Fanfare for Brass Quintet

Page 1

Fanfare FOR Brass Quintet

Two Bb Trumpets

Two Tenor Trombones & Tuba

Christina Rusnak

2007 Christina

A
Rusnak Music Press
BMI Company

Notes

Duration ~ 3:15

This piece is ideal for high school brass quintets. Composed as an exercise, this short fanfare explores its introductory elements and employs a couple of interesting elements to add some unexpected fun.

- Christina Rusnak 2007

Performance Notes

Mute is a straight mute.

Transposed Score for Brass

Tpt 1 & Trb 1 Off stage

& & ? ? ? # # b b b 4 4 4 4 4 4 4 4 4 4 4 2 4 2 4 2 4 2 4 2 4 5 4 5 4 5 4 5 4 5 4 6 4 6 4 6 4 6 4 6 4 4 4 4 4 4 4 4 4 4
Trombone
Tuba w ∑ œ . œ J œ œ ∑ ∑ q = 54 π π ∑ ∑ ∑ ∑ ∑ œ œ J œ ˙ ∑ œ . œ J œ ˙ ∑ ∑ p p P P ∑ ∑ ∑ ∑ ∑ Walk on stage Walk on stage U U U U U & & ? ? ? # # b b b 4 4 4 4 4 4 4 4 4 4 4 5 4 5 4 5 4 5 4 5 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 5 ∑ œ . œ œ œ . Œ ∑ œ . œ œ œ . Œ ˙ œ . Œ q = 66 F f F f P ‰ J œ œ œ œ . œ ‰ ∑ ‰ j œ œ œ œ . œ . ‰ ∑ ‰ J œ œ J œ ‰ Œ mute mute F F F f f ∑ œ œ œ ˙ Ó 3 Ó Œ œ œ Œ œ œ œ ˙ Œ 3 œ J œ ˙ Ó 3 f f p Œ ‰ J œ . œ œ œ œ œ œ ˙ œ 3 Ó Œ œ œ œ œ œ œ œ Œ 3 Ó Œ œ open F F P F F f ‰ j œ . œ œ œ Œ œ ‰ J œ . œ œ œ œ œ Ó Ó ‰ J œ . œ œ œ œ œ œ œ F f F f F > > > > > > > >
Christina Rusnak Copyright © 2007 Christina Rusnak All Rights Reserved Internationally
Trumpet in B b 1 Trumpet in B b 2 Trombone 1
2
Fanfare
PERUSAL SCOREONLY
& & ? ? ? # # b b b 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 10 . œ œ œ œ œ œ œ 3 ˙ Ó ‰ J œ . œ œ ˙ œ Œ œ Œ ˙ ˙ f P F f P P P open ∑ Œ œ œ œ ˙ 3 Ó œ œ œ œ 3 œ œ œ œ œ œ 3 ˙ f f F Œ ‰ J œ ‰ œ œ . ˙ . ˙ . ˙ ∑ Í p p ‰ J œ œ œ œ ∑ ∑ ∑ Œ ‰ j œ ‰ œ œ f f ˙ Œ ∑ ∑ ∑ Œ œ œ œ œ Œ 3 F F P , > & & ? ? ? # # b b b 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 15 ∑ Œ ˙ œ ˙ œ œ œ Œ Œ œ P F F P Œ œ œ ˙ w Ó Œ œ w w F w ˙ Œ ‰ J œ # ˙ œ œ œ w w F f w w œ Œ ‰ J œ b œœœ3 Œ . ˙ w Breathe as needed F F w w ˙Ó Ó ‰ J œ n œ #œœ3 w Breathe as needed Breathe as needed F , & & ? ? ? # # b b b B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 20 œ Œ J œ b ‰ œœœ3 w w . œ #J œ n ˙ w P F P P P . ˙ R œ ‰ . . ˙ R œ ‰ . . ˙ R œ ‰ . ˙ R œ ‰ . ˙ R œ ‰ . f f f f F œ œ . Ó ˙ Ó œ œ . Ó ˙ Ó Ó Œ œ π π π π π œ œ . Ó ˙ Ó œ œ . Ó ˙ Ó ˙ Ó P P p p p œ œ . ‰ Œ œ œ œ œ 3 3 Ó ˙ œ œ . ‰ Œ œ œ œ œ 3 3 ∑ œ œ ‰ Œ œ Œ 3 F F P f f ^ U ^ U ^ U ^ U ^ U 2 Fanfare PERUSAL SCOREONLY
& & ? ? ? # # b b b 4 5 4 5 4 5 4 5 4 5 4 3 4 3 4 3 4 3 4 3 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 25 ˙ Ó Œ ‰ j œ b Œ ‰ j œ ˙ b Ó J œ b . ‰ Œ ‰ J œ . Œ Ó Œ œ p p F mute mute œ . œ b J œ ‰ œ œ J œ ‰ Œ ‰ j œ b Œ ‰ j œ ∑ ‰ J œ b . Œ ‰ J œ . Œ . œ j œ b œ ‰ F f f p Œ œ œ œ ˙ 3 ∑ Œ œ œ œ ˙ 3 ‰ J œ b Œ Ó ˙ ˙ ƒ ƒ f ∑ ∑ ∑ ∑ ˙ œ œ ˙ # P ∑ ∑ Ó ‰ J œ . œ œ œ ∑ ˙ Œ Ó P F p ˘ ˘ > > & & ? ? ? # # b b b 4 3 4 3 4 3 4 3 4 3 4 5 4 5 4 5 4 5 4 5 4 4 4 4 4 4 4 4 4 4 4 5 4 5 4 5 4 5 4 5 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 30 ∑ ∑ J œ ‰ œ œ œ œ n 3 ∑ ∑ ∑ ∑ ∑ ∑ œ œ œ œ n œ . ‰ j œ . ‰ j œ . Œ 3 F f œ b œ œ œ b œ ‰ J œ Ó Œ ‰ j œ b œ b œ œ œ b œ ‰ J œ ∑ ∑ f f ƒ ƒ ƒ open Œ œ Œ œ œ . Œ œ œ œ Œ œ œ Œ . œ œ œ Œ œ œ . Œ . ˙ b J œ n ‰ Œ . œ œ œ Œ œ œ . Œ f f F F F F F open ∑ œ œ œ œ œ Œ ∑ œ œ œ b œ œ Œ ∑ P P f f U U U U U & & ? ? ? # # b b b 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 35 œ œ Œ Ó œ œ Œ Ó œ œ Œ œ œ œ œ Ó œ # œ # œ œ œ œ Œ Ó Í Í Í Í p p œ # œ # œ . œ ‰ œ œ œ b . œ ‰ ˙ J œ ‰ ˙ J œ ‰ ˙ j œ ‰ P P p œ . œ . œ . œ Œ 3 œ b œ œ œ Œ 3 œ . œ . œ . œ Œ 3 œ . œ . œ . œ Œ 3 ˙ ‰ j œ f f f f f F ∑ ∑ ∑ ∑ œ œ n œ œ œ œ f ∑ ∑ ∑ Œ œ œ œ # œ n œ 3 ∑ F 3 Fanfare PERUSAL SCOREONLY
& & ? ? ? # # b b b 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 40 œ # œ # œ # œ œ ˙ 3 ∑ Ó œ œ œ # œ # œ 3 w ∑ F F . ˙ Œ œ # œ # œ œ œ œ œ 3 . ˙ Œ . ˙ Œ ∑ F P P P œ œ . Ó ˙ N Ó œ œ . Ó ˙ Ó ∑ p p p p œ œ . Ó ˙ œ œ . Ó ˙ Ó ˙ π π π π π & & ? ? ? # # b b b 4 5 4 5 4 5 4 5 4 5 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 44 œ œ ‰ Œ œ œ ‰ Œ 3 3 Ó j œ ‰ Œ œ œ ‰ Œ œ œ ‰ Œ 3 3 ∑ œ œ ‰ Œ Œ ‰ j œ 3 F F F P ∑ Ó Œ œ œ œ œ œ . ˙ œ œ . ˙ œ Ó Ó P P ∑ w œ Œ Œ œ œ . ˙ ˙ ˙ F F F œ œ œ ˙ w w ‰ J œ . ˙ w F F P ˙ Œ ˙ Œ ˙ Œ ˙ Œ ˙ Œ ƒ ƒ ƒ ƒ f U U U U U & & ? ? ? # # b b b 4 4 4 4 4 4 4 4 4 4 4 3 4 3 4 3 4 3 4 3 4 4 4 4 4 4 4 4 4 4 B b Tpt. 1 B b Tpt. 2 Tbn. 1 Tbn. 2 Tuba 49 ∑ œ . œ œ ˙ ∑ œ œ œ ˙ œ . œ œ ˙ p p p . œ œ . œ j œ œ Œ Œ œ ˙ œ Œ Œ œ Œ Œ p p p P P ˙ Ó Œ . ˙ ˙ Ó Œ œ œ œ ˙ ∑ π p p p ∑ w ∑ w w π π π 4 Fanfare PERUSAL SCOREONLY

