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āļŠāļđāļˆāļīāļšāļąāļ•āļĢāļ­āļ­āļ™āđ„āļĨāļ™āđŒ āļ„āļ­āļ™āđ€āļŠāļīāļĢāđŒāļ• "Through Your Imagination" āļ§āļąāļ™āļ­āļēāļ—āļīāļ•āļĒāđŒāļ—āļĩāđˆ 3 āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™ 2567

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Message from Music Director

(CU Silver Voices)

(Thailand Children’s Choir)

āļœāđˆāļēāļ™āļāļēāļĢāļ‚āļąāļšāļĢāđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ™āđ€āļŠāļĩāļĒāļ‡ āļ™āļ­āļāļˆāļēāļāļ”āļ™āļ•āļĢāļĩāļˆāļ°āļĄāļĩāļ„āļļāļ“āļ„āđˆāļēāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āđƒāļ™āļ•āļąāļ§āđ€āļ­āļ‡āđāļĨāđ‰āļ§ āļĒāļąāļ‡āļĄāļĩāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļĄāļēāļāļĄāļēāļĒāļ—āļĩāđˆāļĢāļ°āļšāļļāļ§āđˆāļēāļāļēāļĢāļ‚āļąāļšāļĢāđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ™āđ€āļŠāļĩāļĒāļ‡āļĄāļĩāļŠāđˆāļ§āļ™āļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļžāļąāļ’āļ™āļēāļāļēāļĢ

āļ„āļ“āļ°āļ™āļąāļāļĢāđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ™āđ€āļŠāļĩāļĒāļ‡āđ€āļ”āđ‡āļāļŠāļļāļ”āļ™āļĩāđ‰āļˆāļ°āđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļ„āļąāļ”āđ€āļĨāļ·āļ­āļ āļ”āđ‰āļ§āļĒāđ€āļĢāļēāđ€āļŠāļ·āđˆāļ­āļ§āđˆāļē āđ€āļ”āđ‡āļāļ—āļļāļāļ„āļ™āļŠāļēāļĄāļēāļĢāļ–āļĢāđ‰āļ­āļ‡āđ€āļžāļĨāļ‡āđ„āļ”āđ‰ āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļĄāļēāļĢāļ§āļĄāļ•āļąāļ§āļāļąāļ™āļāļķāļāļ‹āđ‰āļ­āļĄāļŠāļąāļ›āļ”āļēāļŦāđŒāļĨāļ°āļŦāļ™āļķāđˆāļ‡āļ„āļĢāļąāđ‰āļ‡ āđāļĨāļ° āđ€āļĢāļēāļĒāļīāļ™āļ”āļĩāļ•āđ‰āļ­āļ™āļĢāļąāļšāļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļąāļ‡āđ€āļāļ•āļāļēāļĢāļ“āđŒāđāļĨāļ°āđ€āļĢāļĩāļĒāļ™āđ„āļ›āļ”āđ‰āļ§āļĒāļāļąāļ™āļāļąāļšāđ€āļ”āđ‡āļ

āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ™āđˆāļēāļĒāļīāļ™āļ”āļĩāđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļĄāļēāļāļ—āļĩāđˆāđ€āļŦāđ‡āļ™āļāļēāļĢāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāļ‚āļ­āļ‡āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āđāļĨāļ°āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļ­āļ‡āļāļĨāļļāđˆāļĄāļŠāļļāļĄāļŠāļ™āđƒāļŦāļĄāđˆ

During the past ten years, Thailand has seen so much growth in choral music, both in terms of standards of singing and the number of new choirs. But the most exciting for me is the first steps into the new “territories” of the age group of the singers We have seen numerous new choirs of older adults; and today we are witnessing a debut concert of one of the newest children’s choirs Thailand Children’s Choir.

