CINEMA ARCHITECTURE BRIEF AD1 2012

WELSH SCHOOL OF ARCHITECTURE – CARDIFF UNIVERSITY – JANUARY 2012

YEAR 1 – TERM 2 CINEMA ARCHITECTURE

INTRODUCTION

DR CRISTIAN SUAU – TERM CHAIR SAM CLARK – TERM TUTOR JULIET ODGERS – TUTOR (MONDAYS)

Framing Dubrovnik

Some Rules for Students and Teachers

by John Cage

RULE ONE: Find a place you trust, and then try trusting it for a while.

RULE TWO: General duties of a student - pull everything out of your teacher; pull everything out of your fellow students.

RULE THREE: General duties of a teacher - pull everything out of your students.

RULE FOUR: Consider everything an experiment.

RULE FIVE: Be self-disciplined - this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.

RULE SIX: Nothing is a mistake. There is no win and no fail, there is only make.

RULE SEVEN: The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

RULE EIGHT: Don’t try to create and analyse at the same time. They’re different processes.

RULE NINE: Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.

RULE TEN: “We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.” (John Cage) HINTS: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything - it might come in handy later.

TERM 2 CINEMA ARCHITECTURE Code No Title AR1006 Architectural Design 1 (AD1) Level 1 Compulsory for Course Co-ordinators

Methods of Assessment 100% Coursework Credits 70 BSc Architectural Studies Dr Cristian Suau (Chair Winter term) Sam Clark (Chair Autumn term)

Contributing Staff The following internal staff is going to support winter term: Juliet Odgers (regularly only Mondays), Prof Peter Salter (tectonic week), Dr Wassim Jabi (7 digital sessions), Sergio Pineda (6 digital sessions) and Nick Humes (6 digital sessions).

The following external tutors have been appointed only for winter term (only Fridays): Maria Kramer, Catherine Pease, John Carter, Peter Feldmann, Marc Sustr and Andrew Faulkner Aims and Rationale Note the AD1 Module runs over two semesters. This preview should be read in conjunction with the annual AD1 preview, which consists of term 1, term 2 (inclusive fieldwork) and 3 (Vertical Studio).

AD1 term 2 builds upon the design principles and methods previously introduced through the Design Studio (term 1) and DPM1 module. The winter term of AD1 is comprised of one design project called ‘Cinema Architecture: Cinémathèque Dubrovnik’, split into the following component parts: 1. Concept and Place 2. Spatial Sequencing 3. Framing 4. Story Boarding 5. Implementation Design Programme The module aims to explore parallel approaches to the conceptualisation and composition of place, space, time, materiality and narrative in cinematographic and architectural practices. Beyond drawing useful implications for design, films and buildings can be read and designed as ‘assemblages’ not directed to the formal expression of meaning, but to the framing of strategic and enabling conditions of emergent sense, realised within the tectonic and material conditions of the cinematic and the architectural as such.

The Cinémathèque is a compact cinema club situated in the old city of Dubrovnik. It is an intimate and lowtech space restricted to one main staircase. In order to respond properly to the immediate surroundings, the film house is going to have up to 3 storeys. Student will design this building under the principles of simplicity, flexibility a playful game of double and triple heights. It is all about cubic meters rather that square meters. The height of the Cinémathèque’s front has to response harmoniously according to the cultural, urban and architectural streetscape. No car park and services are required. Up to 70% of the plot might be covered. The film house’s design has to consider an inner patio for cross ventilation and natural lighting and outdoor activities. The essential programme consists of: - Indoor Cinema w/ 36 seats (double or triple height) - Courtyard - Foyer (double or triple height) - Cafe bar (double height) - Archive centre (double height) - Toilets - Roof terraces - Central vertical circulation (one staircase)Review 2 (30.03.2012)

TERM 2 CINEMA ARCHITECTURE Term 2 Structure The AD1 term 2 module consists of 12 weeks: Part 1: Idea and Place WEEK 1 Cinema Architecture: Introduction & Precedent Study (Teamwork) WEEK 2 Cinema Architecture: The Mediterranean Context (Teamwork) WEEK 3 Cinema Architecture: Dubrovnik Fieldwork, 29 Jan – 03 Feb 2012 (Teamwork) Part 2: Spatial Sequencing WEEK 4 Cinema Architecture: Preliminary Design: Massing Models & Diagrams (Teamwork/Individual) WEEK 5 Cinema Architecture: Study Models & Advanced Drawing (Teamwork/Individual) External Review (17.02.2012) Part 3: Framing WEEK 6 Cinema Architecture: Plan & Section 1.50 (Individual) WEEK 7 Cinema Architecture: Kinetic Tectonic 27 Feb – 2 March 2012: Tectonic Strategies in Cinema and Architecture Module leader: Prof Peter Salter (Group/Individual) Part 4: Story Boarding WEEK 8 Cinema Architecture: Study Models & Storyboard (Individual) Interim Review (09.03.2012) Part 5: Implementation WEEK 9 Cinema Architecture: Presentation Model 1:50 & Photography (Individual) Tutorials only with external tutors (due to RIBA visit on 16.03.2012) WEEK 10 Cinema Architecture: Detail Model (key space) 1:20 & Photography (Individual) WEEK 11 Cinema Architecture: Editing Boards and Models Cinema Architecture - Editing boards and models (Individual) Review 2 (30.03.2012) WEEK 12 Cinema Architecture: Portfolio Preparation Cinema Architecture - Editing boards and models (Individual) Learning Outcomes At the end of the Term 1 students should have:  Understand and be able to use correctly the conventions of Plan, Section and Elevation.  An initial understanding and some ability in more refined use of these orthographic projections in relation to the intention of a drawing.  Design-oriented understanding of architectural articulation of hierarchy of space in terms of human inhabitation, with specific emphasis on the relationship between public, transitional and private realms.  Develop an understanding of the potential of three dimensional spatial drawing as a design tool at various stages of the development of a design.  Understanding of the poetic, structural and constructional potential of a simple constructional system and an ability to use it in simple architectural design.  To present an architectural design to an audience verbally with reference to images.  Be able to participate in a discussion concerning architectural ideas, and specific issues of design.

TERM 2 CINEMA ARCHITECTURE By the end of Term 2 (inclusive vertical studio) we expect students to:  Develop a range of representational and investigative conceptualisation, drawing and modelling skills.  Understanding of the poetic potential of ‘place’ in relation to the formation of architectural intentions.  Knowledge, understanding and skills in relevant basic IT visualisation and drawing packages  Ability to uncover, explore and present such potential through drawn, modelled and photographic investigations (analogic or digitally).  Ability to design a contemporary compact building, well contextualised and spatially rich, to resolve the design to an appropriate level in terms of conceptualisation, function, poetics of light and space, inhabitation and assemblage.

Dubrovnik Fieldwork:  Study buildings in situ as a way of developing architectural understanding.  Specific emphasis on developing photographic, constructional and drawing skills through the use of on-site recording, measuring and sketching.

Composition of Module Autumn Term: ‘Coastal Dwelling’ project located in Barry, Wales Winter Term: Major design project called Cinema Architecture: Cinémathèque Dubrovnik’; incorporating Dubrovnik Fieldwork (site visit and workshops).

Spring Term: Vertical Studio.

Programme During the winter term, AD1 is going to be supported by the following taught modules: Architectural History and Architectural Technology (AT1) - see attached timetable for specific details. Student portfolio reviews are undertaken at the end of each semester. Formal, summative assessment occurs at the end of semester two.

