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CHILL

Page 1

©Copyright 2007 Christina Rusnak

Rusnak Music Press


Chill–

Duration ~ 8:20

Notes: Inspired by the ambiance of a ephemeral lounge space - a bar we frequented visiting Paris in 2004, I tried to capture both the essence of the experience itself as well as the utter relaxation I felt while there. I’m not a person who relaxes easily, so I gave myself the task of writing a piece that I imagined could be played here – where others would listen and chill. -- Christina Rusnak 2007

Instrumentation: Alto Saxophone / Bb Clarinet Tenor Saxophone Baritone Saxophone Trumpet – 2 Trombone Drums Piano Guitar Bass


C.S. Rusnak/arr. Richards

Chill 

 

Straight 8's

q = 144



    Trumpet 1   



 



 

Trombone

Guitar

Bass

Drums



  

  

        

Pe

Piano

  

mf

  

Tenor

         mf

  Tpt. 1 

 

        

Tbn.

Gtr.

Pno.

Bass

Dr.

  

  

clean tone

                  

      

7

 

fill

mp

mf

   

8



4

 

       

          mp             

    mp      



mp

   

 

            

 



  

 

              



(same voicing)

            

9

        

7/2/09



 

       

  

10



 





       

 

(same voicing)

     

 

pseudo latin (almost loungey)

   

 

  

or e

Tpt. 2

  

Sc

Bari

fill

mf

3





2

Cl.

   

         mf        mf        

 

nl y

Trumpet 2



5



      

 



     

6

     

   

         

11



 

  

   



 

  mf

      

  

         



      

              



      

O

Baritone

ru sa

Tenor

l

Bb Clarinet

mp

         

fill

    

12

 


Chill

2

  

     Tpt. 1   

Tpt. 2

    Gtr.  Tbn.

Pno.

mf

   

mf

   

                      

 



  



  

Cl.

 

 

Tenor

13



 



fp



       







fp

Pno.

Bass

Dr.

 

fp

Bsus

 



  

 

19





14



f

   

        

   

 

   f

 

  

 

             

  

      



              

f around figure fill

 

  

 

    

  

 

 

              

   



f

  

 

15

 

            

      

   

          



  

   

16

A

light solo fills

fp solo (4 bars)

  

 

  

fp



  

20

 

  

 

 

     

 

 

 

   

      

   

 

  

 

      

    

  

 

17

freely

18

 

 

21

 7/2/09

22

F-11

mp

mp

 

 

 

 

 

  3  

mf

Sc

Gtr.

fp

 

 

   



f







    

 

  f 



(same voicing)



f

        

    fp    Tpt. 1  

Tbn.

f

f





Bari

Tpt. 2

 



or e

Dr.

    mf    

Pe

Bass

 

                

mf

Bari

mf

nl y

Tenor

            

O

 

       

l



ru sa

Cl.

 

mp

F-11

 

"loungey" bossa Clarinet melody

23

 

G¨%

G¨%

 

24

 


Chill

3

Cl.

      





  



   

  Tpt. 1 

Pno.

   

Dr.

F-11

F-11

 

 

 

G¨%

Cl.

   

25

  

F-11

G¨%

Pe

Bass

  

26

  

F-11

27

  Tpt. 1 

Gtr.

Pno.

Bass

Dr.

E¨%

   

E¨%

 

 

31

E%(#11)

E%(#11)

32

G¨%

28

F-11

E¨%

E¨%

G¨%

 

G¨%

 

(8)



29

  

as written

 

  

30

33

7/2/09

E%

E¨%

 

  

34

  

E%

Sc

Tbn.

F-11

or e

Tpt. 2

Bari



Tenor

G¨%

nl y

Gtr.

O

Tbn.

ru sa

Tpt. 2

l

Bari



Tenor

3

E¨%

 

 

 

35

 

E%(#11)

E%(#11)

 

 

  

36

B¨%

B¨%

 


Chill

4

 

  Tpt. 1 

Bari

Tpt. 2

Tbn.

Gtr.

Pno.

   

 

 

Cl.

 

Tenor

37

  

      

   



   

      Tpt. 1   

mf

Tpt. 2

Tbn.

Gtr.

Pno.

Bass

Dr.