Office of Art and Culture, Chulalongkorn University and Thailand

Choral Directors Association started Thailand Children’s Choir in November 2023, aiming for it to be where children of any race and nationality can learn about music and singing with their peers, which has so much value in itself, and as research says, choir singing helps with their emotional, social, and cognitive development as well. We decide not to audition singers as we believe every child can sing. Our rehearsals take place weekly, and parents are always welcome in the seats behind the choir to observe and learn along with their children. It fills my heart to see family involvement and the new community of singers and parents slowly growing around the choir.

We are so proud of every child in the choir for making rehearsals a special experience for all and working so hard with so much joy. We are thrilled about today’s debut concert, and it cannot be possible without hard works from all the children and teaching and managing crew, support from our friends and colleagues in and outside Thailand, and everyone involved, especially the parents, and support from the audience today. So, THANK YOU!

Until next time,

Faculty Member, Music Education Division, Chulalongkorn University

President, Thailand Choral Directors Association

4 Voice

I See the Light

From “Tangled”

Music by Alan Menken

Lyrics by Glenn Slater

āļ„āļ‡āđ€āļœāđˆāļē Pawarisa Kongpao

Little Whale Explores the Calm Sea

Minuet in C

A Morning Sunbeam

Allegretto in C

Under the Sea

From “The Little Mermaid”

Where Do We Go - Tata

Young Feat.Thanh Bui

Piano

Carolyn Tailor

Alexander Reinagle

Florence B. Prince

Anton Diabelli

Samuel E. Wright

Thaksanun Chungchamroenjkit

Thanyaluck Chungchamroenjkit

George Hammond - Hagan, Dexter Winful, Tina Harris & Carmen Reece

Allegro from Sonata in C minor, C.68 Cimarosa

Titaya Wanichwatiohibun

Kiss The Rain Yiruma

Aomploy Siriphadungchai

Piano

Pon Siriphadungchai

Flute

15 āļ™āļēāļ—āļĩ - Intermission 15 Minutes

A Joyful Song Mary Lynn Lightfoot

Dance! Robert T. Gibson

Bhombela Will Skaff

Rock, Paper, Scissors

Foreign Lands

Mark Burrows, Andy Beck

Mary Donnelly and George L.O. Strid

Asirada Savantracha

Echoes of Kindness

Flute

Ruth Elaine Schram & Linda Marcus

Some One Cristi Cary Miller

Nathakorn Boonyathanasiri

Bassoon

May a Rainbow Run Beside You Mark Burrow

Sasinun Vipusithimakul

Piano Accompaniment

Waraphorn Tuankruea

Assistant Conductor

Koravit Singphet

Assistant Conductor

Natthita Wongprom

Conductor

A Joyful Song - Mary Lynn Lightfoot

āļšāļ—āļŠāļĢāļļāļ›āļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŠāļļāļ‚āđāļĨāļ°āļĄāļĩāļžāļĨāļąāļ‡ āđ€āļ™āļ·āđ‰āļ­āđ€āļžāļĨāļ‡āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđāļĨāļ°āļ§āļĨāļĩāļ āļēāļĐāļē āļĨāļ°āļ•āļīāļ™āļ—āļĩāđˆāļ„āļļāđ‰āļ™āđ€āļ„āļĒ āđ€āļŠāđˆāļ™ "Cantate domino, omnis terra = Sing unto the Lord, all the earth."

This lively and approachable original piece opens with a bold theme, transitions into a vibrant contrasting section, and finishes with a joyful and spirited conclusion It will bring energy and excitement to our concert. The text is mainly in English and also features a few well-known Latin phrases; Cantate domino, omnis terra = Sing unto the Lord, all the earth.

Dance! āļĄāļĩāļĢāļđāļ›āđāļšāļšāļˆāļąāļ‡āļŦāļ§āļ°āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāđ„āļĄāđˆāđ€āļŦāļĄāļ·āļ­āļ™āđƒāļ„āļĢ

This unique rhythmic adventure bursts with energy and ends with a choreographed step routine! The lyrics inspire listeners to "dance to the rhythm of your own drum," embracing individuality and celebrating diversity. With vocal and body percussion, plus rich parallel harmonies, the piece absolutely radiates soul and spirit.