‘Cinema: Man with a camera

Recommended Reading: Film and Architecture: Lampster, M. ‘Architecture and Film’, Princeton Architectural Press, New York, 2000 Ito, Toyo. ‘Tarzans in the Media Forest’, AA Publications, London, 2011 Van Uffelen, C. ‘Cinema Architecture’, Braun Publishing, Berlin, 2009 Neumann, D. ‘Film Architecture: From Metropolis to Blade Runner’, Prestel, 2000 Neumann, D. & Marcus, A. ‘Visualizing the City’, Routledge, 2008 Tawa, M. ‘Agencies of the Frame: Tectonic Strategies in Cinema and Architecture’, Cambridge Scholars Publishing, 2010 Arnheim, R. ‘Film as Art’, UCLA Press, Berkeley, 1957 Kling, V. ‘The Architect as a Filmmaker’, AIA Journal, February 1971, pp. 23-25 Space and Architecture: Bachelard, G., ‘The Poetics of Space’. Boston: Beacon Press, 1969 Hertzberger, H., ‘Space and Architecture’, Rotterdam, 010 Publishers, 2000 Pallasmaa, J., ‘The Eyes of the Skin’, London, Academy, 1996 Unwin, Simon, ‘Analysing Architecture’, Routledge, 2003 Zumthor, P., ‘Thinking Architecture’, Birkhauser Verlag AG, 2010 Lynch, K., ‘Site Planning’. MIT press, Cambridge, 1984 Deplazes, A., ‘Constructing Architecture: Materials, Processes, Structures; a Handbook’, Birkhauser Verlag AG, 2008 Zell, Mo, ‘The Architectural Drawing Course’, Thames 7 Hudson, London, 2008 Neufert, E., ‘Architects’ Data’, Wiley-Blackwell, 2002 Place: Mimica, V., ‘Croatian Archipelago - New Lighthouses’, Berlage Institute, Rotterdam, 2009 Several authors, ‘Contemporary Croatian Architecture: Testing Reality’, Berlage Institute, Rotterdam, 2007 Margolin V. & Vuki, F., ‘Croatian Design Now’, 2010 Ivanisin, K. & Ibelings, H. ‘Landscapes of Transition: An Optimistic Decade of Croatian Architectural Culture’, Sun Publisher, 2010 Norwich, J., ‘Croatia: Aspects of Art, Architecture, and Cultural’, London, Frances Lincoln, 2009 Stewart, J., ‘Croatia’, Northhampton, Mass. : Cadogan Guides, 2009 Stiller, Grimmer, Glaar, Mrdulja and Rusan, ‘Continuity of Modernity: Fragments of Croatian Architecture from Modernism to 2010’, 2010 Mohorovičić, A., ‘Architecture in Croatia: Architecture and Town Planning’, Croatian Academy of Sciences and Arts, Skolska Knjiga, 1994 Architecture on Films (DVDs): ‘Cinema Paradiso’ directed by Giuseppe Tornatore ‘Man with a Movie Camera’ directed by Dziga Vertov ‘Be Kind Rewind’ directed by Michel Gondry ‘The Rear Window’ directed by Alfred Hitchcock ‘One Week’ directed by Buster Keaton ‘Blade Runner’ directed by Ridley Scott ‘Paris Texas’ directed by Win Wenders ‘Metropolis’ directed by Fritz Lang ‘The Third Man’ directed by Carol Reed ‘The Fountainhead’ by King Vidor (novel by Ayn Rand) ‘Brazil’ directed by Terry Gilliam ‘Tron’ by Steven Lisberger ‘Fitzcarraldo’ by Werner Herzog ‘Sin City’ by Frank Muller ‘The Cube’ directed by Vincenzo Natali ‘Day for Night’ (La Nuit Americaine) directed by Truffault ‘Delicatessen’ directed by Jean-Pierre Jeunet & Marc Caro ‘Dune’ by David Lynch

‘Cinema Paradiso’ directed by Giuseppe Tornatore (1988)

CINEMA ARCHITECTURE Weekly Timetable – Term 2 “Cinema should make you forget you are siƫng in a theatre” by Roman Polanski Core: BSc1 chair (term two): BSc1 tutor (term two): BSc1 tutor (only Mondays): Research Week:

Dr Cristian Suau (CS) – suauc@cardiff.ac.uk Sam Clark (SC) Juliet Odgers (JO) Prof Peter Salter (PS)

External design tutors: Catherine Pease (CP) Maria Kramer (MK) Peter Feldmann (PF) John Carter (JC) Marc Sustr (MS) Andrew Faulkner (AF) Digital design team: Dr Wassim Jabi (WJ) Sergio Pineda (SP) Nick Humes (NH) AD1 term 2 builds upon the design principles and methods previously introduced through the Design Studio (term 1) and DPM1 module. The winter term of AD1 is comprised of one design project called ‘Cinema Architecture: Cinémathèque Dubrovnik’, split into the following component parts: 1. Concept and Place 2. Spatial Sequencing 3. Framing 4. Story Boarding 5. Implementation

CINEMA ARCHITECTURE Weekly Timetable – Term 2 Part 1: Idea and Place WEEK 1 Cinema Architecture: Introduction & Precedent Study Teamwork Monday 16 January Morning – WSA: Bute room 1.50 at 09.00 by CS, SC & JO Session 1 - Cinema Architecture: Precedent Study Year meeting: Monday 16 February at 09.00, room 1.50 - Term description & activities, 09.00-10.00 CS - Introduction design brief, 10.00-10.30 CS - Exercise 1: Precedent Studies (teamwork); sign up 11 groups, 10.30-12.00 Timber workshop induction (morning) by Dan Tilbury Timber workshop induction 12.00-12.45 (12 students, sign-up sheet) Afternoon - WSA Timber workshop induction (afternoon) by Dan Tilbury Timber workshop induction 14.15-15.00, workshop (12 students, sign-up sheet) Timber workshop induction 15.15-16.00, workshop (12 students, sign-up sheet) Digital Design Support – Intro 3D Max (afternoon) by Dr Wassim Jabi 3D Max session 14.00-17.00, room 1.50 (54 students with laptops, sign-up sheet) Y1 Studio support (14.00-18.00) by SC & JO – WSA Y1 workshop Students meet groups and organise initial tasks with tutors’ support

Tuesday 17 January Morning – WSA: Bute room TBC by Kath History 09.30-12.30, all term (refer to module allocation in Y1 noticeboard) Afternoon - WSA Digital Design Support – Intro 3D Max (afternoon) by Dr Wassim Jabi 3D Max session 14.00-17.00, room DML (21 students, sign-up sheet) Y1 Studio support (14.00-17.00) by SC & CS – WSA Y1 workshop Students meet groups and organise initial tasks with tutors’ support Film 1: ‘Cinema Paradiso’ (17.00-19.00) – Room Bute 0.53 Compulsory Wednesday 18 January Morning – WSA: Bute room 0.53 TBC by Spyros Architectural Technology 10.00-13.00, all term (refer to Y1 noticeboard) Afternoon - Free

Thursday 19 January Morning - WSA Studio support (10.00-13.00) by Umberto Napolitano (LAN) & SC Students meet groups and organise research with tutors’ support Afternoon - WSA Digital Design Support – Intro 3D Max (afternoon) by Dr Wassim Jabi 3D Max session 14.00-15.30, room 1.50 (54 students with laptops, sign-up sheet) 3D Max session 15.30-17.00, room DML (21 students, sign-up sheet) Studio support (14.00-17.00) by Umberto Napolitano (LAN) & CS Students meet groups and organise research with tutors’ support SAWSA Lecture at 17.30 by Umberto Napolitano (LAN) Note: Compulsory for Y1 students Friday 20 January Morning – Y1 workshop: 7 tutors Session 1 - Cinema Architecture: Precedent Study Meet tutors at 10.00, long table, WSA 8 tutors (inclusive SC/CS) 19 groups (groups of 3-4 students) 19 precedents Group tutorials (3 groups per tutor; 40 min each), 10.30-13.00 Afternoon – Y1 workshop: 7 tutors Session 1 - Cinema Architecture: Precedent Study Charrette (3 group meet tutors; 40 min each), 14.00-16.00 Poster presentation A1 – North Corridor and Crit room, 16.30-18.00

‘Be Kind Rewind’ directed by Michel Gondry

Cinémathèque Dubrovnik Precedents Study Teamwork Every group have to choose one of the following case studies.

You have to analyse the follwoing: - Functions (servant and served spaces) - Circulation (flows and access) - Layout (form and geometry) - Envelope - Structure (structural frame) - Materials: Structural, walls and roofs - Abstract model of the chosen case (undefined scale) You have to submit your analysis in 2 A1 portrait or landscape formats by Friday 20/01 (afternoon)

Modern Cases Colosseum, by Jacob Hanssen & Gerhard Iversen, Oslo (1921) Cine Dore (Filmoteca Espanola) by Crispulo Moro Cabezas, Madrid (1922) Skandia Cinema by Gunnar Asplund, Stockholm, 1923 Constructivist Cinema Architecture (Rusakov Club by Mielnikov, 1927) Cinema ‘Suomen Biografi’ by Alvar Aalto (unrealised, 1928) The Film Guild Cinema by Frederick Kiesler, NY (1929) Universum Cinema by Erich Mendelsohn, Berlin, 1931 Cineac Handelsblad by Duiker, Amsterdam (1934) Plaza Cinema, Port Talbot, Wales (1939, now closed) http://www.britonferry.net/port-talbot-video/plaza-cinema-port-talbot/ Philips Pavilion by Iannis Xenakis and Le Corbusier, Brussels Expo, 1958 The Carpenter Center for the Visual Arts by Le Corbusier, Massachusetts, 1963 Prince Charles Cinema by Carl Fischer and Assoc., London (1962) The Filmhouse and The Cameo, Edinburgh (current buildings)

