Page 1

architecture CRISPIJN VAN SAS

cv+works

2015


architecture CRISPIJN VAN SAS

cv+works

2015


Crispijn van Sas N netherlands nationality D 13/07/1986 M cvansas@gmail.com T +31 6 17 326 195 W crispijnvansas.eu Educational background 1994-2004 2004-2007 2007-2010

Mollerlyceum Bergen op Zoom, atheneum/VWO Bsc Architecture TU Delft, the Netherlands Msc Architecture TU Delft, the Netherlands

Architectural works FORM, Moscow 2011: I worked on a lot of interior design projects, realised an art installation learned how to make drafts and manage building processes. The Biggest project was the renovation of a constructivistic building into the main office for the garage center of contemporary art. Eugene Asse Architects, Moscow 2012-2013: I worked in this office as a landscape designer for the renovation of PARK MUSEON a sculpture garden of 20 Ha which has organically grown since the fall of communism and has recently been transformed into a park for a broader scope of cultural activities. VANSAS+ZLOBINA (my own office) Run my own office with my wife in Moscow. We designed multiple apartments and ‘house on a slope’. Robbrecht en Daem Architecten, Gent, April-May 2014: During the fixed period of approximately one month I worked together with Robbrecht en Daem architecten and my wife on the competition for a new museum of contemprorary art in a former cinema building ( udarnik ), my wife in Moscow I in Gent. The collaboration with robbrecht and daem was challenging in a sense of concept development and finding the right architectural representation that could express our ideas about the 4


re-development of the existing building. A1 Planning Architecten, Oostende, May-November 2014: In this office I mainly worked on two projects, as an assistant designer on a project for the realisation of a tower complex with 800 appartments, as a project architect on the realisation of 40 apartments. NU architectuuratelier , Gent, February 2015: Project based job. WINNING Competition design of a healthcare centre in belgium. Competitions Wonen te gast in het landschap, urban vision, 2005, nominated Streetlab, 2007, festival design, won, realized Venlo city, 2010, urbanism, 2nd price, public prize winner Klaksvik community centre,2011, for FORM Udarnik,2014, for Robbrecht&Daem, first prize Ranst, 2015, for Nu Architectuuratelier Internships Paul de Ruiter, Amsterdam 2007 Buro Moscow, Moscow 2010 Architecture related jobs Architecture guide Nai, Rotterdam 2006-2009

Software Photoshop Indesign Illustrator Autocad arch Revit Archicad Vectorworks Rhino MS office Good knowledge of BIM modelling in Revit, experience in Rhino 3d modelling and architectural rendering, parametric scriping applied in projects in the past, knowledge of scripting languages C, pyhon, ruby. 5


6


architecture + planning

7


Spoorzone Zwolle

Ontwikkelperspectief 2017-2030 Assistant designer Karres+Brands September 2016

38 Ontwikkelperspectief stationsgebied Zwolle

8


39

9


In 2016 Karres+Brands was comissioned to supervise the redevelopment of the central station area in Zwolle.

The area that once served as a yard for trains had lost its function which led Zwolle to the question what to do with the new valuable land next to the city centre.

Levendige plinten Auto

Fiets Transformatie

Verblijfskwaliteit Fiets

Zicht op stad K+R Uitstaphalte Bus

Busstation direct ontsloten vanaf reizigerstunnel en passerelle

K+R Expeditie

Fiets

Bus

Zicht op stad Expeditie Taxi’s

og r

es

K+R

s. .

Touringcars

w

or

k

in

pr

Auto

Anticipating on the introduction of OV gates that limited the 37 north south connection Karres+Brands proposed a new railway crossing for pedestrians. This would form a condition for urban development of the south side of the railway zone.