Bhombela - Will Skaff

"Bhombela" āđ€āļ›āđ‡āļ™āđ€āļāļĄāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™āļ‚āļ­āļ‡āļŠāļēāļ§āđāļ­āļŸāļĢāļīāļāļēāđƒāļ•āđ‰āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āđ„āļĄāđ‰āļŠāđˆāļ‡āļ•āđˆāļ­āļāļąāļ™

āđ‚āļ”āļĒāļšāļ­āļāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āđāļĄāđˆāđāļĨāļ°āļĨāļđāļ

āđ€āļĨāđ‡āļāļ™āđ‰āļ­āļĒāđƒāļ™āđāļ•āđˆāļĨāļ°āļ āļđāļĄāļīāļ āļēāļ„āđāļĨāļ°āļĄāļĩāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āđ„āļ›āļ•āļēāļĄāļāļēāļĨāđ€āļ§āļĨāļē

āļĄāļĩāđ€āļ™āļ·āđ‰āļ­āļŦāļēāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ„āļļāļ“āđāļĄāđˆāļāļēāļĨāļąāļ‡āļ›āļĨāļļāļāļĨāļđāļ

"evusa abantwana"

"Bhombela" is a traditional South African stick-passing game that tells the story of a mother and her children riding a train for workers. As with many folk songs, the lyrics and melodies vary slightly by region and continue to evolve over time In this version, the mother is waking the children, “evusa abantwana.” Rock, Paper, Scissors - Mark Burrows, Andy Beck

āļšāļ—āđ€āļžāļĨāļ‡āļ™āļĩāđ‰āļĄāļĩāļāļēāļĢāļ•āļĩāļ„āļ§āļēāļĄāđƒāļŦāļĄāđˆāļˆāļēāļāđ€āļāļĄāļ„āļĨāļēāļŠāļŠāļīāļāđƒāļ™āļ§āļąāļĒāđ€āļ”āđ‡āļ

āļ™āļēāđ€āļŠāļ™āļ­āļšāļ—āđ€āļĢāļĩāļĒāļ™āļŠāļ™āļļāļ

āļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāļˆāļąāļ‡āļŦāļ§āļ°āļ—āļĩāđˆāļŠāļ™āļļāļāļŠāļ™āļēāļ™āđāļĨāļ°āļĄāļĩāļŠāļĩāļ§āļīāļ•āļŠāļĩāļ§āļēāļ—āļĩāđˆāļˆāļ°āļ”āļķāļ‡āļ”āļđāļ”āļœāļđāđ‰āļŸāļąāļ‡āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļ™āđˆāļ™āļ­āļ™! āļ­āļĩāļ āļ—āļąāđ‰āļ‡āļĒāļąāļ‡āļĄāļĩāļŠāđˆāļ§āļ™ ostinato

āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāđāļĨāļ°āļĒāļąāļ‡āđ€āļ›āļīāļ”āđ‚āļ­āļāļēāļŠāđƒāļŦāđ‰āļ™āļąāļāļĢāđ‰āļ­āļ‡āđ„āļ”āđ‰āļĢāđ‰āļ­āļ‡āļ—āļēāļ™āļ­āļ‡ āļ‚āļ­āļ‡āđāļ™āļ§āđ€āļŠāļĩāļĒāļ‡āļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡āļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ­āļīāļŠāļĢāļ°āļ­āļĩāļāļ”āđ‰āļ§āļĒ

This creative spin on a classic childhood game brings a fun lesson in teamwork and compromise, all set to an upbeat, rocking rhythm that’s sure to win over the audience! The dynamic ostinato section near the end also allows the singers to effortlessly perform three independent vocal lines.

