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JULY 2008 Nยบ. 2 Vol. 5

A collective by artists for artists. Tell everyone.

JULY

FEATURED ARTISTS

PG 62 ART DIGEST!

DARIO MAGGIORE | ITALY KAROL LASIA | NETHERLANDS NATHAN SPOOR | US

PUBLISHED BY MEDIA SERVICES

JULY 2008 • N°2 VOL.5 NICOLE ANDUJAR Editor-in-Chief editor@iniciativacolectiva.com

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CALL FOR SUBMISSIONS We are accepting entries for the September Issue.

SUBMISSION DEADLINE August 20th 2008 SEND YOUR SUBMISSIONS TO info@iniciativacolectiva.com ON THE COVER ‘ASYLUM’ by Ee Venn Shoh

Down here in South Florida, where IC magazine headquarters are, the summer days are lazy and long, the sun shines till early night (sunlight at 8PM is crazy!) and I am loving it. Although they are long, time is still flying and I can't believe I have been working on this issue so long.

Along with long days, they are also very hot. Some days the wind doesn't even seem to flow.

Talking about how hot is this summer, it correlates directly to how hot this new issue of IC is. This month's issue has been hard to publish as I have been busy with outside jobs, but we received fresh work from so many artists, that could not have been without a showcase.

Better late than never! Enjoy.

To Life and Love.

Nicole Andujar Editor-in-Chief

Dario Maggiore......................................................................................................................Italy Karol Lasia............................................................................................................... Netherlands Nathan Spoor............................................................................................................................US 96k........................................................................................................................................ China Camelia Dobrin............................................................................................................. Romania Dura.................................................................................................................................. Malaysia Ee Venn Shoh................................................................................................................. Malaysia Ilya Kazakov.......................................................................................................................Russia James Wignall......................................................................................................................... UK Julien Favier ' Fakie'.......................................................................................................... Spain Luigi Loquarto.......................................................................................................................Italy Lys....................................................................................................................................... France Manuel Dall'Olio....................................................................................................................Italy Molly Crabapple.......................................................................................................................US Rubens.................................................................................................................................. Brazil Samantha Krukowski...............................................................................................................US Ve Lacerda........................................................................................................................... Brazil Bennedetto Riba...................................................................................................................Italy Enrique Urizen.................................................................................................................... Spain Florencia Mazza......................................................................................................... Argentina Ivano Salonia..........................................................................................................................Italy Daryl Price.................................................................................................................................US

FEATURED ARTISTS Karol Lasia.................................................. 20 Dario Maggiore.......................................... 44 Nathan Spoor............................................. 64

ILLUSTRATION 96k............................................................... 09 Camelia Dobrin............................................12 Dura................................................................17 Ee Venn Shoh..............................................28 Ilya Kazakov................................................32 James Wignall............................................36 Julien Favier 'Fakie'.................................. 40 Luigi Loquarto ...........................................54 Lys.................................................................56 Manuel Dall'Olio.........................................58 Molly Crabapple.........................................76 Rubens......................................................... 80 Samantha Krukowski.................................83 Ve Lacerda...................................................86

ART DIGEST Art Digest....................................................62

PHOTOGRAPHY Bennedetto Riba........................................89 Enrique Urizen............................................92 Florencia Mazza........................................ 94 Ivano Salonia............................................. 102

PAINTING Daryl Price.................................................108 Credits.........................................................110

‘graniph design’ BY 96K

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'universe 1' by 96k

'Universe 2' By 96k

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‘TALE' by camelia Dobrin

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‘THROUGH LIFE' by camelia Dobrin

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'FEED ME' by camelia Dobrin

‘KITSY' by dura

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' ' by dura

‘BLITZ FOREST' by dura

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22 YEARS OLD • NETHERLANDS 1. What type of medium do you work with and explain how you use it?

(Paint, design, photography, collage) I usually work across a number of media, from photography to pens and ink to random stuff I find and scan. In the end it all comes together in Photoshop.

2. What was your main interest in producing this artwork, or is there a statement you wanted to convey?

These are mostly commissioned works for the music industry, so I try to to convey the general theme and atmosphere as best I can, without causing too much of an information overload.

Minimalism is key.