       

   

    

 

A¨^9/C

B¨/D

 

E¨^9

 

   

  



43



 

B%

mp 



B%

 

(8)

 

      

38

  

     

     





39

 

 





  

44





  

40

 

   

    

              

 

   

   



 

Gsus(b9)

    



G¨^7(#11)

 





45

  





7/2/09

     

  



fill



46

fill

  

 

fill

41

mf

    mf

 mf     

mf

        mf  

       mf          mf 

mf E¨-13

 

    

set up mf

   47

      

E^13(#11)

    

     

    

 

B¨-9

B¨-9



     



    

 

 



 

  



   



    



G¨^7(#11) fill

    





  



 

  

A¨%

    

B¨9sus



  

 

 



G¨^7(#11)

    

     

  









   

mf F-%

 

          

     

 mp 

      

    mp      

Sc

Bari

 

or e

Dr.

  

mp

Pe

Bass







O

Tenor

mf



ru sa

     

 

 

nl y

B

l

Cl.

  

42

   







     

 





F-9

      

 

 

F-9

     

48


Chill

5



Tbn.

Gtr.

Pno.

             

    

 

   

 

 

  

set up swing

F/G

49

  

Tenor

   

   

 

   Tpt. 1   Tpt. 2

Tbn.

Gtr.

Pno.

Bass

Dr.

   

   

  

     

set up  

51

   

    



         

     

 

  

 

 

(same voicing)

F-11 fills

 

 

55





  

                 

  

    

G¨%

F-11

 

  

  

56

   

  

        

fp

Roll sfz

fp

52

       

 

f

    f               f      

To Alto

 



57

  

 

 



G¨%

   

 7/2/09

       

heavyf swing

54

C

w/tbn



58

    

  

     

F-7



  

  

    

w/tnr

     

       f        

53



      

  

f

  



     

 

 

 

A¨^13

   

50

Bari



fp

3

     

3             f          fp B¨-9  3                  f         3             f

Sc

Cl.

         

        

 

  

  

                

F/G

   

      

 

   

or e

Dr.



Pe

Bass

 



                3 f              

     

nl y

Tpt. 2

 

       Swing!

    

   Tpt. 1  Bari



O

Tenor

 

l

ru sa

Cl.



F-7

 

  

 59

 



G¨^7

G¨^7

      

 



60




Chill

6

         

  Tpt. 1  Bari

   

 

 

 

 

61

         Alto Sax.  3         Tenor         Bari          Tpt. 1     3     Tpt. 2                Tbn.     3        Gtr. 

         

G¨^7

G¨^7

 

Bass

Dr.

    

D¨13

 

 67

E¨-7

 

62

E¨-7



 





 64

B¨13

69

 

3

65

66



 

7/2/09

              f                    (same voicing)

 

f



70

 

 

 

"Lounge" Latin

 

B^7(#11)

f

B^7(#11)

   f 



set up latin

68

3

         

B¨13

   



        

 

 

E^7(#11)

63



B¨sus fill

  





E^7(#11)

straight 8's

        

Sc

Pno.

 

3

Alto

E¨6

   

    

or e

Dr.

F-7

Pe

Bass

F-7

       

ru sa

Pno.

       

           Tbn. 

Gtr.

Tpt. 2

nl y

Tenor

O

l

Cl.





  



     

     

71



 

            

72

       


Chill

7



         f         Bari            f                    Tpt. 1    

Tbn.

Gtr.

Pno.

            

 

f



 

Dr.

    f      

 

fill

f

   

Alto Sax.

D

 

D-11



73

        

 

          

                                        

    

Pe

Bass

   

f

E¨%



 

74

D-11

  Tpt. 1 

Bari

Tbn.

Gtr.

Pno.

Bass

Dr.

F-11

 

comp for alto solo

 

F-11 alto solo

 

 

 

alto solo

79

G¨%

75

     

           

 

G¨%

  





      

E¨%

F-11

   

 

 

  

fp

fp

       fp

  

  

fp

fp

alto solo p/u's

  

      

  

   

fp

alto solo p/u's

   

  

    

  

   

alto solo p/u's

 

 

alto solo p/u's

76



   

fill

D-11

77

78

E¨%

Sc

Tpt. 2



or e

  

Tenor

 

l

Tpt. 2

ru sa

Tenor

E¨%

nl y



O

Alto Sax.

