Red Silk Carpet #84 March 2023

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© Academy of Motion Picture Arts and Sciences ® "Oscar®," "Oscars®," "Academy Awards®," "Academy Award®," "A.M.P.A.S. ®" and "Oscar Night®" are the trademarks, and the ©Oscar® statuette is the registered design mark and copyrighted property, of the Academy of Motion Picture Arts and Sciences.

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ACADEMY AWARD® , OSCAR®, and OSCARS® is the registered trademark and service mark of the Academy of Motion Picture Arts and Sciences

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Sofia Carson and Diane Warren - credit Javiera Eyzaguirre

SOFIA CARSON AND DIANE WARREN TO PERFORM AT THE OSCARS® THE OSCARS SET TO AIR LIVE MARCH 12, 2023, ON ABC LOS ANGELES, CA – Actress and singer Sofia Carson, accompanied by songwriter Diane Warren, will perform the Oscar®-nominated song “Applause” from “Tell It like a Woman” at the 95th Oscars®, executive producers and showrunners Glenn Weiss and Ricky Kirshner and executive producer Molly McNearney announced today. Hosted by Jimmy Kimmel, the 95th Oscars will air live on ABC and broadcast outlets worldwide on Sunday, March 12, 2023.

“Applause,” with music and lyric by Warren, is nominated for Original Song. It is Warren’s 14th Oscar nomination. She received an Honorary Award at the Academy’s Governors Awards in November 2022.

Carson is a multiplatinum recording artist and released her self-titled debut album in 2022.

Her film credits include “Purple Hearts,” which she also executive produced and wrote and performed the soundtrack, “Songbird,” “Feel the Beat,” the “Descendants” trilogy, and the upcoming film “Carry On.” The producers will continue to announce talent joining the show in the coming weeks.

The 95th Oscars will be held on Sunday, March 12, 2023, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. ©Red Silk Carpet™ March 2023

RIHANNA TO PERFORM AT THE OSCARS®

THE OSCARS® SET TO AIR LIVE MARCH 12, 2023, ON ABC

LOS ANGELES, CA – Music superstar Rihanna will perform the Oscar®-nominated song “Lift Me Up” from “Black Panther: Wakanda Forever” at the 95th Oscars®, executive producers and showrunners Glenn Weiss and Ricky Kirshner announced today. Hosted by Jimmy Kimmel, the 95th Oscars will air live on ABC and broadcast outlets worldwide on Sunday, March 12, 2023.

“Lift Me Up,” with music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson and lyric

by Tems and Ryan Coogler, is nominated for Original Song. It is Rihanna’s first Oscar nomination.

A nine-time Grammy Award winner, Rihanna has eight multi-platinum albums, and 14 singles that reached number one on the Billboard Hot 100 chart.

The producers will continue to announce talent joining the show in the coming weeks.

The 95th Oscars will be held on Sunday, March 12, 2023, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. ### ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the arts and sciences of the movies, including public programming, screenings, publications, educational outreach, exhibitions, and more.

FOLLOW THE ACADEMY www.oscars.org www.facebook.com/TheAcademy www.youtube.com/Oscars www.twitter.com/TheAcademy www.instagram.com/TheAcademy www.tiktok.com/@oscars

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95TH OSCARS® PRODUCTION TEAM WELCOMES NEW TALENT AND SHOW VETERANS

THE OSCARS SET TO AIR LIVE, MARCH 12, ON ABC LOS ANGELES, CA — The Oscars® executive producers and showrunners Glenn Weiss and Ricky Kirshner today announced key members of the production team for the 95th Oscars, airing live Sunday, March 12, on ABC. Rob Paine has worked on the Oscars telecast for over two decades and returns for his 28th year in a new role as co-executive producer. Paine has more than 200 credits to his name, spanning four decades. He won a Primetime Emmy Award for co-executive producing the Outstanding Variety Special Pre-Recorded, “Adele: One Night Only” and is the recipient of 14 Primetime Emmy® Award nominations, a Peabody Award and the Emerson College Distinguished Alumni Award.

He specializes in live, large-scale television events such as “Beauty and the Beast: A 30th Celebration,” Super Bowl Halftime Shows, “Primetime Emmy Awards” and “The Kennedy Center Honors.”

Producer Sarah Levine Hall joins the Oscars telecast for the first time. She is an Emmy Awardnominated producer known for her work in live and variety television specials. Her credits include working with White Cherry Entertainment on the “Tony Awards,” “The Kennedy Center Honors,” “Primetime Emmy Awards,” “The Tony Awards Present: Broadway’s Back!” and “Celebrating America: An Inauguration Night Special.”

Raj Kapoor has been associated with the Oscars telecast for six years and returns as a producer.

He has earned four Primetime Emmy Award nominations and won a Primetime Emmy Award for executive producing the Outstanding Variety Special Pre-Recorded, “Adele: One Night Only.” Kapoor’s recent credits include “Beauty and the Beast: A 30th Celebration,” “Norman Lear: 100 Years of Music and Laughter,” “GRAMMY Awards,” “Latin GRAMMYS,” several “The Disney Family Singalong” specials and “Stand Up to Cancer.”

Taryn Hurd rejoins the Oscars for the 10th consecutive year as talent producer. She also has served as talent producer on the past seven Governors Awards ceremonies along with numerous television variety specials and award shows.

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Erin Irwin joins the Oscars production team as a producer. She is an executive producer on “Jimmy Kimmel Live!” and has worked alongside Kimmel for 25 years, beginning with “The Man Show” on Comedy Central. Irwin has proven herself to be a staple at “Kimmel,” producing the show for nearly 20 years, rising from supervising producer to co-executive producer, before being elevated to executive producer in 2021. Irwin’s other producing credits include “The Emmy Awards,” “The Oscars,” “The Keenen Ivory Wayans Show,” “Donny & Marie,” “Later” and “The Wayne Brady Show,” for which she won a Daytime Emmy in 2003.

Jennifer Sharron joins the Oscars production team as a producer. She serves as an executive producer on “Jimmy Kimmel Live!” and has earned 11 Emmy nominations for her contributions to the show. Sharron joined the show at its debut in 2003 and has ascended from executive assistant to executive producer over the past 20 years. As a show producer, she was tasked with leading the field production team responsible for all pre-taped and live comedy segments for the show. Sharron has lent her producing skills to other industry tentpole events, serving as a producer on both the “Primetime Emmy Awards” and “The Oscars.”

Nefetari Spencer joins the Oscars production team as a writer. She began her career as a production coordinator and assistant to Bernie Mac. Her writing credits include material for Anthony Anderson, Deon Cole, Tiffany Haddish, Regina Hall, Taraji P. Henson, Leslie Jones, Niecy Nash, Craig Robinson and more. Spencer also wrote and performed in the one-woman show “I Am Willa.” Her past award show credits include “Primetime Emmy Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest,” “Soul Train Awards,” “American Music Awards,” “BET Awards” and more.

Agathe Panaretos returns as a writer for her third Oscars telecast. She was a writer-at-large for The Onion and has written for a variety of shows, including Netflix’s first late-night talk show, “Chelsea,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2023,” “2022 MTV Movie & TV Awards,” “2021 MTV Video Music Awards,” “The 71st Primetime Emmy Awards,” “The Kennedy Center Honors” and “Crank Yankers.” Her work has also been featured on E!, “Funny or Die” and “Team Coco.”

Dave Boone is a three-time Emmy and three-time Writers Guild of America Award-winning writer and producer. Returning for his 13th Oscars telecast, he began his Oscars journey as a member of Billy Crystal’s team on the 70th Academy Awards. Boone reunited with Crystal on the 72nd, 76th and 84th Oscars. He has also written for show hosts Whoopi Goldberg and Steve Martin and served as head writer for Neil Patrick Harris on the 87th Oscars. The head writer of 18 consecutive Tony Awards telecasts, Boone’s other credits include “Primetime Emmy Awards,” “Academy of Country Music Awards,” “The Kennedy Center Honors” and “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest.” Boone is also a sought-after script doctor for Broadway.

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Music director Rickey Minor returns to the Oscars, having last been the music director in 2020. He has received 14 Emmy Award nominations and won twice for Outstanding Music Direction. Minor’s numerous television credits include “We Love NYC: The Homecoming Concert,” “The Tonight Show with Jay Leno,” “American Idol,” “The Kennedy Center Honors,” “GRAMMY Awards” and “Primetime Emmy Awards.” Minor has also worked with Adele, Jon Batiste, Beyoncé, John Legend, Ed Sheeran and many more.

