"Marisol" program

WARNING Marisol uses prop guns and weapons throughout the play and contains sensitive themes including racism, religion, violence, assault, mental health, housing insecurity, sexuality, stillbirth, and climate change.

Production Stage Manager Christina Infranca Dialect Coach Tyler Seiple* Scenic Designer Andre Polo Prop Master Echo Wu Technical Director George Diaz Costume Designer Greer Gardner Lighting Designer Miranda Carpenter Dramaturg Ashley Rondomanski Makeup/Hair Designer Kieran Tierney SoundDesigner Jordan Benitez Fight Choreographer Michael Polak* Intimacy Choreographer Amanda Rose Villarreal, PhD* * denotes faculty

March 8–23, 2024 • Little Theatre

SYLVIA A. ALVA President, California State University, Fullerton

KATHRYN WILSON Chair, Department of Theatre & Dance

AMIR H. DABIRIAN Provost and VP for Academic Affairs (Interim)

ALVIN RANGEL-ALVARADO* Vice Chair, Department of Theatre & Dance

ARNOLD HOLLAND, EDD Dean, College of the Arts

FULL-TIME FACULTY | Theatre Acting Maria Cominis Svetlana Efremova* Eve Himmelheber John Short Design and Technical Production Scott Bolman^ Hyun Sook Kim Fred Kinney JR Luker Bill Meyer Carolyn Mraz* Omar Ramos Jamie Tucker Kathryn Wilson Directing Mark Ramont*

FULL-TIME STAFF Department of Theatre & Dance Administration Denean Dyson Technical and Production Staff Michael August, Production Manager Lois Bryan, Master Electrician Matt Connelly, Amanda Horak Staff Scenic Lab Forepersons Heidi Enzlin Cole, Charge Scenic Artist Jen Frauenzimmer Business/ Production Coordinator Terri Nista, Costume Lab Manager Lori Koontz, Costume Lab Techncian

Musical Theatre Josh Grisetti* Marty Austin Lamar

Megan Gonzalez, TV Studio Technician

Theatre Studies Dr. Heather Denyer* Amanda Rose Villarreal, PhD

William Lemley, Audio Technician

Voice and Movement Anne James David Nevell*

Brigitte Bellavoine, Jennifer Schniepp & Ben Rempel, Accompanists

FULL-TIME FACULTY | Dance Muriel Joyce Lisa D. Long Debra Noble Alvin Rangel-Alvarado*

Jeff Lewis, Production Sound Engineer

Bob West, Properties Master

Stephanie Tancredi Box Office Manager & Safety Coordinator Heather McLane, Night Mgr./Lead House Mgr. *denotes area head | ^denotes graduate coordinator

Land Acknowledgement: The Department of Theatre and Dance acknowledges our presence on the traditional, ancestral and unceeded territory of the Gabrielino/Tongva Nation. We pay our respects to the Indigenous land caretakers past, present, and emerging. For more information please visit the Gabrielino-Tongva Tribe website.

Resources: https://native-land.ca/ • https://gabrielinotribe.org/ http://nahc.ca.gov/cp/tribal-atlas-pages/gabrielino-tongva-nation/ The Department of Theatre & Dance at California State University, Fullerton is fully and continuously accredited by the National Association of Schools of Theatre (1974) and the National Association of Schools of Dance (1982)

Welcome to the Spring 2024 Performing Arts Season at Cal State Fullerton’s College of the Arts. Whether you are a first-time or long-time patron, a friend, or parent to one of our exceptional students, thank you for joining us. Your support makes all the difference to their success.

I am pleased to present another semester of programming powered by the incredible gifts of our Art, Dance, Music, and Theatre students. This spring, the School of Music starts the season with a trio of concerts February 16–18 by artists-in-residence Talich Quartet; faculty artist Damon Zick and his Quarteto Nuevo featuring fellow faculty artist Bill Cunliffe; and University Symphony Orchestra. In May, University Symphony Orchestra and Symphonic Chorus will close the concert season with a performance of Mozart’s emotionally charged “Requiem.” Begovich Gallery presents the Begovich Visual Arts Lecture Series with visiting artists’ talks throughout the semester, including multidisciplinary artist Hings Lim on February 22, whose work will also be exhibited at Grand Central Art Center. The Department of Theatre and Dance begins their season in March with “Marisol,” a darkly comedic fantasy where the title character must find hope in a post-apocalyptic Brooklyn where angels are taking up arms and coffee is extinct.

