"Brightwork newmusic with Stacey fraser, soprano" program

CSUF SCHOOL OF MUSIC presents

Brightwork newmusic with Stacey Fraser, soprano Part of the 21st Annual New Music Festival Pamela Madsen, Artistic Director February 25, 2022

California State University, Fullerton

UNIVERSITY CREDITS Framroze Virjee, President, California State University, Fullerton Carolyn Thomas Provost and Vice President for Academic Affairs Ron Coley, Vice President, Administration and Finance/CFO David Forgues, Vice President, Human Resources, Diversity & Inclusion Amir H. Dabirian, Vice President, Information Technology Tonantzin Oseguera, Vice President, Student Affairs Gregory J. Saks, Vice President, University Advancement

C OL L E G E O F T H E AR T S Arnold Holland, Ed.D, Dean Dave Mickey, Associate Dean Maricela Alvarado, Assistant Dean Christopher Johnson, Budget Coordinator Heather Guzman, Assistant to the Deans Edward J. Fink, Ph.D, Director, School of Music Jade Jewett, Chair, Department of Visual Arts Jamie Tucker, Chair, Department of Theatre & Dance Jennifer Frias, Director, Nicholas & Lee Begovich Gallery John Spiak, Director, Grand Central Art Center - Santa Ana Lara Farhadi, Senior Director of Development Ann Steichen, Director of Development Erika Garcia, Support Group Coordinator Julie Bussell, Director, Marketing & Patron Services Stephanie Tancredi, Box Office Manager Heather Richards-Siddons Marketing & Communications Specialist Alvin Chiu, Graphic Designer Jason Pano Social Media Strategist

WELCOME TO THE COLLEGE OF THE AR TS First, I’d like to start off by saying something I have looked forward to saying for a very long time: “Welcome back!” Welcome back to live performances and in-person exhibitions; welcome back to the thrill of sitting in a darkened theatre or concert hall, waiting with palpable anticipation as performers fill the stage; and welcome back to the very personal experience of being in the presence of an artwork that moves you or challenges your expectations. We’ve missed you.

While away from campus, our students continued to create, learn, rehearse, and perform – sometimes in the tiny boxes we’ve all grown accustom to viewing from home – as they prepared for the moment they would once again feel stage lights shining on them. As you can imagine, they are more than ready to perform in front of a live audience! This season, we are offering both on-campus and live streaming options for many of our Department of Theatre & Dance and School of Music performances to accommodate a variety of patrons. With enhancements to our HVAC and air filtration systems, we are also able to provide students with the full breadth of our first-rate performance facilities and numerous art galleries where they perfect their craft daily.

In returning to campus, we can once again deliver the full scope of immersive academic experiences and opportunities for cross-disciplinary collaboration that make our college a living laboratory for the arts. Here, success is measured in lines of dialogue, sheets of music, and slabs of clay as our students, faculty, and staff work together to present concerts, exhibitions, lectures, workshops, and performances to 40,000+ visitors annually.

This would not be possible without the support of our community. As a leading CSU in the arts, we are an essential part of the cultural fabric of Southern California, providing transformational experiences to our students, community, and beyond.

If ensuring the arts remain at the forefront of higher education in Orange County is a passion of yours, I encourage you to support the College of the Arts at any level by donating to the Dean’s Fund for Excellence today (arts.fullerton.edu/giving).

Thank you for joining us for another season of theatre, dance, music, and visual arts.

Our doors are open, and we can’t wait to put on a show for you!

Arnold Holland, Ed.D.

Dean, College of the Arts

Edward J. Fink, Ph.D - School of Music director Bongshin Ko - School of Music assistant director FULL-TIME FACULTY

Theory and Composition Dr. Pamela Madsen - composition, theory Dr. Ken Walicki* - composition, theory

Conducting Kimo Furumoto - instrumental Dr. Robert Istad - choral Dr. Dustin Barr - instrumental Jazz and Commercial Music Bill Cunliffe* - jazz piano; arranging; Fullerton Jazz Orchestra, Fullerton Big Band and combo director Rodolfo Zuniga - jazz studies, jazz percussion, and music technology Piano, Organ, Piano Pedagogy Ning An - piano Bill Cunliffe - jazz piano Alison Edwards* - piano, piano pedagogy, class piano Dr. Robert Watson - piano Music Education, Teacher Training, and Teaching Credential Dr. Christopher Peterson - choral Dr. Dennis Siebenaler* - general Dr. Gregory X. Whitmore - instrumental

