Cris Batula - Architectural Lighting Design Portfolio

Cris Batula Architectural Lighting Designer

Rm 5, 7F, Hongkong Mansion No. 1 Yee Wo St, Causeway Bay, Hongkong crishanzelbatula@gmail.com +852 6259 5306 (Hongkong)

Chinastar Square Mixed Use Building - Macau, China Landscape Lighting Design Proposal The design intent is to create an extension of the interior to the exterior of the residential area of the building. The selection of trees in the landscape suggested medium to wide beam angle spotlights aimed at foliage with mushroom head decorative bollards for low-level lighting. Childrens play area located on the right side of the plan includes glowing interactive seats and adds color to the space.

Architect: Adrian L. Norman Limited Project Status: Opening on the end of 2021 Role: Project Manager

Cris Batula

Architectural Lighting Designer

Lighting Design Principle

Landscape:

Chinastar Square, Macau

Client:

Chinastar Square Macau Landscape Lighting Concept 14.08.2019 6 | 26

Landscape:

Landscape:

Landscape:

Cris Batula

Client:

Chinastar Square, Macau

Chinastar Square, Macau

Client:

Client:

Chinastar Square Macau Landscape Lighting Concept 14.08.2019 9 | 26

Chinastar Square, Macau

3000K color temperature is used with CRI90+ for better color rendering of the trees foliage for seasonal trees that changes leaf color with some species of flowering trees that fits Macau’s humid climate.

Water feature also uses the same color temperature except the pool with 4000K to create cooler visual contrast on the surrounding greeneries.

Chinastar Square Macau Landscape Lighting Concept 14.08.2019 19 | 26

Chinastar Square Macau Landscape Lighting Concept 14.08.2019 12 | 26

Architectural Lighting Designer

Nanchang East Rail Station Transportation Building - Nanchang, China Facade Lighting Design Proposal The design intent for the project is to come up with a facade lighting that highlights the arch facade of the entrance with minimum number of mounting points for lighting. Visibility range is also considered in the design, with viewing proximity from high-rise building to low level veiwing angles. The lighting needs to cover all sides because the project is at the heart of the city.

Architect: GMP Architekten Project Status: On-going Role: Project Team

WORK IN PROGRESS — —

High Level Lighting

WORK IN PROGRESS 项目分析： 主立面

Project Analysis: Main Facade —

Low Level Lighting

Rendering

客 户 Client

设计建筑师

Design Architect

客 户 Client

设计建筑师

Design Architect

新建南昌至景德镇至黄山铁路 南昌东站 Nanchang East Railway Station of Nanchang-Jingdezhen-Huangshan Railway 新建南昌至景德镇至黄山铁路 南昌东站 Nanchang East Railway Station of Nanchang-Jingdezhen-Huangshan Railway

Lighting Concept Design 概念照明设计

Lighting Concept Design 21 .Aug. 概念照明设计 2020 10 | 22 21 .Aug. 2020 10 | 22

路 南昌东站 ngdezhen-Huangshan Railway

Lighting Concept Design 概念照明设计

21 .Aug. 2020 10 | 22

Cris Batula

Architectural Lighting Designer

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High Level 建筑高处

—

Entrance ecnartnE

Initial lighting proposal inscludes poles for the wing part of the facade but the architect preferred a strategy without poles. Other sections of the facade are approved, with integrated lighting installed in trusses to SSERGORP NI KROW WORK IN PROGRESS hide light sources.

设计手法 - 拱

t h g i L r a e n i L d e t a r g e t n I l a r u t c u r t S : 2 n o i t p O - y p o n aC - n o i t u l o s g

Lighting solution - Arch

WORK IN PROGRESS WORK IN PROGRESS

—

Entrance

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Reference 参考:

:考参 ecnerefeR

- 二项选 - 棚雨 - 法

High Level 建筑高处

~6-8 meters

High Level High Level 建筑高处 建筑高处 ~20 meters

基础灯光手法方案 (待与建筑师进一步确认安装细节) General lighting solution options (Further installation detail to coordinat with architect)

Low Level 建筑低处

Reference 参考:

图果效 :noit

~6-8 meters ~6-8 meters

rdinat with architect)

Cross Section - High Level Lighting

dinat with architect)

~20 meters ~20 meters

Cross Section - High Level Lighting

设计建筑师

SSERGORP NI KROW SSERGORP NI KROW

Design Architect

Low Level 建筑低处 Low Level 建筑低处

新建南昌至景德镇至黄山铁路 南昌东站 Nanchang East Railway Station of Nanchang-Jingdezhen-Huangshan Railway EDACAF_ngiseD citamehcS dna tpecnoC gnithgiL 墙幕_计设明照案方与念概

- 二项选 - 棚雨 - 法手计设 - 二项选 - 棚雨 - 法手计设

Lighting Concept and Schematic Design_FACADE

t h g i L r a e n i L d e t a r g e t n I l a r u t c u r t S : 2 n o i t p O - y p o n aC - n o i t u l o s g n i t h g i L thgiL raeniL detargetnI larutcurtS :2 noitpO - ypotcentihcarACngis-eD noitulos gnithgi—L 概念与方案照明设计_幕墙

师筑建计设

站东昌南 路铁山黄至镇德景 至昌南建新 16.September. 2020 12 | 22 y a w l i a R n a h s g n a u H - n e h z e d g n i J- g n a h c n a N f o n o i t a t S y a w l i a R t s a E g n a h c n a N

—

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师筑建设计建筑师 计设

Design Architect

tsaE gnahcnaN

Lighting Concept and Schematic Design_FACADE

新建南昌至景德镇至黄山铁路 南昌东站 Nanchang East Railway Station of Nanchang-Jingdezhen-Huangshan Railway

概念与方案照明设计_幕墙

16.September. 2020 11 | 22

Cross Section - Low Level Lighting

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EDACAF_ngiseD citamehcS dna tpecnoC gnithgiL

Cris Batula

新建南昌至景德镇至黄山铁路 南昌东站 Nanchang East Railway Station of Nanchang-Jingdezhen-Huangshan Railway 新建南昌至景德镇至黄山铁路 南昌东站 Nanchang East Railway Station of Nanchang-Jingdezhen-Huangshan Railway

Lighting Concept and Schematic Design_FACADE 概念与方案照明设计_幕墙

Lighting Concept and Schematic Design_FACADE 概念与方案照明设计_幕墙

16.September. 2020 11 | 22

16.September. 2020 11 | 22

墙幕_计设明照案方与念概

22 | 71 0202 .rebmetpeS.61 22 | 71 0202 .rebmetpeS.61

站东昌南 路铁山黄至镇德景至昌南建新 y a w l i a R n a h s g n a u H - n e h z e d g n i J- g n a h c n a N f o n o i t a t S y a w l i a R t s a E g n a h c n a N 站东昌南 路铁山黄至镇德景至昌南建新 y a w l i a R n a h s g n a u H - n e h z e d g n i J- g n a h c n a N f o n o i t a t S y a w l i a R t s a E g n a h c n a N

tcetihcrA ngiseD

师筑建计设

tcetihcrA ngiseD

师筑建计设

Architectural Lighting Designer

Grayscale

False Color Rendering 0

12.50

25.00

37.50

50.00

62.50

75.00

87.50

100

lx

0

12.50

25.00

37.50

50.00

62.50

75.00

87.50

100

lx

Grayscale

False Color Rendering

Cris Batula

Architectural Lighting Designer

International Trade City - Lot3 Mall Extension - Shanghai, China Interior Lighting Design Proposal The lighting design takes design principle from Lot4 to create a seamless transtion since both building is connected to one another, with some architectural variations, including the atrium with mirror finish overhang balcony. The strategy create an atmosphere both for daytime and nighttime by playing with multiple layers of lighting that highlights the architecture and functionally provide standard illumination levels.

Architect: Lead8 Project Status: On-going Role: Project Manager

Day

p

Night

Light from glass balustrade adds illumination on the reflective surface during night time, like water droplets reflecting the water they will fall into.

