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SETTING THE SCENE

SETTING THE SCENE

In a building, the characters are the pe You will be working on an urban site in Portsmouth and your proposal must include the adaptive reuse of part or all of an existing building; however, this should equate to no more than 50% of the total floor area of your project. Restricted urban sites present a particular architectural puzzle but also an opportunity to respond to the constricts creatively and with rigour. Working with models and section from an early stage will be beneficial.

As a historic port city with Global, Regional and Local Networks and connections, Portsmouth is a rich textile of spaces, places and narratives. Part of a seafaring tradition, spanning centuries the city sees potential at the edge of a map and as a point of arrival and departure, the city of defences or sanctuary.

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As you know from TB1 Portsmouth is prominent for being the United Kingdom’s only island city, founded for the most part on Portsea Island. It is the second most densely populated place in the UK (after central London) and the 13th most densely populated place in Europe. of the building and the impression it creates; the backstory is the rootedness of a place in its historical context; and the theme is the underlying belief or principle that the architect wants to communicate.

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Portsmouth, Island City

In a building, the characters are the pe Site1 are connected with the site, whether pa The Albany Buildings 104 to 112 Elm Grove Southsea, PO5 1LPv longer.divide.glaref

Site2 are connected with the site, whether pa Site Adjacent The Lady Hamilton

The Hard Portsea

PO1 3DT, miss.slot.prone he rootedness of a place in its historical context; and the theme is the underlying belief or principle that the ar- chitect wants to communicate.

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Site3 are connected with the site, whether pa

Site Adjacent Queen’s Hotel

Osborne Road

Southsea

PO5 3LJ, u food.cooks.catch - edited)

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