Liberty's Light

Liberty’s Light Inspired by New Colossus by Emma Lazarus & the endeavors of hopeful immigrants everywhere For A’capella Women’s Choir

Composed by Christina Rusnak

Copyright ©2019 Christina Rusnak

Rusnak Music Press A BMI company

Program Notes: Duration: ~8:50 I am the great grandchild of immigrants. We are a nation of immigrants most of the people I know are only first, second or third generation Americans.

Yet anti-immigration rhetoric is nearly as old as our country itself. Who can or should be “let in” has been debated since the 17th century.* But current speechifying shakes the foundation of who we are as a country.

As a bright-eyed university graduate, I got my first real job in New York City. Visiting the Statue of Liberty, I was inspired by Emma Lazarus’ poem at its base. Written in 1883 and erected in 1903, her personification of Lady Liberty is also her reflection of what the statue symbolizes to the people who have come here. A trip to Ellis Island tells us what the poem does not – why people made the one-way trip to come to America.

Lazarus’ 19th century poem of 14 lines acknowledges that most immigrants arrived from Europe by water. That is no longer the case. I wanted this piece to also reflect the extended symbolism of the Statue of Liberty and her torch into the 21st century. I added 20 lines creating similar style verse. Today, many arrive by foot, or plane not by boat. People come for many of the same reasons as in the past, but are now also fleeing violent regimes. Many face death in their home countries.

Over the last century, the Statue of Liberty and her torch has come to embody hope and opportunity of a better life. It represents freedom, democracy and justice for people all over the world. On the statue itself freedom is expressed in the form of chains smashed, at her feet. While for many, reality doesn’t measure up to the ideal, it is the values and pursuit of that ideal that I want to convey. As a country we are so much richer with the knowledge, skills and hard work immigrants bring. Liberty’s Light is born out of the idea that her torch is a beacon of light for all of us, past, present and future.

* I acknowledge that this continent was full of diverse, thriving societies and nations prior to the European invasion and occupation.

Performance Notes: STAGING: Initially, Soprano 1 & 2 and Contralto 1 & 2 (voices 7 & 8) stand in a square on stage. At m. 2, Soprano 3 walks in from left side; at m. 5, Soprano 4 enters from right side. Upon which the square will morph into a bowed (or arc) line At m. 7, Alto 1 (voice 5) enters from back corner; at m. 9, Alto 2 (voice 6) enters from the other back corner.

In general, this piece is very expressive. While highly chromatic, the harmonic language is tonal and very traditional. Dynamics are directional and open to interpretation.

The Lazarus poem assumes immigrants from Europe, so the beginning of the piece uses whispered vocalizations representing the sea. Eeh -ooh for the wind, and Shh – hh for the waves. There is no pitch, I’ve put them on the staff as an indication to make the sound higher or lower in one’s sound-effects register. The time frame for each of the sounds is not rigid. I could have easily just put the sounds with repeat signs for a specific duration, but since it integrates with specific sung passages, it seems more understandable this way.

Ooh-wah is the sound of boat horns. On pp. 12-13, the “ti” sound is percussive, a background sound that adds texture.

Part of the poem is spoken, (think oratory) not sung (See page 2 for the first examples). I read it in a variety of ways, as different people might, and approximated the number of measures. So the readings over measures 9-17 may take a few more or less seconds than indicated by the time signature.

Adjust the sound effects accordingly. More readings are throughout the piece.

Likewise, I’ve put a couple of fermatas and empty measures in the piece for pause; the actual duration of pauses is the discretion of the conductor.

Lastly, on the news, on twitter, there are negative soundbites about refugees and immigrants. These are not new. In the early 20th century the top questions for people entering the U.S. was self-sufficiency, criminal past and health. I wanted to address this so on pp.18-19, mm. 100, 102, & 103. I have optional comments that could be shouted out – much in the way that Twitter shouts out at us from the fray. That said, this could be confrontational in some communities, so it is the choral ensemble’s discretion whether or not to include these comments.

Liberty's Light Based on the poem The New Colossus, 1883 Words by Emma Lazarus & Christina Rusnak

F 4 &4 ¿

ooh

Eeh - ooh

Whisper

Eeh

& 44

-

Whisper

Soprano 3

& 44

∑

Alto 2

Contralto 1

Contralto 2

P

F

¿

-

P

F

R U

¿

Shh

& 44

∑

& 44

∑

?4 4

∑

PE

Alto 1

∑

Ó

ooh

Shh

Whisper

Soprano 4

Ó

?4 4

F ¿

¿

Eeh - ooh

Ó

-

∑ ∑ ∑

¿

Ó

hh

Ó

¿

hh

∑

P

Ó

¿

Sh

P ¿

Sh

∑ ∑ ∑

∑

-

-

¿

F

∑

∑

-

F ¿

F

¿

Eeh

-

∑ ∑

ooh

Eeh -

Ó

∑

∑

F œ ˙.

F œ ˙.

