Flagons and Foxtrots by courttheatrenz

CORE FUNDERSEASON SPONSOR SHOW SPONSOR

P| 03 379 7835 E| legal@harmans.co.nz A| Level 2, 79-81 Cashel Street, Christchurch Central, 8011 www.harmans.co.nz Our team of passionate and experienced experts provide a dynamic and customised legal experience that raises the bar. With you every step of the way.

Welcome to Flagons and Foxtrots, a show designed to take you back in time to the 60s, when life was great, relationships simple and everyone drove a Morris Minor… or perhaps those times were not all that they seemed!

CAMERON (Dean - Bobbin Robbin)

We will let you be the judge as you enjoy this wonderful Aotearoa production by exceptional playwrights Alison Quigan and Ross Gumbley. Ross has a day job as well and that is as Theatre Adviser for our new home in the city, working alongside our talented Project Manager, Tom Clisby. There are many of us involved in what will be a triumph of modern theatre design that reflects and caters for our diverse community. So, to the whole team… good luck – and hurry up, we can’t wait!!!

Nau mai haere mai

There are always teams of people involved in everything we do and it is my pleasure to thank long-time sponsor Harmans Lawyers – a Christchurch law firm who have been providing advice for some 130 years. Harmans have partnered with us to bring you this production and we extend a very warm welcome to them and their guests. As Alison says in her introduction over the page, we are pleased to again welcome an exceptional cast and crew, led by Director Kathleen Burns, to bring the compelling story of Flagons and Foxtrots to life. So grab a shandy (for those of you who have no idea what I am talking about, ask your parents), sit back and quite simply… enjoy. Ka kite anō Barbara George Chief Executive / Tumu Whakarae

Transforming leaders Proven results in Executive Search, Executive Selection, Non-Executive Director Search, Leadership and Organisational Development sheffield.co.nz

Kathleen is a performer known for her comic timing and she brings that skill to the direction of Flagons and Foxtrots. Nostalgia and sentiment are perfectly balanced by wit and physical comedy. Her cast, a true ensemble, likewise bring both emotional connection and a sense of fun to their roles.

There is a multi-layered nostalgia in bringing this heartfelt comedy to our stage. The play itself, written by Alison Quigan and the Court’s own Artistic Adviser Ross Gumbley, transports audiences back to the dance halls of 1960s Aotearoa. It is also part of The Court’s history; it premiered at The Court back in 2006 and was an immediate hit. Director Kathleen Burns has a past tie to the play too, having delighted audiences as Rita in Dunedin’s Fortune Theatre’s 2015 production.

Flagons and Foxtrots is a tribute to the Saturday night dances that were once held in every hall throughout Aotearoa. It is also a tribute to friendship, love and determination. The world can feel pretty grim at times, and so we invite you to let go, laugh and brush off your dance moves.

Ngā mihi nui, Dr Alison Walls Artistic Director

Kia Ora

Flagons and Foxtrots celebrates humour and spirit and these qualities also define the creative team bringing it to life on the stage. Rehearsals began in January, only to be placed on hold mid-way through when the country moved to Covid-related red-light settings. Undeterred, the cast and crew returned after the hiatus as if they had never left, putting their hearts into every rehearsal.

The design team have captured rural New Zealand life, circa 1960-something, to the last detail. Choreographer Hillary Moulder and Musical Director Caelan Thomas have us tapping our toes back to another era.

What a joy to open Flagons and Foxtrots at The Court Theatre.

Kathleen is the ideal person to helm this production. She has a deep understanding and love of the play for the remembered world it brings to life and the human truths it captures. She also understands how damn funny it is.

Written by ALISON QUIGAN and ROSS GUMBLEY CAST Role Performed by Jill Jenkins Anna-Maree Thomas Rita Vincent Lily Bourne Jack Taylor Ben Freeth Sid Jenkins Adam Brookfield Archie Moore Finley Hughes Ina Jenkins Juliet Reynolds-Midgley Pinkie Moore William Burns Ted – Bobbin Robbin Mitchell Thomas Dean – Bobbin Robbin Cameron Clayton Swing (Jack, Archie, Pinkie); Innes – Bobbin Robbin Cameron Douglas Swing (Rita, Jill) Meredith Jackson Ina Jenkins Understudy Eilish Moran Sid Jenkins Understudy Gregory Cooper Pinkie Moore Understudy Christopher Alan Moore PRODUCTION Director Kathleen Burns Musical Director Caelan Thomas Choreographer Hillary Moulder Set Designer Mark McEntyre Costume Designer Stella Gardner Lighting Designer Giles Tanner Sound Designer and Operator Matt Short Stage Manager Jo Bunce Props Master Vanessa Reed Production Manager Tim Bain Acknowledgements We thank the entire Court Theatre whānau for their exceptional work and dedication in producing this play. PhotographyAlso:– Charlie Rose DanielaCreativeSalazar and Julian CoarseWARNING:20-minuteTwoRUNNINGProudlyCossars265ChaosSouthgate.CollectionsFerryRoadWineShedprintedbyCaxtonTIME:hours,includingaintervallanguage Flagons & Foxtrots was produced by The Court Theatre 13 August – 17 September 2022 Flagons & Foxtrots was first produced at Centrepoint Theatre, Palmerston North, in November 1999.

Ross and Alison have co-written six plays, four of which have been produced at The Court, including the critically acclaimed Flagons and Foxtrots.

Ross began as a trainee actor at The Court Theatre in 1985. He has now appeared in over 100 productions and is currently The Court Theatre’s Artistic Adviser. He is also a highly accomplished improviser and was a founding member of The Court Jesters. In the late nineties he was Associate Artistic Director at Centrepoint Theatre under the Artistic Directorship of Alison Quigan and anchored his own radio show, Gumbley’s Better Breakfast, for Classic Hits.

