dance massive
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CONNECTED IN GLASS AMPLIFICATION FAKER
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Dance Massive is a biennial event which is now a milestone on Australia’s dance card. It includes over 200 artists in 22 performances and events over 14 days across 3 host venues. From world premieres to a re-vamped cult classic, intimate solo works, dance on film, participatory events and ensemble productions, Dance Massive will take you places you haven’t even imagined. Alongside its performance program, Dance Massive is associated with the inaugural National Dance Forum – a gathering of Australian and international presenters and practitioners – as well as the Ausdance Victoria ‘Dance Your Heart Out’ class and workshop series and the Tanja Liedtke Fellow in Residence. Malthouse Theatre has programmed contemporary dance in each of its seasons since 2005, and in 2009 we began our dance commissioning program. For Dance Massive 2011, we are delighted to be co-presenting two works with Chunky Move, and to be working for the first time with BalletLab and choreographer Narelle Benjamin. We encourage you to explore all that Dance Massive has to offer.
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#dancemassive
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Chunky Move and Malthouse Theatre present
CONNECTED ....
Director & Choreographer Gideon Obarzanek Sculpture Reuben Margolin Composers Oren Ambarchi & Robin Fox Lighting Designer Benjamin Cisterne Costume Designer Anna Cordingley Performers Stephanie Lake, Alisdair Macindoe, Marnie Palomares, Harriet Ritchie & Joseph Simons Executive Producer Rachael Azzopardi Production & Operations Manager Chris Mercer Stage Manager Melanie Stanton Sound Operator Nick Roux Gallery attendant transcripts edited by Gideon Obarzanek from original recordings of anonymous gallery security personnel Gallery attendant vocal recordings Geraldine Cook, Brigid Gallacher, Brian Lipson, Mike McLeish, Robert Menzies & Alison Whyte Besen Family Artist Program (Direction) Sam Routledge World Premiere, 15 March 2011 Duration: 60 minutes (no interval) Connected was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from the Andrew W. Mellon Foundation and the Boeing Company Charitable Trust.
MERLYN THEATRE, MARCH 11 - MARCH 20 2011
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A NOTE FROM GIDEON OBARZANEK
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I was fortunate to meet Reuben Margolin in October, 2009 in Maine USA, where we were both invited to speak at PopTech, a conference focusing on social change through current innovations in science, art and economics. There, I witnessed Reuben’s various sculpture machines made of wood, recycled plastic and steel transcend their concrete forms once they were set into motion and appear as waveforms in nature – a weightless kinetic flow. This was not dissimilar to the changeability of a dancer from a person to a moving figure when performing on stage. We were immediately drawn to each other’s work and began discussing possibilities for future collaboration. I have an interest in combining dance with other art forms and the alternative perceptions that these interactions can reveal. In previous works such as GLOW and Mortal Engine it has been through the video graphics generated by the movements of the dancers and then projected back onto and around their bodies. Here in Connected this relationship continues, but with early mechanical technology – intricately linked simple materials such as string, paper and wood literally connected to the dancers by fine strings. It’s not just the translation of human movement into other visual and kinetic forms that interests me, but more a fundamental relationship between our environment and us. Until Connected, Reuben’s sculptures have existed as installations in galleries in a perpetual but constant state. While this gives his constellation-like objects a uniquely mesmerising quality, the biggest challenge in this project was to find a relationship between dancers
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and sculpture that could develop as a time arc within a performance event rather than a fixed singular connection. During the period I visited Reuben’s workshop in Berkeley California I also met with the director of the Theatre de la Ville in Paris, where I excitedly pitched our new creative partnership. She politely waited for me to finish and after a pause big enough to drive a French car through (stylishly compact yet surprisingly roomy), she dryly remarked, “I do not understand why this is a performance for the stage and not an installation for a gallery?” My response should have been, “The stage begins as an imaginary space of the artist’s mind, where we build the work and construct the sculpture. Once complete however, the stage becomes a gallery space and we see things very differently.” But I didn’t say that. I didn’t know it yet and just sat there, stumbling for an answer. Interestingly, the common language between choreographing a dance and Reuben building his sculptures is maths. The rapid-fire number sequences reeled off by the dancers in the execution of quick Image credit: Connected in rehearsal, Josh Mu & Marnie Palomares. Photo Jeff Busby.
