JULY 2018 – JULY 2020
It gives me a great sense of pride to be introducing the Copyright Agency’s second Reconciliation Action Plan.
The Copyright Agency’s vision for reconciliation is to connect and engage with Aboriginal and Torres Strait Islander creators, organisations and communities to develop strong, mutually-beneficial relationships that will increase cultural education, knowledge of rights and respect for creators. We do this, particularly, through the licensing of words, artworks and images, and the payment of the resale royalty right to artists. First Nations artists, authors and publishers are our members and we support them by ensuring they receive fair payment when their works are reproduced within education, in government and commercial settings and when their artworks are licensed or resold, through the resale royalty right. Over 64% of the artists receiving resale royalties are Aboriginal and/ or Torres Strait Islander artists – the majority in remote and regional areas – and they have received 38% of the more than $5m of royalties generated by the scheme so far. We have also provided a platform for Aboriginal and Torres Strait Islander authors and illustrators to reach at least 3.8 million school students through our Reading Australia initiative. Fifty-six books by Aboriginal and Torres Strait Islander writers or illustrators are promoted on the site, 26 of which are linked to specially-written free resources for teachers. And, by the end of 2018, there will be another 14 resources added to the site, a 50% increase.
Our Cultural Fund, too, provides significant support to Aboriginal and Torres Strait Islander artists and organisations. In 2016–17, $128,000 went to organisations and individuals including Queensland Theatre Company’s New Work Residency program which saw Cairns actor Jimi Bani (Mabo, The Straits, Redfern Now) develop the play, My Name is Jimi, and author Sally Morgan begin work on a collection of stories in verse examining the effects of colonisation on Aboriginal peoples. Our first two year RAP, from 2015-17, was developed across the business and implemented in the spirit in which it was developed – with diligence, commitment and respect. We have reported on its outcomes to Reconciliation Australia. This new plan outlines the specific commitments we are making as an organisation, as well as the measurements for implementation and the successful operation of the initiative. The vitality of Aboriginal and Torres Strait Islander cultures is necessary for a modern, successful Australia and we support the development of projects which benefit Aboriginal and Torres Strait Islander communities and provide opportunities that promote the creators, their works and achievements. Our RAP will assist us in keeping our focus constant, and growing and building on vital relationships with community partners and leaders. Adam Suckling CEO, Copyright Agency
Our business The Copyright Agency is a not-for-profit rights management organisation that enables the use of text and images in return for fair payment to writers, visual artists and publishers. We connect users and creators of content, providing licences for the use of copyright material such as text, images, art and survey plans, and we manage the education and government licences, as well as the resale royalty scheme for artists (by Government appointment). Our members commit 1.5% of revenue every year to our Cultural Fund, a philanthropic initiative which provides vital grants to enhance the profile of Australian creators and supports our dynamic writing, publishing and visual arts sectors. We represent more than 5000 Aboriginal and Torres Strait Islander visual artists and work with more than 40 Aboriginal and Torres Strait art Islander centres. Our mission is to provide simple ways for people to reproduce, store and share words, images and other creative content, in return for fair payment to creators. After a successful five-year Services Agreement, the Copyright Agency and Viscopy formally merged on 30 November 2017. This change was overwhelmingly supported by the membership of both organisations who voted for the change, and will mean more revenue to Aboriginal and Torres Strait Islander visual artists through reduced administrative fees. The Copyright Agency provides a national Aboriginal and Torres Strait Islander education program for Aboriginal and Torres Strait Islander artists and writers, which provides practical skills for the protection, documentation and remuneration of their creative works. The agency provides information on copyright, moral rights, licensing, the Resale Royalty Right and opportunities available through the Cultural Fund. We have travelled to many regional, remote and urban communities across the country, delivering our program to inform and benefit Aboriginal and Torres Strait Islander artists and writers.