Ooh - wah

∑

P

F

¿

-

P ¿ Œ

∑ ˙

F

Ooh - wah

Copyright © 2019, Christina Rusnak, Rusnak Music Press (BMI) All rights reserved internationally

F ¿ Eeh -

Ó

¿

hh

Ó

¿

hh

j œ w œ œ. mm

∑

∑

Ó

P œ ˙.

Ooh - wah

F œ œ Ó

F

-

Mm

F œ œ Ó

Ó

ooh

Shh

∑

F Ó ¿

Ó

Shh

hhh

∑

∑

¿ ¿

hhh

Ooh - wah

∑

R Eeh

L

¿

SA

Soprano 2

O

-

∑

¿

O

Eeh

Ó

F ¿

N LY

¿

F Ó ¿

SC

F 4 &4 ¿

E

STAGING: Soprano 1 & 2 and Contralto 1 & 2 (voices 7 & 8) stand in a square on stage: m2 - Soprano 3 walks in from left side; m5 - Soprano 4 enters from right side. m7 - Alto 1 (voice 5) enters from back corner; m9 - Alto 2 (voice 6) enters

q = 72 Whisper

Soprano 1

Music by Christina Rusnak

Ooh - wah

˙

Ó

P œ ˙.

Ooh - wah

2

Liberty's Light

S4

A 1

¿

Sh

P

& Ó & &

¿

Sh

-

hhh

-

¿

CA 1

∑

hhh

∑

P

F

¿

-

P ¿

∑

∑

*Not like the brazen giant of

P œ œ ? Ó

˙

P œ œ ? Ó

Ooh - wah

˙

Eeh

∑

Ó

p œ ˙.

Ó

Ooh - wah

Ó

p œ ˙.

Ó

-

∑

¿

ff

Ó

¿

Ooh - wah

ooh

Eeh

P

Ó

∑

¿

Sh

P

Ó

¿

Sh

F

flame..

∑

¿

-

hhh

-

¿

∑

hhh

∑

ff

P ∑

∑

* Here, at our seawashed sunset gates

whose flame..

P

shall stand, a mighty woman with a torch

∑

p œ œ

∑

˙

∑

Ó

p œ œ

p œ ˙.

Ó

Ooh - wah

˙

Ooh - wah

* Use pace of regular speaking voice; do not try to match timing of background sounds

Ó

p œ ˙.

Ooh - wah

-

F ∑ * whose

∑

hh

Ooh - wah

Ó

ooh

¿ -

P ¿

∑

hh

Greek fame, with conquoring limbs astride from land to land

Ooh - wah

CA 2

ooh

Shh

Walking from back...

∑

Ó

Shh

F

∑

F

∑

¿

PE

A2

& Ó

F

R U

S3

P

-

Eeh

-

P Ó ¿

L

ooh

¿

Eeh

¿

E

∑

P ¿

N LY

& ¿

P ¿

ooh

SA

S2

-

Eeh

Ó

Ó

R

ooh

¿

O

P ¿

∑

O

S1

& ¿

SC

9

∑

whose flame...

π œ œ

∑

˙

Ó

˙

Ó

Ooh - wah

Ó

π œ œ

Ooh - wah

3

Liberty's Light

S3

∑

& &

ff

∑

∑

∑

*and her

∑

∑

*whose flame is the imprisoned lightening.

& ¿

-

Shh

& ?

hh

∑ ∑ ∑

PE

A2

&

CA 1

CA 2

Ó

∑

¿

œ ? ˙.

Ooh - wah

-

∑

Ó

∑

∑

¿

hhh

P ∑

¿.

And

∑

*and her

∑

π

her

j œ

w

∑

F P

name

P ∑

∑

3

Mo - ther of

-

iles

œ ˙ œ œ œ œ

-

iles

Mo - ther of

Œ

P p

ex

3

ex

œ œ œ œ œ ˙ 3

Mo - ther of

ex

-

p ‰

3

œ œ œ œ ˙

∑ ∑

Mother of Exiles

ex

-

ex

-

P œ œ bœ œ bœ ˙ 3

Mo - ther of

œ œ bœ œ bœ ˙ 3

Mo - ther of

ex

-

3 4 43

P 3 ˙. Œ 4

œ ˙ œ œ œ œ 3

ther of

Mother of Exiles

P ∑

œ ˙ œ œ . œ

Mo - ther of

Mother of Exiles

P ‰ j œ œœ

name

∑

P

Mother of Exiles

Sh

∑

P ∑

F

Ó

Mother of Exiles

name

p

R U

A 1

Ó

¿

∑

L

P

P ∑

SA

S4

Mother of Exiles

Eeh - ooh

∑

E

S2

∑

∑

O

ooh

¿

R

Ó

O

& ¿

P ∑

SC

S1

P Ó ¿

N LY

17

P 3 ˙. Œ 4

˙.

Π43

˙.

