Carmel MONTHLY - December 2018

Carmel

MONTHLY

A WWI Story Lends Hope for Today COLLECTIVE PUBLISHING PUBLICATION

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DECEMBER 2018

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MONTHLY

20 COVER STORY All is Calm: A WWI Story Lends Hope for Today

In this month’s cover story we highlight the Center for the Performing Arts upcoming production of All is Calm: The Christmas Truce of 1914. For those not familiar with the remarkable story behind this production, the scene is set in December 1914 during WWI when British, French and German soldiers decided to have a truce from fighting for an evening to enjoy a Christmas celebration together. In the world presently where everything seems so confrontational and divisive, we hoped that by bringing attention to the actions of these soldiers in 1914 that it would provide a positive message to our community in this holiday season in hopes of bringing Peace on Earth and Good Will Toward Men. Cover Story Writer // Janelle Morrison • Photo // Dan Norman

CARMEL MONTHLY

6 Business Spotlight: Indy Facets 8 Ringing In the New Year 12 Holidays on the Prairie 16 Holiday Happenings 20 All Is Calm: The Christmas Truce of 1914 26 O’ Little Town of Bethlehem … That Became Carmel 28 Helping Hamilton County Children-Every Day of the Year 30 From Farm to Table All Winter Long

PUBLISHER / Neil Lucas neil@collectivepub.com / 317-460-0803 EDITOR-IN-CHIEF / Neil Lucas neil@collectivepub.com / 317-460-0803 PUBLISHER / Lena Lucas lena@collectivepub.com / 317-501-0418 DIRECTOR OF SALES / Lena Lucas lena@collectivepub.com / 317-501-0418 HEAD WRITER / Janelle Morrison Janelle@collectivepub.com / 317-250-7298 DECEMBER WRITERS / Janelle Morrison, Ann Craig-Cinnamon, Neil Lucas

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For advertisement sales call Lena Lucas 317-501-0418 or email lena@collectivepub.com COLLECTIVE PUBLISHING, LLC - PO BOX 6326 - FISHERS, IN 46037 CARMEL MONTHLY

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Go to gooddaycarmel.com to receive its e-newsletters for events in Carmel.

DECEMBER 2018

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Indy Facets: Custom Design Gift Experience - Perfect Gift For The Holidays Jewelry is always a popular gift to give for Christmas.

But if you are looking for something more than just a piece of jewelry, Indy Facets has the perfect gift idea.

Indy Facets founder Shaun Goodyear says their Custom Design Gift Experience allows you to give an experience of self-expression instead of another piece of jewelry.

Writer // Ann Craig-Cinnamon

W

hen you decide to give jewelry as a gift, you want it to be cherished and you want the recipient to be in love with the piece and thus you, each time she or he looks at it. By gifting the opportunity to design your own custom jewelry, you are giving your loved ones the gift of imagination to design something that they have always dreamed of having. “Gift cards are impersonal. So, we create an experience around it,� Goodyear says.

All you need to do is to set up a private appointment with Indy Facets where you meet with a designer, set a budget, put down a deposit and make a future appointment for your gift recipient to create what they desire. Indy Facets will then provide a ring box with a 3D printed model that can be presented as a gift and redeemed for a custom designed piece of their own in the future.

Goodyear is an Indianapolis native that has been in the jewelry business for 20 years and holds degrees in gemology, jewelry design and jewelry manufacturing from the Gemological Institute of America (GIA). He founded Indy Facets Private Jeweler, three and a half years ago with the goal of breaking every stereotype associated

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DECEMBER 2018

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with a typical fine jewelry store. “We try to put special back into the jewelry buying experience because it’s become so commercial. Even for big independent jewelers many pieces are mass produced and very little is made special anymore,” says Goodyear, who adds that the jewelry industry has become too impersonal, competitive and high pressure.

“We have a totally different, unique concept that is different from a traditional jewelry store.

No showcases, private appointments, everything is one-on-one,” says Goodyear. And, indeed, the laid-back comfortable feel of his office is very different from the often-intimidating retail jewelry store that has showcases full of already-made jewelry and salespeople that follow you around.