G¨%

F-11

G¨%

80

F-11

81

7/2/09

G¨%

82

F-11

83

G¨%

84


Chill

8

Alto Sax.

D-11

 

E¨%

C%

D¨%

C%

D¨%

  Tpt. 1 

Gtr.

Pno.

 

 

 

 

Dr.

F-11

F-11

 

 

G¨%

Alto Sax.

C%

 

85

G¨%

D¨%

E¨%

E%

E¨%

86

G%

87

E%

A¨%

Bass

Dr.

 

E¨%

 

 

91

B¨%

E%

E¨%

D-%

E

89



mp

E%

E¨^7(#11)

90

 mp F-%



G¨^7(#11)

 

92

B¨%

93

7/2/09

B%

94

B%

or e

Sc

Pno.

 

88

Gtr.

E%

E¨%

  Tpt. 1  

Tbn.

Tpt. 2

E%

Bari

Tenor

E¨%

Pe

Bass

nl y

Tbn.

O

Tpt. 2

ru sa

Bari

l

Tenor

F-%

bkgds enter

95

G¨^7(#11)

96


Chill

9

F%

  

Bari

Tpt. 2

Tbn.

Gtr.

Pno.

   

 

 

C-13

 

   Tpt. 1   Tpt. 2

  Tbn.  Gtr.

Pno.

Bass

Dr.

 

 

cresc.

 

  

97



 



B¨-9

B¨-9

 

103

   





E¨^9

B¨9sus

Gsus(b9)

B¨/D

E^13(#11)

98

   

A¨^9/C

B¨/D

99

D-9

E¨^9

B¨9sus

100

D/E

   

  

  

  

   

  

Gsus(b9)

 

F-9

    

F^13

101

Swing

  

  

F/G

   

A¨^13

104

 

 105

7/2/09

 

 106

set up swing

A¨^13

 

 

 107

 

 

G-9

   

   

102

  





 F/G



F-9

G¨^7(#11)





cresc.      cresc.     cresc. E^13(#11)

      

cresc.

G¨^7(#11)

D¨^13(#11)

 

A¨^9/C

  

  

mp

E¨-13







mp

cresc.

 

E¨-11

mp

 

cresc.

Bari

   

or e

Tenor

Sc

Alto Sax.

 

E¨^7(#11)

Esus(b9)

 A¨%



G9sus

  

Dr.

A¨%

Pe

Bass

C^9

nl y

  Tpt. 1 

G/B

O

 

Tenor

F^9/A

l

 

G-9

ru sa

Alto Sax.

 

B¨-9

    

swing



B¨-9

 

    

 

108




Chill

10

Tpt. 2

    

Pno.

 

     

E¨%

 

    

D¨13

 

B¨-7

  

    

D¨13



Tenor

F

   

D-11

109

 

 

 

 

 

 

        fp



 

B¨-7





     fp

E¨^13

 

 

 

Gtr.

Pno.

Bass

Dr.

  

F-11

   

F-11

 

 

comp for tbn solo

 

tbn solo

tbn solo

115

G¨%

 

110

 

F-11

G¨%

G¨%

 

end solo

G¨^13

walk

111

  

  

G¨^13

116

G¨^13

F-11

F-11

G¨^13

  

G¨^13

solo p/u's

 

end alto solo

end alto solo

 

112

113

114

 

 

F-11

 

Sc

Tbn.

tbn solo

F-11

  

 

F-11

fp

         

    Tpt. 1  

E¨^13

  fp        

   

Bari

Tpt. 2

  

or e

Alto Sax.

D-11

fp



fp

Dr.

E¨%

 

E¨^13

  

Pe

Bass



     Tbn. 

Gtr.

D-11

           

F-11

F-11

117

7/2/09

G¨%

 

G¨%

G¨%

 

 

 

 

 

nl y

 

G-7

  

O

B¨13

l

Tpt. 1

  

Tenor

Bari

C%

ru sa

Alto Sax.

118

F-11

F-11

F-11

 

 

 

119

G¨%

G¨%

G¨%

 

 

120


Chill

11

  Tpt. 1 

Tbn.

