Modern + Contemporary Fine Art Auction | 24 June 2021

LOUIS PRATT PABLO PICASSO ROBERT KLIPPE CLEMENT MEADMORE EUAN MACLEOD GODFREY MILLER TIM JOHNSON RESS FREDERICK PETER UPWARD CHARLES BLACKMAN CLIFTON PUGH RUPERT BETHERA BRETT WHITELEY KÄTHE KOLLWITZ DALE FRANK ROBERT MACPHERSON ROBERT HUNTER PATRICIA PICCININ CHERINE FAHD COOE E ART

MODERN + CONTEMPORARY FINE ART AUCTIONgalleries | 24 JUNE 2021 auctions consultancy MODERN + CONTEMPORARY FINE ART AUCTION

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MODERN + CONTEMPORARY FINE ART AUCTION Auction Live & Online Thursday 24th June 2021 | 7pm AEST start

17 Thurlow Street Redfern NSW 2016

Auction Viewing 18th - 23rd June 2021 | 10-5pm 24th June 2021 | 10-2pm

Telephone /Absentee Bids email bids to auctions@cooeeart.com.au phone: +61 (0)2 9300 9533 bidding forms pages 111-112 Live Online Bidding auction.cooeeart.com.au

auctions@cooeeart.com.au

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LITSA WILKINSON | Contemporary Art Specialist litsa@cooeeart.com.au | + 61 403 004 904 Litsa Wilkinson (née Veldekis) is the former CEO of Menzies Art Brands (2009-2011). In this role Litsa oversaw the marketing of Sidney Nolan’s FirstClass Marksman, which eventually sold to the AGNSW for $5,400,000, holding the Australian art market record price for a single artwork until November 2020. In 2013, Litsa was Head of Australian and international art at Bonhams (2013-2014), responsible for developing the company’s strategic vision for the Australian market. She secured the largest single owner collection ever sold in Australia, “The Reg Grundy Collection” ($19 million) and coordinated all aspects of this successful global event, touring the collection to each State, with selected works shown in London. During her tenure, Bonham’s secured the Collection of Dr Colin and Mrs Elizabeth Laverty. The auction, held at Sydney’s Museum of Contemporary Art, was one of the largest and most diverse ever offered for sale in this country. Litsa is an accredited fine arts valuer. She is an executive member of the Art Consulting Association of Australia and currently serves as its Media Spokesperson.

ADRIAN NEWSTEAD OAM | Founding Director - Senior Specialist adrian@cooeeart.com.au | +61 412 126 645 Adrian Newstead OAM established Cooee Art in 1981 and has organised and curated more than 400 exhibitions of Indigenous art since that time. A former President of the Indigenous Art Trade Association and Director of Aboriginal Tourism Australia he became the Head of Aboriginal Art for Lawson~Menzies in 2003, and Managing Director of Menzies Art Brands until 2008. Adrian is an Aboriginal art consultant, dealer, author and art commentator, based in Bondi, NSW. He has more than 35 years experience working with Aboriginal and Australian Contemporary art.

MIRRI LEVEN | Executive Director mirri@cooeeart.com.au | +61 416 379 691 Having gained degrees in International Development and Fine Arts, and a Masters in Art Administration from the University of NSW College of Fine Art, Mirri undertook fieldwork in the Solomon Islands and India whilst acting as the international photo editor for a London based travel magazine. She joined Cooee Art in 2007 and was appointed the Gallery Manager in 2010. In 2013, she left Australia to take up a role as director of a contemporary art gallery in London. Mirri has been a director of Cooee Art since 2015. She plans its exhibition program and project development, and is a founder of its auction arm, the Cooee Art MarketPlace.

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SAM RAMSDEN | Art Handler Sam Ramsden, in his second stint with Cooee, brings on board twelve years of ar t-world experience. The son of an ar tist and a critic, Sam has worked in galleries across Berlin and Sydney, including his first job at the legendary Galerie Eigen + Ar t in Berlin from the age of 13, The Ray Hughes Gallery in Sydney, which he managed in its final years before opening his own, The New Standard Gallery, which ran from 2016 to 2018. Sam now returns to Cooee as our Art Handler.

RENATA BRAK | Digital Curator Over the past decade, Renata has helped facilitate over 100 exhibitions nationally and internationally and has worked for a variety of commercial galleries, ar tist run initiatives, arts festivals, and major ar t institutions, most notably the Museum of Contemporary Ar t. She has a Bachelor of Fine Ar ts from the University of Tasmania, with a major in Graphic Design, and a Masters in Ar t Curatorship from the University of Sydney. Renata first joined Cooee Ar t in 2011, returning in 2018 as their Digital Curator.

EMMA LENYSZYN | Indigenous Art Auction Specialist emma@cooeeart.com.au | +61 400 822 546 Educated in Fine Ar t at RMIT, Emma joined Cooee Ar t in 2016 as Gallery Manager Paddington and is now the Auction Specialist for the bi-annual Cooee Ar t MarketPlace auctions. She has a long history of employment in the arts including working at international institutions, commercial galleries and private collections.

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COOEE ART AUCTIONS | MODERN + CONTEMPORARY SYDNEY | 24 JUNE 2021

Welcome to the Cooee Art inaugural Modern and Contemporary Fine Art Auction.

First and foremost, I would like to thank my vendors for entrusting me with the sale of their works of art. Their continued support, friendship and guidance has led me to embark on these bi-annual auctions.

We are absolutely thrilled to bring you this offering of vibrant Contemporary art. Our primary aim in doing so is to foster artwork by practicing artists and expose artworks by artists whose works have been under-represented in the secondary market. We intend to provide an innovative auction platform focusing on key examples that represent important periods of artist’s careers, specific themes, and landmark exhibitions.

Through this ambitious philosophy and curatorial approach, we hope to widen the parameters of the notion of collectability, and align our own future with that of currently practicing artists who are themselves testing creative limits challenging, refining and shifting the perception of landscape, sculpture, figurative and conceptual art.

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Our debut Modern and Contemporary Fine Art Auction on 24 June includes works by contemporary artists Reko Rennie, Patricia Piccinini, Alex Seton, Dale Frank, Mark Whalen, John Nixon, Robert Hunter, Robert Macpherson, David Larwill, Euan Macleod, Sam Leach, Alan Jones, Adam Cullen, Jon Cattapan and modern artists Brett Whiteley, Sidney Nolan, Charles Blackman, James Gleeson, Garry Shead, Robert Klippel, Clement Meadmore together with artworks from the private collection of Trevor Victor Harvey.

I am grateful to Adrian, Anne, Mirri and the Cooee Art team for being so sympathetic of my views and embracing our role in developing a secondary market for artworks by living artists.

I look forward to welcoming you to the grand new premises in Redfern and can’t wait to take you through the auction preview.

Litsa Veldekis Wilkinson

INDEX

ARTIST

LOT #

ARTIST

LOT #

Amor, Rick Betheras, Rupert Bezor, Annette Thea Blackman, Charles Bonato,Victor Booth, Peter Boyd, Arthur Bromley, David Buetti, Daniele Cattapan, Jon Chen, Zhong Cress, Frederick (Fred) Crooke, Ray Cullen, Adam Culliton, Lucy Dali, Salvador Dobell,William Dunlop, Brian Dunn, Richard Eager,Wayne Emdur, Martine Fahd, Cherine Firth-Smith, John Frank, Dale Gerrard,Tom Gleeson, James Gonschior, Kuno Harris, Brent Hunter, Robert Johnson, Matthew Johnson,Tim Jones, Alan Klippel, Robert Knight, Jasper Kollwitz, Käthe Kraenzlein, Dieter Leach, Sam

14 98 96 61, 83, 86 77 36 40 20, 95 97 17 18, 19 60 55, 84 100, 101, 102, 107 108 26, 93 42 92 50 99 39 62 68 16, 49 2 45, 88, 89 76 10 51 11, 35 30, 31 13, 25 38 69 28 75 15

MacLeod, Euan MacPherson, Robert Malherbe, Robert McKenna, Noel Meadmore, Clement Miller, Godfrey Miro, Joan Mombassa, Reg AKA (Chris O’Doherty) Morton, Callum Nixon, John Nolan, Sidney Nowotny, Peter Owen, Robert George Picasso, Pablo Piccinini, Patricia Pratt, Louis Pugh, Clifton Quilty, Ben Raftopoulos, George Raglus, Jeff Rennie, Reko Ryan, Paul Seton, Alexander (Alex) Shead, Garry Stokes,Wendy Upward, Peter Venske & Späenle (Julia Venske & Gregor Späenle) Weight, Greg Westwood, Bryan Whalen, Mark Whisson, Ken White, Anthony Whiteley, Brett Winch, John Woodward, Margaret Zangara, Piergiorgio Zofrea, Salvatore

8, 9, 70 74 103 1, 105 29 59 94 109, 110 63 32, 33 46, 56 79 72, 73 27 64, 65 23 41, 47 106 24 111 4 3, 12 5 44 71 52 80, 81 34 87, 90 21, 22 104 37, 66, 67 6, 7, 43, 48, 53, 54, 85 57, 58 91 78 82

