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TERROR MANAGEMENT THEORY - score

Page 1

TERROR MANAGEMENT THEORY for orchestra

coral douglas (2021)


in loving memory of my grandfather, robert aronsson, who also found solace in creating


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Performance Notes winds and brass are called to play with unpitched air. this should be done by blowing into one’s instrument without forming an embouchure, so that one’s instrument does not create pitch. unpitched air will always be notated with the following notehead.

winds are called to play with lightly pitched air. this can be done by loosening embouchures to create a breathy, unfocused sound. this direction is not given a specific notehead. thundersheet should be close to 18x26 inches in size. percussionist should bow thundersheet on the top side with the sturdiest bass bow available. for measures such as m. 29, string players should lightly place their left hand over top of the strings, muting them, and bow moderately to create a thin, unpitched sigh-like noise.

when pianist plays clusters, it is not necessary to maintain consistent pitches. instead, pianist should intend for precise, clear rhythms. for long, repetitive passages, they may play with the heel or side of their hands, if comfortable. for any figure with rhythm but without exact pitch, player should improvise a line that follows the contour of given shape. for example, see the following annotation: Given:

Example:

Program Note terror management theory is a working psychological theory that proposes a basic instinctual conflict within the human psyche: the avoidance of death and the knowledge of its inevitability. this conflict creates terror, which may be managed through escapism, cultural beliefs, and other forms of meaning that seek to give individual life a significance capable of conquering mortality.


terror management theory  = 80

   

2

 

Flutes 1-2

  

 

*unpitched air (see performance directions)

Oboes 1-2

  

3

Horns in F

  *unpitched air (see performance directions)   

2 4

Trombones 1-2

    

Timpani

Percussion 1

Percussion 2

Piano

Harp

Violins I

Violins II

 

   

  sp  

sp     

     

    

sp

 

 



 

sp

Contrabasses

Drumset

   

Glockenspiel

Violoncellos

   

  

 

*unpitched air (see performance directions)

sp

Violas

  

Trumpets in B♭ 1-3

Tuba

 

     

 

  



 



 



 

    

 

 

   

 

  

 

 

      

     

 

     

3

 3

   

 

  

Terror Management Theory • Coral Douglas • 2021

 





 

 



 3



 







 



 no harmonic gliss. gliss.







     





 

 



 











  



sim.









 







5



sim.



1



  

Bassoons 1-2

 

4

 

 

*unpitched air (see performance directions)

Clarinets in B♭ 1-3

 

3

*unpitched air (see performance directions)

Coral Douglas

gliss.

   

  


    6

Fl.

  

Ob.

  

Bsn.

F Hn.

  

   

D. Set

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

2

  

 

  



 



 

 

        

   





gliss.

    

  



gliss.

 





gliss.







 

 



   



 on rim



on rim





 

Tbn.

8



  

B♭ Tpt.

Tba.

 

B♭ Cl.

7

Terror Management Theory • Coral Douglas • 2021



               



col legno battuto (approximate pitch, keep consistent 16th note)




   9

Fl.

F Hn.

Tba.

D. Set

Glock.

Pno.

Hrp.

  

Vln. I

Vln. II

Vla.

Vc.

Cb.

  

  

  

Flz.

    

    

   

 

 



   

   

 

 

 

  

   

  



 

gliss.













 

     



     on rim

 

 

  

 



Flz.

   



 



 

Timp.



  

Tbn.



  

B♭ Tpt.



 

B♭ Cl.

Bsn.

 

Ob.

10

 

 



11

 

 

 







sp  

  

sp

 



with bow





To Thundersheet

   

sp

   

sp

  

sp

Terror Management Theory • Coral Douglas • 2021









 

 







 



a2 mute with Harmon (stem in)













12

  



 



    

  

        

3


  13

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

 

Vln. II

Vla.

Vc.

Cb.

4

     

 







         

 



  

   

 

 



3

3

3







 

Terror Management Theory • Coral Douglas • 2021

 

 

   





3

3

      

3

 



3





                  



Flz.