Rather than picking a piece of jewelry that lots of people have tried on, Indy Facets creates oneof-a-kind pieces and usually for less. “Typically, we can do a piece of jewelry and one-of-a-kind for 30 to 40% less than something you buy in a showroom. And with higher quality and a better experience,” says Goodyear. He also adds that they can work within just about any budget.

He says that the same piece of jewelry can be made in a number of different ways and end up

in different price ranges. Goodyear says you can get the same ring “look” for $1,000 or $10,000 depending on what goes into the piece of jewelry such as the size and quality of diamonds and gold. When jewelry is being custom made, those factors can be controlled. “So, what I strive for is to ask: Is this the style you’re looking for? What budget is best for you? What’s comfortable?”

Then we work to tweak the design to fit the customer’s budget. There’s never any pressure. It’s very low key. It’s fun and laid back,” he says.

The process could not be easier. Clients schedule a private appointment where they bring pictures of what they have envisioned or design using the hundreds of inspirational designs that Indy Facets offers. Clients will then meet with Goodyear or another staff designer who, using Computer Aided Design (CAD), will create a 3D photo rendering and a 3D printed model that can be tried on. Goodyear says this way the client will know what their ring or other piece of jewelry will look like and how it will feel so there are no surprises. The creation of the photo rendering and 3D ring is part of the design process and is complimentary.

Once the client is happy with the design, the

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one-of-a-kind piece is then created using Indy Facets’ state of the art jewelry design equipment.

The final step is the unveiling of the custom creation which is Goodyear’s favorite part. “It’s always better than people are expecting,” he says.

Goodyear says jewelry is very personal and emotional. “Jewelry represents some of the most significant moments in your life. You buy fine jewelry because you are celebrating something whether it’s a new engagement, a birthday, an anniversary or a successful milestone in your career. Every time you wear that piece of jewelry you have a thought about the moment you acquired it and what it represents. And we want the experience of getting that piece to be special too.”

Indy Facets offers many other services such as resetting and restoring older jewelry; repair services such as sizing, refinishing, soldering, setting and restringing; watch repair and battery replacement; and appraisals.

Indy Facets is located at 755 W. Carmel Dr. Suite 116 in Carmel.

You can schedule an appointment or get more info by calling 317-810-1665 or visit indyfacets.com.

DECEMBER 2018

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Q Where is the best plac e to celebrate New Year’s Ev e in Carmel? W here do you plan on ringin g in the New Ye ar?

A “A relatively

Writer // Janelle Morrison

As we turn the page on another year, we asked a few familiar faces in our community how they prefer to ring in the New Year. From toasting to “Auld Lang Syne” to black-eyed peas for good luck, Americans have a range of New Year’s traditions. Read about some of the locals’ favorite New Year’s Eve and/or New Year’s Day traditions.

O urphy, ChrEistkindlmarkt Maria Mar C l e at C m

new and excit ing tradition Carmel resid for ents is spendi ng my New Ye the most beau ar’s Eve in tiful building in Carmel – th – at the New e Palladium Year’s Eve Ex travaganza w ith hundreds of close frien ds and neighb ors. It is a nigh music, food an t of great d conversatio n … and a mid countdown th night at is punctuat ed with firew the steps of th orks from e Palladium, ov erlooking ou City Center. Th r beautiful is is a wonde rful way to ce many joys we lebrate the experience liv ing in Carmel offering a salu while also te to an even better New Ye ar!”

Q What is your favorite champagne/ beverage to toast the New Year? Do you prefer to celebrate out or at home in a more casual environment?

A

“I’m a sucker for anything Moscato d’Asti!

I would say out. I really enjoy getting dressed up and enjoying time out with friends!”