Hilarious, multiple Tony award-winning modern musical send-up “Urinetown” closes the theatre season just as CSUF’s dancers and choreographers take to the stage for “Spring Dance Theatre.”

When our students demonstrate their talents on stage and in the studio, their creative energy is undeniable, but the sacrifice and struggle it took to get there is often less perceptible. We can’t see the hours spent creating, the days of rehearsals, and the years of practice. For many students, the sparks of innovation and artistry that drove them to pursue the arts are often diminished by the high cost of an education. The Dean’s Fund for Excellence provides support for students in need through scholarships, artist residencies, and other financial assistance, ensuring them the opportunity to thrive in the arts. If you believe in their sparks of brilliance, please consider a donation of any amount to the Dean’s Fund for Excellence.

Thank you again for joining us this season and for championing the arts in higher education.

I hope to see you at one of the college’s many performances and events this spring.

Sincerely,

Arnold Holland, EdD Dean, College of the Arts

SCAN THIS QR DONATE TODAY to the DEAN’S FUND FOR EXCELLENCE

Cast MARISOL PEREZ…..……………………………………………………………....…Rachel Diaz ANGEL…..………………………………………………..…........................……Raquel Brooks JUNE/SKINHEAD..……….………….……….......................................................Allie Jensen LENNY……………….………………..…………………………........................Ryan Marroquin WOMAN WITH FURS/UNHOUSED PERSON……………………………….…Keza Kananura MAN WITH ICE CREAM/RADIO VOICE/UNHOUSED PERSON…………......…Simon Asher MAN WITH GOLF CLUB/3RD VOICE/UNHOUSED PERSON…………………..Chris Suarez YOUNG WOMAN/1ST VOICE/UNHOUSED PERSON………….......................Dianna Perez SKINHEAD #2/2ND VOICE/UNHOUSED PERSON………………….…..…...Nev Bumgarner SKINHEAD #3/SUBWAY ANNOUNCER/UNHOUSED PERSON..……...…Dylan Magallanes MAN WITH SCAR TISSUE/UNHOUSED PERSON……………................…Connor Vescelus

Setting and Characters New York City. The present. Winter.

MARISOL, a Puerto Rican woman, 26 ANGEL, Marisol’s guardian angel, a young black woman SUBWAY ANNOUNCER MAN WITH GOLF CLUB 1ST VOICE 2ND VOICE 3RD VOICE JUNE, Marisol’s friend, Irish-American, 36 RADIO VOICE MAN WITH ICE CREAM LENNY, June’s brother, 34 WOMAN WITH FURS MAN WITH SCAR TISSUE YOUNG WOMAN HOMELESS PEOPLE

A Quote from the Playwright “Tony Kushner was once asked to define fame. He said it was having your plays produced in colleges and universities. I couldn’t agree with him more. [...] The world has changed enormously since I wrote the first draft of Marisol in 1989. (Back then the idea of metal detectors in all the buildings in Brooklyn seemed so radical – little did I know!) But in every important way, the world hasn’t changed at all. [...] So, as times change, I’m lucky to have written a strange, dark play that continues to resonate.”

– Jose Rivera, 2015

About the Director | Sara Guerrero Sara Guerrero (she/hers), a Chicana native of Mexican/ Mestizo ancestry, is a versatile theater artist and educator whose mission is to model, share, and create theatermaking opportunities for and with her community, locally and nationally.

Guerrero, a CalArts alum, has been awarded the 202324 Individual Artists Established Fellowship (IAF) by the California Arts Council, recognized as a “People to Watch’’ by American Theatre Magazine, a 2022 Congressional Woman of the Year (46th district), 2021 and 2020 Woman of Distinction (Senate District 34), 2020 Hispanic Lifestyle Latina of Influence Honoree, Community Engagement “COVID-19 ArtistGrant” Awardee, and “Best [Artistic] Director’’ and “Person of Interest” by OC Weekly.