3. Tell us about your creative process, do you have any rituals, routines you follow? How does your artwork come together? (Do you use found objects, image banks, etc) I spend more time thinking about the project than I spend working on it. Once I come up with a concept, I try to think up the best process of creating it. I don't really like using stock images as I want my artwork to be as much mine as possible, so unless I really can't take the photographic material that's required myself, I might resort to image banks. Most of the source material is my own photography and scanned textures, leaves, paper, etc.

4. How did you get started with your artistic career?

I started messing around with Paint Shop Pro when I was 15 or 16. Obviously I didn't get much further than just throwing a bunch of filters on top of each other and I didn't

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MAGIK7 INTERVIEW

have any 'artistic' goals, but the possibilities sparked my interest in this area and I soon switched to Photoshop, for obvious reasons. It wasn't until I posted some of my experiments on a music forum that someone actually commissioned me to design something for them, in this case a CD cover for a local DJ. I just kept on doing what I loved and things kicked off from there. After a few years I got into photography as well, and that's actually my main focus at the moment.

5. What would you say is one of your greatest accomplishments?

Being commissioned to design the CD packaging for a new album by one of my favorite musicians ever.

6. Where does your inspiration come from? Or is there any particular movement, artwork or artist you find yourself influenced by?

Everything around me, really. Music, dreams, people, movies. I've been strongly influenced by several movements: Romanticism, Constructivism, Minimalism. Artists like the painter Zdzislaw Beksinski and Russian movie director Andrei Tarkovsky have always been huge examples to me.

7. How do you see your artwork evolving from now?

As less is more, I want to try and strip down my work to the core, get rid of all the unnecessary elements and focus on the most important aspect in each project. I see myself moving towards photography more and more, but my roots are still in graphic design so there's no way I'll quit doing that.

I should really draw and paint more though, but my laziness gets the best of me often.

FEATURED ARTIST KAROL LASIA - the magik 7 INTERVIEW

KAROL LASIA Information

khoma@khomatech.com www.khomatech.com

FEATURED ARTIST/JULY/08

FEATURED ARTIST

KAROL LASIA

'SOLK' by KAROL LASIA

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'BFK 15' BY KAROL LASIA

'BFK 16' BY KAROL LASIA

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'LIGHTLESS' by KAROL LASIA

‘SATELLITE STATE’ by KAROL LASIA

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‘BUTANE’ by KAROL LASIA

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'The Lark at the Heaven Gate Sings' BY EE VENN SHOH

‘ORION’ by EE VENN SHOH

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'SPACE OPERA' BY EE VENN SHOH

‘ASYLUM’ by EE VENN SHOH

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'BIGFUT' BY ILYA KAZAKOV

‘PASTUH' by ILYA KAZAKOV

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'MONKEY' BY ILYA KAZAKOV

‘RUKOVODSTVO’ by ILYA KAZAKOV

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‘THE SWEETEST THING’ by JAMES WIGNALL - MUTANTHANDS

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'TCHEW YUT’ by JAMES WIGNALL - MUTANTHANDS

‘THE GREATEST DRIVEBY’ by JAMES WIGNALL - MUTANTHANDS

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‘BORRACHOS’ by JULIEN FAVIER

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'THE STARS IN THE HANDS' BY JULIEN FAVIER

‘UTOPIA’ by JULIEN FAVIER

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FEATURED ARTIST

DARIO MAGGIORE 27 YEARS OLD • ITALY

1. What type of medium do you work with and explain how you use it?

(Paint, design, photography, collage) It depends. Most of the drawings are done with illustrator and optimized with Photoshop, but I sometimes draw freehand too. Many of the posters I’ve done have been totally drawn freehand using tools such as pencils, watercolors or rapidograph pens. For the vinyl custom toys I use acrylic paint and markers.

2. What was your main interest in producing this artwork, or is there a statement you wanted to convey?

My drawings have no particular meaning. I just illustrate my thoughts and use images to tell what happens to me, the stories I hear around me. The finished drawing is just a container for ideas, images and feelings that everyone’s free to read just as he wishes...

3. Tell us about your creative process, do you have any rituals, routines you follow? How does your artwork come together? (Do you use found objects, image banks, etc) I’ve got a sketchbook I always use. I use to draw all my characters and such there.