Group

Cinémathèque Dubrovnik Precedents Study Contemporary Cases

Group

Filmoteca de Catalunya by Josep Lluis Mateo, Barcelona (2011) Cinema Hackney Picture House by Fletcher Priest Architects, London (2011) Busan Cinema Center by Coop Himmelb(l)au Architects, Busan, South Korea (2011) The Mareel - Lerwick Cinema Venue by Gareth Hoskins Architects, Shetland, (2011) Hollywood Palladium Restoration by COE, Los Angeles, (2009) Lighthouse Cinema by DTA Architects, Smithfield, Dublin, Ireland (2008) Cinémathèque de Tanger, Tangier (1938; refurbished in 2006 by Jean-Marc Lalo) Sean Connery Filmhouse by Richard Murphy, Edinburgh (unrealised, 2004) Luxor Theatre Rotterdam by Peter Wilson Architects, Rotterdam (2000) BFI IMAX by Avery Associates Architects, London (1999) UFA Cinema Centre by Coop Himmelb(l)au Architects, Dresden (1998) Cinema (Pathe) Schouwburg Plein by Koen van Velsen (& West 8), Rotterdam (1996) Kronverk Cinema, Lefortovo, Moscow, Russia, 2011 BFI IMAX, London, UK, Avery Associates Architects Busan Cinema Center, Korea, Coop Himmelb(l)au Architects The Mareel - Lerwick Cinema Venue, Shetland, Scotland, Gareth Hoskins Architects Hollywood Palladium Restoration, Los Angeles, USA, COE Architecture International

Websites (Cinema Design) http://www.youtube.com/watch?v=J_PznrRlYHk student project http://www.e-architect.co.uk/cinema_buildings.htm cinema buildings

Key book (if you need more samples of Contemporary cinemas) Van Uffelen, C. ‘Cinema Architecture’, Braun Publishing, Berlin, 2009

Cinémathèque Dubrovnik Precedents Study Additional Case Studies 1. Dublin Screening Room, Denzille Lane, by Grafton Architects (a private club, of modest scale) http://www.graftonarchitects.ie/work/projects/project.php?resource_id=349&image_id=356 2. McCullough Mulvin Architects’ City Art Project (A club integrated within historic ‘dwelling’ fabric. It has a ground floor meeting space used for screenings - see images 2&3 for section and photo!) http://www.mcculloughmulvin.com/projects/cityarts.html 3. Floating Cinema (small by neccessity. and definietly too small for our purposes!) http://www.studioweave.com/projects/the-floating-cinema/

Websites (Cinema Design) Cases (w/ links) of existing initiatives around cinema/film making to animate and help the students visualize possible uses/events in the design development: A centre for community film clubs http://blog.reelstreets.com/2008/05/tate-modern-community-film-club.html Amateur film documentary Archive Documenting history through amateur film reels. Maybe collate and repair amateur film and use venue to showcase films or tour in mobile film bus: http://www.youtube.com/watch?v=-Xq1v6DqaAY http://www.bbc.co.uk/tv/features/reelhistory/aps/reelhistorybus.shtml A Community film making/outreach resource http://www.diversityfilms.org.uk/documents/DiversityFilmsAnnualReportMay08-May09web.pdf http://www.community-film-maker.org.uk/ http://www.peoples-story.co.uk/ http://chocolatefilms.com/about-us Venue for local/national festivals relating to film http://www.nationalschoolsfilmweek.org/ http://www.bfi.org.uk/lff/ Other links/topics that may be useful: Essay by Francessco Cassetti - The Filmic Experience http://francescocasetti.files.wordpress.com/2011/03/filmicexperience1.pdf It explores activities involved in the consumption of a film. Talks about environment, The image, sound, the observer, collective or individual experince. It also talks about development of cinema and multimedia and how this has changed the experience. Passive or active relationship with cinema, etc. Different forms of cinema. Storytelling, etc. Traditional black box experience versus other forms of media/film consumption.

Websites (Cinema Design) Tacita Dean installation in the Turbine Hall Homage to analogue film and death of celluloid: http://www.telegraph.co.uk/culture/culturevideo/artvideo/8818226/Tacita-Dean-transforms-Tate-Modern-Turbine-Hall-into-giant-cinema.html Film by Tacita Dean http://www.tate.org.uk/shop/do/Books/Film-Tacita-Dean/product/48694 Pop-up cinema http://www.timeout.com/london/around-town/event/5151/rooftop-film-club http://www.chanceprojects.com/node/37 Post Cinema by Peter Greenaway - Cinema is Dead http://www.youtube.com/watch?v=-t-9qxqdVm4

Building Precedent Macreaner LavingtonCinema, Gallery, workshops for the British Film Institute http://www.maccreanorlavington.com/website/en/project_219.html http://www.vertigomagazine.co.uk/showarticle.php?sel=bac&siz=0&id=92 Richard Murphy- Film House Edinburgh http://adesignideas2.blogspot.com/2009/10/sean-connery-filmhouse-edinburgh.html

WEEK 2 Cinema Architecture: The Mediterranean Context Teamwork Monday 23 January Morning – WSA Bute room 1.50 at 09.00 by CS, SC & JO Session 1 - Cinema Architecture: The Mediterranean Year meeting: Monday 16 February at 09.00, room 1.50 - Intro on ‘How to Make Your Booklets’, 09.00-09.30 CS - Short-Lecture on the ‘Mediterranean Architecture’, 09.30-10.00 Sylvia Harris - Lecture on the ‘The Old City of Dubrovnik’, 10.00-11.00 CS - Distribute Dubrovnik booklets (TBC) Afternoon - WSA Timber workshop induction (afternoon) by Dan Tilbury Timber workshop induction 14.15-15.00, workshop (12 students, sign-up sheet) Timber workshop induction 15.15-16.00, workshop (12 students, sign-up sheet) Digital Design Support – Intro 3D Max (afternoon) by Dr Wassim Jabi 3D Max session 14.00-17.00, room 2.32 (54 students with laptop, sign-up sheet) Y1 Studio support (14.00-18.00) by SC & JO – WSA Y1 workshop Students works in editing booklet on precedents (A3) with tutors’ support Tuesday 24 January Morning – WSA Bute room TBC by KH History 09.30-12.30, all term (refer to module allocation in Y1 noticeboard) Afternoon - WSA Timber workshop induction (afternoon) by Dan Tilbury Timber workshop induction 14.15-15.00, workshop (12 students, sign-up sheet) Timber workshop induction 15.15-16.00, workshop (12 students, sign-up sheet) WSA Y1 Studio support Studio support (14.00-16.00) by SC & CS – WSA Y1 workshop Students meet groups and organise new tasks with tutors’ support Film 2: ‘Man with a Movie Camera’ (16.00-18.00) – Room Bute 0.53 Compulsory Wednesday 25 January Morning – WSA Bute room 0.53 TBC by Spyros Architectural Technology 10.00-13.00, all term (refer to module allocation in Y1 noticeboard) Afternoon – Free (School Open Day)

Thursday 26 January Note 1: Last date to distribute Dubrovnik booklets (TBC) Note 2: AT1 group work assignment before 16.00 pm, reception Morning – WSA: Y1 Studio support (10.00 -13.00) by SC Students meet groups and organise research with tutors’ support Afternoon – WSA: Digital Design Support – Intro 3D Max (afternoon) by Dr Wassim Jabi 3D Max session 14.00-17.00, room DML (21 students, sign-up sheet) Y1 Studio support (14.00 -18.00) by CS Students meet groups and organise research with tutors’ support Friday 27 January Morning – Afternoon: Free day - No tutorial (all day)

WEEK 3 Cinema Architecture: Dubrovnik Fieldwork, 29 Jan – 03 Feb 2012 Teamwork Team UK Dr Cristian Suau (CS) Sam Clark (SC) Juliet Odgers (JO) Catherine Pease (CP) Maria Kramer (MK) Peter Feldmann (PF) John Carter (JC) Marc Sustr (MS) Andrew Faulkner (AF) Croatia Iva, Nikolina and Morana

Themes: Urban History, Croatian Architecture, Building Systems This trip to Dubrovnik is a splendid opportunity to make short films about the city. Students, in groups (9), would need to think about sequencing, framing, story boarding and implementation. Everyone has filming ‘latent’ capacities on their mobile phones and cameras, so no special technology is required. This process will help them to view the city in a different way.

Sunday 29 January Arrival in Dubrovnik – Check in Hostels (afternoon) Monday 30 January 0830-0900 Breakfast 0900-1000 ‘Intro Fieldwork Brief’ at Student Hostel + make 11 groups 1015 Students and tutors meet at ‘Gate of Pila’, Western side of the Old Town 1015-1300 Visit Dubrovnik and the Walls in groups (11) 1300-1400 Lunch break 1400-1700 Teamwork on ‘Urban History’ Each group consists of 8 students per tutor 1900-2030 10-min digital presentation (9 groups) plus plenary 2100 Movie 1 at Youth Hostel (TBC) Note: Book 3 coaches (capacity of 28 persons each)!