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LOT #1 NOEL MCKENNA (1956) Farmer with Two Rabbits, 1982 50.5 x 40 cm synthetic polymer paint on canvas board signed and dated upper left: ‘NMcKenna 82’ PROVENANCE The artist, c1982 Garry Anderson Gallery, Sydney Christies, Sydney, 26 August 2001, lot 16 Private collection, Victoria EST $5,000 - 7,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #2 TOM GERRARD (1977) Heads, 2019 90 x 80 cm oil and spray paint on board signed and dated verso: Tom Gerrard/ 2019 PROVENANCE The artist’s studio, Melbourne Private collection, Melbourne EST $2,500 - $3,500 10

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LOT #3 PAUL RYAN (1964) Drinks Tray Noah 45 x 33.5 cm oil on wooden tray PROVENANCE Ecosse Gallery, New South Wales Trevor Victor Harvey Collection, Sydney EST $1,500 - $2,500 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #4 REKO RENNIE (1974) No Sleep Till Dreamtime #5, 2014 70 x 70 cm synthetic polymer paint , glitter and binder on board PROVENANCE Black Art Projects Private collection, Melbourne EXHIBITED No Sleep Till Dreamtime, 26 June - 12 July 2014, Chalk Horse Gallery, Sydney Black Art Projects Certificate attached verso EST $5,000 - 7000 12

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LOT #5 ALEXANDER (ALEX) SETON (1977) Yet another Barrier, 2018 30h x 20w x 20d cm Wombeyan, Bianca Carrara, Statuario, Katoomba, Sienna and Badiglio Marbles and gold leaf signed, dated and editioned on base: A Seton 2008 edition: 5/7 PROVENANCE The artist’s studio First Draft Auction, Sydney, 31 August 2018 Trevor Victor Harvey Collection, Sydney EST $9,000 - $16,000

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LOT #6 BRETT WHITELEY (1939 - 1992) Silver Eye, 1988 76.5 x 72.5 cm coloured screenprint signed, titled and numbered below image edition: 26/75 PROVENANCE Private collection, Sydney Fellia Melas Gallery, Sydney Private collection, Sydney LITERATURE Deutscher, C., Brett Whiteley: The Graphics 1961–1992, Deutscher Fine Art, Melbourne, 1995, p. 114, cat. 100 (illus. p. 95, another example) EST $12,000 - $16,000 14

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LOT #7 BRETT WHITELEY (1939 - 1992) Unileaver House, 1958 8 x 10 cm gouache on paper Signed, dated and inscribed verso: Brett Whiteley/Unilever House/ Sydney/ 1958 PROVENANCE The artist, acquired from the above, private collection, United Kingdom Trevor Victor Harvey Collection, Sydney EST $12,000 - $16,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #8 EUAN MACLEOD (New Zealand 1956) Blue Room with Figure, 2002 36 x 55 cm synthetic polymer paint on paper signed dated and inscribed verso: Blue Room with Figure (Wellington) 12/02 Euan MacLeod PROVENANCE Watters Gallery, Sydney Private collection, Sydney EST $1,800 - $2,500

LOT #9 EUAN MACLEOD (New Zealand 1956) Blue Figure, 2003 57 x 38.5 cm synthetic polymer paint on paper inscribed and dated verso: Blue Figure/ 02/03 /Euan MacLeod PROVENANCE Watters Gallery, Sydney (label attached verso) Private collection, Sydney EST $1,800 - $2,500

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LOT #10 BRENT HARRIS (New Zealand 1956) Blue Madonna, 2006 89 x 66 cm oil on linen signed, dated and titled verso: ‘Blue Madonna’ 06 / B Harris’ PROVENANCE Tolarno Galleries, Melbourne Private collection, Melbourne EXHIBITED Brent Harris: Deities,Tolarno Galleries, Melbourne, 9 March - 1 April 2006, no.7 EST $10,000 - $15,000

LOT #11 MATTHEW JOHNSON (1963) Liminal Mist, 2016 100 x 90 cm oil on linen signed, dated and inscribed verso: “LIMNAL [sic] MIST’ 2016/ Matthew Johnson/ oil on linen PROVENANCE The artist’s studio, Melbourne Private collection, Melbourne EST $4,000 - $6,000

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LOT #12 PAUL RYAN (1964) Fishes and Pineapple, 1989 64 x 91.5 cm oil on board signed with initials and dated lower right: PR 89 inscribed verso: Fishes and Pineapple, cat no. KA 21 / DC 434 PROVENANCE Private collection, Sydney Leonard Joel, Melbourne, 6 June 2017, lot 163 Private collection, Melbourne EST $2,000 - $3,000

LOT #13 ALAN JONES (1977) Self Portrait, 2012 116 x 98 cm synthetic polymer paint on canvas signed dated and titled verso: Alan Jones/ 2012/ ‘Self Portrait’ PROVENANCE Watters Gallery, Sydney (label verso) Private collection, Melbourne EST $2,500 - $3,500 18

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LOT #15 LOT #14 RICK AMOR (1948) Study for Western Sky, 2006 34.5 x 46.5 cm watercolour on paper signed and dated lower left: R. Amor 4/6/06

SAM LEACH (1973) G-Skull, 2006 26 x 36 cm oil and resin on board signed, dated and titled verso

PROVENANCE Niagara Galleries, Melbourne (label attached verso) Private collection, Melbourne

PROVENANCE Annette Larkin Fine Art, Sydney Nellie Castan Gallery, Melbourne Private collection, Melbourne Trevor Victor Harvey Collection, Sydney

EST $6,500 - $8,500

EST $8,000 - $12,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #16 DALE FRANK (1959) Speed Way, 2001 200 x 300 cm synthetic polymer paint on canvas signed and dated verso PROVENANCE Roslyn Oxley9 Gallery, Sydney Private collection, Sydney EXHIBITED Dale Frank, Roslyn Oxley9 Gallery, Sydney, 5 - 29 July 2001, cat.3 (label attached verso) EST $25,000 - $35,000 20

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LOT #17 JON CATTAPAN (1956) Antenna No. 2 (Scab City), 2006 199 x 168 cm oil on Belgian linen signed, dated and title verso PROVENANCE Kaliman Gallery, Sydney Private Collection, Sydney LITERATURE McAuliffe, Chris., Jon Cattapan, Possible Histories, Melbourne University Publishing, 2008. (illus., p.,156, 157) EST $26,000 - $32,000 MODERN + CONTEMPORARY FINE ART AUCTION

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THE TREVOR VICTOR HARVEY COLLECTION

THE TREVOR VICTOR HARVEY COLLECTION

Collecting for me is a wonderful passion, an incurable virus, an endless journey, defying all logic, much like falling in love.

I was raised in New Zealand, and being exposed to Maori art at an early age, planted in me a love and passion for tribal culture, art, and their stories. I engrossed myself in Maori music, dance, carvings, clothing, weaving, body art tattooing and design. This love for tribal culture took me to explore beyond New Zealand and in the 70’s I travelled through remote areas of Australia, Papua New Guinea, the Trobriand islands, the Celebes, Borneo and ultimately to Africa and South America. As we know, tribal art influenced Western European artists, in particular Picasso amongst many.

ASSOCIATED LOTS 2 5 7 15 18 19 20

21 22 24 26 35 39 55

57 58 61 82 84 88 92

93 94 95 100 101 102 103

My collecting is instinctive, personal and very broad across many genres.

As I said it’s a passion: the more you see, the further you go, the further you go the more you see. I relate to J. Paul Getty’s simple collecting philosophy, when asked he said: “I buy what I like and I like what I buy”.

I love surrounding myself with beautiful things. From a seventon carved river-stone sculpture, to a tiny landscape like the Brett Whitely ‘Unilever House’ painting (lot 7).

I was in my early 20’s when an influential American Collector once shared with me: “Trevor, I have never collected an artwork that I could afford”. When I viewed his amazing collection and absorbed those profound words, I was inspired to always stretch, and find a way to acquire the things I love.

I am excited to share the pieces and stories in this beautiful catalogue.

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LOT #18

LOT #19

ZHONG CHEN (1969)

ZHONG CHEN (1969)

Pretty Girl Series 2

Kings of Kung Fu Series 2, 2011

131 x 123 cm mixed media on paper signed lower right: Zhong Chen

122.5 x 122.5 cm synthetic polymer paint on linen signed and dated verso: Zhong Chen, 2011

PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney

PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney

EST $2,000 - $3,000

EST $4,000 - $6,000

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LOT #20 DAVID BROMLEY (1960) Leap Frog 190h x 120w x 80d cm Bronze PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney EST $18,000 - $24,000

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LOT #21

LOT #22

MARK WHALEN (1982)

MARK WHALEN (1982)

Playpen, 2014

All Tied Up

86 x 203 cm (irregular) synthetic polymer paint, ink, gouache and resin on board (three panels) signed, dated and title verso

86 x 64 cm synthetic polymer paint, oil and enamel on board (wall relief)

PROVENANCE Chalk Horse Gallery, Sydney Trevor Victor Harvey Collection, Sydney EST $3,500 - $4,500

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PROVENANCE Chalk Horse Gallery, Sydney Trevor Victor Harvey Collection, Sydney EST $3,000 - $4,000

LOT #23 LOUIS PRATT (1972) Whatever, 2012 118h x 42w x 100d cm plinth: 62h x 40w x 40d cm fibreglass, steel, urethane, paint and wooden base signed to base: Louis edition: 2/4 PROVENANCE Private collection, Sydney EXHIBITED Wynne Prize 2012 (finalist exhibition), Art Gallery of New South Wales, Sydney, 2012 EST $15,000 - $20,000