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and complex movement phrases are not dissimilar to the dizzying number-charts Reuben calculates and relies upon for precise weight, friction and string length calibrations. Similar to constructing the sculpture, we thought about the dance growing and coming together from small pieces, erratic fragments fusing into flowing symmetrical forms. This required a different type of maths to the Euclidean geometry and permutations and combinations we had been more commonly working with in the dance studio and we turned our attention to chaos: recursions, patterns inside of patterns, self-similarities – symmetry across scale. Small crystal-shapes made with one’s fingers extended out with other dancers’ bodies into kaleidoscopic mandalas. Strange attractors and stable chaos influenced various copying tasks and competitive games. Sensitive dependence on initial conditions (more commonly known as ‘the butterfly effect’) flung bodies across the stage, all dramatically affected by tiny internal movements of another single dancer. This kind of mathematical influence resulted in choreography resembling states of synthesis and fragmentation, flow and turbulence – a geometry of nature. Connected is not just a collaboration between a sculptor and a choreographer, it has been an extraordinary group effort. I am deeply grateful to Rob, Oren, Ben and Anna for their inspiration and creativity, my tech staff for making all our demanding explorations possible and the committed support from all the Chunky team. And finally, not only are all the dancers extraordinary performers but they have also created all of the work with me. Thank you.
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OREN AMBARCHI COMPOSER Oren’s works are hesitant and tense extended songforms located in the cracks between several schools: modern electronics and processing; laminal improvisation and minimalism; hushed, pensive songwriting; the deceptive simplicity and temporal suspensions of composers such as Morton Feldman and Alvin Lucier; and the physicality of rock music, slowed down and stripped back to its bare bones, abstracted and replaced with pure signal. Oren has performed and recorded with a diverse array of artists such as Fennesz, Otomo Yoshihide, Keiji Haino, John Zorn, Jim O'Rourke, Keith Rowe, Mika Vainio, Phill Niblock, Evan Parker, Merzbow, Thomas Brinkmann and many more. Since 2004 Ambarchi has worked with American avant metal outfit Sunn 0))) contributing to many of their recordings and live performances. Oren has released numerous recordings for labels such as Touch, Southern Lord and Tzadik. In 2003 his live release Triste received an honourary mention in the Prix Ars Electronica digital music category. BENJAMIN CISTERNE LIGHTING DESIGNER Benjamin is renowned for creating bold designs, based in light, that are integral to a performance. He is passionate about the capability of light in performance design and its role in art, and works collaboratively on projects across all art forms. Since 2002, Benjamin has been involved in the creation of lighting designs for exhibitions, architecture and performance projects including Tim Harbour’s Halcyon for The Australian Ballet, Stephanie Lake’s Mix Tape for Chunky Move and Antony Hamilton’s Blazeblue Oneline. Benjamin has toured extensively as both designer and master electrician and completed artistic and technical residencies in Australia and Europe. He has also worked with many choreographers including Gideon Obarzanek (Chunky Move), Gavin Webber (Dancenorth/ Independent), Phillip Adams (BalletLab), Luke George and Gabrielle Nankivell. Benjamin’s work has been recognised by the Green Room Awards on multiple occasions.
