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CHAT

Page 1

CHAT For

Big Band Composed by Christina Rusnak Arranged for Big Band by Dave Richards


Copyright Š2007 Christina Rusnak All rights reserved internationally.

Rusnak Music Press A BMI Company


Chat –

Duration ~ 8:25

Notes:

We all go into spaces that are hubs of activity. The multitude of voices, people coming in and out, and all the associated sounds of movement creates a composite sound with a distinctive rhythm all its own. I created this piece in 2005 when Chat Rooms became temporarily popular. I imagined the pulsating energy of all of the various dialogs and the interweaving of conversations – becoming a separate entity called Chat. -- Christina Rusnak 2005

Instrumentation: Flute / Alto Saxophone - 2 Tenor Saxophone - 2 Baritone Saxophone Trumpet – 4 Trombone – 3 Bass Trombone Drums Piano Guitar Bass


Alto 1

Alto 2

Chat 

Straight 8's

q = 132

Flute

 

   

  

  

Flute

Christina Rusnak/

A

 

 

 

     

 

     

 

mf

arr. Dave Richards



  



 

  

 

mf

 

 

 

 

 

Tenor 1

 

 

Tenor 2

 

 

 

 

 

  

 

 

 

  

 

 

 

 

 

 

  

 

 

 

  

 

 

 

  

 

 

 

  

 

 

 

  

 

 

 

  

 

 

 

  

  

 

  

   

 

 

  

  

 

  

Trumpet 1

 

 

Trumpet 2

Trumpet 3

 

Trumpet 4

 

Trombone 1

  

Trombone 2

  

Trombone 3

  

Bass Trombone 4

Guitar

Piano

Bass

Drums

  

   

   

 

     

   

   

 

 

 

Splashy time solo

mp

     

 



  

P Sc er u or s e al O nl y

Baritone

  

 

2

3

 

mf

  

4

mf

9/25/08

  

flugel

 

mf

 

5

 

mp

     

 

mp

    

     



band enters - keep time solo going  mf

     

 

     

mp

 



6

 





  



 

   

 

     



7

  

  

 

 

  

  

8

   


2

Chat

   

Fl.

  

Tenor 1

 

Tenor 2

  

  

Bari

Tpt. 1

 

     

 



  

 



  

  

 

    

 



Tpt. 4

  

Tbn. 1

   

   

Tbn. 3

   

B. Tbn. 4

   

  

Bass

Dr.

             

  

 mf        

 

9

   

 

 

 

  

Pno.

  

 

mp

 

 





Tpt. 3

   

 

  

 

Gtr.



  

    

Tpt. 2

 

  

Tbn. 2

 

mp

     

      

P Sc er u or s e al O nl y

Fl.

     

      



10

 

 

 

 

 



  

  

 

  

 

  

 

  

mp

 

mp

  

 

mp



mp

mp

     

 



 

   

 



 

  

  

11

12

9/25/08

  

   

 

13





 

  

 

  

 

 

  

 

  

 

  

 

  

 

  

 

  

 

  

  

 

 

 

  

 

 

 

  

 

  

 

  

  

  

  

 

  

 

  

       

  

  

 

  



     

      

  

     

     

   

 

  



  

mp

  

 

  

  

 

  

 

 

 

  

Solo Fill E¨-

 

bass solo fill

14

15

  

16

 


3

Chat

    

    

  

 

 

 

  

 

 

 

   

  

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

    

Fl.

   

Tenor 1

  

Tenor 2

  

    mp    Tpt. 1  

3

        f

Bari

Tpt. 2

  

Tpt. 3

  

Tpt. 4

  

Tbn. 1

         

Tbn. 2

Tbn. 3

B. Tbn. 4

Gtr.

Bass

Dr.

           

     

3

  

 

   

Pno.

   

          

 

             

  

P Sc er u or s e al O nl y

Fl.

 

  

  

to tpt w/bucket

 

 

 

to bucket

  

 

 

 

  

 

 

 

 

     f   

 

 

   

    f

 

17

        

f

 



18

 

 



  

 

 

     

  

  

19



 

  

     

 



  

 

mp InStand

 

  

InStand

  

  

 

mp In Stand mp In Stand

 mp  mp

  

mp

 mp



mp



mp

20

9/25/08

 



  

 



 

 

 

 

       

 

 

   

 

 

 



   

  

 



   

  

  

  

  

  

  

  



  

  



  

21

   



  

 



    

wind down solo

   

 



22

 

  23

to bucket



 

  

     

   



  

     

  



    

solo fill

24

open

to bucket

to bucket

25


4

Chat

Fl.

Fl.

