Lanark: A Life in Three Acts

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WRITTEN BY DAVID GREIG DIRECTED BY GRAHAM EATOUGH

14–17 3–19 LANARK A Life in Three Acts AUG

SEP

ADAPTED FROM THE NOVEL BY

A L A S DA I R G R AY

3–19 SEP

Artwork: Night Street Self-Portrait by Alasdair Gray (1953)

14–17 AUG

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Citizens Theatre Ltd. Registered in Scotland No. SC022513 and is a Scottish Charity No. SC001337

CAST ANDY CLARK Andy Clark trained at the Royal Scottish Academy of Music and Drama and was a member of the ensemble at Dundee Rep Theatre (2000–03), where he appeared in more than 20 productions, including The Winter’s Tale, The Land of Cakes, The Seagull and The Laird O’ Grippy. His recent stage credits include 13 Sunken Years for Lung Ha’s Theatre Company and Stellar Quines; Little Sure Shot at the West Yorkshire Playhouse, Leeds, and The Egg, Bath; Aladdin at Macrobert Arts Centre, Stirling; and Colquhoun & Macbryde and Three Sisters at the Tron Theatre, Glasgow. His other theatre work includes The Libertine, No Mean City, Hamlet and Othello at the Citizens Theatre; The Cherry Orchard, Pinocchio and Tartuffe at the Royal Lyceum Theatre, Edinburgh; The Strange Undoing of Prudencia Hart for the National Theatre of Scotland; Gastronauts at the Royal Court Theatre, London; I’m With the Band at the Traverse Theatre, Edinburgh, and the Wales Millennium Centre, Cardiff; Of Mice and Men at West Yorkshire Playhouse; Vernon God Little at the Young Vic, London; and Measure For Measure for Clwyd Theatr Cymru. His film and television credits include Bob Servant, Sea of Souls, River City for BBC Television and The Da Vinci Code for Rose Line Productions. His radio credits include Rebus, Cherry Blossom Whisky Company, The Dead Hour and The Five of Spades for BBC Radio 4.

GEORGE DRENNAN George Drennan has worked extensively in Scottish theatre for over 25 years. An accomplished musician and singer, he began his career with the musical theatre company Wildcat, with which he toured in 22 productions. His other theatre credits include Stiff and The Man of La Mancha at the Royal Lyceum Theatre, Edinburgh; Whisky Kisses, Rightlines and Wolves in the Wall (including three weeks in New York) for the National Theatre of Scotland; Sunshine on Leith at the Dundee Rep Theatre; Para Handy for Open Book at Eden Court Theatre, Inverness; and Crazy Jane for Birds of Paradise. For many years he played the villain in pantomimes at the Tron Theatre, Glasgow. He has appeared in numerous productions at Òran Mór, including its pantomimes. His television credits include Taggart, Still Game, Gary Tank Commander, Rab C. Nesbitt, Legit, Lip Service, the Gaelic soap opera Machair and River City. His film credits include The Flying Scotsman and The Marriage Counsellor.

SANDY GRIERSON Sandy Grierson trained with David W.W. Johnstone of Lazzi (Oresteia, WitkacyIdiota, Mr. Pinocchio) and Zofia Kalinska of Ariel Teatr (A Little Requiem for Kantor, Dybuk, The Night of the Great Season). He is an artistic associate with Vanishing Point. Theatre credits include The Beautiful Cosmos of Ivor Cutler, Saturday Night, The Beggar’s Opera, Subway, Mancub, Lost Ones for Vanishing Point; Home, Little Otik, Dunsinane for the National Theatre of Scotland; Comedy of Errors, Twelfth Night, The Tempest, The 13 Midnight Challenges of Angelus Diablo for the RSC; My Arm, Tonight Sandy Grierson Will Lecture, Dance and Box, Rhetoric for Greyscale; A Midsummer Night’s Dream for Headlong; Cherry Blossom, Zorro for Traverse; Gagarin Way for Theatre Royal Bath; Fergus Lamont for Communicado; The Soul of Ch’ien- Nu Leaves Her Body for Young Vic and The Fourth Estate for Wildcat. Writing credits include The Beautiful Cosmos of Ivor Cutler, Tenet, Tonight ___ ___ Will Lecture, Dance and Box, Subway, Little Otik, and Oresteia. Radio credits include Lanark, Topaz, Down Boy, Dunsinane, My Romantic History, The Incomplete Works of Dave McCabe, Vanishing Point, Blaze, McLevy for BBC; Confessions of a Justified Sinner, The Charming Mr Kharms for Loftis; The Royal Game, Between Two Worlds, and Dreaming Dickens for Rockethouse. TV and film credits include Outlander, The Ones Below and Night People.