10


Station

sweg

Fase 1 Tot en met 2021

5

W est

erl

aa

n

6 2

7b

1

8

Sta

tio

ns

ple

in

7a

1 Kelderstalling onder stationsplein noord 2 Stationsplein Noord

12a

3 Oosterlaan

Oo

ste

4 Perronverbreding sporen 15/16 5 Stationsweg

rla

an

9a

3

4

7b

6 Westerlaan 7a Passerelle - spoorkruisend deel definitief 7b Passerelle - aanlanding noord en zuid tijdelijk 8

Busbrug

9c

12b 12a

10 9a 9b

11

Hanzelaan

9a Busperron 9b Keerlus, taxi’s en expeditie 9c Busstation 10 Zuidplein 11 Hanzelaan 12a Hanzepark – tijdelijk park

Koggelaan

12b Hanzepark – Tijdelijk fietsparkeren 0

25

35

45

55

65 m

64 Ontwikkelperspectief stationsgebied Zwolle On addition to the pedestrian crossing a new busstation on the south would plug in to the newly created pedestrian tunnel of the dutch railways. A new transportation hub on the southside of the city centre of Zwolle was born shifting the gravitational point of people movement to the other side of the railway.

Fase 1: uitvoering gereed 2021 66 Ontwikkelperspectief stationsgebied Zwolle

67

At the same time offfering the condition to create a qualitive non transit space on the now with busses overcrowded stationsquare.

11


Station

sweg

Fase 2 ‘2025’: ambitie

W es

terl

aa

n

23

16

15 St

at

io

ns

ple

in

13a Ontvangstdomein - Entreekap 14

13b Ontvangstdomein - Maaiveldinrichting

13a 20

14 Stationsgebouw NS

13b

15 Definitieve aanlanding passerelle

Oo

ste

16 Combigebouw en parkeergarage

rla

an

22

Westerlaan

23 15

17a Ontvangstdomein – Entreekap

20

17b Ontvangstdomein - Maaiveldinrichting 18 Buskap definitief

18

19 25

19 Definitieve fietsvoorziening 20 Definitieve invulling Hanzepark

17a 17b Hanzelaan

21 Programma in driehoek ten oosten van Zuidplein 22 Nadere invulling bedrijventerrein

24

Hanzelaan 23 Perronkappen 12/13 en 15/15 24 Invulling Lübeckplein

Koggelaan

25 Autoparkeervoorziening 0

25

35

45

55

65 m

65

New connections to the south would shift the districts episteme as the monofunctional office attractor to a more fertile space for vibrant urban development. The railway station now would have two qualitive entrances.

12


38 Ontwikkelperspectief stationsgebied Zwolle

39

The former railways become an urban park where old monuments could become restaurants in a green setting where the new free land would be attractive for inhabitants, startups and companies that desire to live in the centre of the city and benifit from the central position.

13


wormhole - a trip to another time in space

TIMESPACE

‘Alternative proposal for bridge ove het IJ’ Architect VANSAS+ZLOBINA June 2015

14

8


projected wormhole as a CYCLING tunnel under ‘het ij’ NEW amsterdam

oude route 15min

Nieuwe route 5min

OLD amsterdam

15 9


Rewind the tape - experience a shift in time As an alternative proposal for the bridge on the ij in Amsterdam a cycling tunnel could add another dimension to the cities attractions without disturbing the view on the IJ The tunnel takes you on a journey. A journey that gets you acquainted with the rich art history of amsterdam.

1600

1700

16

10

1900


1940

1990

2000

17

11


Anamorphosis The picture below shows leonardo da vinci’s eye under perspective. Anamorphosis is a representation technique where the perspective is corrected within the flat 2 dimensional representation of the image. Nowadays anamorphosis is applied everywhere from beamer correction mechanisms to road signs.

12 18


How the image is made the tunnel is made out of a shell that consists of black panels filled with fluorisent reflective dots that are printed on top of the panels with a kind of 3d printer

projected on surface

fluorisent paint dots original

13 19


20


THE WHITE realization of residential complex with 800 apartments Ostend, Belgium Architect A1 Planning ism Robbrech Daem architecten

21


Ontwikkelaar Groep Sleuyter

After working at Robbrecht en Daem architecten on the competition of Udarnik I had the chance to work on a challenging project for the realisation of 800 apartments, called the white. The white was a challenging project. How do you deal with such a massive programme without breaking with the scale and aeriness of a coastal resort like Ostend? The solution was in breaking with the rigidy of mass produced housing thus creating a more organic building that somehow can relate itself to the natural shape of coastal cliff. From the translation of a dream to realisation, in a team of six people I was involved in the proces of

22

TBM ontwerpteam WITTE MARITIEME STAD Robbrecht en Daem architecten in samenwerking met A1Planning

spatial planning of apartments in the white, taking in consideration the programmatic requirements, complex building structure, the per apartment quality of views, light admittance, effect of the wind organisation of vertical elevator shafts and piping. If you’re building so high every decision made per apartment may affect the appearance of the complex the internal organisation of the whole both vertically and horizontally and this made the design of the white a challenging task.


