Arboretum - A Journey Through Trees

CRANE KALMAN GALLERY

ARBORETUM ARBORETUM

A JOURNEY THROUGH TREES

AUTUMN 2015

ARBORETUM A JOURNEY THROUGH TREES

19th November 2015 – 16th January 2016

CRANE KALMAN GALLERY LTD

178 Brompton Road, London SW3 1HQ Tel: +44 20 7584 7566 Fax: +44 20 7584 3843

www.cranekalman.com / ckg.ltd@virgin.net

ARBORETUM A JOURNEY THROUGH TREES

19th November 2015 – 16th January 2016

CRANE KALMAN GALLERY LTD

178 Brompton Road, London SW3 1HQ Tel: +44 20 7584 7566 Fax: +44 20 7584 3843

www.cranekalman.com / ckg.ltd@virgin.net

The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see Nature all ridicule and deformity, and some scarce see Nature at all. But to the eyes of the man of imagination, Nature is Imagination itself.

PIERRE ALECHINSKY

JAMES LLOYD

EDWARD BAWDEN

JEAN METZINGER

TONY BEVAN

HENRY MOORE

JETHRO BUCK

MARY NEWCOMB

CHARLES BURCHFIELD

BEN NICHOLSON

ALEXANDER CALDER

WINIFRED NICHOLSON

ANTHONY CARO

DAVID NASH

ZHOU CHUNYA

JOHN NASH

JEAN-BAPTISTE-CAMILLE COROT

PAUL NASH

WILLIAM DEGOUVE DE NUNCQUES

VICTOR PASMORE

JEAN DUBUFFET

THEO VAN RYSSELBERGHE

RAOUL DUFY

HIROSHI SUGIMOTO

STEPHANE GRAFF

HIROSHI SUGITO

DAVID HOCKNEY

TOM STOGDON

MITSUHIRO IKEDA

GRAHAM SUTHERLAND

ZHU JIANZHONG

KEITH VAUGHAN

JIRI KOLAR

FRED WILLIAMS

William Blake, 1799, The Letters

The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see Nature all ridicule and deformity, and some scarce see Nature at all. But to the eyes of the man of imagination, Nature is Imagination itself.

PIERRE ALECHINSKY

JAMES LLOYD

EDWARD BAWDEN

JEAN METZINGER

TONY BEVAN

HENRY MOORE

JETHRO BUCK

MARY NEWCOMB

CHARLES BURCHFIELD

BEN NICHOLSON

ALEXANDER CALDER

WINIFRED NICHOLSON

ANTHONY CARO

DAVID NASH

ZHOU CHUNYA

JOHN NASH

JEAN-BAPTISTE-CAMILLE COROT

PAUL NASH

WILLIAM DEGOUVE DE NUNCQUES

VICTOR PASMORE

JEAN DUBUFFET

THEO VAN RYSSELBERGHE

RAOUL DUFY

HIROSHI SUGIMOTO

STEPHANE GRAFF

HIROSHI SUGITO

DAVID HOCKNEY

TOM STOGDON

MITSUHIRO IKEDA

GRAHAM SUTHERLAND

ZHU JIANZHONG

KEITH VAUGHAN

JIRI KOLAR

FRED WILLIAMS

William Blake, 1799, The Letters

Jean-Baptiste-Camille COROT (1796 - 1875) Un Matin Sous Les Arbres, c.1855-60 Oil on canvas 22 x 16 ¾ inches / 55.5 x 42.5 cm Red Stamp of the Vente Corot Lugt 461 lower right Provenance: Estate of the Artist Ventre Corot, Hotel Drouot, Paris, 26th-28th May 1875, lot 165 Henri Hecht (purchased at the above sale) Galerie Georges Petit, Paris, 8th June, 1891, lot 3 Aime Diot, purchased Hotel Drouot, Paris, 7th March 1897, lot 34 Samuel Putnam Avery Jr, New York Emerson McMillin, New York Chas Kohler, purchased 1913 Galerie Dr. Fritz Nathan, St Gallen, by 1939 Robert Vatter, Germany by 1960 Private Collection Exhibited: St Gallen, Galeries Dr. Fritz Nathan, Gemälde und Handzeichnungen ersten Ranges von 1870 bis zur Gegenwart, no.5, 1939, illustrated St Gallen, Galeries Dr. Fritz Nathan, Zehn Jahre Tätigkeit in St. Gallen 1936-1946, 1946 Bern, Kunstmuseum, Corot, 1960, no.59 (as Morgen unter Bäumen) Literature: L’art, 18th February 1883, illustrated Alfred Robaut, L’Oeuvre de Corot, Catalogue Raisonné et illustré, Paris 1905, Vol. II, no.846, catalogued, p.273, ill. vol. IV, p.210, catalogued and illustrated