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ANNA CORDINGLEY COSTUME DESIGNER As Resident Designer at Malthouse Theatre, Anna’s set and costume credits include ‘Tis Pity She’s a Whore, Sappho... In 9 Fragments, The Threepenny Opera, Elizabeth - Almost By Chance A Woman, Furious Mattress, One Night the Moon, Knives in Hens, Happy Days, A Commercial Farce, and Puck. Recent outside credits include Richter/Meinhof Opera & Black Arm Band: Hidden Republic for MIAF. Beyond the theatre, Anna has designed for Simon Barley (Bambuco) with The Eighth Bridge over the River Tyne (UK), Spine, Ludo and Rue Faidherbe Lille 2004 (France) and for Well, The Great Wall of Books (Macau). Her exhibitions include An Account of Bridges at the Baltic Contemporary Art Centre/Sage Gateshead (UK) and Facilitation for Brook Andrew in Colony in the 2007 Den Haag Sculpture Exhibition (The Netherlands). Public events include the Melbourne 2006 Commonwealth Games Opening Ceremony (Indigenous Section) and Closing Ceremony (Marvelous Melbourne). ROBIN FOX COMPOSER Robin is an artist straddling the often artificial divide between audible and visible arts. As a performer his work has featured in festivals worldwide. Recent appearances include the Vancouver New Music Festival, Fri Resonans in Trondheim, a new work for the Henie Onstad Kunstcenter Oslo, Mois Multi Festival Quebec City, Musica Genera Festival Warsaw (2009) and the Yokohama Triennale (2008). His audio visual films are documented on the DVD backscatter (2004) with more recent works Volta and 5 Creation Myths exhibited at the RoslynOxley9 gallery in Sydney, the Asian Art Biennale in Taipei and the Miniartextil exhibition in Como, Italy. Robin was the Sound and Laser Artist for Chunky Move’s Mortal Engine, and other recent projects include a photography exhibition Proof of Concept shown at the CCP in Melbourne (2010) and a project with the Bionic Ear Institute composing music for cochlear implant wearers. He is currently researching a giant polyphonic Theremin for the City of Melbourne.
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STEPHANIE LAKE PERFORMER Stephanie has featured in the works of Chunky Move, Lucy Guerin Inc and BalletLab for over ten years, touring extensively both nationally and internationally. She began dancing in Tasmania with Stompin and Tasdance before moving to Melbourne in 1997. Stephanie graduated from the Victorian College of the Arts (VCA) in 2000 winning the Green Room Award for Best Emerging Dancer in the same year. She has choreographed over twenty short works for companies including Chunky Move, The VCA, Stompin, Trike and Lucy Guerin Inc. Her second full-length work Mix Tape, commissioned as part of Chunky Move’s The Next Move program, was recently nominated for three Green Room Awards including Best Choreography. Stephanie has also made several large-scale public dance works involving nearly one thousand participants. She currently has a new work in development. ALISDAIR MACINDOE PERFORMER Alisdair is a Melbourne-based dancer and choreographer who trained in dance at the Victorian Collage of the Arts (VCA). In 2011 Alisdair will perform in Chunky Move’s Connected, Lucy Guerin Inc’s Human Interest Story and Untrained, Antony Hamilton Projects’ Drift and develop two new works with Lucy Guerin Inc. His recent performance highlights include: his own Bromance (2010), 525600LOVE (2009) and Pay No Attention to the Man Behind the Curtain (2008), Chunky Move - Damien Jalet and Erna Omarsdottir's Black Marrow (2009) and Byron Perry and Antony Hamilton's I Like This (2008), Lucy Guerin Inc’s Human Interest Story (2010), Structure and Sadness (2008) and Leigh Warren and Dancers’ Seven (2009). Alisdair has also performed in other works by Katrina Lazarof, Lina Limosani, Leigh Warren and Dancers, Nat Cursio Inc, Jo Lloyd and Gerard Van Dyke, Underpass, Bare Bones Collective, Lucy Guerin Inc, BalletLab development showing) and Coby Orger.