FASE 1 - NIVEAU 12

App.1.1_12_02

App.1.2_12_03 Opp:114,58 m² App.1.1_12_01 Opp:94,15 m² Terras:16,95 m² Zeezicht:frontaal Zeezicht-terras: frontaal Golf-zicht:geen

App.1.1_12_01

App.1.1_12_03

App.1.1_12_03 Opp:92,44 m² Terras:23,78 m² Zeezicht:frontaal Zeezicht-terras:frontaal Golf-zicht:geen

App.1.2_12_03

TBM ontwerpteam WITTE MARITIEME STAD Detail of construction drawings, as a overall spatial planning was Robbrecht en Daem architecten in samenwerking met made A1Planning I was involved in a improved proposal for the planning meeting all the programmatic and building phisical requirements.

Ontwikkelaar Groep Sleuyter

23

21 mei 2014


24


25


udarnik

‘the building as found’ competition, first prize competition designer Robbrecht en Daem May 2014

26


UDARNIK - THE BUILDING AS FOUND Robbrecht en Daem architecten - ARUP - Portner - Tiamet proekt 28th May 2014

1931 - cinema

1990 - casino

restaurant

2020 - museum?

27


park museon

kremlin udarnik

red square

In the city centre of Moscow, the capital of the Russian Federation lies a former cinema building ‘udarnik’.

The building was completed in 1931 by the architect Boris Iofan, who later won the competition for the palace of the Soveits. After the fall of communism the building soon became left unused. In 2014 a competition was initiated to transform the former cinema into a museum for contemporary art.

28 | udarnik


0,000

7.

4.

5.

9.

2./19.

6.

incubator in order to make the museum a public space of the city we proposed to make the groundfloor open to the city. Public functions like a cafe and a bookshop are combined with a central exhibition that will be accesible for free.

1,860

1,860

0,000

0,000

18.

8. 15.

17.

16.

16. 3.

0,000

11.

14. 13. 10.

12. 1.

ZONE 1: UNRESTRICTED / NON ART 1. Airlock Vestibule 2. Security booth 3. Hall 4. Information - reception counter 5. Ticketing 6. Queuing space for ticketing 7. Audio guide rental space 8. Group entry 9. Group amenities 10. Sales Area 11. Shop Storage 12. Bar Seating area 13. Bar 14. Support space ZONE 2: UNRESTRICTED / ART 15. Multifunctional Programme Spaces 16. Janitorial 17. Control room ZONE 3: RESTRICTED / ART 18: Freight elevator and staging lobby ZONE 4: Restricted / NON ART 19. Fire safety equipment 2. Security booth

0

udarnik | 29 Groundfloor - The incubator


Seminar room connected to the exhibition space

a shelter for art, rendering by me, watercolor by Paul Robbecht Shelter for art

main exhibition space The former cinema hall becomes the main exhibition space. Formerly large windows were made in the roof. to create a space for multiple purpose events. Not long after the opening windows were closed because of insulation issues, but now with the transformation of the museum and modern insulating glass the roof can be restored and exploit the potential of sunlight emitting this huge central space.

30 | udarnik


workshop space

library

kitchen

restaurant

Axonometric view of the creative studios

the periferique Axonometric view of the restaurant and the kitchen Spaces surrounding the main exhibition space provide additional programme. The periferique makes use of the buildings and its urban context. Image on the background shows the restaurant with a view on the kremlin

udarnik | 31


cross 32 | udarnik


section udarnik | 33


Kaaistraat & Sint Franciscusstraat realization of residential complex with 37 apartments Ostend, Belgium Project Architect A1 Planning Architecten

The design of the Kaaistraat deals with a set of complex contextual variables. A narrow site and strict building regulations, combined with the ambition to realize 37 apartments and the existence of heritage on the site which building volume is in a poor condition.