After a few days or weeks I take it out to look at them again, I choose the best ones and I draw them again from scratch. I hardly draw directly on my computer. Sometimes, when a deadline’s pretty near, I rely on free graphic resources that I find on the internet or on some image banks, but I usually tend to draw everything myself. Though I admit that, more often than not, those websites are real lifesavers.

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4. How did you get started with your artistic career? Since I was a kid, I always drew.

It’s in my DNA! My father was a fairly good artist when he was younger, and so is my brother, who has also got a degree in Design & Advertising. He played a pivotal role in the starting of my “artistic career”, and even now he’s the most reliable source for all the theoretical notions I lack.

I started getting serious in 2002 with a project called Cactus Industry, which I brought forward until 2005. Then I decided to quit, because the project grew in a different way than what I thought it should have. The excessive focus on merchandising production radically twisted the “illustration” concept I wanted to give it, and since I feel my work is to draw illustrations and not to manufacture clothes, I thought it was best to put that project on ice and to start anew using my real name instead.

5. What would you say is one of your greatest accomplishments?

I don’t know... I think that being able to draw and to put on paper what I think is already a pleasure big enough. When you have the ability and the chances to express yourself at your best, the only other thing you can wish for is for the people to be able to understand and appreciate what you are doing.

6. Where does your inspiration come from?

Or is there any particular movement, artwork or artist you find yourself influenced by?

From driving in my car. I get my inspiration when I’m driving to get to work. I drive for about 60km a day to get to work and then back home. I’ve got enough time to think about things, but I always need music.

FEATURED ARTIST Dario maggiore - the magik 7 INTERVIEW

Information about dario

dariomaggiore@gmail.com www.cactusindustry.com I couldn’t make it without music!! Sometimes people tell me how surreal, creepy and yet funny my illustrations are. I think that you can use those adjectives to describe a lot of artists, but I’d especially like to point out a few that I think have had a bigger influence on me. I’m talking about Jeff Soto, Nathan Jurevicious, but most of all the visionary Tim Burton.

"I just illustrate my thoughts and use images to tell what happens to me, the stories I hear around me."

7. How do you see your artwork evolving from now?

Mmmmhh... I’m quite happy at the moment. I’ve got a steady job as a creative and graphic designer for Odeon TV, a local TV station. These days I’ve got plenty of work to do, but I always find the time for my drawings and for my commissions (posters, cover albums, logos). I really can’t complain, even if I’d obviously love to work full-time on my own creations. Do more exhibitions and get to produce a series of collector’s toys. I’ve been working on this for a long time, and I hope to finally get there while keeping on improving my abilities in order to express myself at my best.

'my stomach’ by dario maggiore

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'Limb of diamond' by dario maggiore

‘little girl in bloom' by dario maggiore

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'the tree, the darkness and the crow' by dario maggiore

'timothy's monster' by dario maggiore

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'proud to be blue' by dario maggiore

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'The funeral' by dario maggiore

'salamella' by dario maggiore

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'screams of laughter' by luigi loquarto

‘space dream' by luigi loquarto

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'green muse' by lys

‘kaos’ by lys

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'metafisico' by manuel dall'olio

‘metafisico' by manuel dall'olio

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'metafisico' by manuel dall'olio

'metafisico' by manuel dall'olio

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ART DIGEST

H A P P E N I N G S , S H O W S , A R T FA I R S & C O M P E T I T I O N S

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THE 86COLLECTIVE

:: POPLIFE 9 YEAR ANNIVERSARY ::

MIAMI, FL

Free Blood (Rong Music) In A Live Performance -----------------------------Djs Matt Cash, Induce, And Aramis -----------------------------And In The Red Room The Fly Girl Boutique Dance N' Shop To 90'S Jams Whilst You Peruse A Fabulous Array Delightful Accessories -----------------------------Doors Open @ 10pm Advance Tickets: Www.Epoplife.Com White Room 1306 North Miami Ave Downtown Miami

the86collective art exhibit will take place at the Art Center South Florida from June 27th-July 2nd The86collective is a constantly reinvigorated gallery of 86 works, assembled by organizations in Denver, Miami, and Chicago, created by the most talented artists the medium has to offer. The collective aims to expose new masterpieces and also to discover new masters -- wherever they might be found. If you feel you might be one of these new masters, you're invited to submit your own work. If you're an aficionado, you're encouraged to visit the gallery again and again, exclaiming "awesome" at such times as you might deem appropriate.