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REUBEN MARGOLIN SCULPTURE Reuben was raised in Berkeley, California. A love of math and physics propelled him to Harvard, where he changed paths and completed a degree in English. He then went on to study traditional painting in Italy and Russia. In 1999 he became obsessed with the movement of a little green caterpillar, and set out to make wave-like sculptures. In 2004 he moved to his current studio in Emeryville and began making a series of large-scale undulating installations that attempt to combine the logic of mathematics with the sensuousness of nature. He has since made about ten of these mechanical mobiles and shown them internationally. He also makes pedal-powered rickshaws and has collaborated on a couple of large-scale pedal-powered vehicles. CHRIS MERCER PRODUCTION & OPERATIONS MANAGER Chris graduated from the University of Wollongong with a Bachelor of Creative Arts in 2005. After graduating Chris worked for a number of different companies and festivals as a freelance Stage Manager and Technician. Chris joined Belvoir as the Downstairs Technical Manager in 2006 and managed the construction of the new Downstairs Theatre before being promoted to Technical Manager. He joined Chunky Move in 2008 as Production and Operations Manager. Chris has production managed the company’s recent works Two Faced Bastard, Black Marrow, I Like This and Faker as well as touring the company’s repertoire throughout Europe, Asia, North and Central America. Highlights include Mortal Engine tours to the Next Wave Festival (Brooklyn Academy of Music, New York), Festival de Mexico (Mexico City), Edinburgh International Arts Festival (Playhouse), and to the National Theatre in Taipei. Chris was recently awarded an Ian Potter grant to work with the Royal Court (London) and the National Theatre of Scotland.
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GIDEON OBARZANEK DIRECTOR & CHOREOGRAPHER Gideon became interested in dance towards the end of high school and after graduating deferred science at university to study at the Australian Ballet School. He later danced with the Queensland Ballet and the Sydney Dance Company before working as an independent performer and choreographer with various dance companies and independent projects within Australia and abroad. Founded in Australia in 1995, Gideon Obarzanek’s company Chunky Move has earned an enviable reputation for producing a distinct yet unpredictable brand of genre-defying dance performance. Obarzanek’s works have been diverse in form and content and include stage productions, installations, sitespecific works and film. His multi-award winning works have been performed in many festivals and theatres around the world in the U.K, Europe, Asia and the Americas. MARNIE PALOMARES PERFORMER Marnie trained at the University of Western Sydney. Since 2004 she has worked for numerous choreographers and companies including Jason Pitt (Inasmuch, What Remains, Blueprint, Monkeybird), Bernadette Walong (Hidden Revealed), Sydney Theatre Company (The Bourgeois Gentleman), Nigel Jamieson and Garry Stewart (Honour Bound), Dean Walsh (Back from front), Antony Hamilton (Signal), Branch Nebula (Sweat), Shaun Parker & Company (This show is about people, Tenebrae III with The Song Company, Happy as Larry, Am I?) and Chunky Move (Mortal Engine). Marnie has performed throughout Australia, New Zealand, Europe, America and London. Marnie’s choreographic credits include Chapter One for Pulse8 Dance Company (2008), Physical Fracture for Sydney Festival First Night (2009) and Night.Time for QL2 Centre for Youth Dance (2010).
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HARRIET RITCHIE PERFORMER Harriet trained in Sydney before graduating from the Victorian College of the Arts (VCA) with a Bachelor of Dance in 2005, and Honours in 2007. While studying there she received the Inaugural Dr Phillip Law Travel Scholarship. Since then she has toured throughout Australia, Europe, Asia and the USA performing and developing works for Chunky Move (Glow, Mortal Engine), Finucane & Smith (The Burlesque Hour, Salon de Dance, Carnival of Mysteries), Shaun Parker (Happy as Larry), Antony Hamilton (The Counting), Byron Perry (A volume problem) and Lucy Guerin Inc (Melt, Aether, Structure and Sadness, Corridor, Human Interest Story. Harriet was part of the Lucy Guerin Inc Aether Company that won the 2007 Greenroom Award for Best Dance Ensemble, and she was nominated for a 2008 Greenroom Award for Most Outstanding Female Dancer, for her work in Corridor. NICK ROUX SOUND OPERATOR Nick has been involved with Chunky Move since 2006 and toured to an extensive list of venues throughout the world, operating and engineering sound and multi-media systems for numerous productions including the Kalypso motion tracking system for Chunky Move’s GLOW and Mortal Engine. Creatively he works in sound and video: composing, editing, directing and designing, in performance, installation and screen based work.