THE AUTHORS

Ross’ first solo venture as a playwright, Happy Coupling, premiered at The Court in 2006, the same year that he became the theatre’s Artistic Director. In 2016 he co-wrote the play Ropable with Allison Horsley, which he also directed for its 2017 debut. Alison Quigan’s performing arts career spans over thirty-eight years. In that time she has acted in and directed over one hundred productions and has written twelve original plays. In the early years she worked mostly with Theatre Corporate in Auckland, Centrepoint Theatre in Palmerston North and The Court Theatre in Christchurch. In November 1986 she was appointed Artistic Director of Centrepoint Theatre, a position she held for eighteen years. Between 1997 and 2000 Alison wrote a succession of critically acclaimed plays with Ross Gumbley. In 2001 and 2002, she continued these successes with Lucy Schmidt as her writing partner. In 2003 Alison started writing on her own with Mum’s Choir being a major success in Palmerston North, Auckland, Wellington, Christchurch and Dunedin. Her later play Ladies For Hire was also a huge success at Centrepoint Theatre and in numerous other productions that have followed. In 2001 Alison was awarded the Queen’s Service Medal for Services to Theatre. Alison is also known for her television work, especially Shortland Street in which she played Yvonne Jeffries from 2004 to 2010. She is based in Auckland and works as an actor, writer, director and theatre manager.

Christine Tallott 027 4906 042 | 03 313 6158 Four Seasons Realty 2017 Ltd | Licensed Agent REAA 2008 Four Seasons Realty townsendfields.co.nz | 027 4906 042 | sales@townsendfields.co.nz Please contact Chris to register your interest for Stage 4 or further future stages. “EXPLORE WHAT MAKES TOWNSEND FIELDS THE Natural CHOICE FOR LIVING.”

When I was asked to direct Flagons and Foxtrots, I was immediately filled with nostalgia. I have the fondest memories of acting in this play at The Fortune Theatre in Dunedin in 2015, so what a joy to get to bring it back to life in a new way – a larger cast, more live music, and the now oh-so-necessary understudies. I have loved the chance to revisit the past and breathe new life into it, always keeping in mind my own personal philosophy – that going to the theatre should be a good time. It’s my hope that you will have your own nostalgic connection to this work. Whether that’s a warm feeling from seeing a 1957 Morris Minor, listening to the song that was playing when you had your first kiss, or the memory of finding new romance at the weekly dance, these are the things that connect us to our past and to each other. My thanks go to this stellar cast who have worked so hard to reinvigorate and reimagine this classic piece of New Zealand theatre. To the understudies, for their usually invisible but vital work. To the Production team for being endlessly adaptive to the many changes we have endured over this last year. To the writers, Alison and Ross, for gifting us this piece of New Zealand work and the opportunity to tell our own stories. And my thanks to you, dear audience. Theatre does not exist unless you watch it. You are the final magical ingredient we have been waiting for. So, get up there and dance!

Kathleen Burns Director "That's Amoré (That's Love)"

Composed by Jack Brooks and Harry Warren MattSam Music (ASCAP) and Jophe J Music Company (ASCAP) By kind permission of WARNER CHAPPELL MUSIC AUSTRALIA PTY LTD “Be My Baby” (Ellie Greenwich / Jeff Barry / Phil Spector)

Written by: Beale Universal/Dick James Music Ltd. Administered by: Universal Music Publishing Pty Ltd CREDITS

SONG

DIRECTORS NOTE DIRECTOR’S NOTE

Administered by: Universal Music Publishing Pty Ltd “My Guy” (William Robinson Jr.)

Licensed by EMI Music Publishing Australia Pty Limited and Universal Songs Of PolyGram Int., Inc.

The flexibility to change some of the song choices in the show was also a challenge. Caelan says that “the flexibility of choice can be paralysing – there are so many options for this show, it was often hard to narrow it down to a single decision!” When Rita sings You Don’t Own Me, it marks a turning point for her character. Actor Lily Bourne describes it as “a sharp wake-up call for her in this pivotal moment. The lyrics stop her and bring out a whole other range of feelings she hasn’t let herself feel yet. This song means so much more to Rita than it ever has before and it’s deeply special for me to go on that journey with her as an actor.” The song gives a glimpse into Rita’s inner thoughts and powers her actions through the end of the play.

The music in Flagons and Foxtrots has a massive contribution to the nostalgic feeling of the show, along with supporting the story and sharing the characters’ emotions. Expect to be toe tapping along to Be My Baby and Twist and Shout, part of a great soundtrack and story that will leave you smiling as you return to ‘real’ life.

Musical Director Caelan Thomas shared how “Flagons and Foxtrots doesn’t have any set musical arrangements” which allowed “an incredible amount of freedom” to “write arrangements and choose songs to match the narrative beats and suit the vocal ranges and instrumental strengths of the cast”. This is an unusual situation but allowed the musical choices to be made especially for this cast –an exciting opportunity!

Music plays a key role in Flagons and Foxtrots. While it’s not a musical, the play brings to life the dance hall scene as familiar tunes transport you back to the 1960s.

TWIST AND SHOUT!

LILY (Rita) AND WILLIAM (Pinkie)

Set in a time before Spotify and Bluetooth speakers, having live musicians on stage was the norm at dances and parties. The cast of Flagons and Foxtrots share their many talents in this play, with most of them playing instruments or singing in this show. For many of the actors this meant learning to play or refreshing themselves on guitar, bass or drums. Some hadn’t played since high school, and Swing Cameron Douglas had only previously learnt drums for The Court’s 2006 production of Flagons and Foxtrots!