Mayor Jim Brainard, City of Carmel

Q What is your favorite New Year’s Eve ion memory to date? Is there a destinat year new a in ring to like ld that you wou that you haven’t been to yet? orable “We have a very simple but mem ly all gets fami my , tradition every year. Each year foods, of es dish rent diffe g together. We all brin all of for s prize o bing g brin even play games and way zing an ama us to win. It’s simple but such is truly nothing to ring in the New Year. There ly when the clock fami nd better than being arou celebrate midnight to ted wan I’ve ight. strikes midn rite travel place, in either Nashville or our favo Seaside, Florida.”

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From our houses to yours, the team at Carmel Monthly wishes you a prosperous 2019!

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Prairie H o l i d a y s

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Writer // Janelle Morrison • Photography // Courtesy of Conner Prairie

Have you ever wondered what the holidays were like for the early settlers and our ancestors?

If you have never experienced Conner Prairie during the holiday season, this is the perfect year to immerse yourself along with family and friends in an interactive experience that only the folks at Conner Prairie know how to create.

T

he family-friendly walking tour, Conner Prairie by Candlelight, takes you back to 1836 in Prairietown where it’s the night before Christmas. Guests will meet a variety of characters in their homes and learn how settlers to Indiana’s frontier celebrated the holidays and their own family traditions. Head over to Dr. Campbell’s home for a Christmas Ball and then join the rowdies for songs and stories around the bonfire.

Susana Suarez, vice president and chief marketing officer at Conner Prairie, shared some of what people can expect to

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experience throughout the holiday season at Conner Prairie.

“We’ve been doing this for over 35 years,” Suarez said. “This is a magical time at Conner Prairie – it’s very special. Guests can cozy up to a fire and slow things down. They’re able to take inventory and have an awareness of what Christmas is really about – spending time with family and friends. That’s what they did in 1836.

They really celebrated each other and community. They celebrated harvest and bounty and things that we take for granted today. Today, we can go shopping for our turkeys. Back then, they had to catch

them.” Suarez explained that each of the Prairietown families will share their stories about coming from other countries and surviving winters in the cabins that they built with only candlelight to light their way and fires to keep them warm in addition to how they celebrated the holidays based on their various backgrounds and traditions.

“What Candlelight has done for years and continues to do is allow you to enter into that world,” she said. “You literally follow the path by candlelight into Prairietown into each of the homes who are celebrating in their own particular way.

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Don’t miss Holiday Cheers, a festive experience unlike any other. Start your evening with tasty craft brews and delicious wines, then travel back in time to 1836 to sample historic beverages and food in Prairietown.

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There were many traditions followed in 1836. Candlelight immerses people into the experience and allows them to take a step back in time to see firsthand what life and holiday celebrations were like at that time.”

What is different this year? Suarez explained that guests will purchase an open ticket, meaning the tickets are no longer time-stamped to allow ticketholders the ability to experience the environment at their own pace.

“In the past, it was a tour in which you were given a time-stamped ticket,” Suarez said. “Instead of having a timed entry, you

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can spend as much time as you wish in each home or singing and dancing with the rowdies by the fire enjoying hot beverages [hot toddies for the adults]. It is a much more immersive experience at your own pace.”

The Welcome Center is also open during the Candlelight program and offers guests an opportunity to experience Mrs. Claus and storytelling. Guests can also check out the North Pole workshop where they can make old-fashioned toys. Be sure to check out the display of gingerbread houses from the recent competition that received over 60 entries this season!

• Scarlet Lane Brewing Company • Taxman Brewing Company • McClure’s Orchard • Black Acre Brewing Company • Hard Truth Distilling Company • Carroll Wine and Spirits • Sunrise Bakery • Tinker Coffee Co.

All tickets include entry into Conner Prairie; hors d’oeuvres; tastings from all brewers, wineries and distilleries; and a commemorative glass.

Holiday Cheers is presented by Conner Prairie’s young professionals group, the Horizon Council.

There is a lot to experience at the Prairie throughout the entire winter season. For a complete list of programs, times and ticket information, visit connerprairie.org.