Π43

iles

iles

P b˙ . Œ 43 iles

P b˙ . Œ 43 iles

4

Liberty's Light

F

CA 2

, F

P

& 43

P , 44 Œ ‰ œ œ b œ œ œ

∑

Œ

with wide

Glows

44

∑

bea

-

44

∑

Ó

œ

Glows

œ œ bœ

with wide

∑

, F b˙

P bœ ˙ . b œ 4 ‰ J 4

con hand

Glows

∑

wel - come

˙

˙

wel - come

œ œ b˙

with wide

SC

bea - con hand

∑

P

˙

˙

wel - come

∑

hand

L

44 ˙

œ bœ œ œ

?3 Π4 ?3 4

hand

bea - con

R U

& 43

bea - con

∑

PE

CA 1

Glows

44 œ . œ œ œ bœ œ b˙

From

A2

∑

SA

A 1

F bœ œ œ œ œ

& 43 œ œ b œ œ ˙

F 3 &4 œ

with wide

˙

bœ . œ œ .

J

‰

bœ . bœ œ .

J

‰

j œ. œ œ.

‰

wel - come

E

44

∑

From her bea-con hand

S4

Glows

O

S3

& 43

∑

wel - come

P

wel - come

F

∑

‰

wel - come

˙ b˙

P ˙.

wel - come

∑

∑

bœ bœ b˙ b˙ with wide

P

œ . œj œ .

N LY

S2

4 4

∑

O

S1

F bœ œ œ œ œ

R

& 43

24

∑

wel - come

P b˙ b˙

wel - come

œ . bœ œ .

J wel

‰ -

5

Liberty's Light

ff bœ bœ œ b˙ & Her mild

S3

eom - mand

eyes

P

˙

F

p

eom - mand

Ó

& ˙

F Œ œ ˙ Œ

œ ˙

com - mand

∑

∑ ∑

Ó

∑

P

F

Whisper

œ Œ Ó

¿

-

Shh

P

Her

eyes

p Œ & b œ b œ œ bœ

Eeh

∑

P b ? ˙.

come

-

F ¿

¿

Ó

ooh

Whisper

∑

eyes

PE

CA 2

∑

SA

P

?

F ¿

-

Eeh

-

Œ

Œ Œ

œ ˙

∑ ˙

p

¿

Ó

ooh

Ó

¿

∑

Ó Ó

∑

Ó

P ¿

Sh

P ¿

Sh

F ¿

-

*Keep

F

∑

¿

hhh

F

-

∑

¿

hhh

¿

F ¿

∑

Eeh - ooh

Eeh

F ¿

F ¿

¿

F œ œ Ó

∑

Eeh - ooh

∑

Ó

Ó

hh

Whisper

œ Œ

& b˙

her mild

CA 1

¿

L

p

Ó

¿

O

A2

∑

∑

hh

F

Shh

P

∑

bridged harbor that twin-cities frame

p

∑

R U

A 1

∑

&

∑

∑

* Her mild eyes command "the air-

Whisper

S4

ff

E

S2

eyes

Œ

R

Her mild

˙.

F

N LY

S1

P

O

F Œ œ ˙

SC

ff bœ bœ œ b˙ &

29

∑

∑

F œ ˙.

Ooh - wah

Eeh

˙

Ó

Ooh - wah

∑

-

∑

-

∑ P œ ˙.

Ooh - wah

6

Liberty's Light

-

P

& ¿

-

Shh

A 1

& ¿

Ó

ooh

? Ó

p œ œ

PE

CA 1

Sh

Sh

P ¿

?

∑

-

p

¿

-

P ¿ Eeh

˙

Ó

Ooh - wah

CA 2

¿

hh

Ó

-

P

Ó

Ó

¿

Eeh

Ó

¿

hh

Ó

∑

π

¿

¿

hhh

¿

¿

hhh

π

-

∑

ooh

p

¿

∑

∑

P œ œ bœ œ œ œ œ ˙

,

Ó

P œ œ bœ œ œ œ œ ˙

,

Ó

From her bea - con

p

∑

with silent

p π œ ˙.

œ œ œ œ

Ooh - wah

P

∑

p

&

p

œ bœ bœ bœ

From her bea - con

∑

œ bœ œ œ hand

P p œ bœ bœ œ œ bœ œ œ

∑

∑ ∑

hand

p

From her bea - con

∑

hand

p

From her bea - con

ooh

P

P ‰ œj œ œ

E

∑

∑

R

∑

P

Ó

R U

& ¿

∑

with silent

Ó

¿

ooh

A2

∑

with silent lips

∑

O

P

P

∑

∑

N LY

ancient lands, your storied pomp"

Shh

S4

cries she, with silent

∑

& ¿

∑

O

S3

&

∑

SC

S2

∑

&

p

SA

S1

F

L

37

with silent lips

∑

P

hand

œ bœ œ œ hand

∑

7

Liberty's Light

F b œ . b Jœ ˙

P & bw

F j œ. œ ˙

S4

A 1

wel - come

∑

& P

& ˙. &

∑

P

& b˙ .