客 户 Client

Methodology

設計建築師 客 户 ClientDesign Architect

設計建築師

上海徐家匯中心 ITC Shanghai 上海徐家匯中心 Lot3 ITC Shanghai Lot3

Design Architect

Concept Visualization Methodology

Concept Visualization

Cris Batula

計建築師 Design Architect 中心 ITC Shanghai Lot3

Transition of daytime and nighttime shows the treatment of lighting design in each times of day. For daytime, lighting will be dependent on natural lightConcept fromDesign skylight aperture WIP Retail Interior Lighting WIP(Skylight Retail Interior + LG2 Lighting Entrance)Concept Design (Skyli while nighttime improves the atmosphere by the addition of indirect illumination coming 28. JAN. 2021 9 | 69 from integrated fixtures on floors and ceiling.

Architectural Lighting Designer WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

上海徐家匯中心 ITC Shanghai Lot3

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

3lines lines 3 lines of of high-powered high-powered high-powered 33lines ofof high-powered diff diff use use linear linear light light diff use linear light diff use linear light atrium in atrium atrium ininin atrium For the skylight aperture, architect demands a functional decorative lighting strategy that fits inteior’s modern aesthetic. The solution is an integrated diffuse linear light the follows aperture contour with added layer of light in atrium’s height ceiling, RECOMMENDED OPTION RECOMMENDED OPTION RECOMMENDED RECOMMENDED OPTION OPTION

照明手法 Cross Section View Cross Section View Cross Cross Section Section View View 1 111

Cross Section View Cross Section View 2 22 2 Cross Cross Section Section View View

Lighting Solution 33lines linesof ofhigh-powered high-powered —

Skylight Opening Skylight Opening Skylight Skylight Opening Opening

Skylight Opening Skylight Opening Skylight Skylight Opening Opening 1 11line ofof high-powered line high-powered line 1use line of of high-powered high-powered diff linear light diff use linear light diff diff use use linear linear light light inin atrium atrium in in atrium atrium

3 lines 3diff lines ofof high-powered high-powered diff use linear light use linear light diff diff use use linear linear light light in atrium in atrium in in atrium atrium

Skylight (Night Scene)

Functional + Decorative Lighting (New Option)

Plan View

客客户户Client Client

客 户客Client 户 Client

2

設計建築師 Architect 設計建築師 Design Design Architect

設計建築師 設計建築師 Design Design Architect Architect

上海徐家匯中心 上海徐家匯中心 ITC ITCShanghai ShanghaiLot3 Lot3 上海徐家匯中心 上海徐家匯中心ITCITC Shanghai Shanghai Lot3 Lot3

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance) WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance) WIPWIP Retail Retail Interior Interior Lighting Lighting Concept Concept Design Design (Skylight (Skylight + LG2 + LG2 Entrance) Entrance)

28. 28.

JAN.JAN. 2021 41 | 69 2021 41 | 69

28. JAN. 28. JAN. 20212021 41 | 69 41 | 69

1 line of high-powered diffuse linear light in escalator area

1 OPTION 04.1 (recommended)

Integrated layers of linear light 3 lines of high-powered diffuse linear light in atrium

Cross Section View 2

Cris Batula

1 RECOMMENDED line of high-powered diffuse linear light in atrium

Skylight Opening

OPTION

Architectural Lighting Designer

Functional + Decorative Lighting

—

念

Skylight (Night Scene)

明手法 Concept

照明手法

ting Solution

ight

Functional + De

Functional + Decorative Lighting

Lighting Solution Recommended Artificial — Lighting Integrated in Skylight

Recommended Decorative Lighting Integrated in Skylight

Water Drop

NIGHT OPTION 04.1 (recommended) Light from glass balustrade adds illumination on the reflective surface L5 like water droplets during night time, reflecting the water they will fall into.

Main Roof

Integrated layers of linear light

nce

L4

PTION 04.1 (recommended)

egrated layers of linear light

Skylight (Night Scene)

L3

Functional + Decorative Lighting

RECOMMENDED OPTION L2

Warning: Result exceeds up to 900+ lx

L1

RECOMMENDED OPTION

OPTION 04.2

Warning: Result exceeds up to 900+ lx

Level 02

Warning: Result exceeds up to 900+ lx

B1

Integrated layers of linear light

Level 01

Basement 01

PTION 04.2

egrated layers of linear light

B2

照度伪色图参考 False color lux level simulation

0

設計建築師

客 户 Client

設計建築師

設計建築師

80

100

Design Architect

Warning: Result exceeds up 0 20 to 900+ lx

Cris Batula 客 户 Client

設計建築師

300

400

照度伪色图参考 False color lux level simulation

50

500

600

lx

Design Architect

Methodology

Concept Visualization

照度伪色图参考 False color lux level simulation

28. JAN. 2021 6 | 69

100

150

上海徐家匯中心 ITC

客 户 Client 上海徐家匯中心 ITC Shanghai Lot3

Design Architect

200

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

上海徐家匯中心 ITC Shanghai Lot3

Design Architect

60

照 F

設計建築師

200

300

400

照度伪色图参考 False color lux level simulation Shanghai Lot3

Design Architect

0

20

500

50

lx

20

50

100

150

設計建築師

200

300

Design Architect

400

500

上海徐家匯中心

lx

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

100

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance) 上海徐家匯中心 ITC Shanghai 150 200 300 400 500Lot3 lx

- Cris Batula Works -

上海徐家匯中心 ITC Shanghai Lot3

0

客 户 Client

28. JAN. 2021 43 | 69

28. JAN. 2021 11 | 69

WIP Retail Interior Lighting

Architectural Lighting Designer

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

—

—

OPTION 01 OPTION OPTION 01 01

Lighting and Reflection Clear Glass Clear Clear GlassGlass

Recommendation for Glass Balustrade Opacity

OPTION 01

~50-70mm

~50-100mm

FROSTED GLASS

~100-150mm (90%

IGHTING

Opacity)

100%

fixture hidden inside lighting detail to avoid direct visibility

CLEAR GLASS

70%

70% 70%

30%

30% 30%

100% 100%

Clear glass Clear glass ~100-150mm Clear glass

on

base trim to n that will add ea.

mm

OPTION 02 02 02 OPTION OPTION

Clear Glass + 30% Frosted Glass Average reach with Clear Clear Glass Glass + Gradient 30% + 30% Gradient Gradient Frosted Frosted GlassGlass

~50-70mm

~50-100mm

Balustrade Glass Study

OPTION

OPTION 03 03 03 OPTION OPTION

Reflection ClearClear Glass + 50% Gradient Frosted Glass Clear Glass Glass +with 50% + 50% Gradient Gradient Frosted Frosted GlassGlass Average reach fixture hidden inside lighting detail to avoid direct visibility

Balustrade Glass Stu 50% 50% 50%

50% 50% 50%

Reflection is only showing because of the CLEAR GLASS black background. Light is not showing clear without background

Average reach with FROSTED GLASS fixture hidden inside lighting detailOpacity) to (90% 02avoid direct visibility

Frosted Glass (90% Opacity) Material Study

Balustrade Glass Study 50mm

he glass will ny spandrel tions are also

Average reach with fixture hidden inside Frosted glass material is tested to ~50-70mm Higher reach with 15mm lighting detail to emulate lighting effect, with varying diffuse linear light avoid direct visibility fixture setback to show the architect the source visible Clear Clear glass glass + frosted + frosted gradient gradient glass glass is recommended is recommended to achieve to achieve desired desired lighting lighting effect effect from from linear linear light fixture. light fixture. ~50-100mm glass + frosted gradient glass is recommended to achieve desired lighting effect from linear light fixture. best recommended distance between Clear Lighting Lighting effecteffect still tostill be to tested be tested upon upon approval approval of options of options and during and during mockup. mockup.

Lighting effect still to be tested upon approval of options and during mockup. fixture and glass balustrade.