Jean-Baptiste-Camille COROT (1796 - 1875) Un Matin Sous Les Arbres, c.1855-60 Oil on canvas 22 x 16 ¾ inches / 55.5 x 42.5 cm Red Stamp of the Vente Corot Lugt 461 lower right Provenance: Estate of the Artist Ventre Corot, Hotel Drouot, Paris, 26th-28th May 1875, lot 165 Henri Hecht (purchased at the above sale) Galerie Georges Petit, Paris, 8th June, 1891, lot 3 Aime Diot, purchased Hotel Drouot, Paris, 7th March 1897, lot 34 Samuel Putnam Avery Jr, New York Emerson McMillin, New York Chas Kohler, purchased 1913 Galerie Dr. Fritz Nathan, St Gallen, by 1939 Robert Vatter, Germany by 1960 Private Collection Exhibited: St Gallen, Galeries Dr. Fritz Nathan, Gemälde und Handzeichnungen ersten Ranges von 1870 bis zur Gegenwart, no.5, 1939, illustrated St Gallen, Galeries Dr. Fritz Nathan, Zehn Jahre Tätigkeit in St. Gallen 1936-1946, 1946 Bern, Kunstmuseum, Corot, 1960, no.59 (as Morgen unter Bäumen) Literature: L’art, 18th February 1883, illustrated Alfred Robaut, L’Oeuvre de Corot, Catalogue Raisonné et illustré, Paris 1905, Vol. II, no.846, catalogued, p.273, ill. vol. IV, p.210, catalogued and illustrated

Raoul DUFY (1877 - 1953) Jardin à Falaise, 1902 Oil on canvas 32½ x 26 inches / 82.5 x 66 cm Signed lower left ‘Raoul Dufy’ Provenance: Galerie Charpentier, Paris Galerie Alex Maguy, Paris Galerie Fanny Guillon-Laffaille, Paris Private Collection, Germany Exhibited: Hommage à Raoul Dufy, Dalzell Hatfield Galleries, Los Angeles 1961 Raoul Dufy, Selections from an exhibition recently shown at the Honolulu Academy of Fine Arts and the Phoenix Museum of Art, 1966 Literature: Laffaille, Maurice: Raoul Dufy – Catalogue Raisonné de l'oeuvre peint de 1895 à 1915, vol. 1, Genève 1972, Cat Rais no. 37

Raoul DUFY (1877 - 1953) Jardin à Falaise, 1902 Oil on canvas 32½ x 26 inches / 82.5 x 66 cm Signed lower left ‘Raoul Dufy’ Provenance: Galerie Charpentier, Paris Galerie Alex Maguy, Paris Galerie Fanny Guillon-Laffaille, Paris Private Collection, Germany Exhibited: Hommage à Raoul Dufy, Dalzell Hatfield Galleries, Los Angeles 1961 Raoul Dufy, Selections from an exhibition recently shown at the Honolulu Academy of Fine Arts and the Phoenix Museum of Art, 1966 Literature: Laffaille, Maurice: Raoul Dufy – Catalogue Raisonné de l'oeuvre peint de 1895 à 1915, vol. 1, Genève 1972, Cat Rais no. 37

Théo VAN RYSSELBERGHE (1862 - 1926) Un ravin a St Brélade (Jersey), 1908 Oil on canvas 31¾ x 25¾ inches / 80.5 x 65 cm Signed and dated lower left with the artist’s monogram: 08; Signed and titled on stretcher: van Rysselberghe Provenance: Private Collection, Norway (acquired by 1926) Thence by descent to the present owner Exhibited Rotterdam, Rotterdamse Kunstkring, Théo van Rysselberghe, 1909, no.56 Groningen, Kunsthandel galerij Hofsteenge, 1910, no.27 (titled as Ravin) Laren, Larensche Kunsthandel, 1912, no.62 (titled as Ravin) Literature Paul Colin, La peinture belge depuis 1830, Brussels, 1930, n.n, illustrated p.324 (titled as Chèvres)

Théo VAN RYSSELBERGHE (1862 - 1926) Un ravin a St Brélade (Jersey), 1908 Oil on canvas 31¾ x 25¾ inches / 80.5 x 65 cm Signed and dated lower left with the artist’s monogram: 08; Signed and titled on stretcher: van Rysselberghe Provenance: Private Collection, Norway (acquired by 1926) Thence by descent to the present owner Exhibited Rotterdam, Rotterdamse Kunstkring, Théo van Rysselberghe, 1909, no.56 Groningen, Kunsthandel galerij Hofsteenge, 1910, no.27 (titled as Ravin) Laren, Larensche Kunsthandel, 1912, no.62 (titled as Ravin) Literature Paul Colin, La peinture belge depuis 1830, Brussels, 1930, n.n, illustrated p.324 (titled as Chèvres)

William DEGOUVE DE NUNCQUES (1867 - 1935) Paysage d’Hiver, 1917 Oil on canvas 30 x 35½ inches / 76 x 90 cm Initialled and dated lower right W. D. de N. 17 Provenance: M. L. de Boer, Amsterdam

Private Collection, UK

William DEGOUVE DE NUNCQUES (1867 - 1935) Paysage d’Hiver, 1917 Oil on canvas 30 x 35½ inches / 76 x 90 cm Initialled and dated lower right W. D. de N. 17 Provenance: M. L. de Boer, Amsterdam

Private Collection, UK

Charles BURCHFIELD (1893 - 1967) Tree and Brook c.1917 Watercolor and gouache on paper 26½ x 19 ⅛ inches / 67.5 x 49 cm C. E. Burchfield Foundation stamp no. 435, lower left Provenance: Charles E. Burchfield Foundation Exhibited: Kennedy Galleries, New York, Charles E. Burchfield Discoveries: Early Watercolors, Spring 1996.