JESSICA HARDWICK Jessica Hardwick trained at the Royal Conservatoire of Scotland and graduated in 2013. Theatre credits include The Venetian Twins at the Royal Lyceum Theatre Edinburgh; The Fair Intellectual Club by Lucy Porter, UK Tour for Stella Quines; Slope for Untitled Projects in association with the Citizens Theatre and the Traverse Theatre, Edinburgh; Three Sisters at the Tron Theatre, Glasgow, and the King’s Theatre, Edinburgh; Zinnie Harris’s version of Miss Julie at the Citizens Theatre; Crime and Punishment at the Citizens Theatre, the Liverpool Playhouse and the Royal Lyceum Theatre, Edinburgh; and The Antipodes at Shakespeare’s Globe, London, as part of the Sam Wanamaker Festival. Radio credits include The Pillow Book and McLevy for BBC Radio 4. Last year she was named Best Newcomer at the CATS awards for her performances as Sonya in Crime and Punishment and Christine in Miss Julie. This year she won the Citizens Theatre Society’s Christina Chalmers Award for Best Actor.

PAUL THOMAS HICKEY Paul Thomas Hickey trained at the Royal Scottish Academy of Music and Drama.

His theatre credits include Right Now, Quiz Show, What We Know, The Slab Boys Trilogy, Greenfields, Olga, Gagarin Way, The Architect and Passing Places at the Traverse Theatre, Edinburgh; Let the Right One In for the National Theatre Of Scotland at the Royal Court Theatre, London; The Wheel for the National Theatre Of Scotland; Crave and Strawberries in January for Paines Plough; San Diego and The Tempest at the Tron Theatre, Glasgow; The Entertainer at the Citizens Theatre; Home Hindrance, Wonderland and Interiors for Vanishing Point; The Talented Mr Ripley, Romeo and Juliet and If Destroyed True at Dundee Rep Theatre; The Backroom at the Bush Theatre, London; A.D., Macbeth and Ecstacy for Raindog; Timeless and Mainstream for Suspect Culture; Monks and All My Sons at the Royal Lyceum Theatre, Edinburgh; The Slab Boys Trilogy at the Young Vic, London; and Shining Souls at the Old Vic, London. His television and film credits include River City, Nightlife, The Bill, Cardiac Arrest, Taggart, The Britoil Fraud, Hope Springs, Tinsel Town, Wasted, Believe, California Sunshine and Shell.

LOUISE LUDGATE Louise Ludgate trained at the Royal Scottish Academy of Music and Drama.