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ALL IS CALM

A WWI Story Lends Hope for Today Writer // Janelle Morrison • Photography // Courtesy of The Center for the Performing Arts

On December 24, 1914, the sounds of rifles and shells exploding could be heard along the Western Front of WWI. Earlier in the month, Pope Benedict XV called for a temporary hiatus of the war during the Christmas holiday, but the warring countries that included the German and British Empires and France refused to acknowledge an official ceasefire. However, that did not stop many of the soldiers that were hunkered down in the trenches to declare their own unofficial truce on Christmas Eve. That night went down in history as The Christmas Truce of 1914 and Peter Rothstein, director and creator, is bringing his one-of-a-kind production, “ALL IS CALM: The Christmas Truce of 1914,” to The Center for the Performing Arts this month.

D

r. Lawrence Sondhaus, professor of history and director of the Graduate Program in History at the University of Indianapolis, is an expert on naval and military history and has authored multiple books, including “World War One: The Global Revolution” and “German Submarine Warfare

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in World War I.” Sondhaus shared with us a few authentic details about how the truce began in the battered trenches along the front on that fateful Christmas Eve. “It was the Germans who started it [the truce] on Christmas Eve,” Sondhaus said.

“And they [the Germans] put up Christmas trees – with candles on them – in their

trenches. This was seen on the other side, the British side. The accounts are that the British heard the Germans singing ‘Stille Nacht, Heilige Nacht’ [Silent Night, Holy Night], and it escalated from there.”

Sondhaus went on to describe how the truce began with combatants singing/ dueling Christmas carols from across the trenches.

“The British troops responded by singing ‘The First Noel,’ and the Germans troops responded by singing ‘O Tannenbaum’ [O, Christmas Tree], so the truce started off by dueling Christmas carols,” Sondhaus said. “When the British started up with ‘O Come, All Ye Faithful,’ the Germans immediately joined in singing the hymns in the Latin words ‘Adeste Fideles.’”

The location where the truce is believed to have begun was in Flanders Fields, a battlefield in the western part of modern-day Belgium.

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LEFT Peter Rothstein

“The trenches sort of started in the English Channel and went all the way down to Switzerland,” Sondhaus explained. “It was on the northern part of the line, and the British were holding that part of the line in December 1914. The U.S. wasn’t involved yet. From what we can tell, the informal truce was arranged by the soldiers themselves and covered about two-thirds of the front that the British held.”

Not to leave out the French, Sondhaus added, “There are accounts of the French doing the same thing, but they were singing patriotic songs while the Germans and English were singing Christmas carols.

The general account is in some cases, the soldiers came out of the trenches and started fraternizing with each other. The basic swap of gifts was alcohol – mostly wine – for cigarettes. The French had wine, and the Germans, who were allied with the Turks, had cigarettes. In some cases, the soldiers exchanged whatever little gifts they had, and these gestures went back and forth.”

Sondhaus explained the commanders were not pleased when they learned of the soldiers’ informal hiatus of battle in the trenches, and there would be hell to pay as a consequence throughout the remainder of WWI. “The commanding officers were shocked by this once word had trickled all the way back up to headquarters,” he said. “As a result of this [truce], both sides ordered from the higher-ups a heavy bombardment to go on every Christmas Eve and Christmas Day after, so the soldiers wouldn’t have a chance to do something like this again.”

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The truce was never repeated. Future attempts at holiday ceasefires were quashed by officers’ threats of disciplinary action, but it served as heartening proof that beneath the brutal realities of war, the soldiers’ humanity endured.

As mentioned earlier, “ALL IS CALM” is based on a World War I incident in which German and British soldiers on the Western Front laid down their arms briefly on Christmas Eve to bury their dead, exchange gifts, play soccer and sing carols. A cast of 10 actors and singers recreates the remarkable true story of camaraderie, music and peace through songs, poetry, letters and authentic journal excerpts.

Rothstein shared after he read Stanley Weintraub’s, “Silent Night: The Story of the World War I Christmas Truce,” he was inspired to somehow set the story to musical theater, but the notion was not without its challenges.

“After I picked up that book, it took me a while to figure out how to create a piece when the climax of the story is the lack of conflict, which does not make for great drama,” Rothstein shared. “I did research in Belgium at an amazing museum and archive center, the In Flanders Field Museum. It has the largest WWI archive center in the world.”

