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ood day to you my dears, Oscar Fingal O'Fiahertie Wills Wilde here with nothing to declare except my genius. Bosie and I have been perusing a rather fine publication known as Concrete and are particularly fond of this entertaining journal within . The Event is a most entertaining guide which any member of society should read, lest he should be outcast Heaven forbid. To be uninformed on the occasional gig is a folly but it is simply careless to be ignorant about the latest escapades on the Norwich circuit, truly the finest society outside London. All musical tastes are catered for with the latest offerings reviewed by some delightful little children from primary schooL The moving pictures section reviews Smilla 's Feeling For Snow. In addition, and far more importantly, is mention of Wilde, a wonderful little piece about my good self. lt shows that there is one thing worse than being talked about and that is not being talked about in the Event. Lovers of computer games will enjoy the Worms feature, Bosie hasn't stopped playing it all week. More information about the information superhighway can be found on the inter@ctive page, this week about looking for jobs - too hideous a notion for me to possibly contemplate. The arts pages provide essential insight into the latest books and plays, none of which are half as good as I could manage. Still, it is admirable that they make the effort. This is a rather wonderful Event which I shall be sure to show to all my friends in London society.
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erhaps ifs because it is November, or that it's really cold now, but there's plenty of stuff out there worthy of the attention of the Diner Toast award this fortnight The first candidate, and maybe the most obvious, is temperature and its nasty habit of dipping furiously at this time of year particularly at night. The whole ritual of going to sleep in a student house has now become something of a survival technique. Extremities are covered with layers of socks, gloves, hats, balaclavas whilst the rest of the body has to make do with the bewildering weight of every single article of clothing in your student wardrobe, constricting breathing and general movement, and just to put your ailing physical frame under more pressure you lie under two duvets, and three blankets. Once decked out for the night you lie motionless watching your breath condense above your head ignoring your buried bladder's cries for draining .... But if life at night weren't hard enough there's the toastworthy aspects of the day to bother about. You often find that there are not a lot of things available just when you need them: parking spaces; flapjacks; computers when everyone on campus is simultaneously trying to write essays (and the guy in front is editing a 20,000 word project). All these things are pretty good contenders for our diner toast award, but the winner this week has to be something that's always there when you DON'T need it. Red lights and traffic jams: a deadly combination. Imagine the scenario: you're having a quiet drive on a Sunday to find a nice pub tor lunch, it's sunny, the roads are clear, not a junction in sight. As soon as you slam down the accelerator, as it by magic a tractor appears in front of you. When you eventually get past the tractor you instantly run into 6 consecutive sets of red lights, and the ones you decide to jump always have a policeman cunningly tucked away behind them waiting to book you. Of course, once you've missed lunch and are driving home there's not another vehicle or obstacle in sight so to the dual winners of tractors and traffic lights, the toast's in the post.
Movies Killer Worms
TV & Radio
lnter@ctive
Food Arts
Coming Soon... onight the Hive 1s set to become a hotbed of musical mayhem as Sonia and Sinitta, those familiar faces from the heyday of 80s pop, perform old favourites from the world of musicals and cheesy films . Everything from Rocky Horror to
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70s and 80s music in this two hour sensation. Since the Eurovislon entry, Sonia has busied herself with West End domination while you may have seen Sinitta on the chat show circuit presenting on MTV and Thames Television. Tickets are !l.SO and available nowl The double album What a Feeling features the original artists belting out these top tunes and the Ents office has three CDs to give away to anyone who can answer this simple question: Sonia played Sandy in which popular musical!
Answers on a postcard please and send them
Saturday Night Fever
1s on the bill for What a Feeling.
Experience t h e ult im ate in
THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
Editor-in-chief: Jane Kirby Ed itor: Catherine Jones Huslc Editor: Paul Stokes Assistant Huslc Editor: James Tapsfield Design and Screen Editor: John Spacey TV&Radlo Editor: Amy Pierce lnter@ctlve Editor: Stuart Dredge Acting Arts Editor: James Graham dv,en~isin<T Hanager: Amy Kingswell Contributing Writers: James
Lee McNicoll, Niell Johnstone, Matt Walsh, Aimee Gasston, Debbi Marco, Kelly Moran, Diana Goodman, Nick Wright, Paul Gould, Carl Seville, Eroica Mildmay, Sam Jackson, Laura Firgraive, Sarah Moore, Mo Herdman, lmogen Rose-Smith , Dave Roberts, Lucas Psillakis, Adam Cottrall Special Thanks To: r Jones' and Mrs Baxter's classes at Harford Middle School
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bandmates, and set out to take the record industry by storm. Interviewing Monkey Mafia is an unnerving experience. lt takes place backstage at the Waterfront, where they're supporting Rani Size's Reprazent. I'm here to ask questions, but the band are more interested in breakdancing, raiding Reprazent's booze stores, and cracking various jokes unsuitable for a family publication. So Jon, was the Social a key influence on the musical landscape of nineties Britain? "Naah! lt was more about a group of mates getting f** *ed out of our heads and playing records. This whole legend's grown up around it, but it was just a laugh really." What's more, according to popular legend, Jon blagged a DJ slot after being discovered unconscious under someone's kitchen sink, something which he's unwilling to admit to now. So what are Monkey Mafia all about? The beats are large, but there's a lot more to them than just chemical copyists. Dub-heavy rhythms, fearsome ragga chatting, and the obligatory air-raid sirens. An album has been recorded, for release "sometime - God knows when!" So what's it like? "lt's a great album. lt's the type of record that'll chat you up, take you home, shag you slily, and then get up in the morning to make you a cuppa. You'll love it." And with that, the band disappear in search of a quick burger or three, pausing only to purloin the last remnants of alcohol from Rani Size's dressing
Jon Carter, founding father of Big Beat, has gathered a new group together and is venturing forth once more. Stuart Dredge gets the low-down on Monkey Mafia ... ot too long ago, undoubtedly the coolest club in London was the Heavenly Social. Starting as a regular party held in the back of a pub, it mutated into the founding father of Big Beat. The DJs played whatever they wanted to, mixing up old-school hip-hop, eighties electro, blistering punk rock, and on one memorable occasion, The Birdie Song. In short, it rocked. Jon Carter was one of those DJs, and eventually released a remix album: . Uve at the Social Volume 2 (the first was mixed by the Chemical Brothers). Now he's got his own band, Monkey Mafia. Okay, the name's not new, for he's been making records as Monkey Mafia for a couple of years now. However, this summer he recruited some
Your indispensible guide to what matters most in music
What's the big fuss then? The man who brought folk music to the masses, protest to pop, and damn fme lyrics to the world. Bob's been going solid smce 1962. building up a loyal cult following all over the world. Who did/does what? Initially Bob played his guitar, blew h1s harmonica and mumbled into a miCrophone all by himself. However as his fame grew and his sound went electric he gathered up a backing band who had to try and guess JUSt what he was dotng
His protest songs have also found notonety across the globe, such as Masters of War or The Times They Are A' Changm. Are they still going? Very much so, despite the odd health scare. Bob's been on the 'never end1ng tour' since '89, and doesn't look like stopp1ng any time soon
THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
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aithless are an organic hybrid of dance, hip hop and traditional songwriters who began working together in 1995. Rollo is a prolific DJ and producer who, as well as releasing his own material, has worked with U2, Bjork and The Pet Shop Boys. Sister Bliss is from the same dance DJ I producer background, as is hip hop and forme r pi rate radio DJ Maxi Jazz. His work led to prestigiou s stints working with Jamiroqua1 and Soul 11 Soul amongst others. The final member of the group is Jamie Catto, former singer with The Big Truth Band and drummer for Gabrielle Roth . A ''traditional" singer/songwriter who doesn't listen to club music, his involvement with the group is perhaps the most unusual, but one that provides depth and diversity to the Faithless sound. With the huge international success of the first two singles Insomnia and Salve Mia, Faithless seemed to have set their stall out as a dance band of the usual (dare I say) Sash variety. However Jamie states , "We're not a dance band , we've just had a lot of success with a couple of dance singles ... People were really convinced we were a dance outfit; it was a battle in the beginning to make them see otherwise but now with the success of the album people generally understand ." Jam1e attributes the band's diversity to each member's different musical background and the way the group was formed, but also points out that the staleness of the cu rrent musical climate has led to exaggeration when describing their sound . "I don't think it is as diverse as people say. If you took the house tracks away it's not that diverse ... it's a sign of the times that an album like ours (Reverence) is considered to be eclectic and diverse. it's not, it's just the music industry has made everything so homogenised." The new single Don 't Leave is included on, and recently released to coincide with , the launch of the new Ewan MacGregor I Cameron Diaz film A Life Less Ordinary.