Stage credits include Mainstream, Casanova and Lament for Suspect Culture; Home, The House of Bernada Alba and Realism for the National Theatre of Scotland; Little Otik for Vanishing Point and the National Theatre of Scotland; Greta at the Traverse Theatre, Edinburgh; Iron at the Traverse Theatre, Edinburgh and the Royal Court Theatre, London; The Adoption Papers and Strawgirl at the Royal Exchange Theatre, Manchester; SubRosa for Fire Exit and the Citizens Theatre; Dig for Paines Plough; Jeff Koons for the Actors’ Touring Company; Balgay Hill at Dundee Rep Theatre; 13 Sunken Years for Stellar Quines and Lung Ha’s Theatre Company; Sex and God for Magnetic North; Shattered Head at Òran Mór and the Traverse Theatre, Edinburgh; Slice for Gilded Balloon and Òran Mór; Thank You, Guilty, Resurrection, Out On the Wing, Midge Burgers, The Golden Silence, Moon Walking, Wired, The Date, Days of Wine and Rosie, The Gun, Rumplestiltskin and Fishwrap at Òran Mór; Total Strangers and Blackden at the Tron Theatre, Glasgow; The Crucible, The Devils and The Wedding at the Arches, Glasgow; The Lion, the Witch and the Wardrobe at the Citizens Theatre; and Cinderella at Macrobert Arts Centre, Stirling. Her television credits include Spooks, River City, Romance Class, Freedom, The Key, Sea of Souls and Glasgow Kiss for BBC Television and High Times and Taggart for ITV.

HELEN MACKAY Born in Thurso, Helen Mackay trained at the Royal Scottish Academy of Music and Drama, where she graduated in 2009. Her recent theatre credits include Rapid Departure, From These Parts and Be Silent or Be Killed for Right Lines/Eden Court Theatre; Outlying Islands for Firebrand Theatre Company; 3000 Trees for Grey Coast Productions; The Misanthrope, Fishwrap, Saint One and 3 Seconds at Òran Mór; Cinderella and Pinocchio at Perth Theatre; The Cone Gatherers, The Silver Darlings and Sunset Song at His Majesty’s Theatre, Aberdeen; Para Handy for Open Book/Eden Court Theatre; Macbeth for Open Book; The Snow Queen at the Royal Lyceum Theatre, Edinburgh; The Accidental Death of an Accordionist for Mull Theatre Company/Right Lines; and Peer Gynt for the National Theatre of Scotland/Dundee Rep Theatre. Her recent television credits include DCI Banks for ITV and Rab C. Nesbitt for BBC Television’s Comedy Unit. She has also recorded many plays for BBC Radio Scotland and BBC Radio 4.

GERRY MULGREW Born in Glasgow, Gerry Mulgrew studied at the University of Glasgow and the Sorbonne, Paris. In 1983 he co-founded the theatre company Communicado and became its Artistic Director in 1986. His directing credits for Communicado include Cyrano de Bergerac, The Cone Gatherers, the world premiere of Mary Queen of Scots Got Her Head Chopped Off, Jock Tamson’s Bairns, Blood Wedding, The Suicide, Gogol’s The Government Inspector and his own adaptation of Tam O’Shanter, which was nominated for the Best Musical for Musical Theatre Matters Awards 2012. His notable acting credits include David Hume in Jo Clifford’s The Tree of Knowledge, directed by Ben Harrison at the Traverse Theatre, Edinburgh; Old Peer in Dominic Hill’s production of Peer Gynt for the National Theatre of Scotland/Dundee Rep Theatre, for which he won joint Best Actor at the CATS awards; and Vladimir in Waiting for Godot, directed by Guy Hollands at the Citizens Theatre. His most recent role was Folly in the full version of Ane Satyre of the Thrie Estaitis at Linlithgow Palace. He recently returned from Beijing, where he directed a programme of short pieces by Samuel Beckett, translated into Mandarin.

CAMRIE PALMER Camrie Palmer recently graduated from Manchester School of Theatre, having previously trained at Dundee College. She is currently Citizens Theatre Actor Intern. Lanark marks her professional debut. Her credits during training included Women of Troy, Dancing at Lughnasa and Helena Kaut-Howson’s adaptation of Sanatorium Under the Sign of the Hourglass.

EWAN SOMERS Ewan Somers recently graduated from the Royal Central School of Speech and Drama, London, and is currently Citizens Theatre Actor Intern. His credits while training include the title role in Titus Andronicus, Friar Lawrence (Romeo and Juliet), Touchstone (As You Like it), Menelaus (The Oresteia), Pinchwife (The Country Wife) Lord Augustus (Lady Windemere’s Fan) and Adam Smith (The Low Road). Lanark marks his professional stage debut.