   





 



1. messy

Flz.

Flz.

 



divisi

divisi



Harmon (stem in)



 

 

 

 

 









Vln. I





 

 

Hrp.



 

s. lis

Pno.



15

g   

Thu.

 

Timp.

D. Set

Tbn.



 

B♭ Tpt.

Tba.

14

 

     


   16

Fl.

 

Ob.

 

B♭ Cl.

Bsn.

F Hn.

     

17 cheat breath

 cheat breath



 cheat breath

Tba.

    

Timp.

D. Set

Thu.

cheat breath



 

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

   

               

 



 

approx.



       

 

  

       

  

 

   

                

19

 

    

cheat breath

unpitched air

cheat breath

unpitched air

a2 cheat breath

 

 a2 cheat breath

unpitched air

 

lightly pitched (airy)

lightly pitched (airy)

  

unpitched air

lightly pitched (airy)

lightly pitched (airy)

20

unpitched air-------------------------------------------------------------------------------->

 Tbn.



unpitched air-------------------------------------------------------------------------------->

     

unpitched air-------------------------------------------------------------------------------->

 

B♭ Tpt.



unpitched air-------------------------------------------------------------------------------->

18

bow in circles on top of sheet, ocassionally mute with hand

 

 

 

 

      

       Terror Management Theory • Coral Douglas • 2021

      

       5


 





21

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

    

 

Tbn.

  

Timp.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

6

 

 

  



divisi

 

 

 

divisi

pitched

pitched

pitched

26

25 lightly pitched, breathy

don't mute, let ring

Thu.

pitched

24

 a2

23

 

B♭ Tpt.

Tba.

divisi  22

 

To Ratchet

barely audible

 

 

 

 

 

Terror Management Theory • Coral Douglas • 2021

 

 


  27

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

    

B♭ Tpt.

Tbn.

Tba.

Timp.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

  

 

   

  

28

 

 

   

 like a heavy sigh

 like a heavy sigh

blow without pitch

 

 like a heavy sigh

blow without pitch

 like a heavy sigh

a2 blow without pitch

a2 blow without pitch

blow without pitch

blow without pitch

 like a heavy sigh

 like a heavy sigh

remove mute

blow without pitch

 like a heavy sigh

blow without pitch

 like a heavy sigh

   

30

29

 

 

 

  

 

  

mute string with palm

 

sul pont (no mute) approximate pitch gliss.

mute string with palm

sul pont (no mute) approximate pitch gliss.

mute string with palm

mute string with palm

     

mute string with palm

Terror Management Theory • Coral Douglas • 2021

 

 

 

 

 

 

 



don't mute with palm

 

pizz.

7


accel. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 

 

31

Fl.

B♭ Cl.

Bsn.

F Hn.

 

 

Rat.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

8

 

 

 

   



  

 

 gliss.

   

 

pizz. (approx. pitch)

3









3

  

don't mute with palm



3

div.    

 



 

Terror Management Theory • Coral Douglas • 2021

 

3

 







strike approximate keys, maintain precise rhythm







            



  





  

                 

 

3

3

  

3

arco





div.    

 

 



  



3

 

       

 











 

gliss.

 

 





 

 

gliss.



 

35



34

 







Timp.

D. Set





Tbn.

Tba.





 

B♭ Tpt.

 

33

Ob.

32

= 120

  



   

 


36

Fl.

 

F Hn.

    

B♭ Tpt.

Tba.

D. Set

Rat.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

   

 

   

 

div.

  

div.

     

  

  

   

  

  

 

  

  

  

 

div.

 

 

               

               

    

    

39

div.

 

div.



38

 

 

Tbn.

 

B♭ Cl.

Bsn.

Ob.

37

  

 

     

  

 

  

   

  

3



  

 

gradually accel trem---------------------------------->

                                

   

Terror Management Theory • Coral Douglas • 2021

    9


Fl.

 

F Hn.

 

Rat.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

10

Timp.

   

 

 

   

 

 

  

  

Tbn.

