"Fall Dance Theatre" program

CSUF DEPARTMENT of THEATRE & DANCE presents

November 18–21, 2020

California State University, Fullerton

UNIVERSITY CREDITS Framroze Virjee, President, California State University, Fullerton Carolyn Thomas Provost and Vice President, Academic Affairs Danny C. Kim, Vice President, Administration and Finance/CFO David Forgues, Vice President, Human Resources, Diversity & Inclusion Amir H. Dabirian, Vice President, Information Technology Tonantzin Oseguera, Vice President, Student Affairs Gregory J. Saks, Vice President, University Advancement

C OL L E G E O F T H E AR T S Dale A. Merrill, Dean Arnold Holland, Associate Dean Maricela Alvarado, Assistant Dean Christopher Johnson, Budget Coordinator Heather Guzman, Assistant to the Deans Jade Jewett, Chair, Department of Visual Arts Dave Mickey, Chair, Department of Theatre & Dance Katherine Powers, Director, School of Music Jennifer Frias, Director, Nicholas & Lee Begovich Gallery John Spiak, Director, Grand Central Art Center - Santa Ana Lara Farhadi, Senior Director of Development Ann Steichen, Director of Development Alaidrian Clark, Support Group Coordinator Julie Bussell, Director, Marketing & Patron Services Stephanie Tancredi, Box Office Manager Heather Richards-Siddons Marketing & Communications Specialist; Theatre & Dance program designer Alvin Chiu, Graphic Designer Jason Pano Social Media Strategist Cathi Craig, Lead House Manager

WELCOME Hello, and welcome to the Department of Theatre & Dance virtual presentation of Fall Dance Theatre: A Movement Migration. We are so excited to share this performance with you! First, I want to thank all of the students, faculty, and staff

who have worked tirelessly to make this possible. I’ve personally witnessed our college rise to the challenges of these times to reach far above expectations. Our performing arts students continue to thrive, delivering some of the most heartfelt and thought-provoking performances I’ve seen. This semester has demonstrated one thing loud and clear: the arts are active, vibrant, and resilient here at Cal State Fullerton.

Just as the arts continue to adapt and evolve, so have our students. These Titans of the Arts – unwavering in their passion and commitment to their craft – are the reason we do what we do as educators, administrators, and staff. I look forward to seeing theatre, dance, and music students rehearsing throughout the performing arts building, and visual arts students creating in the breezeways and art courtyard once again. It’s so quiet here without them! Until we see each other again face-toface, stay safe, stay strong, and keep creating. We hope you enjoy the show!

Sincerely,

Dale A. Merrill Dean, College of the Arts

Dave Mickey Chair, Department of Theatre & Dance Debra Noble,* Vice Chair, Department of Theatre & Dance FULL-TIME FACULTY | Theatre

FULL-TIME STAFF Department of Theatre & Dance

Acting Maria Cominis Svetlana Efremova• Eve Himmelheber John Short Jim Taulli

Administration Hilda Aboytia Technical and Production Staff

Design and Technical Production Scott Bolman Hyun Sook Kim Fred Kinney JR Luker Bill Meyer Dave Mickey Jamie Tucker• Kathryn Wilson

Mike August, Production Manager Lois Bryan, Master Electrician Matt Connelly & Amanda Horak Scenic Lab Foremen/ Supervisors Heidi Enzlin Cole, Charge Scenic Artist Jen Frauenzimmer Business/ Production Coordinator

Directing Mark Ramont•*

Lori Koontz, Costume Lab

Theatre Studies Heather Denyer• Jim Volz

Russell Mackensen, Technical Director

Voice and Movement Evelyn Carol Case Anne James David Nevell•

Jeff Lewis, Production Sound Engineer

FULL-TIME FACULTY | Dance Muriel Joyce Lisa D. Long Debra Noble* Alvin Rangel-Alvarado

Ross Jones, TV Studio Technician

Bob West, Properties Master Brigitte Bellavoine, Jennifer Schniepp & Craig Shields, Accompanists Stephanie Tancredi Box Office Manager & Safety Coordinator Cathi Craig, Box Office Supervisor *denotes program coordinator / •denotes area head

www.facebook.com/CSUFTheatre Instagram | @csuftheatre Twitter | @csuftheatre arts.fullerton.edu The Department of Theatre & Dance at California State University, Fullerton is fully and continuously accredited by the National Association of Schools of Theatre (1974) and the National Association of Schools of Dance (1982)

