THE COLUMBUS MUSEUM QUARTERLY MAGAZINE
SUMMER 2020
LETTER FROM THE DIRECTOR
Dear Member,
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hope this letter finds you and your loved ones well during what is turning out to be an extraordinary 2020. As you know, The Columbus Museum is among the many extremely successful public-private partnerships that distinguish the Chattahoochee Valley. In times of emergency such as we find ourselves in now, we look to our public partner, the Muscogee County School District, for guidance. Thus, on March 16, following the District’s decision to close schools, we closed our doors as a matter of public safety to protect you, all visitors, our volunteers, and our staff. The building may be closed, but our Museum is still open. Our talented staff is working hard on new virtual ways to learn and enjoy American art and local history through our website and on social media; their creativity in rising to this new challenge has been inspiring. We are also distributing art-making projects to students to ensure that a lack of access to computers at home never means a lack of opportunity to create and learn about art. We contin-
Wolf Kahn, Barns Near a Pond, 2001, oil on canvas, The Swift Family Foundation in honor of Mrs. Gunby Jordan G.2001.23.1
ue to learn how The Columbus Museum is much more than its building, and I hope you will find that our virtual museum is a great alternative for engaging with art and culture when you cannot be physically present. The virtual Columbus Museum will continue long after this health crisis has passed and the building has reopened. The arts, cultural history, and museums are sometimes categorized as “extras,” as things that are not essential. During this time of unexpected isolation, that point of view is disproven on a daily basis. The arts connect us with each other as few things can, and they connect us with humanity as a whole, while we look to history for guidance in how to navigate our way through this unique time. On a personal level, I have witnessed frequently throughout my career how much positive difference museums can make for an individual or group. To this day, the artist Amy Sherald talks about the impact that a painting by Bo Bartlett, which she saw on a school field trip to The Columbus Museum, had on her life, including her subsequent decision to become an artist. Students who participate in a field trip to the Museum or in one of our many outreach programs—including programs at the Housing Authority and pre-K art and literacy programs at Title 1 elementary schools—
The Columbus Museum brings American art and history to life for the communities of the Chattahoochee Valley.
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create and engage with the world around them in new ways. Not all will become famous artists like Amy Sherald and Bo Bartlett, but their lives, too, will be changed for the better. Nor are these positive experiences limited to the young. Shortly into my tenure at the Museum, for example, I met a visitor who told me that she stopped by once a month to view Boat Installation by Dale Chihuly because it brought her such joy. Museums exist to create such moments of discovery and wonder. You may have read the news that Wolf Kahn died on March 15 at the age of 91. A favorite artist for many in our community, Kahn is represented in the Museum’s collection with three works: a drawing, a painting, and a monotype. Kahn once made a wonderful statement about his work that seems particularly apt now, as we look to the arts more than ever for the bright future that lies just ahead: “I want the people looking at my work to feel a sense of all the possibilities of painting, and, through that, in life as a whole. When that happens, I feel I’ve accomplished something useful.” Everyone at the Museum looks forward to the day—very soon, I trust— that we can welcome you back for an inperson visit. We have a slate of terrific exhibitions and programs that will be ready for you when our doors re-open. In the meantime, please stay well and happy, and thank you so much for your support and love of The Columbus Museum.
THE COLUMBUS MUSEUM: 1251 Wynnton Road Columbus, GA 31906 | 706.748.2562 | columbusmuseum.com MUSEUM HOURS: TEMPORARILY CLOSED. MUSEUM SHOP HOURS: TEMPORARILY CLOSED.
On the Cover: Louise Dahl-Wolfe, Carson and Reeves McCullers, silver gelatin print, ca. 1940, Gift of the Jordan Massee Estate G.2019.76.1
MUSEUM UPDATE
MUSEUM FROM HOME
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n the midst of the COVID-19 pandemic, The Columbus Museum launched the Virtual Museum and the Virtual Museum for Kids online as a way to engage visitors who could not physically come to our building. The website features video tours of exhibitions, curator chats about objects in the permanent collection, interactive activities for families, educator resources and more. One feature called “60 Seconds
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with the Artist” lets visitors hear artists with work in the collection discuss their piece. The Museum also hosted an online event, Virtual Artist Talk with Photographer Lauren Henkin, one of the photographers with work in the current exhibition Documenting the Rural South.
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Visit the Virtual Museum at columbusmuseum.com/virtual-museum
1. Curator of History and Exhibitions Manager Rebecca Bush gave a virtual tour of And So She Did: Women of the Chattahoochee Valley scheduled to open on March 21. | 2. Photographer Lauren Henkin spoke with Curator of History and Exhibitions Manager Rebecca Bush about her work featured in the exhibition Documenting the Rural South in a virtual artist talk hosted online by the Museum on April 2. | 3. Director of Curatorial Affairs and Curator of American Art 2 Jonathan Frederick Walz, Ph.D. discussed Paris at Night by Alfred Maurer, one of his favorite objects in the permanent collection | 4. Lucy Kacir, Director of Education and Engagement included a talk about Roger Smith’s Trailer Park, Truck Stop in an art activity for youth and families.