Lighting designer Robert Dickinson returns for his 34th Oscars show. During his four-decades long career, he has won 18 Primetime Emmy Awards and has over 1,500 on-screen television credits. His credits include “The Kennedy Center Honors,” “GRAMMY® Awards,” “Primetime Emmy Awards,” “Tony® Awards,” “Golden Globe® Awards,” and “Academy of Country Music Awards”; Olympics ceremonies in Atlanta, Salt Lake City, Athens, Vancouver and Shanghai; Super Bowl Halftime Shows and Democratic National Conventions. Dickinson has also worked on numerous television music specials for Christina Aguilera, Cher, Celine Dion, The Eagles, Fleetwood Mac, Billy Joel, Elton John, Ricky Martin, NSYNC, Rolling Stones, Barbra Streisand, Taylor Swift, James Taylor, Justin Timberlake and U2. Dickinson has been recognized with an honorary degree of doctor of fine arts from Carnegie Mellon School of Drama for his body of work and influence.

The 95th Oscars will be held on Sunday, March 12, 2023, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. ### ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the arts and sciences of the movies, including public programming, screenings, publications, educational outreach, exhibitions, and more.

FOLLOW THE ACADEMY www.oscars.org www.facebook.com/TheAcademy www.youtube.com/Oscars www.twitter.com/TheAcademy www.instagram.com/TheAcademy www.tiktok.com/@oscars TAGS: 95TH OSCARS; PRESS RELEASE; NEWS; OSCARS

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NOMINATIONS BY CATEGORY - 95TH AWARDS Performance by an actor in a leading role Austin Butler in "Elvis" Colin Farrell in "The Banshees of Inisherin" Brendan Fraser in "The Whale" Paul Mescal in "Aftersun" Bill Nighy in "Living"

Performance by an actor in a supporting role Brendan Gleeson in "The Banshees of Inisherin" Brian Tyree Henry in "Causeway" Judd Hirsch in "The Fabelmans" Barry Keoghan in "The Banshees of Inisherin" Ke Huy Quan in "Everything Everywhere All at Once"

Performance by an actress in a leading role Cate Blanchett in "Tár" Ana de Armas in "Blonde" Andrea Riseborough in "To Leslie" Michelle Williams in "The Fabelmans" Michelle Yeoh in "Everything Everywhere All at Once"

Performance by an actress in a supporting role Angela Bassett in "Black Panther: Wakanda Forever" Hong Chau in "The Whale" Kerry Condon in "The Banshees of Inisherin" Jamie Lee Curtis in "Everything Everywhere All at Once" Stephanie Hsu in "Everything Everywhere All at Once"

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Best animated feature film of the year "Guillermo del Toro's Pinocchio" Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley "Marcel the Shell with Shoes On" Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey "Puss in Boots: The Last Wish" Joel Crawford and Mark Swift "The Sea Beast" Chris Williams and Jed Schlanger "Turning Red" Domee Shi and Lindsey Collins

Achievement in cinematography "All Quiet on the Western Front" James Friend "Bardo, False Chronicle of a Handful of Truths" Darius Khondji "Elvis" Mandy Walker "Empire of Light" Roger Deakins "Tár" Florian Hoffmeister

Achievement in costume design "Babylon" Mary Zophres "Black Panther: Wakanda Forever" Ruth Carter "Elvis" Catherine Martin "Everything Everywhere All at Once" Shirley Kurata "Mrs. Harris Goes to Paris" Jenny Beavan

Achievement in directing "The Banshees of Inisherin" Martin McDonagh "Everything Everywhere All at Once" Daniel Kwan and Daniel Scheinert "The Fabelmans" Steven Spielberg "Tár" Todd Field "Triangle of Sadness" Ruben Östlund

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Best documentary feature "All That Breathes" Shaunak Sen, Aman Mann and Teddy Leifer "All the Beauty and the Bloodshed" Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov "Fire of Love" Sara Dosa, Shane Boris and Ina Fichman "A House Made of Splinters" Simon Lereng Wilmont and Monica Hellström "Navalny" Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

Best documentary short subject "The Elephant Whisperers" Kartiki Gonsalves and Guneet Monga "Haulout" Evgenia Arbugaeva and Maxim Arbugaev "How Do You Measure a Year?" Jay Rosenblatt "The Martha Mitchell Effect" Anne Alvergue and Beth Levison "Stranger at the Gate" Joshua Seftel and Conall Jones

Achievement in film editing "The Banshees of Inisherin" Mikkel E.G. Nielsen "Elvis" Matt Villa and Jonathan Redmond "Everything Everywhere All at Once" Paul Rogers "Tár" Monika Willi "Top Gun: Maverick" Eddie Hamilton

Best international feature film of the year "All Quiet on the Western Front" Germany "Argentina, 1985" Argentina"Close" Belgium "EO" Poland"The Quiet Girl" Ireland

Achievement in makeup and hairstyling "All Quiet on the Western Front" Heike Merker and Linda Eisenhamerová "The Batman" Naomi Donne, Mike Marino and Mike Fontaine

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"Black Panther: Wakanda Forever" Camille Friend and Joel Harlow "Elvis" Mark Coulier, Jason Baird and Aldo Signoretti "The Whale" Adrien Morot, Judy Chin and Anne Marie Bradley

Achievement in music written for motion pictures (Original score) "All Quiet on the Western Front" Volker Bertelmann "Babylon" Justin Hurwitz "The Banshees of Inisherin" Carter Burwell "Everything Everywhere All at Once" Son Lux "The Fabelmans" John Williams

Achievement in music written for motion pictures (Original song) "Applause" from "Tell It like a Woman" Music and Lyric by Diane Warren "Hold My Hand" from "Top Gun: Maverick" Music and Lyric by Lady Gaga and BloodPop "Lift Me Up" from "Black Panther: Wakanda Forever" Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler "Naatu Naatu" from "RRR" Music by M.M. Keeravaani; Lyric by Chandrabose "This Is A Life" from "Everything Everywhere All at Once" Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

Best motion picture of the year "All Quiet on the Western Front" Malte Grunert, Producer "Avatar: The Way of Water" James Cameron and Jon Landau, Producers "The Banshees of Inisherin" Graham Broadbent, Pete Czernin and Martin McDonagh, Producers "Elvis" Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers "Everything Everywhere All at Once" Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers "The Fabelmans" Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

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"Tár" Todd Field, Alexandra Milchan and Scott Lambert, Producers "Top Gun: Maverick" Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers "Triangle of Sadness" Erik Hemmendorff and Philippe Bober, Producers "Women Talking" Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

Achievement in production design "All Quiet on the Western Front" Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper "Avatar: The Way of Water" Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole "Babylon" Production Design: Florencia Martin; Set Decoration: Anthony Carlino "Elvis" Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn "The Fabelmans" Production Design: Rick Carter; Set Decoration: Karen O'Hara

Best animated short film "The Boy, the Mole, the Fox and the Horse" Charlie Mackesy and Matthew Freud "The Flying Sailor" Amanda Forbis and Wendy Tilby "Ice Merchants" João Gonzalez and Bruno Caetano "My Year of Dicks" Sara Gunnarsdóttir and Pamela Ribon "An Ostrich Told Me the World Is Fake and I Think I Believe It“ Lachlan Pendragon

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Best live action short film "An Irish Goodbye" Tom Berkeley and Ross White "Ivalu" Anders Walter and Rebecca Pruzan "Le Pupille" Alice Rohrwacher and Alfonso Cuarón "Night Ride" Eirik Tveiten and Gaute Lid Larssen "The Red Suitcase" Cyrus Neshvad

Achievement in sound "All Quiet on the Western Front" Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte "Avatar: The Way of Water" Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges "The Batman" Stuart Wilson, William Files, Douglas Murray and Andy Nelson "Elvis" David Lee, Wayne Pashley, Andy Nelson and Michael Keller "Top Gun: Maverick" Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

Achievement in visual effects "All Quiet on the Western Front" Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar "Avatar: The Way of Water" Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett "The Batman" Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy "Black Panther: Wakanda Forever" Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick "Top Gun: Maverick" Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

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Adapted screenplay "All Quiet on the Western Front" Screenplay by Edward Berger, Lesley Paterson & Ian Stokell "Glass Onion: A Knives Out Mystery" Written by Rian Johnson "Living" Written by Kazuo Ishiguro "Top Gun: Maverick" Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks "Women Talking" Screenplay by Sarah Polley

Original screenplay "The Banshees of Inisherin" Written by Martin McDonagh "Everything Everywhere All at Once" Written by Daniel Kwan & Daniel Scheinert "The Fabelmans" Written by Steven Spielberg & Tony Kushner "Tár" Written by Todd Field "Triangle of Sadness" Written by Ruben Östlund ### ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the arts and sciences of the movies, including public programming, screenings, publications, educational outreach, exhibitions, and more.

FOLLOW THE ACADEMY www.oscars.org www.facebook.com/TheAcademy www.youtube.com/Oscars www.twitter.com/TheAcademy www.instagram.com/theacademy/ www.tiktok.com/@oscars

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THE HISTORY AND STRUCTURE OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES The Academy of Motion Picture Arts and Sciences is the world's preeminent movierelated organization, comprised of more than 10,000 accomplished artists, filmmakers and executives working in cinema. The mission of the Academy is to recognize and uphold excellence in the motion picture arts and sciences, inspire imagination, and connect the world through the medium of motion pictures.