Vocal, Choral, and Opera Dr. Mark Goodrich* - voice, academic voice courses Dr. Robert Istad Director of Choral Studies; University Singers Dr. Kerry Jennings – Director of Opera Dr. Christopher Peterson - CSUF Concert Choir and Singing Titans conductor Patricia Prunty - voice, academic voice courses Woodwinds, Brass, and Percussion Dr. Dustin Barr - Director of Wind Band Studies; University Wind Symphony Jean Ferrandis - flute Sycil Mathai* - trumpet Håkan Rosengren* - clarinet Dr. Gregory X. Whitmore Symphonic Winds conductor SCHOOL OF MUSIC STAFF

Music in General Education Dr. John Koegel* Dr. Katherine Reed

Michael August - Production Manager

Music History and Literature Dr. John Koegel* - musicology Dr. Katherine Reed - musicology

Chris Searight - Musical Instrument Services

Eric Dries - Music Librarian

Jeff Lewis - Audio Engineer

Paul Shirts - Administrative Assistant Elizabeth Williams - Accountant

Strings Kimo Furumoto - Director of Orchestral Studies Bongshin Ko - cello Dr. Ernest Salem* - violin

Sue Winston - Office Coordinator

* denotes Area Coordinator

facebook.com/CSUFMusic Twitter | @CSUFMusic Instagram | @csufmusic soundcloud.com/csufmusic music.fullerton.edu The School of Music at California State University, Fullerton has been fully and continuously accredited by the National Association of Schools of Music since 1966

PROGRAM Ponder nothing............................................................................. Ben Johnston for clarinet Calamity Jane to Her Daughter..................................................... Ben Johnston for voice, violin, keyboard, and drums ***** Intermission ***** Sagittarius....................................................................................... Vera Ivanova for Brightwork newmusic Scorpio.........................................................................................Adam Borecki for Brightwork newmusic Perpendicular Twins..............................................................................Vicki Ray for Brightwork newmusic from Why Women Went West:....................................................Pamela Madsen Eleven Eleisons from East to West Owl’s Breath for solo bass clarinet, video and electronics The Birds Here for voice and piano, video and electronics The Thoughts of Youth: A Prayer for My Daughter for voice, piano, violin, and cello

PR OGR AM NOTES AVAILABL E O NLI NE music.fullerton.edu/programnotes

ABOUT THE ARTISTS

BRIGHTWORK NEWMUSIC Sara Andon, flute; Jen Bewerse, cello (guest artist); Aron Kallay, piano; Nick Terry, percussion; Shalini Vijayin, violin; Brian Walsh, clarinet Brightwork newmusic was founded in 2013 by pianist Aron Kallay. The mission of the 501(c)(3) non-profit corporation is to enliven and expand contemporary classical music with a focus on West Coast composers and performers.

The members of our in-house ensemble, Brightwork, are among the best chamber musicians in the world. The ensemble strives to find new and exciting ways to connect with audiences in the United States and abroad by presenting friendly and exciting concerts in both traditional and nontraditional spaces. Our flagship concert series Tuesday @ Monk Space presents world-class musicians along with the most promising up-and-coming local, national, and international musicians. Through our educational outreach program, Project Beacon, we work closely with young musicians and composers across Southern California. Our goal is to empower the next generation of artists through residencies with youth orchestras and universities, student composer readings, masterclasses, and workshops.

STACEY FRASER, soprano Described as having a “wonderfully controlled soprano voice” by Alex Ross of the New York Times and “an astonishing presence”

by Jennifer de Poyen of the San Diego Union Tribune, Canadian soprano Stacey Fraser’s eclectic musical interests have led her to sing on international operatic, concert and theatre stages across the United States, Canada, Asia and Europe. She has appeared as a soloist for the San Diego Opera, the Tony Award winning La Jolla Playhouse, the Kennedy Center in Washington D.C., Taipei National Concert Hall in Taiwan, ISCM Taiwan, the Musicasa Concert Hall in Tokyo, Japan, the Thailand Composition Festival, the Americké Jaro Festival in Prednasek, Czech Republic, Red Square Gallery Hong Kong, the Festival Eduardo Mata in Oaxaca, Mexico, Vancouver Symphony, Kazan Co-Op Theatre in Halifax, Nova Scotia, South Dakota Symphony, La Jolla Symphony, San Bernardino Symphony, Banff Centre, Tanglewood Music Center, Asia Society NYC, Alice Tully Hall at Lincoln Center and the world renowned La MaMa Experimental Theatre in New York City.