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EDUCATION
EDUCATION PROGRAMS CONTINUE “Given our unprecedented current situation and the stress that it is causing families, we wanted to find a way to continue engaging with our friends living in Housing Authority communities. By providing simple art materials and activity prompts, we hope to alleviate some of the boredom and frustration that families are experiencing while still fulfilling our mission of bringing American art and history to life in our region. We are so grateful to MCSD and its Director of Nutrition, Susan Schlader, for working with us to distribute these activity kits.” – Lucy Kacir, Director of Education & Engagement
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he Columbus Museum Education Department not only offers homebased art and history talks and activities but is also making the effort to continue programming offline as well. In 2018, The Columbus Museum first partnered with the Housing Authority of Columbus, Ga. to bring art-making activities to youth living at Warren Williams Homes while the Museum’s curatorial staff was working on the special exhibition, Making Conversation with Warren Williams Homes. At the request of Housing Authority staff and residents, the art-making program expanded to additional housing developments. Now called the Community Art Partners program, the initiative is funded by grants from the Rotary Club of Columbus, the Landrum Fund, and the City of Columbus Office of Crime Prevention. The program offers a six-week class series for elementary age youth living in different Housing Authority communities. However, the COVID-19 pandemic has prevented in-person workshops. Thanks to a partnership with the Muscogee County School District, this program lives on. Director of Education & Engagement Lucy Kacir has delivered over 400 art supply kits and activities sheets for distribution to Warren Williams, Canty Homes, Chase Homes, and Wilson Homes through MCSD’s grab-and-go lunch program. 4 THE MUSE SUMMER 2020
The Columbus Museum partnered with Muscogee County School District to distribute air dry sculpture activity kits and other supplies at Warren Williams Homes, Canty Homes, Chase Homes and Wilson Homes as an extension of the Community Art Partners program.
Pre-COVID-19 pandemic, the Education Department held in-person activity workshops as part of the Community Art Partners Program with the Housing Authority of Columbus, Ga.
NEW EDUCATION PROGRAMS
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here is always something happening at The Columbus Museum! Learn about some of the new ways that our education department is making a difference in our community by bringing people together with art and history – and learn more about programs already in place.
New to the Museum Gallery Scenes is a performance program that brings the Museum’s collection to life for visitors of all ages. With the help of talented local writers, directors, and actors, the Museum is creating one-of-akind theatrical performances that take place
right in our galleries! Look for performances beginning Fall 2020. Mission: Museum brings together children ages 5-10 and their families to complete a new mission each month, beginning Summer 2020. During each mission, participants will explore the galleries through a series of activities where they use observation skills and work together with other explorers to make decisions to successfully complete their mission!
Outreach programs continue Access for the Arts provides a specially designed museum experience for individuals
with early stage Alzheimer’s and their carepartners. Each month participants are invited to explore and share stories about objects in the Museum’s collection, followed by a related art making activity. More information, including future dates, can be found on our website. For K-12 youth on the Autism Spectrum and their caregivers, ARTiculate is a monthly program featuring gallery tours, hands-on activities, and art making with a sensory-friendly focus. Fun for visitors of all ages, this is a low stress way to explore the Museum before it opens to the general public. More information, including future dates, can be found on our website.
ACTIVITY WATERCOLOR RESIST COLLECTION CONNECTION: LEE KRASNER, STILL LIFE, 1939
Co Kids rn er
Lee Krasner painted this still life in 1939 with bold black lines. This style of painting is called a still life, which just means that the subject is an inanimate object and not a person or place. Still life paintings can include lots of different objects including flowers, skulls, food, and more. Take a few moments and look at the shapes and colors in this painting. What objects can you identify based on shape or color? ACTIVITY 1. Gather your art supplies. You will need a black crayon, watercolor paint, a paintbrush, a water cup, and thick white paper. 2. Choose five objects from around your house and arrange them to create your own still life. 3. Use your black crayon to draw your objects. Focus on their basic shapes and draw those first with thick outlines. Once you have the outline of your objects drawn, decide if you want to add more detail or objects to your still life. 4. When you have finished adding details and objects, you are ready to start painting! Use your watercolor paint to paint your still life. Watercolor paint won’t cover wax crayon so you don’t need to be too careful as you paint. Lee Krasner, Still Life, 1939, oil on canvas, The Ella Kirven Charitable Leads Trust for Acquisitions G.1998.6
5. Admire your finished artwork! Now that you have created a still life like Lee Krasner, what else can you make with crayons and watercolors? SUMMER 2020 THE MUSE 5
ACQUISITIONS
History Acquisitions
MCCULLERS COLLECTION CONTINUES TO GROW
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ordan Massee Jr., cousin of Columbus native and Southern Gothic author Carson McCullers and friend of playwright Tennessee Williams, grew up in an elite family in Macon, where he returned at the end of his life after several decades in New York City. Massee died in 2002, but his estate recently donated to The Columbus Museum four objects that are particularly insightful to help visitors understand important people and moments in McCullers’ life:
• Photograph of Carson and Reeves McCullers by Louise Dahl-Wolfe, circa 1940. Dahl-Wolfe photographed Carson frequently during her early years in New York City, and this photo with her husband Reeves shows the writer in similar attire to her outfit worn in the Museum’s Dahl-Wolfe McCullers photo acquired in 2016. The back is inscribed “To our dearest cousins, Jordan and Paul/Reeves”
• Contact sheet of McCullers and Tennessee Williams photoshoot by Richard Avedon, 1
April 25, 1950. Avedon photographed both McCullers and Williams many times, but in 1950 he captured the two together in the midst of their decades-long friendship. This contact sheet of casual outtakes from the photoshoot also includes Paul Bigelow, Massee’s longtime partner.
