Carrie Olson: Curated by Natalie Marsh

Carrie Olson

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Carrie Olson Curated by Natalie Marsh January 21 - March 13, 2010

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BOARD OF DIRECTORS

CUE FELLOWS

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E.II3$J1.

CURATORIAL ADVISORY COUNCIL

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STAFF

Executive Director F1&1:3$%,-:?

Development Director K-&+.$!)&21''

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Programs Director <1-'&.>1$J)I1&'RJ11?1 Programs Coordinator G3-+$4):-?$ Development Coordinator S-I.-$/01''1&

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CUE Art Foundation is a 501 (c)(3) non-profit forum for contemporary art and cultural exchange that provides opportunities and resources for under-recognized artists.

We value the astonishing diversity of creativity that artists provide and the importance of their activity in the social context of the city.

CUE provides artists, students, scholars and art professionals resources at many stages of their careers and creative lives. Our programs include exhibitions, publications, professional development seminars, educational outreach, symposia, readings and performances. Since 2002, we have operated from our 4,500 square foot storefront venue in the heart of New Yorkâ&#x20AC;&#x2122;s Chelsea Arts District.

CUE exhibiting artists are chosen by their peers who are themselves selected by a rotating advisory council from across the country. This pluralistic process ensures that CUE consistently offers diverse viewpoints from multiple disciplines of artistic practice.

Simply put, we give artists their CUE to take center stage in the challenging world of art.

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Artist: Carrie Olson

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Biography

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Curator: Natalie Marsh

O+$^]geN$4):-?$K>#A.II13$U&)'1$)M$'H1$H)I,$'H-'$!I1:1+'$9&11+21&7_?$M)&:-I.?:$1X1&'1,$ )+$'H1$,.?>)*&?1$)M$ef'H$>1+'*&3$-&'k$“Passionate belief systems pass through cultures like ^ disease epidemics.” $$K>#A.II13_?$,1>I-&-'.)+$&-.?1?$.+'&.7*.+7$>)+>1&+?$UH1+$>)+?.,1&.+7$ 'H1$:)?'$&1>1+'$U)&6$)M$-&'.?'$!-&&.1$cI?)+8 $ /.'*-'1,$.+$'H1$?.:*I'-+1)*?I3$10.?'1:)I)7.>-II3$,1I.>-'1$31'$0)U1&M*II3$?*2'I1$ ?.'1?$21'U11+$9&11+21&7.-+$,.?'.+>'.)+?$)M$0*&1$M)&:$-+,$.II*?'&-'.A1$>)+'1+'N$0)'1+'.-II3$ +1.'H1&N$0)'1+'.-II3$1.'H1&N$productively bothN$)&+-:1+'$:-3$21$I)>-'1,$-I)+7$-$A.?*-II3$ -+,$>)+>10'*-II3$?U110.+7$>)+'.+**:8$!-&&.1$cI?)+_?$0-''1&+1,$:*I'.R:1,.-$.+?'-II-'.)+?$ .+?.?'$-'$W&?'$'H-'$U1$-II)U$)*&?1IA1?$')$21$-2?)&21,$23$H1&$.+?.,.)*?I3$-II*&.+7$`\)&-a$ )&+-:1+'-'.)+?$2*'$'H1+$`,.?R1-?1a$?1'?$.+$UH1+$U1$W+,$cI?)+$-??.7+?$?.7+.W>-'.)+R :)'.A-'.+7$,.-7+)?'.>$'.'I1?N$Marburg Galliard, H5N1 CakewalkN$'H1$,)*2I1$1A)>-'.)+?$ )M$,.?1-?1$-+,$M)I6$,-+>18$D1&$,.7.'-II3$:-+.0*I-'1,$U-II0-01&?$.II*?'&-'1N$.+$'H1$-&2.'&-&3$ &10&1?1+'-'.)+-I$?1+?1N$'H1$M)&:?$)M$:3&.-,$:.>&)?>)0.>$:.>&)21?$-+,$A.&*?1?8$/H1$ ?*&&)*+,?$*?$U.'H$'H1.&$A.2&-+'$-+,$?):1H)U$>):M)&'.+7$&101-'.+7$?'&*>'*&18$C1'N$ ,.?)&.1+'-'.)+$.?$-&'.>*I-'1,$'H&)*7H$'H1$U-II0-01&_?$I.'1&-I$?H)&'M-IIb$.'$,)1?$+)'$&1->H$'H1$ \))&$-+,$H-+7?$I.61$-$,*2.)*?$?'-+,-&,8$(I)-'.+7$I.61$'&1-?*&1,$0)&>1I-.+$H1.&I)):$0I-'1?$ -')0$'H1?1$`2-++1&?a$-&1$I)U$&1I.1M$,.?6?$,.?7*.?.+7$'H1.&$,-+71&)*?$01'&.R,.?H$.+H-2.'-+'?$ UH)$,-+>1$H-&:I1??$`U-I'P1?8a$41?1$`M)II.1?Na$-?$cI?)+$-0'I3$,1?>&.21?$'H1:N$?*771?'$'H1$ +-'*&1$)M$0-&-II1I$>*I'*&-I$>)+?'&*>'.)+?k$M1-&$-+,$'H1$?))'H.+7$:-&61'R&1-,3$,):1?'.>$ -&?1+-I$')$>)+>1-I$-+,$>)+'&)I$.'8 $ 41$>)+'.+**:$-I)+7$UH.>H$cI?)+_?$U)&6?$'&-A1I$.?$'U.?'1,$-+,$'*&+1,$*0)+$.'?1IMN$ I.61$-$K)2.*?$?'&.0$*0)+$UH.>H$M)&:$-+,$>)+'1+'$1X1&'$.+?10-&-2I1$-+,$.+,.?'.+7*.?H-2I1$ .,1+'.'.1?8$4.?$>H-II1+71?$9&11+21&7N$UH)$-??1&'1,N$`41$-A-+'R7-&,1$0)1'$)&$-&'.?'$?)*7H'$ ')$:-.+'-.+$-$H.7H$I1A1I$)M$H.?$-&'$23$2)'H$+-&&)U.+7$-+,$&-.?.+7$.'$')$'H1$1X0&1??.)+?$)M$ -+$-2?)I*'1lm%&'$M)&$-&'_?$?-61_$-+,$m0*&1$0)1'&3_$-001-&1,N$-+,$?*2L1>'$:-''1&$)&$>)+'1+'$ e 21>-:1$?):1'H.+7$')$21$-A).,1,$I.61$'H1$0I-7*18a $$cI?)+_?$U)&6$.?$-+$.&)+.>$&1,&-U.+7$)M$ 9&11+21&7_?$-*')+):)*?$-&'b$.'$I.'1&-II3$&10&1?1+'?$,.?1-?1$-+,$0I-7*1$1:2),.1,$.+$1XV*.?.'1$ M)&:8$D1&$>)+'1+'$.?$H1&$M)&:8$cI?)+_?$U)&6$'H*?$-I?)$7&-00I1?$U.'H$'H1$)A1&-&>H.+7$>)+>1&+?$ )M$I-'1$ef'H$>1+'*&3$>1&-:.>$-&'$,.?>)*&?1$'H-'$H-A1$2)'H$0)I-&.P1,$-+,$7H1'').P1,$>1&-:.>?$ -+,$>1&-:.>$-&'.?'?$M)&$,1>-,1?k$,)1?$M)&:$'&*:0$M*+>'.)+N$-+,$,)1?$-&'$'&*:0$>&-M'n$cI?)+$ >I1A1&I3$230-??1?$'H.?$,.?>)*&?1$.+$'H1$.+'.:-'1I3$.+'1&>)++1>'1,$>)+'1+'$-+,$M)&:$)M$H1&$ .:-71&3$)M$'H1$0-&-,)X1?$)M$>)+'1:0)&-&3$I.M18