ABOUT THE COMPOSERS

BEN JOHNSTON Ben Johnston (March 15, 1926 – July 21, 2019) was a prolific and influential composer who used microtonal tuning systems to create a large and varied catalog of chamber works, stage pieces and music for orchestra, choir, voice and solo piano. He was an unusual avant-gardist: His music was so melodically engaging, rhythmically vital and structurally transparent that listeners who were unaware of his tuning experiments and their complex theoretical underpinnings heard his works as essentially neo-Romantic.

In addition to using microtonality—a system in which the octave is often divided into dozens of pitches rather than the traditional 12—Johnston sometimes used serial techniques, in which pitches were presented in a predetermined sequence. He invented his own notation systems to account for his tunings, which could change from piece to piece. His 10 string quartets, for example, are dramatic, sometimes incendiary scores with hard-driving and often tense fast movements as well as ruminative slow movements —with occasional quotations from folk melodies. His String Quartet No. 4 (1973) is a set of variations on “Amazing Grace,” recast in his tuning system, which gives the melody an antique, rustic sound.

Johnston created several stage works, including “Gambit” (1959), a ballet with a vivid, jazz-tinged chamber score that Merce Cunningham choreographed, and incidental music for a production of Shakespeare’s “The Taming of the Shrew” (1961). His “Carmilla” (1970), an hourlong chamber opera about a female vampire with a libretto by Wilford Leach, proved a popular draw when it was staged at La MaMa, the experimental theater in Lower Manhattan, shortly after it was completed. So did his final stage piece, “Calamity Jane to Her Daughter” (1989). Based on the possibly fictional letters of its title character, the work is built around themes in a folkish cowboy style. Unlike Harry Partch, with whom he studied briefly and whose microtonal tuning philosophy he expanded upon, he did not build specialized instruments for his music. He preferred either to retune conventional instruments or to have players find his pitches between those they were used to playing. His passion for microtonal music grew out of a desire for intervals that were purer—more fully in tune—than those yielded by equal temperament, a system adopted by composers in the 17th century that made it possible to produce a more or less in-tune sound in any key. In the system it replaced, known as just temperament, individual notes were tuned slightly differently in each key.

Adapted from his obituary in The New York Times by Allan Kozinn

ABOUT THE COMPOSERS

ADAM BORECKI Adam Borecki is a music technology specialist based in Los Angeles. He works as the Director of Music Technology at Chapman University, manages his live concert recording business Recording Dot LA (recording.LA), and creates music as a composer & guitarist.

As a composer, Adam specializes in electro-acoustic concert music. His recent works include collaborations with Mark Menzies, Spacepants, Nadia Shpachenko, and more. In addition to acoustic works, Adam has composed multi-media works with live projection, real-time animation, audio effects pedals, integrated LED lights, and live sound processing. Adam studied composition at USC with Stephen Hartke, Donald Crockett, and Sean Friar, and at Chapman University with Vera Ivanova, Sean Heim, and Jeffery Holmes. His music has been performed at the Hear Now Festival, across southern California, across the United States, in Italy (at the Cortona Sessions) and in Paris (European American Musical Alliance).

VERA IVANOVA Vera Ivanova is a Russian-born composer currently based in Los Angeles and Orange County, where she teaches at Chapman University and The Colburn Academy for Young Artists. She graduated from the Moscow Special Central Music School, Moscow Conservatory, Guildhall School in London (M.M.), Eastman School (Ph.D.). Her works have been performed worldwide and released on five different CDs. Ivanova is a recipient of numerous scholarships and awards at 28th Bourges Electro-Acoustic Competition, 8th International Mozart Competition, International Contest of Acousmatic Compositions Métamorphoses 2004, ASCAP Morton Gould Award, 8th International Piano Competition at Orleans.

ABOUT THE COMPOSERS

VICKI RAY Described as “phenomenal and fearless” Vicki Ray is a pianist, improviser, and composer. She has commissioned and premiered countless new works by today’s leading composers.