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LOT #24

LOT #25

GEORGE RAFTOPOULOS (1972) Napoleon I Am 180 x 181 cm oil on linen signed with Greek initials lower left PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney EST $2,000 - $3,000 28

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ALAN JONES (1977) Painting 94, 2012 122 x 90 cm synthetic polymer paint on canvas signed, dated and inscribed verso: Alan Jones / 2012 / ‘Painting 94’, PROVENANCE Private collection, Melbourne EST $3,000 - $5,000

LOT #26 SALVADOR DALI (Spanish 1904 - 1989) Visisons Surealiste Portfolio (set of 4), 1976 75 x 55 cm (each) lithograph each signed and numbered in image edition: 81/100 PROVENANCE Bowles/Hopkins Gallery, San Fransisco, 1976 Private collection, Sydney Menzies, Melbourne, 11 December 2014, lot 276 Trevor Victor Harvey Collection, Sydney

LITERATURE Field, A., The Official Catalog of the Graphic Works of Salvador Dali, The Salvador Dali Archives, New York, 1996, p.130, no.76-4 A, B, C, D (illus., other examples) portfolio of lithographs on Japon paper (4) i) Coronation of Gala [The Empress], 75.5 x 54.5 cm ii) Obsession of the Heart [The World], 75.0 x 54.0 cm iii) Mystery of Sleep [The Hermit], 75.0 x 54.0 cm iv) Enigma of the Rose [Death], 74.5 x 54.0 cm EST $10,000 - $15,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #27 PABLO PICASSO (1881 - 1973) Peintre et Modèle Avec un Sculpture II, 1964 27 x 33 cm etching with aquatint numbered and signed below image edition: 5/50 PROVENANCE Deutscher-Menzies, Melbourne, 22 November 1998, lot 351 Private collection, Sydney Menzies, 31 October 2013, lot 5 Stock Private collection, Sydney LITERATURE Baer, B., Picasso Peintre-Graveur, Tome V, Catalogue raisonné de l’oeuvre gravé et lithographié et des monotypes 1959-1965, Kornfeld, Berne, 1989, no.1143 published by Galerie Louis Leiris, 1965 dated within image EST $8,000 - $12,000 30

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LOT #28 KÄTHE KOLLWITZ (German 1867 - 1945) Untitled (The Mourners), 1931 38 x 51 cm woodcut print signed, dated and inscribed below image PROVENANCE Private collection, Sydney EST $4,000 - $6,000

LOT #29 CLEMENT MEADMORE (1929 - 2005) Untitled, 1955-56 30.5 x 15.5 x 15.5 cm (including base) steel PROVENANCE Tim Olsen Gallery, Sydney (label attached to base) Private collection, Sydney Deutscher and Hackett, Melbourne, 14-28 April 2010, lot 90 Private collection, Sydney EST $5,000 - $7,000

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LOT #30 TIM JOHNSON (1947) Clifford Possum Tjapaltjarri, 2002 152.5 x 122 cm synthetic polymer paint on canvas signed, dated and inscribed verso: C.P. /Tim Johnson/ 2002 PROVENANCE Private collection, Sydney Related work: Study for ‘Clifford Possum Tjapaltjarri, 2002’ in the National Portrait Gallery Collection, Canberra EST $9,000 - $12,000 32

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LOT #31 TIM JOHNSON (1947) Untitled (set of 4), 2010 35.5 x 46 cm each synthetic polymer paint on canvas signed and dated verso PROVENANCE Private collection, Sydney EST $9,000 - $12,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #32

LOT #33

JOHN NIXON (1949 - 2020)

JOHN NIXON (1949 - 2020)

Untitled, 2000

Untitled, 2000

60.5 x 90 cm enamel on wood on MDF signed and dated verso: John Nixon/ 2000

60.3 x 90.2 cm enamel on wood on MDF signed and dated verso: John Nixon/ 2000

PROVENANCE Anna Schwartz Gallery, Sydney Private collection, Sydney

PROVENANCE Anna Schwartz Gallery, Sydney Private collection, Sydney

EST $5,000 - $7,000

EST $5,000 - $7,000

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LOT #34 GREG WEIGHT (1946) Evaporation, 2007 73 x 90 cm permanent pigment on cotton rag edition 4/8

LOT #35

PROVENANCE Private collection, Sydney

MATTHEW JOHNSON (1963)

EXHIBITED Desert Air - 2007, Australian Galleries Works on Paper, Sydney Desert Air was an exhibition of photographs by Greg Weight and paintings

by Carol Ruff. Carol and Greg made several art trips to Central Australia in 2006 and 2007 and explored the landscape in and around Alice Springs for the purpose of creating new artworks. Greg worked into the landscape making changes such as binding senna trees in open fields and painting the small stones that were set into the surface of claypans with watercolour paint. The results were then photographed and printed on cotton rag paper.

Sun Field, 2003-04

EST $4,000 - $6,000

EST $9,000 - $14,000

170 x 220 cm oil on linen signed, dated and titled verso: Matthew Johnson 2003/04/ ‘Sun Field’ PROVENANCE Trevor Victor Harvey Collection, Sydney

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LOT #36

LOT #37

PETER BOOTH (1940)

ANTHONY WHITE (1976)

Untitled (Luna Park)

The Quiet American I, 2017

34 x 40 cm pastel on paper

91.5 x 91.5 cm oil on linen signed and dated verso: A White inscribed on stretcher verso: Anthony White The Quiet American I/ 2017

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PROVENANCE The artist’s studio, France EST $5,500 - $6,500

LOT #38 ROBERT KLIPPEL (1920 - 2001) No. 932, 1998 67 x 21 x 20 cm (irregular) wood assemblage signed and dated centre: RK. 98, inscribed on base: 932 PROVENANCE Watters Gallery, Sydney (label attached to base) Private collection, Melbourne, acquired from the above in 1998 Deutscher and Hackett, Melbourne 14-28 April 2010, lot 111 Private collection, Sydney LITERATURE Edwards, D., Robert Klippel: Catalogue Raissoné of Sculpture, Art Gallery of New South Wales, Sydney, 2002, no. 632 (illus.)

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LOT #39 MARTINE EMDUR (1967) Voyeur V 197 x 181 cm oil on linen PROVENANCE Tim Olsen Gallery, Sydney Private collection, Sydney Company collection, Melbourne Deutscher and Hackett, Sydney, 2 December 2015, lot 69 Trevor Victor Harvey Collection, Sydney EXHIBITED Martine Emdur: Paintings 2010, Tim Olsen Gallery, Sydney, 16 June-4 July 2010 EST $20,000 - $30,000

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LOT #40 ARTHUR BOYD (1920 - 1999) Figure Crossing a Bridge, 1978 70 x 90 cm oil on board signed lower right: Arthur Boyd PROVENANCE Joan’s Ridge Street Art Gallery, Sydney, 1998 Private collection, Sydney EST $30,000 - $40,000

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LOT #41 CLIFTON PUGH (1924 - 1990) Magpies in a Landscape, 1971 59 x 88 cm frame: 92 x 122 cm oil on board signed and dated lower right: ‘Clifton/1st September/1971’ PROVENANCE Christies, Melbourne, 24 November 1999, lot 87 Private collection, Victoria EST $10,000 - $15,000

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LOT #42 WILLIAM DOBELL (1899 - 1970) The Gossip, 1970 15.5 x 25 cm oil on board signed lower right: Dobell PROVENANCE Christie’s, Melbourne, 6 May 2003, lot 118A Private collection, South Australia Elder Fine Art, Adelaide, 19 September 2004, lot 61 Private collection Deutscher-Menzies, Melbourne 21 November 2005, lot 135 Private collection, New South Wales Deutscher-Menzies, Melbourne, 13 March 2007, lot 114 Private collection, Sydney LITERATURE Pearce, B. & Kolenberg, H., William Dobell: The Painter’s Progress, Art Gallery of New South Wales, Sydney, 1997, p.128.

Related work: The Gossip 1970, oil on composition board, 91 x 91 cm, private collection EST $26,000 - $32,000

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LOT #43 BRETT WHITELEY (1939 - 1992) Glasshouse Mountains, Queensland, 1976 73 x 99 cm ink on paper signed lower left: Brett Whiteley artist’s studio stamp lower right bears artist’s name title and date 1977 on label verso PROVENANCE Australian Galleries, Melbourne (label attached verso) Corporate collection, Melbourne Private collection, Sydney Sotheby’s, Melbourne, 21 November 2006, Lot 67 Private collection, Sydney LITERATURE Brett Whiteley: The Graphics, Deutscher Fine Art, Melbourne, 1995, cat.16, (illus., another impression) EST $45,000 - $65,000

‘As he moved around the countryside of New South Wales - Oberon, Marulan, Carcoar, Bathurst - and to the Glasshouse Mountains in Queensland, where he often stayed with his friends Lawrence and Edit Daws, he painted and drew the landscape in all its seasons with a tendency he called ‘Chi-nese’. It was not so much the style of the works which gave him this idea as the repetition of cer-tain motifs in nature that might symbolize states of mind’.