• Photograph of McCullers’ most famous dinner party on February 5, 1959. Author Isak Dinesen (also known as Baroness Karen von Blixen-Finecke) had mentioned to McCullers that she would like to meet Marilyn Monroe, and McCullers promptly arranged a luncheon at her Nyack, New York, home with the two women and Monroe’s husband, Arthur Miller. Pictured left to right are: Monroe, Miller, Dinesen (seated), McCullers (seated), American Academy of Arts and Letters executive director Felicia Geffen, Jordan Massee, and Dinesen’s secretary Clara Svendsen. • Vogue magazine page featuring Irving Penn 2
1. Richard Avedon, Contact sheet of Carson McCullers and Tennessee Williams photoshoot, 1950, Gift of the Jordan Massee Estate G.2019.76.2 | 2.Vogue magazine page featuring Irving Penn portrait of Carson McCullers, 1951, Gift of the Jordan Massee Estate G.2019.76.4 | 3. Louise Dahl-Wolfe, Carson and Reeves McCullers, silver gelatin print, ca. 1940, Gift of the Jordan Massee Estate G.2019.76.1 | 4. Unknown photographer, Carson McCullers Dinner Party with Marilyn Monroe, Arthur Miller and Isak Dinesen, silver gelatin print, 1959, Gift of the Jordan Massee Estate G.2019.76.3
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portrait of Carson McCullers, April 15, 1951. This is the original publication page featuring the Irving Penn portrait the Museum acquired in 2016.
The Museum is grateful to the Jordan Massee Estate for this welcome donation. These photographs are the first objects in the collection to feature Carson McCullers with her husband Reeves, her longtime friend Tennessee Williams, and the guests at her most famous luncheon. The Vogue page is particularly fitting and can be displayed with the Penn photograph. This group continues to enhance the Museum’s collection of McCullers objects, including the recent donation by Michelle and Tom Westmoreland of a first edition of The Ballad of the Sad Café: The Novels and Stories of Carson McCullers.
History Acquisition
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DONATION HIGHLIGHTS SPENCER HIGH STUDENT’S CRAFTSMANSHIP
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erome Robinson was born in Philadelphia in 1917. His parents Odie and Leola Robinson were both from Columbus but moved north shortly before Jerome’s birth. In Columbus, Odie had been an insurance agent, but in Philadelphia he became a studio photographer. Jerome and his younger sister Sadie lived with their parents until 1931, when their mother died at the age of 34 from peritonitis (an inflammation/ infection of abdominal wall tissue, often resulting from liver disease or a burst appendix). Jerome, 13 years old, and Sadie, 11, returned to Columbus to live with their maternal grandmother, Lizzie Rush. Jerome enrolled in Spencer High School, and among his other courses, learned carpentry from Mr. D. Slater. Though Robinson later worked as a bartender and porter at various Columbus clubs, he continued honing his woodworking skills and created many pieces for his own home, as well as family and friends. Robinson made this magazine stand while he was a Spencer student. An inscription on the bottom reads “Jerome Robinson/10G/ Made in 2 weeks Dec. 18, 1934.” Robinson used the stand in his home for years. Also included in this donation is a copy of the 1934 book The Story of Young Abraham Lincoln by Wayne Whipple. On the inside of the front cover, Robinson wrote: “Jerome E. Robinson/Tennis Champion/Three Consective[sic]/ Years 35, 36, 37/Pou Street Playground.”