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JOSEPH SIMONS PERFORMER Born in Dubbo, NSW, Joseph began dancing at Dubbo Ballet Studio and The Australian Ballet School interstate program, before graduating from the Western Australian Academy of Performing Arts (WAAPA) in 2008. In 2009, he won the award for Outstanding Emerging Artist at the West Australia Dance Awards. Joseph has performed several soloist roles with West Australian Ballet, Victorian Opera and with improvisation performance group Anything Is Valid Dance Theatre. He has choreographed works for West Australian Ballet, the Flying Fruit Fly Circus, several independent projects, and is currently developing a full-length solo work, Not On My Watch. Joseph debuted with Chunky Move in 2011, performing in Antony Hamilton and Byron Perry’s I Like This. MELANIE STANTON STAGE MANAGER Melanie graduated from Queensland University of Technology’s BFA – Technical Production (Theatre) in 2003. Her career has included Production Coordinator for Queensland Music Festival (2005) and Brisbane Festival (2006), and Production Assistant (Staging) for the Melbourne Commonwealth Games Opening and Closing Ceremonies (2006) and Doha Asian Games Opening and Closing Ceremonies (2006). Since 2007 Melanie has been based in Melbourne, with roles including Production Coordinator for St Kilda Festival (2008, 2009) and Melbourne International Arts Festival (2008), Assistant Stage Manager for Malthouse Theatre and Victorian Opera, as well as Stage Manager for Chunky Move.
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111 Sturt Street Southbank, VIC Australia 3006 Phone +61 3 9645 5188 Fax +61 3 9645 5199 Email info@chunkymove.com.au chunkymove.com Chunky Move can also be found on Facebook and Twitter Chunky Move Team Artistic Director Gideon Obarzanek Executive Producer Rachael Azzopardi Business and Program Manager Hillary Coyne Production and Operations Manager Chris Mercer Marketing and Development Manager Jade Fantozzi Production and Operations Coordinator Josh Sherrin Marketing and Development Coordinator Amanda Bishop Office and Program Coordinator Stephanie Preston Finance Administrator Anne MacDonald Class Curator Kristy Ayre Publicity Miranda Brown Publicity Board of Directors Peter Biggs (chair), Stephen Armstrong, Rachael Azzopardi, Jeremy Blackshaw, Dr Kate Crawford, Rhod Ellis-Jones, Gideon Obarzanek, Margaret Parker, Katrina Sedgwick and Margaret Thompson. Chunky Move would like to thank the following people and organisations for their support of Connected and Faker: Chunky Move Staff, Board, Sponsors and Donors, Malthouse Theatre Staff and Board, Miranda Brown Publicity, Sweet Design and Cathy Pruzan. Special thanks for Connected: Josh Mu, Beth Cohen at PopTech, Amber Haines, Malthouse Theatre Workshop, Optical Audio, CLS, Jeff Busby, Raya Slavin, Sam Routledge, Josephine Voets, Matt Adey and Nick Wollan. Chunky Move acknowledges the generous support of our donors who have supported the company in the past 12 months: Â Christopher Baker / Daniel & Danielle Besen (Besen Trust) / Jeremy Blackshaw / Oliver Clifton / Susan Humphries / Jeannette Lefrandt / Christopher Popp / Robert Templar / Miss Victoria Till GOVERNMENT PARTNERS
Chunky Move is supported by the Victorian Goverment, through Arts Victoria and the Commonwealth Government through the Australia Council, its arts and advisory body