As the founding artistic director of Breath of Fire Latina Theater Ensemble (BOFLTE), the only Latina theater company in Orange County, she and the ensemble are artistsin-residence of California State University of Fullerton’s Grand Central Arts Center in downtown Santa Ana. Under Guerrero’s leadership, the organization, through its mission, serves as an incubator for voices that have been historically excluded in theater by providing free programming in the guidance in the art of storytelling. No one is ever turned away for lack of experience.

She is an “Honorable Mention” playwright for the 46th Annual Bay Area Playwrights Festival for her coming-of-age, roller skating, abortion play “Have to Believe We Are Magic,” and the winner of Panndora Box’s Sweet Sixteen New Plays Festival, the Women’s Theatre Festival Occupy 2022, Teatro Vivo’s Latinx New Plays Festival 2021, and a semi-finalist for the Judith Royer Playwriting Excellence Award.

Guerrero directs locally and nationally for the professional stage and higher education. Theaters and institutes include: Center Theatre Group, The Geffen Playhouse, Chance Theater, UC Irvine’s Claire School of the Arts, UMassAmherst, Cal State University of Long Beach, Chapman University, Cal State Fullerton, University of Oklahoma, Cal State Los Angeles, Creede Repertory, Abingdon Theatre, Queens Theatre, Road Theater, Playwrights Arena, Latino Theater Company, and more.

She recently directed, the #1 New York Times Bestseller, “I Am Not Your Perfect Mexican Daughter,” adapted for stage by Isaac Gomez and written by award winning author Erika L. Sánchez in Los Angeles to a sold-out run. Later this spring, she’ll direct Benjamin Benne’s “ALMA” for the Chance Theater in Anaheim.

Guerrero is theatre faculty at CSUF’s College of the Arts, a member of the Artistic Director of Color Alliance of the Greater Los Angeles (ADCA of LA), and serves on the boards for the Arts Orange County council (Arts OC), and Fringe Benefits: a Theatre for Social Justice organization.

To learn more about Sara Guerrero and her work, visit: teatroguerrero.com and newplayexchange.org.

Director’s Note “… Stop putting your conscience on cease And bring about some type of peace Not only in your heart, but also in your mind It will benefit all mankind Then there will be one thing that will never stop And it’s the evil that men do “ - Queen Latifah

Thank you for your presence and your conscious decision in making our production of Marisol a part of your day’s experience. Each presentation is a unique offering and how each audience experiences it, it’s unique.

Rivera’s Marisol was the first production I experienced and crewed as a first year acting major to the arts school I attended. At first read, the play spoke to me. It’s disturbing, disorienting, poetic, and humorous. And its themes, “climate change, conventional theology, biological sex, personal relationships, cultural assimilation, and the pathology of fear and paranoia,” reflected on the world around me. And I loved that the play took risks, pushed boundaries, challenged my views, made me laugh at bleak moments, questioned myself, and prompted me to be less idle and activate myself. And even thirty-two years after its world premier Marisol continues to be so rich and relevant today and I am still prompted to activate myself.

Our protagonist Marisol Perez, survives on the narrow threads between two worlds culturally and economically. And when these threads begin to unravel at the top, Marisol, in her everyday life, battles for survival as the world is on the verge of expiring, transforming into an apocalyptic landscape while angels battle a senile God to save the world from the “the universal body is sick” it has become. Will Marisol take courageous miraculous action dormant in her prayer or will she stand idly in “thoughts and prayers” abdicating responsibility for doing anything at all? Let’s find out.

And, as you leave us today, I always wonder what you each take away from this experience. One can never control the outcome but I hope that you enjoyed the show.

And, maybe leave with conversation or questions or something unexpected.

Maybe it prompts you to even reflect on questions like: Did you see yourself reflected?

Someone you know? And or was your world reflected in the play? What might prompt you to take “miraculous action”? Or maybe you need to see the moon. Make sure it’s still there.

Again, thank you for your time. We greatly appreciate your attendance. Tell a friend.

Or come back. Stay safe and present.

