June 19, 2017, Issue 555
Fro m th e #1 selli n g d e b ut alb u m Wi ld h orse
I m pact i n g CMT Moves The Show ...
... and the needle. Driven out of Bridgestone Arena by the Nashville Predators’ Stanley Cup run, the 2017 CMT Music Awards made lemonade by winning its timeslot (non-sports) and coming in second overall to the NBA Finals. With the network touting three million simulcast viewers and big social numbers, CMT President Brian Philips has high praise for his team. CA: Watching, I forgot it wasn’t at Bridgestone for a minute. How was the transition? BP: I hope it looked like every other CMT Awards. The level of talent was greater this Brian Philips year than many and the behind-the-scenes story is one of people calmly going about the business of making radical changes. Including the artists. We did a Crossroads the night before with Keith Urban, Earth Wind & Fire and several other acts, just to give ourselves something else to do. Partying late into the night on the eve of the awards with Earth Wind & Fire seemed like the right call. How high was your stress level? Our people had taken care of most of it before we got to show day. Even turning the outdoor stage at the last minute worked out well. By the time of dress rehearsal, I was more assured of a good night going into it than I have been with many past iterations of the show. Attitude is important, especially with something as complex as our awards, but by the time I settled in the truck, people were at peace. There were fewer concerns and fewer glitches than is typical. (continued on page 5)
M o n day
Can We Get A Shrug? Warner Bros./WMN’s Cole Swindell greets a radio field trip backstage in Florida. Pictured (l-r) are WOGK/Gainesville’s Lewis Stokes, the label’s Lou Ramirez, WQYK/Tampa’s Veronica Alfaro, WCTQ/Sarasota Ryan Nelson, Swindell, WQYK’s Cadillac Jack (APD) and Kevin Ebel, Zen, and WFUS/Tampa’s Randi West and Travis Daily (Zen’s father).
Quiet Side Of Ell Controversy
CBS Radio KNCI/Sacramento’s ill-advised decision to drop Stoney Creek’s Lindsay Ell from a weekend performance because of her relationship with Premiere and iHeartMedia’s Bobby Bones has become a tale of two stories. One story is consumer-facing, with lots of chatter, moral outrage and social media buzz. The other is industry-facing and sounds largely like crickets.
© 2 0 1 6 Co u n t r y A i rc h e c k ™ — A l l r i g h t s r e s e r v e d . S i g n u p f re e a t w w w. c o u n t r y a i rc h e c k . c o m . S e n d n e w s t o n e w s @ c o u n t r y a i rc h e c k . c o m
Lindsay Ell
June 19, 2017
MY TUNES: MUSIC THAT SHAPED MY LIFE SelecTone’s Steve Wariner discusses his most influential music: 1. Glen Campbell, Indiana State Fair, 1971: He was headlining and the opening act was Jerry Reed. It was basically his Goodtime Hour TV show. I was a sophomore in high school, sitting about 20 rows back. When I saw it I was like, “Oh my god, this is what I want to do, right Steve Wariner here.” I guess you could say it was prophetic. Later on I became so close with everybody on that stage. 2. Chet Atkins’ Hi-Fi In Focus and Chet Atkins Picks On The Beatles: I wore the grooves off those two albums. 3. Ray Price’s San Antonio Rose: It was my dad’s album. It was a tribute to Bob Wills and the album opened up with him talking, which really made an impression on me. I learned to play bass listening to that album. 4. Buck Owens & The Buckaroos, 1964: I saw them at a place called Mockingbird Hill Park in Anderson, Indiana. Man, it was powerful. They knocked me out. Buck was on top of the world. 5. Dottie West: In 1973 I was on a show with Dottie at the Nashville Country Club in Indianapolis. She was the headliner. She heard me playing and singing and hired me that night. That’s why I’m here today. • Highly regarded music you’ve never heard: Eric Johnson has new music out and I haven’t had a chance to listen to it yet. But I hear it’s fantastic. • “Important” music you just don’t get: Opera. It’s not that I don’t appreciate it or respect it. I respect the discipline of it, and the instrument the vocalists have. • An album you played or listened to incessantly: Linda Ronstadt’s first album with the Stone Poneys. It takes me back in time. And also Jerry Byrd’s Byrd Of Paradise. He’s a Hawaiian steel guitar player. • Obscure or non-country song everyone should listen to right now: Well, I’m sure it’s one of my songs off my new album All Over The Map, “Nashville Spy-Line”! It’s me and Duane Eddy. It could be in any Quentin Tarantino movie – and I wish it would be. It’s definitely not country, but it’s so fun. • One item in your music collection you’d rather not admit to enjoying: Being an old bass player, I’m always buying disco records, where the bass is just phenomenal. So I’ll come right out and say it: I listen to disco.