Our vision Our administration of the Resale Royalty scheme for visual artists delivers real benefits to Aboriginal and Torres Strait Islander artists, especially in remote and regional Australia and our Reading Australia initiative provides students and teachers with access to a wide number of text by Aboriginal and Torres Strait Islander writers and illustrators. The Copyright Agency’s Cultural Fund supports projects that benefit Aboriginal and Torres Strait Islander artists, writers and publishers. The Cultural Fund was set up in 1995 by the Copyright Agency’s Board to enhance creative projects in the creative community. The Constitution allows for 1.5% of Copyright Agency ‘s revenue to be allocated to the Cultural Fund. In 2017, nine projects were supported by the Cultural Fund that promoted engagement with Aboriginal and Torres Strait Islander cultures, including a three-year commitment to the National Indigenous Story Awards and to the Art Gallery of New South Wales’ outreach education program ‘HOME: Aboriginal art in NSW’.” For more information on our Cultural Fund, please visit: copyright.com.au/culturalfund/ The John Fries Award is our annual $10,000 emerging visual artist prize and many Aboriginal and Torres Strait Islander artists have been finalists such as Vincent Namatjira, Kittey Malarvie, Maureen Baker, Jason Wing and Ben Ward. These artists have had notable success in their careers after exhibiting in the John Fries Award. The Copyright Agency employs approximately 100 staff; and has one Torres Strait Islander staff member and one Aboriginal Board Director. Our organisation is national, reaching out to members across all regions and internationally from our Sydney based office.
Our vision for reconciliation is for all Australians to connect and engage with Aboriginal and Torres Strait Islander peoples, creators, organisations and communities to develop strong, mutually beneficial relationships that will increase cultural education, appreciation, respect and enhance opportunities for all. We do this, particularly, through the licensing of words, artworks and images, and the payment of the resale royalty right to artists. We also support the creative endeavours of our members who share this vision.
Our RAP
Our reconciliation journey to date
This Reconciliation Action Plan (RAP) was developed with the support of the Copyright Agency’s Board and management team. We also acknowledge the support of Reconciliation Australia.
To ensure we are respecting Aboriginal and Torres Strait Islander peoples and cultures, the Copyright Agency uses and promotes an Aboriginal arts protocols document developed by the Aboriginal and Torres Strait Islander Arts Board at the Australia Council for the Arts. As a part of this protocols document, the Copyright Agency’s CEO has committed to opening all significant events with an Acknowledgment of Country.
Creating an integrated RAP for our organisation gives us the opportunity to make our engagement more effective with the many Aboriginal and Torres Strait Islander creators in the arts and literature community. A working group of committed staff members and managers drawn from across the company developed and helps implement the plan. The members of our working group are: 1. Corporate Affairs team members, Jenny Ryan (Marketing Co-ordinator) 2. Cultural Fund assistant, Catherine Ferrari 3. Human Resources Adviser, Stacy Wright 4. Membership and Stakeholder Engagement Manager and RAP Officer, Rosanna Arciuli 5. Senior Manager in Education Licensing, Liesl Fitzpatrick 6. Training and Protocol Officer, Kelly O’Keeffe 7. Visual Arts Administration Assistant and ArtsReady trainee, Ashleigh Brown (Aboriginal and Torres Strait Islander representative) The working group is also supported by the CEO and senior managers as well as the Board members. Our Reconciliation Action Plan champion, who is responsible for driving internal awareness and engagement, is Rosanna Arciuli, Member Communications and Stakeholder Relations.
We have an Acknowledgement to Country displayed prominently in the reception area of our office to remind our guests and employees of the importance of using and understanding Aboriginal and Torres Strait Islander protocols and to pay their respects and acknowledge Traditional Owners past, present and future. As Copyright Agency works with so many Aboriginal and Torres Strait Islander artists and writers, we believe that having a Reconciliation Action Plan is crucial for providing culturally appropriate services to our members and promoting their works to the wider community. We have experienced a very positive response to internal events and communications connected to our Reconciliation Action Plan. In 2017, the three solus newsletters sent to staff saw a sixty-five percent engagement rate, while our morning tea fundraiser for Indigenous Literacy Day was attended by thirty percent of staff raising over $250 for the Indigenous Literacy Foundation. Based on a recommendation from our Reconciliation Action Plan committee, the Indigenous Literacy Foundation has become one of three nominated charities for our Workplace Giving scheme.