MUSIC NOTE BY NICK POWELL Alasdair Gray wrote Lanark over nearly 30 years – a period of time in which he had exclusive access to one of the most extraordinary and eclectic imaginations of our time. In order to write suitable music (in considerably less time) for our version, I needed to enlist the collaboration of some extraordinary and eclectic musicians. Thanks to them for their diverse talents and letting me put together, in some moments, unlikely supergroups. Follow the lines to uncover the connections...

FIG. 1: DEFINING THE MUSICAL COLLABORATIONS

Chin Keeler: Drums Unthank Mutant Jazz Domestic Man Alex Lee: Co-Composition / Keyboards / Guitar Unthank Mutant Jazz Kafka Dance Mouths Institute Tones Staff Canteen Intercalendrical Zone Unthank Prog Alexander Theme Nick McCarthy: Co-Composition / Keyboards / Guitar / Bass / Double Bass Unthank Mutant Jazz Domestic Man Flight To Provan Provan Reception Music Ted Milton: Saxophone Unthank Mutant Jazz Mouths Intercalendrical Zone Domestic Man Lucy Wilkins: Violin Title Sequences Scarlatti Sarah Willson: Cello Title Sequences Kafka Dance

CREATIVE TEAM ALASDAIR GRAY | WRITER LANARK: A LIFE IN FOUR BOOKS Based in Glasgow, Alasdair Gray is a prolific polymath, internationally acknowledged as a major Scottish writer. Over the last 70 years he has built an extensive body of work within both the literary and visual art fields. His written oeuvre is unique across all genres - fiction, poetry, plays, critical essays and reviews. During his career, he has also written for stage, radio, and television. As well as painting large-scale murals and stage sets, he also illustrates his own books and takes an active part in the design, layout, and typography of his published works. His most famous novel, Lanark was developed over a period of almost 30 years, and was published in 1981. He has produced over 18 published books and is a winner of both the Whitbread Novel Award and Guardian Fiction Prize. Most recently, he completed his biography A Life in Pictures which was published in 2010 to coincide with solo shows at The Talbot Rice Gallery and The Scottish National Galleries of Modern Art. 2014 saw a celebration of his extensive and varied visual work across Glasgow’s museums as part of the Alasdair Gray Season devised by Sorcha Dallas. Gray lives and works in Glasgow.

DAVID GREIG | WRITER LANARK: A LIFE IN THREE ACTS David Greig was born in Edinburgh in 1969 and made his main-stage debut with Europe at the Traverse Theatre, Edinburgh, in 1996. He was the first dramaturg of the National Theatre of Scotland (2005–07), for whom he has also directed several productions and curated a season of Arab plays, One Day in Spring, for Òran Mór. His plays include The Events for the Actors Touring Company; Glasgow Girls for the National Theatre of Scotland/Citizens Theatre/Theatre Royal, Stratford East; Dalgety and Fragile for Theatre Uncut; Letter of Last Resort at the Tricycle Theatre, London, and the Traverse Theatre, Edinburgh; The Strange Undoing of Prudencia Hart for the National Theatre of Scotland; Monster In the Hall for TAG; Dunsinane for the RSC and the National Theatre of Scotland; Midsummer at the Traverse Theatre, Edinburgh; Pyrenees and The Cosmonaut’s Last Message to the Woman He Once Loved In The Former Soviet Union for Paines Plough at the Tron Theatre, Glasgow; The American Pilot for the RSC; San Diego at the Edinburgh International Festival and the Tron Theatre, Glasgow which won a Herald Angel award and the Tron Theatre Award; and Outlying Islands at the Traverse Theatre, Edinburgh and the Royal Court Theatre, London, which won Scotsman Fringe First and Herald Angel awards and a CATS Award for Best New Play. His translations and adaptations include Charlie and the Chocolate Factory in the West End; Creditors and Caligula at the Donmar Warehouse, London; and Tintin In Tibet at the Young Vic and the Barbican, London.