- Pearce, B., Brett Whiteley, Art & Life 1939-1992, Art Gallery of New South Wales, Sydney, 1995, pp. 36-37

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Artist Gary Shead | credit Greg Weight

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LOT #44 GARRY SHEAD (1942) The Arrival, (D.H. Lawrence Series), 1994

'In 1992, I showed my DH Lawrence works in Sydney and won the Archibald prize in the same year. It was a very exciting time in my career. I created this painting, The Arrival, shortly thereafter for my very successful London exhibition in November 1994.’ - Garry Shead, 2021

91 x 121.5 cm oil on Belgian linen signed lower right: Garry Shead PROVENANCE Savill Galleries, Sydney (label attached verso) Private collection, Sydney Dover Street Gallery (label attached verso) EXHIBITED Kangaroo: The D. H. Lawrence Series, Dover Street Gallery, London, 3 November to 30 November, 1994 LITERATURE Related work: The Arrival, oil on canvas, 92 x 121 cm in Grishin, S., Garry Shead and the D.H. Lawrence Paintings, Craftsman House, Sydney, 1993, p. 20 EST $90,000 - $120,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #45 JAMES GLEESON (1915 - 2008) The Behaviour of Propitious Energies, 1992 152 x 204 cm oil on canvas Signed bottom left: ‘Glesson 02’ PROVENANCE Watters Gallery, Sydney Private collection, New South Wales EXHIBITED Gleeson, Australia’s Formost Surrealist, Coffs Harbour Regional Gallery, 27 June - 2 August 2008 LITERATURE Gleeson, Australia’s Formost Surrealist, Coffs Harbour Regional Gallery, 27 June - 2 August 2008 (illus, exhibition catalogue front cover) EST $45,000 - $65,000

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LOT #46 SIDNEY NOLAN (1917 - 1992) Bush, 1979 120 x 151 cm oil on canvas signed lower right: nolan signed with initial lower left: n signed and dated verso: nolan/ 1979 Sidney Nolan Estate label attached verso #159 PROVENANCE Collection of Lady Mary Nolan, United Kingdom Company collection, Melbourne Private collection, Melbourne EST $22,000 - $24,000 52

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LOT #47 CLIFTON PUGH (1924 - 1990) Dance of Crows, 1960 69 x 92 cm oil on board signed and dated lower right: Clifton/ 60/ Mar PROVENANCE Johnstone Gallery, Brisbane Collection of the Late Dr Peter Elliott, Sydney Mossgreen, The Peter Elliott Collection, Sydney, 30 August 2015, lot 19 Private collection, Sydney

EXHIBITED Clifton Pugh, Johnstone Gallery, 29 February - 17 March 1961, cat. no.12.

Up Close and Personal: Works from the Collection of Dr Peter Elliott AM, S.H Ervin Gallery, Sydney, August-September 2011.

LITERATURE Noel Macainsh, Clifton Pugh, Georgian House and University of Melbourne, 1962, p.18 Barry Pearce, Australian Artists, Australian Birds, Angus & Robertson, Sydney, 1989, p.122 (illus. p. 102) Gavin Fry, The Peter Elliott Collection of Australian Art, The Beagle Press 2013, p. 88, cat. no.72 EST $14,000 - $18,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #48 BRETT WHITELEY (1939 - 1992) Vincent An (Essay in Opposition), 1982 211 x 91.5 cm screenprint signed and numbered below image artist’s studio stamp upper right inscribed on label verso: Vincent / (Rome / Print) / 2/30 edition: 2/30 PROVENANCE Brett Whiteley Studios, Sydney (label attached verso, cat. 476) Deutscher and Hackett, Sydney, 26 August 2015, lot 60 Private collection, Melbourne

EXHIBITED Brett Whiteley: The Complete Graphics 1961 - 1982, Art Gallery of Western Australia, Perth, 1983 (another example).

Another Way Looking at Vincent Van Gogh 1888-1889 by Brett Whiteley 19681983, Art Gallery of New South Wales, Sydney, 4 July - 24 August 1983 (another example).

Brett Whiteley: Review of Prints 1976 - 1983, Chapman Gallery, Canberra, 1983, cat.16 (another example).

LITERATURE Mandy, R., Brett Whiteley: The Complete Graphics, 1961-1982, Art Gallery of Western Australia, Perth, 1983, p.47, cat.70 (illus., another example). Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p.113, cat.70 (illus. p.75, another example). Capon, E., Another Way of Looking at Vincent Van Gogh 1888 - 1889 by Brett Whiteley 1968-1983, Richard Griffin Press, Melbourne, 1983, p.29 (illus., another example). Sutherland, K.,Brett Whiteley Catalogue Raisonne, Schwartz Publishing, Melbourne, 2020, vol.4, p.212, cat.120P (illus., another example), vol.5, p.143 (illus., another example), vol.7, p.833 EST $22,000 - $28,000

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Artist Brett Whiteley | credit Greg Weight MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #49 DALE FRANK (1959) Doesn’t Anyone Know How to Make a Good Coffee, 2009 200 x 200 cm synthetic polymer paint and varnish on linen singed verso: Dale Frank PROVENANCE Private collection, Sydney (Anna Schwartz Gallery, Melbourne, label attached verso) EST $38,000 - $50,000

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LOT #50 RICHARD DUNN (1944) Chemnitz No. 9, 2000 180 x 135 cm synthetic polymer paint on canvas signed, dated and inscribed verso: Richard Dunn/ Chemnitz No. 9/ 2000 PROVENANCE The artist’s studio, Sydney Private collection, Sydney EST $18,000 - $24,000 58

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LOT #51 ROBERT HUNTER (1947 - 2014) Untitled #6, 2006 122.5 x 244.5 cm synthetic polymer paint on plywood signed with initials verso: RH PROVENANCE Anna Schwartz Gallery, Melbourne (label attached verso) Private collection, Sydney EXHIBITED Robert Hunter, Anna Schwartz Gallery, Melbourne, 31 January - 24 February 2007 EST $14,000 - $18,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #52

LOT #53

PETER UPWARD (1932 - 1984)

BRETT WHITELEY (1939 - 1992)

Trace

Swinging Monkey, 1965

59.5 cm diameter synthetic polymer paint on canvas signed and inscribed verso: “TRACE”/ Peter Upward

76 x 56 cm colour screenprint edition: 59/70 numbered, stamped and signed below image

PROVENANCE Private collection, Sydney EST $3,000 - $5,000

PROVENANCE Private collection, United Kingdom Bonhams, London, 9 August 2005, lot 242 (as Swimming Monkey I)Collection of Sue Dunkley, London Menzies, Melbourne, 27 February 2020, lot 144 Private collection, Melbourne EXHIBITED Recent Works from London, Bonython Art Gallery, Adelaide and Kim Bonython’s Hungry Horse Gallery, Sydney, January - March 1966 (another example).

LITERATURE Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p.110 cat.5 (illus. p.16, another example) EST $5,500 - $6,500

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LOT #54 BRETT WHITELEY (1939 - 1992) Poem for a lover, 1988 77.2 x 79.5 cm screenprint with hand colouring edition: 53/80, signed, titled and numbered below image PROVENANCE Private collection, Melbourne LITERATURE Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995 p.115, cat.99 (illus. p.94 another example) EST $12,000 - $16,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #55 RAY CROOKE (1922 - 2015) Grace Yorkey’s Knob, 1968 38 x 46.5 cm gouache on paper on board signed lower centre: R Crooke PROVENANCE Savill Galleries, Sydney (label attached verso) Trevor Victor Harvey Collection, Sydney EST $5,000 - $7,000 62

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LOT #56 SIDNEY NOLAN (1917 - 1992) Monkey and Acrobat, 1967 25.5 x 30.5 cm wax, crayon and fabric dye on paper signed, dated and inscribed verso: Nolan/ 29 July 1969/ Monkey and Acrobat PROVENANCE John Hull Collection, London Gould Collection, Melbourne Deutscher and Hackett, Sydney, 15 March 2017, lot 7 Private collection, Sydney Gould Galleries, Melbourne (label attached verso) Private collection, Sydney EXHIBITED Sidney Nolan: Landscape and Legends, Gould Galleries, Melbourne, 7 March 15 April 2001 and Gould Galleries, Sydney, 2 May - 3 June 2001, cat. 38 (illus. in exhibition catalogue) EST $5,000 - $7,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #57 JOHN WINCH (1944 - 2007) Icarius Suite 1 21.5(l) x 29.5(w) x 7.5(d) cm bronze PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney EST $3,000 - $4,000

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LOT #58 JOHN WINCH (1944 - 2007) Icarius Suite 2 13.5 x 29.5 x 7.5 cm bronze PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney EST $2,000 - $4,000 66

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LOT #59 GODFREY MILLER (1893 - 1964) 18030 (JH 299) Nocturne, Farm Cove, 1940 26 x 26 cm oil, pen and ink on canvas accompanied by a certificate signed by the Artist’s Estate Trustees PROVENANCE Darlinghurst Galleries, Arts Council Centre, Sydney John Brackenreg, Artarmon Galleries, Sydney Private collection, Sydney EST $14,000 - $18,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #60 FREDERICK (FRED) CRESS (1938 - 2009) Riverbank (1 - 6), 1995 21 x 15 cm (each) synthetic polymer paint and Ink on paper signed, titled and dated below image PROVENANCE Private collection, Sydney EST $6,000 - $9,000 68

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LOT #61 CHARLES BLACKMAN (1928 - 2018) The Bathers (7) 12 x 20 cm frame: 52 x 58 cm each watercolour and ink on seven sheets of paper Three sheets signed: Blackman, two sheets signed with initials and inscribed: CB 2.8, two sheets signed with initials: CB, bears inscription on label verso: Composite - Bathers.