34

Inspired by the surrounding 19th century tradition of building houses in twins or small ensembles we decided to subdivide the facades in a logical order of tree times two buildings arranged around a central staircase and elevator. The concept of twins creates a diversificated impression, thereby integrates in its urban context, and simultaniously applies repitition of elements to garantee a maximum quality within a limited budget.


35


N

st t aa str

us

isc

nc

fra binnenplein

‘t mespuntje

ka tra

ais at

An inner courtyard accesible for all the inhabitants of the complex reacts on the lack of green cityspace in the surroundings.

36 | kaaistraat


60 cm

to ensure privacy apartments along the Kaaistraat have been elevated 60cm above the street level, The sint Franciscusstraat, 30cm lower than the Kaaistraat, becomes the entrance of the integrated parking. The roof of the parkings is transformed into a green courtyard. kaaistraat | 37


STRAATBEELD | MONUMENTWAARDE | PRECEDENTEN STRAATBEELD | MONUMENTWAARDE | PRECEDENTEN Hoge monumentwaarde

Hoge monumentwaarde

Positieve monumentwaarde Hoge monumentwaarde

Positieve monumentwaarde Hoge monumentwaarde Positieve monumentwaarde indifferente monumentwaarde

Positieve monumentwaarde indifferente monumentwaarde

Art-nouveauge

indifferente monumentwaarde

indifferente monumentwaarde

monumentwaarden van plafond zolder of kap monumentwaarden van plafond zolder of kap no.

no. no.

no. bijzondere interieuraspecten

Breedhuis v

monumentwaarden van plafond zolder of kap monumentwaarden van plafond zolder of kap

Deels aange van geglazuu en sluitstenen sen

bijzondere interieuraspecten bijzondere interieuraspecten

Getoogde e houtwerk o.m

bijzondere interieuraspecten

1 kroonlijst op geblokte lisenen

In order to determine the current state of heritage kaaistraat 31b a value assesment was made. 3.

2 faience tegeltableaus met florale motieven

3. 3.

s

1. 3 arduin sluitstenen

1.

3. 1.

This extract of the analysis shows the valuation on the level of the plan.

1 kro op ge li

1.

2.

2.

2.

2.

9,7 m

9,7 m

1.

1.

9,7 m 1.

1.

4 arduin dorpels 9,7 m

5 geglazuurde siertegels

5 ge

6 Deels aa houten

6 Deels aangepaste houten winkelpui

6

6

38 | kaaistraat

Ontwerp Kaaistraa


scheuring ajuin

scheuring ajuin

ajuin te vervangen of restaureren

ajuin te vervangen of restaureren

voegwerk slecht /te vervangen

voegwerk slecht /te vervangen geglazuurde baksteen slecht /te vervangen geglazuurde baksteen /te vervangen slecht houtwerk / teslecht vervangen

slecht tijdelijke houtwerk / te vervangen dichting ( te verwijderen ) tijdelijke dichting ( te verwijderen )

5,00 m

643

5,00 m

643

A drawing of the facade showing the current state. As a result of the analysis the dicision was made to demolish the building volume and to integrate the existing facade in the new ensemble.

kaaistraat | 39


st franciscus

straat

16

kaaistraat

Plan of the first level showing the inner courtyard on top of the garage. The apartments located along the street have large balconies, sometimes oriels providing qualitive views, while apartments with direct roof acces have been oriented towards the inner courtyard. 40 | kaaistraat


A1 PLANNING | Ontwerp Kaaistraat - St. Franciscusstraat

13

inner courtyard. A mixed programme of semi-public and private teracces provides benefit for all inhabitants. brick walls of different heights provide and economical solution for placement of bigger plants.

kaaistraat | 41


42


house on a slope Maria Zlobina, Crispijn van Sas architect van sas zlobina architecten

43


The house on a slope was a comission that I did together with my wife in the spring of 2013. contextual anticipation Surrounded by a highway from the one side and a green valley on the other side the main challenge in the design was to deal with contextual qualities and treats use it in order to make a good architecture.