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The inscription references the former Pou Street School a few blocks from Robinson’s home on 23rd Street. At the time, no local tennis courts would have been open to African Americans, but Pou Street was a segregated Columbus city public school for black students, meaning Robinson and his friends could play there. The Museum sincerely thanks Wesley B. Jones for this thoughtful donation. The magazine stand is an excellent example of work produced by students in vocational classes at 1. Jerome Robinson, 1945, Courtesy of Wesley B. Jones | 2. Magazine stand made at Spencer High School by Jerome Robinson, 1934, Gift of Wesley B. Jones G.2019.74.1
Columbus high schools and complements photographs of Spencer classes in the Museum’s collection. The inscribed book provides context for discussing recreational opportunities for local African Americans in the 1930s. SUMMER 2020 THE MUSE 7
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• Documenting the Rural South • And So She Did: Women of the Chattahoochee Valley • Nancy Friedemann-Sánchez: Casta Paintings • Mystery Science Museum 3000 • Andrea Dezsö: From the Murky Banks of the Chattahoochee
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June: Nancy Friedemann-Sánchez, Cornucopia (2), 2017, Tyvek mopa mopa, india ink, 80” x 160,” courtesy of the artist | July-August: Ida Jervis (1917-2014), Alma Thomas (detail), 1971, gelatin silver print, Gift of Miss John Maurice Thomas in memory of her parents John H. and Amelia W. Cantey Thomas and her sister Alma Woodsey Thomas G.1994.20.172.13 | August: Andrea Dezsö, Behold the Mighty Tie Snake! (detail), 2020, Japanese hand-made Shojoshi paper;hand-cut and sewn, collapsible, multi-layered one-of-a-kind tunnel book, courtesy of the artist
AUGUST
ART ACQUISITIONS
JOHN SINGER SARGENT, LORD WAVERTREE
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ohn Singer Sargent, along with Thomas Eakins and Mary Cassatt, was one of the leading portraitists of his generation. His ability to capture physical resemblance and psychological character produced some of the best known images in all of American art history, including Madame X (Madame Pierre Gautreau), 1883–84. Sargent is known for his loose brushwork and a style that traces its roots back to the painters Frans Hals and Diego Velazquez. Having gained an eye for social conventions during his peripatetic childhood and youth in Italy, Germany, and France, he was especially adept at conveying the idiosyncrasies of various societal and regional backgrounds through the poses, wardrobes, and moods he crafted for his sitters. Though acclaimed for his portrait paintings, in 1907 Sargent made the deliberate decision to stop accepting commissions for them so that he could devote more time to other projects, such as his mural cycle, The Triumph of Religion, for the Boston Public Library. Nevertheless, demand for his portraits remained high, and Sargent compromised by creating likenesses in charcoal. Through his deft, fluid use of line, Sargent continued to convey a sense of
each sitter’s personality as he had in his oil portraits. A recent exhibition, John Singer Sargent: Portraits in Charcoal, organized by the Morgan Library in New York and the Smithsonian National Portrait Gallery in Washington D.C., has given new attention to this important part of Sargent’s practice. In this handsome and assured drawing, Sargent depicts William Hall
Walker, 1st and last Baron Wavertree (1856– 1933). Wavertree was the son of Sir Andrew Barclay Walker, 1st Bart., a wealthy brewer and Lord Mayor of Liverpool, and his wife, Eliza. A businessman and politician, Wavertree was also known as an owner of racehorses and as a breeder of polo ponies. He helped establish the National Stud at his property in Tully, Kildare, Ireland. This venture was later taken over by the Irish government and became the Irish National Stud. Wavertree may have commissioned Sargent to create this portrait to help mark his late 1919 elevation to the peerage. In 1930, Wavertree presented the National Portrait Gallery, London, with a photographic reproduction of the sheet (NPG D37904) for its reference collection. Sargent’s command performance will be joining two other works on paper by the artist already in the Museum’s holdings—a Majorca watercolor and a sheet of preliminary sketches of female figures.
John Singer Sargent, Lord Wavertree (born William Hall Walker) (detail), 1919, charcoal on paper, Gift of Dan and Kathelen Amos G.2019.98
DAVID DRAKE, STORAGE JAR
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orn around 1800, David Drake was an accomplished potter who is believed to have started training in ceramics manufacture early in life. He was enslaved by a family who owned pottery kilns in the Edgefield, S.C. area. While the kilns employed white Americans, they also utilized the effort of both free Blacks and enslaved individuals in order to increase manufacturing quantities and profits. Drake lost one of his legs in a railway accident in 1835, meaning he could no longer turn a potter’s wheel himself. He teamed up with another enslaved man, who had crippled arms but sound legs, in order to continue production. 10 THE MUSE SUMMER 2020
Drake’s highly regarded output often features an unusual element: the inclusion of carved words on the exterior of his finished pieces. On The Columbus Museum’s vessel, Drake’s signature extends downward from the mouth of the pot. This feature is extraordinary, both because at the time it was illegal for enslaved people to learn to read and write and because it is unknown how Drake attained these skills. After the Civil War, Drake continued his life’s work as a freedman, actively participating in the remarkable developments of the pottery industry that took place in South Carolina during his lifetime.
David Drake (aka Dave the Potter, active nineteenth century) for the Lewis Miles Pottery, Storage Jar, 1855, Alkaline-glazed stoneware, The Sarah T. Butler and Clarence Butler Fund, with additional support from Dan and Kathelen Amos G.2019.77
NEW EXHIBITION
AUTO/BODY
Cars in the American South STAY TUNED FOR OPENING DATES! | WOODRUFF GALLERY
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fter releasing his album Channel Orange and a letter online in 2012 describing his sexual orientation, elusive hip hop artist and New Orleans native Frank Ocean disappeared from the public eye. During his hiatus, Ocean took a deep dive into both the fluidity of his sexuality and his nuanced relationship with emotionality. What arose from his hiatus was the magazine Boys Don’t Cry and the associated album Blond, an expansive meditation on love, loss, and memory explored through an unexpected vessel: the personal vehicle. From their place in muscle car magazines to hip hop music videos, cars have become common symbols of masculine status, wealth, industry, and power through the gendered performances of their owners. However, as evidenced by Ocean’s work, outside of this culture of performance exists another trend—one of private introspection and emotional depth. Drawing on the writings and music of Ocean as inspiration, AUTO/BODY explores the
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emotionality found in cars in order to expand contemporary notions of bodies, identity, gender, power, and how
these concepts impact the formation of personal and collective memory of the American South.