Rothstein continued his research for weeks throughout Belgium, France, England and Germany, picking up pieces and accounts that he could write into his production while honoring the men he was learning firsthand accounts from – the ones who fought in the trenches and wrote journals of their experiences.

“When I walked into the In Flanders Museum, there was a mural of nameless men whose names never made it into history books. There they were, staring at me in the rotunda. It was a completely different experience than those that I had in other military museums that focused more on the ammunition and numbers of casualties. I read through journals and letters, the real ones, and documented everything that I thought might be useful to write the musical.”

Rothstein knew that he didn’t have enough information to have one singular narrative, so he would have to evoke a writer’s prerogative and connect the gaps where the archives had been lost to time and/or war.

“We needed to create some fiction around the truce in part to figure out where the drama lies and because it had been difficult to find a lot of firsthand accounts from the Germans,” Rothstein said. “Their WWI archives were once held in Dresden, Germany, and most of Dresden was obliterated in WWII, so most of the German archives were lost.

I worked to try to capture as many German accounts as possible, but sadly, they are a bit underrepresented in the piece for that reason.”

It was important for Rothstein to write “ALL IS CALM” in a manner that recognized the soldiers whose firsthand accounts he was able to record and to honor all of the soldiers, named and unnamed, who disobeyed direct orders and risked their lives to share a human moment with fellow combatants, singing songs, sharing gifts and, in some cases, playing games throughout the night. These men put down their weapons and exchanged simple pleasures with their enemies. They put aside their politics and fears of the other side and held out their hands in a show of empathy and brotherly love, if only for a short time.

“I asked one of the curators at the In Flanders Museum if it was an anti-war museum,” Rothstein recalled. “He said, ‘We would never call ourselves that. But our goal is to put a human face on war.’ I knew at that exact moment that this was my

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mission. I had to put a human face on this story. It isn’t a piece of anti-war propaganda, though I am a pacifist by nature.

I gathered the information and thought to myself, ‘Wouldn’t it be amazing if I could tell this story – a story that had been denied a place in most of our history books – in their [the soldiers’] own words and through their own songs?”

Jeff McDermott, CEO and president at The Center of the Performing Arts, shared

why this production exemplifies The Center’s mission so well.

“When this production came to our attention, we decided to bring this to The Palladium probably faster than any artist or any production that we’ve ever looked at since I’ve been here,” McDermott stated. “This was an easy call for us. Obviously, it is coming during the holiday season, and it’s a great story with great holiday music. But

it is also a timeless story of how music transforms people who laid down their weapons and exchanged gifts with people that they were combatants with just a day before.”

McDermott concluded, “By us bringing this production here, I am reminded that part of our mission is not just to present great art, but we are also an educational institution. There is so much history and education in music, whether its music from The Great American Songbook or holiday music, which has a really rich history to it. Holiday music goes on for ages. The holidays come up every year, regardless of the political climate and regardless of war. Music is a unifier, and it also a teacher. The ability to bring this to our stage is an opportunity to celebrate the holidays but to also teach and inspire at a time when we can all agree that we can use it the most.”

Don’t miss the production of “ALL IS CALM: The Christmas Truce of 1914” Saturday, December 15 at 8 p.m. For ticket information, visit thecenterpresents.org.

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Margot Gibson is a community outreach and organizational specialist in environmental sustainability practices & education. She is also a founding and current board member of Carmel Clay Schools’, “Plots to Plates Organic Community Gardens (PTPOCG)”. PTPOCG has close to 100 4’ x 15’ ft plots where gardeners plant, grow and harvest their own produce.

Margot brings members together, educates them on gardening, organizes pitch-ins and socials.

To nominate someone go to Facebook.com/Ranjputhranhelpinghands “I think what’s really important is that there’s been this cross-generational friendship building,” Gibson said. “Because you have elderly people out here gardening and you have little bitty kids and or ranjitputhran@allstate.com

brownie troops out here gardening and everyone in between.” “There’s just so many different groups contributing to the garden in so many different ways,” Gibson said. “It looks like people have been waiting for something to just all join in on to help make a community.”