œ

P b˙

b˙

Glows

with

Glows

CA 2

?

F

œ . b œj ˙

wide

F

b œ . b œj œ

Œ

F bœ . œ œ J Œ wel - come

wel - come

-

eyes

are

˙

eyes

∑ ∑

wat - ching,

are

œ

wat - ching

P 43 ˙ b œ 45 b œ œ ˙ .

43

∑ ∑

œ

ching

∑

are

wat - ching

wat - ching

45 Ó

43

?

43 43

∑ ∑

45 Ó 45

Œ

wat - ching

P bœ .

œ œ J -

∑

43 43

∑

wat

∑

43

43

P œ œ œ

45

3 4

43

P 43 ˙ b œ 45 b œ œ ˙

wel - come

∑

PE

CA 1

eyes

Her mild

R U

A2

wide

mild

P bœ bœ

∑ œ

Glows

Her

wat - ching, wat

N LY

Glows

P bœ bœ œ ˙

Her mild

SC

S3

are

P F œ ‰ J b œ 43 ˙ b œ 45 b œ œ Œ

Ó

wel - come

eyes

O

Glo - ws with wide

Her mild

L

S2

wel - come

œ

E

P œ . bœ œ œ J &

Glo - ws with wide

Ó

SA

S1

P F œ bœ 3 ˙ ˙ ‰J b œ 45 b œ œ 4

R

F b œ . b Jœ ˙

O

P œ . bœ œ œ J &

44

43

ching

43

8

Liberty's Light

F & 43 ‰ Jœ ˙ wat - ching

S4

F

& 43 œ

˙

wat - ching

CA 1

?3 4

CA 2

?3 4

∑ p ∑ ∑

24

∑

P Π24

∑

∑

˙

∑

-

cross the con - ti

- nent

Far a - way

a

-

cross the con - ti

- nent

a

-

cross

F p P œ . œ œ 44 œ œ œ . œ 43 J œ 44 w J 44 Ó

F P œ . œJ 43 ˙

44 Ó

F P œ . œJ 43 ˙

44

way

way

-

a

24

∑

∑

44

∑

44

∑

44

E

P Œ . œ œ œ œ œj ‰ 45

P œ œ 4 ˙.

4

con - ti

- nent

con - ti

cross

∑

43 43

P

Whisper

43

far

P

œ œ 44 ˙ .

con - ti

cross

Whisper

- nent

-

a - way

œœ

nent

∑

44

∑

44

F ∑

P j Œ . œ œ œ œ œ ‰ 45 p

˙ ˙

a

F 44

far a - way

far a - way

F œ œ 44 œ Œ œ œ œ

F 43 b ˙

SA

& 43

24

∑

PE

A2

& 43

24

p

R U

A 1

24

∑

a

R

ΠΠ24

& 43 œ

Far a - way

∑

Far away

∑ ∑

P

p -

Ó

45

˙

45

way

P

45

∑

Far away

Far away

Far away

5 4

∑

O

S3

∑

O

S2

2 4

N LY

& 43 ˙ .

SC

S1

F p P œ . . œ œ œ œ 4 w œ 3 4 œ œ J 4 4 J 4

L

P

49

Far away

∑ p

∑

Far away

&

45 45

9

Liberty's Light

F ff œ bœ œ œ œ 4 œ œ ˙ œ 5 bœ 4 &4

w

F ff œ œ bœ œ œbœ œ 4 œ œ ˙ & 45 4

P ˙

F ff œ œ bœ œ œ œ œ 4 œ œ ˙ 5 &4 4

P FBlow Hot Wind p ff œ œ œ Œ œ 3 ˙. œ Œ Œ ¿ ¿ 4

Her light shines bright - ly and her

œ

A 1

F

& 45 œ b œ œ œ

Her light shines bright

bœ

call is

sure

ff 44 œ œ ˙

and

call is sure

ff

Ó

Her light shines bright - ly and her

call is sure

PE ?5 ΠΠ4

shines bright

and her

œ and

ff

ff b˙ œ 44 œ

Œ

Ooohh

call is sure

F ¿

¿.

BlowHot Wind

Ooohh

Far a

her

-

her

Far a - way

f

P

˙

Far

f

Œ

˙

Far

F p Blow Hot Wind ¿ ¿. Œ Ó Ooohh

Œ

light

shines

light

shines

44

light

F p ff BlowHot Wind ¿ œ œ œ Œ œ 43 ˙ .

Ooohh

& 45 œ b œ œ œ œ œ œ 44 bœ œ b˙

call is sure

F bœ bœ

Ooohh

F p Blow Hot Wind Œ ¿. ¿ Ó Ó

F

CA 2

Far a - way

44 œ œ ˙ œ œ

& 45 œ œ œ b œ

Her light shines bright

CA 1

and her

R U

A2

F

Ó

ff P bœ ˙ .