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Made by the team that brought us Shallow Grave and Trainspotting the band are excited about their inclusion and the exposure it will bring. Was it a mad scramble to get on with what will probably be another hugely successful soundtrack? "Nah .. We just got a call from Danny Boyle because while they were waiting to find the original music for the film their Jamie tells it how it Is editor cut any music he liked into it. The song ended up press release promises to be, "eclectic epic staying because they all liked it." house, folk and hip hop, successfu lly blended Over the summer Faithless have been "taking it to the people" and perfecting heir live show together for a full-on live experience." With a ten piece band Jamie promises it's a show with appearances at Tribal Gathering , Jam In Th e Park (with Jamiroquai) and a pioneering not to be missed. tour of South Africa which saw them "We can 't wait, we've got a serious, massive live headline 20,000 capacity gigs. show, none of this playing to backing machines ''That was the most unbelievable rubbish for us. We've got about ten people kicking it up on stage." tour," says Jamie, " talk about luxury! We stayed at Sun City, The band have also been busy completing a short went on safari, did musical film titled The Innocents, drawing comparisons to workshops in the townships and Portishead's To Kill A Dead Man. played three gigs to more than The film uses a London council estate as a 40,000 people." backdrop to what Jamie describes as "a beautiful The Faithless live extravaganza kick fairy story. With the success of the album we had off a British tour in Manchester on the opportunity to do a few other things we November 19 before coming to thought would be fun ." The release date for the film is yet to be confirm ed Norwich to play the Waterfront on the 25th in what, according to the but is expected to be soon . aithless still have a lot of goals to realise , and it looks like the coming year will see the band achieve many of them. In the new year the band will tour Australia (possibly supporting Beck) , Japan and America before returning in March to finish and release the follow up to Reverence. Then they will be embarking on a massive three month tour of the UK and Europe. With summer festivals, studio time and another American tour already planned, the band's current schedule has them working non-stop until nex1 Christmas but Jamie is excited at the prospect of taking their music to new audiences. Japan and south east Asia are yet to experience
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THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
the album which is being released there in the early spring. "We're really hoping the [Japan] tour comes off, it's another world . Can you imagine just turning up with your guitar and playing? Brilliant!" Never ones to rest on their laurels, there are many individual projects which are keeping the band busy. Rollo is producing other artists , Sister Bliss DJing at club nights across the country and Jamie , under the title of Worlds Collide (with Duncan Bridgeman) has been commissioned to write the score and titles for the Columbia film Dan Eldman, the new project from the writer of Shme. With a gold album , a host of international number one hits and sales in excess of three million already under their belt, th e future looks decidedly rosy for Faithless. Plans for the fu ture are already underway, and there doesn't look to be any chance of the current success disappearing. Their refreshing musical mix will undoubtedly continue to excite audiences across the world.
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For a fresh young opinion on the pop world Paul Stokes spends some time in the school playground to find out what's hot and what's not. All is not well in the land of kiss-chase ••• n deepest, darkest Hampstead there are at this minute tribes of bohemians drinking frothy coffee, stroking their goatee beards and discussing music. The classics, "Oh, clearly Lennon is the post modernist antichrist; and today's hits, "The Spice Girls' existentalist persona is clearly represented in their single Spice Up Your Life." Confused? We were, so in search of a simpler, uncomplicated outlook on life, music and finger painting, The Event put on its indoor shoes, hung up its coat and went back to school. The Event was accepted as honorary members of two classes of children aged nine and ten at South Harford Middle School. We played them records and they told us what they thought, non nonsense, no packdrill. Children today are not going to be fobbed off. They know where it's at, and they know what they like. We started on safe ground with Oasis. Everyone liked Do Yer Know What I Mean?, although there was a suggestion that the beginning was a bit scary. Chumbawamba's summer hit Tubthumping is next on the curriculum. This was a clear favourite and had the children singing along. Next of the chart hits is the Verve's epic Bitter Sweet Symphony. The class seemed to like this one too, as it had a "peaceful" feel, although it took a while to get going. The last song on the hit list was Texas' smash Halo. This generated a mixed reaction, some of them liked the fact that it's nice and loud, others complained that it never fully got going, and one girl thought it sounded like her Mum singing and so was unimpressed. Finally we had to check their credentials before we let them lose on this week's releases and the all time classics: Spice Girls or Oasis. The classes firmly plumped for all things spice, and Emma "Baby Spice" was voted the most popular of the five (obviously she's the one
they can all relate to; Sporty Spice, poor girl, was described as a being "a bit yucky").
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s everything seemed to be in order we moved on to this week's releases. If you turn over the page to Inspected you can find out what UEA's finest thought of this week's releases, while back in the classroom the children also put their young, critical ears to work to find out exactly what the students have been talking about. First up Teenage Fanclub's single Start Again. The Teenies didn't fare too well ; it was too slow and uninspiring according to most of the class, though they thought it
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could do with a second listen. Northern Uproar with their single Goodbye caused everyone to break into fits of laughter, "He sounds squeaky," exclaimed one boy "a bit like an old fogey!!" Goodbye was to be honest quite dire, and the only positive thing anybody could say about it was, well it was so bad it made them laugh. The next offering from this issue was Moby's LP I Like to Score and particularly the remix of the James Bond theme (for the soundtrack of the new film Tomorrow Never Dies). Bond proved to be very popular: several of the boys at the back were playing funky air guitar. "lt would be fun for parties," one girl suggested, though another girl was unconvinced, "I don't like it, it sounded like an alien!" she explained. "But aliens can't sing I" replied someone with an air of authority. When The Event inquired whether she had ever seen an alien, she thought for a minute
and replied, "Er. .. No." Still, with all the CIA, MI5, X-file cover ups the average alien probably can't find the time to practise. So today's and tomorrow's hits threw up no problems for The Event's latest recruits, but how did they find the classics? Of the greats that we played them, the newest one was Panic by the Smiths which was released over ten years ago, before most of today's reviewers were even born .
the biggest band of all time. "My dad really likes the Beatles though," one girl offered by way of apology. The Smiths do relatively better under the microscope, their anthem Panic (hang the DJ, hang the DJ) was liked by half the class as they can "lose themselves in the music" whilst the others found it a bit on the dull side. Bob Dylan suffered from the worst critical beating. Like a Rolling Stone from Highway 61 Revisited, despite the fact one
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boy decided to conduct it from his seat, was universally slated. "He sounds like a dog, no no, he sounds my grandad singing in the bath," one boy shouted from the back. This caused the class to burst into laughter, and from then on Dylan was compared to almost everyone's elderly relations. Clearly Bob Dylan should think about covering a few children's favourites in order to boost his standing in the pre-teen market, Dylan plays Mr Blobby's greatest hits? Perhaps not. So how did The Event do? Well we were OK on times tables, but hand writing will most definitely' have to improve.
lt's not my taste, it makes me feel like a boy
Bob Marley, reggae king and Fugees sample material was first into the ring with No Woman No Cry. First blow, "it's a bit too slow," said a boy at the back of the class. "lt puts you to sleep; offered someone else and Marley was knocked to the canvas. The next contender was the Beatles. After explaining the difference in spelling between the band and the insect variety With a Little Help From My Friends was released on the unsuspecting pre-teens. Ringo's singing came under some fire (I guess they would walk out on him for singing out of tune), and after a tense vote the class came down 16: 12, against (yes against)
THE EVENT, WEDNESDAY, NOVEMB£R 12,1997
(â‚Źevent) Echo belly Lustra
Just remember: it's only music ... Moby I Like to Score Moby's musical career has shown more directrons then a gyrating compass. Few artist have worked with Heather Nova and the Butthole Surfers, have the chance of doing something with Gun's N Roses, and still hold the title of "Techno's First Star." it is therefore difficul t to know what to expect from a new Moby album. The wryly titled I Like to Score offers a compilation of film music old and new, illustrating Moby's diverse range of musical tastes and influences. Not many record s can boast th e inclusion of house, trance and rock, but is that something to boast about? Brilliant, classic house is evident on Go, but we are faced with many unsatisfying tracks, with the mixing failing to improve. Th e taste is good but you're left craving a bigger, better bite. Th is album may be good background or post club come-down music, but the individual tracks generally eith er propel you into musical heaven, or drag you into a bog of monotony. Th e emotive cover of New Dawn Fades shows that this album has more than just specialist appeal ,but at times it has th e feel of free sampler disc to it. Such an electric album is refreshing to find , bL t you 'll have to endure some near misses before getting to Moby's sweetest goals. Lee McNicoll
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The Cure Galore: The Singles
For Britpop dinosaurs like Echobelly the problem is a simple one: adapt or die. Faced with younger, more complex species, some of the old guard have wrestled heroically with their musical direction to drag themselves into 1997. Sadly, Echobelly have chosen to hide their inadequacies behind cumbersome string arrangements and odd chord changes. Intended to sound epic, these only succeed in weighing down this normally upbeat band throughout lumbering Lustra. Far from three minute pop gems like King of the Kerb, these offerings seem like ideas that don't belong to the same song, carelessly bolted together over flacc1d beats and topped off w1th some vocal gymnastics. Even Sonya Madan's lyrics have progressed from sharp observation to introspective pop star rambl ings about boys and drugs. Everyone Knows Better sounds like The Eagles, and Paradise manages to lose the plot in two and a half minutes. it's a great shame for a band who used to want to do great things, which is only emphasized by the one or two half-decent offerings to be found on this album. -rile passage of time has sadly reduced Echobell y m a real contender to a ponderous has-been, whom extin ction is looming. James Wolfe
A band who have half a brain and can still play guitar? Surely not 1 Indeed, but then the only predictable thmg about this band is they continue to make bloody good records. Quirky lyrics. tripping verse and a chorus to pogo to. Complete w1th banjo and trumpet, grrrreatl! Ntce one, super 11 Aimee Gasston
Northern Uproar Goodbye Goodbye IS pretty terrible, although it probably represents a career high for Northern Uproar. If a combination of caveman vocals and cheesy hom solos warm your cockles then it's passable. If not. and you want a hint of intelligence and feeling in your ballads then you can kiss Goodbye goodbye. James Wolfe
Moke My Desire Moke are a new band with a new debut single, mixed by Dave Eringe (Manic Street Preachers) My Desire. Unfortunately i1. fails to live up to any expectations you may have.The various mixes on the CD are rem1n1scent of many things including the Kinks. Pearl Jam, Blind Melon, and a watered down Radiohead. The single fails to realise smger Johnny Hogo's undeniable vocal abl11ty In short tt's not bad. but not worth your hard-earned Marle-C/are Jenklns cash
nage Fanclub Galore: everything you ever wanted and more from The Cure . Class1c hits like Friday I'm in Love and Close to Me are just two of the great singles on th is album that The Cure have released in the last decade. We're also given a taste of what's to come: Wrong Number is their latest offering and if it is indicative of the new album , which should be released some time in 1998, then Cure fans are in for a treat. Although thiS IS a great album and will be loved by hard core fans and Cure virgins alike, some may feel that there are some great album tracks, like In-between Days, that have been overlooked. If you 're in need of a quick fix of th e Cure before the next album , then Galore does the trick, but remember there's no need to buy if it you have Debbi Marco already got all the singles.
rt Again Start Agam rs the tf"Jrd s1ngle to be taken from Teenage Far c 1b s ffth c:rd
@ t) The Event and Domino records have got ~:even together to offer you free copies of The Hits
Hurt, a new compilation featuring songs from The Pastels and Pavement among others. All you have to do is answer this one tiny question ...