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Chat

CHRISTINA RUSNAK

Christina Rusnak is a composer, explorer and cultural catalyst who draws inspiration from the world around her. She seeks to integrate a sense of context into her music from a variety of sources including landscape, culture, history, ecology and art, she strives to communicate something meaningful about the human experience through music to both performers and the audience

Rusnak’s pieces range from grade 1 to professional levels and includes solo works, chamber, orchestra, wind band, flex band pieces as well as jazz, women’s choir, electro -acoustic works, and film. An avid hiker, Ms. Rusnak she has been commissioned by the U.S. Forest Service, The National Park Service, and Oregon State Parks with over dozen pieces inspired by experiences in their landscapes. In 2019, she led the renowned Composing in the Wilderness Seminar at the Fairbanks Summer Arts Festival. Her work has been performed across the country, and internationally.

She earned dual graduate degrees in Composition and Arts Leadership from the University of North Texas in 2010. To intersect her passion for music with place and culture, she received a post-graduate certification in Cultural Pla nning in 2017 from the University of British Columbia.

In addition to composing, she has served as Sound Art Curator for the Dallas Contemporary Art Museum, as Executive Director for Orchestra 2001 in Philadelphia, on the board of Signal Fire Arts and currently serves as the President of the International Alliance for Women in Music (IAWM).

Her essays on music and advocacy can be found on LandscapeMusic.org, New Music Box, and Oregon Arts Watch. Her works are available from Amazon, Naxos and Parma Recordings, with her scores available through her website http://christinarusnak.com and various distributors.

http://christinarusnak.com

Rusnak Music Press

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