Sincerely, Sara Guerrero, the Director A great BIG THANK YOU to José Rivera, for your words and blessing. Marisa Chíbas, my first Latina/e/x theater professor, for your support, leadership, work and bridging me back to our playwright. My amazing production team, my incredible designers, kick-ass choreographers and coaches, and my talented cast! It’s been an absolutely wild, enjoyable, and exciting adventure! ¡SALUD!

Student Production Staff Assistant Stage Managers Mayra Alejandra Borrayo Fausto, Kara Dietz Assistant Lighting Designer Sarah Arizaga Assistant Technical Director Nicole Maldonado Assistant Sound Designer Samera Abdelrhman Scenic/Prop Crew Dominic Katout, Jordan Souza, Madeline Flores, Chris Drake, Ashleigh Perales, Gian Noble Assistant Costume Designer Maggie Hammond Lighting Board Operator Edith Castro Lighting Programmer Francisco Amezcua Sound Crew William Collins, Mara-Kathleen Bigornia, Delaney Jackson, Kaitlin Rohaly,

Rariden, Zoe Agpaoa, Yanira Loera, Mickey Narez, Liz Doubrovsky, Mio Okada Scenic Artists Evelyn Flynn, Aiden Singca, Alizeé Carlson, Cheyenne Stetson, Paige Ragan, Kyle Hayes Costume Lab Student Assistants Greer Gardner, Gwen Sloan, Ryn Heier, Makayla Finn, Haven Hanson, Quinn Sonis, Julianna Barlow, Alyssa Gauss, Caroline Lovett, Reset DeAngelo, Keasha Fuller, Alicia Robles, Madison Shuck Scenic Lab Carpenters Alexa Aure, Katherine Brauer, Anela Brown, Nat Bull, Isabella Cruz, Isaiah Huntsinger, Nicole Maldonado, George Diaz Mejia, Henry Passo, Blythe Ryther, Mak Stewart, Madison Williams, with additional assistance by students from Theatre 276, CAD, and Rigging and Automation Production Office Assistants Emily Mattson, Madi Lindbeck

Costume Crew Oliver Egan, Gaily Garcia, Nat Bull, Johnrey Nesbitt, Madison Handley

Box Office Staff Avery Ackerman, Anais Barron, Madison Dabalos, Charlie Duval, Emily Mattson, Sarai Ortiz, Josiah Sanchez

Makeup Crew Ashley Martinez, Allyson Munoz, Leah Gamino

House Managers Madison Dabalos, Sarai Ortiz, Josiah Sanchez

Lead Scenic Artists Diego Banda, Abby

Faculty Production Mentors Costumes Mentor Hyun Sook Kim Hair/Makeup Mentor Kat Price Dramaturgy Mentor Dr. Heather Denyer Lighting Design Mentor Scott Bolman Props Mentors Carolyn Mraz & Fred Kinney Sound Mentor Hunter Moody Stage Management Mentor Jamie Tucker Technical Direction Mentor JR Norman Luker

Department Notes & Policies Proceeding Safely: Clayes Performing Arts Center will match all current COVID-19 recommendations and guidelines provided by local health agencies. When purchasing a ticket to a Clayes Performing Arts Center event, you agree to adhere to all COVID-19 safety entry requirements in effect at the time of the event.

Commitment to Diversity: The Department of Theatre & Dance affirms its commitment to inclusiveness in student learning and success in all areas of theatre based on merit and achievement, and will not discriminate on the basis of race, color, ethnic origin, national origin, creed, religion, political belief, gender, gender identity, sexual orientation, physical appearance, mental or physical disability, marital status or age.

Cell Phones & Electronic Devices: Cellphones and other electronic devices must be turned off prior to the start of the performance and at the beginning of the second half to minimize disruptions in the theater and ensure the enjoyment of all patrons in attendance.

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited, and any recordings will be asked to be deleted.

Food & Drink Policy: Food and drink is not allowed in the venue, with the exception of bottled water.

If you do not follow these guidelines, you may be asked to leave.