B   

 

  

 

  

 

  

  

 

  

 

      

 

Tenor 1

       

Tenor 2

  

Bari

  



mf

  

Tpt. 2

 

Tpt. 3

 

Tpt. 4

 

Tbn. 1

  

   

   

Tbn. 3

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.

mf

   

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

  

 

 



E¨-9

mp

  

      



  

 

  

 

  

 

  

 

  

 

      



 

  

 

26

  

D-11

 

  



D-11

   

   

28

  

 

27

  

    

mp tnr/tbn/guit melody

  

  

     

  

  

   

mp

  

  



mf



         E¨-9

         

Tbn. 2

  

P Sc er u or s e al O nl y

Tpt. 1

  

 

             

29

9/25/08

E¨-9

  

30

D-11

E¨-9 continue similar groove

  

   

31

  

32

 

D-11

  

  

  

 

 

33

   


5

Chat

Fl.

   

 

Tenor 1

   

     

Tenor 2

 

Bari

Tpt. 1

   

  

Tpt. 2

 

Tpt. 3

  

Tpt. 4

  

Tbn. 1

  

    

Tbn. 3

  

B. Tbn. 4

  

Gtr.

Pno.

Bass

Dr.

B¨-9

       

B¨-9

  

  

  

 

    



 

 



 



ppp

 

  

ppp

 

 

  

  

 

  

 

  

 

  

 

  

 

  

  

 

  

 

  

 

  

  

 

 

  

  

  

  

  

  

  

  

  

  

  

  



  

  





A-11

34



   

  

 

  

      



 

   



  

  

     

  

Tbn. 2

  

P Sc er u or s e al O nl y

 

Fl.

A-11

36

  

 

 

35

  

  

37

9/25/08

    



 

B¨-9

  

  

38

     

B¨-9

 



A-11

39

40

 



 

to bucket

 



bucket

 

ppp

     

   

   

    

   

ppp

bucket

  

 

ppp

 

A-11

bucket

 

ppp

 

 

41

 

   


6

Chat

C    

   

Fl.

 

Tenor 1

  

Tpt. 1

 

f

 

   

mf

 

       

  

  

  

  

 

  

  

  

 



  

 

  

 

  

 

 

 

  

 

  

   

   

  

     

   

   

  

 

  

 

  

 



   

 

    

   

 

 



    

   

 

 



     

  

 

  

 

 

 

    



  

 



 

  

 

  

  

  

 

 

  

  

   

 E¨-9

   

mf

     mf

42

D-11







43

 





D-11



 

44

  

   

 

45

E¨-9

E¨-9

     

9/25/08

 

  

 

  

  

mf

 

E¨-9

   

 

 

  

Dr.



  

Tbn. 2

Bass

 

To Alto Sax.

 

Pno.

 

  

 

  

Gtr.



To Alto Sax.

  

B. Tbn. 4

 

  

mf





 

  

 

    

 

 

    

   

 

  

Tbn. 1

Tbn. 3

     

   

    

 

mf

   

   

   

  

 

mf

Tpt. 4

  

   

  

  

Tpt. 3

   

   

Tpt. 2

  

f

   

Tenor 2

Bari

 

P Sc er u or s e al O nl y

Fl.

 

46

D-11

 

 

 

 

47

 

D-11



  



48

  

        

 

 

 

 

 49

 

   


7

Chat

Fl.

Fl.

   

 

 

  

 

 

         

Tenor 1

mf

Tenor 2

Bari

Tpt. 1

mf

   

 

         

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.

mf

  





G#-9

   

f



G#-9 f

   f

 

       

                     

    

F#-9

        

 

 



 f

 

51

  

   

    

F#-9

 

 

 

 

52

    

 

        

  

 

  

 

    

 





53

F-9



 

9/25/08

F-9

  

 

 

 

mf

 

mf rhy. hit

 

54

  

 

  



  

 

  

 

 

 

 



f

f



 

  

 

  

 

        

  

 

    

 

   

 

f

mf

  

bucketf

f

  

bucketf

  

 

  

    

mf

f

    

   

 

  

    



          

50

          

  

  

   

    

mf

  

  

              

 

bucket           

Tbn. 3

Tpt. 4

mf

    

         

Tbn. 2

   

        

Tpt. 3

Tbn. 1

   

    

  

mf



  

Tpt. 2

  

          

          mf

  

P Sc er u or s e al O nl y

        



f

f

f



 

   

                     

light fill

ens.

 

55

   

 

  

  

  

    

 

  

  

    

 



rhy. hit

 



56

   

fill



57


8

Chat

Fl.

D   

 

 

 

 

Tenor 1

  

Tenor 2

  

  

Bari

Tpt. 1

        mf

Tpt. 2

       

Tpt. 3

       

Tpt. 4

       

mf

mf

    

mf

Tbn. 1

Gtr.

Pno.

Bass

Dr.