1. Rachel Boillot, 28325, Post Office, Calypso, NC, 2014, Archival pigment print © Rachel Boillot, The Do Good Fund, Inc., 2017-146 | 2. Joshua Dudley Greer, Gray, Tennessee, 2013 Archival pigment print © Joshua Dudley Greer, The Do Good Fund, Inc., 2013-12 | 3. Sophie Lvoff, St. Bernard Avenue (Sardine), 2014 Edition: 1/6 Archival pigment print © Sophie Lvoff, The Do Good Fund, Inc., 2015-25
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NEW EXHIBITION
OF, BY, AND FOR THE PEOPLE
Civic Engagement and You
STAY TUNED FOR OPENING DATES! | LEGACY GALLERY 1
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n November 3, 2020, Americans will go to the polls to vote – not just for the president, but for a plethora of candidates and ballot initiatives at the federal, state, and local levels. This exhibition spotlights the history of politics and campaigning in the Chattahoochee Valley while also seeking to encourage civic engagement and voting in the 2020 election cycle. In addition to national notables like Jimmy Carter, the exhibition focuses on the history of service and voting at local and state
levels, encouraging visitors to consider the everyday importance of down-ballot races and special questions. Ongoing celebrations of the centennial of the 19th Amendment, granting women the right to vote, as well as reflection on the 55th anniversary of the Voting Rights Act of 1965, which more fully opened the vote to African Americans in the South, are both addressed. The exhibition features interactives and take-home material to help visitors more fully participate in the democratic process.
1. Fox Elementary School students march in parade encouraging voters to approve consolidation of Columbus and Muscogee County schools, 1949, Gift of a Friend of the Museum G.2019.22.3 | 2. Jimmy Carter presidential campaign pin, 1976, Gift of Jeanette and Milton Jones G.2018.61.10 | 3. Bibb City municipal election ballot boxes, 1990s, Gift of Lloyd and Peggy Bailey G.2011.22.1-.2 | 4. U.S. Congressional 4th District of Georgia Delegate ribbon, 1888, The Evelyn S. and H. Wayne Patterson Fund G.2015.2
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MEMBERSHIP
MEMBERS & CONTRIBUTIONS
JANUARY 1 TO MARCH 31, 2020 The Columbus Museum is proud to recognize our President, Director, Collector & Master Circle members. Those who joined or renewed within the last quarter are in bold print. **Continuous member for 20+ years *Continuous member for 10+ years
President Circle Mr. & Mrs. Daniel P. Amos** Mr. & Mrs. Kenneth M. Henson, Jr.** Mr. & Mrs. W. Michael Ogie** Ms. Marleen De Bode Olivié & Mr. Marc Olivié** Mr. & Mrs. Alan C. Ramsay, Jr.** D. Steven Sharp**
Director Circle Mrs. Lovick P. Corn** Mr. & Mrs. Robert G. Hecht** Dr. & Mrs. Thornton F. Jordan** Mr. & Mrs. Mason H. Lampton** Mr. & Mrs. John C. Martin II** Mrs. Jack S. Schiffman** Mr. & Mrs. Wright B. Waddell**
Collector Circle Mrs. Donald F. Broda, Jr.** Mr. & Mrs. Stephen T. Butler** Mr. & Mrs. A. Comer Hobbs, Sr.** Friends of the Museum Dr. & Mrs. Richard S. Robbins** Mr. & Mrs. Otis J. Scarborough** Dr. Franklin Star** Dr. & Mrs. Otis E. Tillman, Jr. Mr. & Mrs. Wade H. Tomlinson III** Dr. Amandah S. & Mr. John T. Turner Ms. E. Worth Williams Dr. & Mrs. Sidney H. Yarbrough III**
Master Circle Dr. & Mrs. A. C. Alvarez** Mr. & Mrs. Paul S. Amos II Catalina Aranas Dr. & Mrs. Champ Baker** Bo Bartlett & Betsy Eby Cathy & Rennie Bickerstaff** Mrs. James J. W. Biggers**