D. Set

 

B♭ Tpt.

Tba.

B♭ Cl.

Bsn.

Ob.

  

41

40

   

  

42

  

         

  

 

3

   

 

 

 

44

43

3

3

 

Flz.

   

 

 

  

        

    



                                                  

   

   

   

  

string buzz gliss



sul pont con sord

sul pont con sord

Terror Management Theory • Coral Douglas • 2021

gliss.

   

 


  45

Fl.

 

F Hn.

 

Glock.

Pno.

Hrp.

Vln. I

Vln. II

Vc.

Cb.

 

 

 



 

 

 



 

  

sul pont con sord

sul pont con sord

 





 



sul pont con sord

 

3

 



    

gliss.

 gliss.

3

3

To Glockenspiel

 

with wire brush

Vla.

49

Tbn.

D. Set

48

B♭ Tpt.

Tba.

47

B♭ Cl.

Bsn.

Ob.

46

 

3

 

 

  

change to sticks

 

               

  

 



gliss.

remove mute

Terror Management Theory • Coral Douglas • 2021

 11


  50

Fl.

F Hn.

 

Tbn.

Timp.

D. Set

Glock.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

12

 

  

 

 

  

 

 





sub.

 

remove mute

sub.

 

 

3

 

 

div.

 

 

  

       

div.

3

  

 

  

        

 

3

 

  

            

senza sordino

sub.

 

3

                                    

remove mute

3



  

div.

 

sub.

div.

        

To Thundersheet

  

  

div.

        

 with sticks



sub.

  

 



div.

  

div.

div.

54

53

 

52

 

B♭ Tpt.

Tba.

B♭ Cl.

Bsn.

Ob.

51

remove mute

remove mute

    

senza sordino

sub.

          

Terror Management Theory • Coral Douglas • 2021

           

       





senza sordino



 


55

Fl.

  

Ob.

B♭ Cl.

Bsn.



 

  

 

          

Tbn.

Tba.

Thu.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

  

 

   

 

 

3

3

         

   

       

  3

     3

  

  

         

senza sordino

           

          

            3 3

 

 3

3

 

3

3

                           3

3



  



  



3

 

  

     

  

 

    3

 

3

  

      

  

                                 

   

 

        3

3

3

a2

3

  

 

3

               

3

    

To Ratchet

3

        

3

      

a2



         

3

        

3

   

         

   

       

senza sordino

                               



    

  

  

3

 

a2

  

 

a2

 

   

3

3

    

59

      

 

 

  

  

  

  

  

 

58

  

    

Timp.

D. Set

  

 

  

     

B♭ Tpt.

  

F Hn.

 

  

57

  

  

56

                    

Terror Management Theory • Coral Douglas • 2021

3

3



 

3

 

 

      

3

                      

 

3

    3

13


  60

Fl.

 

Ob.

  

B♭ Cl.

Bsn.

F Hn.

D. Set

Rat.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

14

   

      

Timp.

   

 





3

 

 



3

 

 

 

 

  

  

    

3

  

3

             

3

3

3

3

                                     

 



          3

3

                        



          3

3

                        



Terror Management Theory • Coral Douglas • 2021

 

  

             

3

   

  

   

               

  





    

       

               

 

 

       

                

       





    

 

  

  

  

 



 

 

                            

 



           

 

3



          



63

     

 

3

  

62

  

     

Tbn.

   

  

       

61

   

B♭ Tpt.

Tba.

 



3

  

             





          3

3

         

              



     


Fl.

 

B♭ Cl.

F Hn.

  

   

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

 

 

 

To Glockenspiel

Glock.

barely audible

Timp.

1. 

  

  

66

 

Tbn.

Tba.

  

B♭ Tpt.

65

 

Ob.

Bsn.

 = 72

   64

 

gliss.

 

 

 

        

  

 

 

 

  Terror Management Theory • Coral Douglas • 2021

  15


67

Fl.

 

 

B♭ Cl.

F Hn.

   

Tbn.

Glock.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

16

  

Timp.