Gtr.

Pno.

F-11

   

Dr.

F-11

F-11

 

 

 

G¨%

G¨%

E¨%

E¨%

G¨%

121

122

  Tpt. 1 

Gtr.

Pno.

Bass

Dr.

E¨%

   

E¨%

 

 

 

127

E%

 

 

 

E%

E%

 

128

 

E¨%

E%

124

 

E¨%

E%

E%

 

 

 

E%

 

 

125

126

B¨%

B¨%

B¨%

Sc

Tbn.

E¨%

or e

E¨%

G

Tpt. 2

123

Bari

Tenor

E%

E¨%

Alto Sax.

E%

Pe

Bass

nl y

Tpt. 2

O

Bari

ru sa

Tenor

l

Alto Sax.

129

7/2/09

B%

B%

B%

 

130

F-%

F-%

F-%

 

 

131

G¨^7(#11)

G¨^7(#11)

G¨^7(#11)

 

 

132


Chill

12

  Tpt. 1 

Tbn.

Gtr.

Pno.

A¨%

   

Dr.

A¨%

A¨%

 

 

 

B¨-9

B¨-9

133

A¨^9/C

A¨^9/C

B¨-9

Pe

Bass

134

A¨^9/C

  Tpt. 1 

Tbn.

Gtr.

Pno.

Bass

Dr.

   

 

E¨-13

E¨-13

E¨-13

    

139

E^13(#11)

 

B¨/D

E¨^9

 

E^13(#11)

E^13(#11)

 

140

E¨^9

136

B¨9sus

B¨9sus

B¨9sus

F-9

F-9

F-9

 

G¨^7(#11)

137

141

7/2/09

F/G

F/G

 

142

F/G

G¨^7(#11)

Gsus(b9)

G¨^7(#11)

Gsus(b9)

Gsus(b9)

Sc

Tpt. 2

E¨^9

or e

Bari

B¨/D

135

Tenor

Alto Sax.

B¨/D

nl y

Tpt. 2

O

Bari

ru sa

Tenor

l

Alto Sax.

A¨^13

A¨^13

A¨^13

 

 

143

    mf     mf

 

138

 

 

mf

   

B¨-9

mf

B¨-9

mf

E¨%

          

B¨-9

 

144

E¨%

  

E¨%

   




Chill

13

 

     f              Tpt. 1               Tpt. 2     Bari

Pno.

 

  



        

  

  

 

B¨-7

D¨13

B¨-7

  

 

 

F-11

   

Tenor

D¨13

B¨-7

  

   

  Tpt. 1   Tpt. 2

Tbn.

Gtr.

Pno.

Bass

Dr.

145

     mp

 

    

E¨-11

   

E¨-11

 

 

 mp  

 

mp

  

 

  

Bari

 mp   

mp

 

 

 

F-11

  

F-11

  

   

146

      

       

   

     

 

G¨^13

G¨^13

   

151

E^7(#11)

E^7(#11)

147

 

G¨^13

   

  

 

 

  

 

152

B¨13

F-11

148

 

 7/2/09

153

G¨^13

G¨^13

 

 

 

 

 



149

    

 

B¨13

F-11

 

  

   

F-11

 

Sc

Alto Sax.

        

or e

Dr.

  

                            D¨13

  

Pe

Bass



G¨^13

 

  

nl y

Gtr.

ru sa

Tbn.

H

O

Tenor

                        

l

Alto Sax.

   

B^7(#11)

B^7(#11)

 

(8)

154

   

E¨13       E¨13

fp

   

   

fp

fp

    

   

fp

 

  

 

   

  

set up

150



D¨13

       D¨13

fill

  

fp B¨sus

 155

fp B¨sus

  

     


Chill

14





    Tpt. 1 



 

Tenor

Bari

Pno.

   

fill

B¨-/D¨

         

 

Dr.

  

   

f







f

f

f F-11

  

  

156

f

 

  

w/bass

  



      driving cross-stick groove 



157





over rhy. sec. vamp



158



  Tpt. 1 

Tbn.

Gtr.

Pno.

Bass

Dr.

      



        

162



  

  

   



163

loco

 

  mf   mf

light dist.