Tuesday 30 January 0830-0900 Breakfast 0915-1000 ‘Introduction & Tips’ at Student Hostel 1015 All students meet at ‘Gate of Pila’, Western side of the Old Town 1015-1300 Visit Dubrovnik Sites: ‘Site Analysis’ and ‘Cinemas in Dubrovnik’ (9 groups) 1300-1400 Lunch break 1400-1700 Teamwork on ‘Croatian Architecture’ Each group consists of 8 students per tutor 1900-2030 10-min digital presentation (9 groups) plus plenary 2100 Movie 2 at Youth Hostel (TBC)

Wednesday 1 February 0830-0900 Breakfast 0915-1000 ‘Introduction & Tips’ at Student Hostal 1015 All students meet at ‘Gate of Pila’, Western side of the Old Town 1015-1300 Visit Dubrovnik Sites: ‘Plot Measurement’ (9 groups) 1300-1400 Lunch break 1400-1700 Teamwork on ‘Building Systems’ Each group consists of 8 students per tutor 1900-2030 10-min digital presentation (9 groups) plus plenary 2100 Movie 3 at Youth Hostel (TBC) Thursday 2 February 0600-0630 Breakfast 0630 Departure 2 coaches from at Youth Hostel - Vinka Sagrestana 3- to: - Split/Trogir (via coach) - (Tristeno), Ston, Orebic & Korcula (via coach or ferry) 1200-1300 Lunch break (optional) 1700 All coaches return to Dubrovnik 2100 Dinner TBC Sunday 29 January Leave Dubrovnik – Check out Hostels before noon (12.00) HOSTEL FOR STUDENTS Youth Hostel Dubrovnik Vinka Sagrestana 3 20000 Dubrovnik Tel. +385 20 423241 Fax. +385 20 412592 E-mail: dubrovnik@hfhs.hr WWW: http://www.hostelworld.com/hosteldetails.php/Youth-Hostel-Dubrovnik/Dubrovnik/20752

HOSTEL FOR TUTORS DORMITORIJ d.o.o.

Vlaho Bruer Manager Dormitorij d.o.o.

University of Zagreb Don Frana Bulica 4 20000 Dubrovnik Tel./Fax. +385 20 326 320 E-mail: dormitorij@caas.unizg.hr WWW: http://www.iuc.hr/dormitory.php CINEMAS IN DUBROVNIK Visia Dubrovnik 5D Theatrum http://www.visiadubrovnik.com/

Kino Jadran http://www.kinematografi.org/ Open-air cinema (closed in wintertime). The programme, of course, depends on the weather, but you can count on regular showings Croatian and international films. The setting is atmospheric, and quaint to the point of antiquated, from the projecting equipment to the 300 seats. Screenings take place in the early evening, allowing filmgoers to take advantage of the city-centre location after the show.

Kino Sloboda http://www.kinematografi.org/

Luza 66 20000 Dubrovnik +385 20 20 41 71 07 +385 20 20 42 57 03 CINEMA IN SPLIT Kino Klub Split http://www.kinoklubsplit.hr/

Savska bb 21 000 Split Hrvatska E-mail: info@kinoklubsplit.hr Tel.: +385 (0)21 542 425

WEEK 4 Cinema Architecture: Preliminary Design: Massing Models & Diagrams Teamwork/Individual Monday 6 February Morning – WSA Bute room 1.50 by Dr Cristian Suau, SC & JO Session 1 - Cinema Architecture: Concept, Massing Models & Diagrams (teamwork) Year meeting: Monday 16 February at 09.00, room 1.50 - Intro on ‘Concept, Massing Model & Diagrams’, 09.00-10.00 CS - Distribute exercise week 4 - Installation and exhibit opening (11.00-15.00) - Release use of timber workshop!

Note 1: Students and tutors bring key sketches of Dubrovnik (*) Digital Design Support – CAD drafting (morning) by Sergio Pineda CAD drafting session 10.00-11.30, room DML (up to 21 students, sign-up sheet) CAD session 11.30-13.00, room 1.61 (up to 54 students with laptop, sign-up sheet) WSA Y1 Studio (morning) Studio support (10.00-13.00) by SC & JO – WSA Y1 workshop - Students group work in conceptual and mass models with tutors’ support Afternoon – WSA Y1 Studio Studio support (14.00-16.00) by SC & JO – WSA Y1 workshop - Students group work in conceptual and mass models with tutors’ support Installation & opening (11.00-15.00) by CS, SC & JO – WSA: Exhibition & Crit room - Students and tutors will display sketches of Dubrovnik Note: Set up exhibition Monday 06/02 afternoon (to run until Thursday 09/02)

Dubrovnik Sketchbook Introduction Opening Exhibition

Tuesday 23 Jan. 2012 Monday 6 Feb at 16:00, exhibit/crit room Monday 6 to Thursday 9 Feb. 2012

‘I prefer drawing to talking. Drawing is faster, and leaves less room for lies’.

Le Corbusier

Preliminary sketch of Istanbul’s silhouette from the sea by Le Corbusier

Towards a critical and essential drawing: The point is not to draw pleasing looking perspective sketches, but to use your drawing to interrogate architectural and urban spaces.

Finding a topic: Concentrate on using your sketch book to observe things which are relevant to your current studio project: Light, material, scale, material, and inhabitation. How do people occupy public and domestic spaces? The key figure interrogates the city from the seascape, the congested city of Istanbul offer a perfect amalgam between its topography and buildings. As result Le Corbusier fused the primal features of this cityscape: the fabric follows the geomorphological contour of Istanbul. Certainly it would be impossible to draw this outstanding sketch without a synchronised eye-to-hand coordination. Architectural sketchers do capture the space in motion, they are non-stationary observers.

Use drawing to analyse light and shadows; forms; depth and spatial sequences; scales (urban and domestic ones); landscapes and greenery; flows and circulation; connections; and frames.

Apart from your sketches, you will work in teams to investigate different facets of the city through streets, laneways, squares, pergolas, and so on. You have to study and measure a study are and a compound (plot) as well. Draw accurate plans and sections and details. Partial plans and sections can focus a study on one aspect. Use appropriate detail to the scale of the drawing. We do not expect hardline drawings. Nonetheless it is important to scan and represent the physical realm as complete as possible, so you can better understand the cognitive and sensorial experience holistically. Thus it is important to get proportions and ratios precise. Make ideograms to explore and represent concepts.

Essential reading: ‘Voyage D’Orient Carnets’ by Le Corbusier. Phaidon Press; English Ed edition (June 24, 2002) Year meeting Meet on Monday 6 February at 09.00am, room 0.50 Exhibition: Montage: Pin-up: Pin-down: Jury: Opening:

Monday 6 February from 11.00-15.00 at Y1 studio Monday 6 February before 15.00 (takes 20-30 min) Thursday 9 February from 14.00 to 15.00 (each student has to remove each clipboard) Monday 6 February from 15.00 to 16.00 Monday 6 February at 16.00

Every student’s work is going to be displayed, inclusive tutor’s work. We will provide one frame per students. Group work will be freely displayed in A1 foam board; you have to select high quality pieces.

The Sketchbook exercise consists on an individual and group event. It will culminate in an exhibition curated and erected by the students on Monday 06 February. The montage will commence at 11.00 and finalise at 15.00 (inclusive pin-up). You will have few hour to proceed, select, edit and frame your individual sketch work and also compose your on-site group work. The official launch will occur at 16.00 Mounting the exhibition Regarding the individual work, we have at our disposal 160 A4 clip frames: two for each student and tutors. You will have to scan or photocopy from your sketch book. Regarding your group work, select yourselves key plans, sections and various schemes or diagrams that refer to the study area and immediate site. You can also incorporate images in motion.

Choose with the help of fellow students two illustrations from your sketch book that represent something that you wish to take forward into your design work this term. These chosen images might not be the ‘best’ but contain the essential element of your potential design. These reveal the primal aspects of your ‘proto-design’. It means ‘best’ as most interesting and relevant. You could select yourselves plans, sections and any diagrams.

Judgement and awards From 15.00 to 16.00 Juliet, Sam, Cristian and our guest Prof Simon Unwin will judge exemplary student works. We will nominee the best individual and group drawings. About our guest, please refer to: http://simonunwin.com/ Preparation Each member of the group should cover the following roles: 1. Event planning Collect £2.0 from each of your fellow students for purchase of drinks and snacks; arranging of glasses, furniture, etc.

Do not forget clearing afterwards 2. Hanging Presiding over the hang, setting up the rules and drawing the level.