DC Moore Gallery, New York, Charles Burchfield: The Nature of Seeing, May 1-June 13, 2015.

Bibliography: Charles Burchfield Discoveries: Early Watercolors, Exh. cat. New York: Kennedy Galleries, 1996, no. 12, illus.

Charles BURCHFIELD (1893 - 1967) Tree and Brook c.1917 Watercolor and gouache on paper 26½ x 19 ⅛ inches / 67.5 x 49 cm C. E. Burchfield Foundation stamp no. 435, lower left Provenance: Charles E. Burchfield Foundation Exhibited: Kennedy Galleries, New York, Charles E. Burchfield Discoveries: Early Watercolors, Spring 1996.

DC Moore Gallery, New York, Charles Burchfield: The Nature of Seeing, May 1-June 13, 2015.

Bibliography: Charles Burchfield Discoveries: Early Watercolors, Exh. cat. New York: Kennedy Galleries, 1996, no. 12, illus.

Jean METZINGER (1883 - 1956) Paysage avec Arbre et Maisons, c.1922 Oil on canvas 36Ÿ x 25½ inches / 92 x 65 cm Signed lower left Provenance: Galerie de l'Effort Moderne (Leonce Rosenberg), Paris Victor Servranckx, Brussels, (Servranckx 1897-1965 a Belgian Artist) Galerie Gmurzynska, Cologne Guy Heytens, Belgium Exhibited: New York, Perls Galleries, Jules Pascin, January-February 1959, no.9 New York, Perls Galleries, Jules Pascin, November-December 1985, no.14 This work is accompanied by a certificate of authenticity from Mr Aittouares and Mrs Dominique Bermann Martin and will be included in the forthcoming catalogue being prepared by Mme Bozena Nikiel.

Jean METZINGER (1883 - 1956) Paysage avec Arbre et Maisons, c.1922 Oil on canvas 36Ÿ x 25½ inches / 92 x 65 cm Signed lower left Provenance: Galerie de l'Effort Moderne (Leonce Rosenberg), Paris Victor Servranckx, Brussels, (Servranckx 1897-1965 a Belgian Artist) Galerie Gmurzynska, Cologne Guy Heytens, Belgium Exhibited: New York, Perls Galleries, Jules Pascin, January-February 1959, no.9 New York, Perls Galleries, Jules Pascin, November-December 1985, no.14 This work is accompanied by a certificate of authenticity from Mr Aittouares and Mrs Dominique Bermann Martin and will be included in the forthcoming catalogue being prepared by Mme Bozena Nikiel.

Paul NASH (1889 -1946) The Cagnes Valley Watercolour on paper 10½ x 17½ inches / 27 x 44 cm Inscribed Kitty from Paul Christmas 1926 and The Cagnes Valley Provenance: Private Collection

Paul NASH (1889 -1946) The Cagnes Valley Watercolour on paper 10½ x 17½ inches / 27 x 44 cm Inscribed Kitty from Paul Christmas 1926 and The Cagnes Valley Provenance: Private Collection

Victor PASMORE, CH, CBE (1908 - 1980) Barling, 1940 Oil on canvas 10 x 14 inches / 25.5 x 35.5 cm Initialled lower right Provenance: Private Collection, UK Exhibited: British Landscape Painting in the Twentieth Century, Crane Kalman Gallery, London, June-July 2004, ill. in col. in cat.

Victor PASMORE, CH, CBE (1908 - 1980) Barling, 1940 Oil on canvas 10 x 14 inches / 25.5 x 35.5 cm Initialled lower right Provenance: Private Collection, UK Exhibited: British Landscape Painting in the Twentieth Century, Crane Kalman Gallery, London, June-July 2004, ill. in col. in cat.