What song has been the biggest hit this year?
At gentleman's walk, opposite the market THE EVENT, WEDNESDAY NOVEMBEIJ 12, 1997
If you don't know the answer, go and beat yourself to death with a cucumber. If you do, drop in and tell us and you could win...
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Complied by John Spacey
8 Heads In a Duffel Bag Released November 28 Joe Pesci stars as an ItalianAmerican gangster (no typecasting then) who has to deliver a very unusual package to his superiors. And it's a comedy.
Alien: Resurrection Released November 28 Sigoumey Weaver does the monster mash in another movie with the acid-veined thing from space. Also starring Winona Ryder and a load of extras.
Nothing to Lose Released November 21 nm Robbins (Shawshank Redemption) and Martin Lawrence (of Bad Boys fame) become unlikely partners in this road comedy. No doubt they'll be friends at the end of it all.
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his film has to live up to a lot of expectations. Oscar Wilde was one the greatest wits of his time, and Stephen Fry is one of the greatest of ours, so as an audience, we're expecting a witty plot. Wilde is also one of the English language's finest writers, so you might think the film would recognise that fact. Secondly, as the first film of Oscar Wilde's life since the prudish 50s (when to show two men holding hands was considered immoral), you may expect this film to be sexually liberated. Wilde does nc.t really
meet these expectations - except on the sex front where there's precious little else for the first 20 minutes. And Wit, though creating a few comic moments, only makes a cameo appearance, leaving you wondering what is was Wilde actually did, as his writings make fleeting visits to the story. Nonetheless we do see how Wilde is consumed and ultimately destroyed by his passion: Lord Bosie Douglas. Bosie, excellently portrayed by Jude Law, is a character who one minute you pity due to his violent father and family disasters, and
the next you want to poke in the eye. He is a selfish, self-centred individual who is unworthy of Wilde's attention and affection. Fry portrays Wilde as a vulnerable, tender man who never intended to hurt anyone, but due to his own failings ends up harming many. This is a sad, moving film of one man's fall from grace. it's just a shame that Wilde's wit was not given greater exposure, as this would have firmly propelled it from the world of BBC costume drama into that of a film classic.
Paul Stokes
Chasing Amy USA (1997) Dlr: Kevln Smith Showing soon
41® Welcome to Sarajevo Released November 21 Woody Harrelson (The People Vs Larry Flynf) and Kerry Fox (Shallow Grave) star in a movie based around the foreign journalists who lived through the seige of Sarajevo.
Seven Years In Tibet Released November 21 Brad Pitt stars as a Nazi gym teacher with very blonde hair who escapes capture and spends the Second World War in Tibet - and finds himself. As movie characters do.
Excess Baggage Released November 28 Alicia Silverstone arranges for herself to be kidnapped and held to ransom in order to get more attention from her father Christopher Walken. The things people do, eh?
vin Smith's third movie represents his most mature effort to date, and something f a return to grace after Mal/rats. Ben Affleck plays a hapless comic book writer who comes to leam that the woman he loves is a lesbian, in a movie that explores in a funny, profound way our perception of ourselves as sexual beings. Smith's true gift is for dialogue, so it's good to see him doing what he does best: creating scenes for people he is familiar with. You'll recognise both faces from and references to Clerks and Mal/rats. Much of the movie is funny, but most impressive are the a{fecting performances of the two leads, who avoid descending into cliche. In fact, at the risk of sounding like every other critic on the planet, this is a romantic comedy for those of you who don't usually like that sort of thing. Writer I director Smith's subject matter is realistic because he writes about what he knows, which is New Jersey. He could have set it in New York, but the point of the story would be lost. How Ben Affleck's comic book writer comes to terms with the object of his desire is not the reaction of a New Yorker but that of a suburban New Jerseyite. Any Sleepless in Seatt/e-esque scene at the top of the Empire State Building would be out of place here; Smith instead leaves us with that rarest of things, a thought-provoking romance. Isn't that what we all need? Nick Wrfght
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4 COURSE CHRISTMAS MEAL £10.95 HOMEMADE WATERCRESS SOUP COUNTRY PATE AND TOAST HONEYDEW MELON AND MIDORI LIQUOR ROASTNORFOLKTURKEY BEEF BOURGUIGNONNE PROVENCALE NUT WELLINGTON (A nut cutlette, topped with a creamy cheesy sauce, encased in puH pastry}
CHRISTMAS PUDDING .with BRANDY BUTTER & CREAM
HOT MINCE PIE COFFEE AND MINTS To confirm your booking, a £2 per person deposit must be made
BOOKINGS ONLY
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With the mug swap in Face/Off causing all other movies where the main characters spend
!:!,uslon, Paul Gould takes a look at the~r time trying to be someone else ...
Psycho (1960)
Original cha racter: Daniel Hillard (Robin Williams). Who was : A San Francisco voice-over artist who couldn't hold down a job. Who becomes : lphegina Doubtfire -a British nanny .. ahem . Reason why? To spend more time with his two extra-c ute children, he works as a nanny to r his unsuspecting ex-wife. Consequences ! Becomes the first fil m to promote cross-dressing as a form of marriage therapy . Succass? 2/10. Looks like a truck driver in drag and sounds like Miss Jean Brodie long past her prime .
Original character : Norman Bates (Anthony Perkins) . Who was: The yo ung man that doesn 't get enough exorcise. Who becomes : Schizophrenic murderer in his dead mother's clothes . Reason Why? To give Hitchcock the vehicle for the infamous shower scene presumably. Consequences! The heroine disappears after two reels . Success? 6/ 10. As Norman would say, "Mother's not quite herself today."
Nuns on the Run (1990) Original characters : Old man (Eric Idle) , fat man (Robbie Coltrane). Who were: Incompetent gangsters and petty criminals. Who become : An old nun an d a fat nun. Reason why? Motivated by fear for their lives th ey get dressed in women's garb. Consequences ! Taking refuge in a convent school creates plenty of scope tor Py1honish win kwink nudge-nudge routines. Success? 7/10. Both become oddly believable as nuns - as disturbing as that may be.
Big (1988) Original character : Josh Baskin (David MoscowfTom Hanks) . Who was: A 13-year-o ld boy who th inks its no tun being in you r teens when your not tail. Who becomes: A kid in a grown-up body. Reason why ? A ca rnival-wishing machine grants Josh his wish to grow "big". Of co urse! Consequences! Immediate dilemma. Going back to school is not an option and his mum thinks he's an intruder and doesn't buy the explanation that he's changed into a man. Success? 8/10. Josh's inability to comprehend adult life vs the revitalising effect on those around him , causes much hi larity.
Batman (1989) Original character: Bruce Wayne (Michael Keaton) Who was : An enigmatic millionaire . Who Becomes : Batman, a masked and emotionally disturbed vigilante . Reason why? Why does Bruce Wayne spend millions of dollars dressing up as a bat? And , as the Joker said to Batman , "Where did he get those wonderful toys ?" Bruce's motivation is something to do with witnessing his parents' murder Consequences! Battles against arch crim inal Th e Joker in a slugging match between good and evil. Success? 7/10. Gets to scurry around in his Batmob ile making sure justice is done .
The Mask (1994) Original character: Stanley lpkiss (Jim Carrey) . Who was: A wimpish bank clerk in a constant state of humiliation . Who becomes: A green-faced com ic-book hero ca pable of humiliating everyone else. Reason why? He rescues what he thinks is a body from the river, only to fi nd out that it is a mask. Consequences! Stanley wears the mask, which appears to endow him with an exuberant personality that sometimes gets him into trouble. Success? 10/10, to r pulling Cameron Diaz!!
Six Degrees of Seperation (1993) Original character: Some bloke ca lled Paul played by Will Smith . Who was: A young black gay man from th e under-class. Who becomes : Friends with a group of wea lthy families . Reason why? Arrives on the doorstep of a wealthy and sophisticated New York couple claimi ng to have been mugged , and con vinces them that he is a friend of their children , and the son of Sydney Poitier. Consequences! Manages to dupe his way into various wealthy homes, where he eats their food and sleeps in their beds. Success? 7/10. The titl e of the film traces the belief that anybody can form a connection by friendship or acquaintance to any other person , involving no more than six intermediary links . Everyone is thus joined by a maximum of six degrees of separation to everyone else . Fasci nating.
LOUIS MARCHESI
Tootsie(1982) Original character : Michael Dorsey (Dustin Hoffman). Who was: An out of work stage actor trying to make ends meet. Who Becomes : Dorothy Michaels- an actress . Reason why? Pretends to be a woman just to get a part in a day1ime TV soap opera. Consequences! His tame as 'Dorothy Michaels' is almost instant. Success? 1/10; Hoffman's female impersonation is more Dame Edna Everage than Dame Vera Lynn .
Vice Versa (1988)
Original character: Dave Kovic (Kevm Kl ine) . Who was : A ru n-of-the-mill businessman an d presidential look-ali ke. Who becomes : Bill Mitchell, Pres1dent of the United States . Reason why? After the President suffers a massive stroke, Dave is recruited by the White House to Impersonate h1m for "security reasons". However, the Ch1ef of Staff wants to keep Dave in office long enough to engmeer a coup in which he can take control Consequences ! Apart from becom1ng the most powerful man on earth. Dave (more Importantly) manages to thaw the icy relationship between himself and F1rst Lady (Sigourney Weaver) . Success? 9/10. Dave becomes Pres1dent of the United States and manages to tool the President's wife - what more do you want ?
THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
Orig inal c haracters : Mars hall (Judge Reinhold), Charlie (Fred Savage) . Who were: Divorced workaholic department store Executive (Reinhold) and his 11-year-old son (Savage) who both wish they could lead each other's lives. Who become : Each other. Reason why? A mag1cal sku ll , wh1c h mysteriously co mes into dad's possession durmg a trip to Th ailand , makes th eir wish come true. Consequences! Son (in dad's body) IS forced to negotiate the executive boardroom. while dad (in son's body) takes on the school bullies . Success? 4/10; Moments of rather tasteless co mplexity arise with dad's gi rlfriend . who becomes more enamoured the more immature "dad" acts. Hmm .