Mr. & Mrs. Wilson W. Blackmon** Mr. & Mrs. James H. Blanchard** Mr. & Mrs. Richard Y. Bradley** Mrs. Minnie R. Bradley** Dr. & Mrs. Philip L. Brewer** Mr. & Mrs. Jeremy Brewer Mr. & Mrs. Lance Brooks Ed & Suzanne Burdeshaw** Mrs. Forrest L. Champion, Jr.** Craig & Traci Courville* Mr. & Mrs. Raymond E. Crowley** Mr. & Mrs. J. Robert Elliott, Jr.** Mrs. Marion C. Feighner** Mr. & Mrs. John F. Flournoy Mr. & Mrs. Robert T. Flournoy** Mr. & Mrs. Robert W. Flowers** Ms. Finn H. Fountain Mrs. Mellie S. Fountain** Cindy & Spencer Garrard Mr. & Mrs. Gardiner W. Garrard, Jr.** Mr. & Mrs. James E. Gates** Mrs. Ben M. Greenblatt** Mr. & Mrs. Jack C. Goldfrank** James E. & Kelli Hall Mrs. Richard Hallock Mr. & Mrs. Kerry W. Hand** Mr. Christopher R. Harman** Judye S. Harris** Dr. & Mrs. Ed P. Helton Mrs. Jack C. Hughston** Dr. William P. Kendall** Mrs. Erwin D. Key** The Lee-Boulton Family Mrs. Donald M. Leebern, Jr.** Mr. & Mrs. David Lemieux* Mrs. Margaret O. Lewis** Mr. & Mrs. Horace C. McCoy Mr. & Mrs. L. Pierce Miller Dr. & Mrs. Eddie Obleton* Mr. & Mrs. Wilds M. Ogie Mr. & Mrs. John Hunter Peak Mr. & Mrs. William Roland Peek** Thom Pegg Mr. & Mrs. Ben B. Philips** Dr. & Mrs. Andrew W. Pippas* Mr. & Mrs. Robert S. Poydasheff, Jr. Dr. G. W. Richter Ms. Marianne Richter Mr. & Mrs. Chandler Riley* Mrs. Kathy J. Riley** Mr. & Mrs. Edward F. Robinson** Mrs. Barbara G. Rothschild** Mrs. Benno G. Rothschild** The Honorable & Mrs. William C. Rumer Mrs. Charlotte Alexander Saunders** Ms. Melanie Slaton & Mr. Ben Holden Dr. & Mrs. J. Lacey Smith
Mr. & Mrs. Murray L. Solomon Dr. Eva Sperk Ms. Rose H. Steiner* Clifford & Bobsie Swift** Ms. Jeanne R. Swift** Patty Kimbrough Taylor** Jim & Melissa Thomas Mr. & Mrs. Jack Turner* Mr. & Mrs. William B. Turner, Jr.** Dr. Thomas A. & Sherry F. Wade** Mr. & Mrs. John W. Walden, Jr.** Mrs. Davis Ronald Watson** Ms. Christine D. Weaver** Susan Smith Wiggins Mr. & Mrs. Jack Wilensky** Mr. & Mrs. Ronald L. Wilson** Kay & Billy Winn** Mr. & Mrs. Joel O. Wooten
Patron Mr. & Mrs. Jeffrey G. Adams Ms. Betty L. Auten Mr. & Mrs. Frank J. Bickerstaff III** Mrs. Marjorie B. Bickerstaff** Mr. & Mrs. Robert B. Bickerstaff Mr. & Mrs. Gary O. Bruce** Mrs. Otis B. Burnham** Mrs. Ann P. Burr** Mrs. Frank S. Etheridge III** Mrs. Marion C. Feighner** Mr. & Mrs. Frank D. Foley III** Drs. Marlene & Robert Garnett** Mr. & Mrs. Pace Halter Mr. & Mrs. John Hudgison Dr. & Mrs. W. Lloyd Hudson, Jr.** Mrs. Harold G. Jarrell** Mr. & Mrs. Seth L. Knight III** Mr. & Mrs. R. J. Krieg* Ashok & Mary Kumar Mr. Patrick Martin Mr. & Mrs. Roy E. Martin III** Mr. & Mrs. W. Fray McCormick Dr. & Mrs. Michael Metry Louise K. Miller Mr. & Mrs. Richard Olson** Mr. & Mrs. Jack J. Pease III** Mr. & Mrs. Claude G. Scarbrough III** Mr. & Mrs. Marvin R. Schuster** Kenneth A. Shaw Dr. & Mrs. Thomas M. Stewart Mr. & Mrs. Mathews D. Swift** Mr. & Mrs. Thomas P. Swift** Ms. Elizabeth A. Taylor** Mr. & Mrs. John P. Thayer Mr. & Mrs. Philip Tomlinson**
Mr. & Mrs. James Trotter, Jr.** Mrs. D. Abbott Turner II* Mr. & Mrs. William Clark Turner* Mr. & Mrs. Joe V. Windsor** Mr. & Mrs. James D. Yancey** The Columbus Museum is proud to recognize our Reciprocal, Supporting, & Civic members who joined or renewed within the last quarter. **Continuous member for 20+ years *Continuous member for 10+ years
Reciprocal Mr. & Mrs. Ronald V. Beck II** Mr. Eddie Branch Mr. & Mrs. Gary O. Bruce** Scott & Alice Bryan Mr. & Mrs. Donald W. Dakin* Mrs. John H. Deaton, Jr.** Mr. & Mrs. David Hay** Mr. & Mrs. William C. Huff** Mr. & Mrs. Allan E. Kamensky** Mr. Harry L. Lindsey Byron M. Mallory Mr. & Mrs. Max R. McGlamry** Mr. & Mrs. J. Edward Norris, Jr.** Mr. & Mrs. Charles Pavlick** Mr. & Mrs. Richard C. Peebles** Mr. & Mrs. John A. Shinkle Mr. Kenneth H. Thomas Jr. Dr. & Mrs. George Voltz, Jr.** Dr. & Mrs. Cecil F. Whitaker, Jr.** Mr. & Mrs. Edward L. Witsell**
Supporting Lynda M. Alford** Mr. & Mrs. Alfred O. Blackmar** Ms. Judy Bryson Mr. Frederick D. Caldwell* Mr. & Mrs. Ralph W. Callaway Keith & Sara Chambless Wesley & Missy Cochran Bonnie & Leslie Cohn** Ms. Jan Ellis Art & Kathy France Mr. & Mrs. Bruce Gridley Mr. & Mrs. Robert L. Griffin** Ken Hamill Dr. & Mrs. Kendall Handy (Continues on next page ...)