The Academy collaborates with creative leaders to build cultural, educational and technological progress, and preserve motion picture history; recognizes outstanding achievements through its Oscar show, the world’s most prestigious entertainment event; encourages cooperation on technical research and improvement of methods and equipment; provides a common forum and meeting ground for various motion picture-related crafts; represents the viewpoint of actual creators of the motion picture; and fosters educational activities for the professional community and the public.

The Academy was organized in May 1927 as a nonprofit corporation. Its original 36 members included production executives and film luminaries of the time. Since 1975, the Academy has been headquartered at 8949 Wilshire Boulevard in Beverly Hills, in a seven-story building that includes the 1,010-seat state-of-the-art Samuel Goldwyn Theater. The Margaret Herrick Library is housed in the historic building that was originally the Beverly Hills Water Treatment Plant on South La Cienega Boulevard.

The Academy Film Archive, the Academy’s Science and Technology Council, the Academy Nicholl Fellowships in Screenwriting program and the 286-seat Linwood Dunn Theater are located in the former Don Lee-Mutual Broadcasting studios building on Vine Street in Hollywood.

During the Academy’s 75th anniversary celebration in 2002, the La Cienega Boulevard building was officially named the Fairbanks Center for Motion Picture Study in honor of the Academy’s first president, and the Vine Street building was dedicated as the Pickford Center for Motion Picture Study in honor of Academy co-founder Mary Pickford.

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Having opened its doors in September 2021, the Academy Museum is located next to the Los Angeles County Museum of Art (LACMA) in the historic Wilshire May Company building. Designed by Pritzker Prize-winning architect Renzo Piano, the Academy Museum contains more than 300,000 square feet of state-of-the-art galleries, exhibition spaces, theaters, educational areas, and special event spaces.

Membership in the Academy is by invitation of the Board of Governors and is limited to those who have distinguished themselves in the motion picture industry. The criteria for admittance include a body of work in motion pictures that reflects the high standards of the Academy, an achievement of unique distinction, or making an outstanding contribution to the motion picture arts or sciences.

Members representing the many professional areas within the motion picture industry are organized into 17 branches – Actors, Casting Directors, Cinematographers, Costume Designers, Directors, Documentary, Executives, Film Editors, Makeup Artists and Hairstylists, Marketing and Public Relations, Music, Producers, Production Design, Short Films and Feature Animation, Sound, Visual Effects and Writers.

Corporate management, control and general policies are administered by the Board of Governors, comprised of representatives from the 17 branches. Governors are elected to three-year terms and limited to a lifetime maximum of 12 years on the board. No more than two terms can be served consecutively after which a mandatory two-year break is required before a member is eligible to seek reelection.

Officers are elected from among the governors for one-year terms. The elected positions are president, first vice president, three vice presidents, treasurer and secretary. Officers may serve up to four consecutive one-year terms in the same office. Janet Yang was elected as president in August 2022.

The Board of Governors appoints a chief executive officer to supervise the administrative activities of the Academy. CEO Bill Kramer and a staff of more than 650 currently conduct the Academy’s day-to-day business. ### OSCAR®, OSCARS®, ACADEMY AWARDS®, ACADEMY AWARD®, A.M.P.A.S.® and “OSCAR NIGHT® are registered trademarks, and the OSCAR statuette is a registered trademark and copyrighted property, of the Academy of Motion Picture Arts and Sciences.

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95TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: All Quiet on the Western Front (Netflix) - Malte Grunert, producer - This is his first nomination.

Avatar: The Way of Water (Walt Disney) - James Cameron and Jon Landau, producers - This is the third Best Picture nomination for both James Cameron and Jon Landau. They won the award for Titanic (1997) and were nominated for Avatar (2009).

The Banshees of Inisherin (Searchlight) - Graham Broadbent, Pete Czernin and Martin McDonagh, producers - This is the second Best Picture nomination for all three. Together, they were nominated for Three Billboards outside Ebbing, Missouri (2017).

Elvis (Warner Bros.) - Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, producers - This is the second-Best Picture nomination for Baz Luhrmann. He was previously nominated for Moulin Rouge (2001).

This is the first Best Picture nomination for Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss.

Everything Everywhere All at Once (A24) - Daniel Kwan, Daniel Scheinert and Jonathan Wang, producers - This is the first Best Picture nomination for all three.

The Fabelmans (Universal/Amblin Partners) - Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, producers - This is the fourth Best Picture nomination for Kristie Macosko Krieger. Her other nominations were for Bridge of Spies (2015), The Post (2017) and West Side Story (2021).

This is the twelfth Best Picture nomination for Steven Spielberg, who won the award for Schindler’s List (1993). Other nominations were for E.T. The Extra-Terrestrial (1982), The Color Purple (1985), Saving Private Ryan (1998), Munich (2005), Letters from Iwo Jima (2006), War Horse (2011), Lincoln (2012), Bridge of Spies (2015), The Post (2017) and West Side Story(2021).

This is the first Best Picture nomination for Tony Kushner.

Tár (Focus Features) - Todd Field, Alexandra Milchan and Scott Lambert, producers - This is the second-Best Picture nomination for Todd Field. He was previously nominated for In the Bedroom (2001). This is the first nomination for both Alexandra Milchan and Scott Lambert.

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Top Gun: Maverick (Paramount) - Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, producers – This is the first Best Picture nomination for all four.

Triangle of Sadness (Neon) - Erik Hemmendorff and Philippe Bober, producers - This is the first nomination for both.

Women Talking (Orion/United Artists Releasing) - Dede Gardner, Jeremy Kleiner and Frances McDormand, producers - This is the seventh Best Picture nomination for Dede Gardner and the sixth for Jeremy Kleiner. Together, they won the award for 12 Years a Slave (2013) and Moonlight (2016), and shared nominations for Selma (2014), The Big Short (2015) and Vice (2018). Gardner was previously nominated for The Tree of Life (2011).

This is the second-Best Picture nomination for Frances McDormand, who won the award for Nomadland (2020).

Achievement in Directing: The Banshees of Inisherin - Martin McDonagh - Including his nominations this year for Best Picture and Original Screenplay, this is his seventh nomination and first in this category. He won an Oscar for his live-action short film Six Shooter (2005). He was nominated for his original screenplay for In Bruges (2008), and for Best Picture and his original screenplay for Three Billboards outside Ebbing, Missouri (2017).

Everything Everywhere All at Once - Daniel Kwan and Daniel Scheinert - This is the first nomination in this category for both Daniel Kwan and Daniel Scheinert. They were also nominated this year for Best Picture and Original Screenplay.

The Fabelmans - Steven Spielberg - Including his nominations this year for Best Picture and Original Screenplay, this is his twentysecond nomination and ninth in this category. He won Oscars for Directing and Best Picture for Schindler’s List (1993), and for Directing for Saving Private Ryan (1998). Additional Directing nominations were for Close Encounters of the Third Kind (1977),

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Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial (1982), Munich (2005), Lincoln (2012) and West Side Story (2021).

Additional Best Picture nominations were for E.T. The Extra-Terrestrial, The Color Purple (1985), Saving Private Ryan, Munich, Letters from Iwo Jima (2006), War Horse (2011), Lincoln, Bridge of Spies (2015), The Post (2017), and West Side Story.

Spielberg received the Irving G. Thalberg Memorial Award in 1986.

Tár - Todd Field - Including his nominations this year for Best Picture and Original Screenplay, this is his sixth nomination and first in this category. He was nominated for Best Picture and for the adapted screenplay for In the Bedroom (2001), and for the adapted screenplay for Little Children (2006).

Triangle of Sadness - Ruben Östlund - This is his first nomination in this category. He was also nominated this year for his original screenplay for Triangle of Sadness.

Performance by an Actor in a Leading Role: Austin Butler (“Elvis” in Elvis) - This is his first nomination.

Colin Farrell (“Pádraic Súilleabháin” in The Banshees of Inisherin) - This is his first nomination.

Brendan Fraser (“Charlie” in The Whale) - This is his first nomination.

Paul Mescal (“Calum” in Aftersun) - This is his first nomination.

Bill Nighy (“Williams” in Living) - This is his first nomination.

Performance by an Actor in a Supporting Role: Brendan Gleeson (“Colm Doherty” in The Banshees of Inisherin) - This is his first nomination.

Brian Tyree Henry (“James” in Causeway) - This is his first nomination.

Judd Hirsch (“Uncle Boris” in The Fabelmans) - This is his second nomination in this category.

He was nominated for his supporting role in Ordinary People (1980).

Barry Keoghan (“Dominic Kearney” in The Banshees of Inisherin) - This is his first nomination.

