novpreview2003

Oesign Annual 44 I

I

November 2003 Twenty-four Dollars www.commarts.com

NON- TRA DITIONAL .JAPANESE

3

2

FIRST AVENUE • FRIDAY, NOVEMBER lST, 20 02 • 21+10

26

DESIGN

ANNUAL

2 0 0

3

4

7

l2m

6

Trademarks Jeff Weithman, designer Mark Ford/Jeff Weithman, creative directors Ford Weithman Design (Portland, OR), design firm Terry Tebeau, Tebeau Studio Workshop, client "Tebeau Studio Workshop is a custom wood and metal fabrication studio that specializes in unique hand-crafted furniture, cabinetry and display work."

2 Claude Auchu/Patrick Fleury, art directors Claude Auchu, creative director Bob (Montreal, Canada), design firm Karlsbrau Canada, client "We wanted to convey the idea of a young and mysterious brand of imported beer to capture attention in a crowded marketplace."

3 Jacob Ristau, designer Brian Boyd, creative director RBMM (Dallas, TX), design firm Button's Cafe, client Logo for a casual diner.

4 David Turner, designer Bruce Duckworth/David Turner, creative directors Turner Duckworth (San Francisco, CA), design firm Refreshment Brands, client "Cognac with Vodka is an unusual combination. We thought that to combine two identical, but opposite logos to make one would capture the essence of the drink and the name."

5 Brian Adducci, creative director Capsule (Minneapolis, MN), design firm

7 Renata Graw (Chicago, IL), art director/designer Ibo, client "A fashion boutique in Rio de Janeiro, Brazil."

8 Michael Miller Yu, art director/designer Creation House (Hong Kong, China), design firm Michaelsolve, client "This chain shop sells different brands of distilled and mineral water in bottles or in cups. The shop can only be found in Shanghai and Beijing."

Goodnight Moon, client "A retail identity for a new entry in the children's clothing and accessories market."

6 Michael Mabry, designer Michael Mabry Design (Emeryville, CA), design firm Lulu Petite, client "A retail venue for gourmet products that embody the essence of Provence."

9 David Guillory/Matt Heck/Rex Peteet, art directors Rex Peteet, designer/illustrator Sibley/Peteet Design (Austin, TX), design firm Wally Williams, Tequila Mockingbird, client "Music and sound design studio named after a late night of tequila and a TV rerun of To Kill a Mockingbird. The opportunity to create the joined 'eighth note' feet resting on a musical staff line, was irresistible."

C 0 M M U N I C A T I 0 N

A R T S

65

Catalogs Matthias Ernstberger/Julia Fuchs, designers Stefan Sagmeister, creative director Julia Fuchs, illustrator Sagmeister Inc. (New York, NY), design firm Anni Kuan Design, client "Burn-marked Fall/Winter 2003 brochure for Anni Kuan, an Asian fashion designer working in New York . We bought ten irons and utilized them like printing presses-an iron burns through the sixteen pages of one brochure in five minutes." 16 pages, 11112 X 16, folded, 2-color on newspaper.

2 Allison Williams, art director Yael Eisele, designer Laura Silverman, writer Allison Williams/J Phillips Williams, creative directors Martyn Thompson, photographer Lithographix, fabricator design : m/w (New York, NY), design firm Takashimaya New York, client "The tenth in a series of image brochures for Takashimaya New York ." 58 pages, 73/4 X 10, saddlestitched two sides, making Z-fold bound groups of pages, 4-color throughout, short pages bound in, short face trims front and back.

70

D E S I G N

A N N U A L

2 0 0

3

Letterheads

nicholson

Amy Nicholson (New York, NY),

AMY

art director/client "Art directors make the worst clients . Special thanks to my printer, Soho Letterpress."

NY 100 11

NY

44

44

w12

NY

•OO U

212

9296306

10011

¡ nicholson

C 0 M M U N I C A T I 0 N

A R T S

83

LOSADA

118

DESIGN

ANNUAL

2 00 3

2

-----! --~~ -- -- ;

____ ___ ;_~

; _ ! - --~- ~ ---~; l

_________ ~ __________;l _______ ;~ ! ___ ; __ _~--

3

C 0 M M U N I C A T I 0 N

A R T S

165

I

I

Debbie Hanley, Daisy Art Studio

Location: Seattle, Washington.

Duration: I have been illustrating for thirteen years. but changed focus and medium about three years ago . The previous work became stale and I was getting bored .

On a whim, I bought a computer and started the type of work that I had been wanting to do for a long time. It is digital, not politically correct and heavily influenced by the stuff I like to col lect from the '50s, '60s and '70s.

2

Staff: Daisy (the office cat) and I, so one-and-a-half.

Education: B.F.A., University of Washington, 1982. School of Visual Concepts .

Cultural Influences: Art history especially the art of the Byzantine era. Italian Renaissance, camera-age composition.

American Pop Art and graphics of the '50s and '60s.

Environment: My office is located at the School of Visual Concepts in Seattle. It's small, informal and cluttered - with a great view of the city.

Philosophy: Don't take yourself too seriously.

3

200

D E S I G N

A N N U A L

2 0 0

3