQBOOJOH TVSWFZ BU $6& BSF DPODFSU ǺJFST GPS +BDLJF 0 HJHT DPNQSJTJOH DVU VQ UFYU BOE JNBHFT "MUIPVHI UIJT TDSBQQZ %*: TFOTJCJMJUZ XBT B NBUUFS PG OFDFTTJUZs SBUIFS UIBO B GPSNBM DIPJDFsGPS VOEFSHSPVOE SPDL BDUT QSPNPUJOH UIFNTFMWFT UISPVHIPVU UIF T BOE T JU BSNFE (SFFOXPPE XJUI B CSPBEFS TUSBUFHZ GPS DSFBUJOH JNBHFT JO XIJDI TPVSDF NBUFSJBM PODF FYDJTFE GSPN JUT PSJHJOBM DPOUFYU DPVME CF BDUJWBUFE GPS FOUJSFMZ OFX TJHOJǸDBUJPOT *O UIF DPMMBHFE DPODFSU QPTUFS Down the Dirt Road, (SFFOXPPE DSFBUFT B EFOTF BOE EZTUPQJBO DJUZTDBQF IJT DJUZ TQSBXMT WFSUJDBMMZ QJMJOH CVJMEJOHT GSPN EJTQBSBUF FSBT BOE SFHJPOT JOUP B CMFBL BOE TPPUZ IFBQ PG QBUDIXPSL BSDIJUFDUVSF )FSF CSJDL XBMMT BOE EBSL BMMFZXBZT CVUU VQ BHBJOTU UXJTUJOH GSFFXBZ TZTUFNT GPSDJOH WJFXFST UP SFDPODJMF UIF DPOTQJDVPVTMZ JODPOTJTUFOU TJ[FT BOE QFSTQFDUJWFT BT B TJOHMF QMBOF " SJDLFUZ TNBMM UPXO SFTUBVSBOU CFBSJOH UIF IBOE QBJOUFE TJHO o.PPSFnT $BGÃ p MPPNT MBSHFTU JO UIJT BTTFNCMBHF BT B QBJS PG /FX :PSL $JUZ TLZMJOFT TLFUDI PVU JEFOUJDBM BEKBDFOU IPSJ[POT *O UIF MPXFS MFGU IBOE DPSOFS WFSUJDBM TJHOBHF FNCMB[POFE XJUI UIF CBOEnT JOJUJBMT o+0.'p EJTDSFFUMZ BEWFSUJTFT JUT TFSWJDFT OFYU UP UVSO PG UIF DFOUVSZ TIJOHMFT GPS UPPMT HVOT BOE KFXFMSZ ŁJT QJDUPSJBM TQBDF MJLF +BDLJF 0nT NVTJD TMZMZ ǺBVOUT JUT BWFSTJPO UP DPOWFOUJPO *U JT UIF QJDUVSF QMBOF BT CSPLFO XJOEPX

*O SFDFOU ZFBST (SFFOXPPE IBT BCTUSBDUFE BTQFDUT PG IJT XPSL JO DPMMBHFsJUT EJTPSJFOUJOH DBDPQIPOZ BOE BQQSPQSJBUJPO PG GPVOE NBUFSJBMsUP DSFBUF XPSL UIBU JT BU PODF NPSF GPSNBM BOE NPSF DPODFQUVBM 'PS UIF DPWFS PG +BDLJF 0nT The Blood of Life BMCVN IF TDSFFO QSJOUFE B GPVOE UBQFTUSZsJUTFMG CFBSJOH B USBORVJM XPPEMBOE TDFOFsXJUI B TFSJFT

