Pepperdine’s Malibu Historical Archive needs you!

By BENJAMIN MARCUS

For a long three-plus years I’ve been researching, writing and gathering photos and information for an ambitious Malibu history book being put together under the working title “Chumash to Hard Cash.” I’ve spent many hours digging through photo archives at the Huntington Library, the Adamson House, and the Pepperdine Digital Collections. Before COVID threw a spanner in the works, I had an opportunity to visit Pepperdine Libraries and access their photo archive. I was fortunate to have access to the Pepperdine archive, which would trim money o the book budget, and people in Malibu from young to old are genuinely interested in Malibu history.

Several months ago, Anastasia Armendariz, the new librarian for special collections and the Malibu Historical Collection, contacted me after the closing of Malibu Kitchen. We met for lunch at Broad Street Oyster to discuss my project.

I showed her images from the book I had collected from the archives and also some private citizens and we both agreed there was probably a lot of Malibu history stashed away in steamer trunks and attics. So I said I would do an interview with her to try and ush that history out.

Anastasia, what brings you to this quiet little seaside community? Did you attend Pepperdine?

No, I didn’t attend Pepperdine. I am originally from the area, and when I was in high school and applying for college. I was ready to try somewhere beyond Southern California. I went east to Georgetown and then on to University of Maryland, College Park, for grad school. It was this job that brought me back to SoCal.

Does your o ce have a view?

Of my wonderful co-workers, yes! It encourages me to go outside during breaks and remind myself where I have landed.

Your job title is a whopping 22 syllables. What are your o cial duties?

I am responsible for maintaining and building the Malibu Historical Collection. is includes processing collections and making them available for others to refer to and access and promoting them in writing, over reference consultations, and through di erent public-facing programming.

In addition to other tasks, I also support various rare books-focused projects in special collections and lead instruction sessions for undergraduate students with relevant collections objects in our seminar room. I really enjoy these opportunities to connect Pepperdine students with their course materials, prior interests, and history through material objects.

How are you quali ed for this position?

My education and work experience de nitely ended up preparing me for this job. I didn’t know what special collections and archives were until I started looking for student employment during my rst semester of college. I saw postings for jobs in the library, and special collections speci cally. I quickly learned this would involve much more than loving libraries for the sake of reading books. Special collections and archives in academic institutions, including here at Pepperdine, are charged with preserving and also sharing physical and digital materials that represent signi cant cultural heritage for the purpose of education and enjoyment. e writer Terry Tempest Williams’ re ections on the natural world, spirituality, and most anything are captivating. Not to be that English major, but E.M. Forster and Jane Austen’s scene-setting and social commentary is superb. And then Nora Ephron, for every form of writing she did.

I continued working in libraries and museums from there, and I sought out opportunities to learn about the rare book trade and community-based archives as I continued my education.

You studied English and library science at Georgetown, I believe.

I did a ve-year BA/MA in English at Georgetown.

As my studies in literature progressed alongside my awareness of narrative-rich archival and book history, the two elds started merging. is looked like care for material culture — an understanding of history through the objects that people use and treasure, and their associated stories. Nothing against anthologies or textbooks, but holding a corrected manuscript from a childhood-favorite author, examining original artist sketches, or reviewing handwritten correspondence introduces entirely new opportunities for learning and discovery.

As my time spent in Georgetown Library’s special collections progressed — rst, doing research for coursework, and then, becoming a research assistant employed by the department — I was able to better know the collections, support researchers, and encourage professors to bring their classes into special collections. I then had an epiphany: I want to do what my supervisor does. A Master’s in library science became my next logical step. at degree was from the University of Maryland, College Park.

Favorite writers?

How much Malibu history have you consumed since taking that position?

A great deal. I continue to familiarize myself with local history by going through our nding aids on the Online Archive of California, reading historical accounts of the region in newspapers and biographies and getting familiar with the remarkable historical photographs of Malibu in our collection. Many of these are shared online through Pepperdine Libraries Digital Collections. e more I hear and come across, the more strands and stories and stores I realize are out there.