GRAHAM EATOUGH | DIRECTOR Between 1992 and 2009 Graham Eatough was Artistic Director of Suspect Culture theatre company, which he co-founded with David Greig and Nick Powell. During this time he directed, and occasionally performed in, 18 productions for the company that gained an international reputation for highquality, innovative new work. He has also directed work for 7:84, the Tron Theatre, Glasgow, and the National Theatre of Scotland, as well as performing in theatre, film and television. His recent work has included two visual art collaborations with the artist Graham Fagen: The Making of Us with the National Theatre of Scotland at the 2012 Glasgow International Festival of Visual Art and the Edinburgh International Film Festival; and In Camera at La Friche, Marseilles. He is currently one of five collaborators from Europe and Australia working on the Nomanslanding project, a performance installation commemorating the First World War sited on Sydney Harbour, the River Clyde and the Ruhrtriennale this year. Among his recent theatre credits, his production of Adura Onashile’s HeLa won the Scottish Arts Club Best Show award at the 2013 Edinburgh International Festival before touring internationally last year.

LAURA HOPKINS | DESIGNER Laura Hopkins trained in interior architecture and at the Motley Theatre Design course, London. Her opera credits include the world premiere production of Iain Bell’s A Christmas Carol for Houston Grand Opera; Così fan tutte for English National Opera (ENO); Falstaff for Opera North and ENO; L’elisir d’amore for New Zealand Opera; and The Rake’s Progress for Welsh National Opera. Her theatre work includes A Farewell to Arms, Kellerman and Hotel Methuselah for Imitating the Dog; The Ghost Train at the Royal Exchange Theatre, Manchester; Twelfth Night at the Everyman Theatre, Liverpool; Pass at the Royal Court Theatre, London; The Seagull for Headlong Theatre; Othello for Frantic Assembly; Troilus and Cressida for the RSC and The Wooster Group; A Delicate Balance at the Almeida Theatre, London; Black Watch and Peter Pan for the National Theatre of Scotland; Time and the Conways at the National Theatre, London; Peer Gynt at the Guthrie Theater, Minneapolis; The Golden Ass at Shakespeare’s Globe, London; and Clair de Luz, Blood and If We Shadows for Insomniac Productions with Pete Brooks.

Her previous collaborations with Graham Eatough include Something There for Cryptic’s Beckett Time festival, Glasgow; and The Escapologist for Suspect Culture. She won TMA Awards for Best Design for Dr Faustus (for Headlong) and Mr Heracles (at West Yorkshire Playhouse, Leeds).

NICK POWELL | COMPOSER AND SOUND DESIGN As a co-founder of Suspect Culture Nick composed the music for 15 shows over 17 years including Timeless for Edinburgh International Festival. Other theatre credits include sound design for Wolf Hall parts 1 & 2 in the West End and on Broadway, composition and sound design for The Wonderful World Of Dissocia, Realism for the National Theatre Of Scotland/Edinburgh International Festival; The Wolves In The Walls, 27, The Wheel for the National Theatre Of Scotland; Othello for National Theatre, London; Peter Pan, All My Sons, The Crucible and Lord Of The Flies for Regent’s Park Open Air Theatre; The Mistress Contract, The Ritual Slaughter Of Gorge Mastromas, Get Santa, Relocated, Realism for the Royal Court Theatre; The Life Of Galileo, Richard III, The Drunks for the RSC; ’Tis Pity She’s A Whore for Cheek By Jowl; Marat Sade, Urtain, Falstaff, Los Macbez for CDN Madrid; Blackbird, The Danton Affair for Stadsteatern, Gothenburg. Nick has also written extensively for film and TV. He has collaborated with artist Phil Collins on various gallery projects and is half of OSKAR who have produced 2 albums, several EPs and produced installations for the V&A, CCA and written live soundtracks for fashion shows. Nick is currently under commission from Birmingham Symphony Orchestra to score a chamber piece in collaboration with Birmingham Rep Theatre.