22

PG TBOE EPMMBS MJLF EJTDT JO B NBOEBMJD DPOǸHVSBUJPO )JT TDSFFO QSJOUFE BMUFSBUJPO JNCVFT UIF JEZMMJD JNBHFsFWFSHSFFO USFFT TLJSUJOH B MBLF FYQBOTJWF CMVF TLZsXJUI BTTPDJBUJPOT PG TVC DVMUVSBM TQJSJUVBMJUZ ŁF EJTD GPSNT XIJDI SFQSJTF UISPVHIPVU (SFFOXPPEnT XPSL BT ǺPXFS QFUBMT BOE QSPQFMMFS TIBQFT QPJOU UPXBSE UIF EJ[[ZJOH PQUJDT PG QTZDIFEFMJD BMCVN BSU BT XFMM BT UIF HFPNFUSJD DPOUPVST PG /FX "HF DSZTUBMT BOE ESFBN DBUDIFST *O UIJT JOTUBODF IJT BEEJUJPOT UP UIF UBQFTUSZ XPSL XJUIsOPU BHBJOTUsUIF TPVSDF NBUFSJBM UP FYUFOE BOE DPNQMJDBUF UIF PSJHJOBMnT NFBOJOH *O BO FWFO NPSF MJUFSBM FYBNQMF PG CVJMEJOH VQPO UIF GPVOEBUJPO PG B SFBEZNBEF JNBHF (SFFOXPPE IBT BDRVJSFE EJTDBSEFE TLFUDICPPLT GSPN UISJGU TUPSFT UP oǸOJTIp UIF QPSUSBJUT BOE TUJMM MJGF TUVEJFT CFHVO CZ BOPOZNPVT BNBUFVS BSUJTUT

#FDBVTF (SFFOXPPE BMTP XPSLT BT B WJOUBHF DMPUIJOH oQJDLFS p IF TQFOET NBOZ IPVST JO (PPEXJMMT BOE 7BMVF 7JMMBHFT BSPVOE UIF 1BDJǸD /PSUIXFTU BDDVNVMBUJOH JOWFOUPSZ BT XFMM BT NBUFSJBM GPS IJT BSU 0WFS UIF QBTU EFDBEF IF NBEF SFHVMBS USJQT UP UIF (PPEXJMM JO 4BMFN 0SFHPO BOE BNBTTFE B HSPVQ PG BSDIJWBM QIPUPHSBQIT NBHB[JOF DMJQQJOHT BOE PUIFS EJTDBSEFE PCKFDUT )F GPVOE UIBU XIBU IFnE HBUIFSFE UIPVHI EJTKVODUJWF TFFNFE UP GPSN B MPPTF OBSSBUJWF )F CFHBO UP PSHBOJ[F UIF NBUFSJBM UP FNQIBTJ[F UIF TUPSZ BOE MBUFS FEJUFE B NPOUBHF PG TUJMM JNBHFT ŁF SFTVMUJOH FJHIU NJOVUF WJEFP The Salem Singers, XIJDI QSPWJEFT UIF FYIJCJUJPO XJUI CPUI JUT OBNF BOE DFOUFSQJFDF DPOTUSVDUT UIF NVMUJ HFOFSBUJPOB M TBHB PG B GBNJMZ PG NVTJDJBOT XIP JNNJHSBUF UP UIF 6OJUFE 4UBUFT GSPN &BTUFSO &VSPQF "T UIFZ TUSVHHMF UP NBLF B MJWJOH XJUI UIFJS NVTJD UIFZ USBWFM UP $BMJGPSOJB SFQSFTFOUFE CZ JNBHFT PG 8FTUFSO MBOETDBQFT BOE TPBSJOH CJSET BT XFMM BT B QPJOUFE TIJGU JO UIF TPVOE USBDL ŁFZ TFUUMF UIFSF VOUJM EJWPSDF TQMJOUFST UIF GBNJMZ BT JNQMJFE CZ UIF JOUFSQPMBUJPO PG DPVSU EPDVNFOUT 'SPN UIFSF UIF DIJMESFOsB CSPUIFS BOE TJTUFSsBSF TFQBSBUFE BOE JO UIF FOE UIF TJTUFS NBLFT IFS IPNF JO 4BMFN XIFSF TIF EJFT JO UIF T PTUFOTJCMZ MFBWJOH CFIJOE UIF ǸDUJPOBM IJTUPSZ (SFFOXPPE QSFTFOUT