Page 3
Quick recap: Ell was scheduled to perform free shows for all three Sacto stations Friday, but KNCI PD Chad Rufer decided not to have her play after learning of her relationship with Bones. Ell tweeted, the Washington Post’s Emily Yahr penned a story and CBS Radio issued an apology, calling the cancellation “a bad decision.” Charges of sexism extended to the Chad Rufer Morning Hangover’s Kurt Bardella calling for Rufer’s firing. Bones devoted a segment on Monday’s show to the situation, alleging he has names and perhaps audio recordings of as many as 13 PDs who refuse to support Ell because of her relationship with him. Late Monday, Ell “broke her silence” to Yahr in a follow-up article that also quoted BBR Music Group EVP Jon Loba. On the industry side, CBS Radio execs are referring inquiries to the corporate PR department, who point to the already issued apology. Behind the scenes, the company is working with Ell and the label to schedule another show, and a source who asked not to be identified says the relationship remains amicable. BBRMG, meanwhile, declined to participate in this story. While KNCI’s move is clearly not a good look, some quietly question whether the situation is just another manifestation of a more familiar industry problem. Will companies support music that is aligned with their competitors through new artist discovery programs, label co-ventures or other exclusive relationships? Do artists, particularly new artists, risk broad-based support by being seeing as radio company X’s pet project? There may be a connection between Bones and the Post’s Yahr, who has written a number of stories about the radio personality over the years. She has also been drawn to controversy, as in a 2015 article about the “fraught state of Country radio” revealed by the erroneous assertion that “stations are pulling Little Big Town’s ‘Girl Crush,’” in which Bones is quoted expressing his outrage. All that aside, if the aim is telling stories, generating controversy and seeking ratings and readers, that Ell is being held back because she’s a woman with a visible personal life is certainly the way to go. If the aim is having radio and label partners working together to advance Ell’s career, the story is quietly patching things up and moving on. –Chuck Aly
Chart Chat
Congrats to Dan Smyers, Shay Mooney, Kristen Williams, Chris Palmer, Tom Martens and the WAR promo team for landing
Dan + Shay
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A L RE A DY GE T TI NG LEGENDARY AIRPLAY AT THESE G REAT STATION S :
WYCD WDRQ WSOC WGGY
K E E Y W K L B K F R G W K K T K M N B K WJ J KMPS WGH KRTY WMIL KMLE WQMX K P L M W C O L K X LY W R N S K T T S K S K S W Q H K WJ V C W K L I K S O P W S I X K U Z Z WIRK KCYE WUSH WPCV ®
June 19, 2017
Page 5
this week’s No. 1 with “How Not To.” The song is Dan + Shay’s third chart-topper. Writers are Adam Hambrick, Paul DiGiovanni and Kevin Bard. And kudos to Shane Allen and the Columbia crew for notching 57 adds on Luke Combs’ “When It Rains It Pours,” topping this week’s board.
News & Notes
iHeartMedia and Fox Network is launching Smart A/V Audiences this Fall to deliver targeted video messages based on specific listener interests like music, sports, shows, teams and personalities. WZFC/Starsburg, VA and WXBN/Berryville, VA added Envision’s Collin Raye’s Rewind Country. Impact KQBL/Boise, ID and the rest of the cluster have launched as an Alexa Skill. Google Home will be online soon. The Grand Ole Opry and Chicago White Sox have teamed for Country Music Night presented by Coca-Cola June 23 at Guaranteed Rate Field. Adam Craig will perform an acoustic “Rock the Sox” set before the game. Lady Antebellum and Brad Paisley will perform on NBC TV’s annual Macy’s 4th of July Fireworks Spectacular. The eighth season of Craig Morgan: All Access Outdoors premieres June 30 on the Outdoor Channel. Charley Pride will perform July 15 during the Summer NAMM Show at Nashville’s Music City Center.
CMT Moves The Show ...
(continued from page 1)
Would you consider a permanent move? In the euphoria of the moment we had some people in the industry saying they love the MCC and suggest coming back every year, but I don’t know if the crew would wish to again shoehorn this in and still try to make it look big. Early in the process of moving from the Bridgestone, Exec. Producer Margaret Comeaux said, “We can make this awards show work anywhere.” It sounds implausible, but that’s what she and Exec. Prod. John Hamlin did. This wasn’t just one of my favorite nights at CMT, it was one of my favorite weeks. Were you the only folks in Nashville rooting for the Penguins? Sometimes we shoot past that stuff. It’s a national show and
Road Block: Red Light’s Van Haze (l) has a new wrap on his whip after colleague Enzo DeVincenzo finally had his fill of Haze’s pranks. Ask Haze for a ride in his “My Little Pony” at van@ redlightmanagement.com.