Are you intrigued by Malibu? is place has a lot of layers.

Very much so! ere are plenty of waves in this place’s history, many of which overlap. It has been such a privilege to start connecting with, and not just learning about, the di erent communities and their various aspects.

I don’t want to list subcultures for fear of excluding any…

Well the surfers rule.

… I won’t argue with who I see on the water every morning on my drive up! But Malibu is such a singular locus of hobbies, passions, vocations, and perspectives. While debates over development are not new here, neither are the tangible demonstrations of care for neighbors in di cult times.

How extensive is the Malibu Historical Collection at Pepperdine?

We have more than 30 distinct archival collections that comprise the Malibu Historical Collection. ese range from correspondence and albums from individuals to records from community organizations and issues of local newspapers and surf periodicals.

We also have designated Malibu Historical Collection books spanning memoir, sur ng, architecture, food, and history of the Chumash people and the Spanish periods. In addition to examples of Malibu Tiles, we also house reference works on the short but distinguished run of the Malibu Potteries. One of our special collection objects I nd especially endearing is our collection of Frederick Rindge’s original manuscript poems … at Rindge dude was kind of a hippie. An early 19th Century hippie.

… a la the envelope poems of Emily Dickinson, Rindge jotted poems on whatever scrap of paper was at hand as he strode and rode the 13,300 acres of the Malibu Rancho.

Another favorite of mine is a series of photographs of Mary Nogueras Frampton, who some readers might remember for her local coastal conservation e orts, as a teen staring adoringly up at Gregory Peck.

Have you made any signi cant nds so far?

My favorite nds are those that enable me to pick up on threads of work from co-workers and predecessors in this role. As I have processed di erent historic materials, joined di erent events in the community and started having conversations with di erent individuals, interconnectedness is always reinforced. is summer, a Ph.D student from Florida visited the archive to reference issues of Surfer Magazine and Sur ng Magazine for his dissertation. In December, someone visiting the collections pointed out to me a photo of a friend in the community from our historic Malibu Times photo collection. anks to my colleagues in our digitization lab, that friend now has a digital copy of that image. is morning, I shared information with a researcher about Malibu records for a property that his grandparents used to own.

What

do you hope to nd?

We are always interested in acquiring, describing, and preserving collections in order to best share them with students, external researchers and community members. is could look like photographs (we are eternally grateful to donors who label on the reverse with names, dates and locations), any journals or accounts of time spent in Malibu or truly the materials that provide a sense of your Malibu.

Any missing links out there you are yearning to uncover?

Going back to your point about the layers of Malibu, we are keenly interested in understanding more about what drew people to Malibu, what keeps them here and what they put up with because being here is still worth it, particularly from the earlier days of modern Malibu history to present.

Are you actively looking to unearth more Malibu history?

Yes! Whether someone is a fountain of stories or they are interested in making the Malibu Historical Collection the long-term home for their physical materials, we would be interested in hearing from them.

What tactics and techniques have worked for you so far?

Exploring. Everything from checking our online nding aids (what archivists call collection guides) to pulling a box of records or checking out books in our stacks. A lot of cross-referencing with other resources, from Pepperdine colleagues with roots in the greater Malibu community to resources like our fully digitized run of past issues of e Malibu Times and past local papers. is exploration helps provide us with a sense of some of the core issues that matter to the Malibu community.

What message would you like to send out to the people of Malibu?

We are here and interested in you and your stories! at can certainly take the form of archival materials like papers, bulletins, diaries, photographs, and more. Ultimately, we hope to make connections and archive materials that allow us to tell the story of Malibu and its community through the decades. Special collections are most special when people are able to engage with them. We look forward to all we can do together. Your readers can reach me at anastasia.armendariz@ pepperdine.edu or (310) 506 4836.