Professional Artist Unions Faculty, Staff and Guest Artists of the Department of Theatre & Dance are specialists in their respective disciplines. Within these groups, the following professional artist unions are represented: AEA (Actors’ Equity Association) AGMA (American Guild of Musical Artists)

SAG-AFTRA (Screen Actors Guild/American Federation of Radio and Television Artists)

AGVA (American Guild of Variety Artists)

SDC (Stage Directors and Choreographers Society)

IATSE (International Alliance of Theatrical Stage Employees)

USA (United Scenic Artists)

The Kennedy Center American College Theater Festival, part of the Rubenstein Arts Access Program, is generously funded by David M. Rubenstein.

Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting the John F. Kennedy Center for the Performing Arts’ Kennedy Center American College Theater Festival.

Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; and the Dr. Gerald and Paula McNichols Foundation.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee for the Performing Arts.

This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.

Productions entered on the Participating level are eligible for invitation to the KCACTF regional festival and may also be considered for national awards recognizing outstanding achievement in production, design, direction and performance.

Last year more than 1,500 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.

KCACTF.ORG

SHAPING THE FUTURE OF THE ARTS The College of the Arts at Cal State Fullerton is a unique learning environment that encourages artistic expression and individual achievement. We are a hands-on learning lab where immersive academic experiences and opportunities for cross-disciplinary collaboration inspire our 2,700+ student artists, performers, and scholars to reach realize their full potential, shaping the future of the arts locally and globally.

This takes exceptional faculty members, state-of-the-art facilities, and support from community members like you.

The Dean’s Fund for Excellence provides resources for College of the Arts students through masterclasses and artists’ residencies; travel to competitions and workshops; and the practical application of industrystandard technology and equipment in the classroom, all of which have a huge impact on the educational experience of our students.

CHANGE THE LIVES OF ASPIRING ARTISTS. DONATE TO THE DEAN’S FUND FOR EXCELLENCE. give.fullerton.edu/deansfundarts

GET INVOLVED. GIVE TODAY! Ann Steichen, Director of Development P: 657-278-7124 E: asteichen@fullerton.edu

California State University, Fullerton • College of the Arts

DONOR APPLAUSE The College of the Arts extends its heartfelt gratitude to the following patrons who have supported our students and programs this past year through a generous gift of $1,000 or more to the College, the School of Music, Department of Theatre & Dance, and/or the Department of Visual Arts.**

$1,000,000 + Anonymous $100,000+ Darryl Curran Shawna & Gregory Ellis Stan Mark Ryan Shirley & David Sepel William Wagner $25,000+ Alliance for the Performing Arts The Andy Warhol Foundation Johnny Carson Foundation Leo Freedman Foundation Robin & Steve Kalota Music Associates Frank & John Olsen Donna & Ernie Schroeder $10,000+ Art Alliance Affordable Housing Access Inc. Lee Begovich The Blackbaud Giving Fund Marilyn D. Carlson Robin De la Llata Amie Dwight Richard Odle Foundation Fidelity Charitable Gift Fund J.P. Morgan Charitable Giving Fund Ellen & Bill Groves Marianne Kreter Kathleen Hein Eleanore & James L. Monroe Lucina Moses & John Brennan Bob & Terri Niccum Dr. Katherine S. Powers & Håkan O. Rosengren Dana Praitis Raymond James Charitable Endowment Fund Kristin K. Stang & Gordon Capp Jeffrey A. Stang & Lisa McDaniel Stang Sue & Dr. Edward A. Sullivan

$5,000+ Robin de la Llata Aime & Jack Aime Drs. Voiza & Joseph Arnold Dana M. Carrera* Steven Caulk Dr. Marc R. Dickey Susan & Richard Dolnick Desiree Engel Friends of Jazz Leslie & Greg Garman MaryLouise & Ed Hlavac Morningside of Fullerton Norma Morris Betty Murphy Jill Kurti Norman Orange County Community Foundation $1,000+ Judy L. Atwell Betsy & Eric Azariah Dottie & Nick Batinich Lucina & John Brennan Janet & Allen Bridgford Irene Chinn Stephen W. Collier & Joann Driggers William S. Cornyn CEC Artslink D. Barry Schmitt Revocable Trust Lucetta A. Dunn Dr. Anne Fingal Evelyn K. Francuz Fullerton Families and Friends Marsha Gallavan Jacquelyn Garrabrant Annette L. & Leon J. Gilbert Renee & John Gillespie Susan-Ellen Gilmont Dr. Mark J. Goodrich Dr. Margaret F. Gordon Theresa Harvey James L. Henriques Frank Hinojoz Dr. Robert Istad Michelle Jordan