3. Clearing the space Hammer and nails when needed. .

4. Distributing clip frames Distributing clip frames and packing them away at the end of the show.

5. Materials for exhibition Scanning, printing/plotting and framing images (Clip frames are the only material provided by us, but each student to finance their own printing, plotting, scanning and group editing (in foam boards).

Tuesday 7 February Morning – WSA Bute room TBC by KH History 09.30-12.30, all term (refer to module allocation in Y1 noticeboard) Afternoon - WSA WSA Y1 Studio Studio support (14.00-17.00) by SC & CS – WSA Y1 workshop Students meet groups and organise new tasks with tutors’ support Film 3: ‘The Rear Window’ (17.00-18.00) – Room Bute 0.53 Compulsory Wednesday 8 February Morning – WSA Bute room TBC by Spyros Architectural Technology 10.00-13.00, all term (refer to module allocation in Y1 noticeboard) Afternoon - Free Thursday 9 February Morning – WSA: Y1 Studio support (10.00 -13.00) by SC Students meet groups and organise research with tutors’ support Afternoon – WSA: Y1 Studio support (14.00 -18.00) by CS Students meet groups and organise research with tutors’ support Film 4: ‘Be Kind Rewind’ (14.00-16.00) – Room Bute 0.53 Compulsory Friday 10 February Note 1: Digital support Photoshop by Sergio Pineda (10.00-13.00) Note 2: AT1 review assignment (group) before 16.00 pm, reception Note 3: groups bring A3 precedents & study trip’ booklets Digital Design Support – Photoshop (morning) by Sergio Pineda Photoshop session 10.00-11.30, room DML (up to 21 students, sign-up sheet) Photoshop session 11.30-13.00, room 2.32 (up to 54 students with laptop, sign-up sheet) Morning – Y1 workshop: CS/SC + 6 external tutors Session 1 - Cinema Architecture: Concept, Massing Models & Diagrams (teamwork) Meet tutors at 10.00, long table, WSA 7 tutors (inclusive SC/CS) 21 groups (groups of 3-4 students) 21 models Group tutorials (3 groups per tutor; 40 min each), 10.30-13.00 Afternoon – Y1 workshop: CS, SC + 6 external tutors Session 1I - Cinema Architecture: Concept, Massing Models & Diagrams (teamwork) Charrette (3 group meet tutors; 40 min each), 14.00-16.00 Poster presentation A1 with models – North Corridor or Exhibit/Crit room 16.30-18.00

Saturday 11 February (Optional) Visit Film houses in Bristol and London: Bristol (SC) 35 students TBC London (CS) 35 students TBC

Key Independent Cinemas in the UK Useful link: http://www.cinema-theatre.org.uk/listed.htm The Tyneside Newcastle upon Tyne The original 1930s newsreel screen still functions in the magnificent art deco auditorium, and you can bring in a cocktail from the circle bar for company and watch mainstream and arthouse films from leather sofas. The Digital Lounge masquerades as a private living ¬room with sofas drawn up round the big screen; for snugness there’s the Roxy, while the Elektra does stadium-like magnitude. The 1930s tea room remains intact. You can buy your tickets along with your wine at the bar to save on queuing.

Courses on cinematic themes, including filmmaking, are ¬ongoing in the on-site studios.

10 Pilgrim St, Newcastle upon Tyne ¬(tynesidecinema. co.uk, 0845 217 9909) http://www.fletcherpriest.com/ tyneside-cinema1/architecture/leisure/ The Electric Birmingham This is one of the oldest working cinemas in the UK. It focuses on art films and the more intelligent block-busters and if your concentration needs a prod you can text a waiter to bring a glass of absinthe (one of the nation’s only absinthe fountains survives here) to your sofa seat.

Feed off olives, scones and handmade chocolates from the art deco bar. You can hire a room to show a film of your choice, and the in-house orchestra plays along live to a screening a handful of times a year.

Station Street, Birmingham (theelectric.co.uk, 0121-643 7879) The Broadway Nottingham A startling, glass-fronted palace with a programme of old and new, quirky and mainstream across its four screens.

Cinema professionals are occasionally brought in to introduce a film, and there are special screenings for older people, people with autism and parents with infants. Paul Smith designed one of the revamped auditoriums, adding funky striped sofa seats where you can down the in-house beer (Broadway Reel Ale) and delicacies imported from the cafe.

Broad Street, Nottingham (broadway.org.uk, 0115 952 6611)

The Cornerhouse Manchester As much a cultural forum as a cinema, the Cornerhouse shows what artistic audacity can do to an old furniture shop. With Helen Mirren and Damien Hirst among the patrons, it was established as a charitable trust in 1985 and houses three art galleries, three cinemas, a cafe and bookshop bar. The idea is to mingle filmmakers, artists and audiences to -debate ideas. The focus is on independent films, but you’re as likely to taste culture in the cafe, which is beloved of pop groupies and emerging bands.

Oxford Street, Manchester (cornerhouse.org, 0161-200 1500

The Cameo Edinburgh The stately opulence is more opera house than cinema – the interior was restored to its original 1914 glory in the 1980s, while the bar is defiantly 21st century, with leather sofas and a lengthy cocktail menu (you can take your glass into the auditorium with you). Programmes, spread over three screens, tend to be a tour through ¬cinematic history, from vintage classics, through foreign-language films, documentaries, arty stuff and current hits.

Home Street, Edinburgh (www.picturehouses.co.uk, 0871 704 2052)

Cube Microplex Bristol Film It is only part of the Cube’s -function. Founded as a notfor-profit co-operative in 1998 by a couple of stilt walkers and two colleagues, it is an experiment in wild music, cult and mainstream film screenings, off-the-wall exhibitions, festivals and -burlesque. “A pig bag” is how it -describes its programmes. The building began as theatre for amateur dramatics and the old stage is still well trodden, often with the big screen being used as a back drop.

Princes Row, Bristol (cubecinema.com, 0117 907 4190) Email: cubeadmin@cubecinema.com

WEEK 5 Cinema Architecture: Study Models & Advanced Drawing Teamwork/Individual Monday 13 February Morning – WSA Bute room 1.50 by Dr Cristian Suau, SC & JO Session 1 - Cinema Architecture: Study Models & Preliminary Drawing (individual/group) Year meeting: Monday 16 February at 09.00, room 1.50 - Intro on ‘Site Models & Diagrams’, 09.00-10.00 CS - Distribute exercise week 5: Site study 1:200 (group) and model 1:100 (individual) - Release use of timber workshop!

Lecture on ‘Cinema Architecture’ + Charrette, 11.00-12.30 (TBC) Digital Design Support – Illustrator (morning) by Sergio Pineda Illustrator session 10.00-11.30, room DML (up to 21 students, sign-up sheet) Illustrator session 11.30-13.00, room 1.61 (up to 55 students with laptop, sign-up sheet) WSA Y1 Studio (morning) Studio support (10.00-13.00) by SC & JO – WSA Y1 workshop - Students group work in Site Models & Diagrams with tutors’ support Afternoon – WSA Y1 Studio Studio support (14.00-18.00) by SC & JO – WSA Y1 workshop - Students group work in Site Models & Diagrams with tutors’ support

Tuesday 14 February Morning – WSA Bute room TBC by KH History 09.30-12.30, all term (refer to module allocation in Y1 noticeboard) Afternoon - WSA WSA Y1 Studio Studio support (14.00-16.00 & 17.00-18.00) by SC & CS – WSA Y1 workshop Students meet groups and organise new tasks with tutors’ support Film 5: ‘Metropolis’ (16.00-17.00) – Room Bute 0.14 Compulsory Wednesday 15 February Morning – WSA Bute room TBC by Spyros Architectural Technology 10.00-13.00, all term (refer to module allocation in Y1 noticeboard) Afternoon - Free

Afternoon – WSA: Y1 Studio support (15.00-18.00) by CS Students meet groups and organise review 1 Film 6: ‘One Week’ (14.00-15.00) – Room Bute 0.53 Compulsory Friday 17 February Review 1 - all day (teamwork/individual) Cinema Architecture: Precedents and Site Analysis + Concepts & Models Note 1: CS, SC & JO + 6 external tutors + 6 reviewers Note 2: Poster presentations 3 A1 with models Note 3: Book North Corridor, Gallery, Exhibit/Crit room Meeting with reviewers 10.00 Meet reviewers, long table, WSA (30 min) CS, SC & JO + 6 external tutors + 6 reviewers Session 1 (morning) - Cinema Architecture: Precedents and Site Analysis Group reviews - Precedents and Site Analysis (teamwork) 3 groups per 2 reviewers; 40 min each, 10.30-13.00 21 groups (groups of 3-4 students) 21 presentations Lunchtime 13.00-14.00 Session 2 (afternoon) - Cinema Architecture: Concepts & Models Group reviews - Concepts & Models (teamwork) 3 groups per 2 reviewers; 40 min each, 14.00-17.30 21 groups (groups of 3-4 students) 21 presentations Collect feedbacks at 18.00

Part 3: Framing WEEK 6 Cinema Architecture: Plan & Section 1.50 Individual Monday 20 February Morning – WSA Bute room 1.50 by Dr Cristian Suau, SC & JO Session 1 - Cinema Architecture: Plan & Sections (individual) Year meeting: Monday 16 February at 10.00, room 1.50 - Intro on ‘Plan and Section’, 10.00-11.00 CS - Distribute exercise week 6: Plan & section; also model at similar scale (individual) - Release use of timber workshop!