†= deceased
SUMMER 2020 THE MUSE 13
MEMBERSHIP ( ... Continued from previous page)
Reverend & Mrs. James R. Herring Sr.* Ms. Ann Howard** Mrs. Melinda M. Hunter* BG & Mrs. Pete Jones Mr. & Mrs. Larry A. King** Ms. Nancy Martin* Angela Marvets Almeda Medlin** Mr. William Myers Dr. & Mrs. Alfred Parham Ms. Olivia L. Philips John E. Richardson Dr. & Mrs. Joseph Russell** Mr. & Mrs. John P. Stafford** Mrs. Elaine Tarpley** Ms. Jill Tigner & Mr. Mike Venable* Dr. & Mrs. John P. Tucker**
Civic Ms. Sara G. Barfield* Ms. Silvia M. Bunn Jennifer Hardy Ms. Gail Jebavy Mr. A. Stephen Johnson** Ann D. Land Dr. Lewis R. Lieberman** Mr. Phillip J. Linn Ms. Christine M. Szymanski** Ms. Suzanne Taylor Mr. John Tucker
The Columbus Museum gratefully acknowledges the following contributions in honor or in memory of special friends.
JANUARY 1 TO MARCH 31, 2020 In memory of Ruth H. Evert Friends of the Museum In memory of Margaret O. Lewis Mr. & Mrs. Richard Y. Bradley In memory of Katharine Averett Kimbrough Nan F. O’Connor Mr. & Mrs. Mason H. Lampton Edwina Smith In honor of Marleen De Bode Olivié & Marc Olivié Deborah Yates In honor of Alymer Illges Hollis, Howell Hollis & Mary Hollis Clark by The Hollis Fund The Hollis Foundation, Inc. 14 THE MUSE SUMMER 2020
The Columbus Museum gratefully acknowledges the following friends for their contributions:
JANUARY 1 TO MARCH 31, 2020 2020 Farm to Table(aux) Presenting Sponsor Aflac 2020 Farm to Table(aux) Gold Sponsors Columbus State University TSYS W.C. Bradley Co. 2020 Farm to Table(aux) Bronze Sponsors Mr. & Mrs. John C. Martin II Standard Concrete Products, Inc. 2020 Farm to Table(aux) Patron Sponsors Dr. & Mrs. A. C. Alvarez Kathelen & Dan Amos Catalina Aranas Mr. & Mrs. James H. Blanchard Bo & Mary Bradley Brasfield & Gorrie Mrs. Donald F. Broda, Jr. Eleanor T. Burnham Mr. & Mrs. Stephen T. Butler Wendy & Bob Elliott Mellie Fountain Cindy & Spencer Garrard Nora & Gardiner Garrard Mrs. Ben M. Greenblatt Greystone Properties Hall Booth Smith PC Judye S. Harris Mr. & Mrs. Robert G. Hecht Mr. & Mrs. Kenneth M. Henson, Jr. Mr. & Mrs. A. Comer Hobbs, Sr. Dr. & Mrs. Thornton F. Jordan Dr. & Mrs. Edward B. Kinner Mr. & Mrs. Mason H. Lampton Mr. & Mrs. W. Fray McCormick Mr. & Mrs. W. Michael Ogie Marleen De Bode Olivié & Marc Olivié Mr. & Mrs. Alan C. Ramsay, Jr. Joan Swift Redmond Ms. Charlotte Alexander Saunders D. Steven Sharp Mr. & Mrs. Mathews D. Swift Patty Kimbrough Taylor
Chip & Audrey Tillman Dr. Amandah S. & Mr. John T. Turner Mrs. Davis Ronald Watson Mr. & Mrs. W. W. Winn Rebecca K. & Sidney H. Yarbrough III MD
Donation to the Bradley Olmsted Garden The Lemon Tree Garden Club
2020 Farm to Table(aux) Donations Mrs. Minnie R. Bradley Mr. & Mrs. Charles P. Clippinger Mrs. Richard Hallock Mary Elsie Martin Mr. & Mrs. William Roland Dr. Franklin Star Mr. Henry W. Swift, Jr.
Donation for general operations The Steeplechase at Callaway Gardens
Donation of Simon Gouverneuer & Malvina Hoffman artwork Gift of James E. & Sally Q. Gates Donation of John Van Alstine sculpture Gift of Marilyn Meyers, Ph.D. Donation of Hattie Saussy painting Gift of Marty Whaley Adams (Mrs. Charles Cornwell) Donation of Alma Thomas material Charles Thomas Lewis Donation of Louise Huff movie sheet music Gift of Daniel Bellware Donation of postcards Mr. James L. Barrow Donation of WWII artifacts Gift of the family of Charles A. Maupin Donation of Alma Thomas photograph Mr. & Mrs. Darren Horne Donation of artwork by Hollis Sigler in memory of the artist Steven Scott
The Columbus Museum is proud to recognize our active Affiliate Group Members who joined or renewed within the last quarter.
JANUARY 1 TO MARCH 31, 2020 Alma Thomas Society
Mr. & Mrs. Daniel P. Amos Ms. Judy Bryson Wesley & Missy Cochran Ms. Robbie Keith Holt Mr. & Mrs. Darren Horne Dr. & Mrs. Alonzo E. Jones Sr. Dr. & Mrs. Eddie Obleton Ms. Melanie Slaton & Mr. Ben Holden Mr. & Mrs. Cleophus Thomas Jr.