"OE UIPVHI JU JT EPVCUGVM UIF QFPQMF XIP QPQVMBUF The Salem Singers TIBSF BOZ SFTFNCMBODF UP (SFFOXPPEnT TUPSZ MFU BMPOF DPOOFDUJPOT UP POF BOPUIFS UIF BSUJTUnT TFRVFODJOH QSPET WJFXFST UP SFBE UIF XPSL BT MJOFBS BOE DPIFSFOU UP DSFBUF B TUPSZ XJUI B CFHJOOJOH NJEEMF BOE FOE *O QBSU JU JT UIF NBHJD PG ǸMN JO XIJDI WJFXFST TFBNMFTTMZ DPOOFDU EJTQBSBUF GSBHNFOUT UISPVHI UIFJS JNBHJOBUJWF QBSUJDJQBUJPO ŁJT QSPDFTT PG TNPPUIJOH GSBDUVSFE JNBHFSZ JOUP B ǺVJE OBSSBUJWF PDDVST UISPVHI UIF TVCKFDUJWF QSPKFDUJPOT FBDI WJFXFS CSJOHT UP UIF QJFDF "GUFS BMM (SFFOXPPEnT TLFMFUBM QMPU JT NZUIJD JO JUT BNCJHVJUZ JOTUBOUMZ JEFOUJǸBCMF JO JUT CSPBE HFTUVSFT PG TFQBSBUJPO BOE MPTT o8IFO XF WJFX BO JNBHF XF CSJOH TPNFUIJOH UP UIF JNBHF BT B WJFXFSsTPNFUIJOH PG PVS PXO QBTU PS IJTUPSZ p TBZT (SFFOXPPE o*O UIJT XBZ UIFSF JT B IJTUPSJDBM MJOF UIBU SVOT UISPVHI VT JOUP FWFSZUIJOH XF TFF ŁFSF JT BMTP B DPOUFNQPSBSZ MJOF XIBU XF GFFM OPX JO UIF NPNFOU *UnT UIF TBNF LJOE PG

23

tk

FNPUJPOBM QSPDFTT UIBU PDDVST XIFO XF IFBS B TPOH *U UPVDIFT VT BOE CSJOHT VQ JOUSPTQFDUJPO GSPN PVS QBTU BOE CMFOET JU XJUI UIF NPNFOU XF BSF JO OPX p

"DDPSEJOH UP (SFFOXPPE IF DPODFJWFE PG The Salem Singers BT B LJOE PG TPOH ŁF video DPOUBJOT NVTJD BT UIF BSUJTU BDDPNQBOJFT UIF JNBHFT XJUI HVJUBS CBOKP BOE ǸFME recordings, BOE JUT UJUMF XBT UBLFO GSPN B GPVOE QJFDF PG NVTJD B QSJWBUF QSFTT -1 PG B DIVSDI choir, with a HSPVQ PG GFNBMF WPDBMJTUT JO BOHFMJD XIJUF HPXOT PO JUT DPWFS #VU GPS (SFFOXPPd the piece's TJNJMBSJUZ UP TPOH JT NPSF BCTUSBDU ŁF JODJEFOUBM TUBST PG IJT WJEFP IBWF CFFO subjected to the TBNF DPSSPTJPO UIBU GPML BOE QPQVMBS TPOHT VOEFSHP "T B TPOH JT QBTTFE EPXO from one HFOFSBUJPO UP UIF OFYU JUT PSJHJOT NBZ CF NJTSFNFNCFSFE DPOGVTFE PS GPSHPUUFO altogether.