Graham SUTHERLAND, OM (1903 - 1980) Thorn Trees, 1945 Oil on canvas 50 x 40 inches / 127 x 101.5 cm Signed upper right Provenance: British Council Collection Selected Exhibitions: Treasure Island: British Art from Holbein to Hockney, Madrid, Fundacion Juan, March 2012 Passports: Great Early Buys From The British Council Collection, London, Whitechapel Art Gallery, 2009 From Destruction To Abstraction British Art In The 1940s And 1950s, Damascus, University Of Damascus, 2008 Graham Sutherland Landscapes, War Scenes, Portraits 1924-1950, Nottingham, Djanogly Art Gallery, 2005 Blast To Freeze: Britische Kunst Im 20. Jahrhundert, Toulouse, Les Abattoirs, 2003 and Germany, Wolfsburg Kunstmuseum, 2002 Sutherland Une Retrospective, Antibes, Picasso Museum, 1998, cat. no.61, ill. in col Herbert Read A British Vision Of World Art, Leeds City Art Gallery, 1993 Home And Abroad An Exhibiton Of Recent Acquisitions For The Arts Council and the British Council Collections, London, Serpentine Gallery, 1984 Graham Sutherland, London, Tate Gallery, 1982, ill. in colour, pl. no.125, full front cover (detail) Ix Biennale Internationale D'art, France, Menton, Palais De l'europe, 1972 Expo '70, Japan, Tokyo, 1970 Graham Sutherland, Germany, Munich, Haus Der Kunst, 1967 Graham Sutherland, Italy, Galleria Civica D'arte Moderno, Torino & Switzerland, Basel, Kunsthalle, 1965-1966, cat. no.47, ill. in b/w p.125 British Painting 1720-1960, Russia, St. Petersburg, The Hermitage, Moscow, Pushkin Museum of Fine Arts, 1960 Graham Sutherland, Ireland, Belfast Museum And Art Gallery, 1959 Fourth International Exhibition Of Contemporary Art, Japan, Tokyo, Metropolitan Art Gallery, 1957 1955 Sao Paulo Bienal, Museu De Arte Moderna, Brazil, 1955 XVII Venice Biennale, Venice, British Pavilion travelled to Paris, Musée D'art Moderne De La Ville De Paris, Amsterdam, Stedelijk Museum, Zurich, Kunsthaus, 1952-1953 Contemporary Painting In Great Britain, Germany, Dusseldorf, Hetjens Museum travelled to Hamburg, Hamburger Kunsthalle, Amsterdam, Stedelijk Museum, Brussels, Palais Des Beaux-Arts De Bruxelles, Luxembourg, Musee De L'etat, 1948 La Jeune Peinture En Grande Bretagne, Greece, Athens, British Institute travelled to France, British Council Office – Paris, 1948-1948 Exposition Internationale De Peintures Modernes, France, Paris, Musée National D'art Moderne, 1946 Literature: Graham Sutherland, Inspiration, Rosalind Thuillier, Lutterworth Press, England, 1982, ill. in b/w no.56, p.60 The Works of Graham Sutherland, Douglas Cooper, Lund Humphries, 1961, ill. in b/w, pl.81 Graham Sutherland, A Biography, Roger Berthoud, Faber and Faber, ill. in b/w Graham Sutherland, Life, works and Ideas, Rosalind Thuillier, Lutterworth Press, England, 2015, ill. in b/w, p.87

British Council Collection

Graham SUTHERLAND, OM (1903 - 1980) Thorn Trees, 1945 Oil on canvas 50 x 40 inches / 127 x 101.5 cm Signed upper right Provenance: British Council Collection Selected Exhibitions: Treasure Island: British Art from Holbein to Hockney, Madrid, Fundacion Juan, March 2012 Passports: Great Early Buys From The British Council Collection, London, Whitechapel Art Gallery, 2009 From Destruction To Abstraction British Art In The 1940s And 1950s, Damascus, University Of Damascus, 2008 Graham Sutherland Landscapes, War Scenes, Portraits 1924-1950, Nottingham, Djanogly Art Gallery, 2005 Blast To Freeze: Britische Kunst Im 20. Jahrhundert, Toulouse, Les Abattoirs, 2003 and Germany, Wolfsburg Kunstmuseum, 2002 Sutherland Une Retrospective, Antibes, Picasso Museum, 1998, cat. no.61, ill. in col Herbert Read A British Vision Of World Art, Leeds City Art Gallery, 1993 Home And Abroad An Exhibiton Of Recent Acquisitions For The Arts Council and the British Council Collections, London, Serpentine Gallery, 1984 Graham Sutherland, London, Tate Gallery, 1982, ill. in colour, pl. no.125, full front cover (detail) Ix Biennale Internationale D'art, France, Menton, Palais De l'europe, 1972 Expo '70, Japan, Tokyo, 1970 Graham Sutherland, Germany, Munich, Haus Der Kunst, 1967 Graham Sutherland, Italy, Galleria Civica D'arte Moderno, Torino & Switzerland, Basel, Kunsthalle, 1965-1966, cat. no.47, ill. in b/w p.125 British Painting 1720-1960, Russia, St. Petersburg, The Hermitage, Moscow, Pushkin Museum of Fine Arts, 1960 Graham Sutherland, Ireland, Belfast Museum And Art Gallery, 1959 Fourth International Exhibition Of Contemporary Art, Japan, Tokyo, Metropolitan Art Gallery, 1957 1955 Sao Paulo Bienal, Museu De Arte Moderna, Brazil, 1955 XVII Venice Biennale, Venice, British Pavilion travelled to Paris, Musée D'art Moderne De La Ville De Paris, Amsterdam, Stedelijk Museum, Zurich, Kunsthaus, 1952-1953 Contemporary Painting In Great Britain, Germany, Dusseldorf, Hetjens Museum travelled to Hamburg, Hamburger Kunsthalle, Amsterdam, Stedelijk Museum, Brussels, Palais Des Beaux-Arts De Bruxelles, Luxembourg, Musee De L'etat, 1948 La Jeune Peinture En Grande Bretagne, Greece, Athens, British Institute travelled to France, British Council Office – Paris, 1948-1948 Exposition Internationale De Peintures Modernes, France, Paris, Musée National D'art Moderne, 1946 Literature: Graham Sutherland, Inspiration, Rosalind Thuillier, Lutterworth Press, England, 1982, ill. in b/w no.56, p.60 The Works of Graham Sutherland, Douglas Cooper, Lund Humphries, 1961, ill. in b/w, pl.81 Graham Sutherland, A Biography, Roger Berthoud, Faber and Faber, ill. in b/w Graham Sutherland, Life, works and Ideas, Rosalind Thuillier, Lutterworth Press, England, 2015, ill. in b/w, p.87