Ke Huy Quan (“Waymond Wang” in Everything Everywhere All at Once) - This is his first nomination.

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Performance by an Actress in a Leading Role: Cate Blanchett (“Lydia Tár” in Tár) - This is her eighth nomination and fifth in this category.

She won Oscars for her supporting role in The Aviator (2004) and for her leading role in Blue Jasmine (2013). Her other nominations were for leading roles in Elizabeth (1998), Elizabeth: The Golden Age (2007) and Carol (2015), and for supporting roles in Notes on a Scandal (2006) and I’m Not There (2007).

Ana de Armas (“Norma Jeane” in Blonde) - This is her first nomination.

Andrea Riseborough (“Leslie” in To Leslie) - This is her first nomination.

Michelle Williams (“Mitzi Fabelman” in The Fabelmans) - This is her fifth nomination and third in this category. She was nominated for her leading roles in Blue Valentine (2010) and My Week with Marilyn (2011), and for her supporting roles in Brokeback Mountain (2005) and Manchester by the Sea (2016).

Michelle Yeoh (“Evelyn Wang” in Everything Everywhere All at Once) - This is her first nomination.

Performance by an Actress in a Supporting Role: Angela Bassett (“Ramonda” in Black Panther: Wakanda Forever) - This is her second nomination and first in this category. She was nominated for her leading role in What's Love Got to Do with It (1993).

Hong Chau (“Liz” in The Whale) - This is her first nomination.

Kerry Condon (“Siobhán Súilleabháin” in The Banshees of Inisherin) - This is her first nomination.

Jamie Lee Curtis (“Deirdre Beaubeirdra” in Everything Everywhere All at Once) - This is her first nomination.

Stephanie Hsu (“Joy Wang/Jobu Tupaki” in Everything Everywhere All at Once) - This is her first nomination.

Adapted Screenplay: All Quiet on the Western Front - Screenplay - Edward Berger, Lesley Paterson & Ian Stokell (based on the novel by Erich Maria Remarque). - This is the first nomination for all three.

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Glass Onion: A Knives Out Mystery - Written by Rian Johnson (based on characters created by Rian Johnson). - This is his second nomination in a writing category. He was nominated for his original screenplay for Knives Out (2019).

Living - Written by Kazuo Ishiguro (based on the film Ikiru written by Akira Kurosawa, Shinobu Hashimoto and Hideo Oguni). This is his first nomination.

Top Gun: Maverick - Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks (based on characters created by Jim Cash & Jack Epps, Jr.). - This is the first nomination for Ehren Kruger, Peter Craig and Justin Marks.

This is the second writing nomination for Eric Warren Singer. He was nominated for the original screenplay for American Hustle (2013).

This is the second writing nomination for Christopher McQuarrie, who won an Oscar for his original screenplay for The Usual Suspects (1995). He is also nominated this year for Best Picture.

Women Talking - Screenplay by Sarah Polley (based upon the book by Miriam Toews). This is her second nomination in this category. She was nominated for her adapted screenplay for Away from Her (2007).

Original Screenplay: The Banshees of Inisherin - Written by Martin McDonagh. - Including his nominations this year for Directing and Best Picture, this is his seventh nomination and third in this category. He won an Oscar for his live-action short film Six Shooter (2005). He was nominated for his original screenplay for In Bruges (2008), and for Best Picture and his original screenplay for Three Billboards outside Ebbing, Missouri (2017).

Everything Everywhere All at Once - Written by Daniel Kwan & Daniel Scheinert. - This is the first nomination in this category for both Daniel Kwan and Daniel Scheinert, who are also nominated this year for Directing and Best Picture.

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The Fabelmans - Written by Steven Spielberg & Tony Kushner. – Including his nominations this year for Directing and Best Picture, this is the twenty-second nomination and the first in a writing category for Steven Spielberg. He won Oscars for Directing and Best Picture for Schindler’s List (1993), and for Directing for Saving Private Ryan (1998). Additional Directing nominations were for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial (1982), Munich (2005), Lincoln (2012) and West Side Story (2021).

Additional Best Picture nominations were for E.T. The Extra-Terrestrial, The Color Purple (1985), Saving Private Ryan, Munich, Letters from Iwo Jima (2006), War Horse (2011), Lincoln, Bridge of Spies (2015), The Post (2017), and West Side Story. Spielberg received the Irving G. Thalberg Memorial Award in 1986.

Including his nomination this year for Best Picture, this is the fourth nomination for Tony Kushner and third in a writing category. He was nominated for his adapted screenplays for Munich (2005) and Lincoln (2012).

Tár - Written by Todd Field. - Including his nominations this year for Directing and Best Picture, this is his sixth nomination and third in a writing category. He was nominated for Best Picture and for the adapted screenplay for In the Bedroom (2001), and for the adapted screenplay for Little Children (2006).

Triangle of Sadness - Written by Ruben Östlund. - This is his first nomination in a writing category. He was also nominated this year for Directing for Triangle of Sadness.

Best International Feature Film: All Quiet on the Western Front (Germany) [Directed by Edward Berger.] - This is the twelfth nomination for Germany. Previous nominations were for The Nasty Girl (1990), Schtonk! (1992), Beyond Silence (1997), Nowhere in Africa, which won the award for 2002, Downfall (2004), Sophie Scholl - The Final Days (2005), The Lives of Others, which won the award for 2006, The Baader Meinhof Complex (2008), The White Ribbon (2009), Toni Erdmann (2016) and Never Look Away (2018). Prior to reunification in 1990, the Federal Republic of Germany received a total of eight nominations. They were for The Captain of Kopenick (1956), The Devil Came at Night (1957), Arms and the Man (1958), The Bridge (1959), The Pedestrian (1973), The Glass Cell (1978), The Tin Drum (1979), which won the award, and Angry Harvest (1985). Also prior to reunification, the German Democratic Republic received one nomination, for Jacob, the Liar (1976).

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Argentina, 1985 (Argentina) [Directed by Santiago Mitre.] - This is the eighth nomination for Argentina. Previous nominations were for The Truce (1974), Camila (1984), The Official Story, which won the award for 1985, Tango (1998), Son of the Bride (2001), The Secret in Their Eyes, which won the award for 2009, and Wild Tales (2014). Close (Belgium) [Directed by Lukas Dhont.] - This is the eighth nomination for Belgium. Previous nominations were for Paix Sur Les Champs (1970), The Music Teacher (1988), Daens (1992), Farinelli: Il Castrato (1994), Everybody Famous! (2000), Bullhead (2011) and The Broken Circle Breakdown (2013).

EO (Poland) [Directed by Jerzy Skolimowski.] - This is the thirteenth nomination for Poland.

Previous nominations were for Knife in the Water (1963), Pharaoh (1966), The Deluge (1974), Land of Promise (1975), Nights and Days (1976), The Maids of Wilko (1979), Man of Iron (1981), Katyn (2007), In Darkness (2011), Ida, which won the award for 2014, Cold War (2018) and CorpusChristi (2019).

The Quiet Girl (Ireland) [Directed by Colm Bairéad.] - This is the first nomination for Ireland.

Best Animated Feature Film: Guillermo del Toro’s Pinocchio (Netflix) - Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley - This is the sixth nomination and first in this category for Guillermo del Toro. He won Oscars for Directing and Best Picture and was nominated for the original screenplay for The Shape of Water (2017). Other nominations were for the original screenplay for Pan's Labyrinth (2006) and Best Picture for last year’s Nightmare Alley (2021). This is the first nomination for Mark Gustafson, Gary Ungar and Alex Bulkley.

Marcel the Shell with Shoes On (A24) - Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey - This is the first nomination for all five.

Puss in Boots: The Last Wish (Universal) - Joel Crawford and Mark Swift - This is the first nomination for both.

The Sea Beast (Netflix) - Chris Williams and Jed Schlanger - This is the third nomination in this category for Chris Williams. He was nominated for Bolt (2008) and won an Oscar for Big Hero 6 (2014). This is the first nomination for Jed Schlanger.

Turning Red (Walt Disney) - Domee Shi and Lindsey Collins - This is the second nomination and first in this category for Domee Shi, who won an Oscar for the animated short film Bao (2018). This is the first nomination for Lindsey Collins.

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95TH ANNUAL ACADEMY AWARDS® SIDEBARS Steven Spielberg receives his 12th nomination for Best Picture, a record for an individual producer (since 1951 when producers were first named as nominees). He ties William Wyler, at 13 films each, as the director of the most films nominated for Best Picture. Spielberg’s ninth nomination for Directing ties him with Martin Scorsese for most nominations in the Directing category for a living person (only William Wyler, with 12 Directing nominations, has more).