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SUMMER ART AND MUSIC FESTIVAL

Thu Jul 24 07:00 PM - Sat Aug 02 05:00 PM $$10 | 18+ Festival Gallerie Icosahedron, 27 North Moore St. New York, NY Live Jazz performances on Saturday, July 26th from 4:00pm-8:00pm featuring the Piers Lawrence Quartet (www.pierslawrence.com), and others.

Live Classical performances on Sunday, July 27th from 4:00pm to 7:00pm, featuring piano phenom Anna Dmytrenko, and others.

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Tickets are $10 for each day, or $20 for a 3-day weekend pass. They are available online at www.icogallery.com and at the door

THE ONE FLAG

http://www.adbusters.org/campaigns/oneflag The time has come for a radical shift in priorities. We are now faced with some of the most daunting global challenges in human history. Those who have the vision to rise above national and political boundaries still have no symbol to rally under. We invite you to create a flag – free from language and well-worn clichés – that embodies the idea of global citizenship. A symbol that triggers pride and cohesion, whether worn on a backpack, displayed on a door, or flown on a flagpole. A symbol for anyone to declare membership in a growing and vital human cooperative. We invite you to prove that design has a real role to play in the fate of our world.

Submissions will be critiqued by a panel of prominent design professionals, then featured in Adbusters and supporting design publications. The winning flag will go into production, ready for flying by the patriotic citizens of Earth. Deadline for entries is December 1, 2008.

Ico Art and Music Gallery is located at 27 N Moore St.

5 2008 SPARK DESIGN AWARDS Deadline: Phase 1: August 1, 2008

Great designs anyone? Everyone is invited to participate in this years Spark Design Awards, "designers, art directors, architects, design firms, manufacturers, institutions, ad agencies, students and novices." Some criteria that the judges will be looking at, in no particular order: Inventiveness and innovation, sustainability, elegance and beauty, suitability to purpose, Integration, durability, discovery and implementation, safety and ergonomics, expressiveness, personal connection, and aspiration. Good luck!

http://www.sparkawards.com

GOT AN EVENT COMING UP? SEND DETAILS TO: INFO@ICZINE.COM

FEATURED ARTIST

NATHAN SPOOR 33 YEARS OLD • USA

1. What type of medium do you work with and explain how you use it?

(Paint, design, photography, collage) I work in acrylics on canvas primarily.

But that definitely doesn't mean that the materials to produce a visual are the entirety of the process. The paintings eventually become attached to the canvas or panel by use of the acrylic vehicle by a process called Suggestivism. In essense, the idea is to attempt to communicate a series of ideas or visions by inviting the viewer into a direct relationship with the work. In a way, this completes a circuit so that the message can flow through or at least be passed on in some small way. I think the meaning of the work is beyond the painting somehow, and the painting is a conduit or doorway to a greater message. So the medium becomes a binding element for some vision or thought that seeks a window for our minds to commune through.

2. What was your main interest in producing this artwork, or is there a statement you wanted to convey?

My primary goal when I started this body of work (The Intimate Parade) in 2002 was to study the progressive nature of the work as I grew and nurtured it to maturity. The idea was that there were definite male and female aspects of the work that were appearing: a small girl and boy in a strange and fascinating land.

So I set out on that journey with them to explore and discover whatever answers may lie beyond the here and now.

I had intended for them to meet eventually and create some circular story arc in which they resolve their natures and have their journeys merge. But the nature of the work is very im-

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provisational and organic. So I found that by just going with the flow and allowing the work to progress at its own pace was the healthiest way to go. The boy turned out to be an adventurer and a thinker, and the girl turned out to be very assured and inquisitive and creative.

The female character seems to be the most prevalent in my work, as she's the one seeking out her memories (the gifts wrapped in bluetinted paper with the crimson bows) in a land that she is creating for herself in her mind. It's as if they're trying to figure out some personal journey rather than attempting to meet each other. I feel that they have met and are now on a journey to knowing themselves and their universe more intimately.