44 | house on a slope

The house is designed as a long rectangular in order to effectively reduce noise from traffic.


1 stair to roof terrace \ 2 bedroom / study \ 3 living 4 terrace \ 5 bathroom \ 6 master bedroom \ 7 pool

Living inside out A terrace on the outside of the house extends the living room in the summer. A fully glazed window on the south side of the building offers a view on the valley with the rising skyline of the city on the background. A small space is left in front of the window to sit on the corner of the building.

1

2

3

4

5

6

7

Detail of bedroom balconee overlooking the valley

house on a slope | 45


front view showing the facade of cast conrete, the cast has been made with wooden planks. Wooden planks are used for the decking in front.

house under construction, the concrete wall is hiding the windows on the outside minimizing the image to concrete walls and glass windows.

46 | house on a slope


A borderless swimming pool overlooks the green valley substitutes the need for a fence.

drawing of the pool the water falls over the edge to be filtrated and be pused back in the pool.

house on a slope | 47


park museon

Moscow, Russian Federation assistant designer Asse Architects, Moscow 2013

After years of research in the Moscow Architectural institute Eugene Asse, one of Moscows most prominent Architects was comissioned by the Russian department of culture to redesign the Museon Park in the center of Moscow city. The Museon park was initially designed as a garden for the Central house of Artists that houses a part of Moscows tretyakov gallery and a commercial programme of galleries and space for annual events. In the 90’s the park became a memory of the city as all political statues that survived the fall of Russian Communism were moved to this location and the park was rezoned (never designed) as a sculptural garden. Now 20 years after an organical transformation from garden to sculptural city park the reconstruction adds quality to a valuable piece of public space for Moscows inhabitants.

48


49


АЛЛЕЯ СОВЕТСКИХ СКУЛЬПТУР РЕСТОРАН

ЛЕТНИЙ ТЕАТР МУЗЕОН ЦЕНТР ПРИЧАЛ КНИЖНОЕ АРТКАФЕ БАР НА НАБЕРЕЖНОЙ

ДЕТСКИЙ ЦЕНТР

GREEN HOUSE

ШКОЛА РЕСТОРАН ВЕРНИСАЖ

Изм. Кол.уч. Лист №Док. РУК.МАСТ.

Асс Е.В.

ГАП

Васильева С.А.

“ВОЛНА”

Подпись

Дата

г.М

Park Museon was originally designed as a entourage for the central house of artists, a large cultural institution. In the 90’s Museon gradually transformed in a backyard for Moscow’s old Soviet sculptures. By adding new functions and giving dedicated space to existing ones structure and income was provided.

50 | park museon


Концепция парка искусств "МУЗЕОН"

СХЕМА ОБЪЕКТОВ

Адрес объекта: Москва, ул. Крымский Вал, 10

Стадия

Лист

Листов

ПП

8

43

архитекторы

asse

architects

МОСКВА 119019 Б.АФАНАСЬЕВСКИЙ ПЕРЕУЛОК 11/13, 17 ЭТАЖ ООО "АРХИТЕКТОРЫ АСС"

с 2013 архитекторы асс

Zoning plan shows the relation between different typologies of green infrastructure and the introduced new functions.

park museon | 51


Now the infrastructure of Park museon exists of an overload of very wide asphalted roads. By reducing the amount of roads and transforming asphalt into stone and stone/gravel paths the maintainance costs of roads can be reduced. Adidionally to the grid like structure a series of smaller pathways “gati� was added to create an other experience of moving trough the park.

52 | park museon


Концепция парка искусств "МУЗЕОН" Изм. Кол.уч. Лист №Док. РУК.МАСТ.

Асс Е.В.

ГАП

Васильева С.А.