  

 

164

mf



mf

 



       



7/2/09

 

   

         

mf



160



 



   



Sc

Tpt. 2

or e

Bari



159

Tenor

  

Alto Sax.

   



end solo

       f   w/piano        f       

f

Pe

Bass

     

ru sa

Gtr.



 

Tpt. 2

Tbn.



  

O

Alto Sax.

I



  

Straight 8's



165

nl y

l

  mf     

  



  

 

Gminor-ish

 





     

 

          

tpt solo over vamp

 

tpt solo over vamp

 

    

tpt solo over vamp



tpt solo over vamp



161

166



             mf      gradual cresc.     



gradual cresc.



167 gradual cresc.


Chill

15

  

     Tpt. 1  Bari

Tpt. 2

Tbn.

Gtr.

Pno.

 

 

 







        

 



 



168

J

            

 

 

 







  



          Tbn. 

Tenor



  

    Tpt. 1  Bari

Pno.

Bass

Dr.

   

  

    

    



 

  

    



174



     



 

   







  

                      



175

    

    





 

170



 

 

 



171

 





     





 

 





   

176

            

7/2/09



172

 

     



 





  



       





 

 

 

 



 

   

  



  



 

  

 



                       

 

 

 

 

         

 

 



 

             

 

  





Sc

Gtr.

169

Tpt. 2

  

 



  

 

  

Alto Sax.

or e

Dr.

 

 

Pe

Bass

 

   

         

 mf

mf

  

   

      

nl y

O

Tenor

l

ru sa

Alto Sax.

177



  



173

        

             

    



178





         



      

  



179

   




Chill

16

 

 



 

Tpt. 2

Tbn.

Gtr.

Pno.

 

     

 

 

                       

 

 

 



f

  

 f 

 

f

         

Alto Sax.

Tenor

 



180

  



     Tpt. 1  Bari

 

     





        



  



           Tbn. 

Tpt. 2



Pno.

Bass

Dr.

            

      



 

  



  



  

 

  

f

 

   

f



 f 

  

        

         

    

 

    





182



  



  

181

  

   

  

 f

  



 

 



 

 

 

 

 

 

 

                  

Sc

Gtr.



  

  

    



186



  

  

 

  



  

      



      



187

  



         f        



183

  





  

188

  

7/2/09

  

 



  





 

 

 

 





  

  

 

  

 

  

  

or e

Dr.

 

 





f

  

Pe

Bass

 

 







  

 

  



                

        

  

   



189

 

  

   

         

  

  

   

  



K 

184

O

Bari     Tpt. 1 



nl y

 

l

Tenor

 

ru sa

Alto Sax.



  

 

  





185

  



     

 

  

        

       



 

    



 

    

                       

 

  





    



190







191




Chill

17

      Tpt. 1   Bari

Tpt. 2

Tbn.

Gtr.

Pno.

 



 



    



 



  

  

  

          

Csus

Alto Sax.

 

Tenor

192

 

  



fp

fp

Bari

fp F-11

Tbn.

Gtr.

Pno.

Bass

Dr.

   

G¨^13(#11)

fp E¨-11

   

 

193

E¨-11

  

198



  

  

     

     



194

 

 

E^13(#11)

E^13(#11)

199

  



        



        

 



 

195

G-9

F-9

F-9

 

   

   

      

F©7(b9)

        

 

 

      







  

 

 

 

ens.



196

B¨^13

200

7/2/09

F/G

F/G

 

201

        

  

197

G/A

      

 

      

G7(b9) A¨7(b9)

 



 

   



F7(b9)

  

 

     

         

 

E+7(#9)

 



  



  

fp

   

   

Sc

Tpt. 2



           

  

 

   fp   Tpt. 1 

 

 

   

  





  

or e

Dr.

              

  

    

Pe

Bass

 



nl y

  

  

O

Tenor

  

l

ru sa

Alto Sax.

A¨^13

A¨^13

202

swing

  

C-9

 clean tone

 

       

B¨-9

B¨-9

 

 

           

 

203




Chill

18

          Tpt. 1  Bari

              Tbn.         Gtr.  F%

E¨13

C-7

Pno.

  

 

E¨% f

 

D¨13

 

Dr.

