Acknowledging Country Through Soft Tone 2018 - Resource List

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ACKNOWLEDGING COUNTRY: Resource List What does it mean to acknowledge Country? How do we consider the land we live and work on. How do our bodies acknowledge this place (here and now).

Artists Katina Olsen & Lizzie Thomson’s 2018 research project asked us all How do we acknowledge Country? This is a list of resources they used in their research RESOURCES - Writings: Welcome to Country: Performing Rights and the Pedagogy of Place - Elizabeth Dempster Welcome to Country: Legal Meanings and Cultural Implications - Alessandro Pelizzon and Jade Kennedy Piercing the Ground - Christine Watson The Lie of the Land - Paul Carter The White Possessive - Aileen Moreton-Robinson Nourishing Terrains: Australian Aboriginal views of landscape and wilderness - Deborah Bird Rose Dingo Makes Us Human: Life and Land in an Australian Aboriginal Culture - Deborah Bird Rose Growing up White: Feminism, Racism and the Social Geography of Childhood - Ruth Frankenberg

Clancestry Conversation 3: Sovereignty Chair: Chelsea Bond Panellists: Professor Aileen Moreton-Robinson, Ben Graetz, Pereki Ruska, Callun Clayton-Dixon. RESOURCES - Activity: Aboriginal Heritage Tour at the Royal Botanic Garden Sydney GADI Exhibition at the Australian Museum Acknowledging Country – Soundscape Lizzie Thomson with Sonya Holowell

Critical Path works with independent choreographers to push the boundaries of contemporary practice. We support blue-sky research, exchange, collaboration, debate and critical thinking in dance.

RESOURCES - Digital:

Critical Path respectfully acknowledges the Gadigal people; the traditional custodians of the land on which the organisation is based.

Critical Path is an initiative of Arts NSW, with program funding from the Australia Council, the Australian Government’s arts funding and advisory body.

Supported by Woollahra Council through a Cultural and Community Grant.

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