British Council Collection

Jean DUBUFFET (1901 - 1985) Palmeraie aux Trois Oiseaux, 1949 Watercolour, pen and ink on paper 8¼ x 10¼ inches / 21 x 26 cm Signed and dated Provenance: The Estate of the Artist Exhibited: Paris, Galerie Jeanne Bucher, Jean Dubuffet: Paysages du mental, 1989, illustrated in the exhibition catalogue p.42 Paris, Fondation Dubuffet, Jean Dubuffet, Souvenirs du Sahara, December 1989-January 1990.

London, Waddington Galleries, Jean Dubuffet, Works on Paper from 1943-1985, September 2000, no.7 Paris, Galerie Boulakia, Jean Dubuffet, October - November 2007, illustrated in colour, p.49.

London, Opera Gallery, Miró / Calder / Dubuffet, October 2014, illustrated in colour p.59 Literature: Max Loreau, Catalogue des travaux de Jean Dubuffet: Paysage Grotesques, Fascicule V, Lausanne 1965, p.18, no.19, illustrated.

Jean DUBUFFET (1901 - 1985) Palmeraie aux Trois Oiseaux, 1949 Watercolour, pen and ink on paper 8¼ x 10¼ inches / 21 x 26 cm Signed and dated Provenance: The Estate of the Artist Exhibited: Paris, Galerie Jeanne Bucher, Jean Dubuffet: Paysages du mental, 1989, illustrated in the exhibition catalogue p.42 Paris, Fondation Dubuffet, Jean Dubuffet, Souvenirs du Sahara, December 1989-January 1990.

London, Waddington Galleries, Jean Dubuffet, Works on Paper from 1943-1985, September 2000, no.7 Paris, Galerie Boulakia, Jean Dubuffet, October - November 2007, illustrated in colour, p.49.

London, Opera Gallery, Miró / Calder / Dubuffet, October 2014, illustrated in colour p.59 Literature: Max Loreau, Catalogue des travaux de Jean Dubuffet: Paysage Grotesques, Fascicule V, Lausanne 1965, p.18, no.19, illustrated.

Ben NICHOLSON, OM (1894 - 1982) Trees, Tuscany, 1955 Pencil and ochre wash on paper 20 x 14⅜ inches / 50.8 x 30.5 cm Initialled lower right Provenance: Bernard Jacobson Gallery, London Private Collection, London

Ben NICHOLSON, OM (1894 - 1982) Trees, Tuscany, 1955 Pencil and ochre wash on paper 20 x 14⅜ inches / 50.8 x 30.5 cm Initialled lower right Provenance: Bernard Jacobson Gallery, London Private Collection, London

Keith VAUGHAN (1912 -1977) Winter Landscape, c.1958 Gouache, wash, pen, ink, pastel and wax crayon 15½ x 13 inches / 39.4 x 33 cm Signed lower right Provenance: Acquired by the present owner from the 2000 exhibition Private Collection UK Exhibited: Tib Lane Gallery, Manchester, January 2000

Keith VAUGHAN (1912 -1977) Winter Landscape, c.1958 Gouache, wash, pen, ink, pastel and wax crayon 15½ x 13 inches / 39.4 x 33 cm Signed lower right Provenance: Acquired by the present owner from the 2000 exhibition Private Collection UK Exhibited: Tib Lane Gallery, Manchester, January 2000

James LLOYD (1905 - 1974) Fallen Trees and Broken Cart Wheel Gouache on paper 14 x 21 inches / 35.2 x 53.4 cm Signed lower right Provenance: Private Collection, UK

James LLOYD (1905 - 1974) Fallen Trees and Broken Cart Wheel Gouache on paper 14 x 21 inches / 35.2 x 53.4 cm Signed lower right Provenance: Private Collection, UK

John NASH, CBE, RA (1893 -1977) Dead fir tree, Rendlesham Forest, 1969 Oil on canvas 22 x 28 inches / 56 x 71 cm Signed and dated ’69, inscribed with title verso Provenance: Private Collection UK Exhibited: 60 Good Pictures, Annual Exhibition The Phoenix Gallery, Lavenham

John NASH, CBE, RA (1893 -1977) Dead fir tree, Rendlesham Forest, 1969 Oil on canvas 22 x 28 inches / 56 x 71 cm Signed and dated ’69, inscribed with title verso Provenance: Private Collection UK Exhibited: 60 Good Pictures, Annual Exhibition The Phoenix Gallery, Lavenham

Edward BAWDEN, CBE, RA (1903 - 1989) The Adam Temple, Audley End, Essex Watercolour 19¼ x 25¼ inches / 49 x 64 cm Signed lower right Provenance: The Fine Art Society, London The Collection of Christopher Hogwood, CBE purchased from the above The Adam Temple, or Temple of Victory, at Audley End was designed by Robert Adam and built circa 1771 to commemorate the Treaty of Paris that ended the Seven Years’ War, 1756-63.