  

   

  

Tbn. 3

B. Tbn. 4

     

Tbn. 2

  

mf

  

mf 6 mf







  





  



     

   

  

  

  

  

sub. mp

  

sub. mp

 

58

 

 

 

  

  



  

    



 

D-11

          



 

 

 

      





      





      





  

       

   

                    

 

mp                      mp

 

  

sxs  

60

 

          61

9/25/08



      

 

  

  

 

       

  

59

  

  

  

    

  

  

E¨-9

    

mp

    

  

   

     

mp                

  

        mp          

  

  

mp Alto Saxophone

 

   mf

    

         

 

         

 

 

    

 

    

         

    

         

mf

 

mf

P Sc er u or s e al O nl y

Fl.

 

              

Alto Saxophone

  

  

  

   

 

 

      

brass

          



mf



mf





mf

     mf    

      



mf

mf



 



mf

   

mf

     set up

    63

   

mf

mf

 

  

  

 

  

 

          

  

 

  

 

  

 

 

  

 

  

 

 

 

          

 

                  

 

                     D-11   

 sxs 

 



  

  



 

   

mf

    mf      





  

62

mf

64

 

 

    

     

 

 65

 

 

 


9

Chat

Alto 1

Alto 2

       

  

  

  

       

  

  

             

 

 

 

 

 

Tenor 2

   

Tpt. 1

Tpt. 2

   

     

  mf        mf

        mf

       mf        Tpt. 4     mf       Tbn. 1  mf        Tbn. 2   mf        Tbn. 3   mf        B. Tbn. 4    Tpt. 3

Gtr.

Pno.

Bass

Dr.

  

mf

   

B¨-9

       

    

 

      

 

  

  

B¨-9

tpts 

  

       

         

     

 

 

 

  

    

 

  

  

      

  

  

     

  

  

     

   

E7(b9)

  



   

    

G-11

 

    66

   

 

        

  

67

A-11

 



A-11





      

   

      

  

  



  

  

  

       

       



  

   



     

  

   



  

    

    

       

       

 

 

  mf

  

   

                 

P Sc er u or s e al O nl y

Tenor 1

Bari

             

   

      68

     





  

            

     

 

69

 

         

  



  

        



   

         



  



 

        

  

   

  

   



  

   



  

  

  

   

 

  

B¨-9

  

F7sus

B¨-9

  

  

9/25/08

70

F7sus

   

 

  

  

 

    

  

  

 mf

   

71



 

   

  

   

 

fill around hits

  



72

  

 



  

     

         

           

                     mf

 



 

   

  

   

  



mf

  

   

  

   73

   

fill

74


10

Chat

Alto 2

Tpt. 1

 



Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

 

Tbn. 3

 

B. Tbn. 4

Gtr.

 

Bass

Dr.

 

 

 

ppp

  





opeN (fast)

75

      

     

  

    

  

    

             mf

  

  



               

mf

f

  



  

  

  

open

     

  

 

  

  

  

  

D-11

E¨-9

 

 

 

76

               

mf

mf

mf

    

     

mf

    



 

 

 

77

mf

78

    

 

mf

  

  

  

mf

     

79

9/25/08

   

  

   

  

   

  

  

  

   

  



     

  

 

     

  





  



      80

 

 



   

  

     

  

     

 

 

        

  

 

 

 

 

 



 

   

  

   

    

   

   

 

  

    



   

 



   

        

   

    

        

   

 

   

  

  

 

     

   

 

 

   

    

 

  

   

 

   

    

  

    

  

  

   

    

 

    

ens. hits - fill lightly

  

 

mf

     mf  

  

   

    

    

  

     

              

D-11

  

E¨-9



   



  

open

 

  

sneak in

   

open

    

Pno.

f

f



Tpt. 2

ppp

Tenor 2

 

ppp

 

Tenor 1

Bari

E

 

P Sc er u or s e al O nl y

Alto 1

   

  

  

  

  

  

fill

81

tpts

   

 

    set up

light time               82

83

 



  

 

84

 


11

Chat

Tenor 1

  

Tenor 2

  

Tpt. 1

     

    

        

sub. f

  

Tpt. 2

Tpt. 3

  

Tpt. 4

  

Tbn. 1

         

Tbn. 2

Tbn. 3

Gtr.

f

sub. f

  

B. Tbn. 4

      f

  

Alto 2

Bari

      

   

Bass

Dr.

f

    

  

 sub.  f     

    

f

    f    f      f

 

    

sub. f

        f sub.

 

 opt.           sub. f

        sub. f         sub. f             

Pno.

    

 

sub. f

  

sub. f

 



  

F

        

 

  



  

  



  

f

f

   

      

  

    

  

 

 

 



     

         

 

  f

   85

 



     

   

 

  

  

  

  

  



  

 

  

 

mf

mf

 

mf

 

mf

  

  

  

86

  

 

  

  

 

  

  

 

  

  

 

  

   

  



  

  

 



  

   

  

  

  



  

mf

  

mf 2 set up beat

   

 

mf tbns

  

         

    

       

 

 

    

87



     

  

 

   



88



  

 



9/25/08







                   

     

                                                

    

        

  

w/tbns - play these voicings

 

  

    

  

 

 

     

  



 

 







89

f

   f    f

 



   

   

   

       

tpts/sxs



90

 

 

Big fill!