Foreign Lands - Mary Donnelly and George L.O. Strid

A Child's Garden of

Verses āļ‚āļ­āļ‡ Robert Louis Stevenson āļāļēāļĢāđ€āļĢāļĩāļĒāļšāđ€āļĢāļĩāļĒāļ‡āļšāļ—āļāļ§āļĩāļ­āļąāļ™āļĄāļĩāđ€āļŠāļ™āđˆāļŦāđŒāļ™āļĩāđ‰

āļ›āļĢāļ°āļŠāļēāļ™āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāļ­āļĒāđˆāļēāļ‡āļ›āļĢāļ°āļ“āļĩāļ•āđƒāļŦāđ‰āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļšāļ„āļ§āļēāļĄāļ­āđˆāļ­āļ™āđ‚āļĒāļ™āļ‚āļ­āļ‡āļšāļ—āļāļ§āļĩ āļšāļ—āđ€āļžāļĨāļ‡āļ™āļĩāđ‰āļĄāļĩāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ”āļ™āļ•āļĢāļĩāļŸāļĨāļđāļ•āđ€āļĨāđˆāļ™āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ

Based on two beloved children's poems by Robert Louis

Stevenson from A Child's Garden of Verses, this charming setting captures the awe and curiosity of childhood exploration. With unison lines and thoughtfully crafted harmonies that gently weave together. The flute obbligato enhances the light, cheerful atmosphere, adding an extra touch of joy.

Echoes of Kindness - Ruth Elaine Schram & Linda Marcus

echo-singing

āļ„āļēāļžāļđāļ”āđāļĨāļ°āļāļēāļĢāļāļĢāļ°āļ—āļēāļ‚āļ­āļ‡āđ€āļĢāļēāļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļœāļđāđ‰āļ­āļ·āđˆāļ™ "Echoes of kindness go on and on, like the whisper of memories in a beautiful song..." āļ”āđ‰āļ§āļĒāļŠāđˆāļ§āļ‡āđ€āļŠāļĩāļĒāļ‡ āđāļĨāļ°āļ—āđˆāļ§āļ‡āļ—āļēāļ™āļ­āļ‡āļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļĨāļ°āļāļēāļĢāļ›āļĢāļ°āļŠāļēāļ™āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļšāļ‡āđˆāļēāļĒ āļ—āļēāđƒāļŦāđ‰āđ€āļžāļĨāļ‡āļ™āļĩāđ‰

āđ€āļŦāļĄāļēāļ°āļŠāļĄāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļŠāļēāļŦāļĢāļąāļšāļ™āļąāļāļĢāđ‰āļ­āļ‡āļĢāļ°āļ”āļąāļšāđ€āļĒāļēāļ§āļŠāļ™

This charming original piece uses echo-singing to beautifully highlight the message of how our words and actions leave a lasting impact on others. "Echoes of kindness go on and on, like the whisper of memories in a beautiful song..." With its accessible vocal ranges, plenty of unison lines, and simple harmonies, it's perfect for young singers.

Some One - Cristi Cary Miller āļšāļ—āđ€āļžāļĨāļ‡āļ™āļĩāđ‰āļĄāļĩāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ—āļĩāđˆāļĨāļķāļāļĨāļąāļšāđāļĨāļ°āļŠāļ§āļ™āļŦāļĨāļ­āļ™

, Sir Walter de la Mare

āļšāļ—āđ€āļžāļĨāļ‡āļ™āļĩāđ‰āļĄāļĩāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ”āļ™āļ•āļĢāļĩāļšāļēāļŠāļ‹āļđāļ™āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ

āļ„āļ§āļēāļĄāļĨāļķāļāļĨāļąāļšāļ—āļĩāđˆāđāļāļ‡āļ­āļĒāļđāđˆāđƒāļ™āđ€āļ™āļ·āđ‰āļ­āđ€āļžāļĨāļ‡

This original piece brings to life the mysterious and haunting text of one of England's renowned poets, Sir Walter de la Mare. The piece set in a minor key, features sharp, staccato motifs and intertwining harmonies that enhance its haunting mood. The bassoon part adds depth to the air of mystery and suspense woven throughout the song’s distinctive lyrics.