Lecture on ‘Cinema Hackney Picture House’ at 11.30-12.30, Tower Block, Lecture Room 3 Phil Henshaw & Mareike Langkitsch (Fletcher Priest Architects). Tower Block, Lecture Room 3 Afternoon – WSA Y1 Studio: Charrette Charrette (14.00-18.00) by SC & JO PH & ML – WSA Y1 workshop - Students work individually in Plan and Section’s exercise Tuesday 21 February Morning – WSA Bute room TBC by KH History 09.30-12.30, all term (refer to module allocation in Y1 noticeboard) Afternoon - WSA WSA Y1 Studio Studio support (14.00-18.00) by SC & CS – WSA Y1 workshop Students meet groups and organise exercise on Plan and Section Film 7: ‘Paris Texas’ (15.00-17.00) – Room Bute 0.14 Compulsory Wednesday 22 February Morning – WSA Bute room TBC by Spyros Architectural Technology 10.00-13.00, all term (refer to module allocation in Y1 noticeboard) Afternoon - Free Thursday 23 February Morning – WSA: Y1 Studio support (10.00-13.00) by SC Students meet groups and organise exercise on Plan and Section Afternoon – WSA: Y1 Studio support (16.00-18.00) by CS Students meet groups and organise exercise on Plan and Section Film 8: ‘Bagdad Cafe’ (14.00-16.00) – Room Bute 0.53 Compulsory

Friday 24 February Tutorial - all day (individual) Cinema Architecture: Plan and Section Note 1: CS, SC + 6 external tutors Note 2: Plan and Section in A1 (with models) Note 3: Book North Corridor, Gallery, Exhibit/Crit room Meeting with tutors 10.00 Meet reviewers, long table, WSA (30 min) CS, SC + 6 external tutors Session 1 (morning) - Cinema Architecture: Plan and Section 5 students per tutor; 30 min each, 10.30-13.00 Lunchtime 13.00-14.00 Session 2 (afternoon) - Cinema Architecture: Concepts & Models 7 students per tutor; 30 min each, 14.00-17.30 Collect feedbacks at 18.00

WEEK 7 Cinema Architecture: Kinetic Tectonic Group & Individual 27 Feb – 2 March 2012 Module leader: Prof. Peter Salter Module leader: Prof. Peter Salter (PS) BSc1 tutor (term two): Sam Clark (SC), studio support Monday, Thursday and Friday Film and Architecture “Cinema should make you forget you are sitting in a theatre” by Roman Polanski Something I find very interesting is how closely the process of making a film relates to designing and making buildings. How similar are the two disciplines both in terms of concept and realisation? Film is usually a shorter process (but you can’t edit a building): We can redo but never undo buildings whilst in movies can always ‘rewind’?

We can identify similar aspects in Film and Architecture: 1. Sequencing: The order in which a film/ story is conveyed to its audience. In architecture this can be seen as the experiential movement of a person through a building and how they might perceive a building as a result of this ‘journey’.

2. Framing: Many cinematographic techniques have been developed on how the scene is shot: long frame, close up, bird’s eye view, worm’s view. All these techniques can be applied in the same way to views inside and outside a building.

3. Story Boarding: This is about mapping out how a sequence of events will take place. You may not shoot the story sequentially in the way it will be viewed once it has been edited, but story boarding will allow the director to plan and to direct the film. In the same way designing a building is not always a linear sequence but something that has to be planned, chopped and changed before becoming a coherent final product.

4. Implementation: Having done the story boarding/ planning, the director will then have to ‘direct’ the crew and actors. This is in many ways like an architect managing a team of consultants and contractor. Good communication through drawings is essential to the smooth co-ordination of a project and successful teamwork.

Period Monday 27 Tuesday 28 Wednesday 29 Thursday 01 Friday 02

Introduction: All day design studio All day design studio (No History) studio half-day & sports (free afternoon): No Technology All day design studio Final Presentation Note: do not forget to book extra rooms!

Brief Note: Peter is going to prepare the final brief workshop!

Part 4: Story Boarding WEEK 8 Cinema Architecture: Study Models & Storyboard (Individual) Interim Review (09.03.2012) Part 5: Implementation WEEK 9 Cinema Architecture: Presentation Model 1:50 & Photography (Individual) Tutorials only with external tutors (due to RIBA visit on 16.03.2012) WEEK 10 Cinema Architecture: Detail Model (key space) 1:20 & Photography (Individual) WEEK 11 Cinema Architecture: Editing Boards and Models Cinema Architecture - Editing boards and models (Individual) Review 2 (30.03.2012) WEEK 12 Cinema Architecture: Post-Review & Communication Cinema Architecture - Editing boards and models (Individual)

Cinema Architecture - Cinémathèque Dubrovnik Architectural Programme The module aims to explore parallel approaches to the conceptualisation and composition of place, space, time, materiality and narrative in cinematographic and architectural practices.

Beyond drawing useful implications for design, films and buildings can be read and designed as ‘assemblages’ not directed to the formal expression of meaning, but to the framing of strategic and enabling conditions of emergent sense, realised within the tectonic and material conditions of the cinematic and the architectural as such.

The Cinémathèque is a compact cinema club situated in the old city of Dubrovnik. It is an intimate and low-tech space restricted to one main staircase. In order to respond properly to the immediate surroundings, the film house is going to have up to 3 storeys.

Student will design this building under the principles of simplicity, flexibility a playful game of double and triple heights. It is all about cubic meters rather that square meters. The height of the Cinémathèque’s front has to response harmoniously according to the cultural, urban and architectural streetscape. No car park and services are required. Up to 70% of the plot might be covered. The film house’s design has to consider an inner patio for cross ventilation and natural lighting and outdoor activities.

The essential programme consists of: - Indoor Cinema w/ 36 seats (double or triple height) - Courtyard - Foyer (double or triple height) - Cafe bar (double height) - Archive centre (double height) - Toilets - Roof terraces - Central vertical circulation (one staircase)

A. Essential Spaces Indoor Cinema The main cinema room will have a seated capacity of around 100 with space for wheelchairs, and will feature digital projectors and surround sound (double or triple height). The cinema will also act as a multimedia performance area.

Courtyard Due to the climatic and cultural conditions of the building, the building has to have an uncovered space. Despite it should provide natural ventilation and lighting to educational and social rooms, it might be occupied as an open air cinema or exhibition at night, preferably during summertime.

Foyer The foyer has to contain the ticketing and info box. It is connected with the café bar. It performs as the main spatial distributor (double or triple height).

Cafe bar The cafe bar will offer a range of food and drink, with free Internet access and Wi Fi (double height).

Archive centre The centre is part of the Cinémathèque building and have one office, one store and one filing rooms. It contains the largest archives of films, movie documents and film-related objects of Dubrovnik city and the region of Dalmatia. (double height).

Toilets The allocation of public toilets (2) should be located close to the cafe bar, foyer and cinema room (single height).

Roof terraces The Cinémathèque Dubrovnik should offer the occupancy of some roofs to contemplate the roofscape and seascape of Dubrovnik and also offer open air visual projections for a reduced audience.

Circulation The vertical circulation consists of one staircase.

B. Additional Spaces Apart from the basic programme, your Cinémathèque should include one of the following supplementary facilities in the design development: 1. Recording studio The recording studio will include live rooms (2) suitable for recording a variety of groups and bands, and a control room kitted out with the latest digital recording equipment (single or double height).

2. Rehearsal areas The Cinémathèque Dubrovnik will have 3 areas for a range of rehearsal uses including bands, DJs and drama groups. These rooms will make it suitable for dance groups too (single or double height).

3. Multimedia production suite A well specified multimedia production suite will be provided for film, TV, web design, animation, digital arts and music production (single or double height).

4. Education facilities The Cinémathèque Dubrovnik has been designed with education in mind: the cinema can be used as a lecture theatre, the recording studio has a large control room to accommodate music technology students.

The multimedia suite is suitable for training and there is a dedicated 20 seat teaching room - 2nd cinema screen (double height).