91

  

 

  

     



 

ff 

 

   ff

 

 

ff

 

     ff 



  

 

ff

  



 

ff

 

 

ff

  

 

 

   

f

  

  

f

 

ff

  

f

 

  

  

   

  

(-2)



 

  

P Sc er u or s e al O nl y

Alto 1

ff

   



ff 

 

 

ff

 

ff

  ff

 

 

 

 

     ff set up

  ff

92

   


12

Chat

Alto 2

Tenor 1

Tenor 2

 

 

      

 

    

   

  

    

 

       Tpt. 1     Tpt. 2   Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

  

 

        

   



 

     

    B. Tbn. 4    Gtr.

  

Bass

Dr.

      

 

f

f Big Wash!

    

 f

  

  

  

  

 

  

  

  

 

 

 



fp

E-13



fp

 

  

  

  

  

     

 

mp

 

mp

      

     

    

  

  



  

  

  

  



 



 

mp

93

      mp

 

  

      

ens fig - fill around

     94

     



  

 

95

 

  

  

  

 

fp

 

  

96

9/25/08

fp

solo

  

    

 

    

 

mf

       

 

     mf       

 

 

      

   

 

mf

               

mf tenor 1 solo

low guys

  

 

  



98





  

   

 

 



 

  







99



mf

97

 

mf

  

      mf

fp

  

fp

  

fp

 





  

    

    

fp

 

  

     



  

   

 

time

  

 



fp

  

        f        

 

   

Pno.

  

 

Bari

P Sc er u or s e al O nl y

Alto 1

       

to flugel



 

  

100


13

Chat

G    

Alto 2

Tenor 1

Tenor 2

Bari

 



p

 F-9



p





p



 



 

E-11

 





 

p

P Sc er u or s e al O nl y

Alto 1

Tpt. 2

Tpt. 3

Tpt. 4

Tpt. 1

Pno.

Bass

Dr.

p



  

Tbn. 3

Gtr.

  p

  

Tbn. 2

B. Tbn. 4



  

Tbn. 1

p

   

p 

  

 E¨-9

    

E¨-9 



comp for tenor solo

 p

 

101

 





p

 





Medium Straight 8's groove tbns



to flugel

  

 



102

 

103

D-11

104

9/25/08

D-11

105

106

107

 

(8)

108


14

Chat

Alto 2

Tenor 1

Tenor 2

Bari

 

  C-9

 

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

 

Tbn. 3

 

B. Tbn. 4

 



Tpt. 1

Gtr.

Pno.

Bass

Dr.

B¨-9

    

 

B¨-9

   

109

B-11

P Sc er u or s e al O nl y

Alto 1

110

111

A-11

112

A-11

9/25/08

113

     

in stand

p in stand

     

p in stand

     

p in stand

     

p

114

 

  

    

 

 

  

    

 

 

  

    

 

 

  

    

 

 

tbn bkgds

115

 

(16)

116


15

Chat

 

Alto 2

Tenor 1

Tenor 2

Bari

Tpt. 1

 

Tpt. 2

Tpt. 3

Tpt. 4

Bass

Dr.

   mp





  



 

 



flugel

  





  

  





  

mp flugel mp





 

E¨-9

E¨-9

sx/tpt bkgds





mp

  mp

mp

 

fp

         

 

fp

E-11

         

         

in stand

  

     



mp in stand

fp

mp

fp

 

  



  



  



  



119

   p

   p

      

    

  

  





 

 

   

D-11

120

9/25/08

D-11

121

mp

mp



 

mp

123

 

122

mp

   

fp

fp

fp

   fp

p

    p

  

118

117

 



   

 

mp

  





   

mp

         

   

   

Tbn. 3

Pno.

F-9

 

Tbn. 2

Gtr.

 

Tbn. 1

B. Tbn. 4

H 

P Sc er u or s e al O nl y

Alto 1

 

(8)

124


16

Chat

 

Alto 2

Tenor 1

Tenor 2

Bari

 

  B¨^7

  

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

  

Tbn. 3

  

Tpt. 1

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.

  

 

 

A¨^7

  

125

E/G#

C©-7

mp

  

mp

C©7(b9)

 

  

 



 

 

F©-7(b5)

 

 

 A¨^7

A7sus

to tpt

 

  

  

B7(b9



E-9



wind down to nothing



  

  

   

G7sus

126



D/F#

B-7

D/F#

E-7(b5)

B-7

B7(b9)

  

128

9/25/08

 

open

 

open

 

open

A7(b9

129

130

open

D-9



A7(b9

  

E-7(b5)

  

 

 

127

B7(b9)

 



  

   

  



 





mp



  

G7sus

  

  

mp

P Sc er u or s e al O nl y

Alto 1

 

D-9



131

  

(16)

132


17

Chat

 

Alto 2

Tenor 1

Tenor 2

Bari

 

  

I 

 

 

Tpt. 4

Tbn. 1

 

Tbn. 2

 

 

 

Tpt. 1

Tpt. 2

Tpt. 3

Tbn. 3

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.



