mayjunepreview2012

HELMS WORKSHOP METHOD ANDREW ZUCKERMAN JUNIPER PARK EXHIBIT ILLUSTRATION ANNUAL 53

May/June 2012 Twenty-Four Dollars www.commarts.com

ANDREW

ZUCKERR T

o say photographer Andrew Zuckerman is a minimalist is an understatement. He describes himself as a disciple of Massimo Vignelli and Swiss 721 is the house font of his Chelsea studio, which is a tastefully graduated series of immaculate white boxes.

His apartment, he says, looks the same.

“I love everything to be in perfect order,” he confesses, wearing his usual uniform, which consists of a gingham shirt, a sweater with leather patches at the elbows and jeans. “I love everything to be clean. It gives me a sense of clarity. I love the blank slate.”

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by Jim Hanas

African Fish Eagle, photographed for Bird, 2009, published in the US by Chronicle Books.

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Advertising 1 Jeff Rogers, illustrator Obama for America, client “This poster was chosen by online voting and is one of three winning posters to promote President Obama’s reelection and his American Jobs Act. The winning posters were sold in the Obama for America online campaign store.” 16 × 20, digital and ink-jet printed on 80 lb. uncoated cover stock.

2 Marco Ventura, illustrator Arturo Lattuneddu, art director Melanie Lowe, designer Nuoto Center Forlì, client Poster for the 2012 youth swimming competition in Forlì, Italy. 5 oil on paper.

× 7 1⁄ 2 ,

3 Andre da Loba, illustrator Pedro Messias, art director Guilherme Jardim, designer TGTL, client Packaging illustration for extra virgin olive oil from Alentejano Biológico, a region in the south of Portugal. 105⁄ 8 × 53⁄4, digital.

4 Mick Wiggins, illustrator Nancy Yee-Chan, designer Marin Theatre Company, client Advertising poster and website promotion illustration for Seven Guitars

by August Wilson. 11 × 17, digital.

5 Yuko Shimizu, illustrator Matt Cowal, art director Magnolia Pictures/Magnet Releasing, client The US release poster for Japanese horror movie director Takashi Miike’s new film 13 Assassins. 20 × 30, ink, digital.

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Self-Promotion 1 Cory Loven, illustrator/designer/client “This self-promotion poster showcases my skills and illustration styles. It was created in support of a three-night concert series held in Chicago at the UIC Pavilion, for the bands Arcade Fire and The National. The imagery was inspired by lyrics from both of the bands most recent albums, The Suburbs and High Violet, respectively.” 121⁄ 2 × 19, silkscreen.

2 Tony Huynh, illustrator This is a promo-pack mailer. 77 ⁄ 8

× 91⁄8, graphite, ink, digital.

3 Assaf Benharroch, illustrator “This illustration was made for Hagirsa, a blog for a group of young Israeli illustrators. Each illustrator was asked to illustrate his/her version of a piece of Hebrew literature. Not A Single Lion is my version of a Nurit Zarchi children’s book.” 171⁄ 2 × 81⁄ 2, digital.

Unpublished 4 Edward Kinsella, illustrator Laurent Linn, Simon & Schuster, art director “Cover for Wooden Bones by Scott William Carter to be published in August 2012. The untold story of Pinocchio, with a dark twist.

Pino, as he’s come to be known after becoming a real boy, has discovered that he has the power to bring puppets to life himself.”

15 × 221⁄ 2, ink, gouache, watercolor. © Edward Kinsella 5 Keith Negley, illustrator Rajan Mehta, art director Dagr Nott & Associates, design firm AIDS Global Action, client “This poster was a submission for the World AIDS Day 2011 poster competition organized by AIDS Global Action. The direction was to think beyond the stereotypical AIDS poster clichés and bring a fresh voice to the cause. It’s an empowering image with a serious tone, that doesn’t rely on scare tactics or accusations. It had rained a lot the week this project was announced and I got the idea walking to the studio one morning.” 193⁄4 × 271⁄ 2, acrylic, charcoal, digital. © Keith Negley

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