PROVENANCE The Collection of Gene and Brian Sherman, Sydney Deutscher and Hackett, Sydney, 18 April 2018, lot 109 Trevor Victor Harvey Collection, Sydney EST $6,500 - $8,500 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #63 CALLUM MORTON (1965)

LOT #62

Eames Depot, Nevada, 2001

CHERINE FAHD (1974) The Wedding, 2001 89 x 128 gelatin silver photograph PROVENANCE Gitte Weise Gallery, Sydney Private collection, Sydney

59.5 x 83.5 cm archival pigment print edition of 30 PROVENANCE Karyn Lovegrove Gallery, California, 2002 Private collection, United States Menzies, Sydney, 30 November 2017, lot 163 Private collection, Melbourne

EXHIBITED And then we played, Gitte Weise Gallery, Sydney

EXHIBITED Callum Morton: Local +/or General, Roslyn Oxley9 Gallery, Sydney, 4 October - 3 November 2001 (another example)

EST $2,000 - $3,000

EST $2,000 - $3,000

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LOT #64 PATRICIA PICCININI (1965) 1:00.613.2, Sheen, 2001 120 x 240 cm digital c-type photograph signed and dated lower right: Patricia Piccinini 2001 edition: 3/6 PROVENANCE Tolarno Galleries, Melbourne Minter Ellison Collection, Sydney, acquired from the above 6 December, 2000 Sotheby’s, Sydney, 21 July 2015, lot 26 Private collection, Sydney EST $6,000 - $8,000

LOT #65 PATRICIA PICCININI (1965) Getaway, 2005 80 x 160 cm C-type photograph numbered, signed and dated below image ‘Patricia Piccinini, 2005’ edition: 1/6 PROVENANCE Roslyn Oxley9 Gallery, Sydney Private collection, Sydney EXHIBITED Unbreaking Eggs, Roslyn Oxley9 Gallery, Sydney 2005 EST $7,000 - $10,000 MODERN + CONTEMPORARY FINE ART AUCTION

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It’s great to see a broad base of support in Australia and people eager for my previous work, it’s exciting to see these pieces go on to find new homes, and that people connect to previous ideas in my practice.

- Anthony White, 2021

LOT #66 ANTHONY WHITE (1976) The Quiet American II, 2017 91 x 91.5 cm oil on linen signed and dated verso: 2016/ A White inscribed on stretcher verso: The Quiet American II Anthony White 92 x 92 cm 2017

LOT #67 ANTHONY WHITE (1976) Feu, 2010 70 x 70 cm oil on linen signed verso: A White

PROVENANCE The artist’s studio, France

PROVENANCE The artist’s studio, France

EST $5,500 - $6,500

EST $3,000 - $4,000

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LOT #68 JOHN FIRTH-SMITH (1943) Mirage No. 4, 2005 92 x 92 cm oil on linen signed, dated and inscribed verso: JOHN FIRTH-SMITH/ “MIRAGE No. 4” 2005/ OIL ON LINEN/ 3’ x 3’ SYDNEY/ Firth- Smith 05 PROVENANCE Ros Oxley9 Gallery, Sydney (label attached verso) Private collection, Melbourne EST $6,000 - $9,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #70 EUAN MACLEOD (1956)

LOT #69 JASPER KNIGHT (1978) Diggers Rest, (Anzac Bridge), 2016 150 x 120 cm synthetic polymer paint on canvas signed, dated and inscribed verso: Jasper Knight/ 2016 JK

Colossus Study with Boat I, 2013 112 x 76 cm frame: 128.5 x 92.5 cm oil on card laid on canvas signed lower right: Macleod dated lower left: 1/13

PROVENANCE The artist’s studio Private collection, Sydney

PROVENANCE Watters Galley, Sydney Cat. No. 13/88/061 (label attached verso) Private collection, Sydney Shapiro Auctioneers, Sydney, 23 November 2020, lot 100 Private collection, Melbourne

EST $7,000 - $9,000

EST $3,000 - $5,000

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LOT #71 WENDY STOKES (1957) Fragment 152 x 152 cm synthetic polymer paint and oil stick on canvas signed and title verso PROVENANCE The artist’s studio EST $3,500 - $5,500 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #72

LOT #73

ROBERT GEORGE OWEN (1937)

ROBERT GEORGE OWEN (1937)

Origami Series 1/I, 1992

Origami Series #7A, 1992

17 x 15.5 frame: 42.3 x 34.3 cm oil and collage on paper signed, dated and inscribed below image: Origami Series 1/I / Robert Owen 1992

17 x x 15.5 cm oil and collage on paper signed, dated and inscribed below image: Origami Series #7 / Robert Owen 1992

PROVENANCE Anna Schwartz Gallery, Sydney Private collection, Sydney

PROVENANCE Anna Schwartz Gallery, Sydney Private collection, Sydney

EST $600 - $800

EST $600 - $700

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LOT #74 ROBERT MACPHERSON (1937) Mayfair: 14, Tom Dick and Harry (triptych), 1993-96 Panel (Tom) 92 x 61 cm Panel (Dick) 122 x 77 cm Panel (Harry) 92 x 92 cm synthetic polymer paint on canvas titled, dated and signed verso on each panel Mayfair: 14 paintings (naming)/ Tom Dick and Harry, 1993-1996 R. MacPherson, Brisbane PROVENANCE Yuill Crowley, Sydney Private collection, Sydney EST $16,000 - $24,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #75 DIETER KRAENZLEIN (German 1962) Untitled, 2013 20 x 23 x 23 cm marble signed to base PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney EST $5,500 - $7,500

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LOT #76 KUNO GONSCHIOR (German 1933 - 2010) Gelb/ Yellow, 1995-96 101.5 x 85.5 cm oil and egg tempera on linen signed and dated verso: Kuno Gonschior ‘95/96 inscribed on stretcher verso: KUNO GONSCHIOR GELB 1995/6 PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney EST $20,000 - $30,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #78

LOT #77 VICTOR BONATO (German 1934 - 2019) Yin and Yang

PIERGIORGIO ZANGARA (Italian 1943) Opera Mardi N275, 2017

35 x 38 x 35 cm marble and granite signed to base

37 x 55 x 6 cm synthetic polymer paint on perspex and wood signed, dated and inscribed verso: PIERGIORGIO ZANGARA/ VIA GIOVANNI XXIII, 27/ ITALY/ “OPERA MADI No. 274

PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney

PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney

EST $,4000 - $6,000

EST $2,800 - $3,200

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LOT #79 PETER NOWOTNY (German 1953) Reflection Face #3, 2014 75 x 100 cm C-type print face mounted on perspex, mounted on aluminium signed, dated, titled and numbered verso: Peter Nowotny/ “Refexion - Face III 2014/ “Narzisstiche Refection III edition: 1/20 PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney EST $1,000 - $2,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #80 VENSKE & SPÄENLE JULIA VENSKE (German 1971) and GREGOR SPÄENLE (German 1969) Smurf #162, 2008 34.5 x 26 x 9.5 cm Carrara marble PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney EST $4,000 - $6,000

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LOT #81 VENSKE & SPÄENLE JULIA VENSKE (German 1971) and GREGOR SPÄENLE (German 1969) Smurf #101 (el tigre del norte), 2008 28 x 22 x 13 cm Larsa ortes, marble signed, dated and titled to base: Venske and Spaenle/ 2008/ El TIGRE DEL NORTE/ SMURF #101 PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney EST $4,000 - $6,000

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LOT #82 SALVATORE ZOFREA (1946) Psalm 68 168 x 214 cm oil on linen signed lower right: Zofrea no.68 PROVENANCE Commissioned by the artist, 1997 Trevor Victor Harvey Collection, Sydney accompanied by a study for the major work EST $18,000 - $24,000 84

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LOT #83 CHARLES BLACKMAN (1928 - 2018) Untitled (Reclining Figure) 55 x 78 cm watercolour and charcoal on paper signed lower right: BLACKMAN PROVENANCE private collection, Sydney EST $12,000 - $16,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #84 RAY CROOKE (1922 - 2015) Four Figures 16 x 22 cm gouache on paper signed lower left: R Crooke PROVENANCE Savill Galleries, Sydney (label attached verso) Trevor Victor Harvey Collection, Sydney EST $2,600 - $3,200

LOT #85 BRETT WHITELEY (1939 - 1992) The Lovers, 1984 17.5 x 20 cm etching on paper numbered and signed below image edition: 9/20 PROVENANCE Phillip Bacon Galleries, Brisbane (label attached verso) Private collection, New South Wales LITERATURE Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p.115, cat.93 (illus. p.90, another example) EST $4,000 - $6,000

LOT #86 CHARLES BLACKMAN (1928 - 2018) Reclining Nude 51 x 71.5 cm pastel on paper signed lower right: BLACKMAN PROVENANCE The artist, Private collection, Sydney EST $6,000 - $8,000

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LOT #87 BRYAN WESTWOOD (1930 - 2000) Flowers 57 x 39.5 cm oil on canvas signed with initials lower left: BW PROVENANCE Robin Gibson Gallery, Sydney (label attached verso) Private collection, Sydney EST $3,800 - $4,800

LOT #88 JAMES GLEESON (1915 - 2008) Surealist Nude 15 x 12.5 cm oil on panel signed lower right: Gleeson PROVENANCE Trevor Victor Harvey Collection, Sydney EST $3,000 - $4,000