MAJOR PARTNERS
SUPPORTING PARTNERS
WINE PARTNER
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RADIO PARTNER
PRODUCTION PARTNER
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gratefully acknowledges its supporters
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PRINCIPAL GOVERNMENT PARTNERS
MALTHOUSE THEATRE IS SUPPORTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY
MAJOR PARTNER
PRODUCTION PARTNER
MEDIA PARTNER
CORPORATE PARTNERS
CORPORATE ASSOCIATES TRUSTS & FOUNDATIONS Annamila Pty Ltd
Artists in Residence Program
The Tom Kantor Fund and Dara Foundation
Education & Youth Access Program
Indigenous Theatre Program
Slome-Topol Family Charitable Trust Company in Residence Program
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Artist Program
The Malcom Robertson Foundation
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At the CUB Malthouse - 113 Sturt Street Southbank VIC 3006 Box Office +61 3 9685 5111 Administration +61 3 9685 5100 Facsimile +61 3 9685 5112 Email admin@malthousetheatre.com.au Web www.malthousetheatre.com.au BOARD OF DIRECTORS Simon Westcott (Chair), Frankie Airey, John Daley, Michele Levine, Ian McRae, Neil Smart, Thea Snow, Sigrid Thornton, Leonard Vary. Artistic Director Marion Potts Executive Producer Jo Porter Interim Business Manager Emma Calverley Company Managers
Nina Bonacci & Julian Hobba Dramaturge in Residence Maryanne Lynch Assistant to the Dramaturge Petra Kalive Artist in Residence - Design Anna Cordingley Artist in Residence - Lighting Design Paul Jackson Education Program Manager Fiona James Finance Manager Mario Agostinoni Finance Assistant Liz White Marketing & Communications Manager Brad Martin Philanthropy Manager Tamara Harrison Marketing & Communications Coordinator Nicole Smith Communications Coordinator Jaclyn Birtchnell Media Manager Annette Vieusseux Interim Media Assistant Lucy Forge Interim Ticketing Manager Emma Howard Building Manager Frank Stoffels Bar Manager Cherry Rivers Front of House Managers Tristan Watson & Sean Ladhams
Production Manager Technical Manager Operations Manager Production Coordinator Head Electrician
David Miller Baird McKenna Dexter Varley Lucy Birkinshaw Stewart Birkinshaw Campbell Head Mechanist Andy Moore Workshop Supervisor David Craig Head of Wardrobe Amanda Carr Wardrobe Assistant Chloe Greaves Steel Fabricator Goffredo Mameli Workshop Staff Dan Talbot Scenic Artist Patrick Jones Props Master Ross Murray (lifetime recognition) Front of House/Bar Staff Matt Adair, Milo Adler-Gillies, Mira AdlerGillies, Rebecca Bower, Jacqui Brown, Rowan Michael Davie, Alice Dixon, Graham Downey, Tanja George, Kate Golding, Chloe Greaves, Kate Gregory, Simon Jeanes, Paula Lay, Gabrielle Lowe, Bridie McCarthy, Ruby Nolan, Felix Preval, Sara Retallick, Claire Richardson, Caleb Shea, Mimosa Schmidt, Kathryn Stuckey, Jade Thomson, Lee Threadgold, Pete Walker, Andy Wall, Janine Watson. Box Office Staff Liz Bastian, Mark Byrne, Rachel DysonMcGregor, Cindy Elliott, Rachel Gelzinnis, Kate Gregory, Michelle Hines, Philip Holyman, Mike McEvoy, Fiona Wiseman, Liz White. With special thanks to Stephen Armstrong, Catherine Jones and Michael Kantor.
This program has been printed on 100% recycled paper using soya based inks.