 

 

 

   

 

  

3





1.

  

 

    3

 

 

  

gliss.

     3

  3

 

    

3

 

3

 

 

 

 

 

 

  Terror Management Theory • Coral Douglas • 2021

 

3

71

70

 

69

 

    1.

B♭ Tpt.

Tba.

Ob.

Bsn.

68

 

 


  72

Fl.

Ob.

B♭ Cl.

Bsn.

 

 

 divisi  

   

B♭ Tpt.

Tbn.

Tba.

  

Timp.

D. Set

   



 

 

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

   

 



 

divisi

 

 

  

 

 



       

  

divisi

3  

 

cheat breath

1. 

 

cheat breath

cheat breath



tutti

gradual accel.

  

 

 



cheat breath

76

tutti

 

75

To Ratchet

Rat.

74

F Hn.

73

 

Terror Management Theory • Coral Douglas • 2021





17


  77

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

   

Tbn.

D. Set

Rat.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

18

     

  



Flz.

 

  



 

    

 

 

 

 

 

Terror Management Theory • Coral Douglas • 2021

 









 





To Crotales (with bow)





 



 



   



 





         



divisi





 

80

79

B♭ Tpt.

Tba.

78

     

 string buzz

 

    



                


   81

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

Tba.

Pno.

 

     

Hrp.

Vln. I

     

divisi (a2)

   

divisi (a3)

    

divisi (a3)

Vln. II

   

divisi (a2)

  

divisi (a3)

Vla.

     

Vc.

Cb.

divisi (a2)

divisi (a2)

divisi (a2)

 

 

 





 



tutti 

     







  

 



 

 

  

divisi (a2)

divisi (a2)





Terror Management Theory • Coral Douglas • 2021

arco 

         

  



 

 

 



 

 

 

pizz.

    

  



 

 

               divisi (a3)

divisi (a2)

   

                divisi (a3)   divisi (a3)

 

 

 

  

  

 

 

 

 

 

 

 

B♭ Tpt.

Tbn.

rall. - - - - - - - - - - 82- - - - - - - - - - - - - - - -83 - - - - - - - - - - -

  

19


  84

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

Tba.

Pno.

Hrp.

   

   

  

Vln. I

 

 

 

  Vln. II

Cb.

20

 

 

   

  









 

  

 





 

     Vc.



    

  





sul pont





sul pont



Terror Management Theory • Coral Douglas • 2021









    

    





 

 

  

 

    





      





gliss.

gliss.



 Vla.

 

87

86

 

85

B♭ Tpt.

Tbn.

 = 120


 

88

Fl.

B♭ Cl.

Bsn.

F Hn.

 

Tbn.

Pno.

Hrp.

 

 

 

   

Vln. I





   

Vla.

Vc.

Cb.

gliss.

 





gliss.





gliss.

 

 

 

  Vln. II





  



   



gliss.



 









 

 

 

Terror Management Theory • Coral Douglas • 2021

         

  

 















 

 

92

 

91

 

90

 

B♭ Tpt.

Tba.

Ob.

89



 



         

 

            21


accel. - - - - (to 120 by m. 102)

  unpitched air (cheat breath)    93

Fl.

    

B♭ Cl.

Bsn.

 unpitched air (cheat breath)

  unpitched air (cheat breath)  

unpitched air (cheat breath)

 

B♭ Tpt.

 

Tbn.

Tba.

    

Timp.

    

D. Set

Crot.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

22

   

 

    

     

   



       

5

 

 

 

  

 

3





 

   

Terror Management Theory • Coral Douglas • 2021

 

 





 

lightly pitched (airy)

bow

 

bow crash cymbol

lightly pitched (airy)

 

lightly pitched (airy)

97

lightly pitched (airy)

96

air (cheat breath)    unpitched  

  

F Hn.

95

unpitched air (cheat breath)

Ob.

94

      

To Bass Drum

       


---------------------------------------------

  

 

98

Fl.

 

Ob.

Bsn.

F Hn.

  

Pno.

Hrp.