Golden RetirementAge Village 96 Harewood Road, Papanui03375 0720 Camellia Court Rest Home 84 Harewood Road, 03 375 0722 RestSomerﬁeldHomeRetirementBrookhavenVillage Hoon Hay House Dementia 16 Anvers Place, Hoon Hay Ph: 03 335 0297 Hoon Hay Rest Home 16 Anvers Place, Hoon Hay Ph: 03 379 7825 Albarosa Rest Home 80 Harewood Road, Papanui Ph: 03 375 0727 A Leader in Healthcare www.goldenhealthcare.co.nz For more information visit A Leader in Healthcare Excellence for the Older Person

ASK US FOR A TEST DRIVE TODAY Phone 0800 BUY A FORD or visit teamhutchinsonford.com You wanted an SUV with uncompromising capability, safety and comfort. A complete SUV: tough on the outside, sanctuary on the inside, and ready for everything ahead of you and your family. You demanded it, we built it: introducing the Next-Generation Ford Everest. • 3.5 tonne towing capacity2 • 7 Seater • 360 Degree Camera3 • Off Road Screen3 • Hands-free Liftgate + ORC + CO2 Emission Fee1 $ Priced71,990From Next-Gen NewConquerEverestZealand 4 1. Available at participating Ford New Zealand dealerships. Recommended Retail Price (RRP) stated is for Everest Trend 2.0L Bi-Turbo and includes GST. Price excludes any dealer on-road, accessories and fitting costs. Prices also exclude the Clean Car Programme CO 2 emission rebates and fees. To learn more about the Clean Car Programme, please visit https://rightcar.govt.nz/clean-car-discount. Please contact your authorised Ford Dealer for full pricing details. 2. 3.5T max. braked towing capacity when fitted with genuine Ford Tow Pack. Please see Owner’s Manual for more information.3. Driver-assist features are supplemental and do not replace the driver’s attention, judgment and need to control the vehicle. May not operate in some driving and road conditions (including at certain speeds) or adverse weather. 4. Warranty conditions and exclusions apply. Visit www.ford.co.nz/owners/warranty for further information. Team Hutchinson Ford 186 Tuam Street | CHCH | 379 3440 | teamhutchinsonford.com PROUDLY SUPPORTING THE COURT THEATRE

OUR DIRECTOR

began her

in 2003 and still performs in Scared Scriptless. She is a graduate of the National Academy of Singing and Dramatic Art. Her previous Court Theatre credits include Ladies Night; Educating Rita; The Curious Incident of the Dog in the Night-Time; Steel Magnolias and The Pink Hammer. Her other theatre credits from around the country include A Servant to Two Masters, Under Milkwood, Cinderella and The Little Mermaid (Circa Theatre); Avenue Q, Five Women Wearing the Same Dress and Flagons and Foxtrots (Fortune Theatre); Perfuct Storm, Dungeons and Comedians and Feminist Yarns with Kathleen Burns (Little Andromeda). Kathleen’s screen credits include Sextortion (TVNZ), Working Class, Ghost Shark 2 and the soon-to-be-released The Push Flagons and Foxtrots is Kathleen’s mainstage directorial debut. KATHLEEN BURNS You’re Invited Backstage Book a public tour or arrange a private group tour To book: education@courttheatre.org.nz See how magic is created at one of New Zealand’s few producing house theatres - everything onstage is made here, on-site.

Kathleen career a Court Jester

Ben and a number of his talented colleagues founded the Christchurch-based theatre company, Blackboard Theatre Collective. He is a proud member of Equity New Zealand.

Lily sings with Choirs Aotearoa and trains with the Court’s Jester Youth Company. She is grateful for the opportunity to perform at the Court Theatre and to be working alongside such inspiring, creative people.

OUR CAST

Ben has immersed himself in theatre since graduating from the National Academy of Singing and Dramatic Art with a Bachelor of Performing Arts. His previous Court Theatre credits as an actor include Romeo and Juliet; Mary Poppins; Cops and Robbers; Legally Blonde the Musical; The Ugly Duckling; Chicago; Titus Andronicus; Jesus Christ Superstar; Les Liaisons Dangereuses; The Wind in the Willows; Jersey Boys and Little Shop of Horrors. His other theatre credits include Once on Chunuk Bair (Imagine Charitable Trust); RAP-unzel and Botfarm 2014 (New Playhouse);ZealandMamma Mia! and Les Misérables (Showbiz Christchurch), and Madagascar the Musical (GMG Productions).

ANNA-MAREE

THOMAS JILL JENKINS LILY BOURNE RITA VINCENT BEN FREETH JACK TAYLOR

Anna-Maree is a graduate of Unitec School of Performing Arts (Bachelor of Performing and Screen Arts, Majoring in Acting).

This is Anna-Maree’s Court Theatre debut. Her theatre credits include The Winter’s Tale, Serious Money and Somnolence. Anna-Maree’s television credits include The Sounds and The Brokenwood Mysteries. Her film credits include Evil Dead Rise, Hibiscus and Ruthless and Vermilion.

Anna-Maree grew up on a farm in Canterbury before moving to Auckland to attend drama school. She has lived in Auckland for the past eight years working in film and television. She is also a qualified personal trainer. Lily is soon to be a graduate of the National Academy of Singing and Dramatic Art (Bachelor of Music Theatre). This is her first show with The Court Theatre and marks her professional debut. Her other theatre credits include The Drowsy Chaperone and The Wedding Singer (NASDA); Mamma Mia! (Abbey Musical Theatre) and The Addams Family (Palmerston North Boys’ High School / Palmerston North Girls’ High School Senior Production Company).