-ZSJDT NBZ CF NJTIFBSE PS XIPMF WFSTFT TIPSO PǴ "OE ZFU TPNF FTTFOUJBM BTQFDU of the song FOEVSFT FWFO BT JUT XPSET BSF TVOH CZ NBOZ WPJDFT TPNF VOEFSMZJOH RVBMJUZ PG JUT story DPNQFMT UIPTF WPJDFT UP SFQSJTF JUT XPSET ŁF JNQPSUBODF PG XIFSF UIFZ DBNF GSPN PS XIBU UIFZ ǸSTU NFBOU GBEFT 8F BSF EJTDPOOFDUFE GSPN UIF DSPTT XJSFE IJTUPSJFT JO The Salem Singers, FWFO BT UIF TUJMMT FǴPSUMFTTMZ DPOHFBM JOUP OBSSBUJWF #VU (SFFOXPPE LOFX XF DPVME ǸOE PVS XBZ BSPVOE B UVOF ŁF XPSET BSF BMSFBEZ PO UIF UJQT PG PVS UPOHVFT

24

ŁF XSJUFS JOHN MOTLEY IBT CFFO QVCMJTIFE JO The Portland Mercury, XIFSF IF XBT WJTVBM BSUT DSJUJD GSPN UP BT XFMM BT Art Papers, Pitchfork Media, The Oregonian, and Under the Radar. *O IF XBT UIF SFDJQJFOU PG B $SFBUJWF $BQJUBM ] 8BSIPM 'PVOEBUJPO "SUT 8SJUFST (SBOU GPS 4IPSU 'PSN 8SJUJOH )F JT DVSSFOUMZ XPSLJOH PO B CPPL MFOHUI QSPKFDU JO DPMMBCPSBUJPO XJUI 'PVSUFFO $POUFNQPSBSZ JO 1PSUMBOE 0SFHPO

25

ŁF NFOUPS ELIZABETH BAKER XBT FEJUPS PG Art in America NBHB[JOF GSPN UP 1SFWJPVTMZ TIF XBT BTTPDJBUF FEJUPS BOE UIFO NBOBHJOH FEJUPS PG Art News. 4IF IBT UBVHIU IJTUPSZ PG BSU BU UIF 4DIPPM PG 7JTVBM "SUT 8IFBUPO $PMMFHF BOE #PTUPO 6OJWFSTJUZ BOE IBT XSJUUFO PO B XJEF SBOHF PG DPOUFNQPSBSZ BSUJTUT BOE BSU UPQJDT

26

CUE Art Foundation’s operations and programs are made possible with the generous support of foundations, corporations, government agencies, individuals, and its members.

MAJOR PROGRAM SUPPORT IS PROVIDED BY: Accademia Charitable Foundation The Viking Foundation Agnes Gund and Daniel Shapiro The Pollock-Krasner Foundation The Greenwall Foundation The Greenwich Collection Ltd. Milton and Sally Avery Arts Foundation Foundation for Contemporary Arts The Joan Mitchell Foundation The Andy Warhol Foundation for the Visual Arts National Endowment for the Arts New York City Department of Cultural Affairs New York State Council on the Arts (a State agency) William Talbot Hillman Foundation The Jacques and Natasha Gelman Trust

27

MEDIA SPONSOR:

$PWFS *NBHF 4UJMM GSPN The Salem Singers *OTUBMMBUJPO 'PVOE BMUFSFE TLFUDICPPLT OFXTQBQFS QIPUPHSBQIT BOE NBHB[JOFT XJUI HVJUBS WPJDF CBOKP UVSOUBCMF BOE ǸFME SFDPSEJOHT 7JEFP NJOVUFT &EJUFE CZ .BSJPO $VSJF "MM BSUXPSL ƒ 5PN (SFFOXPPE

CUE Art Foundation 511 West 25th Street New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org

*4#/ $BUBMPH EFTJHO FMJ[BCFUI FMMJT 1SJOUFE CZ NBS Y NZMFT JOD VTJOH XJOE HFOFSBUFE QPXFS

28

2009/10

CUE Art Foundation 511 West 25th Street, New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org