Cinema Architecture - Cinémathèque Dubrovnik Weekly Timetable Y1

YEAR 1 TERM 2 WEEKLY TIMETABLE 2012: check noticeboard regularly for changes Term chair: Dr. Cristian Suau Term tutor: Sam Clark

TIME

9 10 11 12 13 14 15 17

10 11 12 13 14 15 16 18

MONDAY

TUESDAY

Y2 MEETING

ARCHITECTURAL

CS room 1.50 @ 9:00

HISTORY

STUDIO SUPPORT

KW (09.30-12.30), room 2.60c Redwood Building

JO - SC AD1 studio

WEDNESDAY

THURSDAY

FRIDAY

ARCHITECTURAL TECHNOLOGY

STUDIO SUPPORT

TUTORIALS REVIEWS

SC AD1 studio

SS (10.00-13.00), room 0.53

(10.30-13.00)

LUNCH BREAK

STUDIO SUPPORT

STUDIO SUPPORT

SPORTS

STUDIO SUPPORT

JO - SC AD1 studio

JO - SC AD1 studio

all afternoon

CS AD1 studio

Axo Room Distribution

TUTORIALS REVIEWS (14.00-18.00)

Cinema Architecture - Cinémathèque Dubrovnik Students/tutor Distribution

Cinema Architecture - Cinémathèque Dubrovnik Group Distribution

STUDIO

STUDIO

STUDY TOUR

STUDIO

STUDIO

STUDIO

RESEARCH W

STUDIO

STUDIO

STUDIO

STUDIO

ASTER

CHARRETTE (CS/SC & LAN) + SAWSA LECTURE @ 1730

AT1 SS LECTURE 1

STUDIO SUPPORT (SC/CS & LAN)

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

W 18

T 19

F 20

SPORTS

AT1 ASSIGNMENT GROUPWORK before 16.00 (*)

STUDIO SUPPORT (SC/CS)

NO TUTORIAL

T 26

F 27

5

Design studio

Final Presentation

T 1

F 2

RIBA VISIT

S 18

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

STUDIO SUPPORT (CS)

SPORTS

STUDIO SUPPORT (SC)

EASTER RECESS

PR0JECT TERM 2

INDIVIDUAL

Editing Boards and Models

CINEMA ARCHITECTURE

ENHANCING THEIR

EASTER RECESS

NONE

INDIVIDUAL

Detail Model 1:20 & Photography

CINEMA ARCHITECTURE

PR0JECT TERM 2

ONLY 6 TUTORS (NO WSA STAFF)

Presentation Model 1:50

CINEMA ARCHITECTURE

PR0JECT TERM 2

INDIVIDUAL

Study Models & Storyboard

CINEMA ARCHITECTURE

PR0JECT TERM 2

GROUP WORK + INDIVIDUAL

P. Salter & SC

KINETIC TECTONIC

CINEMA ARCHITECTURE

PR0JECT TERM 2

INDIVIDUAL

Plan & Section 1.50

CINEMA ARCHITECTURE

PR0JECT TERM 2

GROUP WORK + INDIVIDUAL

Study Models & Advanced Drawing

CINEMA ARCHITECTURE

PR0JECT TERM 2

GROUP WORK + INDIVIDUAL

Massing Models & Diagrams

CINEMA ARCHITECTURE

PR0JECT TERM 2

GROUP WORK + STUDIO TUTORS

STUDY TRIP + WORKSHOPS

CINEMA ARCHITECTURE

PR0JECT TERM 2

GROUP WORK

The Mediterranean Context

CINEMA ARCHITECTURE

PR0JECT TERM 2

GROUP WORK

Intro & Precedent Study

CINEMA ARCHITECTURE

PR0JECT TERM 2

Design Studio contents/types

W 4

NONE

NONE

NONE

NONE

CAD large room 1400-1600 and DML 1600 -1800 ?

NONE

CAD large room 1400-1600 and DML 1600 -1800 ?

NONE

DML : 1000-11300 & Bute1.61 1130-1300

DML: 1000-11300 & Bute 2.32 1130-1300

CAD large room 1400-1600 and DML 1600 -1800 ?

NONE

DML : 1000-1130 & Bute1.61 1130-1300

NO TUTORIAL

DML : 1400-1700

R 2.32 : 1400-1700

R 1.50 : 1400-1530 & DML 1530-1700

DML : 1400-1700

R 1.50 : 1400-1700

Coordinate with timber inductions (swaps)

Digital Support (places)

STUDENTS WILL

EASTER RECESS

SPORTS

NONE

NONE

NONE

Run by Peter Salter + SC+ guests ???

Run by Peter Salter + SC

Run by Peter Salter + SC

Run by Peter Salter + SC

Run by Peter Salter + SC

NH

NONE

NH

NONE

ILLUSTRATOR morning (SP)

PHOTOSHOP morning (SP)

NH

NONE

CAD morning (SP)

NO TUTORIAL

3D MAX - MOVIE afternoon (WJ)

3D MAX - MOVIE afternoon (WJ)

3D MAX - MOVIE afternoon (WJ)

3D MAX - MOVIE afternoon (WJ)

3D MAX - MOVIE afternoon (WJ)

Digital Support (content)

T 3

M 2

S 1

S 31

EASTER RECESS

STUDIO SUPPORT (SC) STUDIO SUPPORT (CS) EXTERNAL REVIEW 2 CS/SC + MS-CP-MK-PF-AF-JC + Phil Henshaw, Jessica Reynolds, Shankari Raj, Sarah Featherstone, Ruth Cuenca, Gonzalo Coello & Sam Austin

T 29

F 30

AT1 SS LECTURE 9

T 27

W 28

STUDIO SUPPORT (SC)

HISTORY KW LECTURE 9

M 26

23 NONE

Book north, south corridors + Exhibit/Crit room

NONE

AT1 SUBMISSION ASSIGMENT 2 (INDIVIDUAL)

FILM 13 @1500-1700 R 0.14

FILM 12 @1400-1600 R 0.53

FILM 11 @1400-1600 R 0.14

Book lecture room ?

FILM 10 @1400-1600 R 0.53

Book north, south corridors + Exhibit/Crit room

FILM 9 @1500-1700 R 0.14

Book lecture room ?

FILM 8 @1400-1600 R 0.53

11

S 25

TUTORIALS ONLY MS-CP-MK-PF-AF-JC (NO CS/SC)

SPORTS

STUDIO SUPPORT (SC)

YEAR MEETING: Cinema Architecture: Editing Boards and Models (CS/JO/SC): 0900-1100 R 1.50

STUDIO SUPPORT (SC)

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

T 22

F 23

S 24

HISTORY KW LECTURE 8

AT1 SS LECTURE 8

T 20

W 21

M 19

22

10

STUDIO SUPPORT (CS)

YEAR MEETING: Cinema Architecture: Detail Model 1:20 & Photography (CS/JO/SC): 0900-1100 R 1.50

RIBA VISIT

S 17

T 15

AT1 SS LECTURE 7

T 13

F 16

HISTORY KW LECTURE 7

M 12

W 14

9

S 11

S 10

21

APR

STUDIO SUPPORT (SC) INTERIM REVIEW 1 CS/SC (Juliet Odgers?) + MS-CP-MK-PF-AF-JC

T 8

SPORTS

STUDIO SUPPORT (SC)

YEAR MEETING: Cinema Architecture: Presentation Model 1:50 & Photography (CS/JO/SC): 0900-1100 R 1.50

AT1 SS LECTURE 6

T 6

W 7

8

F 9

HISTORY KW LECTURE 6

M 5

20

S 4

Final Presentation

Design studio

SPORTS

Design studio

Design studio

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

YEAR MEETING: Cinema Architecture: Study Models & Storyboard (CS/JO/SC): 0900-1100 R 1.50

Design studio (No Technology)

T 28

7

S 3

Design studio (No History)

M 27

W 29

19

Introduction: Kinetic Tectonic (design studio)

STUDIO SUPPORT (CS)

STUDIO SUPPORT (SC)

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

T 23

F 24

S 25 S 26

STUDIO SUPPORT (SC)

SPORTS

YEAR MEETING: Cinema Architecture: Plan & Section 1.50 (CS/JO/SC): 0900-1100 R 1.50

HISTORY KW LECTURE 5

AT1 SS LECTURE 5

T 21

W 22

6

S 19

M 20

18 FILM 7 @1500-1700 R 0.14

STUDIO SUPPORT (SC) STUDIO SUPPORT (CS) FILM 6 @1400-1600 R 0.53 EXTERNAL REVIEW 1 CS/SC + MS-CP-MK-PF-AF-JC + Phil Henshaw, Stephen Kite, Shankari Raj, Sarah Featherstone, Gonzalo Coello, Ruth Cuenca & Sam Austin