JULIET REYNOLDS-MIDGLEY INA JENKINS

Adam is a graduate of Toi Whakaari: New Zealand Drama School (Bachelor of Performing Arts, Acting). His previous Court Theatre credits include August: Osage County; Amadeus; SNAP!; One Man, Two Guvnors; Macbeth; Ideation and Stephen King’s Misery. His other theatre credits include One Flesh; An Unseasonable Fall of Snow; Wolf Lullaby; Middle Age Spread; The Pillowman; Once On Chunuk Bair and White Rabbit, Red Rabbit.

Juliet’s other performance credits include Sweeney Todd, Beauty and the Beast and Mamma Mia! (Showbiz Christchurch). As well as performing, Juliet is passionate about teaching at the National Academy of Singing and Dramatic Art and seeing new work and new artists flourish.

ADAM BROOKFIELD SID JENKINS FINLEY HUGHES ARCHIE MOORE

Finley is a recent graduate of the National Academy of Singing and Dramatic Art (Bachelor of Performing Arts). His previous Court Theatre credits include Crash Bash: What if? His other theatre credits include Madagascar the Musical Productions),(ShowcaseUrinetown and Mr. Burns, A Post Electric Play (NASDA). Finley has worked in the United States as a drama tutor and recently devised his own solo show during his final year of NASDA. Juliet moved from England to New Zealand in 2000. Prior to moving she performed in the UK, Italy and the Caribbean. As a singer of jazz, classical, pop and music theatre repertoire she has enjoyed a varied career and has been a featured artist with the CSO on numerous occasions. While still in the UK she appeared as a soloist with the BBC Concert Orchestra for Radio 2. Her previous Court Theatre credits include Side by Side; Calendar Girls; Pacific Post; August: Osage County; Blood Brothers; The Mikado; One Man, Two Guvnors and Once.

Adam’s television credits include Facelift; Sensing Murder; Hope and Wire; Consent: the Louise Nicholas Story; How to Murder Your Wife and Wanted. His film credits include The Truth about Demons; The Legend of Crazy George; Avatar; The Changeover and the forthcoming feature Te Motu. Adam has co-written and directed six short films including the award winning Bienvenidos a Nueva Zealandia.

William is a teaching artist for the Court Education programme, was a core staff member of Little Andromeda 2019 - 2022 and is a member of Equity New Zealand. Mitchell is a graduate of Ara Music Arts (Bachelor of Music Arts, Jazz PerformanceDrum Set). His previous Court Theatre credits include End of the Rainbow; Blood Brothers; Jersey Boys and Little Shop of Horrors. His other theatre credits include Wicked and We Will Rock You (Showbiz Christchurch); Holiday Inn and On the Town (NASDA) and Catch Me If You Can (Blackboard Theatre), amongst others. Mitchell is a freelance drummer, percussionist and teacher based in Christchurch. He is a confident and versatile performer with an abundance of experience playing in different styles of music including jazz / blues, pop / rock and musical theatre. Mitchell is an in-demand musician who is currently a member of many local ensembles. He has gained a wealth of experience performing different styles of music in music festivals, at iconic venues and events, as well as performing around New Zealand.

Cameron studied at the National Academy of Singing and Dramatic Art (Bachelor of Performing Arts). His previous credits include Cats (Showbiz & AMICII Productions); RENT (AMICII Productions); The Witches of Eastwick (Riccarton Players) and Shrek the Musical (Showcase Entertainment).

WILLIAM BURNS PINKIE MOORE MITCHELL THOMAS TED – Bobbin Robbin CAMERON CLAYTON DEAN – Bobbin Robbin

Cameron has also performed in country music throughout NZ, Australia and the USA and was awarded Gore Gold Guitar Award Overall Winner (2004), NZ Entertainer of the Year (2005) and Trans-Tasman Entertainer of the Year (2001).

William’s self-produced solo shows include Shit Finds Love, three shows with his alter ego Peter Partridge, and The First Annual Parnell Croquet Club Facebook Live Telethon, premiering in October 2022.

His other theatre credits include Les Misérables and Miss Saigon (Showbiz Christchurch); Assistant Director of Mr. Burns, A Post Electric Play (NASDA) and various projects with Two Productions as a performer, assistant director, actor coach and assistant producer.

Cameron’s television credits include Sextortion (2020) and David Lomas Investigates (2021).

William is a theatre director, actor, maker, tech and teacher. His previous Court Theatre credits include being a member of the Youth Company, co-director of Vernon God Little and director of The Unauthorised Biography Of…

Meredith is a graduate of the National Academy of Singing and Dramatic Art (Bachelor of Performing Arts). Flagons and Foxtrots marks Meredith’s first project at The Court Theatre. Their other theatre credits include Shrek the Musical (Showcase, NZ Tour); A Better Life (Turn Round Theatre Ōtautahi); Severely Queer: It’s A Pirate’s Life (Blackboard Theatre Collective); Curtains and Earthquakes in London (NASDA). Originally from Perth, Western Australia, Meredith first moved to Sydney to train in musical theatre at Brent Street before continuing her study and career in New Zealand. She is also a violinist, with experience as a pit musician. With her singing, dancing and acting skills, this makes her a “quadruple threat” performer. Meredith is a proud member of Equity New Zealand. Cameron is a graduate of the National Academy of Singing and Dramatic Art. His professional theatre debut was at The Court Theatre in My Fair Lady and since then he has performed in numerous productions. Most recently Cameron appeared in Jesus Christ Superstar; A Streetcar Named Desire; Jersey Boys; Once and The Girl on the Train. His other theatre highlights include Red and Avenue Q (Fortune Theatre); Poor Boy, Oliver and The 25th Annual Putnam County Spelling Bee (Auckland Theatre Company); Assassins (Silo Theatre Company) and being an original cast member of That Bloody Woman. Cameron’s professional experience also spans television and music. He is the lead singer and acoustic guitarist of New Zealand’s premiere skiffle rock and roll band, The Goldonies. His television credits include Outrageous Fortune, Legend of the Seeker and One Night Only. In 1969, Eilish first tiptoed onto the stage at the age of four in Dame Ngaio Marsh’s production of A Midsummer Night’s Dream. She joined The Court Company at 18 as a student actor and since then has become a regular on The Court’s stage. She has appeared in 79 productions at The Court. Some of her favourites include August: Osage County; Homeland; Suddenly Last Summer; Dancing at Lughnasa; Travesties; Cabaret; End of the Rainbow; Blood Brothers; Ropable; Chicago; Titus Andronicus; In The Next Room, or The Vibrator Play; Les Liaisons Dangereuses and The Pink Hammer. Her television and film credits include the drama series Hope and Wire on TV3 and the short film Run Rabbit directed by Robyn Paterson. Eilish is an Associate of The Court Theatre.