we don’t want to paint it into a Nashville corner, but this year it felt right to celebrate the town. Harnessing that Preds energy and weaving it into the show seemed to engage and please the audience when most times, people in other cities really don’t care. Plus, people were excited to see Keith Urban have a big night. How did the Gregg Allman tribute come together? When he passed we had a lot great music people including artists come to us with meaningful reactions. It was great to know someone like Jason Aldean wanted to find a way to honor him, as did Charles Kelley and Darius Rucker. Charles Kelley, Jason Aldean The addition of Derek Trucks was and Darius Rucker the essential piece that gave it
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June 19, 2017
Lady Antebellum with Earth, Wind & Fire
real Allman flavor. When we realized how stately and majestic it could be, it seemed like a show open to us. The great thing about “Midnight Rider” is the instantly identifiable guitar line and the way it beautifully represents Gregg’s spirit. No bio package needed. Did Charles Esten as host and the Nashville themed open work as expected? Everyone who knows Chip is aware that beyond his dramatic television background, his range extends to a background in improv. He understands music, he’s fast and funny, and has a work ethic unlike some who get wrangled into hosting. One of the most involved and actively engaged hosts with writers and producers I’ve ever seen. The fact he was able to riff about Charles Esteen Nashville in the right way was important. That’s sacred territory for a lot of our fans and he carried it well. Re-watching the show at the office, Cole Swindell’s bit with the humidifier set off the Amazon Echo on my desk. Cole That was absolutely a widespread Swindell problem! (Laughs) I had hundreds of notes from people about that, which was ultimately conceived and executed in a very short period of time. Nobody stopped to think what would happen when he said that, but it had Amazon devices going nuts in houses all over the country. You could have just played
Page 7
that as a shrewdly executed promotion. Yes, actually, we worked closely on that product placement and were compensated tremendously! No, we were all so focused on getting it done we didn’t anticipate that odd phenomenon. Obviously collaborations were the centerpiece of the show. What stood out to you? Keith Urban and Carrie Underwood was a record setter in terms of going viral, and it’s still doing great numbers [more than a week after the show]. That intensity might have Luke Bryan been a byproduct of and Jason being in a more intimate Derulo venue. We knew in dress rehearsals it was destined to be a highlight. We all had the experience of Earth Wind & Fire the night before. They came in ready and you can always count on Lady A to light it up. Jason Derulo and Luke Bryan had worked together before on CMT, so we knew how good that would be. Jason is becoming a full-time Nashvillian as a result of all the good times he’s had with Luke. Final thoughts? What stuns people who come in from our other networks is how many different things our artists do in the course of the show and the week. So many artists get pulled into three or four different things – a tribute, their song, the comedic open, a Crossroads the night before and all in the midst of CMA Fest. As I saw it play out I thought, “God, we’re working people hard and they all rise to the occasion and don’t complain.” That’s the work ethic of this business. And we’re grateful. This is one I’ll remember fondly. We had a good time and delivered great ratings. Those two things don’t always go together. We saw the challenges before us, performed as a close-knit team and got it done. Also, Carrie Underwood and go Predators in 2018! Keith Urban –Chuck Aly CAC
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June 19, 2017
Page 9
Seek & Employ Available Jobs
Here’s a list of job seekers and open gigs. Not listed? Send info here and we’ll include you in a future update: KSE KWOF/Denver is looking for an afternoon host. Send materials here. Aloha Trust WFRE/Frederick, MD is looking for a midday host with imaging skills. Send materials here. Mid-Utah KMTI/Manti, UT is looking for an announcer familiar with agriculture terms, sports, news and family values lifestyle. Resume and Aircheck here. Entercom KKWF/Seattle is looking for a morning show host. Details here. Midwest WNCY/Appleton-Green Bay, WI is seeking an onair host who is compelling, social media savvy, interactive, organized and solid with promotions. Airchecks here. Entercom KWJJ/Portland, OR is now accepting applications for part-time on-air positions. Send materials here. Cox WWKA/Orlando seeks a Dir./Branding & Programming. Apply here. Ryman Hospitality Properties seeks a Dir./Opry Programming & Artist Initiatives. Apply here. The CMA has an opening for an Executive Assistant/Marketing. Materials to HR Consultant Sarah Pinson here. GCC Bend’s KSJJ/Bend, OR is searching for a morning show producer/air talent. Airchecks and resumes here. Cumulus’ WIVK/Knoxville has an opening in middays. Apply here. Zimmer/Cookeville, TN is searching for an engineer. Three years experience is required. Materials here. Small market, privately owned live and local station in the Northeast is looking for a morning show co-host. Aircheck, social media samples, and resume to Barry Mardit Media Consulting here.