I just wanted to say that I thought this [newsletter for NAIDOC Week] was really well thought out and put together, thank you.” HR Consultant for the Copyright Agency. We organised 2 staff events for the 2018 National Reconiliation Week. In May, Copyright Agency member Larissa Behrendt, Chair of Indigenous Research at UTS, spoke to staff at a morning tea event about her new documentary film After the Apology. We then held a free exclusive screening of the documentary for staff. Staff also organized an educational quiz celebrating the history of reconciliation in Australia. Copyright Agency’s Cultural Fund provided WA Indigenous publisher Magabala Books with a grant of $33,550 in 2018 to deliver specially created teaching resources for 15 Indigenous stories, via the agency’s Reading Australia website, in partnership with the Australian Literacy Educators Association. The Copyright Agency believes Aboriginal and Torres Strait Islander Histories and Cultures is a cross-curriculum priority in Australian schools.
National education program The Copyright Agency provides a national education program for Aboriginal and Torres Strait Islander artists and writers, which provides practical skills for the protection, documentation and remuneration of their creative works. We have travelled to many regional, remote and urban communities across the country providing information on copyright, moral rights, licensing, the Resale Royalty Right and opportunities available through the Cultural Fund.
Communities we’ve visited as part of our national education program for Aboriginal and Torres Strait Islander artists and writers
Relationships It is important for our company to build strong relationships between Aboriginal and Torres Strait Islander peoples and other Australians, as many of the schemes we administer support the cultural and economic life of Aboriginal and Torres Strait Islander peoples. Strong relationships also help to create a better understanding between the different cultures in Australia and to empower Aboriginal and Torres Strait Islander peoples.
Focus area To ensure Copyright Agency’s RAP implementation across the company and through this encourage collaboration and understanding.
Action
Deliverable
Timeline
Responsibility
1
Ensure the RWG is comprised of:
July 2018 and July 2019
RAP Officer
RWG oversees the development, endorsement and launch of the RAP.
November 2018
RAP Officer
RWG to meet monthly to monitor and report on RAP implementation.
July 2018, July 2019, July 2020
RAP Officer
Appoint internal RAP Champion from Senior Management Team (SMT).
Review February 2019
Corporate Affairs Director, RAP Officer
Review and maintain RAP Working Group Terms of Reference for Copyright Agency.
Review February 2019
RAP Officer
Develop an Aboriginal and Torres Strait Islander art and literary events calendar and publicise these events on the Copyright Agency website and on social media platforms.
July 2019 and July 2020
Corporate Affairs Director
Allocate staff to attend events to network and build relationships with local Aboriginal and Torres Strait Islander artists and writers.
July 2019 and July 2020
Corporate Affairs Director, RAP WG
Join panel discussions at major Aboriginal and Torres Strait Islander events to increase awareness of copyright and its importance to Aboriginal and Torres Strait Islander communities.
July 2019 and July 2020
Corporate Affairs Director
2
RAP Working Group (RWG) actively monitors RAP development and implementation of actions, tracking progress and reporting.
Develop and maintain relationships with Aboriginal and Torres Strait Islander arts and literary communities via their events.
• members from across the company • Aboriginal and Torres Strait Islander representatives.
3
4
Raise internal and external awareness of Copyright Agency’s RAP to promote reconciliation across our business and sector.
Celebrate and participate in National Reconciliation Week (NRW) by providing opportunities to build and maintain relationships between Aboriginal and Torres Strait Islander peoples and other Australians.
Provide a link to Reconciliation Australia RAP Online Hub and provide our RAP to all new employees as a part of our induction process.
November 2018
Human Resources Adviser
Feature the Copyright Agency RAP on our intranet so existing staff can access and learn about our commitment to reconciliation.
November 2018
Corporate Affairs Director
Publish the RAP on the Copyright Agency website in a newly created RAP section.
November 2018
Corporate Affairs Director
Develop and implement a strategy to communicate our RAP to all internal and external stakeholders.
November 2018
Corporate Affairs Director
Promote reconciliation through ongoing active engagement with all stakeholders.
December 2018
Corporate Affairs Director
Promote external NRW events to staff.
May 2019 and 2020
Corporate Affairs Director, RAP Officer
Ensure our RWG participates in an external event to recognise and celebrate NRW.
May 2019 and 2020
RAP Officer
Support an external NRW event.
May 2019 and 2020
RAP Officer
Celebrate NRW with engaging events that involve Copyright Agency Aboriginal and Torres Strait Islander members and prominent cultural leaders.
May 2019 and 2020
Corporate Affairs Director, RAP Officer
Register all Copyright Agency NRW events on Reconciliation Australia’s NRW website to show support and participation.
May 2019 and 2020
RAP Officer
Circulate Reconciliation Australia’s NRW resources to assist with raising awareness of this national event.