Ray is a founding member of Piano Spheres and head of keyboard studies at the California Institute of the Arts where she was named the first recipient of the Hal Blaine Chair in Musical Performance. She has appeared on numerous international festivals and was a regular member of the faculty at the Bang On a Can Summer Festival at MASS MoCA. Ray has been featured on the Los Angeles Philharmonic Green Umbrella Series as soloist and collaborative artist. Her widely varied performing and recording career covers the gamut of new and old music: from Boulez to Reich, Wadada Leo Smith to Beethoven. Notable recordings include the first Canadian disc of Schoenberg’s Pierrot Lunaire with the Blue Rider Ensemble, the premiere recordings of Steve Reich’s You Are (Variations) and the Daniel Variations with the Los Angeles Master Chorale and the first recording of John Cage’s Europeras 3 and 4. Her recording of Cage’s The Ten Thousand Things on Microfest Records received a 2013 Grammy nomination. Recent recordings include the premiere recording of Andrew Norman’s Sonnets with Eighth Blackbird’s Nick Photinos on the New Amsterdam label and YAR–a duo recording on the Orenda label with slide guitarist Scot Ray. Her recent recording of Daniel Lentz’s River of 1000 Streams–was named by Alex Ross in the New Yorker as one of the top 20 recordings of 2017.

ABOUT THE COMPOSERS

PAMELA MADSEN Pamela Madsen is a composer, pianist, theorist and curator of new music. From massive immersive concert-length projects, solo works, chamber music to multi-media opera collaborations her work focuses on issues of social change, exploration of image, music, text and the environment. With a Ph.D. in Music Composition from UCSD, studies with Brian Ferneyhough, Mellon Foundation Doctoral Research Award in theory at Yale University, Post-Doctoral research in Music Technology at IRCAM, Paris, and Deep Listening Certificate with Pauline Oliveros, her theoretical research focuses on the evolution of compositional thought, improvisation, electronic music, and women in music.

Madsen’s works have been commissioned and premiered world-wide by such artists as Los Angeles Percussion Quartet, Brightwork newmusic, ModernMedieval, HEX Ensemble, Moscow Contemporary Music Ensemble, Tony Arnold, Nicholas Isherwood, Stacey Fraser, Claire Chase, Jane Rigler, Anne LaBerge, Brian Walsh, Lisa Moore, Vicki Ray, Aron Kallay, Bugallo-Williams Piano Duo, Ashley Bathgate, Trio Solisti, New York New Music Ensemble, Either/Or, yesaroun’ duo, California Ear Unit, Verdehr Trio, Zeitgeist, JACK, Ethel, Lyris, Formalist and Arditti string quartets with multi-media collaborations with visual artists Quintan Ana Wikswo, Camille Seaman, Jimena Sarno and Judy Chicago.

Major concert-length projects include National Endowment for the Arts and New Music USA supported opera Why Women Went West, her Oratorio for the Earth; Luminous Etudes: Visions of the Black Madonna of Montserrat; Luminosity: Passions of Marie Curie multi-media opera; Melting Away: Gravity for orchestra, with Arctic photographer Camille Seaman; We are All Sibyls-Envisioning the Future Project multi-media opera installation with visual artist Judy Chicago. Selected as an Alpert Award Panelist, Creative Capital artist “on the radar” with awards from National Endowment for the Arts, New Music USA, Meet the Composer, American Scandinavian Foundation, artist residency fellowships at MacDowell Colony, UCross, Wyoming, Women’s International Studies Center, New Mexico, Wurlitzer Foundation Award, with international Russia/Siberia Concert tour, featured composer at Pulsar Festival, Denmark, she is a frequent guest artist at festivals and universities worldwide.

Madsen is Director of the Annual New Music Festival, InterArts Collaborative Projects at Cal State Fullerton where she is Professor of Music Composition, Music Theory and Director of the New Music Ensemble.

R E G I O N A L F O C U S | N AT I O N A L I M PA C T

INSPIRING TITANS TO REACH FORWARD The College of the Arts creates a unique learning environment, encouraging individual achievement and artistic expression in 2,700+ student artists, performers, and scholars.

As a college, we inspire our students to reach not only higher but forward as they take steps toward realizing their full potential as artists and innovators through a rich variety of artistic opportunities. This takes exceptional faculty members, state of the art facilities, and support from community members like you.

The Dean’s Fund for Excellence provides resources for students to engage with leading artists through masterclasses and artists’ residencies; travel to competitions and workshops; and the practical application of industry-standard technology and equipment in the classroom, all of which have a huge impact on the educational experience of our students.

Change the lives of these aspiring artists by making a gift of any amount to the Dean’s Fund for Excellence.

G E T I N V O LV E D . G I V E T O D AY !

Ann Steichen, Director of Development 657-278-7124 • asteichen@fullerton.edu Thank you for giving your time and financial support to the student artists who have created this performance for you.