Donation for future exhibitions The Mildred Miller Fort Foundation, Inc.
Sponsorship for And So She Did: Women of the Chattahoochee Valley exhibition Aflac Georgia Humanities Sponsorship for Nancy Friedemann-Sánchez: Casta Paintings exhibition Aflac Sponsorship for Andrea Dezsö: From the Murky Banks of The Chattahoochee exhibition Aflac Sponsorship for Paolo Arao exhibition W.C. Bradley Co. Sponsorship for Philip Haas: Sculpture Breathes Life into Painting and Music exhibition MetroPower Sponsorship of Family Fall Festival Synvous Financial Corp. David C. Driskell Watercolor Purchase Drs. Karin & Champ Baker III James E. & Sally Q. Gates James E. & Kelli Hall Mr. & Mrs. Kenneth M. Henson, Jr. Mr. & Mrs. A. Comer Hobbs, Sr. Dr. & Mrs. Thornton F. Jordan Mr. & Mrs. Mason H. Lampton D. Steven Sharp Mr. & Mrs. William B. Turner, Jr. Mr. & Mrs. James White
The Columbus Museum is proud to recognize our active Business Partners. Those who joined or renewed within the last quarter are in bold print.
JANUARY 1 TO MARCH 31, 2020 Business Partners
Bob Vardaman Events Management Columbus Tape & Video Happy Heart Mirror PMB Broadcasting, LLC Townsend Wealth Management W. C. Bradley Co.
BOARD OF TRUSTEES & STAFF
BOARD OF TRUSTEES 2019 –20 Carolynn Obleton, President Steve Sharp, Vice President Melanie V. Slaton, Corresponding Secretary Marianne Richter, Director/Recording Secretary Tyler Townsend, Treasurer Marleen De Bode Olivié, Immediate Past President A. C. Alvarez, Daniel P. Amos, Kathelen V. Amos,
Eliza Brewer, Kay Broda, Lance Brooks, J. Robert Elliott, Jr., Gail B. Greenblatt, James Hall, Pace Halter, Robert G. Hecht, Chris Henson, Helen Hobbs, John C. Hudginson, Dori Jones, Thornton F. Jordan, William P. Kendall, Tricia Llewellyn Konan, Mary Lu Lampton, David Lemieux, Sallie Martin, W. Fray McCormick, Elizabeth C. Ogie, Gwendolyn H. Ruff, Rebecca Rumer, Otis J. Scarborough, Otis E. Tillman, Thomas A. Wade, Jr. , E. Worth Williams, Rebecca K. Yarbrough
LIFE TRUSTEES:
Philip L. Brewer, Elizabeth T. Corn, Evelyn Crowley, Ethel W. Foley, Judye S. Harris, F. Clason Kyle, Betsy T. Leebern, Jerry B. Newman, Thelma M. Robinson
HONORARY TRUSTEES:
James H. Blanchard, Representative Calvin Smyre, J. Barrington Vaught
MUSEUM STAFF Patricia Butts, Assistant to the Director
Keith Smith, Lead Preparator/Art & Artifacts Handler
COLLECTIONS & EXHIBITIONS
EDUCATION
Marianne Richter, Director
Yun Nye, Preparator/Art & Artifacts Handler
Jonathan Frederick Walz, Director of Curatorial Affairs & Curator of American Art Rebecca Bush, Curator of History/ Exhibitions Manager
Lucy Kacir, Director of Education & Engagement
Aimee Brooks, Collections Manager
Rachel Vogt, Academic Programs Manager
Miles Kirkpatrick, Assistant Collections Manager
Kennan Ducey, Community Outreach Coordinator
Benjamin French, Curatorial Assistant Cameron Faucette, Exhibition Coordinator & Designer
Jessamy South, Youth & Family Programs Manager
DEVELOPMENT
Morgan Wilson, Campaign Coordinator
MARKETING & PUBLIC RELATIONS
Bridgette Russell, Director of Marketing & Public Relations Brody Gaultney, Marketing & PR Coordinator Marcolm Tatum, Graphic Designer
ADMINISTRATIVE SERVICES
Kimberly Beck, Deputy Director for Operations
J. Hunter Peak, Director of Development
Paula Evans, Accounting Specialist
Kelly Cargill, Event Sales Manager
Brooke Starling, Gift Shop Manager/ Volunteer Coordinator
Jori Kent, Museum Shop Associate Andrea Hayes, Visitor Services Representative Rosaline Anderson, Visitor Services Representative Rick McGowan, Security Chief Larry Hunter, Security Deputy Al Johnson, Security Deputy Edward Diamond, Maintenance Engineer Sam Willis, Maintenance Technician Custodians: Martha Culp, Alice Holmes, Dorothy James Bill Consoletti, Gardener
SUMMER 2020 THE MUSE 15
THE
COLUMBUS
MUSEUM
1251 Wynnton Rd. | Columbus, GA 31906 706.748.2562 | columbusmuseum.com
The Columbus Museum is supported in part by Georgia Council for the Arts through the appropriations of the Georgia General Assembly. Georgia Council for the Arts also receives support from its partner agency - the National Endowment for the Arts.
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