May 2019 and 2020
Corporate Affairs Director
Send an internal email to all staff encouraging participation in at least one external NRW event.
May 2019 and 2020
Corporate Affairs Director
Develop and implement an engagement plan to work with our Aboriginal and Torres Strait Islander stakeholders.
December 2018
RAP Officer
Meet with local Aboriginal and Torres Strait Islander organisations to develop guiding principles for future engagement.
December 2018
RAP Officer
A minimum of one internal event to be held each year.
5
Develop and maintain mutually beneficial relationships with Aboriginal and Torres Strait Islander peoples, communities and organisations to support positive outcomes.
Respect Respecting Aboriginal and Torres Strait Islander peoples, histories, cultures, creators and communities is a vitally important part of our reconciliation journey. Respect relates to our core business through protection and promotion of copyright, licensing and the resale royalty scheme as well as sharing experiences and ideas with Aboriginal and Torres Strait Islander creators and their communities.
Focus area Acknowledging that our membership comes from across almost all Aboriginal and Torres Strait Islander communities in Australia, increase our knowledge of their histories, cultures and protocols and ensure delivery of culturally appropriate services to Aboriginal and Torres Strait Islander creators.
Action
Deliverable
Timeline
Responsibility
1
Include an Acknowledgment of Country at the beginning of every external event as a protocol for our organisation, and remind staff to include an Acknowledgement of Country at all internal meetings/events.
July 2019 and July 2020
Corporate Affairs Director
Publish an Acknowledgement of Country on the landing page of the Intranet.
March 2019
Corporate Affairs Director
Encourage staff to include an Acknowledgement of Country at the commencement of all meetings.
Mar 2019
RAP Officer
Include an Acknowledgement of Country in Copyright Agency employee signature blocks twice per year in connection to National Reconciliation Week and NAIDOC Week.
July 2019 and 2020, May 2019 and 2020
Corporate Affairs Director
Organise for a Welcome to Country to be provided by a Traditional Owner at all significant Copyright Agency events such as the John Fries Award.
July 2019 and July 2020
Corporate Affairs Director
Develop, implement and communicate a cultural protocol document for Welcome to Country and Acknowledgement of Country.
December 2018
Corporate Affairs Director, Indigenous Engagement Officer
Develop a list of key contacts for organizing a Welcome to Country and maintaining respectful partnerships.
December 2018
Indigenous Engagement Consultant
Engage employees in understanding the significance of Aboriginal and Torres Strait Islander protocols, such as Acknowledgement of Country and Welcome to Country, to ensure there is a shared meaning.
2
3
4
Engage employees in continuous cultural learning opportunities to increase understanding and appreciation of the diversity of Aboriginal and Torres Strait Islander cultures, histories and achievements.
Celebrate and participate in NAIDOC Week.
Recognise and celebrate Aboriginal and Torres Strait Islander dates of significance.
Develop and implement an Aboriginal and Torres Strait Islander cultural awareness training strategy which defines cultural learning needs of employees in all areas of our business and considers various ways cultural learning can be provided (online, face to face or cultural immersion) with assistance from an Aboriginal and/or Torres Strait Islander consultant.
July 2020
Corporate Affairs Director, Indigenous Engagement Consultant, Human Resources Adviser
Encourage new and existing employees to complete Reconciliation Australia’s “Share Our Pride” cultural learning module via at least two of the internal RAP newsletters.
July 2019 and July 2020
Human Resources Adviser
Provide an opportunity for all employees to participate in a face-to-face cultural training session with an Aboriginal and/or Torres Strait Islander member once per year.
July 2019 and July 2020
Human Resources Adviser
Provide opportunities for RWG members, RAP Champions, HR Managers and other key leadership staff to participate in cultural training.
July 2019 and July 2020
CEO
Investigate opportunities to work with local Traditional Owners and/or Aboriginal and Torres Strait Islander consultants to develop cultural awareness training.
Jun 2019
Human Resources Adviser
Raise awareness of, and provide opportunities for all staff, particularly Aboriginal and Torres Strait Islander employees, to participate in local NAIDOC Week events wherever possible.
July 2019, 2020
Corporate Affairs Director, RAP Officer
Provide opportunities for all Aboriginal and Torres Strait Islander staff to participate with their cultures and communities during NAIDOC Week.