May a Rainbow Run Beside You - Mark Burrow āļšāļ—āđ€āļžāļĨāļ‡āļ™āļĩāđ‰āļ„āļ“āļ°āļ™āļąāļāļĢāđ‰āļ­āļ‡āļŊ

This original piece provides an excellent opportunity to teach balance and blend, allowing both voice parts to experience singing the melody and harmony. Drawing inspiration from a collection of traditional Irish blessings, it is an ideal piece to conclude our concert.

Portland State University

āļ‚āļ­āļ‡ Dr. Ethan Sperry āđāļĨāļ° āļ­. Coty Raven Morris

āļāļ§āđˆāļē 20 āļ›āļĩ

āļ“āļąāļāļ˜āļīāļ•āļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāđˆāļ§āļĒāļœāļđāđ‰āļ­āļēāļ™āļ§āļĒāđ€āļžāļĨāļ‡āļ‚āļ­āļ‡āļ„āļ“āļ°āļ™āļąāļāļĢāđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ™āđ€āļŠāļĩāļĒāļ‡āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™

āļ§āļąāļ’āļ™āļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ (Wattana Girls’ Chorus āđāļĨāļ° Wattana Children’s Chorus)

āļĄāļēāļāļĄāļēāļĒ āļ—āļąāđ‰āļ‡āđƒāļ™āļāļēāļĢāļŠāļ­āļ™āļ‚āļąāļšāļĢāđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ™āđ€āļŠāļĩāļĒāļ‡āđƒāļ™āļĢāļ°āļ”āļąāļšāđ€āļĒāļēāļ§āļŠāļ™ āđāļĨāļ°āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ”āļēāļĢāļ‡ āļ•āļēāđāļŦāļ™āđˆāļ‡āļœāļđāđ‰āļŠāđˆāļ§āļĒāļŠāļ­āļ™āļ—āļĩāđˆ Portland State University āđƒāļ™āļ›āļĩāļž.āļĻ. 2564-2566

āļ•āļēāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđāļ•āđˆāļ‡āļ•āļąāđ‰āļ‡āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāđˆāļ§āļĒāļœāļđāđ‰āļ­āļēāļ™āļ§āļĒāđ€āļžāļĨāļ‡āļ‚āļ­āļ‡āļ§āļ‡ Portland State Chamber

Choir āđāļĨāļ°āļœāļđāđ‰āļ­āļēāļ™āļ§āļĒāđ€āļžāļĨāļ‡āļ‚āļ­āļ‡āļ§āļ‡ Portland State University Choir āđāļĨāļ°

Portland State Rose Choir

Wattana Girls’ Chorus āđāļĨāļ° Wattana Children’s Chorus

Natthita holds a bachelor’s degree in Elementary Education (B.Ed.) with honors and a master’s degree in Teaching English as a Foreign Language (M.Ed.) from Chulalongkorn University. She studied choral conducting with Dr. Pawasut Piriyapongrat and has recently received a Master of Music degree in Choral Conducting (M.M.) from Portland State University, USA, under the guidance of Dr. Ethan Sperry and Coty Raven Morris.

Natthita has been singing in the choir since she was 9 years old. Her 20 years of choral experience include numerous international tours to choral festivals, cultural exchanges, concerts, and competitions in Asia, Europe, and the USA Natthita has been an assistant conductor to Sathit Sukchongchaipruek of award-winning Wattana Girls’ Chorus and Wattana Children’s Chorus since 2012, where she has garnered extensive experience working with young voices. During her teaching assistantship at Portland State University 2021-2023, she was appointed an assistant conductor of Portland State Chamber Choir and the conductor of Portland State University Choir and Portland State Rose Choir.