Scenic Design Coordinator Fred Kinney*

Costume Design Coordinator Hyun Sook Kim*

Costume Designers Sara Egger, Emma Gilliland, Fallon Heaslip, Angelica Hernandez, Joanna Huang, Hayden Lalicker, Kelly Ly, Hanna Mcclure * Faculty

** Staff

^ Guest Artist

Lighting Design Coordinator Scott Bolman* Lighting Designers AJ Diaz, Jackson Halphide, Grace Hanson, Yaesol Kim, Alexander Padilla, Charlotte Saunders, Hunter Tannery Sound Designer Rebecca Kessin* Stage Manager Sabrina Jones

WEDNESDAY, NOVEMBER 18, 2020 Mud Choreographer Emily Upcraft Dancer Emily Upcraft Music “Mud” and “Vacíar” by Nicolas Jaar Costume Designer Emma Gilliland Lighting Designer Alexander Padilla A Burning Bush Choreographer Moises Felix Dancer Moises Felix Music “Leicester” by Lambert Costume Designer Hayden Lalicker Lighting Designer Grace Hanson

THURSDAY, NOVEMBER 19, 2020 In ___’s Eye Choreographer Candi Spahr and dancers Dancers Matt Casimiro, Josiah Cortez Music “Two Trees” by Ludovico Einaudi Costume Designer Joanna Huang Lighting Designer Charlotte Saunders State of Flux Choreographer Norianna Galindo-Ramirez Dancer Norianna Galindo-Ramirez Music “Eleven” by yMusic Costume Designer Fallon Heaslip Lighting Designer Charlotte Saunders dis•join(t)•ed Choreographer Kassandra Vasquez Dancers Kassie Killion Music “A Pragmatist’s Guide To Magic” by Guante “Rejected Ideas for Tinder Profiles” and “This Is Not the End of The World”

by Neil Hilborn “Love Poem Medley” and “My Honest Poem” by Rudy Francisco “Facts About Myself” by Tucker Bryant

“The Loneliest Sweet Potato” and “First Date” by Sabrina Benaim “B” (If I Should Have A Daughter) by Sarah Kay “I Want to Be” by Maia Mayor Costume Designer Kelly Ly Lighting Designer Yaesol Jeong “The best comparison of the subconscious mind is to a wild monkey. It can run rampage the whole day as it does not tire easily. And it can bring random pieces of information to the main part of the brain.” – Unknown

Rooms (1955 Excerpts) Escape Guest Choreographer Anna Sokolow Directed by Sokolow Theatre/Dance Ensemble Samantha Geracht, Eleanor Bunker, Lauren Naslund; Assisted by Ilana Cohen, Samuel Humphreys Performer Escape soloist: Katie Sovik Music Kenyon Hopkins Costume Designer Sara Egger Lighting Designer A.J. Diaz “Rooms” deals with the psychic isolation and unfulfilled desires of people living in the big city.

The jazz score by Kenyon Hopkins catches the pulse and beat of modern society. An enduring masterpiece of twentieth-century art.

FRIDAY, NOVEMBER 20, 2020 dis•join(t)•ed Choreographer Kassandra Vasquez Dancer Kassie Killion Music “A Pragmatist’s Guide To Magic” by Guante “Rejected Ideas for Tinder Profiles” and “This Is Not the End of The World”

by Neil Hilborn “Love Poem Medley” and “My Honest Poem” by Rudy Francisco “Facts About Myself” by Tucker Bryant “The Loneliest Sweet Potato” and “First Date” by Sabrina Benaim “B (If I Should Have A Daughter)” by Sarah Kay “I Want to Be” by Maia Mayor Costume Designer Kelly Ly Lighting Designer Yaesol Jeong “The best comparison of the subconscious mind is to a wild monkey. It can run rampage the whole day as it does not tire easily. And it can bring random pieces of information to the main part of the brain.” – Unknown

A Burning Bush Choreographer Moises Felix Dancer Moises Felix Music “Leicester” by Lambert Costume Designer Hayden Lalicker Lighting Designer Grace Hanson Rooms (1955 Excerpts) Escape and Going Guest Choreographer Anna Sokolow Directed by Sokolow Theatre/Dance Ensemble Samantha Geracht, Eleanor Bunker, Lauren Naslund; Assisted by Ilana Cohen, Samuel Humphreys Performers Escape soloist: Katie Sovik; Going soloist: Moises Felix Music Kenyon Hopkins Costume Designer Sara Egger Lighting Designer A.J. Diaz “Rooms” deals with the psychic isolation and unfulfilled desires of people living in the big city.