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.I LA Confidenti al us ( 1997) Dlr: Curtis H an son ABC - Now Showing
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n the world of books and film, 50s 1..os Angeles is only ever portrayed as a hotbed of sin and vice. At first glance, LA Confidentials story of porn, hookers, sleazy journalists and bent cops seems to be nothing out of the ordinary, so it's a surprise that this is a film without a dull moment. In fact it's chock-a-block with thrills. The cast is perhaps one of the most peculiar ever assembled. Kevin Spacey (Seven, The Usual Suspects) acts alongside Danny DeVito, Guy Pearce (Priscilla: Queen of the Desert) and James Cromwell (Farmer Hoggett in Babe). That such an ensemble comes across as actually believable is a testament to a fantastically acted and directed film . Ed Exley (Guy Pearce) is the son of an LA cop who died on duty, and Junior's career is rocketing ahead. The only problem is, he's got morals, and therefore considers that a bunch of colleagues duffing up a bunch of Mexicans in the police cells isn't really acceptable.The press agree with him
and Exley gets a promotion for snitching on his workmates. Jack Vincennes (Kevin Spacey) is the ultimate celebrity cop, a consultant on a telly show, and appears in journalist Danny DeVito's scandal rag Hush-Hush when the two fit up unsuspecting crooks. A shooting in an all-night cafe throws Spacey, Pearce and colleague, Russell Crowe, all around the weird and twisted elements of Los Angeles (the feelgood factor barely gets a look in), as they slowly work out just what the hell is going on. Though cop films are two a penny and this particular genre is expected to be contrived and dense. The film never falls into cliche, largely thanks to its leading actors. The most amazing performances come from the Australian, Russell Crowe, as the ever-so-slightly naive young gun, and from James Cromwell as the Irish police chief. As for Kevin Spacey, he's the slightly disreputable charmer we've all come to expect. Refusing to simplify James Ellroy's original novel, the bleak plot doesn't wallow in misery like !he recent Nil By Mouth, but positively relishes character and situation. If you fancy something that ain't crash-boom-bang, you can't do much John Spacey better than this.
To mark the opening of LA Confidential, a sleazy tale of 50s Los Angeles, The Event and t he Odeon cinema in Norwich have teamed up to offer you, the reader, some fantastic prizes. For the lucky people whose names get drawn out of the hat, we're offering you some fantastic LA Confidentla/T-shirts. To enter, just answer this question: in which film did Kevin Spacey play a serial killer obsessed with the seven deadly sins? Stick your answer on a postcard and put it in the competitions box in the Hive by November 21 . Good luckl
THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
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Still think computer games are for socially inadequate people with no matest Worms 2 is the game that'll change your mind. Bungeeeeeel t's fair to say that there hasn't been much copy. Back in 1995, Worms rivalled the LCR In room for worms In the history of computer causing bleary-eyed students, missed essay games, compared to other animals. After deadlines, and even mass brawls on a feY11 notable all, we've had turbo-charged hedgehogs, occasions in Waveney Terrace. Over the last couple of years, various updates suicidal lemmings, road-crossing frogs, and even the odd ninja turtle, all clamouring for have been produced, adding extra options. the attention on console and computer alike. But not facility to play over a network, and suchlike. many worms. Of course there was Earthworm However, the core gameplay remained Jim a couple of years ago, but he wasn't much fundamentally the same, eventually meani1g that hardened wormers just got too good at it. Games cop. Not only did he need the protection of a spacesuit, but he also ruined his computer cred could (and sometimes did) go on for days, with wily pros standing each other off with their by appearing in a terrible eponymous cartoon show. Any others? Well, not that spring to mind, complex tactics. Garners wanted a new challenge, although there was once a game based around so Team17 decided to give it to them by producing the animated series Trapdoor, in which one of an official sequel. Okay, so the fact that they knew the tasks involved finding some squiggly things they could make potloads of cash probably had something to do with it too, but nevertheless, the to feed 'im upstairs. But I digress... Back in the early nineties, a young man by the last year has been spent producing a sequel name of Andy Davidson decided that the lack of (called, surprisingly, Worms 2) that would have invertebrates in electronic entertainment had to something new for previous fans, yet would also be rectified. He designed a game for the Amiga attract those who hadn't yet fallen under its spell. (remember that kids?) which would feature Well, that sequel is now ready to be unleashed on the world, firstly on the PC but soon after on the worms in an orgy of violence and destruction. Why? No-one's sure, but chances are it was major consoles too. In anticipation of the student demand for Worms 2, we managed to down to an unpleasant childhood experience. Anyway, he took his idea along to a .........11!~·-.. blag a copy early, just so we software publishers conference, and could tell you all about it. The convinced a company called worms are back, and with Team17 to develop the idea and the game comirg out next week you'd better produce a fully fledged game. That game, entitled simply get your coursawork Worms, came out in 1995 initially out of the way pretty sharpishl on the Am/ga and PC formats. Its combination of gleeful violence and fiendish strategy won it critical praise, but In the months following its release it acquired an increasingly large cult following amongst gamesplayers all over the world. The reason was its multiplayer capability. Vou could get four players clustered around one computer playing against each other, which was still a rarity at that time. Students loved it too - take a wander around any university residence, and where there's a PC or
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o. if you haven't played the original game, here's a basic rundown of what you have to do. Up to four players take control of a team s ounds great for newcomers, but what differences are there from tihe original of four worms each. You get to choose a suitable team name, as well as give game to tempt existing Worms fans? Well, for one thing there are more weapons to use, each of your worms its own name. Be warned, this just gets such as baseball bats and napalm strikes. you attached to the little What's more, the programmers have really blighters, provoking rage when gone overboard on the wacky secret your mate blows away your weapons: where once there were only . favourite! Anyway, the general exploding sheep, now they're joined by killer idea is to kill all the other old women, pigeons, cows, and God knows teams' worms, leaving what else! Most importantly, Worms 2s one or more of your graphics have been completely overhauled. The own standing on the original games were small but perfectly formed, battlefield. To help you in and looked quite similar to those of ~~~------lliiilllllliiiiiiill this nefarious aim are various ...,. weapons. These include machine guns, hand grenades, dynamite, homing missiles, and even exploding sheep (a favourite from the original game). The game is Lemmings. However, for Worm 2, Team17 have turn-based, meaning that each player takes it in created. a new look which is much more cartoony turn to use one of their worms to cause as much in style. The worms are now more cutesy than ever, with more comedy facial expressions. You destruction as possible to the other teams. The game continues until three teams have been can now customise the game to your heart's eliminated, leaving one team the winner. The content, even to the extent of recording things for game handily keeps a record of who's killed who, your worms to say. Call me juvenile (I will-Ed.), so you can see which worms are, er, hard, and but it does warm the cockles of your heart when which aren't. your worm cries "B•..••ks!" after getting blown You control your worms with a mixture of keyboard up... and mouse on the PC, although console owners But is it any good? Well, the short answer is yes, will probably be using a joypad. Moving is easy it's great. Worms never claimed to have brilliant graphics, although its miniature the worms can move left and right (using the arrow keys) look won much affection. Now, with .-""!::........_ beefed up graphics all round, Worms and jump (the spacebar) 21ooks gorgeous yet hasn't to get into position for sacrificed any of the gameplay. I'll that perfect shot. You put my neck on the line here, and say that this is weapons by calling small icon bar, before one of those rarest things: a game that makes and firing using the you laugh out loud at regular intervals. it's the little touches that do it - for example each weapon has keyboard. Not that all you can do is attack - these worms its own animation. When you select the baseball bat weapon, your worm slips on a backwards are veritable action worms, baseball cap to go with it. Well, I guess you able to swing on ropes, bungee jump off cliff edges, ---... had to be there... and even teleport around the Ifs the multiplayer aspect screen! that is going to make
Worms 2 such a huge smash though. With six players playing at once it's a riot, often literally when you push off a cliff your mate's worm that he's named after his girlfriend. Of course, his girlfriend may be actually playing too, and kicking his arse most likely, as this is one game suited to both sexes. The strategic aspects and wicked humour mean that Worms 2 1acks the testosterone overload that blights too many games. As with Worms, if you buy this game news will spread like wildfire ...._ around the University, resulting in complete strangers turning up at your door in the early hours on the off-chance that you might fancy a game. The difference is that now, with six players, you can make even more new friends! Of course, if you're rich enough to have your own interne! connection at home, you can hook up with opponents all around the world. The game's easy to get into, and looks like having a phenomenal litespan once you start developing your own cunning tactics. it's rumoured that you can even start designing your own weapons, although it wasn't possible on the version we played. Be warned, buying Worms 2 may pose serious questions on your commitment to your studies, such is its addictiveness. A good or bad point? That's for you to decide, but don't blame me when your lecturer won't accept that assignment two weeks late! Are there bad points? Well, it's hard to say, seeing as the version we played wasn't completely final. We didn't get to play the one-player version, which Team17 claim has
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been significantly improved. Then again, you shouldn't really be playing this on your own, unless it's to brush up on devious tactics to annihilate your mates later on! The weapon firing system is a little cumbersome at first, meaning that your grenades will probably be landing several miles wide until you get the hang of it. Sometimes the background can look a little cluttered, making it hard to see exactly where you are and where you can go. All of these are minor niggles really - I honestly can't find any glaring cock-ups in the game at all!