OSTED GLASS~100-150mm OPTION 02 90% Opacity)

CLEAR GLASS 客 户 Client 客 户 Client

perspective out of date

上海徐家匯中心 Clear Glass Material Study 設計建築師

Design Architect

客 户 Client

設計建築師

50mm

Average reach with 15mm Original materiality for balustrade

fixture hidden inside is clear glass, inlighting which lighting detail todoes very little effect. This test also showed avoid direct visibility how reflective it is especially with the balustrade being slightly slanted at an angle.

Higher reach with diffuse linear light source visible

客 户 Client

設計建築師

客 户 Client Design Architect

Reflection is only showing because blackReflection background i is notshowing showingbe cl Reflection without backgrou black backgo light is notfixture show Frosted without Gla bac 28. JAN. 28.

2021JAN. 18 2021 | 69 18 | 69 28. JAN. 2021 18 | 69

28. JAN. 2021 14 | 69

15mm

户 Client Higher reach客with diffuse linear light source visible

Reflection is only showing because of the 設計建築師 Design Architect black background. Light Reflection of Linear is not showing clear light fixture in without background Frosted Glass

Reflection is only 上海徐家匯中心 Reflection of Linearof the ITC Shanghai Lot3 showing because Reflection o light fixture in black background. Light fixture in Cl Frosted Glass is not showing clear without background

Higher reach with diffuse linearsetbacks light Testing of Lighting Effect with different source visible Cris Batula

Higher reac diffuse line source visib

WIP Retail WIP Interior RetailLighting Interior Lighting Concept Concept Design (Skylight Design (Skylight + LG2 Entrance) + LG2 Entrance) WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

上海徐家匯中心 上海徐家匯中心 ITC Shanghai ITC Shanghai Lot3 Lot3 上海徐家匯中心 ITC Shanghai Lot3

WIP Retail Interior Lighting Concept Design (Skylight + LG2 Entrance)

ITC Shanghai Lot3

50mm

設計建築師設計建築師 Design Architect Design Architect Design Architect

is showing bec black backg is not showi without bac

設計建築師

Design Architect

上海徐家匯中心 ITC Shanghai Lot3 上海徐家匯中心 ITC Shanghai Lot3

Reflection of Linear

Reflection is onl showing because Reflection Test black background is not showing c Architectural Lightingwithout Designer WIP Retail Interior Lighting Concept backgro Design (Sky

Reflection of Linear light

Murray Road 2 Mixed Use Building - Hongkong Interior Lighting Design Proposal As one of the flagship projects being built in Hongkong, clients wants to go all out even with lighting. They wanted flexible design solution that can accomodate different events in the top floor banquet, with high illumination at the ground floor lobby and an interactive experience during elevator ride that can mark the property as a new standard for high-end developments.

Architect: Zaha Hadid Architects Project Status: On-going Role: Project Team

INTERIOR LIGHTING DESIGN G/F Lobby - Unified Lighting Scene - Consistent Colour Temperature —

Functional Lighting

Decorative Lighting

Rendering

OPT. 1

INTERIOR LIGHTING DESIGN G/F Lobby - Unified Lighting Scene - Consistent Colour Temperature with additional Spotlight — 2 MURRAY ROAD. HONG KONG | 26.09.2019

ZAHA HADID ARCHITECTS | DESIGN ARCHITECT

23

2 MURRAY ROAD. HONG KONG | 26.09.2019

ZAHA HADID ARCHITECTS | DESIGN ARCHITECT

25

LICHTVISION | LIGHTING CONSULTANT

OPT. 2

Cris Batula

LICHTVISION | LIGHTING CONSULTANT

Architectural Lighting Designer

Architect limited the locations of fixture to not affect the aesthetic of the lobby. Fixtures are installed in dedicated channel with anti-glare optics for downlights and glare shield accessories for the spotlight. Aiming and beam angle selection is tested using DIALux Basic.

Due to the reflective nature of lobby’s materiality, we advised architect’s team to change the color of the floor to lighter color to achieve more bounce of light that can create canvas of brightness on the wall and ceiling’s reflective surfaces.

INTERIOR LIGHTING DESIGN G/F Lobby - Unified Lighting Scene - Consistent Colour Temperature with additional Spotlight

Rendering

False Color Rendering

—

2 MURRAY ROAD. HONG KONG | 26.09.2019

ZAHA HADID ARCHITECTS | DESIGN ARCHITECT

25

LICHTVISION | LIGHTING CONSULTANT

照度伪色图参考 False color lux level simulation

0

Cris Batula

20

50

100

150

200

300

400

500

lx

Architectural Lighting Designer

Design intent Lift Cab Lighting as a Journey

OPT. 1

Option 01

OPT. 2

Option 02

OPT. 3

OPT. 4

Option 03

Option 04

Design Concept

Light

C | 02.0 | Internal Lighting Concept WIP 10/06/19

Design Elements Material Study

Material Analysis Specular Reflections We want to embrace the re-

We want to embrace lights. We avoided putting single the reflective surface of point downlight since it creates the lift cab using lights. individual dots which is not the We intent. avoided singlelight, point design Using integrated we want to produce soft glow and downlight that creates linear reflections, that highlight the individual dots. Instead, cab’s encapsulated form. we use diffuse light sources that creates Floorlighting soft glow and speculiar reflections highlighting the capsule nature of the lift’s interior. flective surface of the lift cab using

A Journey

with

Lines Covelighting

2 MURRAY ROAD. HONG KONG | 10.06.2019

Linear Light

DottedReflection Reflection Dotted

Media Strip

Specular Reflection

Speculiar Reflection (preferred effect) (preferred effect)

Reflection

Cris Batula

Architectural Lighting Designer

URRAY ROAD. HONG KONG | 10.06.2019

LICHTVISION / LIGHTING CONSULTANT

129

ZAHA HADID ARCHITECTS

Banquet General Lighting Scenes per Event

Retractable Linear Lights Banquet Decorative Lighting - OPT. 1

Design Intent Banquet Hall Sample Lighting Scene - Cocktail Party

Design Intent Banquet Decorative Lighting - Option 02

Option 01 - Tunable White (1) Circulation - Tunable White (2) Task Lighting - Tunable White

Retractable (1)Banquet Circulation - RGBWDecorative Lighting - OPT. 2 Option 02 - Tunable White + RGBW Pendant Lights (2) Task Lighting - Tunable White

C | 02.0 | Internal Lighting Concept WIP 10/06/19 LICHTVISION / LIGHTING CONSULTANT 171

Design Intent ZAHA HADID ARCHITECTS

Banquet Hall Sample Lighting Scene - Exhibitions

Remote controllable retractable lights with RGB and white light capabilities (also remote controllable)

Option 01 - Tunable White (1) Circulation - Tunable White (2) Task Lighting - Tunable White

Option 02 - Tunable White + RGBW (1)HONG Circulation RGBW 2 MURRAY ROAD. KONG | -10.06.2019 (2) Task Lighting - Tunable White

2 MURRAY ROAD. HONG KONG | 10.06.2019

Option 01 - Tunable White (1) Circulation - Tunable White (2) Task Lighting - Tunable White

Option 02 - Tunable White + RGBW 01 Movement

Movement 02

(1) Circulation - RGBW (2) Task Lighting - Tunable White

Movement 03

The banquet requires flexibile lighting solution for general and even decorative lighting.Lighting concepts with winch mechanism is introduced to create layers of decorative lighting that compliments the 2 MURRAY ROAD. HONG KONG | 10.06.2019 architecture, while general lighting uses Casambi for remote aiming and controls.

LICHTVISION / LIGHTING CONSULTANT

173

Cris Batula

ZAHA HADID ARCHITECTS

Architectural Lighting Designer

Navi Mumbai International Airport Transportation Building - Mumbai, India Interior Lighting Design Proposal The design intent for this project is to achieve standard illumination level combined with creative and colorful lighting design influenced by the architect’s inspiration for the whole archiecture, which is a lotus. The aperture of the skylight is one area where dynamic lighting mimics flower’s contour by gradation of colors that adds to the visual experience of travelers.