 

   

 

Vla.

Vc.

Cb.

  3

 

   3

 

 

  3

  

 

 

 

  

 

3

  

   

3



3

 



3

3  

                                               

  

 



gliss.

 



tutti 



gliss.

 

a2 

100

nearly inaudible

3

 

3

 







 



   

 Vln. II

 

div.

   

3



 

a2

div.

3

3

  

Vln. I



Tbn.

D. Set

  

 

div.

          

B♭ Tpt.

Tba.



  

B♭ Cl.

  





 

99 div.

Terror Management Theory • Coral Douglas • 2021

 

 23


Fl.

 = 120 - - - - - - - - - - - - - - - - - - - - - - 102

  

 



101

Ob.

B♭ Cl.

a2 

  

a2

Bsn.

F Hn.

            

B♭ Tpt.

  

Timp.

D. Set

Pno.

Hrp.



 



Vla.

Vc.

Cb.

24



 

3

 

3

3

  

 

 



  

 3

  

 

 





       

 



3

 



3

 



3

 



3

                       

                       



 

  

 

  Vln. II

3

  

Vln. I

        

Tbn.

Tba.

 

 

Terror Management Theory • Coral Douglas • 2021


   103

Fl.

Ob.

F Hn.

  

  

    

   

 

B♭ Tpt.

D. Set

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

   

 

 

  

3

   

3

   

 

 

 

  

 

3

 

3

   

  

3

3

 

 

3

 

3

 

3



        

3





        





104

3



  3

  

Timp.

Pno.

3

 

Tbn.

Tba.

 

3

 

B♭ Cl.

Bsn.

 

 

3

3

  

 



  

  

div. (a2)

 

div. (a2)

 

 



3

div. (a2) 

    

3

div. (a2)

   

3

tutti 

tutti

3

         

 

  

Flz.

3



               

 

3



 

  

 

 



                     

Flz.

 

 

           

 

 

Flz.

                          

 



3



Terror Management Theory • Coral Douglas • 2021

  

 25


 

105

Fl.

B♭ Cl.

Bsn.

F Hn.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

     

      

   

 

  

  



  

   

 

 

Flz.

 

3

3

 

  

        

3



        





3

3

 3



  

3

 

3

3

 

   

3



3

 





 

 

         

           

 

Flz.

 

Flz.



 

3

    

 

Flz.



106

Flz.

       

Flz.

3

            



3

                                               

 

  

26

  

Timp.

Con. BD

 



 

Tbn.

D. Set



  

B♭ Tpt.

Tba.

Ob.

 

Terror Management Theory • Coral Douglas • 2021

 


 

107

Fl.

Ob.

F Hn.

    

  

Tbn.

Con. BD

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

   

Timp.

D. Set

 

  

B♭ Tpt.

Tba.

 

B♭ Cl.

Bsn.

   

 

  



3

3

3

3



3

  

 

3

 

 108   

 

 

   

   

Flz.

 

Flz.

Flz.   

  

  

   

 

  

 

3

3

   

 

  

 

 

 

Flz.

 

3

3

 

   

3



3

 





 

 

Flz.



     

     3

 

       

  

  

3

  

  

 

 

div.



div.

3

 

3

div.



 

 

 

div. div. 



3

div.

    



  

      

3

   

        

  

3

       

   

3

3

3

 

 

3

3

   

  

3

  

 





  

     

 

    

3

3



3

3

   

3

   

3

3

3

3

 

3

3



                

   

  

                  

                               

                           

            

  

      

  

3

3

 

approximate shape, prioritize rhythm

 

3

approximate shape, prioritize rhythm

 

3

approximate shape, prioritize rhythm

3

3

approximate shape, prioritize rhythm



 approximate shape, prioritize rhythm     3

3

approximate shape, prioritize rhythm



Terror Management Theory • Coral Douglas • 2021

3

3

  3

approximate shape, prioritize rhythm



3

   

3

3

3

3

      

27


 

109

Fl.

     

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

   

   

 

  

 

 

   

sub.

sub.