Подпись

Дата

УСТРОЙСТВО АЛЛЕЙ, ПЕРЕКРЕСТКИ

Стадия

Лист

Листов

ПП

27

43

архитекторы

Адрес объекта: г.Москва, ул. Крымский Вал, 10

asse

architects

МОСКВА 119019 Б.АФАНАСЬЕВСКИЙ ПЕРЕУЛОК 11/13, 17 ЭТАЖ ООО "АРХИТЕКТОРЫ АСС"

с 2013 архитекторы асс

A closer look showing the new profiles of roads that diversify and provide suitable space for resing,cycling, walking, provision of shops and activities like markets.

parkИзм. museon | 53 Кол.уч. Лист №Док. РУК.МАСТ.

Асс Е.В.

ГАП

Васильева С.А.

Подпись

Дата


classification of political sculptures by scale

Now sculptures in the park are randomly placed making it difficult for visitors to percept single unique sculptures because of the vast open space in the park. We carefully documented and grouped all the 736 sculptures and arranged them in specifically designed spaces for groups of nudes animals political

54 | park museon


16.

19.

20.

1.

2

21.

3.

13.

10.

15.

12.

5.

4.

17.

14.

11.

7.

8.

6.

9. 18.

Avenue of sculptures - plan view

sculptures etcetera. The spaces have different characteristics that comprehend the collections like a open field for large political sculptures that is seperated from the park by large pinetrees and a virgin wild forests in which the visitor can enjoy nudes.

park museon | 55


The bookshop & readers cafe closed from the inside, open to the outide. The cafe is projected over the old paths of the park integrates the existing nature.

56 | park museon


1. structural wall of books 2. display, thin outer shell of steel columns and glass 3. readers cafe 4. bookstore 5. terrace 6. inner garden

3.

2.

1. 6.

4.

5.

4.

2.

Plan and section that show the pavilion bookshelves become constructive pillars that carry the roof and at the same time enclose an open courtyard where people can have a drink and read in an atmosphere of silence.

park museon | 57


Garage office, museum of contemporary art 2012 Olya Treiwas, Masha Zlobina, Crispijn van Sas assistant designer for FORM

In the fall of 2011 FORM was comissioned to make the design for the office of the Garage museum in Gorki park. The building used to be designed as a drydock for shipbuilding by the architect Alexey Schusev was redesigned in the 20’s to fit the new programme of a cinema. During the design proces I took part in the decisionmaking during the conceptual stage, was responsible for the drafting of electricity and sanitary plans and designed costum made objects including the reception desk, spiral stair that was added to make use of the attic, and the garderobe.

58


59


вид лестницы сбоку

н лестницы. вид с верхней площадки

+7.770

+7.550

1,500 11

10

9

29°

8

12

0 70 0,

13

0,100 7

14

3-1

15

1, 20 8

+3.500

6

45° 1,351

+4.050

н лестницы. вид с нижней площадки

2-1 1,500 9

12

в- в

0,600

8

0,070 +0.000 0,015 0,015 0,700

подступенок сплошной,рифле ный металл.лист, заваренный на ус со ступенью

1

2

6

а-а 3 2

5

3

1

5,5

7

ограждения,мета лл.лист

ступень,рифлен ый металл.лист

900

11

10

детали винтовой лестницы

29°

в 2 а в

а

drawings of the steel stair.

60 | garage office

5

64

4

Поз. I 3

Т1 -

4

4


3-9

3-8 3-7.1

3-7.2

3-10

3-11

3-3 3-6

3-4 3-5

3-2

3-1

plan - first floor

garage office | 61


Materialisation

Matte surfaces, acrylic glass

metal mesh, brushed aluminium

matte metal tabletop, brushed aluminium

wood painted smoked grey

materialisation The receptiondesk where materialisation is the medium between the different scales. Transparent drawers reveal the contents, while the front and top are materialized in brushed and meshed metal in correspondence with the other interior objects.

