FREEDOM. TO BE YOU.

Knetsch commented.) Hill, Parker Symphony’s concertmaster, played a segment from it.

Next will be Carl Nielsen’s “Aladdin Suite opus 34.” He was a Danish composer who taught at the Royal Danish Academy until 1931. He played second violin in the Royal Danish Orchestra for seven years.

“Scheherazade” by Nicoloy Rimsky-Korsakov, one of his most famous works, tells the tale of the young woman who told stories for a cruel sultan. It had previously been his custom to spend a night with a young virgin, then kill her in the morning.

Scheherazade would always stop midway through her story, when the sultan would fall asleep and concert, but this one does. He was charmed the first time he heard the work, less so now. Hill said it was fun and showed a spirit coming out of the First World War. Knecht’s wife, Lynn, also a Parker Symphony violinist, commented that is “very accessible.” She added: “We wouldn’t be playing this music if we didn’t have Cheri and Nadya.”

Knecht said that after the “Scheherazade” opening, the heavy music reflects the sultan’s anger — it’s increasingly difficult to play. Hill played the leitmotif from “Scheherezade,” a familiar theme, then heavy music portraying the angry king, a theme that has become familiar for angry kings ... a devil tone, repeated many times. “I find it difficult every time we play it,” Swisher said.

“Nothing here is very simple,” Knecht agreed.

In the early part, the cello is Sinbad’s ship, with the violin playing on top ... The theme repeats in the fourth movement. He wrote the tri-tone on purpose, a “Devil tone,” Knecht commented.

Knecht taught at Arapahoe Community College for 17 years, he said.

He also told a bit about the upcoming fall season. “In October, we will perform the Beethoven Violin Concerto, with the concertmaster of the Colorado Symphony Orchestra, Yumi Hwang Wang, playing on her 1748 Guadagnini instrument.”