NIGEL EDWARDS | LIGHTING DESIGNER Nigel Edwards is best known as the lighting designer for Forced Entertainment, for which he has designed 25 productions since 1990. His notable credits elsewhere include In Pieces for Rosas, That Night Follows Day by Victoria (Ghent) and Sight is the Sense, all directed by Tim Etchells; the world premieres of Sarah Kane’s Cleansed and 4.48 Psychosis, and Stoning Mary at the Royal Court Theatre, London; Crave for Paines Plough; Roberto Zucco, The Mysteries, David Greig’s Victoria, The Tempest and Troilus and Cressida (with The Wooster Group) for the RSC; Debbie Tucker Green’s Dirty Butterfly and Trade at the Soho Theatre; and Sexual Perversity in Chicago, When Harry Met Sally and The Postman Always Rings Twice in the West End. He lit the world premiere of David Grieg’s The Cosmonaut’s Last Message to the Woman He Once Loved In The Former Soviet Union and also worked with Nick Powell on Splendour, Riddance and Mr Heracles. His dance credits include Wendy Houstoun’s Desert Island Dances and 50 Acts and several productions with Remote Control/Michael Laub including Pigg In Hell, Total Masala Slammer – Heartbreak No.5, The H.C Andersen Project- Tales and Costumes; Love Songs in a Lonely Desert a dance piece by Marisa Zanotti. His opera credits include Jenůfa for Welsh National Opera; The Maids for English National Opera; and Hansel and Gretel for Opera North. He has lit concerts by Ryuichi Sakamoto, Diamanda Galas, Carsten Nicolai, Jeff Beck, the Yellow Magic Orchestra, Ólafur Arnalds and Jocelyn Pook.

SIMON WAINWRIGHT | VIDEO ARTIST Simon Wainwright is a theatre-maker, musician and visual artist, and one of the three artistic directors of the theatre company Imitating The Dog, which he formed in 1998. He has been involved with every production of the company, as performer, devisor, technical director or video/sound artist.

As a freelance video artist, he has worked on many theatre projects, including the West End musical Soul Sister and, most recently, Derren Brown’s show Miracle. As a musician, he is a member of Hope and Social, the band noted for its inclusive community projects which recently wrote the festival anthem for the Yorkshire Festival of The Grand Depart. He was also a member of the band Four Day Hombre, which formed the UK’s first fan-funded record label. Although he works mainly in video, he trained as a painter, working in oil on canvas, and was selected for the BP Portrait Award in 2001.

EJ BOYLE | CHOREOGRAPHER / MOVEMENT DIRECTOR EJ Boyle trained in dance in Glasgow, London and New York. EJ was Creative Associate-Choreography of the Glasgow 2014 Commonwealth Games, choreographing the Closing Ceremony with a volunteer cast of 1200, and the Opening Ceremony film ‘Welcome to Glasgow’. She was assistant artistic director of the Flame Ceremony at the Baku 2015 European Games, and director of Under the Ground at Assembly, Edinburgh Fringe. Other credits include Hedda Gabler for the Royal Lyceum Theatre; Great Expectations, Victoria, James and the Giant Peach, The BFG at Dundee Rep; Still Game: Live at Glasgow Hydro; Sports Day for the Citizens Theatre; Forest Boy for the Arcola/Edinburgh Fringe; West Side Story, Carousel, Tommy for the Royal Conservatoire Of Scotland; God Help the Girl for Barry Mendel Films (Special Jury Award for Ensemble at the 2014 Sundance Film Festival). EJ’s performance career included productions for the West End, RSC, Matthew Bourne’s New Adventures and ENO alongside work in film, television and radio. She spent a number of years as Lecturer in Dance at the Royal Conservatoire of Scotland, during which time she wrote the MA in Musical Theatre Choreography.