Natthita is currently an adjunct instructor at the Department of Music, Faculty of Humanities, Kasetsart University, an assistant conductor of Wattana Children’s Chorus, Wattana Girls’ Chorus, and Chulalongkorn University Concert Choir, the conductor of Thailand Children’s Choir, and a committee member of Thailand Choral Directors Association.

Soprano 1

āļāļĪāļ•āļīāļ™ āļ•āļąāļ™āļ•āļīāļˆāļ•āļļāļĢāļžāļĢ Kritin Tantijaturaporn

āļāļ§āļīāļ™āļ—āļĢāļē āļžāļđāļĨāļŠāļĢāļĢāļžāļŠāļīāļ—āļ˜āļīāđŒ Kawintra Poolsuppasit

āđ€āļāļĩāļĒāļĢāļ•āļīāļŠāļąāļĒ āļĢāļąāļĻāļĄāļīāļ—āļąāļ• Kiattichai Rasmidatta

āđ€āļ„āļĨāļīāļ™ āļ§āļīāļšāļđāļĨāļŠāļąāļĒ āļĨāļĩ Kaylin Vibulchai Lee

āļŠāļ™āļēāļ—āļīāļŠ āļ‰āļąāļ•āļĢāļ āļąāļ—āļĢāđ„āļŠāļĒ Chanatid Chutpattarachai

āļŠāļēāļ“āļīāļŠ āļ˜āļļāļ§āļ°āđ€āļĻāļĢāļĐāļāļāļļāļĨ Chanit Thuvasethakul

āđ€āļĻāļĢāļĐāļāļĻāļĢāļĩāļ”āļēāļĢāļ‡ Nada Sethasidumrong

āļ•āļ§āļ‡āļŠāļļāļ‚ āļŠāļļāļ āļĩāļāļīāļ•āļĒāđŒ Tuangsook Supeekit

āļ˜āļąāļāļāļēāļ™āļīāļ™āļ—āđŒ āļŠāļļāļ—āļ˜āļīāļ§āļąāļˆāļ™āđŒāļŠāļīāļ™āđ€āļ”āļŠ Tanyanin Sutthiwajchinadej

āļ™āļ āļąāļ—āļĢ āļšāļļāļāđ€āļŠāļēāļ§āļ āļēāļ„āļĒāđŒ Napat Boonsaowapak

āļ™āļīāļĢāļĄāļēāļĨāļē āļŠāļīāļ—āļ˜āļīāļĻāļąāļāļ”āļīāđŒ Niramara Sithisak

āļ›āļ˜āļ§āļĩ āļāļąāļĨāļĨāđŒāļ›āļĢāļ°āļ§āļīāļ—āļ˜āđŒ Patawee Kalpravidh

āļžāļļāļ—āļ˜āļĢāļąāļāļĐāđŒ āļ­āļļāļ—āļąāļĒāļŠāļēāļ‡ Puttharak Uthaisang

āļ āļ„āļ§āļĢāļĢāļ“ āļŠāļļāļ§āļĢāļĢāļ“āļ„āļĩāļĢāļĩ Pakawan Suwannakiri

āđ„āļāļĢāļĻāļĢāļĩāļšāļąāļ“āļ‘āļīāļ• Romnalin Kraisribundit āļŦāļīāļĢāļąāļāļ āļąāļ—āļĢ āļžāļĨāļ­āļĒāļŦāļīāļĢāļąāļ Hirunpattra Ployhurun

āļ„āļĩāļĢāļĩāļ§āļąāļŠāļĢāļīāļ™āļ—āļĢāđŒ Angelita Keereewatcharin āļ­āļąāļāļ“āļīāļ•āļē āļ„āļĩāļĢāļĩāļ§āļąāļŠāļĢāļīāļ™āļ—āļĢāđŒ Annita Keereewatcharin