Searching
•Big Chris Hart Former KUUB/KWFP PD/MD/Prod. Dir./afternoon host 775-830-1320 bigchrishart@hotmail.com •Travis Moon Former KAJA/KASE/KVET PD travismooncountry@hotmail.com •Crash Poteet Former KVOO/Tulsa and WKWS/Charleston/WV PD 417-499-4046 okccrash@gmail.com
•Rob Stark Former PD/Morning host KACT/Panama City, FL 850-775-7451 rstarkccm@gmail.com •Eddie Haskell Former KYGO/Denver PD 505-886-1418 haskell99@gmail.com •Cheri Cranford Former GM Streamsound/Red Vinyl Music 615-473-6837 cheri.cranford@comcast.net • Bethany Linderman Former WGNA/Albany morning co-host 727-460-2389 linderman.bethany@gmail.com • Mike Preston Former KKWF/Seattle PD 206-979-2500 pljpreston@aol.com • Jeff Roper Former KCYY/San Antonio APD/MD/morning host 210-790-7099 ropershow@gmail.com • Jim Day Former WIL/St. Louis morning host 314-258-4365 jimdayshow@gmail.com •Wes McShay Former Cumulus/Montgomery, AL OM/PD 208-758-5435 wesgardipe@gmail.com • Jeff Miles Former WKLB/Boston and KCYY/San Antonio morning host 469-667-3890 radiojeff@icloud.com • Rosey Fitchpatrick Former Dir./National Promotion Roseyfitch99@gmail.com • Wayne Manning Former Cold River Regional 801-361-2993 imaviator@yahoo.com • Dan Hagar Strategic Marketing & Promotions 615-430-2560 dhpromoman@gmail.com
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June 19, 2017 LW
TW
Artist/Title (Label)
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
DAN + SHAY
24279
1797
8327
624
53.624 3.571
159
0
2
FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR)
23544
1287
7855
343
52.277 2.744
159
0
5
3
BLAKE SHELTON/Every Time I Hear... (Warner Bros./WMN) ✔
22381
1493
7590
494
50.042 3.558
159
0
6
4
THOMAS RHETT f/M. MORRIS/Craving You (Valory) ✔
20852
1778
6892
670
3.719
159
0
2
5
BRETT YOUNG/In Case You Didn't Know (BMLGR)
19379
-4354
6456
-1569
47.876 -6.456
159
0
7
6
DYLAN SCOTT/My Girl (Curb)
19261
910
6454
344
42.883 2.317
157
0
1
7
DARIUS RUCKER/If I Told You (Capitol)
19006
-6715
6271
-2383
41.882 -14.797
158
0
8
8
RASCAL FLATTS/Yours If You Want It (Big Machine)
17356
797
5854
187
39.861 2.178
158
0
9
9
KEITH URBAN f/C. UNDERWOOD/The Fighter (Capitol)
16804
917
5773
278
37.846 2.349
158
0
10
10
LADY ANTEBELLUM/You Look Good (Capitol)
16046
598
5323
182
36.848 1.389
159
0
11
11
COLE SWINDELL/Flatliner (Warner Bros./WMN)
15468
148
5258
114
34.232 0.805
156
0
LW
TW
13 3 16
113
3
1
4
How Not To (Warner Bros./WAR) ✔
Artist/Title (Label)
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
14842
466
5055
198
32.556 0.742
159
0
✔ How Not To (Warner Bros./WAR) BILLY CURRINGTON/Do I Make You Wanna (Mercury) ✔
14481 24279 13205
552 1797 1355
4898 8327 4317
181 624 465
31.825 1.623 53.624 3.571 29.068 3.431
159 159 158
0 0 1
15 4 215
OLD DOMINION/No Such ThingYour As AMama, BrokenAnd Heart FLORIDA GEORGIA LINE/God, Me(RCA) (BMLGR)
12809 23544
479 1287
4260 7855
161 343
28.885 2.744 1.16 52.277
157 159
01
17 16 5 3
ZAC BROWN BAND/MyTime Old IMan (SouthernGrnd/Elektra/WAR) BLAKE SHELTON/Every Hear... (Warner Bros./WMN) ✔
11282 22381
135 1493
3895 7590
29 494
24.437 -0.034 50.042 3.558
159 159
00
18 6 417
BROTHERS OSBORNE/It Ain't My Fault (EMI THOMAS RHETT f/M. MORRIS/Craving You Nashville) (Valory) ✔
9810 20852
13 1778
3497 6892
29 670
19.193 46.37 -0.187 3.719
158 159
00
20 2 518
CHRIS YOUNG/In LANE/For Her (Big Loud) BRETT Case You Didn't Know (BMLGR)
9101 19379
304 -4354
3016 6456
63 -1569
17.413 -6.456 1.751 47.876
153 159
2 0
22 19 7 6
DUSTINSCOTT/My LYNCH/Small DYLAN Girl Town (Curb)Boy (Broken Bow)
8756 19261
1171 910