4 bœ œ 4 bœ œ œ

SA

Her light shines bright

sure

her

p ff F BlowHot Wind œ œ œ . œ œ 4 ¿ Œ œ 43 œ J 4

L

S4

F œ & 45 b œ œ

call is

sure

Far a - way

her

F pF Blow Hot Wind ¿ ˙ Far

44

light

Œ œ 43 ˙ . her

N LY

S3

call is

œ. œ œ 4 Œ œ 43 J 4

E

Her light shines bright - ly and her

sure

O

S2

call is

Ó

R

Her light shines bright - ly and her

ff œ œœ

SC

S1

p ˙

O

55

44

light

Œ œ 43 ˙. f

her

light

43 ¿ .

BlowHot Wind

¿

Ooohh

b˙ . Œ œ 43 her

44

light

?

44 44

10

& 44 œ

& 44 ˙ .

bright

CA 1

?4 4

CA 2

∑

∑

∑

45

˙.

Œ

∑

P

Ó

Blow

¿

F

œ ˙

Ooohh

¿

Blow Hot Wind

Œ

P

bright

∑

? 4 ˙.

4

bright

œ

p

Œ œ œ œ œ. an - cient lnads

P

¿

Œ œ

From

¿

Ó

œ œ œ œ. Œ an - cient lnads

Œ

Her call

F

∑ ∑ ∑

Her call is welcoming

P

œ œ œ.

Œ

œ b œ œ œ. b œ

45

œ œ œ. b œ

45

Œ

45

Œ

45

Œ

45

Œ

45

From

œ

From

Œ

∑ ∑

P

∑

an - cient lands

an - cient lands

œ œ œ.

Œ

œ œ œ. an - cient lands ∑

with

with

an - cient lands

an - cient lands

Ooohh

F

Œ

Œ

P

From

ly

F

Ó

p

E

Ó

R U

& 44 Œ

-

F

PE

A2

P ˙

R

F & 44 œ œ ˙

bright

A 1

5 4

bright - ly

bright - ly

S4

∑

O

œ

∑

N LY

F ˙.

∑

O

S3

& 44

bright - ly

Ó

SC

S2

œ

P ˙

L

S1

F ˙.

SA

& 44

61

Liberty's Light

Œ

Œ Œ

œ œ œ. an - cient lands

P b œ œ œ.

an - cient lands

∑

P . b Œ œ œ œ

an - cient lands

11

Liberty's Light

F ff ˙.

5 œ & 4 bœ œ œ

44

∑

F ff & 45 b œ œ œ œ œ Ó

44

∑

S4

bur - ied cry

stor - ies bur - ied

& 45 œ

stor

& 45 œ

bur

œ

stor

-

bur

F ? 5 bœ bœ 4 stor

CA 2

44

˙.

cry

-

ff

˙.

?5 4

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cry

-

PE

CA 1

ff

R U

A2

F

-

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cry

ff ˙

bur

∑

Unwavering

F

Whisper

∑

ff

44 b w

they

44 44

∑

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Œ œ

∑

Ó

P

they

∑

SHE STANDS UNWAVERING!

Ó

w

Un

p

-

wa - ver - ing

w

F Œ bœ œ bœ bœ bœ Œ

Ó

P w

bw

Whisper

Unwavering

P

∑

F Œ œ œ bœ œ bœ ˙

Unwavering

SA

A 1

F

they

un

O

stories

bur - ied Cry

∑

f œ Un

E

44 w

Œ

Ó

∑

P P Whisper œ Œ Ó

F ff ˙. & 45 b œ œ œ œ stories

S3

they

q = 108

R

Cry

∑

SC

S2

4 w 4

accel.

-

p ˙.

∑

wa - ver - ing

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& 45 Ó

L

S1

F

O

ff ˙.

66

Œ

p ˙.

Œ

∑

Ó

Œ

p bœ Un -

∑

∑

12

Liberty's Light q = 72

U ∑

& & Œ

F U bœ ˙ ing

U ? w

PE

A2

ing

CA 1

wa

CA 2

?

U ∑

flame

Her

45 45 Ó 45

∑

44

Ó

Her

∑ ∑

45

∑

f b œ œ

œ

E

œ œ.

F j ‰ b œ 44 œ .

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45

flame,

a bea - con

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Her

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her flame

œ

her flame

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p

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in

the

œ

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in

the

3 4 43 43

∑ f œ œ

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her flame

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A 1

& œ

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ing

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flame,

f b œ œ

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Ahhh

p

44 b œ œ œ œ œ œ œ œ œ œ œ œ œ œ.

43

Ahhh

∑

O

S4

& œ

F U œ ˙

Her

œ œ.

SC

S3

&

flame

45 b œ ˙

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S2

U ∑

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L

wa - ver ing

SA

S1

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5 4 bœ ˙

F bœ .

O

F 71 b œ œ b œ U˙ & rit.