Basically, in plain language, Worms 2 rocks. On a scale of nought to Guns 'n' Roses, it kicks Axl Rose's butt from here to California! Okay, so thafs not much of a compliment
IOM"' Mlwell l spent hllf my dlmn tlnlt ~playing Womll, but 11111 ~ I ~-,. managed to Wlln myself t1lf lt, 80 thlll could do-- . . . . . ~ I(·~ and 1hey _,b b,a;.r._. ......, a'lcllllif'h my lllliiJiys be
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~ tnllhed lhlllkil~ c:h.--.. You mwt be wondering about lhe names~., team. Well, I have lhlltnldlllon ~ nanng my.lllle some of my favortle cuddly toys. You know, tall of~~ touch wllh my chllciiOOd, or eomelhlng. Myw.y, 1was a bll worried before 1started ~Jar~ng. as rd heard that the graphics were .. .,., and car~Q~~ny. I liked the Gfd ones tlnelll But once rd lll8rtld playing, Hilon got to like the new loOic. The worme . . now lllggar, can really · 8881heir facial expreaaous. Obvloullly, being a pro WGmts player, it dldn'llke long to get to grips with the game. The new weepons were great. especially the exploding old women. I'm fPd they didn't take out the killer sheep thought I wish I could have used the weapon designer - I'm alWays wishing I could have a more powWfut bazooka. I wonder what Freud would make of that? So what did I think of it overall? Well, after a week playing it, I low it! 1t lmproYas on the original without secrifk:lng 118 best lllf**. rm off to buy • next week!
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Worms 2 is great! Fancy a go thent We've managed to persuade Team I 7 to let us give away a copy. Just tell us what you'd call your team of worms. Most amusing entry wins a copy of the game for the PC. Write your entry, name and school on a postcard, and drop ..• ,.......... it In the Conerete competition box In the Hive before Friday,
The Spaghetti Incident...), but
you get the picture. If you think you're above pleasuring yourself with pixellated entertainment, think again, then buy it. Slag a go with a mate's copy to see what you're missing. Then buy it!
WIN !
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considering the woeful nature of that group's recent stuff (don't contradict me - I've heard
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I '"true ...u. I I I I I I appealing). I wish I could have played WOtmS against my housemates, 1 ~butbecause none of them dared to play me, obviously they just knew I'd beat them!
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it's a far cry from classic shoot'em ups, but ll seems that a relaxed. slow death Is D )thewaytogo.
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THE EVENT, WEDNESDAY, NOVEMBER 12 ~ 1997
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THE COMPLETE MR BEAN UK (1997) Video - out to buy
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he funniest thing about Rowan Atkinson is that he's so ugly. His rotund face and plasticine expressions provide him with an immediate headstart over most of his contemporaries he can carry off scenes that in a lesser comedian's hands would inspire ridicule. Visual humour is not an easy technique to perfect. Effective emotional expression must sit alongside a genuinely funny situation. With Mr Bean, Atkinson has created a character who has almost become a national celebrity. The first complete episode, The Return of Mr Bean, emphasises Atkinson's comic genius. Incorporating the classic restaurant scene in which he employs his "I'm driving" catchphrase, the episode highlights the strengths of the Mr Bean concept. Incidental characters exist as mere props for the absurdly improbable situations Bean manages to find himself in. Interestingly though, the humour is less successful when there is greater involvement of other characters. In Bean Goes To Town, his face twists and creases throughout to make scenarios all the more hilarious. But some unimaginative material occasionally proves that not even Atkinson can save the horribly slack set-pieces that litter the weak Mr Bean in Room 426. There are signs that the writing team - one of whom is Atkinson - are running out of ideas as scenes plod along and begin to sink into cringe-inducing, laborious wit. If Room 426 is the shape of things to come, perhaps it may be time to call it all a day. Cart Seville
If any Disney fans out there missed out on the latest release Hercules, here's a chance for you (and your mates) to catch up. This is an opportunity to get a screening Hercules for yourself and as many of your friends as you can crammed into one cinema. Also, British animator, Gerald Scarfe, who designed the ' characters for Hercules, will be there to answer any questions you have ·\ about the film. To enter, just log on to the Hercules website at www.herc.co.uk and then find the student competition page. All entries \ must be in by November 17, and the winner will be notified by November 21. The screening will take place on Novem.ber 30. Good luck!
IEDIESDIYNOV 12TH FIDIY
PURl SWING 9~ ~tr~
IOV MTH f1)10UJ,AGE C14.· IOV 15TH c.ti£DANCEcWB> 9A.RIDH&&WS IOV 16TH SU NOAY SERVICE
STUDENT RATES!
£60.00 Party room hire Includes DJ or provide your own Pub bar prices, minimum 100 persons Monday through to Thursdays 15, Dove St, Norwich 01603 629060 THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
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etUe down In front of the telly, as On the Box on:lera the drscemlng viewer not to touch that remote control
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A mixed bunch of ci8SSIC repeats, new series episodes and a couple of decent dramas, provide a good variety for the more choosy amongst us. Just as it's getting reaDy cold we're forced to watch people gaiJivanting around on aJI Avno•nuo_col paid' trip& to tropical beaches. Den PNrllon: Rouln lltDUitd tht World (Fri Nov 14, C4 88 30pm) takes us to California to look at cactus plan Tile,.., Holiday Show (Wed, Nov 19, C4 8 30-9pm) proves that age has no effect on how much fun you can have as five teenage girls vi8lt Magaluf and a group of pensioners sample Russian Vodka. Then there's a trip to the Costa del Sol W.lt Good for You? (Thurs. Nov C58-830pm) ready for a good time are the IIMIIeluw#ng BINIIy (Thurs. Nov 13 88C19-9 30pm) whle Galy's getting married,
Tony may
finally Qet hls wicked way Deb8 the aubjectof unlikely couples, what's up between lan and Clndy? Ewrylhlng In the equare has gone pear-shaped for those ~ Nov 14, BBCt 8-8 30pm)
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hough £//en has not had the commercial success of Friends, or for that matter received as much critical acclaim as Frasier, it had found its niche as a reliable primetime comedy. However, moving into the fourth series this was all to change and from a formulaic start one of the boldest plotlines ever used in an American show emerged. After rumours and gossip fuelled by the press Ell en De Generes 'came ouf, a move echoed by her character Ellen Morgan. Having a primetime lesbian star was an monumental step for gay rights. De Generes' increased influence on the content of the show made a storyline possible that most TV executives would have run a mile from . The plot developed using a sequence of hints throughout the series: lines such as "Oh, I was just in the closetl" were written into the script. All of this was building up to the Innocuously entitled, "Puppy Episode". The episode was an hour long, special guest eXtravaganza. Making a statement was definitely top of the agenda and each situation was confronted head on. When Ellen meets a gay
woman (played by Laura Dem) she is confused by the obvious attraction she feels. Ellen is forced to come to terms with an issue she has been since infant school. Winfrey plays Ellen's therapist, and helps her interprei a very surreal dream sequence involving Cindy Crawford, Demi Moore, a supermarket with lesbian discounts. This is followed by a trip to a coffee house to meet kd fang, where Audrey asks, · so what do lesbians drink?" Kd fang's reply is "Iced Tea"l Taking such a bold stance thrust the show into the spotlight. Forty two million people tuned in to watch the coming out episode, more than for any other show on the ABC network. Subsequently De Generes made the cover of Time magazine and
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Philadelphia. The Shawshank Redemption
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Volano (Sat Nov 15, C4 6 30-7 30pm) looks at an explosion that could plunge us Into another age Equinox: Tile ,., , . Ellllh G« Hit (Mon. Nov 17, C4 9-10pm) Investigates the effects of meteors Lastly we discover how global warming threatens to bring a ftood of blbUcal proportions In Hotlzim: Antalcflca, Tile (Thurs Nov 13, BBC2925-10.15pm)
Amy
who is convicted of two brutal murders. He is sent to Shawshank prison in 1947 to serve a double life sentence. Tl)e harsh realities of prison life look set to break him, until he strikes up an unlikely friendship with Red (Morgan Freeman). Freeman should have won an Oscar for Best Actor, but a torrent of political correctness saw Tom Hanks receiving that honour for his portrayal of an Aids victim in
Two attracUve people wflo are never likely to get it together are Mulder and Scully This week there's yet another gruesome murder for Tile XRles (Wed Nov 12 BBC11()..10 45pm). Robbie Coltrane has to worry about the mad woman In the attic In a repeat of the pilot episode of
17 041()..11 More morbidity beckons, lnepector . . .:Dealhl8 Now my MJ1Qrltbo4111f (Wed, Nov 19, ITV 8-10pm), looks at the ugly side of education
was nominated for her third consecutive Emmy. The show avoids the 'all is well with the world now' cliches that Ellen has come out. Encountering prejudice is Inevitable and especially hard when Ellen's parents and her best friend Paige find themselves unable to deal with the situation. But remember, this is Hollywood and a crisis can't really last more than two episodes. Nevertheless, the show does well to avoid painting an idyllic picture. This emerges as one of the strongest comedies of the moment, witty, wellscripted and with some perceptive commentary. This show makes you laugh and think In equal proportion, and proves itself as essential viewing.
ou don't often find a film that captures your attention from start to finish. The Shawshank Redemption is a rare example of this type of high quality film. Nominated for seven Academy Awards back in 1995, it failed to win anything, for reasons known only to the Oscar panel. The film is an extraordinary tale of hope, friendship and survival inside a maximum security prison. With its gripping characterisation and an excellent overview of several decades, the audience is drawn in from the very first minute. Tim Robbins plays city banker Andy Dufrense,
depicts Ancly's life in the ..,.,... confines of the state prison, and as his friendship with Red grows, so does his popularity with the warden and prison guards. Dufrense uses his banking experience to help the corrupt officials amass personal fortunes. But, as always, life does not stay sweet, and in a final twist Andy finds that he has two choices, to "get busy living or get busy dying." This Impressive and dramatic film is a testament to what can be accomplished when Hollywood use their mass of talent to make a cracking film instead of their usual beat 'em ups or saccharine sweet sentimental tales. Nick Trlggle
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~====::::;;:=====.~~talv and meet 1n a cruc1al match Live Football Ita/Is SpeciBI (Sat, Nov 15, C4 7 30·9.45pm). English football is going from strength to strength and We Love You A/an Shearer (Mon. Nov 17 C4 8.3o-9pm) looks at the effects of a national Amy obsession
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When the judge of Louise Woodward's trial decided to reveal his verdict online, many were outraged. Stuart Dredge wonders why.