2970 6454
443 344
16.471 2.317 1.783 42.883
154 157
04
21 20 1 7
KIP MOORE/More (MCA) DARIUS RUCKER/IfGirls I ToldLike YouYou (Capitol)
8427 19006
667 -6715
2848 6271
232 -2383
17.441 -14.797 2.411 41.882
153 158
3 0
19 21 8 8
TIM MCGRAW & FAITH HILL/Speak To A Girl (Arista) RASCAL FLATTS/Yours If You Want It (Big Machine)
8273 17356
-1326 797
2828 5854
-452 187
16.518 -2.592 39.861 2.178
159 158
00
23 9 922
BRETT URBAN ELDREDGE/Somethin' I'm Good AtFighter (Atlantic/WMN) KEITH f/C. UNDERWOOD/The (Capitol)
7535 16804
258 917
2483 5773
24 278
14.392 2.349 0.853 37.846
153 158
00
26 10 23 10
JON PARDI/Heartache OnLook The Good Dance(Capitol) Floor (Capitol) LADY ANTEBELLUM/You
7252 16046
1302 598
2451 5323
463 182
15.048 1.389 2.608 36.848
138 159
06
25 11 24 11
CARLYSWINDELL/Flatliner PEARCE/Every Little (Warner Thing (Big Machine) COLE Bros./WMN)
7177 15468
550 148
2526 5258
183 114
13.153 0.805 1.21 34.232
141 156
02
24 12 25 12
LOCASH/Ring On Every Finger MIDLAND/Drinkin' Problem (Big(Reviver) Machine)
6876 14842
221 466
2356 5055
84 198
12.91 0.742 0.518 32.556
147 159
00
13
13
JUSTIN MOORE/Somebody Else Will (Valory)
14481
552
4898
181
31.825 1.623
159
0
16
14
BILLY CURRINGTON/Do I Make You Wanna (Mercury) ✔
13205
1355
4317
465
29.068 3.431
158
1
15
15
OLD DOMINION/No Such Thing As A Broken Heart (RCA)
12809
479
4260
161
28.885
157
1
17
16
ZAC BROWN BAND/My Old Man (SouthernGrnd/Elektra/WAR)
11282
135
3895
29
24.437 -0.034
159
0
18
17
BROTHERS OSBORNE/It Ain't My Fault (EMI Nashville)
9810
13
3497
29
19.193 -0.187
158
0
20
18
CHRIS LANE/For Her (Big Loud)
9101
304
3016
63
17.413 1.751
153
2
22
19
DUSTIN LYNCH/Small Town Boy (Broken Bow)
8756
1171
2970
443
16.471 1.783
154
4
21
20
KIP MOORE/More Girls Like You (MCA)
8427
667
2848
232
17.441 2.411
153
3
19
21
TIM MCGRAW & FAITH HILL/Speak To A Girl (Arista)
8273
-1326
2828
-452
16.518 -2.592
159
0
23
22
BRETT ELDREDGE/Somethin' I'm Good At (Atlantic/WMN)
7535
258
2483
24
14.392 0.853
153
0
26
23
JON PARDI/Heartache On The Dance Floor (Capitol)
7252
1302
2451
463
15.048 2.608
138
6
25
24
CARLY PEARCE/Every Little Thing (Big Machine)
7177
550
2526
183
13.153
1.21
141
2
24
25
LOCASH/Ring On Every Finger (Reviver)
6876
221
2356
84
12.91
0.518
147
0
12
12
14
MIDLAND/Drinkin' Problem (Big Machine)
46.37
JUSTIN MOORE/Somebody Else Will (Valory) DAN + SHAY
1.16
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Chart Page 1
June 19, 2017 LW
TW
Artist/Title (Label)
28
26
JASON ALDEAN/They Don't Know (Broken Bow)
6363
939
2146
324
12.644 2.247
138
7
27
27
MAREN MORRIS/I Could Use A Love Song (Columbia)
6138
240
2004
63
12.177 1.234
144
3
29
28
GARTH BROOKS/Ask Me How I Know (Pearl)
5448
384
1892
119
10.301 0.207
133
2
31
29
DRAKE WHITE/Makin' Me Look Good Again (BMLGR)
4972
178
1634
17
8.115
0.533
128
2
30
30
EASTON CORBIN/A Girl Like You (Mercury)
4828
25
1712
48
7.587
0.082
130
0
33
31
KANE BROWN f/L. ALAINA/What Ifs (RCA)
4492
274
1444
115
7.745
0.668
111
5
32
32
ERIC CHURCH/Round Here Buzz (EMI Nashville)
4370
104
1625
50
7.427
0.114
128
3
34
33
BIG & RICH/California (B&R/New Revolution)
3835
205
1336
97
5.739
0.194
114
3
35
34
MORGAN WALLEN/The Way I Talk (Big Loud)
3682
107
1352
59
6.637 -0.266
106
0
36
35
BRAD PAISLEY/Last Time For Everything (Arista)
3463
116
1205
44
5.803
0.303
116
3
KENNY CHESNEY/All The Pretty Girls (Blue Chair/Columbia)
3362
1305
1138
464
6.243
2.421
101
12
WILLIAM MICHAEL MORGAN/Missing (Warner Bros./WMN)
3290
29
1228
27
6.139
0.12
95
1
AARON WATSON/Outta Style (Big)
3168
277
895
82
6.3
0.75
64
3