  

     

 

133

ff

ff

end solo

   

      

  ff      ff  

           

  ff        nasty tear off    to straight 

P Sc er u or s e al O nl y

Alto 1

 

ff ff



ff

ff

(18)

134

  

ff

    ff      ff      sub. ff  

                    



ff

    



   

 

   

sub. ff

  

       

      

to trumpet

to straight

         

           sub. ff 135

solo - start soft and build

136

9/25/08

137

138

139

140


18

Chat

Alto 1

 

Tenor 2

Bari



Tenor 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

 

Tbn. 3

 

B. Tbn. 4

 

 

 

 

Tpt. 1

Gtr.

Pno.

Bass

Dr.



141

mp

  

mp

     

      

  

mp

    

   



   

2nd & 3rd x only

   mp



  

J   

      



      

mf

      



      

mf

     

      

mf

 

  



           mp 3rd x only             

 



  

3rd x only







  

mp

       

2nd & 3rd x only



  



  

 

 

142



mp x only 3rd

 



mp 2nd & 3rd x only

3rd  x only 

       mp  

mp

    

mp

          

mp Keep soloing



  





143

  





144

9/25/08

145

146

  

  

                    

mf

 



mf

      



  



mf



  

  

     

                

   

 

      

   



  



  

    

   

  

      

  

mf



  



  

  



mf

     

 mf

 

           

mf Keep soloing

 mf 

 

      

 

P Sc er u or s e al O nl y

Alto 2

3 x's 

  

  

       

       





147

  





       

  



  



148

   




19

Chat

Tenor 1

Tenor 2

Bari

Tpt. 1

Gtr.

Pno.

Bass

Dr.

   



  

  



      

       





149

Straight



f

 

f



 f 

f Straight

 

  

  

  



  

                

 

 

f





   





 



Tbn. 1

B. Tbn. 4

Tbn. 3

  



Tpt. 4

Tbn. 2

f

   

Tpt. 3



Tpt. 2



 

  

Alto 2

   

   

   

  





   

  



 

   



     

     

  



     

     





  





  

    

    

  



150

 

f

  

   

  

           



f

f

   

  

   f

f



 

  



f

  

     

  



   

  



 

   

  



 

   

  



  



  

 

        

 

     

 

     



  

     

 

  

      

  

      

  

  



  



   

    

  

  

 

  









151

  





 

        

 

9/25/08



152

  





 

   

 

 





153

 

 

 

fill



ff

154



ff

     ff  

ff

   

ff





                



  



Silence!!

ff

P Sc er u or s e al O nl y

Alto 1

  ff      

 to harmon

ff



 

ff



to flugel

ff

   ff

  

ff



ff



ff



ff

 

   

  

ff fig. ens end solo

155


20

Chat

 

Alto 2

K   

mf



mf

Tenor 2

  

Tpt. 1

Tpt. 2

 



      



      



      



Tenor 1

Bari

      

mf



mf

       

Tpt. 3

Tpt. 4

Tbn. 1

   

to straight

Tbn. 2

 

to straight

Tbn. 3

   



  

           B. Tbn. 4  Gtr.



Bass

Dr.

 

 



Pno.

mf

H.H. only

 156

 

 

      



  

      

     



  

      



      



        

   

      



      



  

 

        

     







      

   

  

      

   



   

          

  



       

 

        

  

  

 



  

      

 



        



      

  



  

  

  

  

 

   



   

   





        



    

 

  

mf straight



       

  

   

mf

     





      



    

               





   

            



 

    

  



   

  



      

         



 

        

 

  

 

     



 

      



      

        Straight             mf Straight           

   

      

       

mf to straight

  

      

   mf

   

P Sc er u or s e al O nl y

Alto 1

      

  

 

        

 

  

 

        

 

 

 

    

 

   



    

 

 

  

 

  

 

  

 

  

 

 

 

 

  

 

  

  

busier h.h. - bob curnow breakdown style      

  

157

158

159

160

9/25/08

161

162

 

163

   


21

Chat

Alto 2

Tenor 1

L    

      

    p    

                          



    

      



p

mf

Tenor 2

p

       p harmon    Tpt. 1   Bari

mf

    

Tpt. 2

   

p Flugel

Tpt. 3

Tbn. 1

Tbn. 2

Tbn. 3

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.