āļ­āļļāļĢāļąāļŠāļĒāļē āļ§āļēāļĻāļ§āļīāļ— Urasya Vasavid

Soprano 2

āļ”āļēāļ™āļīāļĨāđˆāļē āđ€āļšāđ‡āļāļĢāļēāļŪāļĩāļĄ Danila Benraheem

āļ˜āļīāļĐāļ•āļĒāļē āļ§āļ™āļīāļŠāđ€āļ§āļ—āļĒāđŒāļžāļīāļšāļđāļĨ Tistaya Wanichwejpibun

āļ™āļžāļīāļ™āļ›āļĢāļ°āļ āļē āļ§āļ“āļĩāļŠāļ­āļ™ Napinprapa Vaneesorn

āļ™āļąāļ™āļ—āļ“āļąāļāļāđŒ āļŦāļ§āļĨāļ›āļĢāļ°āđ„āļž Nuntanat Hualprapai

āļ›āļ§āļĢāļīāļĻāļē āļŠāļ–āļīāļ•āļĒāđŒāļŠāļļāļ‚āđ€āļŠāļ™āļēāļ° Pawarisa Satitsuksanoh

āļ›āļļāļāļŠāļĢāļąāļĻāļĄāļīāđŒ āđ€āļˆāļ™āļŠāļļāļ—āļ˜āļīāđ€āļ§āļŠāļāļļāļĨ Punchvat Jensuttiwetchakul

āļžāļļāļ—āļ˜āļīāļ•āļē āļ­āļļāļ—āļąāļĒāļŠāļēāļ‡ Puthita Uthaisang

āļĄāļ“āļīāļ“āļ—āļĢ āļŠāļīāļĢāļīāļŠāļēāļ˜āļīāļ• Maninthorn Sirisatit

āļĄāļĢāļĢāļĐāļĄāļ™ āļ„āļļāļ“āļēāļ§āļļāļ’āļī Massamon Kunawutti

āļĢāļ”āļē āļ„āļļāđ‰āļ™āļ§āļ‡āļĻāđŒ Rada Kunwong

āļĢāļ”āļē āļ•āļļāļĨāļēāļ āļīāļšāļēāļĨāļŠāļąāļĒ Rada Tulapibalchai

āļĢāļ§āļīāļ™āļ—āđŒ āļŠāļđāļˆāļēāļĢāļļāļāļļāļĨ Rawin Choojarukul

āļĨāļ­āļ­āļĢāļąāļĻāļĄāļĩ āļžāļķāđˆāļ‡āļŠāļĄāļ§āļ‡āļĻāđŒ Laorrasamee Pungsomwong

āļ§āļīāļ“āļ“āļīāļŠāļŠāļē āđ‚āļŠāļ•āļīāļ–āļīāļĢāļžāļ‡āļĻāđŒ Wynnycha Chattirapong

āļĻāļ§āļīāļ•āļē āļžāļ‡āļĻāđŒāļ—āļ­āļ‡āļ›āļēāļ™ Sawita Bongsethongpan āļŠāļīāļĢāļī āļŠāļļāđ‚āļ†āļŠāļīāļ• Siri Sukosit