44

43

∑

P . . . . . . . . . . . . . . . .

44 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 43

Blow Whisper

ti ti ti NO pitch

ti

ti

ti

ti

ti

ti

ti

ti

ti

ti

ti

ti

ti

13

Liberty's Light

˙ & 43

F f œ 4 bœ . ‰ J 4

˙ & 43

f F b œ. ‰ Jœ 44

& 43 Œ

F f j ‰ b œ 44 œ .

œ bœ œ . bœ œ œ œ

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bœ œ .

& 43 b ˙

dark

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Her

flame

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CA 1

CA 2

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P

ti ti ti

dark

-

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43 ˙ .

44 ¿

-

3

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dark

∑

Ahhh

ti ti ti ti ti ti ti

ti ti

ti ti

P Shh

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3 œœ œ œ œ œ œ œ œ œ 4 ˙.

44

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44

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P œ œ 44 œ b œ œ œ œ œ .

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dark

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P

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the

3

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43 b ˙ .

. . . . . . . . . . . . . . . . . . . . ? 3 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 44 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ b œ b œ œ œ 4 ti

43 ˙ .

44 b œ œ œ œ œ œ œ b œ œ œ œ œ . 43 ˙ . œ œ

SA

& 43 œ b œ b œ œ œ b œ œ œ œ œ

a bea - con in the

3

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A 1

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3

flame

Her

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dark

dark

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S4

Œ

œ œ.

O

S3

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4 ˙ 4

E

dark

her flame

3

flame

SC

S2

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a tempo

3 ˙.

4

R

dark

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L

S1

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O

74

ti ti ti ti bea - con in the

dark

dark

˙.

43 dark

F

14

Liberty's Light

& ¿

Ó

& ¿

Ó

&

∑

Ó Ó

?

CA 1

CA 2

?

p

¿

˙.

P œ

-

Ooh

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wah

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wah

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p p

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˙

Ó

œ

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... your poor

Give me your tired

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hhh

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in

œ

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¿

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con

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L

œ #œ œ A

-

SA

P

P œ Ooh

-

¿

∑

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& Ó

¿

Sh

PE

A2

p

Sh

hh

A 1

∑

Her Flame, a beacon in the dark

hh

S4

∑

∑

R

∑

&

∑

O

S3

ff

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∑

œ œ ˙

the

... your poor

p

Ó

dark

˙

Ó

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O

S2

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&

SC

S1

N LY

78

&

∑

Ooh - wah

Ó

œ

œ

Ooh - wah

∑

15

Liberty's Light

Give

S4

P &œ œ œ œ Give

P

A 1

me your tired

&œ œ œ œ Give

A2

me your tired

P

me your tired

&œ œ œ œ Give

P

me your tired

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PE

CA 1

Give

CA 2

?

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F b˙

œ

F b˙

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F ˙

your

your

me your tired

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poor

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Œ

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Œ

3

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your

poor

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˙

F

your

œ

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poor

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b˙

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poor

poor

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Your

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43

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44

P œ. œ ˙

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44

43

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poor

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your

43 Œ

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poor

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œ . œ ‰ œ œ bœ œ

and

poor

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F

N LY

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poor

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œ œ bœ œ

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P &œ œ œ œ

your

SC

S2

me your tired

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L

Give

œ

R U

S1

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poor

and

poor

16

S2

to be

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to be

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& 44

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Ó

bœ œ

tee - ming

L SA

F

R U

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?4 Π4

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F , P œ œ bœ œ œ

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PE

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re - fuse

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& 44 w

& 44

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∑

F P bœ œ œ œ bœ

∑

hud - dled mas - ses year - ning

CA 1

F P œ œ œ bœ œ

The wret - ched re - fuse

Oooh

A2

The wret - ched re - fuse

∑

P

A 1

free

F bœ œ œ bœ œ

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SC

S4

P,

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free

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R

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bœ œ œ œ œ œ œ œ ˙ .

O

œ.

f œ

to be

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bF œ bœ œ

free

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free

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mas - ses year - ning

˙ free

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P P œ J‰

∑

The wret - ched re - fuse

b˙

The

˙

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re

-

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fuse

∑

p P b œ œ œ œ œ

œ œ

of

N LY

S1

P

∑

O

& 44

86

Liberty's Light

œ

∑ Ó

œ œ tee - ming

17

Liberty's Light

b œ œ œ 43 b œ . œ .

fi - gures

p w

shore

Ó

P

p

shore

A 1

& bw & Ó

CA 1

&

CA 2

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w

p

œ œ œ œ bœ œ

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fi - gures

∑

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A2

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P ? bw

shore

∑

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shore

43

fi

-

gures

43

∑

Π43

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∑

p w

∑

43 Œ Œ œ bœ ˙ of the

43

∑

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de

-

∑

3 4

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43

P b œ. œ. Œ Ó

Ó

44

∑

P b œ. œ. Œ Ó

43

Out - casts

∑

44 ˙ œ

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44

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sert

43

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44 ˙

44

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P

∑

44

˙.