CHRIS JANSON/Fix A Drink (Warner Bros./WAR)
3112
527
1132
189
5.394
1.079
99
7
ADAM CRAIG/Just A Phase (Stoney Creek)
2923
139
1025
34
4.438
0.323
112
4
MIRANDA LAMBERT/Tin Man (RCA)
2712
118
891
26
3.959
0.053
95
3
LANCO/Greatest Love Story (Arista)
2704
306
951
103
4.432
0.52
96
5
38
39
38
40
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
42
43
JAKE OWEN/Good Company (RCA)
2636
187
881
28
4.441
0.864
84
5
45
44
WALKER MCGUIRE/Til Tomorrow (Wheelhouse)
2392
14
768
13
6.033
0.276
89
1
48
45
CHRIS YOUNG/Losing Sleep (RCA)
2356
280
758
129
3.499
0.216
75
4
46
46
TODD O'NEILL/Love Again (Nash Next/Valory)
2313
-43
635
-12
6.478
0.204
29
0
44
47
CHRIS STAPLETON/Either Way (Mercury)
2293
-93
812
-19
3.418 -0.286
106
0
47
48
HIGH VALLEY/She's With Me (Atlantic/WEA)
2259
-40
675
-5
3.533
-0.06
65
2
RUSSELL DICKERSON/Yours (Triple Tigers/Sony)
2209
211
743
48
2.814
0.576
98
4
SHANIA TWAIN/Life's About To Get Good (Mercury) ✔
1998
1998
697
697
4.968
4.968
27
27
Debut 50
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Chart Page 2
June 19, 2017 Country Aircheck Add Leaders
Activator Top Point Gainers
Adds
LUKE COMBS/When It Rains It Pours (River House/Columbia)
57
JON PARDI/Heartache On The Dance Floor (Capitol)
605 ✔
SHANIA TWAIN/Life's About To Get Good (Mercury)
27
THOMAS RHETT f/M. MORRIS/Craving You (Valory)
522 ✔
LEE BRICE/Boy (Curb)
26
SHANIA TWAIN/Life’s About To Get Good (Mercury)
492 ✔
RONNIE DUNN/I Worship The Woman You... (Nash Icon/Valory)
15
GARTH BROOKS/Ask Me How I Know (Pearl)
434 ✔
KENNY CHESNEY/All The Pretty Girls (Blue Chair/Columbia)
12
ELI YOUNG BAND/Never Land (Valory)
430 ✔
GRANGER SMITH/Happens Like That (Wheelhouse)
11
DYLAN SCOTT/My Girl (Curb)
419
KELSEA BALLERINI/Legends (Black River)
11
CHRIS JANSON/Fix A Drink (Warner Bros/WAR)
414
BRANTLEY GILBERT/The Ones That Like Me (Valory)
7
CARLY PEARCE/Every Little Thing (Big Machine)
413
CHRIS JANSON/Fix A Drink (Warner Bros./WAR)
7
MIDLAND/Drinkin' Problem (Big Machine)
400
JASON ALDEAN/They Don't Know (Broken Bow)
7
LOCASH/Ring On Every Finger (Reviver)
351
Country Aircheck Top Point Gainers
Activator Top Spin Gainers
SHANIA TWAIN/Life’s About To Get Good (Mercury)
1998
DAN + SHAY/How Not To (Warner Bros./WAR)
1797
✔ ✔ ✔ ✔ ✔
JON PARDI/Heartache On The Dance Floor (Capitol)
156
THOMAS RHETT f/M. MORRIS/Craving You (Valory)
145
SHANIA TWAIN/Life's About To Get Good (Mercury)
110
DUSTIN LYNCH/Small Town Boy (Broken Bow)
101
GARTH BROOKS/Ask Me How I Know (Pearl)
97
THOMAS RHETT f/M. MORRIS/Craving You (Valory)
1778
BLAKE SHELTON/Every Time I Hear... (Warner Bros./WMN)
1493
BILLY CURRINGTON/Do I Make You Wanna (Mercury Nashville)
1355
KENNY CHESNEY/All The Pretty Girls (Blue Chair/Columbia)
1305
RONNIE DUNN/I Worship The Woman... (Nash Icon/Valory)
96
JON PARDI/Heartache On The Dance Floor (Capitol Nashville)
1302
CARLY PEARCE/Every Little Thing (Big Machine)
82
FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLG)
1287
MIDLAND/Drinkin' Problem (Big Machine)
80
DUSTIN LYNCH/Small Town Boy (Broken Bow)
1171
BILLY CURRINGTON/Do I Make You Wanna (Mercury)
80
DYLAN SCOTT/My Girl (Curb)
78
JASON ALDEAN/They Don't Know (Broken Bow)
939
Country Aircheck Top Recurrents
Country Aircheck Top Spin Gainers
Points
SAM HUNT/Body Like A Back Road (MCA/Capitol)
20436
670
LUKE COMBS/Hurricane (River House/Columbia)
17546
DAN + SHAY/How Not To (Warner Bros./WAR)
624
JON PARDI/Dirt On My Boots (Capitol)
11436
BLAKE SHELTON/Every Time I Hear... (Warner Bros./WMN)
494
JOSH TURNER/Hometown Girl (MCA)
10284