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Biography

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Carrie Olson

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Carrie Olson: Fear as Commodity

By Christopher A. Yates

This essay was written as part of the Young Art Critics Mentoring Program, a partnership between AICA USA (US section of International Association of Art Critics) and CUE Art Foundation, which pairs emerging writers with AICA mentors to produce original essays on a specific exhibiting artist. Please visit www.aicausa.org for further information on AICA USA, or www.cueartfoundation.org to learn how to participate in this program. Any quotes are from interviews with the author unless otherwise specified. No part of this essay may be reproduced without prior consent from the author. Elizabeth Baker

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is AICA's Coordinator for this program for the

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41$U&.'1&N$CHRISTOPHER A. YATES N$.?$-+$-&'.?'N$1,*>-')&$-+,$M&11I-+>1$-&'$>&.'.>$2-?1,$.+$ !)I*:2*?N$cH.)8$D1$1-&+1,$-+$K(%$M&):$/"jC$-'$/')+3$<&))6N$jCb$-+$KE/$M&):$B1+'$/'-'1$ "+.A1&?.'3N$cDb$-+,$-$<(%$M&):$'H1$!)I*:2*?$!)II171$)M$%&'$r$@1?.7+8$D.?$U&.'.+7$-001-&?$ M&1V*1+'I3$.+$'H1$Columbus Dispatch8$O+$effgN$H1$&1>1.A1,$-+$cH.)$%&'?$!)*+>.I$O+,.A.,*-I$ #X>1II1+>1$%U-&,$.+$%&'?$!&.'.>.?:8$%+$%??)>.-'1$=&)M1??)&$-'$'H1$!)I*:2*?$!)II171$)M$%&'$r$ @1?.7+N$H1$>*&&1+'I3$'1->H1?$M)*+,-'.)+?$>)*&?1?$-+,$W+1$-&'?$'H1?.?$0)&'M)I.)8$

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CUE Art Foundationâ&#x20AC;&#x2122;s operations and programs are made possible with the generous support of foundations, corporations, government agencies, individuals, and its members.

MAJOR PROGRAM SUPPORT IS PROVIDED BY: Accademia Charitable Foundation The Viking Foundation Agnes Gund The Pollock-Krasner Foundation The Greenwall Foundation The Greenwich Collection Ltd. Milton and Sally Avery Arts Foundation Foundation for Contemporary Arts The Joan Mitchell Foundation The Andy Warhol Foundation for the Visual Arts National Endowment for the Arts New York City Department of Cultural Affairs New York State Council on the Arts (a State agency) William Talbot Hillman Foundation

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MEDIA SPONSOR:

!)A1&$O:-71k$Marburg respirator display wall v,1'-.Iw$ eff]N$/I.0$>-?'$-+,$-I'1&1,$E.:)71?$0)&>1I-.+N$,.7.'-I$ 0&.+'N$@.:1+?.)+?$A-&.-2I1 %II$-&'U)&6$x$!-&&.1$cI?)+$

CUE Art Foundation 511 West 25th Street New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org

O/<jk$]sgRfR]goq^eeRfRs !-'-I)7$,1?.7+k$1I.P-21'H$1II.? =&.+'1,$23$:-&yX$:3I1?$.+>8$$ *?.+7$^ffz$U.+,R71+1&-'1,$0)U1&

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2009/10

CUE Art Foundation 511 West 25th Street, New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org