Architect: Zaha Hadid Architects Project Status: On-hold Role: Project Team

General + Decorative Lighting Elevation 1 Overview

3 LIGHTING DESIGN ARTIFICIAL LIGHTING

DEPARTURE HALL LIGHTING Option 1: Integrated Lighting along Creases

80

Navi Mumbai

Schematic Design

INTERNATIONAL AIRPORT

Cris Batula

Architectural Lighting Designer

Navi Mumbai

General + Decorative Lighting Elevation 2 Overview

3 LIGHTING DESIGN ARTIFICIAL LIGHTING

DEPARTURE HALL LIGHTING Option 1: Integrated Lighting along Creases

82

Navi Mumbai

Schematic Design

INTERNATIONAL AIRPORT

Cris Batula

Architectural Lighting Designer

Navi Mumbai

SKYLIGHTS LIGHTING INTEGRATION

OPT. 1 - Skylight Artificial Lighting with Linear Grazers

OPT. 2 - Skylight Artificial Lighting with Floodlights

3 LIGHTING DESIGN ARTIFICIAL LIGHTING 3 LIGHTING DESIGN ARTIFICIAL LIGHTING

with Ceiling Slats with Ceiling Slats with Ceiling Slats

3 LIGHTING DESIGN ARTIFICIAL LIGHTING 3 LIGHTING DESIGN ARTIFICIAL LIGHTING

with Ceiling Slats

SKYLIGHT 01 LIGHTING INTEGRATION

SKYLIGHT 01 LIGHTING INTEGRATION

with Ceiling Slats

SKYLIGHT 01 LIGHTING INTEGRATION

with Ceiling Slats

SKYLIGHT 01 LIGHTING INTEGRATION

Transparent or translucent ceiling materials, refracting and diffusing the light.

Intergration of hues created by coatings integrated into louver ceiling.

without Ceiling Slats

without Ceiling Slats

without Ceiling Slats

without Ceiling Slats

without Ceiling Slats

bai

without Ceiling Slats

Navi Mumbai

RPORT

Schematic Design

INTERNATIONAL AIRPORT

Navi Mumbai

INTERNATIONAL AIRPORT

Navi Mumbai

INTERNATIONAL AIRPORT

Cris Batula

Schematic Design

Navi Mumbai

43

INTERNATIONAL AIRPORT

Schematic Design Navi 43Mumbai

INTERNATIONAL AIRPORT

41

Schematic Design

51

Schematic Design

51

Architectural Lighting Designer

Third Runway Concourse Transportation Building - Hongkog Interior Lighting Design Proposal The project is an upcoming extension of the existing airport. The design intent is to follow strict guidelines for energy consumption and lighting that are dedicated only for Hongkong. The lighting design approach is utilitarian and focuses on functionality with limited areas to explore creative lighting approach, like the huge skylight in Central Node.

Architect: Aedas Project Status: On-going Role: Project Manager

Main Concourse General Lighting Higher Ceiling –Typical Arrangement

Cross Section 1

Main Concourse General Lighting Beside Courtyard –Typical Arrangement +10 DEG

Cross Section 2

-10 DEG

-10 DEG

+10 DEG

0 DEG

L1-001 (with single fixture housing)

Cris Batula

-10 DEG

L1-002A Surface Mounted Downlight Beam Angle: 15˚ Lumen Output: 6000lm Power: 55W Dim: Ø240mm H:150mm

Recessed Downlight Beam Angle: 25˚ Lumen Output: 6000lm Power: 55W Dim: Ø263mm H:219mm

Recessed Downlight Beam Angle: 25˚ Lumen Output: 6000lm Power: 55W Dim: Ø263mm H:219mm -10 DEG

+10 DEG

-10 DEG

L1-001 (with single fixture housing)

L1-001 (with multiple fixture housing)

+10 DEG

+10 DEG

Recessed Downlight Beam Angle: 25˚ Lumen Output: 6000lm Power: 55W Dim: Ø263mm

Courtyard

0 DEG

+10 DEG

-10 DEG

L1-002A Surface Mounted Downlight Beam Angle: 15˚ Lumen Output: 6000lm Power: 55W Dim: Ø240mm H:150mm

Architectural Lighting Designer

LI-001 – Fixture Detailing

LI-001 – Fixture Detailing

Note:

Note:

Bottom of fixture housing needs to be in-line with bottom of baffle ceiling to avoid unwanted scalloping on baffle surface

Bottom of fixture housing needs to be in-line with bottom of baffle ceiling to avoid unwanted scalloping on baffle surface

Typical Lighting Detail

Fixture Housing (provided by contractor)

Baffle Ceiling

Ceiling Channel

Matte black reflector

Fixture Housing (provided by contractor)

ain Concourse General Lighting ghting Maintenance Strategy

Fixture Housing (provided by contractor)

Matte black reflector

Baffle Ceiling

Baffle Ceiling

Main Concourse General Lighting Lighting Maintenance Strategy

Typical Lighting Maintenance Strategy 1 2 3

DALI Lighting Control DALI Controller along Maintenance Catwalk.

4

Power Supply for Functional Lighting Along Maintenance Catwalk

5

Fixture Housing (to be provided by contractor)

(1) (2)

Fixture driver close to fixture

Downlight at central mounting channel

LEGEND:

(3)

Fixture Driver along Maintenance Catwalk.

(4) (5)

L1-001 (with multiple fixture housing)

Cris Batula Drivers for fixture installed in middle of Baffle Type B is installed along catwalk for maintenance. This will keep close distance from driver to fixture and will avoid power drop due to bents of cables in site.

L1-001 (with single fixture housing) Drivers for fixture installed in edge of Baffle Type B will stay close to the fixture as shown for easy maintenance. For ceiling access, please refer to Aedas maintenance strategy

Mounting on ceiling Power Cable (maximum of 2m depending on manufacturer) Suspension Cable (to be provided by contractor) Mounting Bracket (to be provided by contractor Surface Mounted Fixture

LI-002A, LI-002B & LI-003A

Finished Ceiling Line

Driver integrated fixture that are surface mounted can be taken out whole for 2-5 meters gap between maintenance, with maximum power cable Architectural driver and fixture as length of 2m depending on manufacturer. industry standard (depending on manufacturer)

Lighting Designer

During early developmental stages of the design, the architect wants to explore creative lighting approach to the canopy of the bus station to break the architecture’s monotony. It was then cancelled and replaced with integrated recessed diffused linear light instead.

L4 APV Canopy L4 APV Canopy Transitional Transitional Lighting Lighting

200lx average 200lx average Exterior Circulation Area Exterior Circulation Area

L4 APV Canopy L4 APV Canopy Additional Feature Lighting Options Additional Feature Lighting Options

200lx average 200lx average Interior Interior

According to CIBSE Lighting Guide – Outdoor Environment, UnderLighting CanopyGuide for Hotels, Motels According to CIBSE – Outdoor and Restaurant suggests at least a minimum 100lx Environment, Under Canopy for Hotels, Motels average.

No dedicated standard for and Restaurant suggests at leastisa mentioned minimum 100lx canopy public transport building, therefore for average.inNo dedicated standard is mentioned 200lx is in suggested in consideration the canopy public transport building,to therefore following: 200lx is suggested in consideration to the following: - Heavy traffic circulation due to high numbers passengers - of Heavy traffic circulation due to high numbers - Lighting transition from daytime to nighttime of passengers considered to create ofto brightness - is Lighting transition fromfluidity daytime nighttime from outdoor to to create indoorfluidity of brightness is considered - Flexibility in controls to increase brightness from outdoor to indoor the interior when brightness it’s needed.

