Read the preface to PERPETRATOR CINEMA: CONFRONTING GENOCIDE IN CAMBODIAN DOCUMENTARY, by Raya Morag. This work explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. Raya Morag analyzes how Post–Khmer Rouge Cambodian documentarians propose a direct confrontation between the first-generation survivor and the perpetrator of genocide.