NIALL BLACK | PRODUCTION MANAGER PAUL BROTHERSTON | ASSISTANT DIRECTOR (Position supported by the Federation of Scottish Theatre with funding from Creative Scotland)

GUY COLLETA | SOUND SYSTEM DESIGNER AND ENGINEER ALAN COX | PROJECTION SYSTEMS DESIGNER CAT ETCHART | ASSISTANT DESIGNER STEVEN JACKSON | PROJECTION ENGINEER

THE CITIZENS COMPANY STAFF Amy Angus Tom Arnott Jamie Barbour Paul Bassett Lorraine Barclay Catherine Bird David Black Marissa Bonnar Alex Brady Suzanne Brady Laura Briggs Marion Brochard Louise Brown Andrew Bunton Tess Campbell Theo Cherry Jodey Conner Lisa Corr Natalia Cortes Elaine G Coyle Carol Cull Tom Cullens Caroline Darke Lesley Davidson Denise Differ Miriam Sarah Doren Michael Dorrance Ann Dundas Lisa Dundas Paul Dundas Sophie Fernie Fiona Findlater Barry Forde Neil Francis Jacky Gardiner Harvey Gardner Robert Gear Anne Gillan Elly Goodman Jessica Griffiths Stephen Hamilton Stephen Harrop

Jamie Hayes Neil Haynes Jill Henderson Siobhan Hermitage Dominic Hill Guy Hollands Olivia Hughes Caroline James Stuart Jenkins Arthur Johnston Debbie Jones Simon Jones Judith Kilvington Sarah Kinsey Campbell Lawrie

Drama Class Tutor Front of House Front of House PA to the Directors Stage Door Administrator/Box Office Payroll Officer Front of House Front of House Box Office Supervisor/IT Box Office/Drama Class Tutor Front of House Front of House Creative Learning Officer Front of House Development Manager Front of House Carpenter Drama Class Tutor Company Stage Manager Head of Wardrobe Housekeeper Welder Trusts & Foundations Manager General Manager Box Office Manager Drama Class Tutor Deputy Head of Workshop Housekeeper Box Office FOH Duty Manager Front of House Assistant Stage Manager Assistant Stage Manager Drama Class Tutor Front of House Front of House Assistant Carpenter Finance Officer Community Drama Artist Wardrobe Assistant Front of House Front of House Duty Manager/ Stage Door Administrator/Carpenter Head of Stage Head Scenic Artist Drama Class Tutor Trainee Assistant Stage Manager Artistic Director Associate Director (Citizens Learning) Front of House Drama Tutor Head of Lighting & Sound Front of House Front of House Stage Door Administrator Executive Director Wardrobe Assistant Paul Hamlyn Club Co-ordinator/

Drama Class Supervisor Jamie Leary Front of House/Box Office Karen Lee-Barron Wardrobe Assistant/Dresser Jonathan Laidlow Deputy Head of Lighting & Sound Claire Lowney Marketing Officer Alison MacKinnon Head of Marketing and Communications Lauren Macluskie Front of House Rose Manson Front of House Collette Marshall Front of House Carly McCaig Creative Learning Assistant Erin McCardie Front of House Hayley McCready Wardrobe Assistant Robert Macfarlane Wardrobe Cutter Michael McGurk Front of House Rachel McGurk Front of House Hazel McIlwraith Director of Development Lawrie McInally Stage Door Administrator Hannah McLean Drama Class Tutor Jason McQuaide Deputy Head of Stage Debbie Montgomery Drama Class Tutor Declan Mooney Apprentice Carpenter Christina Morrison Development Assistant Jim Morrison Front of House Jacqueline Muir Production Administrator Jack Mullen Box Office Denis Murphy Head of Workshop Emily Murphy Front of House Gareth Nicholls Main Stage Director in Residence Keren Nicol Marketing & Communications Manager Petriece O’Donnell Front of House Neil Packham Community Drama Director Sam Packham Front of House Camrie Palmer Actor Intern Frances Poet Literary Associate Marion Quinn Front of House Sarah Scarlett Deputy Stage Manager Mags Smillie Head of Finance Andy Smith Housekeeper Angela Smith Education Officer Ann Smith Housekeeper Laura Smith Deputy Head of Production Ewan Somers Actor Intern Lorna Stallard Front of House Malcolm Stephen Technical Stage Manager (Paternity Cover) Andrew Stuart Lighting and Sound technician Graham Sutherland Head of Production Benjamin Szili Front of House Anna Thompson Front of House Erin Tighe Drama Class Tutor Chris Traquair Head Flyman/Technician Martin Travers Producer (Citizens Learning) Andrew Turner Stage Door Administrator/F.O.H Duty Manager Brian Watson Carpenter Colin White Drama Class Tutor/Supervisor Ross Williamson Building Supervisor David Wilson Electrician Emma Louise Wyllie Front of House Richard Young Lighting and Sound Technician