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n Monday, the judge in the Louise Woodward murder trial was due to make his decision known as to whether he would overrule the jury's verdict. So, while at the time Concrete went to press the situation was still hanging in the balance, by the time you read this the world will know whether the British teenager is to spend the next fifteen years behind bars. Whatever Judge Hiller Zobel decides, the case will go down in legal history as the first ever in which the judge's decision was initially revea led on the Internet. Judge Zobel announced his intention to do this last Monday, provoking tabloid outrage both here and in Am erica, as well as attracting accusations of callousness, and unprofessional cond uct. The Sun labelled him an 'lnternut' who was ducking out of his responsibilities, and found a legal expert who described the decision as "beyond extraordinary and into the realms of the bizarre." So what was he th inking of? Am idst the media storm, it was difficult to get a full picture of what had actually been decided , so the facts are these: Judge Zobel announced to the court that he would first publish his verdict on the we b pages of an American legal journal called Lawyers Weekly. Naturally, by the next day so many Internet users had tried to log on to the site that it crashed, and wouldn't let anyone on! Therefore , cou rt official s decided to distribute the decision to 11 other web
sites, including those operated by th e Boston Globe newspaper, the major television networks, and the Press Association of Great Britain . Although there was speculation that the decision would come last Wednesday, most observers expected it to come this Monday. So why take this apparently eccentric decision? Ordinarily, Judge Zobel would file his decision on paper with the clerk at the Massachusetts courthouse, after which it would then be copied fo r waiting journalists. However, the intense interest in Louise's case world-wide means that there are just too many reporters for the small courthouse to deal with, meaning that releasing the verdict under normal means would at best be chaotic, and at worst a complete travesty. The judge also hinted that he believed releasing the decision onto the Internet would make it immediately available for anyone who was interested. Publishing such decisions on the 'net is not unusual, despite the tabloids' claims to the contrary. The Lawyers Weekly site has been carrying reports such as this for years. However, they have usually not been posted on the Web until a few weeks after the event, to be consulted by lawyers, other judges and students. Although
some other courts have their own websites that publish transcripts of old rulings , the move to publish online first is completely unprecedented. So, good or bad idea? Well, publishing the transcript of Judge Zobel 's decision in full on the 'net will undoubtedly be a good thing for anyone who wishes to read it themselves. American institutions don't have the best record for openness, so moves such as this can only be applauded. Also, particularly in the legal profession, in which so much importance is placed upon its system of precedence, it is invaluable for lawyers all over the world to be able to consult and refer to decisions taken thousands of miles away at the click of a button. However, Judge Zobel will probably be disappointed in his intention to make the decision public more quickly. After all, the verdict could come at any time in the next three weeks, so unless we stay logged on to the relevant sites 24 hours a day, we'll be extremely lucky if we read the decision as soon as it's posted. Within minutes, it'll be all over radio stations and television broadcasts worldwide, not noticeably faster than if he'd followed the more traditiona l methods. Don't forget either that if he decides to overrule the jury, then Louise Woodward will be summoned to the court to learn her fate in person. She won't have to get online to find out what's been decided, which is probab ly just as well considering the lack of Internet facilities in American jails. Publishing legal decisions, or indeed any other
Get a job, with Gradunet's Virtual Careers Fair
I
f you're in the second year, at some point this year you'll hear from the Careers Centre urging you to start thinking about life after UEA. Your first reaction will probably be to throw it in the bin. But maybe you shouldn't - hundreds of worried third-years are spending their time wishing
they hadn't. Life may seem sweet now, but as you progress through university, the question of what to do when you get out will become more important. So why the sermon? Well, whether you're a finalyear student tearing your hair out because you
haven't started looking yet, or just someone who'd like to start, the Internet could help you. As well as an increasing number of Internet sites that are devoted to matching graduates to jobs, there's an event that could very well answer many of your questions on the subject. Its a 'virtual careers fair' , which is taking place on Wednesday November 26. It'll allow you to chat to various industry bigwigs and ask their advice online, as well as get information on how to prepare for interviews. What happens is that loads of recruiters get together in a cyber-cafe in London , and you log-on to ask them questions. Sounds useful? You may even be able to blag a job, which someone did last year. The fair starts at 10.30am, and lasts till 4pm. All you need to do is log on to the Gradunet website at www.gradunet.co.uk. The Gradunet site is one of the main job sites on the net, with details of vacancies and graduate training schemes. You can register now at the site, which will mean you'll be sent information on the companies that are taking part beforehand. For more information on events such as th is, and indeed many other careers sites, head for the Careers Centre's pages at www .uea.ac.uklccen. Happy job hunting!
details of the workings of our society's governments and institutions, is one of the things that the Internet should be being used for. As more and more of us get online, the potential for educating ourselves about the world around us is increasing every day. However, in this particular case, any realist will confess that Judge Zobel's noble intentions are doomed to failure. Much as it would like to, the Internet still can't beat the traditional broadcasting media in bringing news to the people first.
H you're Interested In the Woodward case, here's where to find lnfotmatlon
F
irst things first- as I write this column, I'm assuming that Judge Zobel's verdict will have been published by the time you read this. The now infamous Lawyers Weekly site (www.lawyersweekly.com) will have the full transcript of his decision, assuming that you can log on that is! There are reputedly over 160 sites offering information and opinion on the case, so I can only pick out a few of them. Town Onllne (www.townonllne.com) will also carry the transcript, but as well as that has pages of coverage, features and background information. Last week it hosted an online interview with Middlesex County D.A. Tom Reilly, discussing the case. Other news organisations that are covering the case are: the BBC (www.news.bbc.co.uk}. CNN (www.cnn.com) and Sky News (www.sky.eo.uk/louise). The BBC site is going to be one of the first sites to get the verdict. There are already lots of sites that have been set up to support Louise, including the official Campaign for Justice at www.louisewoodward.com. This was set up from her home village of Elton, and has already been visited more than 50,000 times. You can sign an email petition, get the tax address of Judge Zobel to protest, or even send an email to Louise in prison (they'll get printed out and delivered to her). The other main support site is located in Boston, at www.masscomm.net/nanny. As yet, there aren't any antiLouise pages, although I'm sure they will spring up gradually. However. such is the overwhelming feeling of support both here and in America, they probably won 't attract many surfers.
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You can reach our website through those spingly spangly Union pages at WWY~.stu.uea!ac.uk Hurrah! 0
TAKE THE GARY RHODES THEATRE ROYAL
T
he Rhodes on the Road tour rolled into the Norwich Theatre Royal , ready to entertain an audience of wannabe television chefs. The undoubted star of television cookery took to the stage in his standard costume of chessboard trousers, Bart Simpson hair and souffle personality. His aim was, it seems, to enthuse a purple-rinsed and aged audience with five simple but attractive dishes. He succeeded with this to a point, but at times his natural charisma and motormouth obscured the food . This was more than a little ironic considering how he constantly reminded us that the food was of paramount importance. On to the food in question. He cooked Pea and Scallop Paella Risotto, Reinvented Irish stew with Loin of Lamb, Open Steamed Salmon with Stirfried Thai Salad, Caramelised Plum Pizza (fruit tart) and Chargrilled Vegetables with two dressings. The dishes were put together with style and panache and served up with some amusing anecdotes from his new television series. Rhodes' plum tart and grilled (burnt) vegetables lacked a certain individuality though, even for the
dribbling and none too choosy students among the audience. Compared to this his first dish now seemed innovative in the extreme. Rhodes had served us up a concoction which was, unusually, both a risotto and a paella. And although he did make an attempt to justify this paradox we were still left none the wiser as to his aims. Despite the somewhat flat reception to some of his food , Rhodes did made a concerted effort to involve the audience in his show and this was an overall success. it resulted in several humorous moments, notably when a leggy young blonde questioned him regarding a good stuffing. lt has been written in the press recently that cookery is the new rock and roll and the chefs are its stars. Unfortunately for us Rhodes took this to heart as we were subjected to his renditions of Love me Tender, I Love You Love and Leader of the Pack in his cheesy crooning style. Ultimately though his attempts to make these classic songs his own failed to hide the fact that much of his food had not been fantastically received by the audience called up to give their opinion. Sadly, Gary Rhodes was not hot enough to be fondue .
Laura Flrgralve and Edward Moses
sauces were quite appetising, but the meal suffered because of the fact that there was not nearly enough of either of these two sauces. Instead, there was a much larger proportion of pasta, which smothered a lot of the flavour. Once again, the overriding problem with this meal was the fact that it was not very big and left wanting more.
CO-OP LASAGNE 99P On the whole, I was very disappointed with this meal. On first appearance, it looked very small and not at all appetising. After trying a piece, my suspicions were confirmed. it tasted very bland, and there was very little to recommend it. The meat was in short supply, and the dish consisted mainly of pasta and what was supposed to be cheese sauce. The meal was practically finished after a few mouthfuls, but it didn't leave me wanting more.
Sl!J~~~~:!.}:~ This lasagne was
ICELAND TAGLIATELLE 99P This meal was one of the best that I tried. lt involved a different manner of preparation than the other four meals. Instead of being heated in a small plastic pot, the pasta and sauce were heated separately in plastic bags and then combined on the plate. Both the pasta and the sauce were very tasty, although there was not a great deal of meat in the sauce. This was also the largest meal that I tried, and was the only one that really filled me up.
l
MARKS AND SPENCER LAMB CASSEROLE 拢1.99
...-:.-::;~~~-路~ certainly better than
removing this from e microwave, I was not at all impressed. lt ~-""""resembled a large brown "" ""' "'" mess and did not look at all appetising. I pressed on and discovered that it didn't taste at all bad. The potatoes were a bit dry, and the meat was rather fatty but it was rather tasty. The sauce that the meat was in was also quite flavoursome, although it was a bit too thick. However, this dish was again let down by the fact that it was too small. As this was the most expensive meal, one ~~~~~路 would expect a little more for your money.
the Co-Op variety. lt didn't look too bad and seemed to be , perfectly palatable. 3 ..O'~ The meat sauce was a bit more plentiful, and tasted quite nice, as did the cheese sauce, and the overall taste wasn't drowned out by an abundance of pasta. However, the meal was still rather small, and could have done with being twice as big. Nevertheless it was quite tasty and reasonably edible. TESCO CANNELLONI 拢1.49 The overall flavour of this meal was quite nice, although it was rather dry. Both the meat and the cheese
Of all these meals, I would recommend the Iceland Tagliatelle: it was certainly the largest of the five varieties and one of the tastiest and cheapest. Though the others tasted quite nice, they were all too small to really qualify as meals in Dsve Roberts their own right.