Edward BAWDEN, CBE, RA (1903 - 1989) The Adam Temple, Audley End, Essex Watercolour 19¼ x 25¼ inches / 49 x 64 cm Signed lower right Provenance: The Fine Art Society, London The Collection of Christopher Hogwood, CBE purchased from the above The Adam Temple, or Temple of Victory, at Audley End was designed by Robert Adam and built circa 1771 to commemorate the Treaty of Paris that ended the Seven Years’ War, 1756-63.

Edward BAWDEN, CBE, RA (1903 - 1989) Ringwood, Audley End, Essex, 1976 Watercolour 19½ x 25¼ inches / 49.5 x 64 cm Signed and dated lower right Provenance: Church Street Gallery, Essex The Collection of Christopher Hogwood, CBE purchased from the above

Edward BAWDEN, CBE, RA (1903 - 1989) Ringwood, Audley End, Essex, 1976 Watercolour 19½ x 25¼ inches / 49.5 x 64 cm Signed and dated lower right Provenance: Church Street Gallery, Essex The Collection of Christopher Hogwood, CBE purchased from the above

Winifred NICHOLSON (1893 - 1981) Autumn Windows, c.1970 Oil on canvas 23Âź x 29 inches / 59.8 x 73.7 cm Provenance: Private Collection, Cumbria

Winifred NICHOLSON (1893 - 1981) Autumn Windows, c.1970 Oil on canvas 23Âź x 29 inches / 59.8 x 73.7 cm Provenance: Private Collection, Cumbria

Alexander CALDER (1898 - 1976) Abstract Colour Trees, 1970 Gouache and ink on paper 29⅜ x 43 ¼ inches / 74.6 x 109.9 cm Signed and dated lower right Provenance: Acquired from artist by Joseph H. Hirshhorn, c.1970 Hirshhorn Museum and Sculpture Garden 1981 Arij Gasiunasen Fine Art, Miami, USA Private Collection, CA, USA This work is registered in the archives of the Calder Foundation, New York, under application number A05147

Alexander CALDER (1898 - 1976) Abstract Colour Trees, 1970 Gouache and ink on paper 29⅜ x 43 ¼ inches / 74.6 x 109.9 cm Signed and dated lower right Provenance: Acquired from artist by Joseph H. Hirshhorn, c.1970 Hirshhorn Museum and Sculpture Garden 1981 Arij Gasiunasen Fine Art, Miami, USA Private Collection, CA, USA This work is registered in the archives of the Calder Foundation, New York, under application number A05147

Fred WILLIAMS, OBE (1927 - 1982) Water and Acacias, 1977 Oil on canvas 38⅛ x 42⅛ inches / 97 x 107 cm Signed lower right Provenance: Private Collection, South Africa Private Collection, London

Fred WILLIAMS, OBE (1927 - 1982) Water and Acacias, 1977 Oil on canvas 38⅛ x 42⅛ inches / 97 x 107 cm Signed lower right Provenance: Private Collection, South Africa Private Collection, London

Mary NEWCOMB (1922 - 2008) Silver Birch in front of the Chapel, Feb 1980 Oil on canvas 30 x 28 inches / 76 x 71 cm Signed, titled and dated on reverse Provenance: Crane Kalman Gallery, London Private Collection, UK

Mary NEWCOMB (1922 - 2008) Silver Birch in front of the Chapel, Feb 1980 Oil on canvas 30 x 28 inches / 76 x 71 cm Signed, titled and dated on reverse Provenance: Crane Kalman Gallery, London Private Collection, UK

Jiri KOLAR (1914 - 2002) Aux arbres parisiens égarés ou Au printemps le bois se vêt de vert III, 1980 Collage on wood 39⅜ x 27½ inches / 100 x 70 cm

© Kolar / Courtesy Galerie Lelong

Jiri KOLAR (1914 - 2002) Aux arbres parisiens égarés ou Au printemps le bois se vêt de vert III, 1980 Collage on wood 39⅜ x 27½ inches / 100 x 70 cm

© Kolar / Courtesy Galerie Lelong

Henry MOORE, OM, CH, FBA, RBS (1898 -1986) Tree in Winter I, 1981 Chalk, charcoal and watercolour, wax and crayon on paper 10 x 12½ inches / 25.4 x 31.8 cm Signed and dated lower right Provenance: Acquired from the artist Galerie Beyeler, Basel Crane Kalman Gallery, London Private Collection, purchased from the above in 1989 Exhibited: Galerie Beyeler, Basel Galerie Michael Haas, Berlin

reproduced by permission of the Henry Moore Foundation

Henry MOORE, OM, CH, FBA, RBS (1898 -1986) Tree in Winter I, 1981 Chalk, charcoal and watercolour, wax and crayon on paper 10 x 12½ inches / 25.4 x 31.8 cm Signed and dated lower right Provenance: Acquired from the artist Galerie Beyeler, Basel Crane Kalman Gallery, London Private Collection, purchased from the above in 1989 Exhibited: Galerie Beyeler, Basel Galerie Michael Haas, Berlin

reproduced by permission of the Henry Moore Foundation

Pierre ALECHINSKY (b.1927) Jeu d’arbre, 1983-1984 Chinese ink on paper laid down on canvas, with acrylic border on paper laid down on wood 71⅝ x 87 inches / 182 x 221 cm Signed lower right

