novpreview1991

2

12

D E S I G N

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2

WINTER

SEMESTER REGISTRATION

IS SLIPPING A\IVAY.

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DON 'T • •

C OL • • • • ,. A LI.T

L.P T

OUT IN TN .

COMPL.Ttllle Y OUa TUITION

IVeConcours de chateaux de sable iLEI·DE LA MADELEIN E. II AOU T 19!D . IHFOIMATI DN 411 !37 . 2917

3

WINTER

SEMESTER REGISTRATION

IS SKATING ALONG. G • T A

H . &D S TAaT. DON ' T

LA.ST-MIMUTa

acMa.UUMe

L . T

La&Va YOU OM 'rill IN

tC.a .

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COMMU

ICAT I O

A R TS

67

2 In tecent yeo11 OIChitectuJe hos

splint~ed

into on

un~ecedented

votiety of

&teclioo<. lhe~onkettOJm " posfmodemism " hos~p~owledtoindudesomony Opo~IXXhestodestgnostobecomemeoningless, "'destg""' '""""k hotortond thecontempo~ort...tdinhigh~ ~oJViduoiWO'f'.

lheo1Chitem"'sembledhe10

·~esentthiitongeofoutlook•ond~toteg.,,homtheti!WOikedModemismof

Richo!dMeie!OIAiquitectonico'•Lo.. indoSpeortoRobe<tSt~n·• histOiic~solvoge """""; homthepfayf~poetic•off•onkGeluyondStonleyrtgeJmon'•ffi'Jiot;,.

de.ii"' to the unheotd-ol combinotioo• of l01m ond colo! inhodoced by [hOle Soma.•. Geotge Sowden, ond othOJ membOJ• of It~·, Memphis gtoup; hom

61....,., eff""' to~~- built l01m with •vm~ ond no11ot;,. ""'tent.

Bot the WOik of these COilfemjlOIOJY~OCfic•

de.ii""'

oko tii'IOOk the common denomtnotOII of

Theypoyhomogetothepost, exploitiogthefomiliolf01'"'

of.,..cuh!Ke'•collectM!Yisuolmemort-be~child!en'•clliT1IfO'ilic>nbook.01

Gleektemplei. RefOienc"toeotfOIOIChitectUJeObound~ the AIChitem' (~lec-

r.n, the dcruicol fluted c~uiTVI of 1'1lh0101'• condlestick, the Mesopotom~n ziggulotbmeofGI""'''cenlelpioce; thegeomehicpohOI"'oiSowden'•"-"foc".

oteotto&tiooolmin~llllizingOJchitocllllolfcx'"'IOide<cxot;,.Jlbiect>.,ten&ng

ROBERT

S

T

E

becktothe!enois501Ke; hisiceb<xketfOitheCollecfooteplicot"theChcxogi:

KEBUCIEI1990

IJ'h" 1 9" ol-.. (343mm 1129mm diomet•)

Mooomentolly,;oot"inAtheM. (rtge~monloolfloduc"iUchminiot~"-on

A•IOflingtMicobocbtwitheightc"""""'wpj101111lgo01culotbeomwith triglypl11101ih. theldhmooolotingtiepoll•nodgedwitho"'K'olood o '""*'""""'""._mg'goldllomeliiol the"""""'"'""""'"'

lmeood..,roundodnJmolotchedcoboltblueglon.

eorle

teo

set tool. the 101m of the cxchilecl'• countty house; Robe<t ond !til

Houssmonn de.igned o soh ond pepper !hoke! set playing on contempo101y

Slorling!ilwt,goldoodroboltbluegloss.

E~toonol10

cxchitectAidoRoni'•penchontiOitOOOf•.)

C 0 M M U N I C A T I 0 N

A R T S

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112

D E S I G N

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She's y u g.

She's She' lived a

riC •

life of

and

r.ugs

Crime.

Still, Kristin Bauman

s ys, "J'm..nqt a adglrl. liu.Pt do b,,d

tn1ngs.

by

Mimi Swartz 3

c.. Soulo Dokooo, ... "" ....-..s.--

,.,C..,..Rood·""-"•*-.

RoLI..IJofG5To Jon,Nov•••••lfTN,i990·U

C 0 M M U N I C AT I 0 N

A R T S

127

2

C 0 M M U N I C AT I 0 N

A R T S

145

SELF-PROMOTION

Seymour Chwast, art director Greg Simpson , designer various illustrators The Pushpin Group (New York) , design firm Pushpin Associates , client "What is Your Emotional Type?" was a way of presenting an abbreviated portfolio of work . It represented an excercise in typography design . 28 pages , 11 x 15.

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