The jazz score by Kenyon Hopkins catches the pulse and beat of modern society. An enduring masterpiece of twentieth-century art.

SATURDAY, NOVEMBER 21, 2020 Sentience Choreographers Alison and Kaitlyn Hobbs Dancers Alison and Kaitlyn Hobbs Music “Oceans” by Jorge Méndez Costume Designer Angelica Hernandez Lighting Designer Hunter Tannery The world consists of many different ideas and explanations, but it is based on the individual’s experience and knowledge to understand how the world works.

Hear Me Choreography Shey Sabellico Dancer Shey Sabellico Music “An Ending, A Beginning” by Dustin O’Halloran Costume Designer Hannah Mcclure Lighting Designer Jackson Halphide “I am trying to show the world that we are all human beings, and that color is not important; the quality of work is what is important”-Alvin Ailey. This piece is a call to action, to remember that race, gender, orientation, ability are not what defines worth.

Sentience Choreographers Alison and Kaitlyn Hobbs Dancers Alison and Kaitlyn Hobbs Music “Oceans” by Jorge Méndez Costume Designer Angelica Hernandez Lighting Designer Hunter Tannery The world consists of many different ideas and explanations, but it is based on the individual’s experience and knowledge to understand how the world works.

Hear Me Choreographer Shey Sabellico Dancer Shey Sabellico Music “An Ending, A Beginning” by Dustin O’Halloran Costume Designer Hannah Mcclure Lighting Designer Jackson Halphide “I am trying to show the world that we are all human beings, and that color is not important; the quality of work is what is important”-Alvin Ailey.

This piece is a call to action, to remember that race, gender, orientation, ability are not what defines worth.

Mud Choreographer Emily Upcraft Dancer Emily Upcraft Music “Mud” and “Vacíar” by Nicolas Jaar Costume Designer Emma Gilliland Lighting Designer Alexander Padilla In ___’s Eye Choreographer Candi Spahr and dancers Dancers Matt Casimiro, Josiah Cortez Music “Two Trees” by Ludovico Einaudi Costume Designer Joanna Huang Lighting Designer Charlotte Saunders State of Flux Choreographer Norianna Galindo-Ramirez Dancer Norianna Galindo-Ramirez Music “Eleven” by yMusic Costume Designer Fallon Heaslip Lighting Designer Charlotte Saunders

A Burning Bush Choreographer Moises Felix Dancer Moises Felix Music “Leicester” by Lambert Costume Designer Hayden Lalicker Lighting Designer Grace Hanson Rooms (1955 Excerpts) Going Guest Choreographer Anna Sokolow Directed by Sokolow Theatre/Dance Ensemble Samantha Geracht, Eleanor Bunker, Lauren Naslund; Assisted by Ilana Cohen, Samuel Humphreys Performers Going soloist: Moises Felix Music Kenyon Hopkins Costume Designer Sara Egger Lighting Designer A.J. Diaz “Rooms” deals with the psychic isolation and unfulfilled desires of people living in the big city.

The jazz score by Kenyon Hopkins catches the pulse and beat of modern society. An enduring masterpiece of twentieth-century art.

Fall Dance Theatre Student Production Staff Assistant to the Dance Coordinator Sara Zamani Lighting Programmer Hunter Tannery Soundboard Operator Gustavo Sanchez Production Office Assistant Carol Smith Sparkman Fall Dance Theatre Faculty Mentors Scenic Design Fred Kinney Costume Design Hyun Sook Kim Sound Design Rebecca Kessin Technical Direction JR Luker Production Manager & Stage Management Jamie Tucker

About Guest Artist Anna Sokolow (1910–2000)

Photo: Dancer and choreographer Anna Sokolow, Sokolow Dance Foundation

Anna Sokolow, the daughter of Russian Jewish immigrants, was born in Hartford, Connecticut in 1910. Her Jewish background was a defining characteristic for her, and influenced her use of dance as a conduit for activism and social change. Ms. Sokolow’s interest in humanity led her to create works of dramatic contemporary imagery showing both the lyric and stark aspects of the human experience.