July 2019, July 2020
Human Resources Adviser
In consultation with Aboriginal and Torres Strait Islander peoples, Organise a NAIDOC Week event involving our members and stakeholders, promoting Aboriginal and Torres Strait Islander arts to the wider community.
July 2019, 2020
Corporate Affairs Director, RAP Officer
Promote awareness of NAIDOC Week to members in member news and our website.
July 2019, 2020
Corporate Affairs Director, RAP Officer
Review HR policies and procedures to ensure there are no barriers to staff participating in NAIDOC Week.
May 2019, May 2020
Human Resources Adviser
Develop and distribute a calendar of significant Aboriginal and Torres Strait Islander events and dates July, September 2018 (such as sorry day, the apology etc.) on the intranet. May, July, September 2019 May, July 2020
Corporate Affairs Director, RAP Officer, Indigenous Engagement Consultant
Promote local community events that recognise these dates to staff.
Corporate Affairs Director, RAP Officer, Indigenous Engagement Consultant
May, July, September 2019 May, July 2020
5
Ensure Copyright Agency employees are culturally appropriate when providing services to Aboriginal and Torres Strait Islander members.
Provide internal training around culturally appropriate delivery service to our Aboriginal and Torres Strait Islander members and stakeholders.
July 2019
Indigenous Engagement Consultant, Visual Arts Manager
Engage with an external Aboriginal and/or Torres Strait Islander consultant to assist with delivering internal training to employees where required.
July 2020
Visual Arts Manager, Indigenous Engagement Consultant
Create and promote a service delivery guideline document for employees to utilize when assisting Aboriginal and Torres Strait Islander members.
Dec 2018
Visual Arts Manager, Corporate Affairs Director, Member Service Manager, Indigenous Engagement Consultant
Opportunities As a company, we aim to provide better economic and knowledge empowerment through our licensing services and royalty distribution for Aboriginal and Torres Strait Islander artists, writers and publishers; and provide for better engagement in the wider community. This also includes the promotion of opportunities through employment, supply chain/suppliers and events. These opportunities promote the fundamental principle that all Australians should live in healthy and safe conditions.
Focus area Increasing awareness of the opportunities for Aboriginal and Torres Strait Islander creators through the copyright and licensing of their work, including the services we have available to assist them, and growing Aboriginal and Torres Strait Islander employment opportunities.
Action
Deliverable
Timeline
Responsibility
1
Deliver Indigenous Education Program: Providing information on copyright, licensing, resale royalty and moral rights through workshops, presentations and networking at industry events.
July 2019 and July 2020
Visual Arts Manager, Indigenous Engagement Consultant
Promote upcoming workshops/presentations in Aboriginal and Torres Strait Islander media platforms such as Koori Mail or through local networks such as Aboriginal art centres, peak bodies for Aboriginal art centres and industry stakeholders.
July 2019 and July 2020
Visual Arts Manager, Corporate Affairs Director, Indigenous Engagement Consultant
Publicise Aboriginal and Torres Strait Islander creative projects on Copyright Agency website and social media sites.
July 2019 and July 2020
Cultural Fund Manager, Corporate Affairs Director
Raise awareness of select upcoming third-party Aboriginal and Torres Strait Islander events by sending out media releases to key stakeholders and members.
May, July, September 2019 May, July 2020
Corporate Affairs Director, Indigenous Engagement Consultant
Deliver a bi-annual presentation by an Aboriginal and Torres Strait Islander arts organisation, artist and/or writer, to discuss their work to internal and/or external audiences. Where appropriate include in the presentation, what reconciliation means to them.
July 2019, 2020, May 2019, 2020
Corporate Affairs Director, Indigenous Engagement Consultant
2
Provide information to Aboriginal and Torres Strait Islander creators about the protections, documentation and remuneration of their creative works.
Promote Aboriginal and Torres Strait Islander creative projects, including those that are supported by the Cultural Fund.
3
4
5
Investigate opportunities within Copyright Agency to improve and increase Aboriginal and Torres Strait Islander employment and retention outcomes.
Increase the number of Aboriginal and Torres Strait Islander creator and publisher members and their involvement within the organisation.
Investigate opportunities to incorporate Aboriginal and Torres Strait Islander supplier diversity within our organisation.
Maintain one permanent position for an Aboriginal and Torres Strait Islander employee. This may include an ArtsReady trainee.