All Quiet on the Western Front is the eighth non-English language film to be nominated for both International Feature Film and Best Picture in the same year. Each of the previous films (Z, 1969; Life Is Beautiful, 1998; Crouching Tiger, Hidden Dragon, 2000; Amour, 2012; Roma, 2018; Parasite, 2019; and Drive My Car, 2021) won for International Feature Film. To date, Parasite is the only film to also win Best Picture.

The Directing nomination for Daniel Kwan and Daniel Scheinert is the fifth time two credited directors have been nominated for the same film. Past nominations were for Robert Wise and Jerome Robbins, who won for West Side Story (1961); Warren Beatty and Buck Henry for Heaven Can Wait (1978); Joel and Ethan Coen, who won for No Country for Old Men (2007), and were nominated for True Grit (2010).

Sound mixer Andy Nelson has a record 24 nominations in the combined Sound categories.

John Williams continues to add to his record number of music scoring nominations with his 48th. His overall total of 53 nominations (including five for Original Song) is the most for any living person, and second only to Walt Disney at 59. He is also, to the best of our knowledge, the oldest nominee in a competitive award category at 90 years of age (Agnès Varda and James Ivory were each 89 years old when nominated in 2017).

In the acting categories, 16 individuals are first-time nominees (Austin Butler, Hong Chau, Kerry Condon, Jamie Lee Curtis, Ana de Armas, Colin Farrell, Brendan Fraser, Brendan Gleeson, Brian Tyree Henry, Stephanie Hsu, Barry Keoghan, Paul Mescal, Bill Nighy, Ke Huy Quan, Andrea Riseborough, Michelle Yeoh). Cate Blanchett is a previous acting winner.

At 87 years old, Judd Hirsch becomes the second oldest acting nominee to date (Christopher Plummer holds the record at 88 years). Hirsch’s nomination comes 42 years after his first nomination for his supporting role in Ordinary People (1980), surpassing the long-held record of 41 years between acting nominations set by Henry Fonda.

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Ryan Coogler, nominated this year for Original Song for “Lift Me Up” from Black Panther: Wakanda Forever, joins a small group of individuals with nominations in both the Best Picture and Original Song categories (not necessarily from the same film) – Arthur Freed, Quincy Jones, Spike Jonze, James Schamus, Barbra Streisand, Fran Walsh and Pharrell Williams. To date, only Walsh has won in both categories.

Alfonso Cuarón, nominated this year for the short film Le Pupille, now has nominations in six award categories: Writing, Film Editing, Directing, Best Picture, Cinematography, and Live Action Short Film. With her nomination in the Best Picture category this year, Catherine Martin becomes the seventh woman with nominations in three or more award categories (4 - Chloé Zhao; 3 - Barbra Streisand, Sofia Coppola, Fran Walsh, Emerald Fennell, Jane Campion). She is the first person with nominations in both the Best Picture and Costume Design categories, and the second person with nominations in both the Best Picture and Production Design categories (not necessarily from the same film) after Kristi Zea. Roger Deakins has the most nominations for Cinematography of any living person with 16.

Charles B. Lang, Jr. and Leon Shamroy share the all-time record with 18 nominations each.

Mandy Walker (Elvis) is the third woman to be nominated in the Cinematography category.

Previous nominees are Rachel Morrison (2017) and last year’s Ari Wegner (2021).

Best Picture qualifying release dates: Everything Everywhere All at Once - March 24, 2022

Top Gun: Maverick - May 26, 2022 Elvis - June 23, 2022 All Quiet on the Western Front - October 7, 2022 Tár - October 7, 2022

Triangle of Sadness - October 7, 2022 The Banshees of Inisherin - October 20, 2022 The Fabelmans - November 11, 2022 Avatar: The Way of Water - December 15, 2022

Women Talking - December 22, 2022

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95TH OSCARS FACT SHEET 95TH OSCARS INFORMATION Number of features eligible for Academy Awards: 301 (95th Oscars, 2022) Number of features eligible for Best Picture last year: 276 (94th Oscars, 2021) Number of countries submitting for International Feature Film: 92 Number of voting members: 9,579 (as of January 6, 2023) Number of crew members working during the telecast: Approx. 500+ Telecast rating for the 94th Oscars: Rating: 9.0

U.S. audience for the 94th Oscars: 17.6 million Estimated global viewership of 94th Oscars: Several hundred million Number of countries in which the 95th Oscars telecast will be seen: More than 200 Number of Oscar statuettes given out at the 94th Oscars: 48 Number of competitive award categories for the 95th Oscars: 23 Governors Awards Recipients: Honorary Awards (Oscar statuette) to Diane Warren, Euzhan Palcy and Peter Weir; Jean Hersholt Humanitarian Award (Oscar statuette) to Michael J. Fox THE OSCAR STATUETTE Number of Oscar statuettes presented since the first Academy Awards: 3,342

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Height of Oscar statuette: 13½ inches Diameter of Oscar statuette base: 5¼ inches Weight of Oscar statuette: 8½ pounds Design: A stylized figure of a knight holding a crusader’s sword standing on a reel of film with five spokes signifying the five original branches of the Academy (actors, directors, producers, technicians and writers). No model was used during the design process.

OSCAR TELECAST Best rating and share in the past 20 years: Best rating: 26.0 in 2004 / Share: 40 Latest telecast date in the past 20 years: April 25, 2021 (93rd Academy Awards) Earliest telecast date in the past 20 years: February 9, 2020 (92nd Academy Awards) Longest Oscar telecast: 74th Oscars show in 2002, with a running time of 4 hours, 23 minutes Shortest Oscar telecast: 31st Academy Awards in 1959 with a running time of 1 hour, 40 minute Date of first televised show: March 19, 1953 (25th Academy Awards) Date since which ABC has been the broadcaster (uninterrupted): March 29, 1976 (48th Academy Awards) Total number of years that ABC has broadcast the Oscars: 58 (including this year). ABC was the broadcaster for a 10-year stint from the 33rd to 42nd Academy Awards, in addition to its current run)

OSCAR VENUES Venue that has hosted the most Oscar presentations:

Dorothy Chandler Pavilion, with 25 Oscar shows Number of Oscar shows hosted at the Dolby Theatre (formerly Kodak Theatre) including the 95th Oscars: 21 Seating capacity of the Dolby Theatre on Oscar night: 3,300

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Length of the red carpet at the Dolby Theatre: Approx. 900 feet Width of the red carpet at the Dolby Theatre: Approx. 33 feet

MISCELLANEOUS OSCAR TRIVIA Person who has hosted the most Oscar shows: Bob Hope, with 19 host appearances Oldest Oscars poster in the collection of the Margaret Herrick Library: 32nd Academy Awards show poster (ceremony on April 4, 1960, honoring films of 1959) Size of most common set-dressing Oscar: 34 in. diameter (base) 7 ½ feet tall, 65 pounds

GOVERNORS BALL Date of the first Governors Ball: March 26, 1958, following the 30th Academy Awards presentation. Held at the Beverly Hilton Hotel in the Grand Ballroom Number of past Governors Balls: 63 Number of times there has not been a Governors Ball (since 1958): 2 (40th and 93rd Academy Awards) – cancelations due to Dr. Martin Luther King Jr.

assassination and COVID-19 pandemic.

Size of the Ray Dolby Ballroom at Ovation Hollywood: 25,090 square feet ### OSCAR®, OSCARS®, ACADEMY AWARDS®, ACADEMY AWARD®, A.M.P.A.S.® AND “OSCAR NIGHT® are registered trademarks, and the OSCAR statuette is a registered trademark and copyrighted property, of the Academy of Motion Picture Arts and Sciences.

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8 SCIENTIFIC AND TECHNICAL ACHIEVEMENTS TO BE HONORED WITH ACADEMY AWARDS® Iain Neil to receive Gordon E. Sawyer Award LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences announced today that eight scientific and technical achievements represented by 19 individual award recipients will be honored at its annual Scientific and Technical Awards presentation on Friday, February 24, 2023, at the Academy Museum of Motion Pictures, marking its return to an in-person event for the first time since 2019.

In addition, Iain Neil will receive the Gordon E. Sawyer Award (an Oscar® statuette) for his extraordinary technological contributions that have brought credit to the industry.

“Since 1931, the Academy has recognized the most important innovations in filmmaking; inventors and engineers have been advancing the art and science of motion pictures ever since,” said Barbara Ford Grant, chair of the Scientific and Technical Awards Committee. “Their efforts have not only served to enrich the art form but inspire a global industry to engineer, create, change, and push the boundaries of our craft. This year we honor achievements spanning accomplishments from pioneering methods in practical rain effects to career-long contributions in optical design for cinematography to humanistic-driven AI techniques. This outstanding work has enabled new and exciting ways of creating and further expanding how we experience motion pictures.”

Unlike other Academy Awards® to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during a specified period of time. Rather, the achievements must demonstrate a proven record of contributing significant value to the process of making motion pictures.