Her vast range of repertory includes drama, comedy, and lyricism with her commentaries on humanity and social justice threaded into each of her works. In a 1965 Dance Magazine article she wrote that there were no “final solutions to today’s problems,” but that she “could awareness.”

In 1939 Ms. Sokolow began a lifelong association with the dance and theater arts in Mexico. Her work for the Mexican Ministry of Fine Arts grew to become the National Academy of Dance there. In 1953 she was invited to Israel to work with Inbal Dance Company. Following that, she choreographed for the major dance companies in Israel including Batsheva, Kibbutz Dance Company, and Lyric Theatre. She visited Mexico and Israel frequently to teach and to choreograph. Ms. Sokolow’s works are performed by the Sokolow Theatre/ Dance Ensemble and are in the repertories of numerous other companies around the world.

Ms. Sokolow also choreographed for the Broadway theater. Her credits include Street Scene, Camino Real, Candide, and the original Hair. In the late 1950’s Ms. Sokolow was the first modern dance choreographer to have her work (Rooms) presented on national television.

Ms. Sokolow’s interest in teaching took her to universities, dance companies and acting studios throughout the U.S. and abroad. She was a longtime faculty

member of the Juilliard School in both the dance and drama divisions.

She received many honors and awards, including Honorary Doctorate degrees from Ohio State University, Brandeis University and the Boston Conservatory of Music. She received a Fulbright Fellowship to Japan, the Dance Magazine Award, a National Endowment for the Arts’ Choreographic Fellowship, the Lifetime Achievement Award from the American/Israeli Cultural Foundation, the Samuel H. Scripps Award, and the Encomienda, Aztec Eagle Honor (the highest civilian honor awarded to a foreigner by Mexico).

This year marks the 65 anniversary of Rooms which was originally created to depict the isolation of the urban dweller and comments on people being close to one another, yet still unable to connect. The work speaks to the contemporary isolation and anxiety many feel as we wrestle with the social distancing and uncertainty of the COVID-19 pandemic.

“Rooms is a powerful, deeply penetrating exploration of man’s aloneness…

Miss Sokolow has given her subject stunning theatrical treatment through movements which are striking as pure dance action but also revelatory of the individual dreams of each of the participants.” - Walter Terry, Herald-Tribune, 1956

Photo: “Rooms,” Jim Frost, courtesy of Sokolow Theatre/Dance Ensemble

California State University, Fullerton • College of the Arts

DONOR APPLAUSE

The College of the Arts extends its heartfelt gratitude to the following patrons who have supported our students and programs this past year through a generous gift of $1,000 or more to the College, the School of Music, Department of Theatre & Dance, and/or the Department of Visual Arts.** $50,000+ Anonymous Lori & John Loftus MAMM Alliance Music Associates Dwight Richard Odle Estate Orange County Community Foundation $25,000+ Art Alliance Lee C. Begovich Johnny Carson Foundation Leo Freedman Foundation Mary A. Lyons Alan A. Mannason Estate Terri & Bob Niccum Frank J. & Jean Raymond Andrea J. & Jeffrey E. Sward $10,000+ Affordable Housing Access Inc. Anonymous Brite Ideas, Inc. California Bank & Trust Marilyn Carlson Darryl Curran Friends of Jazz, Inc Michael Horn Isabel G. James Robin & Steve Kalota Morningside of Fullerton Eleanore & James L. Monroe Ann & Douglas Myles Dr. Katherine S. Powers & Dr. Håkan O. Rosengren Christine A. Rhoades Mary & William Sampson Ann & Thad Sandford Donna L. & Ernest W. Schroeder Sue & Dr. Edward A. Sullivan Marc R. Dickey $5,000+ Daniel Barsky Terry D. Ching Jones Edward