∑

sand

44

∑

SA

S4

P & b˙ Ó

∑

O

S3

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Π43

of the de - sert

L

S2

p P œ œ œ œ bœ œ & Ó

3

fi - gures

E

De - so - late

Œ

R

Ó

O

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&

F Œ œ b œ œ œ 44 ˙ .

N LY

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P

SC

91

?

Ó

sand

∑

43

∑

43

F b œ. œ.

Π43

Out - casts

Ó

F b œ. œ. Œ 3 4 Out - casts

18

Liberty's Light

S4

F F

˙

Œ

home - lands

f

Œ

home - lands

R U

f

˙

home - lands

f bœ 5 b˙ b˙ 4

F b ? 3 œ œ bœ 4

f bœ 5 b˙ 4

PE

F ? 3 bœ œ bœ 4

Out - casts of

Out - casts of

tile

tile

home - lands

˙

home - lands

poor

E

Give me your tired your

poor

Give me your tired your poor

Give me your tired your

poor

Give me your tired your poor

Give me your tired your

poor

Give me your tired your

poor

p P 44 œ œ œ œ œ w p P 44 œ œ œ œ œ w Give me your tired your poor

p

P

P

Give me your tired your poor

tired your

Œ & 44 œ œ œ œ œ w ∑

f

œ œ œ œ œ w

Give me your tired your

p

f w

F f œ œ œ œ œ w

F

44 œ œ œ œ œ w

44

F œ œ œ œ œ

F f œ œ œ œ œ w

Give me your tired your poor

Œ

Give me your tired your

F f w œ œ œ œ œ

p P 44 œ œ œ œ œ w

SA

& 43 œ œ œ œ œ 45 ˙ Out - casts of hos - tile

CA 2

f

Œ

F

CA 1

Œ

& 43 œ œ œ œ œ 45 ˙ # ˙ Out - casts of hos - tile

A2

Give me your tired your poor

home - lands

& 43 # œ œ œ # œ œ 45 ˙ Out - casts of hos - tile

A 1

home - lands

f & 43 # œ œ œ # œ œ 45 # ˙ # ˙ Out - casts of hos - tile

Œ

p P 44 œ œ œ œ œ w

f w

R

F

Give me your tired your poor

O

F f œ 5 #˙ b˙ & 43 œ œ b œ œ 4 Out - casts of hos - tile

S3

home - lands

O

S2

Œ

F œ œ œ œ œ

N LY

Out - casts of hos - tile

˙

L

S1

p P 4 œ œ œ œ œ w 4

SC

F f œ 5 #˙ & 43 œ œ b œ œ 4

97

Ó

∑

P

œ œ

poor

F w

poor

P F œ œ œ œ œ w Give me your tired your

poor

m. 100 -Optional call-outs from audience or backstage: "Not too poor" m. 102 - 103 -Additional call-outs "They could be criminals!"

"Make sure they're healthy"

A 1

& ˙

P

& ˙

Ó

CA 1

CA 2

43 Œ

∑

Œ

mas

F

-

∑

P bœ hud

œ -

dled

R

E

∑

43 Π43

?

F ‰ b œJ œ œ

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mas - ses mas

œ œ

hud - dled

P

Œ

œ œ

hud - dled

∑

œ œ bœ œ 3 œ 4 -

ses

bœ

O Your hud - dled

ses

bœ . œ œ

Ó

Year - ning to breathe

F œ œ ‰ J bœ

F P ‰ œJ œ b œ 43 œ œ œ

mas - ses

P ? ˙ Ó

ses

43 Œ

∑

Ó

ses

-

19

b œ œ b œJ b œ .

∑

P œ œ œJ ‰ Œ 43

mas

R U

& ˙

-

œ

hud - dled mas - ses

PE

A2

Your

Ó

F & ˙ Ó F

mas

P

œ

mas - ses

bœ

œ

mas - ses

œœ œ

œ œ Œ

P F œ bœ bœ J‰

hud - dled

œœ œ

P b œ œ b œJ b œ .

Year - ning to breathe

P

œ b œ b œJ œ .

Year-ning to breathe

P j bœ œ œ œ .

Year - ning to breathe

P

j œ œ œ œ.

Year - ning to breathe

mas ses

N LY

S4

hud - dled mas - ses

f œ bœ œ œ œ . œ Œ J ‰

F ˙ Ó & F

œ

O

S3

&

F ˙

Your

P 3 œ œ œJ ‰ Œ 4

SC

S2

&

f œ bœ œ œ œ . œ ‰ Œ J

L

S1

F ˙

SA

103

Liberty's Light

Œ

mas ses

P

j bœ œ œ œ .

Year - ning to breathe

F P b œ œ œ bœ bœ œ œ œ . Œ J hud - dled mas - ses

bœ

œ

mas - ses

œ

Year - ning to breathe

P œ œ b œJ b œ .