- matching Flexibility with in controls to increase - Continuity of lighting for safety matching with the interior whenduring it’s needed. bus interior - vehicular Continuitytransition of lightingfrom for safety duringto terminal vehicularinterior transition from bus interior to terminal interior

L4 APV Canopy Additional Feature Lighting OptionsL4 APV Canopy

Early to Late Evening Early to Late Evening

Light source Linear Grazer hidden inside Integrated ceiling channel

Perforation with colors related to Spectrum design concept of theFloodlight whole terminal aimed in ceiling for wash lighting effect

Additional Feature Lighting Options

Canopy Elevation: Lighting Transition during Daytime Canopy Elevation: Lighting Transition during Daytime

Light source

Linear Grazer hidden inside Integrated ceiling channel

200lx average 200lx averageArea Exterior Circulation Exterior Circulation Area

Tapered Canopy Roof Tapered Canopy Roof

Canopy Elevation: Lighting Transition during Nighttime Canopy Elevation: Lighting Transition during Nighttime

Light source

Perforation with colors related to Spectrum design concept Floodlight of the whole aimed in terminal

200lx average Interior 200lx average Interior

Colored acrylic related to Spectrum design concept of the whole terminal

ceiling for wash lighting effect

Design Reference Indirect Lighting – Linear Graze Effect Design Reference

Perforation Indirect Lighting – Floodlighting

Cris Batula

Architectural Lighting Designer Perforation

Indirect Lighting – Linear Graze Effect

Indirect Lighting – Floodlighting

Daytime Effect

With Lighting

Artificial Lighting Strategy – Plan View Central Node Central Node – Skylight Fixture B - Linear Light facing upward aimed at wall of skylight Fixture A - Linear Light tilted 55 degrees aimed at the opposite perforation

Central Node Skylight Artificial Lighting Strategy - Detailing Central Node Skylight Artificial Lighting Strategy - Detailing

Central Node Skylight Fixture B - Calculation Result

3 (

Monocolor Lighting

Central Node Skylight Artificial Lighting Strategy - Detailing

Monocolor Lighting

Monocolor Lighting

Color Changing Lights Color Changing Lights

Color Changing Lights

Cris Batula

Central Node Skylight CentralBNode Skylight Result Fixture - Calculation Fixture B - Calculation Result

55 degrees tilt Calculation Result

30 degrees aiming (slight angle) 30 degrees aiming (slight angle)

False Color Rendering 60 degrees False Color Rendering beam angle

Calculation Result

55 degrees tilt

55 degrees tilt

False Color Rendering

Calculation Result

60 degrees beam angle

60 degrees beam angle

Architectural Lighting Designer

Third Runway Concourse Landscape Transportation Building - Hongkog Internal Landscape Lighting Design Proposal The airport will have an internal landscape located at Level 6, with open roof to the outside. It is an impressive showcase of man-made nature wrapped in a machinelike airport structure. The design intent is to create an impression of bright big scale terrarium that people can explore while awaiting their flights.

Architect: Urbis Project Status: On-going Role: Project Manager

Courtyard Landscape Outer and Inner Core

Outer Core/ Discovery

This is part of the “Discovery”. Spotlights in mullion to highlight outer core trees to showcase foliage from further vantage point

Inner Core/ Interaction This is part of the “Interaction”. Inner core will have typical uplighters with soft glow to mimic outer core lighting effect and create a cohesive melancholic feeling

As part of analysis, the structure housing the indoor landscape is separated with the floor area to show 2 layers of lights: First layer is installed in the column of the structure and Second layer is installed in the softscape (inground spotlights) and hardscape (wall recessed pathway lights) of the project.

Cris Batula

Architectural Lighting Designer

Integrated Spotlight Installed in mullion

Lighting Intent Design Approach

Daytime

ntent

ntent

Lighting Intent Design Approach

Section Elevation

Spotlight

Spotlight

Bright and Inviting with strong saturation of colors from natural daylight.

Section Elevation

Spotlight

Spotlight

Section Elevation

Spotlight

Spotlight

Cris Batula

Section Elevation

Daytime: Bright and Inviting with strong saturation of Spotlight colors from natural daylight.

Daytime: Nighttime

Spotlight

Nighttime: Emphasis on foliage of the trees giving it more presence as opposed to highlighting it from the

Nighttime Emphasis trees givin presence highlightin trunk

Architectural Lighting Designer

Another set of analysis for different lighting effects based on mounting locations and different levels of contrasts. The lighting design for landscape will be influenced by spill lights coming from the concourse, and expected to achieve low level of contrast, with some internal areas of the landscape (e.g. seating areas) to appear darker and more intimate.

Lighting Study

Lighting Study

Courtyard Lighting – Preferred Lighting Intent

Courtyard Lighting – Substandard Lighting

Outer Core Trees

Outer Core Trees

Inner Core Trees

Inner Core Trees

Emphasis

Subtle and Controlled

Flat

Harsh Shadow

Addition of integrated spotlight creates emphasis to highlight the living design element inside the architecture. It helps create a focal point in a busy space as shown in the sample photo.

Good distance of fitting from the tree results a more controlled effect with minimal shadow created in relevant surfaces. It’s also cohesive with lighting effect from outer core trees.

Downlights pointing downward creates a uniform brightness in the space which is not the intent.

The original intent is to showcase the outer foliage of the trees that would require high-powered fitting for maximum visibility in further distance. Using this might create unwanted shadows that distracts audience from focal point, especially once installed near walls.

Cris Batula

Architectural Lighting Designer

Jinan Stadium Sports Arena - Jinan, China Facade & Interior Lighting Design Proposal The design intent follows specific directions in collaboration with Lichtvision Design London office.

My role is materialize the concept in my renders and follow lighting application based on what type of lights are used in specific section of the project. The lighting mainly focuses on illuminating the under-shell part of the stadium that changes color into flame red representing China’s national day.

Architect: Zaha Hadid Architects Project Status: On-hold Role: Project Team

Lighting Scenes - Facade - Daily / 灯光场景 - 幕墙 - 日常

Scene 1 Normal Stadium Events

Lighting Chapter / 照明概念 Lighting Scenes - Facade - Show / Game / 灯光场景 - 幕墙 - 表演/赛事

Scene 2 China National Day

Cris Batula

Architectural Lighting Designer

HSBC L10 Office Office Building - Hongkong Interior Lighting Design Proposal The design intent of the project is to improve vertical illumination of the office space which has been the main analysis from site visit conducted on exisiting old offices in the building. Another goal is to highlight alot of architectural elements present in the interior which are not paid attention to before due to restrictive energy consumption limit of the project. The main target is to come up with a solution to fix that problem while maintaining LPD requirements achieved without power overloading.

Architect: Aedas Project Status: On-going Role: Project Manager

照明设计原理

Typical Lighting Design Principle —

Open Office Spaces

Brightness curve for ceiling indirect lighting

Task Lighting:

Locker Accent Lighting:

Booth Seating Lighting:

Pantry Seating Lighting:

Shelf Lighting:

General lighting with diffuse linear light for even light distribution in each working areas.

Spotlights aimed at plants with high CRI to create highlight, breaking monotone feel of the office. Shadows are created to create depths amongst shelves.

Indirect lighting is proposed for this area to highlight the interior design elements and makes the space inviting for users.

Spotlight in the outside surface enhances material and color of interior architecture.

Decorative lighting is used to deliver a more casual feel in the space

Diffuse linear light integrated in furniture is used to highlight plants and shelf content for visual interest.