āļ­āļĄāļīāļ•āļē āļ™āļļāđˆāļĄāļāļĨāļīāđˆāļ™ Amita Numglin

āļ­āļ­āļĄāļžāļĨāļ­āļĒ āļŠāļīāļĢāļīāļœāļ”āļļāļ‡āļŠāļąāļĒ Aomploy SIripadungchai

āļ­āļēāļŠāļ§āļīāļ“ āļ„āļ‡āļĢāļąāļāļĐāļēāļ„āļļāļ“ Arhchawin Kongraksakun

Alto

āđ€āļ‚āļĄāļˆāļīāļĢāļē āļ–āļēāļ§āļĢāļŠāļ­āļš Khemjira Thawornchob

āđ€āļˆāļāđˆāļē āļāļĄāļĨāđ€āļžāđ‡āļŠāļĢāđŒ Jya Kamolpetch

āđ€āļˆāļ•āļ™āļīāļžāļąāļ—āļ˜āđŒ āļ„āļĩāļ•āļĻāļīāļĨāļ›āđŒāļŠāļāļļāļĨ

Jetenipat Keetasilpsakul

āđ€āļˆāļĐāļīāļ•āļē āļ„āļĩāļ•āļĻāļīāļĨāļ›āđŒāļŠāļāļļāļĨ Jesita Keetasilpsakul

āļŠāļĨāļ˜āļĢ āļŠāļąāļĒāļŠāđ‚āļĨāļ˜āļĢ Chonlathorn Chaichalothorn

āļāļēāļ”āļēāđ€āļĢāļĻ āļŠāļđāļŠāļąāļĒāļĻāļĢāļĩ Yadarej Choochaisri

āļ“āļąāļāļāļ“āļļāļ•āļ•āļĢāļē āļœāļĨāļēāļāļĢāļāļļāļĨ Natanutara Phalakornkul

āļ˜āļąāļ™āļĒāļĨāļąāļāļĐāļĄāļīāđŒ āļˆāļķāļ‡āļˆāļēāđ€āļĢāļīāļāļāļīāļˆ Thanyaluck Chungchamroenjkit

āļ™āļžāļąāļŠāļ™āļąāļ™āļ•āđŒ āļŠāļīāļ—āļ˜āļīāļ˜āļĩāļĢāļĢāļąāļ•āļ™āđŒ Napachnunt SittiTeerarat

āļ™āļ āļīāļŠāļē āļ„āļīāļ”āļŦāļēāļ—āļ­āļ‡ Napisa Khidhathong

āļ™āļĢāļēāļ™āļąāļ™āļ—āđŒ āļˆāļąāļ™āļ—āļĢāđŒāļāļĨāđˆāļē Naranunt Chanklum

āļ™āļąāļ™āļ—āļīāļžāļąāļ’āļ™āđŒ āļ§āļ“āļĩāļŠāļ­āļ™ Nunthipat Vaneesorn

āļšāļĢāļĢāļžāđŒāļŠāļąāļĒ āļ‰āļąāļ•āļĢāļ āļąāļ—āļĢāđ„āļŠāļĒ Banchai Chutpattarachai

āļ›āļ™āļīāļ•āļē āļŠāļēāļāļĻāļĢāļĩāļ āļīāļāđ‚āļ Panita Charnsripinyo

āļ›āļĢāļīāļāļāļ”āļē āļžāļąāļ™āļ˜āļļāđŒāđ€āļˆāļĢāļīāļāļĻāļīāļĨāļ›āđŒ Prarinyada Phancharoensil

āļ›āļ§āļĢāļīāļĻāļē āļ„āļ‡āđ€āļœāđˆāļē Pawarisa Kongpao

āļ›āļąāļ“āļ‘āđŒāļ˜āļĩāļĢāļē āļˆāļļāļĨāļāļ™āļīāļĐāļāđŒ Panthira Chulakanit

āļ›āļļāļ“āļīāļāļē āļ­āļīāļ™āļ—āļĢāđŒāļŠāļļāļĄ Punnika Inchum

āļ āļīāļāļāļ”āļē āđāļžāļ—āļĒāđŒāļ„āļŠāļē Pinyada Pathkacha

āļ āļīāļāļāļēāļžāļąāļŠāļāđŒ āđ„āļ•āļĢāļŠāļīāļĢāļīāļ™āļąāļ™āļ—āļ™āđŒ Bhinyapat Trisirinan

Yossapard Tantijaturaporn

Rawisara Rattanasakuldilok

Surada Leeratanakul

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āļŠāļđāļˆāļīāļšāļąāļ•āļĢāļ­āļ­āļ™āđ„āļĨāļ™āđŒ āļ„āļ­āļ™āđ€āļŠāļīāļĢāđŒāļ• "Through Your Imagination" āļ§āļąāļ™āļ­āļēāļ—āļīāļ•āļĒāđŒāļ—āļĩāđˆ 3 āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™ 2567 by Chulalongkorn University - Issuu