MEREDITH JACKSON SWING Jill, Rita CAMERON DOUGLAS SWING – Jack, Archie, Pinkie; Innes – Bobbin Robbin

EILISH MORAN UNDERSTUDY Ina Jenkins

Gregory’s career began at The Court Theatre in 1993 as a writer, director and actor. He wrote MAMIL (Middle Aged Man in Lycra); The Streaker; numerous Court Theatre school holiday shows and, most recently, he co-wrote That Bloody Woman.

Gregory’s previous Court Theatre credits include The Complete History of New Zealand; The Underpants; Poe; The Hound of the Baskervilles; Niu Sila; Uncle Vanya; Easy Money; A Christmas Carol; Elling; Les Liaisons Dangereuses and The Wind in the Willows. His other theatre credits include The Complete History of Christchurch, The Complete History of World Rugby and NZ Rocks! (CCC Summer Theatre season); Le Sud (Auckland Theatre Company); Niu Sila (Fortune Theatre) and The Complete History of the Royal New Zealand Navy (RNZN).

CHRISTOPHER ALAN MOORE UNDERSTUDY

CORE FUNDERSEASON SPONSOR CHRISTMAS CRACK-UP The Court Jesters will help make your event, THE EVENT of the holidays. With a trick up their sleeves for any occasion, we’ve got you covered from naughty to nice (and everywhere in between!) CONTACT: jesters@courttheatre.org.nz GREGORY COOPER UNDERSTUDY

Christopher is a passionate performer and theatre maker, a singer-songwriter and an acrobat. He laughs loudly, feels gratitude and does his best to share it with as many people as possible, as often as possible. Sid Jenkins Pinkie Moore

Hillary’s other works include A Fine Romance (JTM Productions AUS); Bechdel Test; Severely Queer - a Little Cabaret; He Says, She Says (Blackboard Theatre Collective); Nine (A.M.T); Chats with Pat (one-woman show); Shortland Street; Oliver; Me and My Gal; Alice in Wonderland; The Wasps and Hamlet. She has performed with Disneyland Paris and the Royal New Zealand Ballet.

Mark has been a set designer for numerous Court Theatre productions including The Slapdash Assassin; August: Osage County; Hui; Postal; When the Rain Stops Falling; Constellations; Waiora; The Curious Incident of the Dog in the Night-Time; The Biggest; Mum’s Choir; Elling and Les Liaisons Dangereuses.

Hillary debuted as Choreographer for The Court Theatre with Ladies Night, which she followed up shortly after with Once.

Caelan is a creditsHisLondonAssociateandaccompanist,Christchurch-basedmusicaldirectorarranger,andbecameanofTrinityCollege,(ATCL)in2015.previousCourtTheatreinclude

CAELAN THOMAS MUSICAL DIRECTOR HILLARY MOULDER

OUR CREW

CHOREOGRAPHER MARK MCENTYRE SET DESIGNER

Little Shop Of Horrors and Jersey Boys. His other theatre credits include The Wedding Singer (National Academy of Singing and Dramatic Art); Fugitive Songs (Moonlight Theatre); Chicago and Legally Blonde Jr (CentreStage Rolleston); Bad Girls (Riccarton Players) and The Witches of Eastwick (Kirwee Players). Caelan is currently working with The Vocal Collective as their accompanist, as one of two musical directors working with the Selwyn Community Choir, and regularly as an accompanist for students at the National Academy of Singing and Dramatic Art.

Mark has also designed sets for the New Zealand International Festival of the Arts; Christchurch Arts Festival; Showbiz Christchurch; New Zealand Actors Company; Southern Opera; New Zealand NBR Opera Company; Tawata Productions; Taki Rua Productions; Auckland Theatre Company and Fortune Theatre.

Hillary is a graduate of the Selwyn College Performing Arts Programme (Diploma of Performing Arts). She holds her Associate Diploma in Modern and Tap with the Imperial Society of Teachers of Dance, and has taught for over 10 years. Some of her Court Theatre credits include Jersey Boys; Chicago; Jesus Christ Superstar; Time Machine; Escape from Haunted House; A Christmas Carol and A Streetcar Named Desire.

Mark’s latest work includes La Traviata (Wellington Opera) and Ngā Rorirori (Tawata Productions). He is currently working on the design for Dawn Raids (Auckland Theatre Company).