G I V E O N L I N E arts.fullerton.edu/giving

California State University, Fullerton • College of the Arts

DONOR APPLAUSE

The College of the Arts extends its heartfelt gratitude to the following patrons who have supported our students and programs this past year through a generous gift of $1,000 or more to the College, the School of Music, Department of Theatre & Dance, and/or the Department of Visual Arts.**

$1,000,000 + Anonymous

Terri and Bob Niccum Douglas G. Stewart

$100,000+ Chapman University The Andy Warhol Foundation

$1,000+ Judy L. Atwell Betsy and Eric Azariah Lucina and John Brennan Janet & Allen Bridgford Irene Chinn Stephen W. Collier and Joann Driggers William S. Cornyn CEC Artslink D. Barry Schmitt Revocable Trust Susan and Richard Dolnick Lisa M. Draskovich-Long Lucetta A. Dunn Shawna and Greg Ellis Dr. Anne Fingal Evelyn K. Francuz Fullerton Families and Friends Jacquelyn Garrabrant Annette L. and Leon J. Gilbert Susan-Ellen Gilmont Dr. Mark J. Goodrich Dr. Margaret F. Gordon Theresa Harvey James L. Henriques Trevor E. Illingworth Michelle Jordan Gladys M. Kares Gwendolyn and Carlos C. Leija John M. Martelli and Paul Coluzzi Karen and George Mast Thelma and Earl Mellott Sylvia Megerdichian Mary E. Moore Patricia and Carl Miller Betty Murphy Ann and Douglas Myles Yoshino and Ujinobu Niwa Debra L. Noble L. Palin Kerry and John Phelps The Presser Foundation Deanna and Arie Passchier

$25,000+ Anonymous Lee C. Begovich Johnny Carson Foundation Leo Freedman Foundation Frank and John Olsen Frank J. and Jean Raymond Music Associates Alliance for the Performing Arts $10,000+ Art Alliance Affordable Housing Access Inc. The Blackbaud Giving Fund Marilyn D. Carlson Darryl Curran Dwight Richard Odle Foundation Fidelity Charitable Gift Fund J.P. Morgan Charitable Giving Fund Ellen and Bill Groves Robin and Steve Kalota Eleanore and James L. Monroe Michael L. Mavrovouniotis Dr. Katherine S. Powers and Håkan O. Rosengren Raymond James Charitable Endowment Fund Sue and Dr. Edward A. Sullivan The Thorsen Family $5,000+ Drs. Voiza and Joseph Arnold Dr. Marc R. Dickey MaryLouise and Ed Hlavac Morningside of Fullerton Norma Morris Jill Kurti Norman Orange County Community Foundation

Sheila Pinkle Sharon and Dr. Anil K. Puri Mary and Jerry R. Reinhart Renaissance Charitable Foundation Nancy and Robert Rennie Christine Rhoades Sandra and David Rhone Dr. Stephen M. Rochford Ann and Thad Sandford D. Barry Schmitt Louise P. Shamblen Martha Shaver Ingrid R. Shutkin Lorena L. Sikorski Carol Smith Sparkman Janet L. Smith Dodo V. Standring Robert Van Sternberg Verne Wagner Dr. Sean E. Walker Debra Winters Richard Wulff YourCause, LLC

Very special care has been given to the preparation of this donor listing.

Please contact Ann Steichen at (657) 278-7124 with questions or concerns. **Gifts received from July 1, 2020 through September 2021

ONTIVEROS SOCIETY The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. Our deep appreciation is extended to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts: Anonymous John Alexander Lee & Dr. Nicholas A.* Begovich Gail & Michael Cochran Marc R. Dickey Joann Driggers Betty Everett Carol J. Geisbauer & John* Geisbauer Sophia & Charles Gray MaryLouise & Ed Hlavac Gretchen Kanne

Dr. Burton L. Karson Anne L. Kruzic* Loreen & John Loftus Alan A. Mannason* William J. McGarvey* Dr. Sallie Mitchell Eleanore P. & James L. Monroe Lynn & Robert Myers Dwight Richard Odle* Sherry & Dr. Gordon Paine Dr. June Pollak & Mr. George Pollak*

Steven Rochford Mary K. & William Sampson Douglas G. Stewart Andrea J. & Jeffrey E. Sward Richard J. Taylor Verne Wagner Richard Wulff Dr. James D. & Dottie Young* *deceased

The College of the Arts Proudly Recognizes the 300+ Members of Our

VOLUNTEER SUPPORT GROUPS

ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

Special support and event underwriting Fay Colmar John DeLoof

Joann Driggers & Steve Collier Loraine Walkington

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefits performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other unique experiences for members.