Anglia S
~660Z88
GREG PROOPS THEATRE ROYAL
R
enowned for his crude and offensive witticisms and made notorious for a recent deportation , we were expecting big things from the controversial Greg Proops. Unfortuanately, he opened his show with predictable and worn out jokes which really struggled to squeeze a laugh from a non-plussed audience. Luckily for us he swiftly moved on from mocking Norwich's cou ntrified position and filled the next hour with some hilariously perceptive remarks on the cultural divide between the Americans and the English. He glided with ease through a vast amount of material, from America's love of the shallow and superficial to the unashamed drinking habits of the English. Proops scored points with the audience with his references to projectile vomiting and illegal drinking, given all the 'embryos in wonder-bras' now dominating the Saturday night pub scene. He used stereotypes very well, and his cynical (though possibly all too true) representation of the English with the all too familiar quote - "I'm not cynical , I'm realistic; if it's shit, it's shit." received lots of laughs. After the interval Proops jested that the theatre felt like a ghost town. This, unfortunately, was followed by an almost complete lack of response from the audience for the last half of the show. Each new sketch fell on more awkward silences, especially after a determined effort to make Gloria Estefan and her suicidal wallaby collection amusing. Most of the audience found themsleves cringing at one point when he lost any sense of style or momentum , stumbling over words and repeating material. In a contrived attempt to uphold his reputation as we neared the end, Proops launched himself into the difficult territory of religion and racism. Unfortunately, images of God with his white beard and Jesus being cool simply weren't funny . Keeping true to his reputation , Proops certainly left the audience with a lasting impression . However, given the wooden jokes and unsophisticated approach in the latter half, Proops was far from the master of cutting comment we had believed him Sam Jackson to be.
A Drink All Night Every Night (Except Guinness and Kronenbourg, £1 .40)
Only £1 Admis ion to the Pub with the Permanent Happy Hour Tue days "Hip Hop" Night
The One & Only Open from Spm, 7 days a week 25 Cattle Market Street (Oppo ite Ca tle Mall and halfway between Peppermint Park and Eastern Co unties New papers)
Tel: 01603 441490 THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
ROMEQ & JULIET THEA T RE RO YAL
L
ike most people, tutus are normally what springs to mind when ballet is mentioned to me. However, this new interpretation of the romantic tragedy Romeo and Juliet by the Northern Ballet Theatre breaks away completely from ballet as we know it. The emphasis was placed as much on acting and plot as it was on dance. The performance had all the gracefulness and precision of classical ballet, but the movement was entwined with a clear storyline that was completely faithful to Shakespeare's text. I was curious about exactly how the play's aggression and fighting would be portrayed in this format, but there was plenty of contact between the dancers, with the kicks and
punches looking almost convincing. Careful timing maintained the elegance and served to remind the audience that they were really watching a ballet. Both Romeo (Denis Malinkire) and Juliet (Jane Regan) put on shining acts, being technically accurate and completely in tune with each other. The set captured the tense Verona atmosphere, as did the costumes, whilst the orchestra's stirring performance of Prokofiev's famous score added to the overall quality of the performance. This reworked show is far more accessible to people than previous performances by the National Ballet Theatre. lt ·is certainly worth a viewing - even if traditional ballet doesn't exactly Sarah Moore have you drooling in anticipation!
LORCA EXHIBITION SAINSBURY CENTRE
T
here is another dead artist's exhibition on at the Sainsbury Centre that you should see. Were you one of those pubescent teenagers that searched for the meaning of life by doodling for hours in the back of your Maths book? Well, Lorca's work might just bring you back to the mothership of your soul. His art, however. is not strikingly beautiful. 1t is more a collection of carefully placed lines and scribbles which combine to create something quite disturbing within you . But although the young Lorca was indeed disturbed, the scarf clad critic whom I was shown around by assured me he was not insane. He was however, obsessed by death, fish, Saint Sebastian, clowns, Lucifer and the male organ represented by fish . One of his works depicts a headless and armless woman with the usual chunky hips. Between the woman 's legs is a turf of pubic hair like feed ing tentacles. The critic enthused how it depicted the Freudian effect that occurs when the son first sees her mother naked; he feels he has been castrated . I have to admit I winced at the sight of the picture. His other works such as 'THE SO[N OF A BITCH?]' and 'SHIT' are equal psychobabble too. But even if you just see 'Shit, exhibit no. 23' it is still a great excuse to pretend you are in the PompJdou Centre, Paris! Michael Goring
WOmDEDABOUTSTADNGSANE?DR RAJ COMES TO THE RESCUE WITH HIS NEW ·BOOK, AS EBOICA MILDMA FINDS OUT
D
dr. raj persaud
STAYING SANE
r Raj Persaud is a man who thinks he knows a lot. We've all seen him sitting on the sofa with Richard and Judy, helping everyone from housewives with herpes to bachelors with boils. And now he wants to keep us all in tip top mental condition with his brand new book, Staying Sane the essential guidebook for avoiding those mental potholes we could all fall into at any time. Raj is qualified in psychiatry as well as having the normal doctorate In medecine and so is better placed than most other TV doctors to have an opinion on something as serious as mental health. In these stressful times there are an ever spiralling number of counsellors ready to sort out your problems. yet Raj implores us to remember that having friends who are willing to listen is worth an ark of these professionals. We should work at making an effort with friendships and enjoy the good times with each other, as well as helping one another through the hard times. Our brains need to be exercised. Apparently we should avoid living in a world dominated by duvet slumberland and television. They can become oppressive and claustrophobic - and Raj should know. Perhaps he's getting ready to take his own advice and jump the good ship Richard and Judy. Students are singled out by Raj as particularly at risk since these are the years when many of us could face serious pressure or failure for the first time. Raj tells us not to bottle it up and make sure we use some good friendships to keep us mentally healthy and to stay sane. Not very radical suggestions. but good advice anyway. WithStaying Sane Dr Raj may not offer the most innovative solutions but he has written a very worthwhile book which could be the one to reach for when life gets hard to bear.
john blrmlngham
HE DIED WITH A FELAFEL IN HIS HAND
86 - 88 Prince of Wales Rd - Tel 630760
'oaUATUA
"'I - tiQMI AOGI MJ'~L
T
o share or not to share? (accommodation that is). Definitely not it seems, at least according to this new book. That is, unless it's on a purely experimental basis whilst you try and make it to the shores of affluence and choice. Long gone, it seems, are the times when communes and communal sharing worked, and people stole food and slept with other people's boy/girlfriends. Nowadays you've got to slope off to your room , hungry or emotionally devastated, in a blind stew and COPE. Or MOVE OUT. John Birmingham's book does give you a few tips to give you confidence and help you get your sense of humour back. Uke men definitely need women to live with. And don't live with junkies. But watch out, you can't always spot them. They can creep in all innocent-like, but they can creep out just as innocently too, only this time with all your gear. My recommendation? A snifter dog as standard for the house pet. Last tip. Notes apparently cost lives. Or at least reputations. So, once you've been reduced to leaving notes for flatmates, move. Birmingham's recollections are hysterical, nay
hilarious. How can anyone find it in them to share with 89 flatmates in just one lifetime? His narrative is interesting, but his facts flit around too .,. much, with time and chronology meaning nothing. By his own admission though, much of it was a 'narcotic blur'. He also repeats himself too many times. How often do we need to know that magic mushrooms grew in the garden? Still, it's a mad, recognisable world that includes girls with "biro tatts" and parties with "cheap vile, generic brand tequila, the sort with a dead plastic scorpion bumping around down the bottom of the bottle.• And there are flatmates to do your head in, "until your head falls into pieces, like a chocolate orange." Sound familiar?! Ero/cs Mlldmay
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~L,IAI'IYJ
··~n ,~L 10pm-2am Admission £1.50 B411pm £2.50 after. IUS SOp off
saturdays
Squeezin the Juice David James and
Barren Mac pumping uplifting house and garage 10om-4am Girls· £2.!f0 B411pm £5 after, Lads £3.50 B411pm £5 after
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~HE
EVENT, WEDNESDAY, NOVEMBER 12, 1997 -
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I•
Sarandon in a chick flick with a difference. Brad Pit! gets caught in their dust.
A LIFE LESS ORDINARY Ewan McGregor and Cameron Diaz fall in love over a good bout of karaoke. No, that's not a euphemism, we mean karaoke.
DANTE'S PEAKE Tuesday, November 18. Vulcanologist Pierce Brosnan watches a volcano erupt and proceeds to run away from it in the company of Linda Hamilton.
CINEMA CITY ASC LA CONFIDENTIAL Kevin Spacey leads a strong ensemble cast, in a fi lm following corruption in the LAPD in the early 1950s . Features a bloke from Neighbours, but he's the best of the lot. THE PEACEMAKER George Clooney and Nicole Kidman run all over the shop trying to find a nuclear missile. We reckon they probably mislaid it along with their shopping.
CAREER GIRLS Thurs, Nov 13 and Tues. Nov 18 at 2.30pm Wed, Nov 12; Thurs. Nov 20, to Sat, Nov 22 at 5.45pm. Thurs. Nov 13 to Sat, Nov 15; and Mon , Nov 17 to Wed , Nov 19 at 8.15pm . Mike Leigh directs Katrin Cartlidge and Lynda Steadman in a flimsy tale of reunited college friends . LOST HIGHWAY Wednesday, November 12 at 8.15pm. Thursday, November 13 to Saturday, November 15, at 5.30pm. Bill Pullman (Independence Day) and Patricia Arquette (True Romance) star in a very peculiar tale of unknown identity.
