This eco-conscious production of Rusalka is the future

excess. The courtiers in Act II are visual manifestations of ‘Big Oil’, and although their resemblance to today’s glitterati was uncanny, their costumes lacked finesse. This Rusalka was simultaneously too old-fashioned and too modern, too unrefined and too apocalyptic. Overall, unfortunately, neither here nor there.

the only good thing about the recent Ant-Man sequel, and the versatile actor is again superb here. Brimming with emotions he can barely contain, he and Jordan have some intense moments in the build up to the final bout. Carrying the film for the first time without Stallone, Jordan is on fine form and makes the most of his capable co-stars, including Tessa Thompson’s Bianca who delivers bucket-loads of passion.

As a director, Jordan has a visual style that really works here, with a lot of the story told through extreme close ups that allow you to read every micro expression of the characters. It may mean some points are hammered home, but it’s not like the Rocky films were ever known for being subtle. Creed III may leave some pining for the Italian Stallion, but two of Hollywood’s most exciting stars make this ninth instalment of the long running saga something a little bit different.