D¨13

 

 



   

      

      

f

      

204

G-11

                     

B¨-7

  

B¨-7

   

 

   

 



 

  



205

 

    



  Tpt. 1 

Gtr.

Pno.

Bass

Dr.

A¨^13

     

         210

206



G-11

        



              

 

   211



 

   



A¨^13



207

  

       

  

   



   

mp

  

208

209

A¨^13

wind down

G-11

A¨^13

continue noodling into drum solo

  

  

       

 



212

7/2/09

  

    

213

 



               

Sc

Tbn.

or e

 

   

solo around vamp

Tpt. 2

             

G-11



  

G-11

Bari

Tenor

A¨^13



Alto Sax.

Pe

Bass

E¨%

ru sa

Tpt. 2

 

L

mp



nl y

Tenor

     

     

O

     

l

Alto Sax.

 

  

 

  

cresc.

cresc. vamp continues

cresc.

214

        

mp

         

215


Chill

19

  Tpt. 1 

Tbn.

Gtr.

Pno.

 

  

    

   

 

G-11

 

Tenor



    Tpt. 1  Bari

Tpt. 2

Tbn.

Gtr.

Pno.

Bass

Dr.

  

       

  

add tnr/tbn

  

add tnr/tbn 

 

add tnr/tbn mf

222

cresc.

 

cresc.





 

cresc.

cresc.

  

217

  

       

 



  

218

         

 

   

          

223

      

 



 

  

 

219

220

 

 



  

  

  

  

  

   

224

 7/2/09

 

  

     

 

225

   

   

       

  

  

  

 

  

             

  

mf

cresc.

A¨^13

    cresc.    

G-11

   

mf

   w/bari   

  

 

w/bari

   

  

       

  

A¨^13

  

or e

Alto Sax.

216

   

Sc

Dr.

A¨^13

mp

  

 

Pe

Bass

G-11

 

mf

   

mf

mf

nl y

Tpt. 2

O

Bari

l

Tenor

ru sa

Alto Sax.

   

226

 

221

 



  

 

  

 

 

 

     

    

  

         

227


Chill

20

Tbn.

Gtr.

Pno.

  

Dr.

  

f

f

 

 

 

Alto Sax.

  f  

   

Tenor

228

    

f

   229



cresc.

cresc.

  

   

cresc.

Pno.

Bass

Dr.

            

    

add tpt/alto

f

230

 

cresc.

 

  

                             234

 

 

235

  

 

  

  

   

     

236

   

 7/2/09

  

  

232

 

   

ff

 



ff

        

ff

  ff



 

   

 

        

   

 

 

233

 



   

  

           

lead w/guit.        

      

    

          lead w/tpt. 2                   ff

  ff

ff

237

 

  ff  

   

  ff  

  

231

  

cresc.

     

 

 

or e

  

  

                cresc. add tpt/alto                 

Sc

Gtr.

Tpt. 2

Tbn.

  

   

               Bari                              Tpt. 1  

  

add tpt/alto

  

  

  

  

    

                   cresc.                      

      



      



   

   

 

  

      



  

  

f

  

  



Pe

Bass

 

 

f

    

f

   

 

nl y

  

    Tpt. 1  Tpt. 2

  

  

Bari

O

Tenor



l

ru sa

Alto Sax.

add tpt/guit.

  

ff

    

add tpt/guit.

add tpt/guit.

238

                     

 

 

239

 


Chill

21



  

    

Pno.

  

Dr.

 

Alto Sax.

240

241

 

Gtr.

Pno.

Bass

Dr.

   

 

wind down

246

242

 

    

243

247

248

 

fp

 

                 sfz     

  

sfz

   



244

          245



mp

 



7/2/09

 



fp   fp 

  





  fp

Straight M Clarinet    



   

           fp            fp        

   







 

 



Sc

Tbn.

 

 

or e

    Tpt. 1  Bari

  

  

To Cl.

                   

 

Tpt. 2

 

 

  

  

     

Tenor

       

  

           

          

                                                                                  

 

       



     

  

Pe

Bass



 

ru sa

             Tpt. 1     Tpt. 2          Tbn.      Gtr.  Bari

  

 



nl y

Tenor

     

      

O

 

l

Alto Sax.

