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POULTRY GUILD, INC WEST VIRGINIA U .S A AC 304, LEHIGH 8 2385 CREATIVE SERVICES FOR THE

POULTRY MEAT I NDUSTRY

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POULTRY GL' I LD, I NC

WEST V I RG IN IA U. A

109

a

Self-promotion

b

a . Advertising Artists Association of Wichita Ron Anderson , art director/ designer Bill Manley, illustrator b. Design Associates Ken Ayres, art directorj designerj copywriter Design Associates , studio , Indianapolis c . Wm. J. Keller Inc. Clifford N. Hehr, art directorj designer Joseph J. Crilley, photographer Charles J. O'Connor, copywriter Wm . J. Keller Inc ., agency, Buffalo d. The Milford Press Jon Aron, art directorj designerj copywriter Trinkaus, Aron & Wayman, studio , So . Norwalk

152

EDITORIAL

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a. Show Magazine Henry Wolf, art director Gyo Fujikawa , illustrator

b. Playboy Magazine Arthur Paul, art director Arthur Paul, illustrator

c. McCall's Magazine Herbert Bleiweiss, designer Otto Storch , art director Marco, photographer

b

Margaret Lear, copywriter

d. Show Magazine Henry Wolf, art director Dan Wynn , photographer

e. Show Magazine Henry Wolf, art director Marilyn Silverstone, photographer

MORRISON FEARED SHE'D CHILL HIS ALTRU ISTIC PLAN, BUT ICY MISS PARKER ALSO UNDERSTOOD THE TIE THAT BINDS FI CTION BY WALT GROVE He was walking down the green-carpe ted hall when he passed the open door of a room and heard StudT alum's voice, saying, "Come Q!1 Byron, wake up-you 1)0 to get up now. ~ron, gel your can out of that sack!"

Morrison, who was both the newesl and the youngest of the masters at the school, glanced in the open door. Byron Ramsey was ly,ng on the nearest lwm bed, fully clothed, and look1ng sound asleep HIS roommate, Stud Tatum, was bending over the bed, shaking him Stud had on only o wh11e T-s hirt, stenc1led w11h the numeral 22, and a todsirap, he was already 15 mmutes late, at least, for spring framing for football "Anythmg wrong2" Momson asked, gomg rnto the room "Oh, Chnsl, you would have lo bull ml" Stud sa1d ''You remember that,

174

TELEVISION COMMERCIALS

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Ford Motor Company

U.S. Steel

Bill Melendez and Paul de Monterice , art directors

Pablo Ferro and Larry Berger, art directors

Bernard Gruver, designer

Pablo Ferro, designer 1director

Frank Smith, animator

Norman Griner, photographer

Allan Childs, camera

James Huff, copywriter

Paul de Monterice and JWT Staff , copywriters

Ferro, Mohammed & Schwartz , studio , N.Y.

Charles Schulz , consultant

BBDO, agency

Playhouse Pictures, studio , Hollywood J. Walter Thompson, agency

194

ILLUSTRATION

b

We /rave big yellow eyes

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SAHARA BOOT f(lR (AMPUSHffl HII IN llfMRI BUff 'SUlll! ..,.11H MATCHING COBRA INSERT ABOUT Sl'lo )() All lORD & TAvtOR NEIMAN MARCUS AND I MAt,NIN SlflfHS WRIH

206

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M 61 'J W[ST 6t<;.T SHf£( J N(W YORK CITY "l N(W YORK

THE VAMP, WILDLY rLATTERING IN YELLOW RAISIN SUEDE AND BRONZE MOSS PATENT, ABOUT Sl6 OO. fAll BONWIT TELLER, THE DAYTON CO , NEUSTETERS AND GOOCHAUX' S STORES f OR WRITE TO CAP£110. INC , DEPT V 863. 9 WEST 61ST STREET, NEW YORK CITY 23 NEW YORK

PHOTOGRAPHY a

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a. Elbert Budin, photographer (1, 3, 4)

b. Art Kane, photographer

James Moore, photographer (2)

Allen F. Hurlburt, art director

Thomas R. Gorey, art director (1, 2, 3)

Look Magazine, client

Robert L. Dian, art director (4) Donald J. Dickens, copywriter

216

c. Leigh Wiener, photographer / designer

Needham, Louis & Brorby, agency, Chicago

Davis Thomas, copywriter

Morton Salt Company, client

Saturday Evening Post, client