       

    

mf



      

 

        

      



 

  

           

 

 

        p               p             

                 

    

   

Tpt. 4

      



p

     

  

 

       

   p

p

          

    

mf

f

  





   



164

  

   

  

  

 



        

     

 

165

 

    

   

  

      



      



        

     

           



 

                 

      



        

     





   

                      

   



            

 

   

        

  

          



    





  

 

   

   

  

  

 



166

167

       





  

  

      



 

  

9/25/08

    

   

   



   

  



  

 

  

      



                              

      



   

mf

    

       

   mf

  

  

     

     

      

  

get busier (more kit)

168



mf



   

169

  



       

 

        

 

 

 



 

     

  

 

        

 

  

 

        

 

 



 

 

    



 

  

 

  

 

   

 

          

           

     

        

            

                             

  

                            

  

 

 

  

 

 



  

   

          

   

  





 

    

  

           

  

    

  

       

    

     

mfRhy sec. melody H.H. groove - start to use other cymbals, too.

  

   

P Sc er u or s e al O nl y

Alto 1

170



   

 

 

 

  

171

 

 


22

Chat

     

cresc.

    

Alto 2

cresc.



Tenor 1

  

Tenor 2

    

cresc.

cresc.

            

     

      

   Bari      

      

 

  

      

   

               

Tpt. 2

    

Tpt. 3

   

      

Tpt. 1

cresc.

cresc.

cresc.

cresc.

cresc.

    

Tbn. 2

  

cresc.

     

Tbn. 3

   

cresc. 

cresc.

   

cresc.

     

Pno.

Bass

Dr.

  

cresc.

      

 

                   

      

 

  

        

        

cresc.

172

  

mf

 

mf

           

mf



           

 



   

 

 

  

                

  

 

mf

         

     

              

        

     

         mf             

f

 

 

      

174

     

    

                

                

                         

mf

    

f

    f

           

f 

 

   



   

  



  



  



  



  



  

mf

washy 1/2 x feel w/ backbeat

 

9/25/08

 

 

175

 

176

Fill

ff

177

ff set up

   

   

 f

 f

f

 

SOLO!

   

      

ff

f

E¨-9





         ff      

ff

         

f

f

       

    ff

w/bass

 f    

ff

          

ff

             

 

           

mf

    

     

 

                                       

mf

     

     



f

        

 





173

open (fast)

  

               

     



f

                







    mf

     

     

 

mf

M              

      

f

     



         mf      

  

     

cresc. move towards 1/2 x feel w/backbeat

  

mf

   

            

            



                 cresc.                         

Tbn. 1

Gtr.



     

  

Tpt. 4

B. Tbn. 4

 

      

 

       



P Sc er u or s e al O nl y

Alto 1

 E¨-9

 

piano solo - Keep 1/2 x feel going

178


23

Chat

Alto 2

Tenor 1

Tpt. 1

 

 

Tpt. 4

 

Tbn. 2

  

Tbn. 3

  

Pno.

Bass

Dr.

  

       



pp



  

  

   

    



 





  

              

    

open



                    pp                               

open

 



to tpt

  

     



open

Tbn. 1

 

  

Tpt. 3

Gtr.

       

       

  

         

Tpt. 2

B. Tbn. 4

               

  

Tenor 2

Bari

 

pp

                 pp               

 

 

  

             

  

179







  

  

pp

 

               p                p

                          

      

open



open

P Sc er u or s e al O nl y

Alto 1

180

D-9

181

D-9

9/25/08

 

 

 

 

wind down 1/2 x feel back to normal st. 8's groove

182

 

 

183

 

 

 

 

184

  

 

 

185


24

Chat

Alto 1

 

Tenor 1

Tenor 2

Bari



Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

 

Tbn. 3

 

 

Tpt. 1

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.



B¨-9

    

 B¨-9

   

P Sc er u or s e al O nl y

Alto 2

186

187

188

A-11

189

9/25/08

A-11

190

191

192

 

(16)

193


25

Chat

Alto 1

N  

Tenor 1

Tenor 2

Bari



Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

 

Tbn. 3

 

 

Tpt. 1

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.



E¨-9

    

 E¨-9

   

P Sc er u or s e al O nl y

Alto 2

194

195

196

D-11 start implying a dbl x feel

197

9/25/08

 

 

 

start implying a dbl x feel

198

D-11 start implying a dbl x feel

 

 

 

199

 

 

 

 

200

 

  

 

 

201

 


26

Chat

Alto 2

Tenor 1

Tenor 2

Bari

 

p

p

p

p

p

Tpt. 2

Tpt. 3

Tpt. 1

Tpt. 4

Tbn. 1

 

Tbn. 2

 

Tbn. 3

 

B. Tbn. 4

 



Gtr.

Pno.

Bass

Dr.