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LOT #89 JAMES GLEESON (1915 - 2008) Frank O’Keefe also known as Bound Male Nude, 1950 55 x 37 cm carbon pencil and sienna wash on paper signed lower right: Gleeson PROVENANCE Collection of Frank O’Keefe and Rachel Ash, Sydney Bay East Auctions, The Art & Book Sale, Sydney, 25 March 2012, lot 84 Private collection, Melbourne Authenticated by Hendrik Kolenberg, Head Curator- Works on Paper, Art Gallery of New South Wales, 17 May 2012 (AGNSW inspection number 21863) EST $2,500 - $3,500

LOT #90 BRYAN WESTWOOD (1930 - 2000) Jeans 33 x 30.5 cm oil on board PROVENANCE Robin Gibson Gallery, Sydney (label attached verso) private collection, Sydney EST $1,500 - $2,000

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LOT #92 LOT #91 MARGARET WOODWARD (1938) Later Afternoon onto the Harbour, 1988 pastel on paper inscribed lower centre: Later Afternoon onto the Harbour signed and dated lower right: Woodward 88

BRIAN DUNLOP (1938 - 2009) Woman at the Threshold 59 x 79 cm oil on canvas signed lower centre: Dunlop

PROVENANCE Mosman Gallery, Sydney Private collection, Sydney

PROVENANCE Australian Galleries, Melbourne (label attached verso) Private collection, Victoria Deutscher and Hackett, Melbourne, 29 April 2009 lot 200 Private collection, Melbourne Leonard Joel, Fine Art Auction, Melbourne, 16 September 2014, Lot 181 Trevor Victor Harvey Collection, Sydney

EST $5,000 - $7,000

EST $3,000 - $5,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #93 SALVADOR DALI (Spanish 1904 - 1989) Dance of Time II, 1979 32h x 24.5w x 25.5d cm bronze PROVENANCE Robert Weiss Gallery, London Trevor Victor Harvey Collection, Sydney LITERATURE R. & N. Descharnes, Dalí, The Hard and The Soft, Spells for the Magic of Form, Sculptures & Objects, Azay-le-Rideau, 2004, no. 637, p. 248 (another cast illustrated).

Exh. cat., Masterpieces and Beyond, Sites Unseen, Hong Kong, 2006, pp. 10-11 (another cast illustrated).

Exh. cat., Dalí in Singapore, Singapore, 2006, pp. 32-33 (another cast illustrated).

Exh. cat., Salvador Dalí in Shanghai, Shanghai, 2009, pp. 70-71 (another cast illustrated).

B. Levi, Dalí in the Third Dimension, The Stratton Foundation Collection, Turin, 2010, p.

331 (another cast illustrated pp. 58-59).

Exh. cat., Dalí,The Vision of a Genius, New York, 2010, p. 62 (another cast illustrated).

Exh. cat., Awaken your imagination in Bahrain, Dubai, Opera Gallery, 2011, p. 13 (another cast illustrated).

Exh. cat., Dalí, Mind of a Genius, Singapore, 2011, (another cast illustrated on the back cover).

Exh. cat., Dalí s’expose à Megève, Megève, 2011, p. 11 (another cast illustrated).

Exh. cat., Dalí, Mind of Genius, Taipei, 2012, p. 11 (another cast illustrated).

Exh. cat., The Dalí Universe Florence, Florence, 2013, pp. 32-33 (another cast illustrated). inscribed and numbered lower left: ‘Dalí’ ‘174/350’ foundry mark ‘Cera persa/Perseo/SA/Mendrisio’ (on the base) EST $9,000 - $14,000 90

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LOT #94 JOAN MIRO (Spanish 1893 - 1983) Sumo 48 x 38 cm colour aquatint signed and numbered below image edition: 11/75 PROVENANCE Trevor Victor Harvey Collection, Sydney EST $2,500 - $3,500

LOT #95 DAVID BROMLEY (1960) Penguin Girl 193h x 50w x 30d cm bronze signed to base PROVENANCE The artist’s studio Trevor Victor Harvey Collection, Sydney EST $12,000 - $16,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #96 ANNETTE THEA BEZOR (1950 - 2020) (i) Night Blush for Brian, 2004 (ii) Night Blush for Olga, 2004 165 x 330 cm synthetic polymer on canvas (diptych) signed, dated and inscribed verso: “Night Blush” (for Brian)/ Bezor/ August 2004 “Night Blush” (for Olga)/ Bezor/ Sept 2004 PROVENANCE The artist Private collection, Sydney EST $16,000 - $24,000 92

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LOT #97 DANIELE BUETTI (Swiss 1955) Blue Floor, 2003 143 x 125.5 x 11 cm lightbox, pierced c-type photograph PROVENANCE Conny Dietzschold Gallery, Sydney Private collection, Sydney EST $15,000 - $20,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #98 RUPERT BETHERAS (1975) Broadford & Walden, 2009 163 x 164 cm synthetic polymer paint on Belgian linen signed verso: Rupert Betheras PROVENANCE Alcaston Gallery, Melbourne Private collection, Melbourne EST $4,000 - $6,000 94

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LOT #99 WAYNE EAGER (1957) Claypan, 2017 199 x 182 cm synthetic polymer paint on Belgian linen signed dated and inscribed verso: Claypan/ Acrylic on canvas/ 2017/ Wayne Eager PROVENANCE Private collection, Melbourne EST $6,000 - $8,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #100

LOT #101

ADAM CULLEN (1965 - 2012)

ADAM CULLEN (1965 - 2012)

Razorback Boar II

Piglet Boar II

33 x 26 cm pen on paper signed with initials lower left: AC

33 x 26 cm pencil on paper signed with initials lower left: AC

PROVENANCE Private collection, Melbourne Trevor Victor Harvey Collection, Sydney

PROVENANCE Private collection, Melbourne Trevor Victor Harvey Collection, Sydney

EST $1,000 - $2,000

EST $1,000 - $2,000

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LOT #102

LOT #103

ADAM CULLEN (1965 - 2012)

ROBERT MALHERBE (1965)

David Wenham I

Blackheath Autumn, 2017

33 x 26 cm watercolour and pencil on paper signed with initials lower right: AC

61 x 51 cm oil on linen signed, title and dated verso

PROVENANCE Private collection, Melbourne Trevor Victor Harvey Collection, Sydney

PROVENANCE Chalk Horse Gallery, Sydney Trevor Victor Harvey Collection, Sydney

EST $1,000 - $2,000

EST $2,500 - $3,500 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #104 KEN WHISSON (1927) A Range of Untypical Types, 2011 50 x 70 cm indian ink on paper PROVENANCE Niagara Galleries, Melbourne (label attached verso) Private collection, Melbourne

LOT #105 NOEL MCKENNA (1956) Girl on Swing 15 x 20.5 cm ink and watercolour on paper signed verso: Noel Mckenna

EXHIBITED Ken Whisson: As If, Niagara Galleries, Melbourne, 2012, cat. no.7

PROVENANCE Private collection, Sydney Shapiro Auctioneers, Sydney, 17 May 2018, lot 112 Private collection, Melbourne

EST $2,000 - $3,000

EST $800 - $1,200

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LOT #106 BEN QUILTY (1973) The White Ute, 2006 42 x 99 cm etching from two plates edition: A/P editioned, titled, signed and dated below image PROVENANCE Marianne Newman Gallery, Sydney 2009 Private collection, Melbourne EST $2,000 - $3,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #107 ADAM CULLEN (1965 - 2012) Turon River Carp, 2007 38 x 76.5 cm oil and synthetic polymer on canvas signed, dated and titled verso: Adam Cullen 07/ “Turon River Carp” signed dated and titled on stretcher verso: Turon Carp, Adam Cullen, 07 PROVENANCE Lawsons, Sydney, 30 May 2013, lot 540 Private collection, Melbourne EST $3,000 - $5,000 100

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LOT #108 LUCY CULLITON (1966) Ram and Horse, 1999 40 x 40 cm (each) oil on canvas (diptych) signed and dated lower right: Culliton 99 PROVENANCE Menzies, Sydney, 9 September 2018, lot 110 Private collection, Melbourne EXHIBITED Farm Paintings, Ray Hughes Gallery, Sydney, 1999 EST $4,000 - $6,000 MODERN + CONTEMPORARY FINE ART AUCTION

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LOT #109 REG MOMBASSA AKA (CHRIS O’DOHERTY) (1951) Fish-Ghost 42 x 28 cm coloured pencil and pastel on paper inscribed upper right: Fish- Ghost signed lower right: Reg Mombassa PROVENANCE Watters Gallery, Sydney The Collection of Frank Watters, Sydney Shapiro Auctioneers, Paintings Sculpture Drawings From The Collection of Frank Watters, Sydney, 20 March 2019, lot 1 Private collection, Melbourne EXHIBITED Chris O’Doherty (a.k.a. Reg Mombassa), Further Experiments in Hallucinatory Anthropomorphism, Watters Gallery, 2015, Cat. No.96 Label for Watters Gallery 15/18/096 EST $2,000 - $3,000

LOT #110 REG MOMBASSA AKA (CHRIS O’DOHERTY) (1951) Skeletal Business Male I 54 x 38 cm charcoal and pastel on paper Signed lower right: Reg M inscribed lower left: Small Business Male I PROVENANCE Private collection, Melbourne EST $2,000 - $3,000

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LOT #111 JEFF RAGLUS (1951) Ever Onwards 92 x 102 cm synthetic polymer paint on linen signed with initials lower right: JR dated and titled verso: EVER ONWARDS/ (ACRYLIC)/ APRIL 2011/ JR PROVENANCE Private collection, Melbourne EST $2,500 - $3,500 MODERN + CONTEMPORARY FINE ART AUCTION

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Your Personal Invitation Complimentary Fine Wine Tasting

Please join us at our centrally located Chippendale cellar door to ‘Discover’ what Handpicked has to offer. We produce a range of premium and single site wines from the best wine regions of Australia and would love to share our wines with you through a tailored tasting experience.