2022276999

FICTITIOUS BUSINESS NAME STATEMENT

THE FOLLOWING PERSON IS (ARE) DOING BUSINESS AS:

1. PALMS TO PINES RV SERVICE AND REPAIR

11110 BRADNER PLACE, NORTHRIDGE, CA 91326, LOS ANGELES COUNTY

Articles of Incorporation or Organization Number (if applicable):

5358108

Registered Owner(s):

1. KIZMET INC

11110 BRADNER PLACE, NORTHRIDGE, CA 91326

If Corporation or LLC- CA State of Incorporation/Organization CA

This business is conducted by A CORPORATION

The date registrant commenced to transact business under the fictitious business name or names listed above on: N/A.

I declare that all information in this statement is true and correct. (A registrant who declares as true information which he or she knows to be false is guilty of a crime).

Signed, KIZMET INC, WARREN S. JONES, CEO

This statement was filed with the County Clerk of Los Angeles County on 12/27/2022.

NOTICE IN ACCORDANCE WITH SUBDIVISION (a) OF SECTION 17920, A FICTITIOUS NAME STATEMENT GENERALLY EXPIRES AT THE END OF FIVE YEARS FROM THE DATE ON WHICH IT WAS FILED IN THE OFFICE OF THE COUNTY CLERK, EXCEPT, AS PROVIDED IN SUBDIVISION (b) OF SECTION 17920, WHERE IT EXPIRES 40 DAYS AFTER ANY CHANGE IN THE FACTS SET FORTH IN THE STATEMENT PURSUANT TO SECTION 17913 OTHER THAN A CHANGE IN THE RESIDENCE ADDRESS OF A REGISTERED OWNER. A NEW FICTITIOUS BUSINESS NAME STATEMENT MUST BE FILED BEFORE THE EXPIRATION.THE FILING OF THIS STATEMENT DOES NOT OF ITSELF AUTHORIZE THE USE IN THIS STATE OF A FICTITIOUS BUSINESS NAME IN VIOLATION OF THE RIGHTS OF ANOTHER UNDER FEDERAL, STATE, OR COMMON LAW (SEE SECTION 14411 ET SEQ., BUSINESS AND PROFESSIONS CODE).

Publish in The Malibu Times: 01/19, 01/26, 02/02, 02/09/2023

MALIBU 16

Summons Civil-Original In the Superior Court of the Virgin Islands Division of St. Croix. 77 Holdings, LLC, Plaintiff, v. Remington William Chase, et al., Defendants, Case No. SX-2021-CV-00780. To: Remington William Chase, Defendant Address: c/o Postal Annex, 30765 Pacific Coast Highway, #369, Malibu, CA 90265. Within the time limited by law (see note below) you are hereby required to appear before this Court and answer to a complaint filed against you in this action. In case of your failure to appear or answer, judgment by default will be taken against you as demanded in the complaint. Attorneys for Plaintiff, 77 Holdings, LLC are Stefan B. Herpel, Esq., Dudley Newman Feuerzeig LLP, 1131 King Street, Suite 204, Christiansted, St. Croix, U.S. Virgin Islands 00820-4971, Telephone: (340) 773-3200, E-Mail: sherpel DNFvi.com; and evin A. Rames, Esq., Law Offices of .A. Rames, P.C., 2111 Company Street, Suite 3, Christiansted, St. Croix, U.S. Virgin Islands 00820, Telephone: (340) 773-7284, Facsimile: (340) 773-7282, E-Mail: kevin.rames rameslaw.com.

The Defendant, Remington William Chase, is required to file his answer or other defense with the Clerk of the Superior Court, P.O. Box 929, Christiansted, St. Croix, U.S. Virgin Islands 00821, and to serve a copy thereof upon the attorneys for the Plaintiff within thirty (30) days after the publication of the fourth Notice of this kind – which means that the Defendant is required to file and serve his answer or other defense no later than March 13, 2023.

MALIBU 21