The Academy Awards for scientific and technical achievements are: TECHNICAL ACHIEVEMENT AWARDS (ACADEMY CERTIFICATES) To Howard Jensen and Danny Cangemi for the concept and creation, and to John Frazier for the development of the 60- and 100-foot Rain Bars.

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The Rain Bars provide a portable system for the creation of realistic, large-scale, adjustable, practical rain for motion pictures. Their rapid setup and relocation capabilities enable the efficient production of effects ranging from misting drizzles to torrential downpours.

To Mark Hills and Jim Vanns for the design and engineering of the FQ render farm management system.

FQ’s highly efficient scheduler and sophisticated prioritization algorithms reflect a deep understanding of render farm management. With an architecture that has remained largely unchanged for more than a decade, FQ continues to support substantial growth in computational complexity at Framestore.

To Matt Chambers for his contributions to modern render farm management system design as exemplified in the scheduling architectures of Cue3 and Plow.

These design contributions have resulted in robust, versatile, extensible and highly scalable render farm management systems that have supported substantial growth in computational complexity at Sony Pictures Imageworks and Weta Digital.

To Sébastien Deguy and Christophe Soum for the concept and original implementation of Substance Engine, and to Sylvain Paris and Nicolas Wirrmann for the design and engineering of Substance Designer.

Adobe Substance 3D Designer provides artists with a flexible and efficient procedural workflow for designing complex textures. Its sophisticated and art-directable pattern generators, intuitive design, and renderer-agnostic architecture have led to widespread adoption in motion picture visual effects and animation.

To David Eberle, Theodore Kim, Fernando de Goes and Audrey Wong for the design and development of the Fizt2 elastic simulation system.

Fizt2 provides a high-performance solver with novel and stable implicit physics and robust collision detection. The design of this system enables artist workflows to easily apply soft-body dynamics to a broad range of interacting animated characters and objects.

SCIENTIFIC AND ENGINEERING AWARDS (ACADEMY PLAQUES) To Larry Barton for the pioneering design, development and engineering, and to Ben Wilcox for the electronic engineering and software development, of the Cinematography Electronics CineTape.

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The CineTape distance measurement system provides focus-pullers with continuous, accurate, real-time distance information to the subject, either at the camera or remotely. This highresolution distance data has enabled the reliable execution of shots that previously were impossible to judge accurately or had required multiple takes to achieve.

To Howard Preston for the concept, design and engineering, and to Bernie Butler-Smith for the design and implementation of electronic circuitry and software, of the Preston Cinema Systems Light Ranger 2.

The Light Ranger 2 provides precise real-time focus distance information by continuously tracking subjects in sixteen discrete zones. The distance and depth of field indicators are superimposed on the camera image, enabling the focus-puller to intuitively judge focus, even in formerly impossible and extremely challenging situations.

AWARD OF COMMENDATION (SPECIAL PLAQUE) To Ryan Laney for his innovative adaptation and deployment of AI-driven facial veiling technology used to protect the identities while preserving the visual relatability of subjects in documentary filmmaking as exemplified in Welcome to Chechnya (2020).

GORDON E. SAWYER AWARD (OSCAR STATUETTE) To Iain Neil for his substantial, extensive and innovative lens designs which have had lasting impact in motion picture cinematography.

The 95th Oscars® will be held on Sunday, March 12, 2023, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide. ### ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is a global community of more than 10,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the arts and sciences of the movies, including public programming, screenings, publications, educational outreach, exhibitions, and more.

FOLLOW THE ACADEMY www.oscars.org www.facebook.com/TheAcademy www.youtube.com/Oscars www.twitter.com/TheAcademy www.instagram.com/TheAcademy www.tiktok.com/@oscars ©Red Silk Carpet™ March 2023

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How Jenny Beavan Resurrected the Original House of Dior for 'Mrs. Harris Goes to Paris' (Exclusive) Feb 8, 2023, During last year's Oscars, legendary costume designer Jenny Beavan won the Oscar for Best Costume Design with her de Vil-ishly stylish work on Cruella. Onstage, she admitted that when she was asked to do the movie, "I actually nearly said no. Glad I didn't!"

If anything, Beavan has staked her career on saying "yes" to the most formidable of costuming challenges and has taken home three Oscars for it: Before Cruella, she had won for Mad Max: Fury Road in 2016 and A Room With a View in 1985 (sharing the latter award with frequent collaborator John Bright).

Her latest Oscar nomination is in recognition of her work on the high-fashion fantasy, Mrs. Harris Goes to Paris. Adapted from Paul Gallico's classic novel, Mrs. 'Arris Goes to Paris, the film follows Mrs. Ada Harris (Lesley Manville), a cleaning lady working in 1950s London, who falls in love with a Dior dress she finds in a wealthy client's armoire. On a whim, she travels to Paris so that she can purchase an haute couture dress of her own, only to find herself up against the gatekeepers of the House of Dior (including Isabelle Huppert's Madame Claudine Colbert).

Despite decades spent exemplifying elegant design work in her early Merchant Ivory films, and then breaking those rules in her rebellious later phrase, Beavan initially questioned whether she was the right woman to bring back to life the couture of arguably the most famous fashion designer of the 20th century.

"I was in this incredibly lucky position that I had a magnet for costume designers that very few would've been able to resist," director Anthony Fabian tells A.frame. "The film is essentially a love letter to the House of Dior, so I could aim the bar very high in terms of who I went to for costume design. And the reason I chose Jenny is because I loved the fact that she could win an Oscar for A Room With a View, and then Mad Max: Fury Road. I love that rock and roll element to her. She isn't just a Merchant Ivory, pretty-pretty kind of creature. She would have the courage to be a little bit more outrageous if necessary."

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Lesley Manville wearing "The Venus" on set, with director Anthony Fabian.

As if designing three custom gowns fit for Dior wasn't the most glamorously daunting task in and of itself, Beavan did so under the most challenging of circumstances: "Quarantine, lockdown, doing up buttons in surgical gloves," she lists off. "Trying to assess a costume on an actor wearing a mask. I never realized before how important it is to really see the whole body and expression, while wearing a mask oneself — which I found difficult to think straight in!"

Shot in the fall of 2020 under pandemic safety precautions, Beavan found herself working in a new city (Budapest, standing in for London and Paris), communicating in an unfamiliar language ("Hungarian is not the easiest language to navigate!"), with only the actors' measurements to work from. "All the dresses were made to measure. We couldn't get anyone in for a fitting, due to COVID-19. They were made to measure, sent to Hungary, and fitted by Lauren and I the day before we shot them."

(The experience would ultimately prove to be invaluable, as, "We carried this method on into the next film, Furiosa," Beavans notes. Due to quarantine restrictions in Australia, "We worked via photos, Zoom, and FaceTime... It's not the same as being 'hands on' but it can work.")

And then, there was the budget, which is never as much as you want it to be even in so-called "normal" times. "Modest is a polite way of putting it!" Beavan exclaims. Still, "I think we are a resilient bunch, us costume designers, so we just made it work!"

All of which makes her latest Oscar nomination — her 12th — feel that much more special.

"This nomination is particularly thrilling, as this film was made under challenging conditions and the nomination is really a celebration of my extraordinary crew!" Beavan says. And for the costume designer, it couldn't have come for a more fitting film. "Mrs. Harris Goes to Paris seems to me exactly what we all need at the moment — a heartwarming, feisty film about achieving your dreams! Go Mrs. Harris!!" ©Red Silk Carpet™ March 2023

Courtesy A.M.P.A.S.©

Reporting by Nadja Sayej This article was originally published on July 14, 2022, and has been updated throughout.

RELATED CONTENT: Jenny Beavan: 5 Films I Have Never Forgotten Catherine Martin on Designing 'Elvis' and Dressing Austin Butler (Exclusive) Ruth E. Carter Talks Costuming 'Black Panther: Wakanda Forever' (Exclusive) TAGS •JENNY BEAVAN •OSCARS •COSTUME DESIGN •ANTHONY FABIAN •LESLEY MANVILLE

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Jenny Beavan with the Oscar ® she won for her 'Cruella’ costume designs in 2022.

ACADEMY AWARD® , OSCAR®, and OSCARS® is the registered trademark and service mark of the Academy of Motion Picture Arts and Sciences

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STARS IN DIOR THE 76TH BRITISH ACADEMY FILM AWARDS

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BAZ LUHRMANN THE CELEBRITIES DRESSED IN DIOR BY KIM JONES TO THE 76TH BRITISH ACADEMY FILM AWARDS BAZ LUHRMANN WORE A DIOR WINTER 23/24 MEN’S COLLECTION BLACK WOOL PEAK LAPEL OBLIQUE SUIT WITH PIPED POCKET AT CHEST AND MATCHING OVERSIZE PANTS, A CLASSIC WHITE COTTON SHIRT, A BLACK SILK TANK TOP WITH BELT, A BLACK CORAL BROOCH AND BLACK LEATHER BOOTS.