© Artist / Courtesy Galerie Lelong

Pierre ALECHINSKY (b.1927) Jeu d’arbre, 1983-1984 Chinese ink on paper laid down on canvas, with acrylic border on paper laid down on wood 71⅝ x 87 inches / 182 x 221 cm Signed lower right

© Artist / Courtesy Galerie Lelong

Sir Anthony CARO, OM, CBE (1924 -2013) Desert Zone, 1989-1990 Bronze 21⅞ x 24½ X 19 ⅝ inches / 55.8 x 62.3 x 50 cm Exhibited: Chicago, Richard Gray Gallery, Anthony Caro, The Zone Series: Bronzes, May-July 1994, p.14 illustrated.

Literature: D. Blume, Anthony Caro Catalogue Raisonné Vol. IX, Cologne, 1987, p.76, no.2016 illustrated.

A. Artner, Caro builds zones from architectural blocks, Chicago Tribune, 1994, VII, 66 illustrated.

H. F. Westley Smith, Anthony Caro: Small Sculptures, Burlington, 2010, no.107 illustrated.

Sir Anthony CARO, OM, CBE (1924 -2013) Desert Zone, 1989-1990 Bronze 21⅞ x 24½ X 19 ⅝ inches / 55.8 x 62.3 x 50 cm Exhibited: Chicago, Richard Gray Gallery, Anthony Caro, The Zone Series: Bronzes, May-July 1994, p.14 illustrated.

Literature: D. Blume, Anthony Caro Catalogue Raisonné Vol. IX, Cologne, 1987, p.76, no.2016 illustrated.

A. Artner, Caro builds zones from architectural blocks, Chicago Tribune, 1994, VII, 66 illustrated.

H. F. Westley Smith, Anthony Caro: Small Sculptures, Burlington, 2010, no.107 illustrated.

Hiroshi SUGITO (b.1970) Colour Tree, 1996 Acrylic, pigment and colour pencil on paper on canvas 36 x 40 inches / 91.4 x 101.6 cm Provenance: Nicole Kragsbrun, New York Private Collection, New York

Hiroshi SUGITO (b.1970) Colour Tree, 1996 Acrylic, pigment and colour pencil on paper on canvas 36 x 40 inches / 91.4 x 101.6 cm Provenance: Nicole Kragsbrun, New York Private Collection, New York

Hiroshi SUGIMOTO (b.1948) Pine Tree Landscape, 2001 Photograph 8 x 70 inches / 20 x 178 cm Provenance: Yoshii Gallery, Tokyo Private Collection, London

Hiroshi SUGIMOTO (b.1948) Pine Tree Landscape, 2001 Photograph 8 x 70 inches / 20 x 178 cm Provenance: Yoshii Gallery, Tokyo Private Collection, London

David NASH, OBE, RA (b.1945) Deep Cut Column, 2003 Partially charred Sycamore 52 x 17½ x 19 ½ inches / 134 x 45 x 50 cm Provenance: Private Collection, New York Exhibited: David Nash, Galeria Metta, Madrid, February 2004, illustrated in catalogue, p.40

David NASH, OBE, RA (b.1945) Deep Cut Column, 2003 Partially charred Sycamore 52 x 17½ x 19 ½ inches / 134 x 45 x 50 cm Provenance: Private Collection, New York Exhibited: David Nash, Galeria Metta, Madrid, February 2004, illustrated in catalogue, p.40

Mitsuhiro IKEDA (b.1978) Untitled no 7111, 2004 Oil on canvas 68他 x 63 inches / 174.6 x 160 cm Provenance: Gallery Shugo Satami, Tokyo

Mitsuhiro IKEDA (b.1978) Untitled no 7111, 2004 Oil on canvas 68他 x 63 inches / 174.6 x 160 cm Provenance: Gallery Shugo Satami, Tokyo

Stephane GRAFF (b.1965) Tree Intervention I, 2009 C-Type Photograph, Edition of 5 (Plus 2 artist's proofs) 35½ x 27 ½ inches / 90 x 70 cm Provenance: The Artist

Stephane GRAFF (b.1965) Tree Intervention I, 2009 C-Type Photograph, Edition of 5 (Plus 2 artist's proofs) 35½ x 27 ½ inches / 90 x 70 cm Provenance: The Artist

Stephane GRAFF (b.1965) Tree Intervention II, 2009 C-Type Photograph, Edition of 5 (Plus 2 artist's proofs) 35½ x 27½ inches / 90 x 70 cm Provenance: The Artist

Stephane GRAFF (b.1965) Tree Intervention II, 2009 C-Type Photograph, Edition of 5 (Plus 2 artist's proofs) 35½ x 27½ inches / 90 x 70 cm Provenance: The Artist