Your fine wine tasting includes 6 of our most popular wine and styles from Tasmania to Margaret River. To book your tasting, please visit www.handpickedwines.com.au. Sign up to our Passport loyalty program on the day to receive 15% off any purchase of two bottles or more from our luxe retail shop. Ask our friendly staff about the other benefits of our program too.

We are conveniently located at 50 Kensington Street, Chippendale. To receive your tasting free of charge, mention Cooee Art on arrival and your tasting will be on us.

Our venue is the perfect place for an after exhibition wind down to chat about your experience with your friends. We look forward to welcoming you soon.

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Offer valid until 30th July 2021.

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Do you need a professional Art Consultant? with withmore morethan than5040members membersnationwide nationwide we who can help youyou wehave havea aconsultant consultant who can help The Art Consulting Association of Australia (ACAA) is a professional industry association linking art consultants nationally and providing information and links for individuals, business and government seeking the services of a consultant. The purpose of the association is to represent, promote and further the interests of art consulting as a professional endeavour in Australia.

Discover more about the services that our consultants can provide at acaa.org.au MODERN + CONTEMPORARY FINE ART AUCTION

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BUYING FROM COOEE ART AUCTIONS PRE-SALE ESTIMATES ESTIMATES PRE-SALE The price range listed against each lot reflects the opinion of the art specialists as to what they expect the hammer price each artwork may achieve and is informed by realised prices for comparable artworks in the secondary market.

These estimates are intended as a guide only and may sell outside of these ranges. Pre-sale estimates do not include buyer’s premium or other charges where applicable.

RESERVES

RESERVES

The reserve is the minimum price that the vendor will accept for each lot and the lot can not be normally sold lower than this amount. This information is not provided to prospective buyers.

THE AUCTION

THE AUCTION

REGISTRATION REGISTRATION Prospective buyers must register to bid prior to the auction.

BIDDING

BIDDING

There are five ways to bid at a Cooee Art auctions In person – Our auctions are open to the public and held at our premises at 17 Thurlow Street Redfern. We welcome your attendance if you are in Sydney.

Online – Whether you are just a suburb away or half way around the world you can bid for all Cooee Art lots in the comfort of your home or office, live and in real-time on our dedicated auction website at auction.cooeeart.com.au or on Invaluable. Please note there is a small service fee charged by Invaluable.

Absentee – For those who prefer not to attend the auction or bid online, you can either leave an Absentee bid with us directly by filling in the form found at the back of this catalogue or at the viewing in Sydney. Leave your highest bid on any artworks and the Auctioneer will bid on your behalf up to but not over this top bid listed. If there is no one else bidding or they pull out before your highest bid, you will win the work for the next bidding increment which may even be less than your top bid.

Absentee on the website - Here you can leave a bid online for an artwork right up until the auction starts at 7pm.You 108

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leave your highest bid and you will be informed if someone bids higher than you. Note that you are only informed until the beginning of the auction at 7pm. If you are out bid by someone in the room or on the phones during the auction you will miss out.A good strategy is to leave the highest bid you are willing to buy the artwork for and the computer will keep bidding on your behalf up to that amount. No one is able to see your highest amount so you may just win the artwork for a much lower amount.

Telephone - By using this option, you can bid yourself on any artwork from the comfort of your home anywhere in the world.You will be called 2 - 3 lots before your selected artwork comes up and one of our staff will act on your behalf and be your eyes, ears and spokes person for the evening. It is also advisable to leave a Cover Bid (which acts the same as the Absentee Bid listed above) so that if we are unable to reach you on the night then the person calling can then step in and bid for you up to that amount.

BIDDING INCREMENTS BIDDING INCREMENTS Bidding usually opens below the listed pre-sale estimate and proceeds in the following increments however it is at the discretion of the auctioneer and may vary. $0 - $1,000 by $50 $1,000 - $2,000 by $100 $2,000 - $5,000 by $200 $5,000 - $10,000 by $500 $10,000 - $20,000 by $1000 $20,000 - $50,000 by $2,000 $50,000 - $100,000 by $5,000 $100,000 - $200,000 by $10,000 $200,000 - $500,000 by $20,000 $500,000 - $1,000,000 by $50,000 $1,000,000 - and over by $100,000 BUYER’S PREMIUM BUYER’S PREMIUM A buyer’s premium of 25% (including GST) is added to the hammer price on each lot.The hammer price is the last bid that is accepted by the auctioneer.

SUCCESSFUL BIDS SUCCESSFUL BIDS The fall of the auctioneer’s hammer indicates the bid has been accepted and the work is sold, the buyer assumes full responsibility for the lot from this time.

AFTER THE AUCTION AFTER THE AUCTION PAYMENTS

PAYMENTS

The day after the sale, the Post Sale Service team will send you an Invoice. The final amount due will include the hammer price, the 25% buyer’s premium and the service fee charged by Invaluable if you are using their services.

Electronic Bank Transfer is the simplest payment method and your invoice will include our bank details. A 2% surcharge applies to Visa, MasterCard and AMEX payments.

Alternatively, payment may be made by cheque, cash or eftpos. Please note: payments made by cheque are subject to a 5-day clearance before goods can be collected.

COPYRIGHT

COPYRIGHT

The copyright of the artworks listed in this catalogue may be owned by the artist or third party and used under licence by Cooee Art. The buyer must not reproduce or otherwise use the images or text without prior written consent. Cooee Art has paid the cost of copyright via the Copyright Agency, 2021 RESALE ROYALTY RESALE ROYALTY Some lots consigned for this auction may be subject to the Resale Royalty for Visual Artists Act 2009. Any payments due under the obligations of the Act will be paid by the vendor.

GOODS AND SERVICES TAX GOODS AND SERVICES TAX Buyers are required to pay a 10% G.S.T which is the sum of:

a. Included in the final bid prices where buying from a GST registered vendor; and

b. Included in any additional fees charged by Cooee Art; and

c. Included in the Buyers Premium Where GST applies to some lots the final bid price will be inclusive of GST. COLLECTION,TRANSPORTATION & SHIPPING COLLECTIONS, TRANSPORTATION

& SHIPPING

All collection notifications, shipping options and requests for carrier recommendations are to be emailed to our Post Sale Services email address auctions@cooeeart.com. au Cooee Art will endeavour to supply you with the best and most cost affective option for shipping your artwork to you but you are not obliged to use this service and may organise your own transport options but please inform us as soon as possible of your preferred method. Proof of identification is required upon collection and lots not collected within seven days of the sale may incur costs associated with external storage and freight.

Should you request that Cooee Art wrap and/ or pack your goods and arrange postage of your items for you, a fee will apply and whilst all care is taken, we accept no responsibility for any damage.

TERMS & CONDITIONS BUYERSBUYERS TERMS & CONDITIONS For the full terms and conditions, please visit www.cooeeart.com.au/buying-from-a-cooee-art-auctions

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ATTENDEE PRE-REGISTRATION FORM SALE NO.: 09 MODERN + CONTEMPORARY FINE ART AUCTION

(Mr/Mrs/Ms/Miss) Name (please print)

Business name

24 JUNE 2021, 7:00PM AEST LOTS 1 - 111 17 THURLOW STREET REDFERN NSW 2016

Address City

State

Telephone/Mobile

Email

Postcode

please eamil or post this completed form to: COOEE ART 17 THURLOW STREET REDFERN NSW 2016 tel: +61 (02) 9300 9533 auctions@cooeeart.com.au

CATALOGUE SUBSCRIPTION FORM Indigenous Fine Art Auction Catalogue (single issue) $35* Modern + Contemporary Fine Art Auction Catalogue (single issue) $35*

Tax invoice required

*price includes G.S.T. postage and handling. Additional $10 per catalogue for international orders

(Mr/Mrs/Ms/Miss) Name (please print)

please email or post this completed form to:

Business name

COOEE ART 17 THURLOW STREET REDFERN NSW 2016

Address

tel: +61 (02) 9300 9533 auctions@cooeeart.com.au

City

State

Telephone/Mobile

Email

Subscription payment by:

Visa

Postcode

AMEX

Country

Mastercard

Name on card

Card number

Expiry date

Signature

Date

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CCV

TELEPHONE BID FORM SALE NO.: 09 MODERN + CONTEMPORARY FINE ART AUCTION

(Mr/Mrs/Ms/Miss) Name (please print)

Billing adress (PO Box insufficient)

24 JUNE 2021, 7:00PM AEST LOTS 1 - 111 17 THURLOW STREET REDFERN NSW 2016

Address

City

State

Postcode

Country

2.

1.

Telephone numbers for auction in order of preference

Email

Signature (required)

LOT NO.