設計建築師

Cris Batula

Design Architect

汇丰都市计划办公室

HSBC Metroplan Office

WIP Interior Lighting Concept Design Report

Architectural Lighting Designer 22. OCT. 2021 15 | 18

1. Improved planter Illumination with dedicated spotlight

1. Improved vertical Illumination

2. Improved vertical illumination using wall washer fixture

2. Change of fixture finish/color for general lighting t blend well with ceiling

3. Improved uniformity according to lux level requirement

3. Wider beam angle for general lighting for better uniformity

4. Dedicated lighting for other planters atop lockers

4. Improved light source for decorative lighting fixture to achieve proper lighting levels

General Office Area Existing Office Site Photo

Pantry Existing Office Site Photo

Before

vements

exiting site condition for Office Area: older floors in the building

Sample Areas with Lighting Improvements —

List of lighting improvements for Pantry:

tlight

1. Improved vertical Illumination

fixture

2. Change of fixture finish/color for general lighting t blend well with ceiling

ment

3. Wider beam angle for general lighting for better uniformity 4. Improved light source for decorative lighting fixture to achieve proper lighting levels

Before

Before After

NOTE: NOTE: Before and After pictures to show the design principle of the proposed lighting methodology compared to other existing to office forthe reference Before and After pictures show designONLY. principle of the proposed lighting methodology compared to ot 設計建築師

Design Architect

汇丰都市计划办公室

HSBC Metroplan Office

設計建築師

WIP Interior Lighting Concept Design Report

Design Architect

汇丰都市计划办公室

HSBC Metropla

29. OCT. 2021 11 | 22

After improved using post production to show effect of new ligitng principle

Before After

After

NOTE:

Cris Batula ple of the proposed lighting methodology compared to other existing office forthe reference Before and After pictures to show designONLY. principle of the proposed lighting methodology compared to other existing office for reference ONLY. 汇丰都市计划办公室

HSBC Metroplan Office

設計建築師

Design Architect

WIP Interior Lighting Concept Design Report

汇丰都市计划办公室

HSBC Metroplan Office

Architectural Lighting Designer WIP Interior Lighting Concept Design Report

Kampi Hotel Hospitality Building - East Java, Indonesia Facade Retrofit Lighting Design Proposal The goal for the project is to study he architectural feature that can be highlighted,install fixture in the existing building and provide fixture selection that will be easy to install for convenience of maintenance considering the site’s current condition. Strategy includes surface mounted fixture with mounting brackets and feature housing that blends on the facade finish to avoid visibility of fixture during daytime.

Project Status: On-going Role: Lead Designer

LIGHTING DESIGN PROPOSAL

Facade Upper Level Lighting

Facade Lighting Design Methodology

LIGHTING DESIGN PROPOSAL

Facade Upper Level Lighting: Linear light facing upward to illuminate ledge. It will create more visual interest that lluminting the other sides since the design language is more connected to the facade’ mid-section.

Pencahayaan Tingkat Atas Fasad: Cahaya linier menghadap ke atas untuk menerangi langkan. Ini akan menciptakan lebih banyak daya tarik visual yang menerangi sisi lain karena bahasa desain lebih terhubung ke bagian tengah fasad.

Mid-Section Level Lighting: This needs to be the brightest to create a more inviting feel in the overall aesthetic.

Since facade lower level is full glass with birght interior light, the brighter midsection of facade will allow to pull attention upward.

Pencahayaan Tingkat Bagian Tengah: Ini harus menjadi yang paling terang untuk menciptakan nuansa yang lebih mengundang dalam estetika keseluruhan. Karena fasad tingkat bawah adalah kaca penuh dengan cahaya interior terang, bagian tengah fasad light with glare shield tountuk be yang lebih terang akanLinear memungkinkan installed in the edge of the ledge. This avoid grazing the glass which might menarik perhatian ke will atas.

create unnecessary illumination in the interior ceiling but also allows for better light distribution for even lighting effect.

Allowance of atleast 500mm in the end part of the ledge (both left and right) are required to avoid scalloping in the side wall surface.

Linear light with glare shield

Viewing Angle

Lampu linier dengan pelindung silau untuk dipasang di tepi langkan. Ini akan menghindari penggoresan kaca yang mungkin menciptakan penerangan yang tidak perlu di langit-langit interior tetapi juga memungkinkan distribusi cahaya yang lebih baik untuk efek pencahayaan yang merata. Kelonggaran minimal 500mm di bagian ujung langkan (baik kiri dan kanan) diperlukan untuk menghindari scalloping di permukaan dinding samping.

LIGHTING DESIGN PROPOSAL

Facade Upper Level Lighting KAMPI HOTEL - SURABAYA

Top View - Cross Section

Facade Upper Level Viewing Angle

Linear light with glare shield with mounting bracket to create further spread in the facade detail. It is important to keep the whol fixture same color as the facade to hide it’s visibility during daytime. The grazing will cover half of the architectural facade element with gradation towards the end that will add visual depth to it.

Facade MidCahaya linier dengan pelindung silau dengan Section

Linear light with glare shield

Linear light with mounting bracket

braket pemasangan untuk menciptakan penyebaran lebih jauh pada detail fasad. Penting untuk menjaga seluruh perlengkapan berwarna sama dengan fasad untuk menyembunyikan visibilitasnya di siang hari. Penggembalaan akan menutupi setengah dari elemen fasad arsitektur dengan gradasi di ujungnya yang akan menambah kedalaman visualnya.

Facade Lower Level

KAMPI HOTEL - SURABAYA

KAMPI HOTEL - SURABAYA

Cris Batula

Architectural Lighting Designer

TipTapToe Restaurant Commercial Space - Surabaya, Indonesia Interior Lighting Design Proposal Lighting design solution will focus on creating a ambiance that will compliment the interior design and build diff erent heirarchies in different parts of the restaurant based on functions and privacy. The goal is to make the whole place inviting for all people of different demographic, and have a uniting space where that visually enhances the experience in the space and the food.

Project Status: On-going Role: Lead Designer

LIGHTING DESIGN PROPOSAL

Lighting Design Intent - Main Lounge 01

After the warm entrance of in the lobby, guests will be greeted with bright and lively dining area. The ceiling is lit with linear lights aimed at the gable roof top to avoid cave effect, with punches of light from decorative lighting hanging from the ceiling. It gives emphasis on important areas before heading to the general dining areas where guest are stationed. All lighting is 2700K to 3000K (tunable white lights) for flexibility of ambiance. This solution will adjust scenes depending on the requirement of the space, especially during events and special occassions.

TIPTAPTOE RESTAURANT - INDONESIA Cris Batula

Setelah pintu masuk yang hangat di lobi, para tamu akan disambut dengan ruang makan yang cerah dan hidup. Langit-langit diterangi dengan lampu linier yang diarahkan ke bagian atas atap pelana untuk menghindari efek gua, dengan pukulan cahaya dari pencahayaan dekoratif tergantung dari langit-langit. Ini memberi penekanan pada area penting sebelum menuju ke area makan umum tempat tamu ditempatkan. Semua pencahayaan 2700K hingga 3000K (lampu putih merdu) untuk fleksibilitas suasana. Solusi ini akan menyesuaikan pemandangan tergantung pada kebutuhan ruangan, terutama selama acara dan acara khusus.

Architectural Lighting Designer

LIGHTING DESIGN PROPOSAL

Lighting Design Intent - Main Lounge 02

Continuing the concept from the entrance of the dining space, downlights will be less present in the bar areas where light is more intimate and personal. This shift of ambiance will help guests to choose between areas in the restaurant and will give them options to switch from one place to another, in different time of the day, in just one location. Counter lighting from decorative pendants with warm light are directed on task/dining areas, with highlights on shelf for merchandizes, decor and drinks.

TIPTAPTOE RESTAURANT - INDONESIA Cris Batula

Melanjutkan konsep dari pintu masuk ruang makan, lampu downlight akan kurang hadir di area bar yang cahayanya lebih intim dan personal. Pergeseran suasana ini akan membantu para tamu untuk memilih di antara area di restoran dan akan memberi mereka pilihan untuk beralih dari satu tempat ke tempat lain, di waktu yang berbeda, di satu lokasi saja. Lampu meja dari liontin dekoratif dengan cahaya hangat diarahkan ke area tugas / makan, dengan sorotan di rak untuk barang dagangan, dekorasi, dan minuman.