3. Tell us about your creative process, do you have any rituals, routines you follow?

Suggestivism has come to mean more than a fun title for a process for making art. There's a process, but it's kind of elusive if you're trying to chase it. Once you've opened yourself up to the ideas, they tend to just arrive at will. Their will, not the artist's. I just try to be as focused on the work at hand, and paint it in a way that allows for the possibility that the next idea can have a safe place to rest and grow.

I guess I'd begin by resting my mind and preparing to accept or see the idea or vision. Ideas don't always arrive on demand, so the preparation periods may seem fruitless at times but they're crucial. The ideas arrive when they're ready, or when I'm least assuming and most available. I suppose it's essentially a search for truth in some way. And having spent the last few years practicing or refining the method I can only attribute its capabilities to some parallel form of Divine Detachment or a low level spiritual form of hypnotic regression.

There's also a generous portion of Analytical Megnetism involved in the process, so we

FEATURED ARTIST nathan spoor - the magik 7 INTERVIEW

should include the mind as one of the most important of tools. In producing Suggestivist works there are many different aspects to consider for creating the art. The medium is important, but of a secondary nature. In the late 1820's a brilliant mathematician and physicist named SimeĂłn Poisson published ideas that would change the face of the math and physics world. Among those contributions was the theory of "analytical magnetism", in which the stronger, more absolute magnetic elements can be clearly "defined". The direct implications to psychology in the painting process arrives in this manner, fairly directly. By recognizing the importance of the suggestive nature of the idea or message to be conveyed over the physical nature of the work, the painting begins. This somewhat nullifies the more pious natures of medium. Now, the concentration relies on the immediacy of exacting the idea from that ephemera and nurturing into reality - a physical manifestation of that spiritual plane.

The illustrated human structure and genetic particles are amazing reference material. I've been listening to a lot of science audiobooks and podcasts. Bill Bryson's works are pretty amazing. And the Amazing Universe podcasts keep me glued to my seat, while Real Time with Bill Maher keeps me politically amused.

So I guess I'd say that there's a lot of influence going on while I'm creating. There's spritual, visual and sonic influence, so I guess you could say it's an art that relies on stimulus.

5. How did you get started with your artistic career? Well, I started creating when I was pret-

4. How does your artwork come together? (Do you use found objects, image banks, etc) Sometimes I do use image banks actually. I love finding new architecture from all over the world. There are so many kinds of buildings that go into my paintings, so I try to keep it interesting for myself as well as the viewer. The implications of using one building over another is pretty impacting. I am mostly drawn to Roman and Russian architecture, but there are many elements of Egyptian and American influences in there.I also enjoy doing image searches for medical models and illustrations.

'comfort in the unknown' by nathan spoor

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ty young. But I guess my artistic career started taking shape in college. I noticed something interesting in college. There's opportunity but no kind of job placement for artists. So I made the decision to major in both painting and graphic design, in order to have some sort of income after that university experience came to a close.

But mostly I spent my time painting and not designing or learning the programs and computer's ins and outs. I learned my design chops on the job, starting day one. I'd decided at that time that grad school was too costly and not very informative for my particular taste of life

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path. So I got a job in Dallas, TX as a graphic designer and kept a schedule of "day job / workout / dinner / painting / sleep" for the duration. I went on to be an Art Director for a couple companies, one where I was AD + Designer for 3 magazines. That was ideal at the time, since what I wanted was to do magazines or books and this was hands-on industry experience. Then after a good run with a high end furniture company I made the move to LA. Los Angeles was where my painting career began. It was an intuitive move, and landed me

here after the Juxtapoz surge was in swing (with Todd Schorr, Ryden, eWhite and the Clayton Bros., etc) and a couple years before the explosion of parasites and prospectors began surfacing. My first show was actually at a friend's custom furniture shop (kind of ironic I guess) on Abbot Kinney in Venice. The response was amazing and I met a couple new friends in the arts and made the move a couple months later when the furniture company I was working for closed up shop. After a brief but productive stint as a freelance illustrator and designer with the last days of the music industry, I was pretty

much independent and painting all day as much as I could. That was about 5 years ago or so.

5. What would you say is one of your greatest accomplishments?

I guess that would be in the people department.