MaryLouise & Ed Hlavac Ellen M. & William A. Groves Karen & Todd Miller Nancy J. & Robert F. Rennie Jeanie Stockwell OC Alumni Assoc Phi Mu Alpha Sinfonia $1,000+ Barbara Arms Drs. Voiza & Joseph Arnold Judy Atwell Lois Austin Katherine M. & David J. Baab Tanya Michnevich Bracco Janet & Allan Bridgford Jane & Vincent Buck Julia A. Christy Harriet & William S. Cornyn Wanda Lau & William H. Cunliffe Jane Deming Fund Susan & Richard Dolnick Lisa M. Draskovich-Long Lucetta A. Dunn Shawna & Greg Ellis Desiree Engel John R. Fisher Jacquelyn Garrabrant Annette L. & Leon J. Gilbert Dr. Mark J. Goodrich Barbara Gregory Jill & Christopher Gwaltney Theresa Harvey Bruce A. Healey James L. Henriques Dr. Dean W. Hess Patricia J. Hicks Frank A. Hinojoz Adleane & Dr. Jerome Hunter Beth & Robert Jahncke Catherine Jeckovich Michelle Jordan Sandy & Norm Johnson Joven Orosco Gretchen Kanne Gladys M. Kares Ray Kawase Barbara Kingsbury

Meredith Kleinman Eugene Laroff Marilyn Little John M. Martelli & Paul Coluzzi Karen & George Mast Irene & Mac McCormick Thelma & Earl Mellott Patricia & Carl Miller Mary E. Moore Norma Morris Lucina Moses Music Teachers’ Association of California Ujinobu Niwa Debra L. Noble Jill Kurti Norman Deanna & Arie Passchier Geoffrey S. Payne Kerry and John Phelps Phi Mu Alpha SinfoniaOmicron Pi Chapter The Presser Foundation Sharon & Dr. Anil K. Puri Mary & Jerry Reinhart Robin Riggle Dr. Stephen M. Rochford Sandra Rhone Cassandra Sanders-Holly Ann & Thad Sandford Jim & Lahoma Schulze D. Barry Schmitt Merle Sepel-Wagner Louise Shamblen Martha & Bill Shaver John Short Ingrid R. Shutkin Janet L. Smith Dodo V. Standring Douglas G. Stewart Elizabeth G. Stiles Dale Raoul & Raymond L. Thompson Tom & Carolyn Toby Tam T. Tran John Van Wey Verne Wagner Debra Winters Abel A. Zeballos Dr. Wayne Zemke

Very special care has been given to the preparation of this donor listing.

Please contact Ann Steichen at (657) 278-7124 with questions or concerns. **Gifts received from July 1, 2019 through October 2020

ONTIVEROS SOCIETY The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. Our deep appreciation is extended to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts: Anonymous Lee & Dr. Nicholas A. Begovich Gail & Michael Cochran Marc R. Dickey Betty Everett Carol J. Geisbauer & John Geisbauer* Sophia & Charles Gray MaryLouise & Ed Hlavac Gretchen Kanne

Dr. Burton L. Karson Anne L. Kruzic* Loreen & John Loftus Alan A. Mannason* William J. McGarvey* Dr. Sallie Mitchell Eleanore P. & James L. Monroe Lynn & Robert Myers Dwight Richard Odle*

Sherry & Dr. Gordon Paine Dr. June Pollak & Mr. George Pollak* Mary K. & William Sampson Douglas G. Stewart Andrea J. & Jeffrey E. Sward Richard J. Taylor Verne Wagner Richard Wulff Dr. James D. & Dottie Young*

*deceased

The College of the Arts Proudly Recognizes the 300+ Members of Our

VOLUNTEER SUPPORT GROUPS

ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

Special support and event underwriting Fay Colmar & Vincent Preece John DeLoof

Joann Driggers & Steve Collier Loraine Walkington

MAMM ALLIANCE: The MAMM Alliance for the Performing Arts unites like-minded members who enjoy fun and fellowship, while benefiting the students through underwriting visiting artists, special theatre, dance and music performances, and other unique experiences.