Date

ARTIST/TITLE

COVER BID*

1

please email or post this completed form to: COOEE ART 17 THURLOW STREET REDFERN NSW 2016

2 3

tel: +61 (02) 9300 9533 auctions@cooeeart.com.au

4 5 6 7 8 *Not including buyer’s premium or GST (where applicable). bids are made in Australian dollars.

Telephone bids must be received a minimum of twenty-four hours prior to auction. All telephone bids received will be confirmed by phone or email. In the event that confirmation is not received, please resubmit or contact our office.

Please refer to the Buyers Terms & Conditions of Auction found at www.cooeeart.com.au/buying-from-acooee-art-auctions for information regarding sales.

By completing this form, I authorise COOEE ART to contact me by telephone on the contact number(s) nominated. I understand it is my responsibility to enquire whether any Sale-Room Notices relate to any lot on which I intend to bid. I also understand that should my bid(s) be successful, a buyer’s premium of 25% (inclusive of GST), will be added to the final hammer price.

I accept that COOEE ART provides this complimentary service as a courtesy to its clients, that there are inherent risks to telephone bidding, and I will not hold COOEE ART responsible for any error.

A member of the Cooee Art team will contact you a few minutes before your indicated desired lots.The Cover Bid Price will be used should a member of staff not be able to reach you.

Should your final bid be successful, you will be obliged to pay the final bid price plus buyer’s premium of 25% (incl of GST) of the final bid amount.

INTERNAL USE ONLY RECEIVED BY DATE TIME

Lo ui s P r a t t

BIDDER NO.

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ABSENTEE BID FORM SALE NO.: 09 MODERN + CONTEMPORARY FINE ART AUCTION

(Mr/Mrs/Ms/Miss) Name (please print)

Billing adress (PO Box insufficient)

24 JUNE 2021, 7:00PM AEST LOTS 1 - 111 17 THURLOW STREET REDFERN NSW 2016

Address

City

State

Postcode

Country

Telephone/Mobile

Email

Signature (required)

LOT NO.

Date

ARTIST/TITLE

MAXIMUM BID*

1

please email or post this completed form to: COOEE ART 17 THURLOW STREET REDFERN NSW 2016

2 3

tel: +61 (02) 9300 9533 auctions@cooeeart.com.au

4 5 6 7 8 *Not including buyer’s premium or GST (where applicable). bids are made in Australian dollars.

Absentee bids must be received by 2pm the pay of the auction. All absentee bids received will be confirmed by phone or email. In the event that confirmation is not received, please resubmit or contact our office.

Please refer to the Buyers Terms & Conditions of Auction found at www.cooeeart.com.au/buying-from-acooee-art-auctions for information regarding sales.

By completing this form, absentee bidders request and authorise COOEE ART to place the following bids acting as agent on their behalf up to and including the maximum bid specified. Lots will be bought at the lowest possible bid authorised by the bidder in absentia.

I understand it is my responsibility to enquire whether any Sale-Room Notices relate to any lot on which I intend to bid. I also understand that should my bid(s) be successful, a buyer’s premium of 25% (inclusive of GST), will be added to the final hammer price.

COOEE ART provides this complimentary service as a courtesy to clients and does not accept liability for errors and omissions in the execution of absentee bids. Should your bid be successful, you will be obliged to pay the final bid price plus buyer’s premium of 25% (incl of GST) of the final bid price.

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INTERNAL USE ONLY RECEIVED BY DATE TIME BIDDER NO.

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COYRIGHT 1 ©Noel McKenna/Copyright Agency 6 © Courtesy of Wendy Whiteley 7 © Courtesy of Wendy Whiteley 8 © Euan MacLeod/Copyright Agency 9 © Euan MacLeod/Copyright Agency 14 © Rick Amor/Copyright Agency 16 ©Dale Frank/Copyright Agency 17 ©Jon Cattapan/Copyright Agency 20 © David Bromley/Copyright Agency 23 © Louis Pratt/Copyright Agency 24 © George Raftopoulos/Copyright Agency 26 © Salvador Dali/Copyright Agency 29 © Clement Meadmore/Copyright Agency 32 © John Nixon/Copyright Agency 33 © John Nixon/Copyright Agency 34 © Courtesy of the artist 35 © Matthew Johnson/Copyright Agency 36 © Peter Booth/Copyright Agency 38 © Robert Klippel/Copyright Agency 40 © Arthur Boyd/Copyright Agency 42 © William Dobell/Copyright Agency 43 © Courtesy of Wendy Whiteley 44 © Garry Shead/Copyright Agency 45 © James Gleeson/Copyright Agency 46 © Sidney Nolan/Copyright Agency 47 © Clifton Pugh/Copyright Agency 48 © Courtesy of Wendy Whiteley 51 © Robert Hunter/Copyright Agency 53 © Courtesy of Wendy Whiteley 54 © Courtesy of Wendy Whiteley 55 © Ray Crooke/Copyright Agency 61 © Charles Blackman/Copyright Agency 62 © Cherine Fahd/Copyright Agency 64 © Patricia Piccinini/Copyright Agency 65 © Patricia Piccinini/Copyright Agency 69 © Jasper Knight/Copyright Agency 72 © Robert George Owen/Copyright Agency 73 © Robert George Owen/Copyright Agency 74 © Robert MacPherson/Copyright Agency 82 © Salvatore Zofrea/Copyright Agency 83 © Charles Blackman/Copyright Agency 84 © Ray Crooke/Copyright Agency 85 ©Courtesy of Wendy Whiteley 86 © Charles Blackman/Copyright Agency 87 © Bryan Westwood/Copyright Agency 90 © Bryan Westwood/Copyright Agency 91 © Margaret Woodward/Copyright Agency 92 © Brian Dunlop/Copyright Agency 93 © Salvador Dali/Copyright Agency 94 © Joan Miro/Copyright Agency 95 © David Bromley/Copyright Agency 96 © Annette Bezor/Copyright Agency 97 © Daniele Buetti/Copyright Agency 100 © Adam Cullen/Copyright Agency 101 © Adam Cullen/Copyright Agency 102 © Adam Cullen/Copyright Agency 105 © Noel McKenna/Copyright Agency 107 © Adam Cullen/Copyright Agency

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REPRESENTING ARTIST GALLERIES RICK AMOR is represented by Niagara Galleries, Melbourne, Liverpool Street Gallery, Sydney, Phipil Bacon Galleries, Brisbane JON CATTAPAN is represented by Dominik Mersch Gallery, Sydney, Milani Gallery, Brisbane, STATION, Melbourne ZHONG CHEN is represented by Metro Gallery, Melbourne LUCY CULLITON is represented by King Street Gallery, Sydney; Jan Murphy Gallery, Brisbane, Beaver Galleries, Canberra BRIAN DUNLOP is represented by Australian Galleries Sydney, Metro Gallery, Melbourne RICHARD DUNN is represented by Charles Nodrum Gallery, Melbourne MARTINE EMDUR is represented by Twenty Twenty Six Gallery, Sydney DALE FRANK Dale Frank is represented by Roslyn Oxley9 Gallery, Sydney, Gow Langsford Gallery, Auckland, Pearl Lamb Galleries, Hong Kong TOM GERRARD is represented by metro Gallery, Melbourne BRENT HARRIS is represented by Tolarno Galleries, Melbourne MATTHEW JOHNSON is represented by Olsen Gallery, Sydney TIM JOHNSON is represented by Dominik Mersch Gallery, Sydney ALAN JONES is represented by Olsen Gallery, Sydney ROBERT KLIPPEL represented by Gmurzynska Galerie, Zurich SAM LEACH is represented by Sullivan and Strumpf, Sydney EUAN MACLEOD is represented by King Street Gallery, Sydney, Niagara Galleries Melbourne, Victor Mace Fine Art Gallery, New Zealand ROBERT MALHERBE is represented by Jan Murphy Gallery, Brisbane NOEL MCKENNA is represented by Niagara Galleries, Melbourne, Darren Knight Gallery, Sydney REG MOMBASSA AKA (CHRIS O’DOHERTY) is represented by Lone Goat Gallery, Byron Bay CALLUM MORTON is represented by Anna Schwartz Gallery, Melbourne JOHN NIXON represented by Anna Schwartz Gallery, Melbourne PATRICIA PICCININI is represented by Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney, Hosfelt Gallery, San Francisco LOUIS PRATT is represented by Nanda Hobbs, Sydney, Metro Gallery, Melbourne BEN QUILTY is represented by Jan Murphy Gallery, Brisbane, Tolarno Galleries, Melbourne JEFF RAGLUS is represented by Lone Goat Gallery, Byron Bay PAUL RYAN is represented by Nanda Hobbs, Sydney, Edwina Corlette Gallery, Brisbane ALEXANDER (ALEX) SETON is represented by Sullivan and Strumpf, Sydney GARRY SHEAD is represented by Australian Galleries Sydney, Philip Bacon Galleries, Brisbane PETER UPWARD is represented by Utopia Art, Sydney, Charles Nodrum Gallery, Melbourne GREG WEIGHT is represented by Australian Galleries Sydney KEN WHISSON is represented by Niagara Galleries, Melbourne ANTHONY WHITE is represented by Nanda Hobbs, Sydney, Metro Gallery, Melbourne, Informality Gallery, United Kingdom MARGARET WOODWARD is represented by Fellia Melas Gallery, Sydney SALVATORE ZOFREA is represented by Australian Galleries Sydney and Melbourne

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auctions consultancy galleries

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