July 2019 and July 2020
Human Resources Adviser
• Commit to encouraging applications from Aboriginal and Torres Strait Islander peoples and to include July 2019 and July 2020 specific or specialist Aboriginal and/or Torres Strait Islander recruitment resources in our practices
Human Resources Adviser
• Consult with Aboriginal and Torres Strait Islander staff to inform future employment opportunities
July 2019 and July 2020
Human Resources Adviser
• Engage with Aboriginal and Torres Strait Islander staff on employment strategies including professional development
July 2019 and July 2020
Human Resources Adviser
• Review HR and recruitment procedures and policies to identify any barriers to Aboriginal and Torres Strait Islander employees and future applicants participating in our workforce
July 2019 and July 2020
Human Resources Adviser
• Investigate developing an Aboriginal and Torres Strait Islander Employment and Retention strategy
July 2019
Human Resources Adviser
• Develop and implement an Aboriginal and Torres Strait Islander Employment and Retention Strategy July 2020
Human Resources Adviser
We will:
• Advertise relevant vacancies in Aboriginal and Torres Strait Islander media.
July 2019 and July 2020
Human Resources Adviser
Promote the benefits of joining a rights management organization to Aboriginal and Torres Strait Islander artists and creators.
July 2019 and July 2020
Visual Arts Manager, Member Services Manager
Provide information to help Aboriginal and Torres Strait Islander creators understand their rights through meetings, workshops, presentations and networking at industry events.
July 2019 and July 2020
Visual Arts Manager, Member Services Manager
• Review and update procurement policies and procedures to ensure there are no barriers for procuring goods and services from Aboriginal and Torres Strait Islander businesses
Feb 2019
RAP Officer
• Develop and communicate to staff a list of Aboriginal and Torres Strait Islander businesses that can be used to procure goods and services
Jan 2019
RAP Officer, Indigenous Engagement Consultant
• Develop at least one commercial relationship with an Aboriginal and/or Torres Strait Islander owned business
Nov 2018
RAP Officer
• Investigate Supply Nation membership
Dec 2018
RAP Officer
Governance tracking progress and reporting Action
Deliverable
Timeline
Responsibility
1
Provide RAP Updates to the organisation via internal meetings and intranet updates
June 2019, 2020, December 2018, 2019
RAP Officer, Corporate Affairs Director
Provide RAP update including delivery of outcomes at quarterly staff meeting.
April, June, September, December 2019–20
RAP Officer
Publically report our RAP achievements, challenges and learnings (through our annual report, Creative Licence Newsletter and website)
Nov 2018, 2019, 2020
Corporate Affairs Director
Provide RAP updates including delivery of outcomes at Senior Management Meetings
April, June, September, December 2019–2020
Corporate Affairs Director
Provide RAP Updates members via Creative Licence and to our Board members
June 2019, 2020, December 2018, 2019
Corporate Affairs Director
Report on Copyright Agency RAP Progress in the RAP Impact Measurement Questionnaire and submit to Reconciliation Australia annually.
September 2018, 2019, 2020
RAP Officer
Investigate participating in the RAP Barometer.
May 2020
Corporate Affairs Director
Liaise with Reconciliation Australia to develop a new RAP based on learnings, challenges and achievements experienced in the previous RAP.
January 2020
RAP Officer
Send draft RAP to Reconciliation Australia for review and feedback.
February 2020
Corporate Affairs Director
Submit draft to Reconciliation Australia for formal endorsement.
June 2020
Corporate Affairs Director
2
3
Report RAP achievements, challenges and learnings internally and externally.
Report RAP achievements, challenges and learnings to Reconciliation Australia.
Refresh and update a new RAP for Copyright Agency.
Contact details For any enquiries, please contact our RAP Officer, Rosanna Arciuli, on 1800 066 844 or communications@copyright.com.au
Cover credit Albert Namatjira, “Hermannsburg”, 1951 © Namatjira Trust/Copyright Agency, 2018. Albert Namatjira laid the groundwork for the Aboriginal Art movement, which is now the international face of Australia. Iconic founder of the Hermannsburg School of Art, Albert Namatjira and his fellow artists who commenced painting with Rex Battarbee in the mid-1930s and ‘40s celebrated tradition and country through watercolour painting.
Illustration credit Created by Dreamtime Creative.