Special support and event underwriting Judy Atwell Drs. Voiza & Joe Arnold Ebell Club of Fullerton

Dr. Margaret Faulwell Gordon Norma Morris Richard Odle Estate

Kerry & John Phelps Jeanie Stockwell Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

Special support and event underwriting Marilyn & Jack Carlson Evelyn K. Francuz Sandy & Norm Johnson Marti & Bill Kurschat Karen & George Mast

Thelma & Earl Mellott Bettina Murphy Grace & Ujinobu Niwa Kerry & John Phelps Mary & Jerry Reinhart

Ann & Thad Sandford Dodo V. Standring Carolyn & Tom Toby John Van Wey

MORE INFORMATION: Ann Steichen • 657-278-7124 There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts: Student Scholarships Unrestricted Gifts Designated Gifts

Endowment Support Planned Giving

Support Group membership Dean’s Fund for Excellence

GET INVOLVED GIVING.FULLERTON.EDU

R E G I O N A L F O C U S | N AT I O N A L I M PA C T

INSPIRING TITANS TO REACH FORWARD The College of the Arts creates a unique learning environment, encouraging individual achievement and artistic expression in 2,700+ student artists, performers, and scholars.

As a college, we inspire our students to reach not only higher but forward as they take steps toward realizing their full potential as artists and innovators through a rich variety of artistic opportunities. This takes exceptional faculty members, state of the art facilities, and support from community members like you.

The Dean’s Fund for Excellence provides resources for students to engage with leading artists through masterclasses and artists’ residencies; travel to competitions and workshops; and the practical application of industry-standard technology and equipment in the classroom, all of which have a huge impact on the educational experience of our students.

Change the lives of these aspiring artists by making a gift of any amount to the Dean’s Fund for Excellence.

G E T I N V O LV E D . G I V E T O D AY !

Ann Steichen, Director of Development 657-278-7124 • asteichen@fullerton.edu Thank you for giving your time and financial support to the student artists G I V E O N L I N E arts.fullerton.edu/giving

Department Notes & Policies Covid-19 Safety Protocols • • •

Venue capacity is 50 students, seated singly and socially distanced.

Masks must be worn at all times.

The entire presentation must be attended from start to finish due to safety protocols.

Commitment to Diversity The Department of Theatre & Dance affirms its commitment to inclusiveness in student learning and success in all areas of theatre based on merit and achievement, and will not discriminate on the basis of race, color, ethnic origin, national origin, creed, religion, political belief, gender, gender identity, sexual orientation, physical appearance, mental or physical disability, marital status or age.

Cell Phones & Electronic Devices Cellphones and other electronic devices must be turned off prior to the start of the performance and at the beginning of the second half to minimize disruptions in the theater and ensure the enjoyment of all patrons in attendance.

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited, and any recordings will be asked to be deleted.

Food & Drink Policy Food and drink is not allowed in the venue, with the exception of bottled water.

If you do not follow these guidelines, you may be asked to leave. *** Faculty, Staff and Guest Artists of the Department of Theatre & Dance are specialists in their respective disciplines. Within these groups, the following professional artist unions are represented: • • • • • •

SAG-AFTRA (Screen Actors Guild/American Federation of Radio and Television Artists) SDC (Stage Directors and Choreographers Society) USA (United Scenic Artists) AEA (Actors’ Equity Association) AGMA (American Guild of Musical Artists) AGVA - American Guild of Variety Artists

The Kennedy Center American College Theater Festival™ 52, part of the Rubenstein Arts Access Program, is generously funded by David and Alice Rubenstein.

Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; the Blanche and Irving Laurie Foundation; the Dr. Gerald and Paula McNichols Foundation; The Harold and Mimi Steinberg Charitable Trust; Hilton Worldwide; and Beatrice and Anthony Welters and the AnBryce Foundation.

Education and related artistic programs are made possible through the generosity of the National Committee for the Performing Arts and the President’s Advisory Committee on the Arts.

This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.

Productions entered on the Participating level are eligible for invitation to the KCACTF regional festival and may also be considered for national awards recognizing outstanding achievement in production, design, direction and performance.

Last year more than 1,300 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.

kcactf.org

Presented Virtually This December!

(Image) William Camargo, “We Gunna Have To Move Out Soon Fam,” 2020. Digital inkjet print. Courtesy of the artist.

WILLIAM CAMARGO: Origins & Displacements, Vols. 1 & 2 October 3 – December 31, 2020 This exhibition is an on-going body of work examining Orange County’s history through contemporary photographs, videos, and performance produced by artist William Camargo. On display outdoors at Grand Central Art Center and MUZEO Museum & Cultural Center due to ongoing Covid-19 safety protocols.

More information: arts. fullerton.edu/begovichgallery

BEGOVICH GALLERY