MEN IN BLACK Tommy Lee Jones and Will Smith star in th e film of the summer, as shadowy government agents who control alien immigration.
WILD AT HEART Friday, November 14, 11 pm. Nicholas Cage stars as an Elvis fan recently released from prison who goes on the rampage with Laura Dern .
MY BEST FRIEND'S WEDDING Julia Roberts and Rupert Everett try to break up the engagement of Roberts' best friend. Nasty people. Or are they?
LARGER THAN LIFE Saturday, November 15, 2.30pm . Salesman Bill Murray inherits a four tonne circus elephant and wonders what to do with it.
MRS BROWN Judi Dench stars as Queen Victoria, and Billy Connolly plays a Scotsman (with a beard) . Marvel at the man's range. Gasp at the variety of his roles .
SPIRIT OF THE BEEHIVE Sunday, November 16, 5pm. A young girl becomes obsessed with Frankenstein in Franco's Spain .
ODEON FACEJOFF Nicholas Cage and John Travolta swap faces and go on the rampage around Los Angeles. As you do. HERCULES Yet another legend gets the Disney treatment as th e myth of Hercules is made unrecognisable, appearing in a version hugely different to the original. THE FULL MONTY Robert Carlyle heads a bunch of unemployed steelworkers who decide to strip for a living. Don't be shy lads, get yer kit off.
FELLINI'S 8% Sunday, November 16, 7.30pm. A semi-autobiographical account of the process of filmmaking . THE SWEET HEREAFTER Thursday, November 20, 2.30pm. Monday, November 17 to Wednesday, November 19, 5.45pm. Thursday, November 20 to Saturday, November 22, 8.15pm. lan Holm plays an insurance investigator who tries to persuade some crash victims to sue whoever may be responsible. LA CAG E AUX FOLLES Friday , November 21, 11pm. French farce surrounding a gay night-club and a leading politician's family. Remade as The Birdcage with Robin Williams.
A FEAST AT MIDNIGHT Saturday, November 22, 2.30pm. Christopher Lee stars as a public school housemaster. ROMEO AND JULIET Sunday, November 23, 7.30pm. Leonardo DiCaprio and Claire Danes in the most recent film version of the Bard's play. TEMPTRESS MOON Tuesday, November 25, 2.30pm . Monday, November 24 to Tuesday, November 25, 5.45pm. Chinese drama set on the eve of the 1911 revolution. SHORTISTHESUMMER Monday, November 24 , 8.15pm. A Scandinavian romantic tragedy about a lonely hunter.
BATMAN AND ROBIN Thursday, November 20. George Clooney is the third Bat in four films, and this is possibly the worst film of the decade. Even Alicia Silverstone and Uma Thurman are rubbish. ABSOLUTE POWER Friday, November 21. Glint Eastwood directs and stars in yet another conspiracy film. Gene Hackman puts in a good performance as the American president. QUADROPHENIA Tuesday, November 25. Classic tale of mods who rip Brighton to pieces. Stars Phil Daniels and a whole group of people you 'll recognise from the telly.
THE TELEGRAPHIST Tuesday, November 25 , 8.15pm. A telegraphist's attempts to create new, stronger, better fish glue. Hmm .
UNION FILMS GROSSE POINT BLANK Wednesday, November 12. John Cusack stars as an assassin who is in therapy. On deciding to go to his high school reunion , he gets the chance to renew an adolescent romance. ROMEO AND JULIET Thursday, November 13. Leonardo DiCaprio and Claire Danes star as the eponymous star-crossed lovers in a 90s interpretation of the play we we re all forced to read at school. SPACE TRUCKERS Friday, November 14. Dennis Hopper does his regu lar mad thing in this futuristic tale. THELMA AND LOUSIE Monday, November 17. Ridley Scott directs Geena Davis and Susan
MADDERMARKET THEATRE THE OLD COUNTRY Thursday, November 20 - Saturday, November 29 at 7.30pm, matinee Saturday November 22. Alan Bennet's new award winni ng play opens at the Maddermarket Theatre this week. If you're the kind of person who likes surprises get down there, since nobody is being told what it's about! Ooooh ... the suspense.
THEATRE ROYAl. KILLING TIM E Wednesday, November 12- Saturday, November 15 at 7.30pm. The Sweeney or Minder? Who knows which of these programmes Killing Time, a new thriller starring Dennis Waterman , will resemble most? Just so long as Stay Lucky doesn't spring to mind. £15/£3 THE TROLLS BIG ADVENTURE Sunday, November 16 at 1pm and 3.30pm. Merlin Troll, Knight Troll , Space Troll and Clown Troll bring all their special friends to Norwich for a special treat for all students (and children aged three to six). £6.50/£3 JULIAN CLARY Monday, November 17 at 7.30pm . Britain's King of Camp promises an evening of innuendo and hilarity! £13.50/£3 WORDS ON THE RUN WITH THE LIVERPOOL POETS Sunday, November 16 at 7.30pm. Apparently these guys are the Beatles of comedy, since they are old and from Liverpool. Hmmm . These original boys of pop poetry have joined up with the writer of Shirley Valentine and Blood Brothers to create an evening of word marathons , lyrical long jumps and music to pole-vault to(!?) . £12/£3.50
FROM A JACK TO A KING Monday, November 24- Saturday November 29. Monday - Thursday 7.30pm , Friday - Saturday 6pm and 9pm. The writer of Return To The Forbidden Planet brings us Shakespeare's other rock'n'roll masterpiece. Apparently it will send you dizzy with delight. I can 't wait. £21 /£3.50
THE EVENT, WEDNESDAY, NOVEMBER 12, 1997
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' MELTDOWN Saturdays Regular indie, britpop, and alternative dance club. Various DJs in the Studio each week. 9.30pm- 2am £3uea £4/£3.50conc
UE I 'fER ATION L l.l'fERAR FESTI1l I. TOM STOPPARD Monday, November 17 at 7pm. The award winning (and recently knighted) playwright visits UEA to talk about his illustrious career. £3/£2
LECTURE
TH~ATRE
NT LA DOORS Sunday, November 23. The original firestarters. £6adv. FAITHLESS Tuesday, November 25. They can' t get no sleep, and neither will you if you stand next to the speakers! £8.50adv.
f
HOLOCAUST SPEAKER Wednesday, November 19 at 6pm. £1
I
MAINSTREAM + REAL UNIVERSAL Monday, November.17. £4adv./ £4.50 on the door SIX BY SEVEN + CREST + BAPTISTE Monday, November 24 £4adv./ £4.50 on the door
PLEASURE Thursdays FREE with flyers before/ £2 after
PURE SWING Wednesdays Uplifting swing for the people of Norwich. 9pm-2am FREE
0 SANCTUARY Mondays Old favourite Student night. 9pm- 2am £1 stud. before 11/ £2 stud. after. SUPER PUB Wednesdays A regular club night, with live bands and pub prices. Bpm-midnight FREE
DANCE CLUB Saturdays 9pm-4am £5
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MORE MEDICINE Mondays The Student Social. 1Opm-2am £1 stud. before 11 / £2 after HELL FOR LEATHER Wednesdays Goth, indie, metal, and alternative. 1Opm-2am £1 stud. before 11 I £ 2 after WRAITH Fridays The best in goth. Grrr! 1Opm-2am £1 .50 before 11 I £2.50 after JUICE Saturdays Uplifting house & garage. 10pm-3am Girls £2.50 before 11 / £5 after Lads £3.50 before 11 / £5 after
DEL AMITRI Friday, November 14. Dad rock? Nearer Granddad actually. Men with the greatest sideburns in rock are back! £12.50adv. CAST Monday, November 17. 'it's just like flying through the air', useful infomation that. SOLD OUT JOOLS HOLLAND Saturday, November 22. The boogie miester brings his piano to Norwich. it might be a squeeze in the LCR. £10adv.
'WHAT A FEELING' MUSICAL feat. Sonia & Sinitta Wednesday, November 12. Songs from hit musicals, and 80s stars who you'd thought had left the country. £3.50 UEA adv. LCR Thursdays UEA's regular club night of drunken debauchery. £2.50
sunday 30th november Bpm &9pm tickets: £3.00 - £1 0.00
....
THE EVENT, WEDNESDAY, NOVEMBER 12, 1997 ._
UEALCR
OIRIC Wed 12th
SUB price
£3.50 UEA students
"WHAT A FEELING"
Hit songs from the movies with SONIA and SINITTA
Sat 15th
-
£3adv
club RETRO featuring swinging 60s hour DISCOVALUE • 4 TICKETS FOR THE PRICE OF 3 Sat 29th
£3adv
club RETRO featuring 70s disco set
E Sat 13th
£9adv
MISS MONEYPENNY'S
Fri 14th
E IEi
£12.50 adv
DEL AMITRI Sun 16th
cancelled • please claim refunds
WILDHEARTS Mon 17th
sold out
CAST Tue 18th
free from 9.30pm
INFLATABLE GAMES ~
£10av
Sat 22nd
JOOLS HOLLAND £1 SU only
Tue 25th
Peter Zenner HYPNOTIST
fC£ IER
sold out
Mon 1st
BLACK GRAPE Tue 2nd
MERENGADAiatinparty
£2adv 9pm
Wed 3rd
£8.50adv
SPARKS " THIS TOWN AIN'T BIG ENOUGH TOUR" Fri 5th
LIGHTNING SEEDS Mon 8th
RETRO XMAS with BJORN AGAIN
sold out
j
SUB price £5
Wed 10th
£12.50adv
Sun 14th
£8adv
the SAWDOCTORS MACHINE HEAD MARCH '98 SUN 15th BLUETONES
~)-.~ . --('1100~... .1G.·
£1 Oadv
Tickets from Union Finance Office, weekdays, 11am·3.30pm. Prices quoted are student advance prices
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