I think having a good understanding of who you can work with and what's a positive addition to one's momentum is the most important thing.

An artist can go through the roof in sales and hype but if it's with an unhealthy relationship, it will eventually rot away that arm or branch of the career. So maybe it's more of a goal, but I

‘existing only in the light’ by nathan spoor

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feel it's an accomplishment to have been through the situations that I've weathered and found real gems - great people that when we stand together we make a bright shining light.

6. Where does your inspiration come from? Or is there any particular movement, artwork or artist you find yourself influenced by?

I think it's equal parts of personal intention, inspirations from beyond our description, and the dealings of everyday life and love. Positive in = positive out. Or at least that's the way I'm going at it. To use what I've been given as a gift to further another possible idea to dropping into place somewhere.

When I first started painting in college, I was at a complete loss for real painterly inspiration until we had our Art History classes. I guess i got hooked on the history part of art from a survey course, there was so much in the way of riches in knowledge in there (art history books). All I can really recall is what moved me, which was Renaissance works and then Surrealists. Those were different eras and semesters, so I moved through my first days of painting pretty methodically and historically. By the time we got to the Surrealists, (which was pretty much breezed over as a side note to get along to the amazing worlds of abstract and conceptual wanderings) I was hooked. I was pretty much taken over by their method and energy, and knew that I would be influenced by them deeply.

My favorites were and are: Hans Bellmer, Dali, Tves Tanguy, Magritte. But it would be a poor display to not give credit to the group of artists as a whole.

They actually had a real group. With codes, manifestoes, events, games, you name it, they were either for it or against it. And growing into my self at that time I was immediately taken with their fierce attitude toward life, really living and painting and writing about life.

Information about NATHAN

nathan@nathanspoor.com www.nathanspoor.com

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'The age of innocence' by nathan spoor

7. How do you see your artwork evolving from now? Well, it's all about evolution and growth, so I assume it will be even more amazing than I could imagine. We'll have to keep a loose watch on it and see how things progress, eh?

featured artist - nathan spoor - the magik 7

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‘the cadidate’ by nathan spoor

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‘the actuarium’ by nathan spoor

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‘eloquent shades of tomorrow’ by nathan spoor

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'dorian deconstructed 1' by molly crabapple

‘AMBER RAY’ by MOLLY CRABAPPLE

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'THE VIOLINIST' by MOLLY CRABAPPLE

‘THE TWINSET’ by MOLLY CRABAPPLE

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‘PICASSO’ by RUBENS

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'MOLOTOV' BY RUBENS

‘TESTIS’ by SAMANTHA KRUKOWSKI

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'EAR' BY SAMANTHA KRUKOWSKI

'LING' by SAMANTHA KRUKOWSKI

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'ASTRONAUTA (SPACEMAN)' by VE LACERDA

'Confronto Soundsystem Poster' by VE LACERDA

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‘SHE'S THE ONE’ by BENEDETTO RIBA

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‘SWEET LOOK’ by BENEDETTO RIBA

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‘memoria’ by enrique urizen

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‘untitled’ by florencia mazza

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‘untitled’ by florencia mazza

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'untitled' by florencia mazza

‘untitled’ by florencia mazza

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‘untitled’ by florencia mazza

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‘kids series’ by ivano salonia

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‘kids series’ by ivano salonia

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‘cry of the pigeon’ by daryl price

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IC POSTERS stILL AVAILABLE! Iniciativa Colectiva Poster with Featured Artist: Alvaro Perez Del Solar 100# Text High Gloss, 12" X 18" Poster Available At blog.Iniciativacolectiva.com Price: $12.00 Price Includes Shipping Within The US Overseas Orders, Please Add $3.00

Fonts used: Gotham by Hoefler & Frere-Jones Black Sabath by YOUWORKFORTHEM All Content Copyright 2008. Iniciativa Colectiva. All rights reserved.

Published by: Chixink Media Services, Nicole Andujar and Ana Guaqueta.

Copyright Notice: All work contained within this issue of Iniciativa Colectiva is the property of the respective artist.

No reproduction of any content is allowed without proper written permission from the artist.

Magazine Illustrations by Nicole Andujar.

Thank You: To all the participating artists and for their continued support.