BILLY CURRINGTON/Do I Make You Wanna (Mercury)
465
DIERKS BENTLEY/Black (Capitol)
9015
KENNY CHESNEY/All The Pretty Girls (Blue Chair/Columbia)
464
BLAKE SHELTON/A Guy With A Girl (Warner Bros./WMN)
8600
JON PARDI/Heartache On The Dance Floor (Capitol)
463
JASON ALDEAN/Any Ol' Barstool (Broken Bow)
8058
DUSTIN LYNCH/Small Town Boy (Broken Bow)
443
LUKE BRYAN/Fast (Capitol)
7034
DYLAN SCOTT/My Girl (Curb)
344
FLORIDA GEORGIA LINE f/T. MCGRAW/May We... (BMLGR)
6570
FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR)
343
MICHAEL RAY/Think A Little Less (Atlantic/WEA)
6415
SHANIA TWAIN/Life’s About To Get Good (Mercury)
697
THOMAS RHETT f/M. MORRIS/Craving You (Valory)
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Chart Page 3
June 19, 2017 COUNTRY AIRCHECK ACTIVITY
A D D DAT E S
CHRIS YOUNG/Losing Sleep (RCA) Moves 48-45* 2356 points, 758 spins 4 adds: KKBQ, WBWL, WRNS, WAVW
June 26
TODD O’NEILL/Love Again (Nash Next/Valory) Remains 46 2313 points, 635 spins; no adds
June 3
CHRIS STAPLETON/Either Way (Mercury) Moves 44-47 2293 points, 812 spins; no adds HIGH VALLEY/She’s With Me (Atlantic/WEA) Moves 47-48 2259 points, 675 spins 2 adds: WQDR, WAVW RUSSELL DICKERSON/Yours (Triple Tigers/Sony) Moves 50-49* 2209 points, 743 spins 4 adds: WUBL, KVOO, KDRK, WYCT SHANIA TWAIN/Life’s About To Get Good (Mercury) Debuts 50* 1998 points, 697 spins 27 adds: PCCO*, WNSH*, KKGO, WEBG, WYCD, KEEY, WPOC*, WKKT, WSOC, WPGB, WCOL, WGNE, WWYZ*, WKMK, KTEX*, WWGR, KWEN*, WKLI, KHGE*, KHEY, KUZZ, WCOS*, WBBS, WDRM, WQHK, WOKQ, KKIX BROOKE EDEN/Act Like You Don’t (Red Bow) 1745 points, 664 spins 2 adds: WKLB, WKIS
Walker hayes/You Broke Up With Me (Monument/Arista) Raelynn/Lonely Call (Warner Bros./WMN) LITTLE BIG TOWN/When Someone Stops Loving You (Capitol)
None listed
July 10
THE CADILLAC THREE/Dang It We Didn’t (Big Machine) Send yours to adds@countryaircheck.com
CHECK OUT
June 30
The Judds The Judds – All-Time Greatest Hits (Curb) Jim Lauderdale London Southern (Sky Crunch) Sons of the Palomino Sons (TK)
July 7
Charley Pride Music In My Heart (Music City Records) Rhonda Vincent & Daryle Singletary American Grandstand (Management Music)
July 14
Lewis Brice Self-Titled (Pump House Music/Straight 8/Kobalt)
July 17
JERROD NIEMANN/God Made A Woman (Curb) 1427 points, 503 spins 1 add: WGTY
Mitchell Tenpenny Linden Ave. (Riser House)
CODY JOHNSON/With You I Am (Cojo) 1210 points, 202 spins; no adds
August 4
July 21
Sara Evans Words (Born To Fly) Brett Eldredge Self-Titled (Atlantic/WMN)
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Chart Page 4
June 19, 2017 LW
TW
Artist/Title (Label)
Points
+/- Points
Plays
FLORIDA GEORGIA LINE
10481
244
2430
+/- Plays Stations ADDS
3
1
4
2
BLAKE SHELTON/Every Time I Hear That Song (Warner Bros./WMN)
10194
11
2
3
DAN + SHAY/How Not To (Warner Bros/WAR)
9994
-313
5
4
THOMAS RHETT f/M. MORRIS/Craving You (Valory) ✔
9605
522
2141
6
5
DYLAN SCOTT/My Girl (Curb)
9155
419
2019
78
54
0
1
6
DARIUS RUCKER/If I Told You (Capitol)
8958
-1728
2024
-429
51
0
7
7
KEITH URBAN f/C. UNDERWOOD/The Fighter (Capitol)
8787
145
1967
58
55
0
9
8
God, Your Mama, And Me (BMLGR)
51
54
0
2300
0
55
0
2287
-58
52
0
145
54
0
RASCAL FLATTS/Yours If You Want It (Big Machine)
8720
343
1877
74
54
0
10 9
LADY ANTEBELLUM/You Look Good (Capitol)
8016
241
1750
58
55
0
11 10
COLE SWINDELL/Flatliner (Warner Bros./WMN)
7662
225
1666
36
55
0
12 11
MIDLAND/Drinkin' Problem (Big Machine)
7543
400
1652
80
55
0
13 12
OLD DOMINION/No Such Thing As A Broken Heart (RCA)
6686
157
1456
65
55
0