STELLA GARDNER

Stella’s television credits include Xena: Warrior Princess and Spartacus. Her film credits include Lord of the Rings and The Narnia Chronicles. Matt began his career working in marketing for a major London record label. He has since worked in broadcast television and other media platforms, training as a studio floor manager before becoming a senior camera operator. He has considerable experience in all aspects of live television production in both studio and international field environments. Matt returned to New Zealand to co-film, record sound and compose music for an adventure guide series for TVNZ. Over the last ten years he has composed music and designed sound effects for many major brand advertising and marketing films. Matt joined The Court Theatre as House Technician / Sound Designer at the beginning of 2018. His previous Court Theatre credits include Things I Know to be True; Easy Money; In the Next Room, or The Vibrator Play; The Littlest Ninja; Stephen King’s Misery; Mum’s Choir; Hansel and Gretel; Thumbelina; Elling; Les Liaisons Dangereuses; The Arsonists; The Pink Hammer; A Streetcar Named Desire and The Girl on the Train.

Stella is a self-taught seamstress and textile artist, and is owner and operator of Astaral Memories. She has designed and produced costumes for over 20 shows as well as having designed and made over 100 wedding dresses. Her previous Court Theatre credits include The Pink Hammer; Rumpelstiltskin; Cinderella Meets Aladdin; Goldilocks and the Three Bears; Tomtom’s Musical Adventure; Alice in Wonderland - In the Attic and The Princess and the Frog (and the Robber!) Her other theatre credits include The 25th Annual Putnam County Spelling Bee and The Wedding Singer (NASDA); The Hare and Tortoise (New Zealand Playhouse); Arsenic and Old Lace, The Hound of the Baskervilles and Opening Night (The Royal Canadian Theatre Company); and Boeing Boeing (White Rock Players’ Club).

COSTUME DESIGNER MATT SHORT SOUND DESIGNER AND OPERATOR

Subscribe now at Subscribe to The Press and get your local news delivered to your door PROUDLY NZOWNED Read local news Save on the retail price Get free access to past and present digital editions Enjoy monthly rewards and exclusive competitions mags4gifts.co.nz/the-press Support local journalism

Jo is the Head Stage Manager at The Court Theatre and has been involved in over 50 Court Productions going back to 1996, including Cabaret; Othello; Travesties; Art; The Seagull; Amadeus; Pacific Post; The Motor Camp; End of the Rainbow; The Hound of the Baskervilles; Blood Brothers; One Man, Two Guvnors; Shepherd; Constellations; Niu Sila; The Ladykillers; Waiora; The Events; Ropable; Uncle Vanya; Steel Magnolias; Venus in Fur; Easy Money; Ideation; Stephen King’s Misery; Astroman; Elling; Time Machine; Les Liaisons Dangereuses; The Arsonists; Fresh Off the Boat; A Streetcar Named Desire; Ladies Night; Frankenstein and The Girl on the Train.

Jo graduated from Toi Whakaari: New Zealand Drama School with a Diploma in Technical Production in 1996 and has been working in theatre for over 25 years. She freelanced for many years in Wellington as a lighting designer / operator and stage manager, as well as working overseas in London and Edinburgh and in film. She was an on-set production assistant for King Kong.

GILES TANNER LIGHTING DESIGNER JO BUNCE STAGE MANAGER EXPERT IT Guaranteed - Straightforward, industry leading IT solutions - 24/7 managed and monitored servers - Affordable, competitive pricing - A plain speaking, personal touch Learn more at adaptivecloud.nz or call 03 943 2300

Giles is a graduate of Hagley Theatre Company (Diploma in Performing Arts), where he concentrated on technical production, and holds a Bachelor of Arts in Political Science and Philosophy from the University of Canterbury. Experienced in lighting, sound and audio-visual design, Giles started working with The Court in 1995 as a casual technician. After operating his first co-production in 1996, Giles became House Technician in 1998. Currently Head Technician at The Court Theatre, Giles has worked on more than 50 Court productions including Amadeus; Hui; When the Rain Stops Falling; Blood Brothers; Constellations; Macbeth; Educating Rita; The Little Mermaid; Waiora: Te ŪKai Pō - The Homeland; The Events; Ropable; Venus in Fur; Titus Andronicus; In the Next Room, or The Vibrator Play; Stephen King’s Misery; Astroman; Hedwig and the Angry Inch; The Father; Fresh Off the Boat; The Wind in the Willows, A Streetcar Named Desire and The Girl on the Train.

William Burns (Pinkie) started out as an acting apprentice in the Youth Company. After codirecting shows he took the reins as director of the 2021 Youth Company’s show The Unauthorised Biography Of… In between, William has created his own shows and is also a teacher, in addition to his many other skills and roles.

“We are home to an incredible wealth of skill and learning and are proud to help pass this on to new generations of performers and creators.”

GreatDevelopingTalent

Many of the people onstage in Flagons and Foxtrots represent the opportunities provided here to support New Zealand creative talent thrive. Our cast includes alumni of both the Court Youth Company and Jester Youth, as well as actors who have made their way from studies at National Academy of Singing and Dramatic Art (NASDA) or Toi Whakaari: New Zealand Drama School to their professional debuts on our stage.

A big focus for The Court is developing new talent. We are home to an incredible wealth of skill and learning and are proud to help pass this on to new generations of performers and creators. Both the Court Youth Company and Jester Youth provide opportunities for young performers aged 17 - 21-years-old to develop their skills and potential through practical experience. They receive training from experienced actors, directors and Jesters over the year which culminates in live shows celebrating their work and new skills. We also offer training opportunities for young people interested in aspects of technical theatre, design and stage management.

The Court Theatre has an important place in developing creative talent in the community – talent that serves not only our own artistic programme, but feeds artists into the bigger ecosystem of Christchurch and the New Zealand performing arts.