If you would like to nominate someone you know who is volunteering in the community, please email me at ranjitputhran@allstate.com

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DECEMBER 2018

2018-11-27 5:11 PM

O Little Town of Bethlehem . . . T h a t

B e c a m e

C a r m e l

Writer // Janelle Morrison • Photography // Courtesy of the Carmel Clay Historical Society

Those of us who were raised here in Carmel remember the stories about when the city was a town once known as Bethlehem. With the holiday season upon us and the New Year fast approaching, we thought we would take a quick trip back in time before the evolution of Carmel and see what life looked like in the 19th century when it was the little Town of Bethlehem.

T

he story goes that John Felps (Phelps), Alexander Mills, Seth Green and Daniel Warren platted a total of 14 lots that had previously been inhabited by the Delaware Indians and then became inhabited

by Quakers. The plot first established in Bethlehem is marked today by a clock that was donated by the Carmel Rotary Club.

The town’s first General Store was constructed in 1837, and the first framed schoolhouse was constructed in 1845.

The town’s first Post Office was established in 1846, and soon after, the United

States Post Office notified the town residents that another town in Indiana had already been registered by the name of Bethlehem. As a result of this finding, a referendum vote of 33 in favor and 12 opposed decided to officially incorporate and adopt the name “Carmel” in 1874. The town had a population of just fewer than 500 by 1900.

“The original 14 lots surrounded the intersection of Main Street (Range Line Road) and Main Cross Street (Main Street),” shared Andrew Wright, researcher at Carmel Clay Historical Society.

“Bethlehem was one of several small

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communities carved out of the dense forest, which was home to all manners of wildlife, including bears, wolves and cougars. A sulfur spring blanketed the north edge of town in fog, giving Smokey Row Road its name. The marshes and swamps to the east led some to nickname the town Tadpole’s Glory. One of the earliest gathering spots was the gristmill at Mattsville (116th Street and Haverstick Road), where farmers talked politics and gossiped while boys raced canoes and fished in Cool Creek. Mulberry Corner (Westfield Boulevard and 116th Street) was another. It was a small community

DECEMBER 2018

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that grew around the McShane property and became a travel stop on the road to Indianapolis.”

Life for the early residents of Carmel was lived piously, and the holidays were celebrated much more subtlety and privately among families. Gifts were handmade and usually more practical and utilitarian in nature rather than lavish and with the sole purpose of entertainment.

“The settlers made most everything themselves, but some goods were purchased from foot peddlers that passed through town,” Wright explained. “A dry goods store operated by Boggs & Boggs opened on the southeast corner of town around 1835. A tanning yard opened on the southwest corner a couple years later. Residents were members of the Richland Meeting on the northeast corner of town or the Methodist Church in the southwest. Children attended subscription schools in log cabins for several decades until public schools were

opened in one-room frame buildings in districts throughout the township. By 1874, the town had grown to 26 lots. That year, residents of Bethlehem presented a petition to the county commissioners to incorporate the town under the name of their post office. Bethlehem had been a quiet hamlet noted for its many shade trees, but big changes loomed on the

horizon for Carmel with the coming of the railroad.”

As Carmel continues to evolve, it is appropriate to pause and appreciate where the city has come from and honor its humble origins. One can only imagine what the history books will chronicle about the City of Carmel over the next century or two.

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DECEMBER 2018

2018-11-27 1:30 PM

H e l p i n g

H a m i lt o n

C o u n t y

C h i l d r e n

Every Day of the Year Writer // Janelle Morrison • Photography // Laura Arick

Attention parents of pre-school age children-did you pick up your copy of this year’s “Countdown to Kindergarten” calendar? The Carmel Clay Public Library (CCPL), Hamilton County Head Start, and Altrusa of Hamilton County have partnered again to increase the distribution of this informative and activity-filled calendar to ensure that the families that need this information the most can easily obtain one.