David HOCKNEY, OM, CH, RA (b.1937) The Arrival of Spring in Woldgate, East Yorkshire in 2011, 22nd March 2011 iPad drawing printed on paper, Edition of 25, Ed. 13/25 55⅛ x 41¼ inches / 140 x 105 cm

© David Hockney / Photo Credit: Richard Schmidt

David HOCKNEY, OM, CH, RA (b.1937) The Arrival of Spring in Woldgate, East Yorkshire in 2011, 22nd March 2011 iPad drawing printed on paper, Edition of 25, Ed. 13/25 55⅛ x 41¼ inches / 140 x 105 cm

© David Hockney / Photo Credit: Richard Schmidt

David HOCKNEY, OM, CH, RA (b.1937) The Arrival of Spring in Woldgate, East Yorkshire in 2011, 4th May 2011 iPad drawing printed on paper, Edition of 25, Ed. 17/25 55⅛ x 41¼ inches / 140 x 105 cm

© David Hockney / Photo Credit: Richard Schmidt

David HOCKNEY, OM, CH, RA (b.1937) The Arrival of Spring in Woldgate, East Yorkshire in 2011, 4th May 2011 iPad drawing printed on paper, Edition of 25, Ed. 17/25 55⅛ x 41¼ inches / 140 x 105 cm

© David Hockney / Photo Credit: Richard Schmidt

Tony BEVAN (b.1951) Tree No.10, 2013 Acrylic and charcoal on canvas 51¾ x 65¾ inches / 131.4 x 167 cm Provenance: The Artist

© The Artist / Courtesy Ben Brown Fine Arts, London

Tony BEVAN (b.1951) Tree No.10, 2013 Acrylic and charcoal on canvas 51¾ x 65¾ inches / 131.4 x 167 cm Provenance: The Artist

© The Artist / Courtesy Ben Brown Fine Arts, London

Zhu JIANZHONG (b.1954) Pine Tree, 2014 Ink and water on paper 54 x 26 inches / 136 x 68 cm Provenance: The Artist

Zhu JIANZHONG (b.1954) Pine Tree, 2014 Ink and water on paper 54 x 26 inches / 136 x 68 cm Provenance: The Artist

Tom STOGDON (b.1964) Copper Oak Wood, 2014 Steel, slate, copper and oak 15 x 6 x 10 inches / 38.1 x 15.2 x 25.4 cm

Tom STOGDON (b.1964) Copper Oak Wood, 2014 Steel, slate, copper and oak 15 x 6 x 10 inches / 38.1 x 15.2 x 25.4 cm

Jethro BUCK (b.1986) Horse chestnut tree Pigment paint on antique paper 19â…? x 15Âź inches / 50 x 39 cm Initialled lower right Provenance: The Artist

Jethro BUCK (b.1986) Horse chestnut tree Pigment paint on antique paper 19â…? x 15Âź inches / 50 x 39 cm Initialled lower right Provenance: The Artist

Zhou CHUNYA (b.1955) Daming Temple, 2015 Coloured pencil on paper 12â…? x 16Âź inches / 32 x 41 cm Signed and dated lower right Provenance: The Artist

Zhou CHUNYA (b.1955) Daming Temple, 2015 Coloured pencil on paper 12â…? x 16Âź inches / 32 x 41 cm Signed and dated lower right Provenance: The Artist

Zhou CHUNYA (b.1955) Late-Spring Cherry Blossoms, 2015 Coloured pencil on paper 12⅝ x 16 ¼ inches / 32 x 41 cm Signed and dated lower right Provenance: The Artist

Zhou CHUNYA (b.1955) Late-Spring Cherry Blossoms, 2015 Coloured pencil on paper 12⅝ x 16 ¼ inches / 32 x 41 cm Signed and dated lower right Provenance: The Artist

Zhu JIANZHONG (b.1954) Pine Tree (Turquoise), 2015 Natural pigment, ink and water on paper 17 â…ž x 27 inches / 45.5 x 68.5 cm Monogrammed signature Provenance: The Artist

Zhu JIANZHONG (b.1954) Pine Tree (Turquoise), 2015 Natural pigment, ink and water on paper 17 â…ž x 27 inches / 45.5 x 68.5 cm Monogrammed signature Provenance: The Artist

ACKNOWLEDGEMENTS I would like to thank the artists, galleries, institutions and private collectors who were all kind enough to lend works to this exhibition. I would also like to thank my colleagues at the gallery; Emma, Sally, Robin and Bunny, whose commitment and involvement in organising this exhibition is hugely appreciated. Andrew Kalman

All images Š the artist unless stated otherwise PRINTED IN ENGLAND BY THE RANELAGH PRESS ON RECYCLED PAPER

ACKNOWLEDGEMENTS I would like to thank the artists, galleries, institutions and private collectors who were all kind enough to lend works to this exhibition. I would also like to thank my colleagues at the gallery; Emma, Sally, Robin and Bunny, whose commitment and involvement in organising this exhibition is hugely appreciated. Andrew Kalman

All images Š the artist unless stated otherwise PRINTED IN ENGLAND BY THE RANELAGH PRESS ON RECYCLED PAPER

CRANE KALMAN GALLERY

ARBORETUM ARBORETUM

A JOURNEY THROUGH TREES

AUTUMN 2015