Year - ning to breathe

20

Liberty's Light

S3

F & ˙ free

S4

F & b˙

∑

Œ

to

be

free

24

∑

Œ

F

free

? b˙ .

PE

CA 1

free

CA 2

P œ

? b˙ .

free

p œ

∑

24

Œ Œ

p œ Œ Œ

24

43 43

Send these home - less

∑ ∑

∑

p 43 ˙ .

Oooh

L

Œ Œ

R U

& b˙ .

∑

∑

SA

F & b˙ . free

A2

∑

P f b œ b œ b œ œ Jœ ‰ 24

free

A 1

24

3

Please

∑

43 ˙ .

∑

43 ˙

24

∑

43 43

∑

∑ œ

F

œ

˙

Oooh

24

temp - est tossed

˙

p

f bœ œ bœ œ ‰ J

∑

F

p

Oooh

∑

∑ ∑

∑

E

free

∑

R

free

be

O

S2

F & ˙

Year - ning to

∑

f œ œ œ b˙

P 3 ˙.

4

N LY

free

P 2 4

O

S1

f œ bœ bœ bœ b˙ .

SC

F & œ.

108

F ˙.

P

˙. ˙. b˙ .

Oooh

∑

∑

21

Liberty's Light

ff œ ‰ J 44 w

A 1

∑

&

CA 1

CA 2

Œ

∑

& ˙.

∑

p

44 ˙.

˙.

p

P ? ˙.

Oooh

p

3

me

∑ ∑

f

44 ˙.

Œ

me

f 44 b ˙ .

Œ

∑

me

p

3

3

Œ Œ

p

3

3

F

3

3

∑

We all come to you,

œ œ œ œ œ œ

Oooh

45

œ œ œ œ œ œ œ œ 45

5 4 œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ Oooh

me

f b ˙ 44 .

3

∑

Œ

45

∑

p œ b œ œ œ œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ œ œ 45 Oooh

ff 44 b ˙ . ff

F ∑

5 4

R

ff 44 ˙ .

∑

We all come to you,

WE

me

me

&

?

∑

PE

A2

∑

I

∑

O

S4

∑

&

to

R U

S3

me

me

∑

SC

de - sert crossed to

to

L

S2

me

f

E

ff œ œ.œ ˙ & œ œ

de - sert crossed to

SA

S1

F

O

ff w ‰ Jœ 44

N LY

ff œ œ.œ ˙ & œ œ

114

∑

F WE

F

∑

45

∑

45

We all come to you,

f

We all come to you,

22

Liberty's Light

S3

∑

44

Mother of Exiles

3

Mother of Exiles

CA 1

CA 2

I

P

?5 4

j ‰ 44 Ó œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ

R U

& 45

Oooh

?5 4

∑

Mother of Exiles

∑

Mother of Exiles

∑

43

˙

44 Ó 44

F

Œ

P œ. œ

come here

43

œ œ

I

∑

43

œ œ

come here

∑

F œ 43 I

45

Ó

F

œ 43 I

43

∑ Ó

F

3 4 œ I

45 Ó

∑

Œ œ . œ 43 œ œ I

Ó

45 Ó

∑

43

Œ

I

PE

A2

44 ˙

j & 45 œ œ œ œ œ œ œ œ œ ‰ 44 ˙ Oooh

∑

SC

∑

45 Ó

43

˙

L

A 1

& 45

I

P

SA

S4

∑

& 45 œ b œ œ œ œ œ œ œ œ œ œ œ 44 ˙ 3

43

come here

P

Oooh

5 œ 4 Œ

E

& 45

∑

Ó

F

3 4 œ I

N LY

S2

Mother of Exiles

4 4

∑

R

& 45

F - œ 3 4 Œ ‰ œJ

O

S1

a tempo

O

rit.

119

45 œ . œ œ œ œ œ œ Œ 43 for

45 45

op - por tun - i - ty

œ . bœ J

for

œ œ œ

Op - tun - ty

∑

Π43 43

23

Liberty's Light

come

∑

CA 1

œ œ #œ œ œ œ œ œ œ

for the

CA 2

?3 4

saf - ty - of my fa - mi - ly

œ œ #œ œ œ œ œ œ œ

˙.

45 œ œ-

for the

∑

P ˙.

Oooh

∑

45

saf - ty - of my fa - mi - ly

˙.

P ˙.

Oooh

∑

œ

to

∑

p

45 Ó 45

œ

œ

Ooh - wah

have a bet - ter

life

have a bet - ter

life

f 44 # œ œ œ œ œ Œ f 44 # œ #œ œ œ Œ

j ‰ 44 œ

∑

44

∑

45 Ó

f 44 # œ œ œ œ œ Œ

N LY

& 43 œ œ . come here

?3 4

to

I come here

& 43 œ œ . come here

& 43

F

∑

PE

A2

I come here

F - œ œ œ ‰ ‰

O

A 1

here

œ

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