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MICHELLE YEOH THE CELEBRITIES DRESSED IN DIOR HAUTE COUTURE BY MARIA GRAZIA CHIURI FOR THE 76TH BRITISH ACADEMY FILM AWARDS MICHELLE YEOH WORE A DIOR HAUTE COUTURE AUTUMN-WINTER 2018-2019 DUSKY PINK TUXEDO WITH TUCKED SHOULDERS AND BATWING SLEEVES. SHE ALSO WORE DIOR SHOES. MAKEUP BY DIOR BEAUTY.

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CAREY MULLIGAN THE CELEBRITIES DRESSED IN DIOR HAUTE COUTURE BY MARIA GRAZIA CHIURI FOR THE 76TH BRITISH ACADEMY FILM AWARDS CAREY MULLIGAN WORE A DIOR HAUTE COUTURE HIGH JEWELRY LONG DRESS IN BLACK SILK CREPE AND WOOL WITH A SQUARE NECKLINE.

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TOHEEB JIMOH THE CELEBRITIES DRESSED IN DIOR BY KIM JONES TO THE 76TH BRITISH ACADEMY FILM AWARDS TOHEEB JIMOH WORE A DIOR MEN’S COLLECTION BLACK WOOL NOTCH LAPEL OBLIQUE SUIT, A CLASSIC WHITE COTTON SHIRT, A BLACK SILK TIE AND BLACK LEATHER DERBIES.

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MARTIN MCDONAGH THE CELEBRITIES DRESSED IN DIOR BY KIM JONES TO THE 76TH BRITISH ACADEMY FILM AWARDS MARTIN MCDONAGH WORE A DIOR MEN’S COLLECTION BLACK WOOL NOTCH LAPEL SUIT, A CLASSIC BLACK COTTON SHIRT, A BLACK SILK TIE AND BLACK LEATHER DERBIES.

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THE DIOR HOUSE EVENTS DIOR DESIGNER OF DREAMS - TOKYO – SET DESIGN

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COVER STORY OSCARS® Jimmy Kimmel Sofia Carson Diane Warren Rihanna Jenny Beavan President Of The Jury Of The 76th Festival De Cannes Ruben Östlund Adam Berardi STARS IN DIOR Baz Luhrmann Michelle Yeoh Carey Mulligan Toheeb Jimoh

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A d a m

B e r a r d i

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Adam Berardi 1. Tell us about your background?

I am originally from a small town in New Hampshire. My mother passed away when I was very young. A nice family adopted me when I was seven and we moved to Florida. In the late 80's and early 90's, that was a great place to be if a person wanted to get into modeling. I found myself doing just that while I was in high school. I went to a magnet school that let me concentrate on the arts. I was fortunate enough to have teachers who pushed me in the right direction and helped me get work for Walt Disney World and with some professional plays.

Later my talent agent got me a recurring role on a television show. It was all a really fortunate sequence of events that led me to where I am today.

2. What were your biggest challenges prior to becoming a professional actor & how did you overcome them?

I can't really remember a time when I wasn't doing

something with acting. I did take some time off to raise my son (into the fine man he is today), but I have always been into it.

The challenges have always been a consistent part of the business too.

It has always been difficult for me (as with every other actor) to gain long term employment. It seems as if we are always structurally unemployed and always looking for the next job. That's the reality of it. There have been times when I haven't had work in years, and others when the offers never stop. It is a real challenge balancing that aspect of the business.

3. What were your favorite films you’ve acted in?

I really have loved all the films I have been lucky to have a part in. I can't really say if I have a favorite. All have been fun. They have all certainly been an adventure.

4. Where did you develop your acting skills from?

I began taking classes at ©Red Silk Carpet™ March 2023

an early age. I began taking classes for theater, then for film. I studied various methods like the Meisner Technique and the Stanislavski Method.

Hell, I still study today. I take classes whenever I can.

5. Who would you give a special thanks to for your success?

Honestly, there is only one person that I would give credit to for all of the wonderful things that have happened for me in this life. That is my wife, Heidi. Her support and encouragement has kept me motivated for over 20 years. Everyone should be so lucky as to have someone like her in their corner.

6. What are your favorite characters to cast in?

I love playing the gangster type role. It is such a far stretch for me.

I have never committed a crime. I don't break the rules. Heck, I have never even jay walked. I think it is just so fun to jump into that driver's seat and take that type of character for a spin.

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7. Who are your mentors?

I have had numerous mentors in my life. Too many to count, really.

Every actor, producer, and director has played a huge part in teaching me something that I would not have otherwise known.

8. How was your experience working with Hollywood legend Eric Roberts?

Eric is an amazing guy.

He really is. He and his wife, Eliza are kind and down to earth. They always have time to talk to the little guy (like me).

Eric is a saint. He shares the screen with whoever he is acting. He always gives other performers what they need in the moment. It makes for a really organic performance. He makes the scene come to life.

From the times I have worked with him, I have really learned a lot about how to treat others and myself on set.

9. Do you have any hidden talents? (Such as music production)

I have really taken to working with a camera. I worked as a cinematographer on a few

films now. I have to say that I really love it. It is like painting a picture with people instead of paints and a brush. That sounds a bit silly, now that I have said it, but it is the way I feel.

10. Who were your favorite actors?

I really admire Tom Hardy. I would love to work beside him one day.

He is a tremendous talent and seems to be an honest and good person.

11. According to Fox 32, Comparitech combed through data on the most popular contemporary Christmas movies, and then compared that to state data. They found that "Krampus" is the most popular Christmas movie in Illinois. It’s a horror/comedy about the legendary horned figure who scares children who have misbehaved. Tell us about your experience on that set?

It was an amazing time on set. It went by so quickly. I honestly can't remember much about it!

It was truly fast paced and an honor to work on.

Until then, I had never even heard of the Krampus legend. People still ask me about it all ©Red Silk Carpet™ March 2023

the time. I am so grateful for that.

12. How did you come across meeting actor/music producer Sepehr Nikpouri?

We originally met through a mutual friend. I was doing pro bono work for him on a film that never saw the light of day. It was a great time doing that. We have been friends ever since. God, that was a long time ago.

13. Are you writing or planning on producing any of your own productions?

I have actually written and produced a few films now. My first was a stab at an intentionally awkward B-style slasher film called The Last House on the Street. I have since done an award-winning documentary titled Sleep Paralysis and the Phenomenon of the Shadow People. A couple of years ago, I directed a super short Slasher film titled Almost Alone. All three have seen their fair share of success now. So, thanks to all of those fans that are keeping my dreams alive.

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14. How can others learn more about you and your works?

I always tell people just to type my name into the old search engine and see what comes up. I am seriously working on at least three things at once, at any given time. Some really exciting stuff is coming out soon. I also encourage people to look me up on TUBI TV. I love Tubi because it is free to watch and they give so much back to the independent film community.

15. How long have you been a member of SAGAFTRA?

I was originally a member of AFTRA when I was a kid. Later, the two merged into SAGAFTRA. I rejoined a number of years ago under my real name.

When I was a kid, I used a stage name. I like my name better and glad I was able to use it.

16. Are you a full-time actor part time & how is the experience?

I consider myself a fulltime actor. There are no half measures in this business. No, I don't have (nor do I anticipate) having a permanent paying gig anytime in the near future. That is always the goal, though. I am still content with the

work that I get on a semiregular basis. As long as it pays the bills, I consider it full time.

17. How did you meet your lovely wife?

I met Heidi a long, long time ago in a galaxy far away. I was rescuing her from an Imperial battle station. She was a tough nut to crack, but eventually she warmed up to me. We have been best friends ever since.

Seriously though, she was waiting tables at a bar I worked at when we were just kids. It was love at first sight and we never looked back. If she reads this, I love you, Heidi.

You are my everything.

18. What would you tell yourself if you were 21 again?

If I could jump in that DeLorean and go back in time, I would tell myself a few things.

One: don't take yourself too seriously.

Two: Take more chances and see what life will give you back.

Three: Never be ashamed of who you are. ©Red Silk Carpet™ March 2023

Ruben Östlund, President of the Jur y of the 76th Festival de Cannes

Ruben Östlund © J. Saget / AFP

50 years after fellow citizen Ingrid Bergman, Swedish director Ruben Östlund, a two-time winner of the Palme d'or, will preside over the Jury of the 76th edition of the Festival de Cannes to be held from May 16 to 27. « I am happy, proud, and humbled to be trusted with the honor of Jury president for this year's Competition at the Festival de Cannes. Nowhere in the film world is the anticipation as strong as when the curtain rises on the films in Competition at the festival. It is a privilege to be part of it, together with the Cannes audience of connoisseurs. I am sincere when I say that cinema culture is in its most important period ever. The cinema has a unique aspect - There, we watch together, and it demands more on what is shown and increases the intensity of the experience.