 

A¨^7

    

 A¨^7

   

 











mf

mf



mf

       

    

              



 

mf

mf

D/F#

203

B-7

D/F#

204

B7(b9)

  

p

  

p

  

p

   

p

E-7(b5)

B7(b9)

205

mp

  mp 

  



  



     



mf

mf

9/25/08

   

 

 

 

 

 



A7(b9

A7(b9

207

     

D-(^7)

  

3         mf 3        3          3      

mf

mf

  3     

  

208

mf

end solo

mf

3          mf         3

mf

D-9

mf

    3      

  

3

3          mf 3        

206

3

3 3

mf

         mf          mf    

E-7(b5)

 



B-7

move towards dbl x feel

202

move towards dbl x feel G7sus



move towards dbl x feel G7sus



 

 

P Sc er u or s e al O nl y

Alto 1

         3

mf set up dbl x feel

      mf

209

 3


27

Chat

O Double x Feel! 3                          f

Alto 2

Tenor 1

Tenor 2

Bari

Tpt. 1

 



 

f

f

 

f

Tpt. 3

f



Tpt. 4

Tbn. 1

   

Tbn. 2

Gtr.

  



Pno.

Bass

Dr.

f   f

    

Tbn. 3

B. Tbn. 4

 f  f

Tpt. 2

f

f

f

 f   

 

3              

       

3           3         3           

                          

E¨-11

f

   

                    

                      

             

3                 3                 3                  

            3

 3                        3

3              

watch out for clef changes

 

(double x samba feel)

210



3             

f DBL X SAMBA FEEL!

 

                        

3

  

f

   

             

  

   

                        

 

         

 

 

 

 

       

     

       

          

 

          



               



    

           

  

  

  

        

        

        

                      

211



 

 

  212

 

213

C-(^7)



9/25/08

  









 



 



                          

 

            

D-11

 

 

214

    





  

 

215

3

                  3                 3



               3

 

                 3                  



                







                 3

3                   3

3

                 

l.h.

  

 

          3

3

           r.h.                     

  



3

         3

P Sc er u or s e al O nl y

Alto 1

 

B7(b9)

 

 

 

  

   

216

3

  

217


28

Chat

Alto 2

 

  

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

   

    

Bass

Dr.

     f

        

         3      

 

  

      3                   3

            3             3

3         

     

       3          

ff

 

G-(^7)

  

  

3              

    f       

  

       

f

      

f

                    



  

  

Pno.

f

   

    

  

Tpt. 3

Gtr.

      

Tpt. 2

B. Tbn. 4

   

Tenor 2

Tpt. 1

Tenor 1

Bari

      

  

       

       

       

       

   

3    3  mf 3

   3   

   

mf 3

   

3      

   

3 3      

mf



  

  fp

 

fp



fp

 



P Sc er u or s e al O nl y

Alto 1

F#-7

  

      

     

   

3         mf       

fp

     3    3 

                           

        

fp

mf

9/25/08

3       3

221

  fp 3 3                 3          mf 3

3              

fp

mf 3

fp

3      3   mf         3 3        

 

3

    fp  

 

  3           fp

mf

fp

mf



222

3

 

fp

3

 

fp

mf 3

             

D^7(#11)

 

fp

mf 3

mf 3 

fp

3 3          

220

3

fp      

fp

  

fp

   



mf

fp

   

219

   3   

218

mf 3

      

3

3 3

3

      223

      

      

   

                    

       

        224

  

    

  

washy half x feel

            

     

     

  

  

     

       

   

         

  

fill around ens. fig



 

  

225

 


29

Chat

Alto 2

 

Tbn. 1

 

ff

ff

 

ff



Bass

Dr.

  

ff

                  

ff

ff

f

                f   



ff washy half x feel

 

ff

 

fade to nothing



fade to nothing

  

 

fade to nothing

  

 

fade to nothing



 



  



 

   

  

  

  

   

     

226

 

fade to nothing

  

  

  

 



   

   

                          

                                          

 

   

                                  



  

ff



 

          

 

  



Tbn. 3

Pno.

 

    

                               



ff

   

Gtr.

  



ff

Tbn. 2

                          ff     

 

 

 

                       

ff

Tpt. 4

B. Tbn. 4

  

           

Tpt. 3

  

ff

Tpt. 2

ff

            

Tenor 2

Tpt. 1

Tenor 1

Bari

P       

P Sc er u or s e al O nl y

Alto 1



 



   





   

227

228

229

9/25/08

p in stand

        p

b.a.b

        4p instand 

       pinstand 

 



  



wind down to original st. 8's groove

230

        



 

p

   

 

in stand        

    

231

         

 

 

 

 

 

mp

232

 

  

    233

p


30

Chat

Alto 1

 

Tenor 1

Tenor 2

Bari



Tpt. 1

Tpt. 2

Dr.

 

  

Tbn. 3

Bass

 

    mp

mp

  

mp

    mp

 

 

to bucket

 

to bucket

mp

mp



mp

mp

  

 

  

234

    

 

mf

 

    

 

     

  mf    

 

      

 

          

 

    

low guys



mf

mf

mf



235



  

to bucket

to bucket

 

to bucket

 



 

to bucket (fast)

 

  

   

to bucket

to bucket

    

  

236

      

 

 

 

  

 

  



 

  

 

mf

mp

 

    

mp

   



  

Tbn. 2

Pno.