 

249

w/cl.

3

mp swishes & scrapes  clarinet melody mp

250

 

251




Chill

22



3

    

  Tpt. 1 

Tpt. 2

Tbn.

Gtr.

Pno.

 



252

Cl.

Tenor

     

     mf

    mf       Tpt. 1  Bari

  Tbn.  Gtr.

Pno.

Bass

Dr.

mf

      

        mf  

       mf          mf    

   

mf

mf E¨-13

E^13(#11)

    

 

    

set up mf

   258

  

254

    



   



 





F-9

       

 

F-9

 

 



 

 

     

259

   

   







 



 





F/G

p



p



p

p

 

 

260

7/2/09

 

F/G

p

      

Swing!

set up swing

261

   

      

 

   

fill

 

 

256



     

p



     

p



255

Sc

Tpt. 2

 

253

       mf      



or e

Dr.

Pe

Bass

3

   

nl y

Bari

3

ru sa

Tenor

   

O

l

Cl.

 

        

               A¨^13

 

     

set up  262

257

  

        

          B¨-9

       

   

   

3

   

fp

3

 3

   

fp

  3     3  

     

fp

Roll sfz

fp

263


Chill

23

f

    

       

      Tpt. 2     f    Tbn.               Gtr.  f             

       

  

fill around fig.

     

 

Cl.

N

 

Tenor

Tbn.

Gtr.

Pno.

Bass

Dr.

 

    



f



 

 

f

 

 

 270

   

  

 

  



  



 

        

         

     

  

    

                 

           





 

   

solo (4 bars)

265

    

 

     

       

    

     

 

  

G¨^7

G¨^7 

 

266

                                   

267

                        

    

 

 

  

271

       



                

          

       

                

Sc

Tpt. 2



f

heavyf swing

  

       Tpt. 1  Bari



     

           f          

264

or e

Dr.



Pe

Bass

ru sa

Pno.

f

f



  

  

F-11

F-11

 



 

 

  272

  7/2/09

f

f

f

  f

   f

f

fF-11

   f

  

F-11

 

set up

  

nl y

    Tpt. 1  Bari



  

  

268

269

       

O

Tenor

          f         

l

Cl.

G¨^7

G¨^7

 

 

273

 

        

 

               

                

 

       

E¨-11

E¨-11

E^7(#11)

 

274

 

E^7(#11) 



 

  275


Chill

24

    Tpt. 1 

Tbn.

 

Gtr.

Pno.

 

B¨7(b13)

   

B¨7(b13)

 

Cl.

Tenor

   



Tbn.

Gtr.

Pno.

Bass

Dr.

 



  

   

   

3

 

  

  

B¨7(b13)

B¨7(b13)

 

 







 

   

   

278

   

  



 

 

fp

fp B¨sus



 

D¨13

  

sfz

  

279

       

          

  

      



          

 

      

   fp  

   



E¨13 3

277

 

fp

       

 

sfz

 

       

 



283

      

  

  

    

   

  ff

 

Fill (set up latin)

ff



O

280

    

         

   

    

           ff               

ff

 

 

284

7/2/09



    

ff

ff

ff      

       

ff

   ff

    285

 

   

     

    



  



straight

    

fp

    fp 



        

282

 

      

                   

 

3



        

         

Sc

Tpt. 2

276

    

     Tpt. 1 

   

B^7(#11)

     

Bari

fp  

       

B^7(#11)

 

  



or e

Dr.

  

Pe

Bass

  

                                

Bari

Tpt. 2





nl y

 

     

O

Tenor

        

  

l

 



ru sa

Cl.

  

           ensemble figures driving fills around figs.

ff

286

 



  

  

         

                   

    

281

 

       

       287


Chill

25

Tbn.

Gtr.

Pno.

  fp  











                fp fp

                    

             

    

                 

  



   

               

  



  

       

                       

          

289

290

     





   

         

  

7/2/09

     

 



  

  

                       

           

    



  



                           



  

                    292

291

O



or e

288

          

Sc

Dr.

    

Pe

Bass

fp

     

ru sa

Tpt. 2

            



 

nl y

  Cl.  fp         Tenor  fp         Bari   fp          Tpt. 1 

l

      

293


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