T

he Carmel Clay Public Library Foundation Director, Elizabeth Hamilton, shared with us the origination of the annual calendar.

“The calendar has been distributed by CCPL for about seven years,” Hamilton said. “It is a collaborative effort between our Children’s and Graphics Departments.

They wanted to make something that was visually appealing and provided information that families couldn’t live without.”

The “Countdown to Kindergarten” calendar begins in the month of August and runs through the following July.

“It contains helpful information and activities that are doable by any family regardless of income level,” Hamilton said. “There are activities and helpful tips on every page including a medical component. The library has partnered with Riverview Hospital this year and the calendar includes health and safety tips for parents and guardians.”

Carmel_2018December_HeadstartCarmelLibrary.indd 1

Hamilton explained that the library prints approximately 6,000 copies per year and the calendars are displayed in the Children’s Department at CCPL as well as distributed throughout the library’s programs.

Impressed by the calendar and eager to increase its distribution throughout Hamilton County, now past-president of Altrusa of Hamilton County, Cole Alexis, organized a meeting with Hamilton to see how his organization could help to increase the print run and get the calendars

in the hands of families that could really benefit from them.

Alexis, whose wife, Dr. Alice Johns, is also a member, first joined Altrusa fourteen years ago. Altrusa of Hamilton County is a club within an international non-profit organization whose focus is on making local communities better through leadership, partnership, and service.

“I saw the calendar that was being offered in Carmel and thought the world of it,” Alexis said. “I was really impressed with it. It occurred to me that it [the calendar] needed a slightly larger distribution and after a little bit of lobbying, we [Altrusa and Elizabeth] managed to raise some funds and print an additional run.”

Hamilton shared that she met with the CCPL Children’s Department, Communications Director and the Library Director to discuss and gain approval to raise the extra funds necessary and print the additional copies to distribute out to

2018-11-27 1:47 PM

libraries in Sheridan, Cicero, Westfield and Hamilton County Head Start in addition to Carmel.

“We printed 1,000 additional copies of this year’s calendar,” Alexis said. “Typically, we set our volume to match the anticipated kindergarten volumes in each of the school systems.”

One of the partnering organizations and distribution locations, Hamilton County Head Start, is a Licensed Center in Noblesville, Indiana. Head Start helps with children in the age range of six weeks to age five.

Pamela J. Le’al, director at Hamilton County Head Start, was ecstatic to distribute this year’s “Countdown to Kindergarten” calendars to the parents and guardians at the start of this school year at Head Start. Le’al emphasized that the contents of the calendar have a positive impact on childhood development, helps with kindergarten preparedness and falls in line with the center’s emphasis of literacy goals.

“Head Start was founded in 1965 under the auspice of ‘War on Poverty’ introduced

by former President Lyndon B. Johnson,” Le’al said. “Head Start has been in integral part of the focus on children that are of lower income and their families.”

Additional members of Altrusa of Hamilton County, Gloria Del Greco, current president, and Nancy Moran, member and advocate, spoke about the importance of raising not only funds for additional prints of the calendars but also awareness throughout the county.

“I thought that the calendar was a great resource to bring the calendars here [Head Start] and to other communities in Hamilton County for kids and families who really need it,” Del Greco said. “Cole brought the idea to our Altrusa group and we all just picked it up and ran with it.

One of the focuses of Altrusa is literacy so it [the calendar] was a perfect fit and represents everything we stand for.”

Moran added, “I was an Altrusa member in Waco, Texas where I was a federal attorney. I was transferred to Indianapolis and became involved with Altrusa of Hamilton

County. I loved that the club was active and has an emphasis on literacy because that was one of things that we focused on back in Texas. It [literacy] is very import to me.”

The group emphasized that sponsorships for next year’s calendar are available and encouraged from corporations, local businesses and individuals who are interested in being a sponsor.

The 2018 “Countdown to Kindergarten” is available at the Carmel Clay Public Library and the libraries in Cicero, Westfield, Sheridan and at Hamilton County Head Start-while they last. Next year’s calendar will be available by August of 2019.