T 16

F 17

S 18

SPORTS

HISTORY KW LECTURE 4

AT1 SS LECTURE 4

T 14 FILM 5 @1500-1700 R 0.14

AT REVIEW ASSIGMENT 1 (GROUP)

W 15

STUDIO SUPPORT (SC/CS)

YEAR MEETING: Cinema Architecture: Study Models & Advanced Drawing (CS/JO/SC): : 0900-1100 R 1.50

M 13

17

S 12

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

EXCURSION TO BRISTOL & LONDON (CS/SC) TBC

FILM 4 @1400-1600 R 0.53

STUDIO SUPPORT (CS)

STUDIO SUPPORT (SC)

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

F 10

Book north, south corridors + Exhibit/Crit room

FILM 3 @1700-1900 R 0.53

CHECK OUT YH Hostal before 1200

TOUR ALONG THE ADRIATIC (UNESCO LISTED CITIES)

DUBROVNIK WORKSHOP 3 BUILDING

DUBROVNIK WORKSHOP 2 URBAN

DUBROVNIK WORKSHOP 1 HISTORY

NO TUTORIAL

Note: Book Exhibit/Crit room? 6-10/02

DAN induction 1415-1500 / 1515-1600 (Dan)

DAN induction 1415-1500 / 1515-1600 (Dan)

LAN LECTURE @ 1730

FILM 1 @1700-1900 R 0.53

DAN induction 1215-1300 / 1415-1500 / 1515-1600

Make groups of 12 students (sign up sheets)

Note:

Timber workshop Inductions (content)

SPORTS

STUDIO SUPPORT (SC/CS)

S 11

MAR

AT1 SS LECTURE 3 or AT1 CRITS (morning)

T 9

HISTORY KW LECTURE 3

T 7

W 8

4

S 5

M 6

16

YEAR MEETING: Cinema Architecture: Massing Models & Diagrams (CS/JO/SC): 0900-1100 R 1.50

CHECK OUT YH Hostal before 1200

F 3

S 4

TOUR ALONG THE ADRIATIC (UNESCO LISTED CITIES)

DUBROVNIK FIELDWORK 3 BUILDING

T 2

FEB W 1

DUBROVNIK: CHECK IN YH Hostal from 1200

T 31

3

DUBROVNIK FIELDWORK 2 URBAN

DUBROVNIK FIELDWORK 1 HISTORY

S 29

M 30

15

NO TUTORIAL

STUDIO SUPPORT (SC/CS)

T 24

W 25

S 28

YEAR MEETING - Cinema Architecture: The Mediterranean Context (CS/JO/SC): 0900-1100 R 1.50

HISTORY KW LECTURE 2

AT1 SS LECTURE 2

M 23

2

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

STUDIO SUPPORT (SC)

14

S 22

S 21

SPORTS

HISTORY KW LECTURE 1 - 09:30-12:30

T 17

1

YEAR MEETING - Cinema Architecture: Introduction & Precedent Study (CS/JO/SC): 0900-1100 R 1.50

JAN M 16

13

Afternoon

WSA BSc1 TERM 2 - 2012 (draft version)

Morning

Date

Week

ALL STAFF IN RIBA VISIT

ALL STAFF IN RIBA VISIT

FILM 13 @1500-1700 R 0.14

FILM 12 @1400-1600 R 0.53

FILM 11 @1400-1600 R 0.14

No Friday tutorial

FILM 10 @1400-1600 R 0.53

Salter has to confirm guests?

FILM 9 @1500-1700 R 0.14

CS & JO ARE NOT ATTENDING ALL WEEK

FILM 8 @1400-1600 R 0.53

FILM 7 @1500-1700 R 0.14

FILM 6 @1400-1600 R 0.53

BoS - STUDENTS MATTERS 1415 (CS)

FILM 5 @1500-1700 R 0.14

FILM 4 @1400-1600 R 0.53

BSc BoE 1415 (CS)

Pin-up Dubrovnik Exhibition + opening at 18.00

FILM 2 @1600-1800 R 0.53

LAN LECTURE (UMBERTO NAPOLITANO) @ 1730

AHTG MEETING 1415

FILM 1 @1700-1900 R 0.53

School meetings - Events

11

23

10

22

9

21

8

20

7

19

6

18

5

17

4

16

3

15

2

14

1

13

APR

MAR

FEB

JAN

Week

ASTER

EA

EASTER

EASTER

STUDIO

CLASS TEST

VERTICAL STUDIO

VERTICAL STUDIO

REVIEWS

SCHOOL BOARD

INTERNAL REVIEWS

EXTERNAL REVIEWS

STAFF MEETING

BSc SRC

VERTICAL STUDIO

VERTICAL STUDIO

VERTICAL STUDIO VERTICAL STUDIO

M 7

T 8

W 9

T 10 F 11

26

14

M 28

T 29

BSc INTERNAL REVIEWS CS

BSc INTERNAL REVIEWS CS

BSc INTERNAL REVIEWS - MORNING CS

T 5

T 7

F 8

T 12

21

33

20

32

M 11

BSc & MArch EXTERNAL REVIEWS CS

END OF TERM

F 15

S 16

T 28

W 27

T 26

M 25

S 24

S 23

F 22

T 21

W 20

T 19

M 18

S 17

BSc & MArch EXTERNAL REVIEWS CS

T 14

W 13

31

19

S 10

S 9

BANK HOLIDAY QUEEN'S DAY

M 4

W 6

18

SPRING BANK HOLIDAY

BSc Y1 BORAD OF EXAMS 1415 CS

30

S 3

S 2

F 1

T 31

W 30

29

17

S 27

S 26

F 25

T 24

W 23

BSc Y1 REVIEW DAY 1 (CS/JO)

T 22

16

BSc Y1 REVIEW DAY 2 9(CS/SC)

MORNING

S 19 S 20

VERTICAL STUDIO - FINAL REVIEW (DAY 1) VERTICAL STUDIO- FINAL REVIEW (DAY 2)

T 17 F 18

M 21

VERTICAL STUDIO

28

VERTICAL STUDIO

T 15

W 16

15

S 12 S 13

M 14

27

JUNE

VERTICAL STUDIO

T 3 F 4

VERTICAL STUDIO

VERTICAL STUDIO VERTICAL STUDIO

W 2

S 5 S 6

VERTICAL STUDIO

T 1

START VS

VERTICAL STUDIO

M 30

25

Morning

13

Date

SS

KW

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

STUDIO SUPPORT (CS)

SPORTS

BSc SRC 1415 CS

STAFF MEETING 1415 CS

BSc EXTERNAL BOARD EXAMINERS 1415 CS

BSc INTERNAL BoE 1415 CS

SCHOOL BOARDS 1415 CS

BOARD OF STUDIES - ST. MATTERS 1415 CS

BSc Y1 REVIEW DAY 2 ((CS/SC)

BSc Y1 REVIEW DAY 1 (CS/JO)

AFTERNOON

AHTG MEETING 1530

Afternoon

WSA BSc1 TERM 2 - 2012 (draft version)

TUTORIAL CS/SC + MS-CP-MK-PF-AF-JC

F 27

S 29

S 28

STUDIO SUPPORT (SC)

T 26

HISTORY ?

TECHNOLOGY ?

STUDIO SUPPORT (SC/JO)

W 25

B

T 24

S 22

M 23

END OF TERM

Digital Support (content)

NONE

Digital Support (content)

END OF TERM

Digital Support (places)

NONE

WEEK 3

Design Studio contents/types

INDIVIDUAL

Portfolio Preparation

CINEMA ARCHITECTURE

PR0JECT TERM 2

STUDIO WORK

B

EASTER RECESS

S 21

WEEK 3

ENHANCING THEIR

EASTER RECESS

STUDENTS WILL

WEEK 3

WEEK 3

T 19 F 20

IED

EASTER RECESS

EASTER RECESS

STUDIO WORK

T 17

IED

WEEK 2

W 18

M 16

S 14 S 15

24

Week

NONE

EASTER RECESS

ENHANCING THEIR

WEEK 2

STUDENTS WILL

WEEK 2

EASTER RECESS

STUDIO WORK

WEEK 2

EASTER RECESS

WEEK 1

T 12 F 13

EASTER RECESS

WEEK 1

T 10

M 9

WEEK 1

W 11

WEEK 1

12

MAY

T 5 F 6

S 7 S 8

BSc SRC 1415

STAFF MEETING 1415

BSc EXTERNAL BOARD EXAMINERS 1415

BSc INTERNAL BoE 1415

SCHOOL BOARDS 1415

BOARD OF STUDIES - ST. MATTERS 1415

AHTG MEETING 1530

School meetings - Events

21

33

20

32

19

31

18

30

17

29

16

28

15

27

14

26

13

25 MAY

Week

12

24

EA EASTER EASTER

Cinémathèque Dubrovnik Additional Data on Dubrovnik