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MUSE DONOR PROGRAM
We extend our heartfelt thanks to the following donors: URANIA (Muse of the Stars) Anonymous (1) CLIO (Muse of History) Berry Liberman & Daniel Almagor
THALIA (Muse of Comedy) John & Lorraine Bates, Daniel & Danielle Besen, Eva Besen AO & Marc Besen AO, Debbie Dadon, Roger Donazzan & Margaret Jackson, Colin Golvan SC, John & Janet Calvert-Jones, Neilma Gantner, Richard Leonard, Philanthropy Squared, Trawalla Foundation MELPOMENE (Muse of Tragedy) Beth Brown & Tom Bruce AM, Terry Cutler, D.L & G.S Gjergja, Peter & Anne Laver, Tim & Lynne Sherwood, Neil & Barbara Smart, Anonymous EUTERPE (Muse of Music) Ingrid Ashford, Carolyn Floyd, Brian Goddard, Scott Herron, Ian Hocking & Rosemary Forbes, Michael Kingston, Naomi Milgrom AO, Dame Elisabeth Murdoch A.C., D.B.E., Rae Rothfield, Elisabeth & John Schiller, Marshall Segan, The Bardas Foundation, The Pratt Foundation, Leonard Vary & Matt Collins, Simon Westcott, Phil & Heather Wilson, Anonymous (2) TERPSICHORE (Muse of Dance) Graham & Anita Anderson, Sally Browne, Diana Burleigh, Min Li Chong, Sieglind D’Arcy, Rev Fr Michael Elligate, Taleen Gaidzkar, Brad Hooper, Susan Humphries, Graeme & Joan Johnson, Ann Kemeny & Graham Johnson, K & J Lindsay, Pamela McLure, James Penlidis & Fiona McGauchie, Robert Peters, Rosemary Ricker, Robert Templar, Gina Stuart, Jenny Schwarz, Fiona Sweet, Robert Sessions & Christina Fitzgerald, Dr. Victor & Dr. Karen Wayne, Angelika & Peter Zangmeister ERATO (Muse of Love) John Carruthers, Diane Clark, Chris Clough, Patricia Coutts, Callum Dale, Doreen Dempster, Peggy Hayton, Shirley Hickey, Leonie Hollingworth, Irene Irvine, Irene Kearsey, Ruth Krawat, Anna Lozynski, Gael & Ian McRae, Dr. Kersti Nogeste, John & Margot Rogers, Karen Russell, John Thomas, Ann Tonks, Rosemary Walls, Bruce Wapshott & Daryl Moon, Jan Watson, Joanne Whyte, Dr. Roger Woock & Fiona Clyne, Barbara Yuncken, Anonymous (11) To find out more about the Malthouse Theatre Muse program, please contact Philanthropy Manager Tamara Harrison on 03 9685 5162 / tharrison@malthousetheatre.com.au. Donations of $2 or more are tax deductible.
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DANCE MASSIVE MELBOURNE 15–27 MARCH 2011 AUSTRALIAN CONTEMPORARY DANCE
ANTONY HAMILTON BALLETLAB BILLY COWIE BLUEMOUTH INC. BRANCH NEBULA CHUNKY MOVE DEANNE BUTTERWORTH FORCE MAJEURE GIDEON OBARZANEK HELEN HERBERTSON AND BEN COBHAM JOHN JASPERSE COMPANY LUKE GEORGE MADELEINE FLYNN AND TIM HUMPHREY MATTHEW DAY MICHELLE HEAVEN NARELLE BENJAMIN REELDANCE ROSALIND CRISP AND ANDREW MORRISH SHAUN MCLEOD SHAUN PARKER & COMPANY TREVOR PATRICK
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Dance Massive is an initiative of Arts House, Malthouse Theatre and Dancehouse in conjunction with Ausdance Victoria and with the support of the Australia Council for the Arts and Arts Victoria Partners
Presenting Partners
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