Special support and event underwriting Judy Atwell Drs. Voiza & Joe Arnold Ebell Club of Fullerton

Dr. Margaret Faulwell Gordon Norma Morris Richard Odle Estate

Kerry & John Phelps Jeanie Stockwell Verne Wagner

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

Special support and event underwriting Marilyn Carlson Evelyn K. Francuz Sandy & Norm Johnson Marti & Bill Kurschat Karen & George Mast

Thelma & Earl Mellott Bettina Murphy Grace & Ujinobu Niwa Kerry & John Phelps Mary & Jerry Reinhart

Ann & Thad Sandford Dodo V. Standring Carolyn & Tom Toby John Van Wey

MORE INFORMATION: Erika Garcia • 657-278-8683 There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts

GET INVOLVED GIVING.FULLERTON.EDU

COLLEGE OF THE ARTS • SELECT EVENTS | SPRING 2022 Johan Smith, guitar Feb. 9, 2022, 8 pm • Recital Hall

John Hallberg, saxophone Apr. 9, 2022, 3 pm • Meng Concert Hall

CSUF Voices On Stage with Mirror Visions Ensemble Feb. 15, 2022, 8 pm • Recital Hall

University Symphony Orchestra with Talich Quartet Apr. 9, 2022, 3 pm • Meng Concert Hall

Brightwork New Music/Los Angeles, with Stacey Fraser Feb. 25, 2022, 8 pm • Meng Concert Hall

“Trumpet in the Baroque” John Thiessen, baroque trumpet Apr. 13, 2022, 8 pm • Recital Hall

University Symphony Orchestra with Zhu Xi Jin, piano Feb. 27, 2022, 3 pm • Meng Concert Hall

Boris Slutsky, piano Apr. 13, 2022, 8 pm • Meng Concert Hall

Bill Cunliffe & Alison Edwards, duo piano Mar. 1, 2022, 8 pm • Meng Concert Hall Rob Watson, piano Mar. 6, 2022, 3 pm • Meng Concert Hall Füreya Ünal, piano Mar. 8, 2022, 8 pm • Recital Hall Ann Phong: Re-evaluating Normal Mar. 12–May 21, 2022 • Begovich Gallery

A Midsummer Night’s Dream Apr. 15–30, 2022 • Young Theatre Fullerton Jazz Orchestra & Fullerton Jazz Chamber Ensemble Apr. 21, 2022, 8 pm • Meng Concert Hall Gianni Schicchi (Giacomo Puccini) and Buoso’s Ghost (Michael Ching) Apr. 21–24, 2022 • Recital Hall CSU Fullerton Symphonic Winds Apr. 24, 3 pm • Meng Concert Hall

Rise: Music United 15th Annual Collage Concert Mar. 12, 2022, 3 pm • Meng COncert Hall

Jazz Singers Apr. 26, 2022, 8 pm • Meng Concert Hall

Alex Kobrin, Piano Mar. 16, 2022, 8 pm • Meng Concert Hall

A Midsummer Night’s Dream Apr. 15 - 30, 2022 • Young Theatre

Fullerton Jazz Orchestra & Fullerton Jazz Chamber Ensemble Mar. 18, 2022, 8 pm • Meng Concert Hall

Jane Austen’s Lady Susan Apr. 29–May 14, 2022 • Hallberg Theatre

Kerry Jennings, tenor Mar. 19, 2022, 8 pm • Recital Hall Cabaret Mar. 25–Apr. 9, 2022 • Little Theatre University Singers & Concert Choir Mar. 26, 2022, 3 pm • Meng Concert Hall Rong-Huey Liu, oboe with the Felici Trio Apr. 7, 2022, 8 pm • Recital Hall Talich Quartet Apr. 8, 2022, 8 pm • Meng Concert Hall

University Band May 4, 2022, 8 pm • Meng Concert Hall Fullerton Jazz Orchestra May 6, 2022,8 pm • Meng Concert Hall University Wind Symphony May 7, 2022, 8 pm • Meng Concert Hall Spring Dance Theatre May 11–14, 2022 • Little Theatre University Symphony Orchestra & Symphonic Chorus May 14, 2022, 3 pm • Meng Concert Hall

For Studio Series performances, complete information, and tickets: ArtsTickets.fullerton.edu • Box Office: (657) 278-3371 • arts.fullerton.edu/calendar

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