For those interested in becoming a sponsor of next year’s calendar, contact the CCPL at 317-814-3900.

For more information on Altrusa of Hamilton County, membership and/or book calendar donations, contact its president, Gloria Del Greco at 317-753-5747.

To learn more about Hamilton County Head Start and its services, contact Pamela J. Le’al, Hamilton County Head Start Director, at (317) 803-3803.

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DECEMBER 2018

2018-11-27 1:47 PM

From Farm to Table

A l l

W i n t e r

L o n g

Writer // Janelle Morrison • Photography // Lisa Burke at Farming Engineers

If you have not already frequented the Carmel Farmers Market Winter Market, you will be pleased to learn that you can still enjoy fresh produce and products from local farmers throughout the winter season. You can get many of the same products that you get from the summer market, from fresh produce, French-inspired baked goods, meats and poultry to country-fresh eggs and small batch jams and jellies in a warm, cozy and somewhat funky setting at the market’s winter home, The Wire Factory (510 Third Avenue SW).

W

e sat down with market volunteer and committee member Susan Bock to learn more about what the market offers during the winter season and how its vendors can produce fresh, local and straight out of Hoosier soil.

“This is our eighth year, and it has grown every single year,” Bock said. “We have 43 vendors this season, and during the Christmas season, we will have two vendors that will be there on a temporary basis. WildFlower Farms is going to with us for three Saturdays following Thanksgiving and bring fresh greens, wreaths and centerpieces. They will also provide the materials to make a porch pot.”

Bock also mentioned Bizarre Blossoms will be at the market on select dates and will bring an assortment of dried flower arrangements and wreaths. When asked how the produce vendors are able to grow fresh produce in the winter, Bock explained the concept of hoop houses.

“A hoop house is a made up of large hoops – made of metal, plastic or wood – covered with heavy plastic,” Bock said.

“The plastic is stretched over the hoops and is fastened to boards with strips of wood, metal or wire. It is heated by the sun and cooled by the wind. The plants are grown in the ground, and because the ground stays warmer in the hoop house, it extends the growing season.”

Produce like beets, potatoes, cabbage, peppers, apples, garlic, carrots and other root vegetables can be grown in a hoop house all winter long and are available all season long at the market until it closes March 30, 2019. The market is open every Saturday from 9 a.m. to 12 noon.

Be sure to follow the Carmel Farmers Market on Facebook for updates throughout the winter market.

CARMEL MONTHLY

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2018 Carmel Farmers Market Winter Market Vendors • • • • • • •

Mission Coffee Maya’s Barkery* LIVE* Fishburn’s Farm Market Circle City Kombucha Arepas Russell Sheep Company*

DECEMBER 2018

2018-11-27 1:49 PM

• • • • • • • • • • •

Hoosier Wagyu* Iron Haus Market Eagle Creek Apiary Brick House Vinaigrettes Batch No. 2 Mallow Run Winery Josh’s Hot Brats Vietnamese Eggroll Bar Johnnie Raber Family Farm Pots & Pans Pie Co.* Bettini Pasta*

• • • • • • • • • • • • • • • • • • • • • •

Old Major Cafe Baby Phelps Family Farm Circle City Sweets Generations Pie Co. Clearspring Acres Becker Farms No Label at the Table One of a Kind Jams & Jellies Aahaa Chai Meringue Artisan Cake Groomsville Popcorn The Farming Engineers Norman Mullet Farm Guacamole & More St. Athanasius Church 3 in 1 Restaurant Rosie’s Riblets Peto’s Skillington Farms, Inc. Bizarre Blossoms* Wildflower Farm*

What’s on the Table?

2018 Winter Mark Music at the Mar et ket Carmel Winter Farmers Market is proud to present Blair Clark to the market. You can check him out on the following dates:

DECEMBER 8 DECEMBER 15 DECEMBER 22 DECEMBER 29 JANUARY 12, 2019 FEBRUARY 9, 2019

*indicates part-time vendors

MARCH 9, 2019

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