Flagons and Foxtrots Director Kathleen Burns has spent half her life at The Court Theatre. Kathleen started as a Jester at just 17, a role she continues to this day. She has progressed her onstage career in a large number of comedic and dramatic acting roles and first took the directorial helm on a children’s show, The Littlest Ninja, in 2018. Kathleen now makes her mainstage directorial debut here at The Court.

Lily Bourne left Palmerston North to undertake a degree in performing arts at the National Academy of Singing and Dramatic Art (NASDA) in Christchurch. She is now mid-way through her third and final year and is already making her debut onstage as Rita in Flagons and Foxtrots. For Lily, it is exciting to be in a professional show while still studying, and she is excited to keep learning from people at the theatre.

In 2021 other performing arts students from NASDA were also initiated into the world of professional theatre as the ensemble and supporting roles for our mainstage production, Frankenstein. The Court is committed to teaching others our craft and supporting the growth of creative talent to strengthen performing arts throughout New Zealand. Tonight, you can witness this talent live onstage.

learn more: FREE to ENTER! HOLIDAYS win trips to... For more information on our fi nancial advice services visit milfordasset.com/getting-advice You can fi nd our Christchurch offi ce at: Level 3, 329 Durham Street North, Christchurch 8013 (03) 962 4480 milfordasset.com Proud sponsor of The Court Theatre Our local Milford team has been servicing our Cantabrian clients for a number of years, managing their investments, offering financial expertise and delivering a high level of client satisfaction. We are also keen supporters of local performing arts, like this one. Enjoy the show! Invested in performancesoutstanding

MEDIAWORKS 22 SEPT - 8 OCT COURTTHEATRE.ORG.NZ Starring Jamie McCaskill, Cohen Holloway, Erroll Anderson, Regan Taylor & Jerome Leota CORE FUNDERSEASON SPONSOR SHOW SPONSOR LISTEN NOW ON

It is ground-breaking and, as a team (kotahitanga), we are working passionately to deliver the project for the city showing our courage (māiatanga), using all our combined skills to achieve the very best results.

Render image courtesy of Athfield Architects Limited and Haworth Tompkins.

APPLAUSE is your opportunity to be part of The Court Theatre and support the performing arts community. To find out more go to courttheatre.org.nz/applause

The building will offer an open invitation to those who want to intimately share the diverse programme of The Court Theatre's work and make The Court their own. We will return city audiences to theatre spaces purpose-built to bring the viewer closer to our art at play.

The new Court Theatre, located on the corner of Gloucester and Colombo Streets and opening in 2024, will be the best theatre space in the country.

Our new home will be an architectural and living expression of human creativity, reflecting and embracing the many faces of our community in beautiful Aotearoa New Zealand.

The new central city theatre will ensure that generations of theatre lovers will continue to gather at The Court to share stories, laughter and life.

CREATING THEATRE

SUNDAY 20 NOVEMBER 10AMFLAXMERE4PMGARDEN PLANT AUCTION ON THE DAY PURCHASE YOUR TICKET COURTTHEATRE.ORG.NZ/OVERVIEW/FLAXMEREAT: AN OPEN DAY RAISING FUNDS TO BUILD THE NEW COURT THEATRE THE COURT GARDENFLAXMERETHEATREVISIT

FRIENDS@COURTTHEATRE.ORG.NZ COURTTHEATRE.ORG.NZ and receive all the benefits that being a Friend offers. TICKET DISCOUNTS | ELIGIBILTY TO BECOME AN USHER BEHIND-THE-SCENES INFORMATION | SPECIAL EVENTS JOIN NOW

Adult

We all need friends – The Court Theatre does too. Have you ever thought of becoming a Friend of The Court?

Senior

Become

FRIENDS@COURTTHEATRE.ORG.NZ The Power of Friends Weekdays 9am - Midday Canterbury Mornings JAMES DANIELS

Senior

The Friends of The Court Theatre are part of The Court’s fabric. For years we have supported The Court’s incredible work, ensuring that our local community continues to see exciting and enthralling onstage performances, supported by talented craftspeople. There are more than 2,000 Friends of The Court Theatre, all passionate advocates of live theatre. Through membership fees, fundraisers and other donations we give The Court tens of thousands of dollars of funding each year. This helps to support the development of the amazing shows we enjoy at The Court. Our volunteer ushers show patrons to their seats, saving the theatre more than $200,000 each year in ushering fees. We operate The Court’s coffee bar so patrons can enjoy hot drinks, snacks and, when conditions allow, we ensure that all present at the opening night of mainstage shows can celebrate with complimentary bubbles and food. As a Friend you also have access to special offers and events not available to the general public –a chance to grow your own network of friends. In joining The Friends you are joining a group of passionate people who offer their diverse skills and experience to support our city’s creative heart. a member for as little as: double $55.00 Adult single $40.00 double $45.00 single $30.00 Youth $30.00