 

gliss.

 pizz.  



  



   

3

(approx. pitch)

 

   

  

pizz.



 

 

  pizz.  

Terror Management Theory • Coral Douglas • 2021

 







                  

pizz.





   tutti



 tutti







  

 

pizz.



a2



  



 

 





 

                         

 

sub.





111





 

110

                     

sub.

28

 

   

Timp.

Pno.

   

  

Tbn.

Con. BD

   

B♭ Tpt.

Tba.

 

B♭ Cl.

F Hn.

 



Ob.

Bsn.

 



 

 

pizz.

 



 

   


  

 

112

Fl.

B♭ Cl.

Bsn.

F Hn.

  

   

Tbn.

    

Timp.

Con. BD

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

 

 

  

barely audible

  

 

 

 



 

 











               





115

 

 



 

 

 





               

  

   

  



 

114

  

B♭ Tpt.

Tba.

 

Ob.

rall. - - - - - - - - - - - - - (to 80 by m. 118)

113



To Crotales (with bow)

                  



 

 

Terror Management Theory • Coral Douglas • 2021

                     

  29


- - - - - - - - - - - - - - - - -117- - - - - - - - - - - - - - - 118 = 80

 

116

Fl.

 

 

 

Ob.

B♭ Cl.

Bsn.

F Hn.

B♭ Tpt.

Tbn.

Tba.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

30

 

  

             

cheat breath



 cheat breath



 cheat breath

unpitched air-------------------------------------------------------------------------------->



cheat breath unpitched air-------------------------------------------------------------------------------->



  

       

            

 

 

 

           

       

unpitched air-------------------------------------------------------------------------------->

unpitched air-------------------------------------------------------------------------------->

  Terror Management Theory • Coral Douglas • 2021

 

       


 

119

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

   

120

































Tba.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

 

 

         

 

cheat breath a2 unpitched air



 a2 cheat breath

unpitched air

 cheat breath

unpitched air

      

 

          

arco



sul pont con sord

          

      

 



arco





 

      



 



cheat breath a2 unpitched air

()



Tbn.

 B♭ Tpt.

121

 

sul pont con sord

Terror Management Theory • Coral Douglas • 2021

arco



sul pont con sord

31


 

122

Fl.

Bsn.

F Hn.

Pno.

Hrp.

Vln. I

Vln. II















 





  

Tbn.

Crot.



 

B♭ Tpt.

Tba.

B♭ Cl.

 

 





 

32

           

()

  

       

  









sul pont con sord

   

   

gliss.

 

        

arco



           



bow





       





Cb.







sul pont con sord

Vc.



arco

Vla.

124



Ob.

123

  





Terror Management Theory • Coral Douglas • 2021



gliss.







  

  gliss.


 

125

Fl.

Ob.

B♭ Cl.

Bsn.

F Hn.

    

Tbn.

  

Timp.

Crot.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.













 

B♭ Tpt.

Tba.

126

 



 



  

  















128

















 















 



 

 



 

 



gliss.

 Terror Management Theory • Coral Douglas • 2021

   

 

1.

gliss .



  



()

 

127

 



   33


 

129

Fl.

F Hn.

 

Tbn.

Timp.

Pno.

Hrp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

34

 

 

  

()



 

 

 

  

 

   

 

 

132

blow unpitched air

blow unpitched air



 

 like a heavy sigh

blow unpitched air

 

 like a heavy sigh

blow unpitched air

 like a heavy sigh

 

blow unpitched air

 

 like a heavy sigh

blow unpitched air

 

 like a heavy sigh

blow unpitched air

 like a heavy sigh

like a heavy sigh











  

mute string with palm & then bow

  

mute string with palm & then bow

  

mute string with palm & then bow

  

mute string with palm & then bow

  

mute string with palm & then bow

Terror Management Theory • Coral Douglas • 2021

   

 like a heavy sigh

 blow unpitched air 



 





131

 

B♭ Tpt.

Tba.

B♭ Cl.

Bsn.

Ob.

130

           

         


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