14 13
JUSTIN MOORE/Somebody Else Will (Valory)
6424
-2
1435
-8
55
0
16 14
BROTHERS OSBORNE/It Ain't My Fault (EMI Nashville)
5878
189
1290
58
55
1
15 15
ZAC BROWN BAND/My Old Man (SouthernGrnd/Elektra/WAR)
5871
-14
1263
-13
51
0
18 16
BILLY CURRINGTON/Do I Make You Wanna (Mercury)
5709
328
1219
80
54
0
17 17
TIM MCGRAW & FAITH HILL/Speak To A Girl (Arista)
4561
-922
1074
-217
46
0
19 18
BRETT ELDREDGE/Somethin' I'm Good At (Atlantic/WMN)
4560
-11
924
12
52
0
20 19
KIP MOORE/More Girls Like You (MCA)
4516
350
922
77
51
1
21 20
DUSTIN LYNCH/Small Town Boy (Broken Bow)
4181
332
895
101
53
0
22 21
CHRIS LANE/For Her (Big Loud)
3919
183
867
37
52
1
23 22
JON PARDI/Heartache On The Dance Floor (Capitol) ✔
3703
605
801
156
54
7
25 23
CARLY PEARCE/Every Little Thing (Big Machine)
3380
413
727
82
47
4
24 24
JASON ALDEAN/They Don't Know (Broken Bow)
3152
116
616
34
50
2
26 25
MAREN MORRIS/I Could Use A Love Song (Columbia)
2996
67
581
12
51
2
27 26
GARTH BROOKS/Ask Me How I Know (Pearl) ✔
2936
434
653
97
46
1
28 27
BRAD PAISLEY/Last Time For Everything (Arista)
2697
269
553
38
44
1
30 28
LOCASH/Ring On Every Finger (Reviver)
2681
351
585
78
46
3
31 29
CHRIS JANSON/Fix A Drink (Warner Bros/WAR)
2664
414
478
72
36
8
29 30
AARON WATSON/Outta Style (Big)
2339
-39
484
-3
33
0
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Chart Page 5
June 19, 2017 LW
Artist/Title (Label)
Points +/- Points
32 31
TW
EASTON CORBIN/A Girl Like You (Mercury)
2188
4
477
0
41
0
33 32
CHRIS STAPLETON/Either Way (Mercury)
1922
-156
410
-46
42
2
35 33
ERIC CHURCH/Round Here Buzz (EMI Nashville)
1793
158
400
32
43
0
37 34
KENNY CHESNEY/All The Pretty Girls (Blue Chair/Columbia)
1761
305
358
63
30
6
34 35
MIRANDA LAMBERT/Tin Man (RCA)
1636
-98
297
-43
29
0
36 36
DRAKE WHITE/Makin' Me Look Good Again (BMLGR)
1387
-169
322
-25
38
0
38 37
CHRIS YOUNG/Losing Sleep (RCA)
1314
282
211
51
18
3
40 38
BIG & RICH/California (B&R/New Revolution)
1192
223
299
52
38
3
42 39
KANE BROWN f/L. ALAINA/What Ifs (RCA)
1131
292
288
58
35
1
39 40
TODD O'NEILL/Love Again (Nash Next/Valory)
979
6
293
-2
11
0
43 41
JAKE OWEN/Good Company (RCA)
889
54
149
14
20
1
44 42
MORGAN WALLEN/The Way I Talk (Big Loud)
879
76
191
14
30
0
41 43
LANCO/Greatest Love Story (Arista)
823
-21
157
2
10
0
45 44
WALKER HAYES/You Broke Up With Me (Monument/Arista)
750
90
75
9
2
1
52 45
BRETT YOUNG/Mercy (BMLGR)
670
220
67
22
1
0
Debut 46
BRANTLEY GILBERT/The Ones That Like Me (Valory)
645
310
92
46
13
1
Debut 47
LUKE COMBS/When It Rains It Pours (River House/Columbia)
644
317
82
45
7
2
46 48
CODY JOHNSON/Wild As You (Cojo)
638
56
134
10
15
1
48 49
WILLIAM MICHAEL MORGAN/Missing (Warner Bros./WMN)
569
75
122
20
22
0
47 50
JERROD NIEMANN/God Made A Woman (Curb)
534
4
103
-4
12
0
49 51
A THOUSAND HORSES/Preachin' To The Choir (BMLGR)
533
55
97
16
9
1
54 52
ADAM CRAIG/Just A Phase (Stoney Creek)
511
74
90
16
21
0
SHANIA TWAIN/Life's About To Get Good (Mercury) ✔
492
492
110
110
20
9
ASHLEY MCBRYDE/A Little Dive Bar In Dahlonega (---)
470
40
47
4
1
0
Debut 53 55 54
Plays
+/- Plays
Stations Adds
50 55
RUSSELL DICKERSON/Yours (Triple Tigers/Sony)
460
-13
119
-6
15
0
51 56
TYLER FARR/I Should Go To Church Sometime (Columbia)
458
-12
66
-2
5
1
FLORIDA GEORGIA LINE/Smooth (BMLGR)
440
150
44
15
1
0
RUNAWAY JUNE/Wild West (Wheelhouse)
440
20
44
2
1
0
ELI YOUNG BAND/Never Land (Valory) ✔
430
430
43
43
1
1
ZAC BROWN BAND/Roots (SouthernGrnd/Elektra/WAR)
420
-30
42
-3
1
0
Debut 57 56 58
Debut 59 53 60
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Chart Page 6