It makes us reflect in a different way than when we dopamine scroll in front of the individual screens. », declared the future President Ruben Östlund.

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With a track record of only 6 features, the filmmaker was already selected twice at Un Certain Regard, where he was awarded the Jury Prize in 2014, before later entering the Competition. No sooner does he appears there that the Palme d'or is awarded to him twice; first for The Square at the 70th Festival de Cannes, and then for his next film acclaimed last year, Triangle of Sadness.

After studying cinema in Gothenburg, he directed his first feature film, The Guitar Mongoloid, in 2004. On the edge of the documentary genre, the film describes the intersecting destinies of outcasts in a fictional city that closely resembles Gothenburg. Humor as a tool of sociological description is already apparent.

His next short film, Autobiographical Scene Number 6882 , gathers all the ingredients of his future work, which are affirmed in Involuntary, a feature film selected at Un Certain Regard in 2008. Östlund positions the camera at a relevant distance to better observe human behavior: small weaknesses and major flaws caused by group dynamics are then dissected to the point of discomfort. Two years later, Incident by a Bank won the Golden Bear for best short film at the 60th Berlinale - it examines the reactions of passers-by to a bank robbery. His third feature film, Play, which was presented at La Quinzaine des Réalisateurs in Cannes in 2011, describes harassment between youth gangs. When it was released in Sweden it gave rise to a major debate across Swedish society.

In Force Majeure, which was screened at Un Certain Regard in 2014, the situation takes on the aspect of an avalanche where a father prefers to take cover rather than save his wife and children: how can he accept the aftermath, in bad faith and in fear of losing face? Such is the issue that the director examines with ferocious acidity.

Ruben Östlund repeatedly explores a provocative dialectic which has become his signature: an initial situation sets the stage for a sociological examination where the baser instincts of our humanity are painstakingly and uncompromisingly examined with corrosive humor.

In 2017, in The Square, he tells the fictional story of an artistic experiment he conducted in his native country. The film addresses brilliantly the boundaries of public space, art and the animal aspects within ourselves.

Finally, in 2022, Triangle of Sadness chronicles a cruise ship caught in a storm that reshuffles the cards of class struggle in Western societies in a nauseating hullabaloo.

By inviting Ruben Östlund to preside over the Jury, the Festival de Cannes wishes to pay a tribute to films that are uncompromising and forthright,t and which constantly demand that viewers challenge themselves and that art continue to invent itself.

Ruben Östlund has therefore become the third two-time winner of the Palme d’or to be the President of the Jury, following Francis Ford Coppola and Emir Kusturica, and the very first to take on this role the year after his acclaim in Cannes. « As president, concludes Ruben Östlund, I will remind my colleagues in the jury about the social function of the cinema. A good movie relates to the collective experience, stimulates us to think and makes us want to discuss what we have seen - So let's watch together! »

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T he 76th Edition of the Festival de Cannes due to take place from 16 to 27 May 2023

Celebrating film during the 75th anniversary Ceremony © Joachim Tournebize / FDC

The 75th edition has just drawn to a close, wrapping up with a forward-looking anniversary intended as a celebration of international film, in an edition that was synonymous with reuniting and committing to change.

The films of the Official Selection 2022 are now embarking on their trip around the world, moving from cinema to cinema, visiting one festival after the next. We wish them all the very best of luck in touching audiences, and hope they meet with the greatest of success.

All artists, professionals, journalists, and film lovers are cordially invited to the Croisette once again from 16 to 27 May 2023, so that we might continue coming together to uphold our love for the silver screen. See you very soon — and long live cinema!

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The Festival de Cannes wishes to thank and congratulate all the producers, distributors, filmmakers, actors, actresses and film professionals whose films are featured in the Official Selections of the last two editions, and that have been nominated by the voters of the Académie des Arts et Techniques du Cinéma.

More than ever, the Festival de Cannes wishes to assert its support to International cinema.

The nominations in the Best Foreign Film category are a fine illustration of this support, as all of the films nominated were screened in the Official Selection in 2022.

To these 17 films featured in 21 categories and cumulating 58 nominations, the Festival de Cannes wishes them the success and recognition they deserve during the 48th ceremony of the César Awards which will take place on February 24.

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Congratulations to the films in the Official Selection that have been nominated for the 2023 César Awards!

THE INNOCENT Louis Garrel Festival de Cannes 2022 - Out of Competition 11 nominations Best Film Best Directing Best Actor (Louis Garrel) Best Actress in a supporting role (Anouk Grinberg) Best Actress in a supporting role (Noémie Merlant) Best Actor in a supporting role (Roschdy Zem) Best Original screenplay (Louis Garrel, Tanguy Viel, Naïla Guiguet) Best Original Score (Grégoire Hetzel) Best Sound (Laurent Benaïm, Alexis Meynet, Olivier Guillaume) Best Editing (Pierre Deschamps) Best Costume design (Corinne Bruand) LA NUIT DU 12 Dominik Moll Festival de Cannes 2022 - Cannes Première 10 nominations Best Film Best Directing Best Actor in a supporting role (Bouli Lanners) Best Male newcomer (Bastien Bouillon) Best Adapted screenplay (Gilles Marchand, Dominik Moll) Best Original Score (Olivier Marguerit) Best Sound (François Maurel, Olivier Mortier, Luc Thomas) Best Cinematography (Patrick Ghiringhelli) Best Editing (Laurent Rouan) Best Set design (Michel Barthélémy) PACIFICTION Albert Serra Festival de Cannes 2022 - Competition 9 nominations

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Best Film Best Directing Best Actor (Benoît Magimel) Best Original score (Marc Verdaguer, Joe Robinson) Best Sound (Jordi Ribas, Benjamin Laurent, Bruno Tarrière) Best Cinematography (Artur Tort) Best Costume design (Praxedes de Vilallonga) Best Set design (Sebastian Vogler) Best Visual effects (Marco del Bianco) FOREVER YOUNG Valeria Bruni Tedeschi Festival de Cannes 2022 - Competition 7 nominations Best Film Best Actor in a supporting role (Micha Lescot) Best Female newcomer (Nadia Tereszkiewicz) Best Original screeplay (Valeria Bruni Tedeschi, Noémie Lvovsky, Agnès de Sacy) Best Cinematography (Julien Poupard) Best Costume design (Caroline de Vivaise) Best Set design (Emmanuelle Duplay) NOVEMBER Cédric Jimenez Festival de Cannes 2022 - Out of Competition 7 nominations

Best Directing Best Actor (Jean Dujardin) Best Actress in a supporting role (Anaïs Demoustier) Best Actress in a supporting role (Lyna Khoudri) Best Sound (Cédric Deloche, Alexis Place, Gwennolé le Borgne, Marc Doisne) Best Editing (Laure Gardette) Best Visual effects (Mikaël Tanguy) FINAL CUT Michel Hazanavicius Festival de Cannes 2022 - Out of Competition 2 nominations Best Adapted screenplay (Michel Hazanavicius) Best Original score (Alexandre Desplat)

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THE WORST ONES Lise Akoka, Romane Gueret Festival de Cannes 2022 - Un Certain Regard 2 nominations Best First Film Best Female newcomer (Mallory Wanecque) AS BESTAS Rodrigo Sorogoyen Festival de Cannes 2022 - Cannes Première 1 nomination Best International Film DIARY OF A FLEETING AFFAIR Emmanuel Mouret Festival de Cannes 2022 - Cannes Première 1 nomination Best Actor (Vincent Macaigne) CLOSE Lukas Dhont Festival de Cannes 2022 - Competition - Grand Prix (Ex-aequo) 1 nomination Best International Film EO Jerzy Skolimowski Festival de Cannes 2022 - Competition - Jury Prize (Ex-aequo) 1 nomination Best International Film SMOKING CAUSES COUGHING Quentin Dupieux Festival de Cannes 2022 - Out of Competition - Midnight Screening 1 nomination

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Best Visual effects (Sébastien Rame)

THE RIGHT WORDS Adrian Moyse Dullin Festival de Cannes 2021 - Short Film Competition 1 nomination Best Live Action Short film JANE BY CHARLOTTE Charlotte Gainsbourg Festival de Cannes 2021 - Cannes Première 1 nomination Best Documentary BOY FROM HEAVEN Tarik Saleh Festival de Cannes 2022 - Competition - Best Screenplay 1 nomination Best International Film LITTLE NICOLAS - HAPPY AS CAN BE Amandine Fredon, Benjamin Massoubre Festival de Cannes 2022 - Special Screenings 1 nomination Best Animated Film

TRIANGLE OF SADNESS Ruben Östlund Festival de Cannes 2022 - Competition - Palme d'or 1 nomination Best International Film STAY CLOSE TO THE FESTIVAL DE CANNES www.festival-cannes.com TikTokFacebook

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The 76th Edition of the Festival de Cannes due to take place from 16 to 27 May 2023

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