Chief Executive | Tumu Whakarae Barbara George ARTISTIC Artistic Director Dr Alison Walls Associate Artistic Director Vanessa Karakia-Kore Gray Court Jesters Manager Trubie-Dylan Smith BUSINESS DEVELOPMENT Chief Financial Officer Paul Dawson Tessitura (CRM) Manager Anisha Thomas COMPLIANCE AND REPORTING Manager: Compliance and Reporting Susan Rendall Accountant Claudia Fe Jambalos Administration Assistant Fiona Haines Administration Manager Amanda Hare Financial Accountant Tamara Rowse Intern Jaison Machado CUSTOMER ENGAGEMENT Communications and Marketing Manager Julie McCloy Communications and Marketing Assistant Ruchika Gulati Communications and Marketing Co-ordinator Lauren Douglas Customer AdministratorExperience Erin Hills Customer Experience Box Office Rebecca Radcliffe Customer Experience Manager Rachel Vavasour Food and Beverage Manager Petra Laskova Graphic Designer Sarah Griffin FUNDRAISING Corporate and Donor Engagement Manager Sahra Grinham Client Manager Andrea Winder Sponsorship Manager Layla Moutrib PRODUCTION Production Manager Tim Bain Construction and Premises Manager Matt McCutcheon Costume Manager Daniella Salazar Costume Technician Findlay Currie Education and Outreach Production Manager Riley Harter Head Stage Manager Jo Bunce Head Technician Giles Tanner Properties Manager Julian Southgate Set Construction Nigel RichardKerrvan den Berg Seth Edwards-Ellis Stage Manager Scott Leighton THE NEW COURT IN THE CITY Capital Campaign Manager Carolyne Grant Artistic Adviser / Lead Director Ross Gumbley Project Manager Tom Clisby TEACHING ARTISTS Dan Allan Lisa PhoebeReyleneAlysMaddieMillieBenTomHaydenJeffGretaWilliamOliviaRachelJohnAllanBayneBrebnerBrinkmannBurnsCasey-SollyClarkDickieEasonFreethHanfordHarrisHillHilagaHurst COURT COMPANY MĀIATANGA COURAGEOUS | MANAAKITANGA WELCOMING | WHĀNAUNGATANGA BELONGING | KOTAHITANGA ONE TEAM OUR VALUES Aaron Jelley Cain HannahLiangBeatrice McDougall Rosie ParisCiaránCaitlinNathanMaguireMunnPenheySearleThornley COURT JESTERS Dan AndrewJarredCiaránDanHenriHillaryDamonJamesScottBenjaminAaronRobbieRileyMaddieMillieCrissEleriKirstyHannahEmmaJeffKathleenEmmaBrendonAllanBennettsBrittendenBurnsClarkCusdinDougallGillespieGriffithsGrueberHanfordHarrisHarterHuntJelleyKentKooreyKupaLockwoodMoulderNelisPengellySearleSkeltonTodd Jester Musicians Katie Cowan Deen DanJackHamishCrissKrisFrankieCoulsonDalyFinnertyGrueberOliverPageRobertson Jester Apprentices Rachel Brebner Selwyn Gamble Caitlin Penhey Tilly Walbom TRUST BOARD Chair Tony Feaver Board Andrea Bankier Paul Bryden Erin SteveStevenGeorginaAnneJennyJamiesonMayNewmanToomeyvanderPolWakefield Secretary Susan Rendall FOUNDATION BOARD Chair Laura Palomino de Forbes Treasurer Christopher Weir Board Hall Cannon Tina Duncan Cilla Glasson FRIENDS Patron Dame Adrienne Stewart DNZM, QSM Chair Annie Bonifant Deputy Chair Allanah James Secretary Charles Duke Treasurer Lynn Vandertie Committee Andrea Bankier Pat DavidRaewynJayJennyTonyCherylBraithwaiteColleyFeaverMayPollockRaynelWinfield(Theatre Chaplain) ASSOCIATES Bryan Aitken Stuart Alderton Paul DerekTonyJudieBarrettDouglassGeddesHargreaves MNZM Joe StewartEilishLyndaYvonneAvrilElricGeoffreyHayesHeathHooperMBELockheadMartinMilliganMoranRoss FELLOWS OF THE COURT John Harrison ONZM John FelicityMcSweeneyPriceONZM

Phone: 03 366 8516 I 32 Lodestar Ave, Wigram I www.caxton.co.nz PROUD PRINTERS OF COURT MEMORIES tobroughtalivememorytheKeeping...youby...CAXTON OUR FUNDERS CORE FUNDER Pamela Webb Charitable Trust Elizabeth Ball Charitable Trust Robert and Barbara Stewart Charitable Trust Farina Thompson Charitable Trust THANK YOU TO CAXTON OUR FUNDERS CORE FUNDER Pamela Webb Charitable Trust Elizabeth Ball Charitable Trust Robert and Barbara Stewart Charitable Trust Farina Thompson Charitable Trust THANK YOU TO

OUR SPONSORS ROUROU Academy Funeral CalderAdgraphixServicesStewartCavellLeitchChamlangCIPMLimitedCocaCola Court Florist Curtis Vision Optometrists Denis Cunningham Ltd. Digital EnlightenedDSVImportsFireSolutionsElastomerProductsLtd Foot Science International Fulton Ross Team Architects Garden City Chemdry Green Acres Hanham and Philp Contractors John Rhind Funeral Directors Ltd. MearesNZIMLWilliams Phantom Billstickers Security SouthfreezeSpecialistsRefrigerationTheFittingRoomTheGeorgeChristchurchTIMG(NZ)LtdTotalpos SEASON SPONSOR TAHĀ – CALLABASH GOURD PŌHĀ – KELP BAG KETE – FLAX BASKET ROUROU – SMALL BASKET Contact our team about sponsorship opportunities at fundraising@courttheatre.org.nz Nā tō rourou, nā taku rourou, ka ora ai te iwi. With your food basket and my food basket, the multitudes will thrive. THANK YOU TO OUR SPONSORS Nā tō rourou, nā taku rourou, ka ora ai te iwi. With your food basket and my food basket, the multitudes will thrive. THANK YOU TO OUR SPONSORS THANK YOU TO

For 35 years, Ryman Healthcare has been pioneering retirement living for one simple reason - to better serve a generation of New Zealanders. And right now, it’s more important than ever, because there’s a new generation that are not retiring from life, they’re looking for a new way to live.

Taking a vested interest in the passions that inspire Ryman residents is part of how we pioneer retirement living so residents can live life to the full.

Ryman are proud season sponsors of The Court Theatre, bringing joy to residents and team members every year.

rymanhealthcare.co.nz