Gladys M. Kares Gwendolyn & Carlos C. Leija Jason Lomeda Juliette Lunger John M. Martelli & Paul Coluzzi Karen & George Mast Thelma & Earl Mellott Sylvia Megerdichian Mary E. Moore Patricia & Carl Miller Ann & Douglas Myles David Navarro Yoshino & Ujinobu Niwa Debra L. Noble L. Palin Kerry & John Phelps The Presser Foundation Deanna & Arie Passchier Jim Plamondon Sheila Pinkle Sharon & Dr. Anil K. Puri Mary & Jerry R. Reinhart Renaissance Charitable Foundation Nancy & Robert Rennie Christine Rhoades David Rhone Dr. Stephen M. Rochford Ronald L. Katz Family Foundation Ann & Thad Sandford D. Barry Schmitt Louise P. Shamblen Martha Shaver Ingrid R. Shutkin Lorena L. Sikorski Carol Smith Sparkman Janet L. Smith Roberta & Robert Sperry Dodo V. Standring Thomas Statler Robert Van Sternberg Douglas Stewart Verne Wagner Dr. Sean E. Walker Debra Winters Richard Wulff YourCause, LLC *deceased

Very special care has been given to the preparation of this donor listing.

Please contact Ann Steichen at (657) 278-7124 with questions or concerns. **Gifts received from July 1, 2022 through August 2023

ONTIVEROS SOCIETY The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. Our deep appreciation is extended to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts: ANONYMOUS JOHN ALEXANDER LEE & DR. NICHOLAS A.* BEGOVICH GAIL & MICHAEL COCHRAN MARC R. DICKEY JOANN DRIGGERS BETTY EVERETT CAROL J. GEISBAUER & JOHN* GEISBAUER SOPHIA & CHARLES GRAY MARYLOUISE & ED HLAVAC GRETCHEN KANNE

DR. BURTON L. KARSON ANNE L. KRUZIC* LOREEN & JOHN LOFTUS ALAN A. MANNASON* WILLIAM J. MCGARVEY* DR. SALLIE MITCHELL* ELEANORE P. & JAMES L. MONROE LYNN & ROBERT MYERS DWIGHT RICHARD ODLE* SHERRY & DR. GORDON PAINE DR. JUNE POLLAK & MR. GEORGE POLLAK*

DR. STEPHEN M. ROCHFORD MARY K. & WILLIAM SAMPSON LORENA SIKORSKI DOUGLAS G. STEWART ANDREA J. & JEFFREY E. SWARD RICHARD J. TAYLOR VERNE WAGNER RICHARD WULFF DR. JAMES D. & DOTTIE YOUNG*

*deceased

The College of the Arts Proudly Recognizes the 300+ Members of Our

VOLUNTEER SUPPORT GROUPS ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

SPECIAL SUPPORT AND EVENT UNDERWRITING Fay Colmar John DeLoof

Joann Driggers & Steve Collier Loraine Walkington

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefits performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other unique experiences for members.

SPECIAL SUPPORT AND EVENT UNDERWRITING Judy Atwell Drs. Voiza & Joe Arnold Dr. Margaret Faulwell Gordon

Susan Hallman Norma Morris Richard Odle Estate

Kerry & John Phelps Jeanie Stockwell Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

SPECIAL SUPPORT AND EVENT UNDERWRITING Marilyn Carlson Evelyn K. Francuz Sandy & Norm Johnson Marti & Bill Kurschat Karen & George Mast

Thelma & Earl Mellott Bettina Murphy Grace & Ujinobu Niwa Kerry & John Phelps Mary & Jerry Reinhart

Ann & Thad Sandford Dodo V. Standring Carolyn & Tom Toby John Van Wey

MORE INFORMATION: Ann Steichen • 657-278-7124 There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts

GET INVOLVED GIVING.FULLERTON.EDU

theatre.fullerton.edu

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