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David Dunlap

CUE Art Foundation

David Dunlap Curated by Scott & Tyson Reeder November 12, 2009 - January 9, 2010

BOARD OF DIRECTORS

CUE FELLOWS

(SFHPSZ "NFOPÇ´ Ĺ FPEPSF 4 #FSHFS Patricia Â Caesar Â Ĺ PNBT ( %FWJOF Ĺ PNBT , : )TV 7JWJBO ,VBO Corina Â Larkin #SJBO % 4UBSFS

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CURATORIAL ADVISORY COUNCIL

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STAFF

Executive Director Jeremy Â Adams Development Director .BSOJ $PSCFUU Programs Director #FBUSJDF 8PMFSU 8FFTF Programs Coordinator 3ZBO Ĺ PNBT Development Coordinator 5BMJB 4QFUUFS

CUE Art Foundation is a 501 (c)(3) non-profit forum for contemporary art and cultural exchange that provides opportunities and resources for under-recognized artists. We value the astonishing diversity of creativity that artists provide and the importance of their activity in the social context of the city. CUE provides artists, students, scholars and art professionals resources at many stages of their careers and creative lives. Our programs include exhibitions, publications, professional development seminars, educational outreach, symposia, readings and performances. Since 2002, we have operated from our 4,500 square foot storefront venue in the heart of New Yorkâ€™s Chelsea Arts District. CUE exhibiting artists are chosen by their peers and a rotating group of advisors and curators from across the country. This pluralistic process ensures that CUE consistently offers diverse viewpoints from multiple disciplines of artistic practice. Simply put, we give artists their CUE to take center stage in the challenging world of art.

Artist: David Dunlap

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Curators: Scott & Tyson Reeder

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Biography

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David Dunlap

Please salute our flag #JD DPMPS CBMM QPJOU QFO PO QBQFS Î§ Y Î§ Â

Is your flag like our flag like a spider web in the corner? #JD DPMPS CBMM QPJOU QFO PO QBQFS Î§ Y Î§ Â

Dan, David, Neva, June 19, 2004 David, Elysia, Scott, June 25, 2004 Adam, David, Erika, August 20, 2005 Darrell, David, Mark, July 19, 2009 David, Mariah, Michael, September 26, 2009 Love never ended / ended in bliss / ended pretty good / so-so / not-so-good / badly, so I decided to Live in Love. I had some experience in something like this. I was part of a Friends Meeting ( Quakers ) that wrote a same-sex marriage Minute ( a position ). We slowly formed what needed to be present in order for a marriage to take place. It was in that spirit that I attempted to form what needed to be present in order to live in love. First, I made a Vehicle of Marriage ( 1996 Volvo sedan ). Second, I embarked on my Wedding Tour.

Vehicle of Marriage 7PMWP TFEBO

I Hello

Coffin/notebook case as ark ( H I )

When the 1000 notebooks arrived I realized I was looking at the rest of my life. I decided to make a coffin/notebook case to hold these notebooks.

They stopped making the notebook I have kept since 1973. I had to have them fabricated. The minimum order was 1000.

An ark made from all the books I have ever kept

Elysia Scott

Peter’s college room mate

mlKINGJUNIOR Sonny Boy (“I may not get there”)

Wearing Monthly Calendar May/June, 2004 as Wedding Hat in The Wedding Season of mlKINGJUNIOR Sonny Boy (“I may not get there”), June 25, 2004

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Great Day in the Morning ! Nelle June 2, 1985

Josh Eklow Ret Dot video store.

the Buddha's skull

FREE Art School

gutless

sloppy The Mens Cold Pork Drawing Club

Living in Love, Mariah, Mariah, September 26, 2009.

Living in Love, Darrell, David, Dillon, Mark, July 19, 2009.

unnamed

Device for Measuring the PRESENCE of Martin Luther King Jr.

disappeared Barack Obama burning cross

Moon Hotel

I’ve Got the Moon at Night Emma December 24 1988

The Walnut Farmer @ HOME

door Small Animals MAKE First Paths

The Teahouse of the White Flag of SURRENDER The Room within the Moon Hotel

Our flag

Mirror In the Wedding Season of mlKING JUNIOR Sonny Boy

Abandoned Meander Moon Hotel

Goodie, January 29, 1912-March 6, 1996

Emma’s dresser, the top drawer is in the second shelf of my coffin/notebook case

Coffin/notebook case

TOOOOOO TOOOOO When you read this

OOOOOLD OOOOOLD hear Emma play it on her cello (double stops)

Now I work directly on my skin using my Bic, 4-color, ball point pen.

Told too old I no longer paint on suits

SUDDENLY

a Walnut

Farmer

During the 2008 DemocratIC primary race, an article about Hillary Clinton and Barack Obama described a similar situation/contest between Elizabeth Stanton and Frederick Douglas. On the cover of this book that Gelsy and I kept I (a white man) asked her (a black woman) who we should put on the front, Douglas or Stanton.

On certain occasions Gelsy would appear at Foxxy Magdalena. She would do this by wearing a wig, and clothes unlike her normal dress. She would stand next to people that she worked with every day and they would not recognize her. They would not recognize her that is, until she winked. Gelsy and I liked to talk about why this was. I came to feel, for someone like me, if it was not Gelsy then it defaulted to all of the black women I did not know. What do you think?

Project Book # 28 $PMMBHF BDSZMJD QBJOU PO CPPL Î§ Y Î§

Gelsy decided that we should put Frederick Douglas on the front cover.

Byron, Kay and Nana Burford love their animals. A visitor asked Byron if he thought animals had souls. Byron answered wondering if humans have souls. Phil Meyer and I have sat across the table, passing a 6" x 4" index card attempting to draw the answer to Byronâ€™s question. We have been doing this for over one-half of a century.

Inside the Moon Hotel: The Art of David Dunlap By Melissa Tuckman

This essay was written as part of the Young Art Critics Mentoring Program, a partnership between AICA USA (US section of International Association of Art Critics) and CUE Art Foundation, which pairs emerging writers with AICA mentors to produce original essays on a specific exhibiting artist. Please visit www.aicausa.org for further information on AICA USA, or www.cueartfoundation.org to learn how to participate in this program. Any quotes are from interviews with the author unless otherwise specified. No part of this essay may be reproduced without prior consent from the author. Elizabeth Baker is AICA's Coordinator for this program for the second season.

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Inside the Moon Hotel: The Art of David Dunlap

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Inside the Moon Hotel: The Art of David Dunlap

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CUE Art Foundationâ€™s operations and programs are made possible with the generous support of foundations, corporations, government agencies, individuals, and its members.

MAJOR PROGRAM SUPPORT IS PROVIDED BY: Accademia Charitable Foundation Viking Foundation Agnes Gund The Pollock-Krasner Foundation The Greenwall Foundation The Greenwich Collection Ltd. Milton and Sally Avery Arts Foundation Foundation for Contemporary Arts The Joan Mitchell Foundation The Andy Warhol Foundation for the Visual Arts National Endowment for the Arts New York City Department of Cultural Affairs New York State Council on the Arts (a State agency) William Talbot Hillman Foundation

MEDIA SPONSOR:

CUE Art Foundation 511 West 25th Street New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org

$PWFS *NBHF Tent for Martin Luther King Jr. Y Y XJUIJO UIF 7FIJDMF PG .BSSJBHF Â 7PMWP TFEBO

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2009/10

CUE Art Foundation 511 West 25th Street, New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org