Board: Professor Adrienne Scullion (Chair), April Chamberlain (Vice Chair), Laurence Fraser, Alex Gaffney, Dominic Hill, Ryan James, Alex Reedijk and Bailie James Scanlon.

ACKNOWLEDGEMENTS Scenery, costumes and props made by Citizens Theatre Workshop, BLC, J&B Scenery and The Quickening.

Opening night drinks generously provided by Belhaven and Alliance Wines.

Lanark is supported through the Scottish Government’s Edinburgh Festivals Expo Fund.

Lanark is a co-production between Edinburgh International Festival and Citizens Theatre in association with Sorcha Dallas and Graham Eatough.

Lanark: A Life in Three Acts was first performed at the Citizens Theatre on 14 August 2015. It received its world premiere at the Edinburgh International Festival in the Royal Lyceum Theatre, Edinburgh on 23 August 2015.

Special Thanks to: Paul Claydon, Halley Stevensons, Ingram Bros., Sebastian Kellig, Kym Kinnison, Steve Mackintosh, Kevin Murray, National Theatre of Scotland, Valerie Rickis and Brian Vernal.

Citizens Theatre Ltd. Registered No. SC022513 and is a Scottish Charity No.SC001337.

Programme artwork: Night Street Self - Portrait (1953) by Alasdair Gray.

SUPPORTING CITIZENS SPONSORS

SUPPORTERS

Urban Union Hotel Indigo Scott + Co

Arts and Business Scotland BBC Children In Need Boshier - Hinton - Foundation Charles Haywood Foundation Comic Relief Gordon Fraser Charitable Trust James Wood Bequest Fund Jerwood Charitable Foundation John Liston Scottish Charitable Trust John Mather Charitable Trust Miss Agnes H Hunter’s Trust See Me Change Network Fund Souter Charitable Trust Sylvia Aitken Charitable Trust The Albert Hunt Trust The Austin & Hope Pilkington Charitable Trust The Binks Trust

CORPORATE CITIZENS LEADING ARTISTS Two Fat Ladies Miller Samuel

CAST Belhaven MacRoberts LLP Merkland Tank Ltd Root Creative Scottish Council for Development and Industry

The Citizens Theatre Society The Goldberg Family Trust The Hugh Fraser Foundation The Jerwood Charitable Foundation The Mickel Fund The Rix-Thompson-Rothenberg Foundation The Robertson Trust The Robertson Scholarship Trust The Russell Trust Volant Charitable Trust Weston Jerwood

BEST FRIENDS David Armstrong Kevin Brown April Chamberlain Roddy & Christine MacPherson Adrienne Scullion Morag Shearlaw

Citizens Theatre warmly acknowledges support from our core funders:

For details of the many ways you can support the Citizens please contact: Development Department – 0141 429 5561 | development@citz.co.uk

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ELAINE C SMITH 8 Nov 7.30pm A night of stand-up, storytelling and music in support of the Citizens’ redevelopment campaign.

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Citizens Theatre Ltd. Registered in Scotland No. SC022513 and is a Scottish Charity No. SC001337