  

Tbn. 1

Gtr.

Tpt. 4

Tpt. 3

B. Tbn. 4

P Sc er u or s e al O nl y

Alto 2

237

9/25/08

  

 

 

  

   

  

  

 

  

  

  

  



    



  238

 

 

239

240

  

241


31

Chat

Alto 1

 

Alto 2

Tenor 1

Q  

     



     



Tenor 2

Bari

Tpt. 1

 

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

 

Tbn. 2

mp

Tbn. 3

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.

    





       

mp       

  



  

  

 

       







mp

 

  

  



         mp

 



  



 



  





 



  





  

  

  



P Sc er u or s e al O nl y

mp

  

242



  



  



  



  





  





  





  

mp fill lightly around ens figs. mp

243

244

fill

mp



   

 



   

 





245

  

   

   

   

  

  



  

  



  

  



  

fill

  



  



  



  



  



   

  

   



  





 



 



  



9/25/08



 



246

247

248

249


32

Chat

Tenor 1

Tenor 2

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

 

 

 

mp

 

 

 

  

  

  

  

Tbn. 3

  

mp

mp

mp

   

 

mp 

 

mp

  

  



 

mp 

mp

 mp   

mp

 

  

 

  

 

 

 

 

 

 

 

 

 

  

 



tpts



  

 

  

  

 

  

   

 



  

     

 

  

  

  

250

 

 



  

  



 



 

 

  

 

 

 



     

   

   

 

   

 

 

   

 

 

 

 

 

 

         

 

 

   

 

 

     

 

 



  

 

    

     

  

 

 



 



251

 

 

 



 

  

 



 

  

mp

  

mp

 

mp

   

  

Dr.

Tbn. 2

Bass

 

  

Pno.

 

  

Gtr.

mp

 

 

Tbn. 1

B. Tbn. 4

 

 

 

  

Alto 2

Bari



  

  

  

  

  

  

  

  

  

   

  

  

  

  

  

  

  



  



   



  

   



  

   

  

   

   

 

  

  



   

  

   



  

   

 

 

 

  



P Sc er u or s e al O nl y

Alto 1

 





 

   

252

   

 

    



    

 



 

     

Fill

9/25/08

253

  

  



  

 

  

  



  

   



  

 

  

   

 

   

 



 

 

  

 

 

  

 

 

 

 

  

 

  

   



  

  

  

254

255

fill

256

  

257


33

Chat

Alto 2

Tenor 1

Tenor 2

Bari

Tpt. 1

Tpt. 2

Tpt. 3

Tpt. 4

Tbn. 1

Tbn. 2

Tbn. 3

 

 

R  



   



Pno.



Bass

Dr.





 

   



 



       

mf



 

mf







  

mf









 



 







 

   



 

   

lightly fill sometimes

"One" feel keep forward motion

258



 



 







B¨   



   





  

 

mf

 

 

    



   



    B. Tbn. 4  Gtr.

mf

 

 



       



 



 



 



 



   



 



 



 



 

 



 





 

 



 



P Sc er u or s e al O nl y

Alto 1

 

mf

mf

mf

mf

   

   

   















mf

mf



mf

  mf



 



260



 







 



 



261

G-(^7)







262

9/25/08

 

 



 







 



 

   



  



 

 



 



 



263



 

 

      























 

   



259

 

   

A¨-



 



 

 

D/F#

 





264

265


34

Chat

Alto 2

 

Tpt. 3

Tbn. 1



  

 

 

  

Bass

Dr.

 

    

 

 

mp

mp



mp



4

4

4

4



mp





Slow the forward motion

266









 

  pp

 

 b.a.b. 

 

 b.a.b.  pp



 



 







pp



 

 

 



 









 



 















pp 



  

b.a.b. 

 



pb.a.b.



 



 

 

pb.a.b.

pb.a.b.





  

p





267

pp b.a.b.



 













No fills





   

Pno.





   

Tbn. 3



   

Tbn. 2

Gtr.



      

Tpt. 4

B. Tbn. 4

 



Tpt. 2

 

 

Tenor 2

Tpt. 1

 

Tenor 1

Bari

P Sc er u or s e al O nl y

Alto 1



268

 

solo fill

269

9/25/08

270

p sxs/tbns



p





271

272

 

273


35

Chat

Alto 2

Tenor 1

Tenor 2

Bari



Tpt. 1

 





  

 





 









 







 

 







 

 

 

  p   

p

Tpt. 2

p

Tpt. 3

p

Tpt. 4

Tbn. 1

Tbn. 2

 

Tbn. 3

 

B. Tbn. 4

Gtr.

Pno.

Bass

Dr.

 

   

   

 

p

    



tpts.











 

 



 

 

  







 







 







 



  





 





275

276

 

  

 



light fill

 

 

 

   

  



274







    p



rit.

P Sc er u or s e al O nl y

Alto 1

9/25/08

277

 

  

278


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