62 | garage office


GARAGE

2-3

2-8

2-4 2-2

+0.103

2-6 +0.103

2-7

2-5 2-9

+0.103

+0.103

2-10

0.000

2-11

1.508

Layout

Position Rec

4.600

4.381

0.000

300

-0.153

1-1 300

-0.306

-0.460

06.4 масштаб' ' дата$ $ $ архитекторы'

1-2

1.200

2-12

150 -0.460

269

18

269

18

269

18

269

18

270

18

269

18

269

4.600 18

1.638

18

558

18

42

18 18 18 271 1.095 1.100

Layout

18

Mate acrylic glass Shem

810

18

810

18

557

18

42

8

18

18 4.600

plywood th=

164

18 164 1.707

18

18 A

557

steel, th=5mm

271

150

345 1.100 18 150 5 270 18 271 18

18

Fo

GARAGE OFF

8 150 5 5

18

A

270

5

18

:1 :1 'О В М К

GA

Reception Desk

steel mesh th

06.1 масштаб' дата$ $ архитекто

A

Section AA

740 300

740

assemblage

Extract of the album for the reception desk. The reception desk was designed in a 3 dimensional CAD programmeLayout that automatically generated 2D CAD drawings with exact dimensionsSizes: front, top, for building. 2.300

A

2.300

1.100

4.600

06.2 масштаб' ' дата$ $ $ архитекторы'

garage office | 63

: 1:20 : 12-03-12 ' О.Трейвас :' В.Одынь М.Злобина К. Ван Сас

Form


Klaksvik Finger prints Competition design designer in FORM, moscow

Competition for a cultural centre in Klaksvik was held in 2012. Being part of the faroe islands, klaksvik maintains its own identity, however economically operates within a network of villages, called a regional town. the sheme on the right showsan overview of the specialities.

64


The Fingerprints project is an imprint- reflection of the town Klaksvik, with its reserved nordic beauty, strong winds and people, who mostly consist of fishermen in many generations. The project unites four distinct areas — a community centre, residential area, hotel and transport hub. The community centre is an artificial green hill, a new form of town square, surrounded by public buildings. The town centre is completely pedestrian. All transport is concentrated next to the Klaksvik marina, on the site of a former parking lot, and includes a bus terminal, parking, and ferry quay. The hill will provide refuge from strong winds coming in from the bay during large public events. Towards the bay, it will form an amphitheatre for hosting festivals and concerts.

65


BIG MAMM

66


Two weeks before the end of new year the chief architect came to me with some good and bad news ( russian christmas starts from the 1st of jan ). We had a new comission for an art installation in a museum and the bad news was that it had to be designed and completed within 2 weeks in order to shine during the russian chrismas holidays. The director of the museum in fact commissioned us to design an artistic interpretation of a christmas tree for children workshops so that their creations could find their place. We thought about it. What if the branches of the trees would be made of climbing ropes and if the needles would become helium baloons? The concept then would become that as soon as a kid would put inside her/his creation the tree would give a baloon in exchange. After two weeks the tree would slowly transform form a white tree into a colorful one filled with kids works creations.

67


68


Related works

69


70


Gemstone Table production of the table in the studio of Vincent de Rijk 71


True Cities Book publication Charlie Koolhaas, Crispijn van Sas

In february 2012 I was working with Charlie Koolhaas on the editing of a book which adressed the globalization and the increasing footprint that lefts behind. A dense patchwork of images which Charlie collected during the last years of intensive travelling connects seamingly different worlds. Our collaboration included the intensive task of organising the vast database of images and structuring it in a way that images interrelated to others would deliver clear messages within the thematics of the book as well as exhibition design for a event in Einhoven university.

72


Based on earlier experience in the Lecture and Debate comission I was selected as a Student Assitent for Michiel Riedijk. It was a unique chance to develop the organisational skills that are involved with the preparation of a symposium. Architecture as a Craft was held in order to raise the debate about the definition of architecture in modern times where the architects position changed and the introduction of new techiques broadended up the possibilities within the architectural profession.

Architecture as a Craft Symposium Michiel Riedijk with Crispijn van Sas and Else Marijn Kruiswijk 73


Photography documentaries As I am always inspired by things I see around me photography is a way to express the things that fascinate me. I aim to document qualitive things around me to remember and learn from others.

Marie Josee van Hee, house in Wetteren, Belgium

Marie Josee van Hee, house in Wetteren, Belgium 74


Project Antwerpen Linkeroever

Freezing time, former ruin that’s now garage museum in Moscow designed by OMA

75


cvansas@gmail.com +31617326195 crispijnvansas.eu

Works: Crispijn van Sas  

2017

Works: Crispijn van Sas  

2017

Advertisement