Architectural Lighting Designer

Westin Hotel - Ikan Restaurant Hospitality/ Commercial Space - Bali, Indonesia Interior Lighting Design Proposal The concept follows the interaction of the space and nature, with the restaurant being semi-opened space to the outdoors. Layers in the architecture are highlighted following local landscapes with colors of warm summer daylights to contrast the coldness of the beachside at night. Patterns are also highlighted creating traditional atmospheres that are familiar in other places of Indonesia.

Project Status: On-going Role: Lead Designer

LIGHTING DESIGN PROPOSAL - NOT REVISED

Lighting Design Overview

Flow chart shows traffic from different entrances of the restaurants. Entrances are brighter than the rest of other areas as a greeting to invite people inside. As visitors journey along inside, lighting becomes dimmers depending on privacy and public access.

Al frescoes are dimmed lowest to create the most intimate ambiance especially areas near the seaside.

Diagram alir menunjukkan lalu lintas dari berbagai pintu masuk restoran. Pintu masuk lebih cerah daripada area lainnya sebagai ucapan untuk mengundang orang masuk. Saat pengunjung melakukan perjalanan di dalam, pencahayaan menjadi redup tergantung pada privasi dan akses publik. Al fresko diredupkan paling rendah untuk menciptakan suasana paling intim, terutama di area dekat pantai.

Brightness Level:

Al fresco

Transition Areas

Seating Areas

Entrances

IKAN RESTAURANT AND BAR

Cris Batula

Architectural Lighting Designer

Entrance Entrance - Lighting Design Proposal Rendering

Family Deck Family Deck - Lighting Design Proposal Rendering IKAN RESTAURANT AND BAR

Cris Batula

IKAN RESTAURANT AND BAR

LIGHTING DESIGN PROPOSAL - REVISION 01

LIGHTING DESIGN PROPOSAL - REVISION 01

Al Fresco Deck Al Fresco Deck - Lighting Design Proposal Rendering

Bar Bar - Lighting Design Proposal Rendering

LIGHTING DESIGN PROPOSAL - REVISION 01

LIGHTING DESIGN PROPOSAL - REVISION 01

IKAN RESTAURANT AND BAR

IKAN RESTAURANT AND BAR

Architectural Lighting Designer

The lighting intent is to improve the warmth of the space to contrast the cold breeze coming from the sea due to its location. Alot of indirect lighting are used in the project to create soft bounces of light in the surfaces and avoid harsh lighting reflections on the sea water as well to prevent light trespass that contributes to lighting polution.

Indoor Lounge Indoor Lounge - Lighting Design Proposal Rendering

IKAN RESTAURANT AND BAR

Cris Batula

LIGHTING DESIGN PROPOSAL - REVISION 01

VIP Dining VIP Dining - Lighting Design Proposal Rendering

LIGHTING DESIGN PROPOSAL - REVISION 01

IKAN RESTAURANT AND BAR

Architectural Lighting Designer

Grand Sungkono Lagoon Mixed Use Building - Jakarta, Indonesia Facade Lighting Design Proposal Lighting design proposal focuses in the facade element that serves as the focal point of the building’s entry. The hollow transparency of the space is an opportunity to create a dialogue between the interior and the exterior.

This will allow for a memorable experience, not only for people inside but also incoming visitors. This will also set the building apart from relative buildings around because of its unique lighting design approach that sells experience afar and upclose.

Project Status: On-going Role: Lead Designer

LIGHTING DESIGN PROPOSAL

Lighting Design Proposal Options Monocolor Lighting

Dynamic Lighting

Option 01

Option 02

Option 03

Option 04

Linear Frame Lighting

Flood Lighting & Projections

LED Pixel Display

Lighting Installation

This proposal is a variation of the initial lighting design proposal improved to accomodate actual site conditions.

Exploring creative lighting options gives variety of solution for dynamic application.

One solution is floodlighting and projection, not focusing on facade element but overall ambiance of the space during nighttime.

Another proposal exploring creative lighting solution with LED pixel display. This is different than other LED displays since the proposal still keep visibility of the other side of glass at daytime.

The proposal utilizes the void inside the archiectural facade, filling it with dynamic lighting installation equally visible from both sides of the building: interior and exterior.

Proposal ini merupakan variasi dari proposal desain pencahayaan awal yang ditingkatkan untuk mengakomodasi kondisi lokasi aktual.

Menjelajahi opsi pencahayaan kreatif memberikan beragam solusi untuk aplikasi dinamis. Salah satu solusinya adalah lampu sorot dan proyeksi, tidak berfokus pada elemen fasad tetapi keseluruhan suasana ruang pada malam hari.

Usulan lain yang mengeksplorasi solusi pencahayaan kreatif dengan tampilan piksel LED. Ini berbeda dari tampilan LED lainnya karena proposal masih menjaga visibilitas sisi lain kaca di siang hari.

Proposal memanfaatkan kekosongan di dalam fasad arsitektur, mengisinya dengan instalasi pencahayaan dinamis yang sama-sama terlihat dari kedua sisi bangunan: interior dan eksterior.

GRAND SUNGKONO LAGOON - SURABAYA

Cris Batula

Architectural Lighting Designer

LIGHTING DESIGN PROPOSAL

OPT.1 Monocolor Lighting - Option 01 Rendering

Linear Frame Lighting

LIGHTING DESIGN PROPOSAL

Monocolor Lighting - Option 01

Linear Frame Lighting

Proposed Fixture - Reference Image

Due to the black color of the frame, light needs to be more powerful to show strong illumination to be visible at night. With that, the design suggests 4 fixtures in each diamond to overlap lighting effects and creating a brighter output.

4 fixtures in each diamond frame

LIGHTING DESIGN PROPOSAL

Dynamic Lighting - Option 02.2 OPT.2

Rendering

Projections

Cross Section View

Frame Lighting - Installation Location

Dynamic Lighting - Option 02

4 fixtures in each diamond frame

Karena warna hitam bingkai, cahaya harus lebih kuat untuk menunjukkan pencahayaan yang kuat agar terlihat di malam hari. Dengan itu, desain menyarankan 4 perlengkapan di setiap berlian untuk tumpang tindih efek pencahayaan dan menciptakan output yang lebih cerah.

4 fixtures in each diamond frame

LIGHTING DESIGN PROPOSAL

Flood Lighting & Projections

GRAND SUNGKONO LAGOON - SURABAYA

GRAND SUNGKONO LAGOON - SURABAYA

Project Reference Images

Flood lighting aimed at the ceiling of this architectural feature will reinvent the look of the facade, creating a cube of dynamic experience showing colors and images for people to see. This can also be part of the buildings marketing and advertising strategy and will make the building a landmark and attraction due to the experience delivered by the lights.

Pencahayaan banjir yang ditujukan pada langit-langit fitur arsitektur ini akan menciptakan kembali tampilan fasad, menciptakan kubus pengalaman dinamis yang menunjukkan warna dan gambar untuk dilihat orang. Ini juga bisa menjadi bagian dari strategi pemasaran dan periklanan bangunan dan akan membuat bangunan menjadi tengara dan daya tarik karena pengalaman yang disampaikan oleh lampu.

Cross Section View

GRAND SUNGKONO LAGOON - SURABAYA

GRAND SUNGKONO LAGOON - SURABAYA

Cris Batula

Architectural Lighting Designer

LIGHTING DESIGN PROPOSAL

OPT.3 Dynamic Lighting - Option 03

LED Pixel Display

Rendering

LIGHTING DESIGN PROPOSAL

Dynamic Lighting - Option 03

LED Pixel Display

Due to the technological advances for LED screen display, it is not possible to create a dynamic show of lights in glass facade without intefering with daylight too much. This would also allow for dynamic display during daytime (cloudy weather, or indirect sunlight condition) as shown in Project Reference Image. Pixel pattern will also create sunshade to cover glass from direct heat of the sun.

LIGHTING DESIGN PROPOSAL

Dynamic Lighting - Option 04 OPT.4

Project Reference Image

Karena kemajuan teknologi untuk tampilan layar LED, tidak mungkin membuat pertunjukan dinamis lampu di fasad kaca tanpa terlalu banyak mengganggu waktu siang hari. Ini juga akan memungkinkan tampilan dinamis selama siang hari (cuaca berawan, atau kondisi sinar matahari tidak langsung) seperti ditunjukkan dalam Gambar Referensi Proyek. Pola piksel juga akan membuat kerai untuk menutupi kaca dari panas langsung matahari.

Cross Section View - Nighttime

Cross Section View - DaytimeLIGHTING DESIGN PROPOSAL

Lighting Installation Dynamic Lighting - Option 04

Rendering

Lighting Installation

GRAND SUNGKONO LAGOON - SURABAYA

GRAND SUNGKONO LAGOON - SURABAYA

Project Reference Images

Suspended dynamic linear lights like this are mainly used for production set, photoshoots and stage lighting. This can be extended to facade lighting, exploring dynamic possibility of lights and sound, to serve as a main attraction for people to visit. Movements can also be added in the fixture via mechanical winch which is also DALI compatible, but with an additional cost with the hardware and programming.

Sample Scene 01

Lampu linear dinamis bersuspensi seperti ini terutama digunakan untuk set produksi, pemotretan, dan pencahayaan panggung. Ini dapat diperluas ke pencahayaan fasad, mengeksplorasi kemungkinan dinamis dari cahaya dan suara, untuk berfungsi sebagai daya tarik utama bagi orang untuk dikunjungi. Gerakan juga dapat ditambahkan dalam fixture melalui winch mekanis yang juga kompatibel DALI, tetapi dengan biaya tambahan dengan perangkat keras dan pemrograman.

Sample Scene 02 Cross Section View

GRAND SUNGKONO LAGOON - SURABAYA

GRAND SUNGKONO LAGOON - SURABAYA

Cris Batula

Architectural Lighting Designer

Indonesia Pavilion Venice Architecture Biennale Interior Lighting Design Proposal The lighting will focus on creating an ambiance that represents Indonesia’s culture and architecture.

From the silhouette of the trees and forest to highlighting the lines of the architecture with modern lighting texhniques, the oveall proposal will bring a contemporary taste in the countries traditional style to better the visual experience. Varying lighting techniques were explored to check on the effects of shadows and depth and portray different characters of the exhibit space highlighting all the design elements inside, with different intensity of light for emphasis.

Project Status: Competition Lost Role: Lead Designer

LIGHTING DESIGN PROPOSAL

General Lighting Intent Venice Architecture Biennale Indonesian Pavilion is an epitome of tropical vernacular architecture in contemporary setting. It is an architecture tied into art form to showcase Indonesian culture and design. The general lighting will provide soft light enough to visualize overall installation with high brightness coming from the core structure to create multidimensional spaces that showcases traditional joinery of Indonesian architecture.

Conceptual Rendering Image

Lighting Markup in Elevation

VENICE ARCHITECTURE BIENNALE - INDONESIA 2020

Cris Batula

Reference Image

Architectural Lighting Designer

Design Overview Optional Locations Option 01 - Layers

Lampu linear kaku dipasang di setiap tingkat transisi arsitektur fitur di paviliun. Lampu pandangan langsung menunjukkan bidang sementara tumpahan pencahayaan menciptakan efek gradien mengambang pada struktur di for bawahnya.

Lighting

Option 02 - Linearity LIGHTING DESIGN PROPOSAL

Design Overview Lighting Effect + Reference Image

Rigid linear lights are installed vertically to create an interior border inside the structure.

It also created an interesting play of depth, with other structures covering it partially Feature Structure Lighting 03 which also showed it in other angles once you look at it.

LIGHTING DESIGN PROPOSAL

Option 03 - 3 Dimentionality Lampu linear kaku dipasang secara vertikal untuk membuat batas interior di dalam struktur. Itu juga menciptakan permainan kedalaman yang menarik, dengan struktur lain menutupi sebagian yang juga menunjukkannya di sudut lain setelah Anda melihatnya.

Option 02 - Linearity

LIGHTING DESIGN PROPOSAL

Conceptual Rendering Image

Reference Image

VENICE ARCHITECTURE BIENNALE - INDONESIA 2020

The idea of this concept is a glowing inner core of the structure that will look like a heart of the building. It will create a nice gradient glow while also peaking interest for the people explore the inside of the structure.

Gagasan dari konsep ini adalah inti inti dari struktur yang akan terlihat seperti jantung bangunan. Ini akan menciptakan cahaya gradien yang bagus sambil juga menarik minat orang-Image Reference orang menjelajahi bagian dalam struktur.

Conceptual Rendering Image

LIGHTING DESIGN PROPOSAL

Option 03 - 3 Dimentionality

Conceptual Rendering Image

Reference Image

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Conceptual Rendering Image

Reference Image

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Conceptual Rendering Image

Cris Batula

Reference Image

Architectural Lighting Designer VENICE ARCHITECTURE BIENNALE - INDONESIA 2020

LIGHTING DESIGN PROPOSAL

Wall Lighting Intent

Option 01 Farbric Wall on both sides of exhibition

Option 02 This proposal wants to replicate a visual of a typical architecture surrounded by tropical forest of Indonesia, but in a contemporary setting. It will have this nice texture in the fabric wall bringing an outdoor feel through lighting.

Reference Image

Cris Batula

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Proposal ini ingin mereplikasi visual arsitektur khas yang dikelilingi oleh hutan tropis Indonesia, tetapi dalam suasana kontemporer. Ini akan memiliki tekstur yang bagus ini di dinding kain yang menghadirkan nuansa outdoor melalui pencahayaan.

Architectural Lighting Designer

Border Lights Clue Lighting Design Competition Light and Disruption: Exploring the role of light in emergencies For Clue Edition 5, the challenge explores light during emergency offering alot of possibilities to explore.

My design intent is to propose feasible solution that focuses in the evacuation problem of my home country during heavy storms. The solution is a series of pole lighting that uses “storm energy” to light up the seaside residences, with illumination getting brighter as the storm intensifies. The strategy tackles energy problems dedicated to such emergency situation and provides guidance to evacuees and get them alerted of water levels, amongst other concerns.

Project Status: Competition Lost Role: Lead Designer

Border Lights

1

Storm Surge Hazard - Tacloban Philippines

Phase 01: Clouds becomes darker due to possible heavy rain accomodated by storm. Less water movement.

2

High

Medium

Low Generator/ Power Supply Phase 02: Rain started to fall. Mid-level power was generated through slow to rapid waves from the sea.

3

Installation Location Last 2013, Tacloban, Philippines was devastated by the typhoon Haiyan, taking hundreds of thousands of lives, properties and livelihood. They suffered the worst storm surge and was not equipped with the right aid for evacuating vicinity as soon as the storm hit.

Borderlight is an aggressive lighting solution installed in the borderlands of the affected region, dependent on storm surges to provide lighting as an alarm system and guidelight for evacuation.

Phase 03: Storm surge starts. Heavy rains affecting visibility. Aggressive waves sustain higher lighting output.

Narrow Beam Floodlight Medium Beam Floodlight Medium Beam Floodlight Wide Beam Floodlight

High-Mast Lighting Pole

Seaside Residences

Eco Wave Power

Incoming Storm creating strong waves

Additional Works

Street Photography Works:

Street and Environmental Portraiture

Light and Shadow Street Photography - Portrait Orientation

Cris Batula

Architectural Lighting Designer

Street Photography Works:

“Light in her Guidance”

“Joy Ride”

Winner, Holschule Wismar 20th Anniversary Lighting Design Jubille Photography Competition. Theme: Communicating Light

Judges Selecton, 2021 Street Photography Hongkong Photo Contest, Theme: Connection

Light and Shadow Street Photography - Landscape Orientation

Cris Batula

Architectural Lighting Designer

Other Design Works:

Cris Batula

Architectural Lighting Designer

Other Design Works:

Cris Batula

Architectural Lighting Designer